A Terre
(Being the philosophy of many Soldiers.)
Sit on the bed; I'm blind, and three parts shell,
Be careful; can't shake hands now; never shall.
Both arms have mutinied against me -- brutes.
My fingers fidget like ten idle brats.
I tried to peg out soldierly -- no use!
One dies of war like any old disease.
This bandage feels like pennies on my eyes.
I have my medals? -- Discs to make eyes close.
My glorious ribbons? -- Ripped from my own back
In scarlet shreds. (That's for your poetry book.)
A short life and a merry one, my brick!
We used to say we'd hate to live dead old, --
Yet now . . . I'd willingly be puffy, bald,
And patriotic. Buffers catch from boys
At least the jokes hurled at them. I suppose
Little I'd ever teach a son, but hitting,
Shooting, war, hunting, all the arts of hurting.
Well, that's what I learnt, -- that, and making money.
Your fifty years ahead seem none too many?
Tell me how long I've got? God! For one year
To help myself to nothing more than air!
One Spring! Is one too good to spare, too long?
Spring wind would work its own way to my lung,
And grow me legs as quick as lilac-shoots.
My servant's lamed, but listen how he shouts!
When I'm lugged out, he'll still be good for that.
Here in this mummy-case, you know, I've thought
How well I might have swept his floors for ever,
I'd ask no night off when the bustle's over,
Enjoying so the dirt. Who's prejudiced
Against a grimed hand when his own's quite dust,
Less live than specks that in the sun-shafts turn,
Less warm than dust that mixes with arms' tan?
I'd love to be a sweep, now, black as Town,
Yes, or a muckman. Must I be his load?
O Life, Life, let me breathe, -- a dug-out rat!
Not worse than ours the existences rats lead --
Nosing along at night down some safe vat,
They find a shell-proof home before they rot.
Dead men may envy living mites in cheese,
Or good germs even. Microbes have their joys,
And subdivide, and never come to death,
Certainly flowers have the easiest time on earth.
"I shall be one with nature, herb, and stone."
Shelley would tell me. Shelley would be stunned;
The dullest Tommy hugs that fancy now.
"Pushing up daisies," is their creed, you know.
To grain, then, go my fat, to buds my sap,
For all the usefulness there is in soap.
D'you think the Boche will ever stew man-soup?
Some day, no doubt, if . . .
Friend, be very sure
I shall be better off with plants that share
More peaceably the meadow and the shower.
Soft rains will touch me, -- as they could touch once,
And nothing but the sun shall make me ware.
Your guns may crash around me. I'll not hear;
Or, if I wince, I shall not know I wince.
Don't take my soul's poor comfort for your jest.
Soldiers may grow a soul when turned to fronds,
But here the thing's best left at home with friends.
My soul's a little grief, grappling your chest,
To climb your throat on sobs; easily chased
On other sighs and wiped by fresher winds.
Carry my crying spirit till it's weaned
To do without what blood remained these wounds.
poem by Wilfred Owen
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Related quotes
A Terre (being the philosophy of many soldiers)
Sit on the bed. I'm blind, and three parts shell.
Be careful; can't shake hands now; never shall.
Both arms have mutinied against me,-brutes.
My fingers fidget like ten idle brats.
I tried to peg out soldierly,-no use!
One dies of war like any old disease.
This bandage feels like pennies on my eyes.
I have my medals?-Discs to make eyes close.
My glorious ribbons?-Ripped from my own back
In scarlet shreds. (That's for your poetry book.)
A short life and a merry one, my buck!
We used to say we'd hate to live dead-old,-
Yet now...I'd willingly be puffy, bald,
And patriotic. Buffers catch from boys
At least the jokes hurled at them. I suppose
Little I'd ever teach a son, but hitting,
Shooting, war, hunting, all the arts of hurting.
Well, that's what I learnt,-that, and making money.
Your fifty years ahead seem none too many?
Tell me how long I've got? God! For one year
To help myself to nothing more than air!
One Spring! Is one too good to spare, too long?
Spring wind would work its own way to my lung,
And grow me legs as quick as lilac-shoots.
My servant's lamed, but listen how he shouts!
When I'm lugged out, he'll still be good for that.
Here in this mummy-case, you know, I've thought
How well I might have swept his floors for ever.
I'd ask no nights off when the bustle's over,
Enjoying so the dirt. Who's prejudiced
Against a grimed hand when his own's quite dust,
Less live than specks that in the sun-shafts turn,
Less warm than dust that mixes with arms' tan?
I'd love to be a sweep, now, black as Town,
Yes, or a muckman. Must I be his load?
O Life, Life, let me breathe,-a dug-out rat!
Not worse than ours the lives rats lead-
Nosing along at night down some safe rut,
They find a shell-proof home before they rot.
Dead men may envy living mites in cheese,
Or good germs even. Microbes have their joys,
And subdivide, and never come to death.
Certainly flowers have the easiest time on earth.
'I shall be one with nature, herb, and stone'
Shelley would tell me. Shelley would be stunned:
The dullest Tommy hugs that fancy now.
'Pushing up daisies' is their creed, you know.
To grain, then, go my fat, to buds my sap,
For all the usefulness there is in soap.
D'you think the Boche will ever stew man-soup?
Some day, no doubt, if...Friend, be very sure
I shall be better off with plants that share
More peaceably the meadow and the shower.
Soft rains will touch me,-as they could touch once,
And nothing but the sun shall make me ware.
Your guns may crash around me. I'll not hear;
Or, if I wince, I shall not know I wince.
Don't take my soul's poor comfort for your jest.
Soldiers may grow a soul when turned to fronds,
But here's the thing's best left at home with friends.
My soul's a little grief, grappling your chest,
To climb your throat on sobs; easily chased
On other sighs and wiped by fresher winds.
Carry my crying spirit till it's weaned
To do without what blood remained these wounds.
poem by Wilfred Owen
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Wild with all Regrets
(Another version of "A Terre".)
To Siegfried Sassoon
My arms have mutinied against me -- brutes!
My fingers fidget like ten idle brats,
My back's been stiff for hours, damned hours.
Death never gives his squad a Stand-at-ease.
I can't read. There: it's no use. Take your book.
A short life and a merry one, my buck!
We said we'd hate to grow dead old. But now,
Not to live old seems awful: not to renew
My boyhood with my boys, and teach 'em hitting,
Shooting and hunting, -- all the arts of hurting!
-- Well, that's what I learnt. That, and making money.
Your fifty years in store seem none too many;
But I've five minutes. God! For just two years
To help myself to this good air of yours!
One Spring! Is one too hard to spare? Too long?
Spring air would find its own way to my lung,
And grow me legs as quick as lilac-shoots.
Yes, there's the orderly. He'll change the sheets
When I'm lugged out, oh, couldn't I do that?
Here in this coffin of a bed, I've thought
I'd like to kneel and sweep his floors for ever, --
And ask no nights off when the bustle's over,
For I'd enjoy the dirt; who's prejudiced
Against a grimed hand when his own's quite dust, --
Less live than specks that in the sun-shafts turn?
Dear dust, -- in rooms, on roads, on faces' tan!
I'd love to be a sweep's boy, black as Town;
Yes, or a muckman. Must I be his load?
A flea would do. If one chap wasn't bloody,
Or went stone-cold, I'd find another body.
Which I shan't manage now. Unless it's yours.
I shall stay in you, friend, for some few hours.
You'll feel my heavy spirit chill your chest,
And climb your throat on sobs, until it's chased
On sighs, and wiped from off your lips by wind.
I think on your rich breathing, brother, I'll be weaned
To do without what blood remained me from my wound.
5th December 1917.
poem by Wilfred Owen
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John Robinson
AIR -- "The Drunkard"
Come listen, friends, and hear a song,
It is a doleful one,
About a young man, dead and gone --
He died far away from home.
John Robinson this young man's name,
His age I cannot tell,
And he was loved by all his friends,
And he was known full well.
His father and mother being dead,
It left him an orphan boy,
When he was with his brother
His health failed him, poor boy.
Kind friends they thought 'twould do him good
To travel for his health;
To California he did go
With his Uncle Zera French.
He was not gone but a short time
When a letter his friends received;
It told how homesick Johnny was,
How he for home did grieve.
It said that he was getting worse,
And his money was nearly gone,
And if he did not soon return
Never more would he see home.
It said, "Dear Brother, will you please
Some money to me send,
For I fear I have not got enough
To bring me back again.
The doctor says I must soon return,
If I wish my home to see,
For if I stay my life is short,
For the air disagrees with me."
His brother Will the letter read,
It made his eyes grow dim.
"Dear brother, he shall soon return,
For I will go and fetch him."
This brother dear was very kind;
With money, he went with haste
For to bring him home again,
But Oh! he went too late.
For he was sick, and very bad --
Poor boy, he thought, no doubt,
If he came home in a smoking car
His money would hold out.
He started to come back alone --
He came one-third the way --
One evening in the car alone
His spirit fled away.
No friend was near to speak to him,
Or hear his dying moan;
How sad, how sad it must have been
To die there all alone;
No loving friends to soothe his brow,
Or ease his weary form;
Poor soul, poor soul is now at rest,
For his soul to heaven has gone.
Telegraph dispatch was sent his friends --
How sad were they to hear --
How their loved one died all alone,
In a car with no one near.
The brother brought his body home
To his friends that loved him best.
He's sleeping in their grave yard now
Let peace be e'er his rest.
poem by Julia A Moore
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Under the Pines
"LIFE is sad," says the wind in the pines
To the still soul listening,
While the pale, pale day declines
Like a white bird on the wing.
"Life is sad," says the quiet earth
5
Under the churchyard wall,
Where the spring flowers have their birth
And the autumn leaflets fall.
"Life is sad," say the daisies that blow there
And stretch out their heads to the sun;
10
"Life is sad," say the poor hearts that go there
To weep when the day's work is done.
"Life is sad," from below, from on high,
From forest and meadow and tree,
From the clouds that drift over the sky
15
And the days that die into the sea.
Then up and be brave with thy sorrow,
Like a man with his face to the blast;
Not from hope of the joys of to-morrow,
Nor rest when the warfare is past;
20
But strong that weak souls may grow strong,
That men may take heart by the way,
Till the heavens break forth with the song
That will herald eternal day.
poem by Frederick George Scott
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The Swagman
Oh, he was old and he was spare;
His bushy whiskers and his hair
Were all fussed up and very grey
He said he'd come a long, long way
And had a long, long way to go.
Each boot was broken at the toe,
And he'd a swag upon his back.
His billy-can, as black as black,
Was just the thing for making tea
At picnics, so it seemed to me.
'Twas hard to earn a bite of bread,
He told me. Then he shook his head,
And all the little corks that hung
Around his hat-brim danced and swung
And bobbed about his face; and when
I laughed he made them dance again.
He said they were for keeping flies -
"The pesky varmints" - from his eyes.
He called me "Codger". . . "Now you see
The best days of your life," said he.
"But days will come to bend your back,
And, when they come, keep off the track.
Keep off, young codger, if you can.
He seemed a funny sort of man.
He told me that he wanted work,
But jobs were scarce this side of Bourke,
And he supposed he'd have to go
Another fifty mile or so.
"Nigh all my life the track I've walked,"
He said. I liked the way he talked.
And oh, the places he had seen!
I don't know where he had not been -
On every road, in every town,
All through the country, up and down.
"Young codger, shun the track," he said.
And put his hand upon my head.
I noticed, then, that his old eyes
Were very blue and very wise.
"Ay, once I was a little lad,"
He said, and seemed to grow quite sad.
I sometimes think: When I'm a man,
I'll get a good black billy-can
And hang some corks around my hat,
And lead a jolly life like that.
poem by Clarence Michael James Stanislaus Dennis
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Once In A Lifetime
"I know I'm a down and out, wet and freezing cold,
but what do you want from one who feels so old.
Go away, leave me alone, so I can get some sleep
and maybe with luck God will my soul keep.
What do you want? I've got nothing at all for you,
even my aching body is aged and worthless too.
Maybe you're a Samaritan here to do me a good turn?
Oh go away, I'm too old to change or learn."
"What would you say if I could make you well again,
give you a younger body free from pain? "
"Do you think I'm mad or are you completely insane,
who do you think you are to make such a claim? "
"I am not an empty vessel; I only say what I can do,
and I will help you, but you have to help me too.
Ah, I see you're thinking… well, what do you say old man?
No one else can offer this, there's only me that can?
If you turn me down you'll be dead in a very short time;
what've you to lose, why should you decline? "
"And I suppose all you want is my God given soul,
my only possession that's undamaged and whole.
Throughout my entire life, it's been of no use to me,
and yet you want it, in exchange for my misery."
"How did you happen to know it was your soul I desired,
do you believe the stories that I'm by evil inspired?
You people have been grossly misinformed about me,
if I was really evil would I set your pain free,
give you a new life, guaranteed for three more years,
why, such a deal would reduce any man to tears.
Come on old man, before it's too late, what do you say,
are we going to make a deal before you slip away?
Your soul is worthless to you when you're dead and gone,
this is your last chance to live a new life from now on."
"If we can agree to five years instead of three for my soul,
what will happen to me when I've paid my toll?
Will my soul burn forever in that place they call hell,
be tormented and tortured, like I've heard tell? "
You don't want to listen to malicious fairy tales and lies,
which are used to frighten children and the unwise.
As a collector of souls I've been stigmatised by what I do
by the so called honest and religious amongst you.
The truth is hell doesn't really exist, so no one goes there,
and all the other stuff is just a religious scare.
So, with the souls I gather I simply unite them together
so that as soul mates they can remain forever.
"Is it true that we have to have a contract signed in blood,
with everything agreed and understood? "
"This too is superstitious nonsense and it gets under my skin,
but if that's what you want, it's a good way to begin.
"In this modern age a teardropp to seal the contract will do,
and from this day all I promised will be granted to you.
And in four years from now your soul will become mine,
so make the most of your life, and have a good time."
The following four years passed by as though one day
and the payment of a soul is due without delay.
"Hello my friend, you look exceptionally well and healthy,
your four years has not been a waste of time I see."
"I've had an excellent time and I want to thank you a lot,
but is it possible to postpone the contract we've got? "
"How dare you have the audacity to take me as a fool,
do you honestly think I'll break a fundamental rule?
Now listen old man, a deal is a deal and that's a fact,
and its all been signed for in our contract.
Now give me a sealing teardropp from your eye,
and then we can say our last goodbye."
"I'm sorry, it's not medically possible I have dry eyes,
and operations have in vain been tried."
"This is no use to me! I've said it before, a deal is a deal
you'll have to sign it off using blood as the seal! "
"I won't sign in blood, things are different in my life,
I have responsibilities, including a new wife."
"But all these things were made possible because of me,
you owe me your soul and that's how it will be!
Okay, okay… I accept that I cannot have it this day,
but the moment you die you will definitely pay,
and don't go away thinking that you have outwitted me,
your soul will soon be mine, you are not accident free."
poem by Orlando Belo
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Overgrown Grave Stone
I never thought that weeds would grow
Though years they have been left, I know
Somehow I thought that nature's way
Would shout "a loved one here is lay! "
Blooms, plants and flowers cheering
Instead, you're slowly disappearing
I brush the plants, hair off your face
A stone cold touch is my embrace
Relief: I stop and find a note
At least that someone's wrote, I hoped
"lipstick, chicken, Reggae sauce"
A list discarded at your door
But why? As I write, do passers pass me wide?
I am not sad, do not cry
I know, to passers by this stone,
Is left untouched and overgrown
And though, I know,
your type may disappear
I do not vow to come each year
Instead, to you I will invest
In what you've left, I'll do my best
I vow to teach and learn and grow
To live and let my colours show
I promise not to waste my time
Planting bird food at your side
For by this slab, you do not lie
I am your stone, I'll make me shine.
poem by Peggy Pollock
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The Contented Man
"How good God is to me," he said;
"For have I not a mansion tall,
With trees and lawns of velvet tread,
And happy helpers at my call?
With beauty is my life abrim,
With tranquil hours and dreams apart;
You wonder that I yield to Him
That best of prayers, a grateful heart?"
"How good God is to me," he said;
"For look! though gone is all my wealth,
How sweet it is to earn one's bread
With brawny arms and brimming health.
Oh, now I know the joy of strife!
To sleep so sound, to wake so fit.
Ah yes, how glorious is life!
I thank Him for each day of it."
"How good God is to me," he said;
"Though health and wealth are gone, it's true;
Things might be worse, I might be dead,
And here I'm living, laughing too.
Serene beneath the evening sky
I wait, and every man's my friend;
God's most contented man am I . . .
He keeps me smiling to the End."
poem by Robert William Service
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Base Details
If I were fierce, and bald, and short of breath
I'd live with scarlet Majors at the Base,
And speed glum heroes up the line to death.
You'd see me with my puffy petulant face,
Guzzling and gulping in the best hotel,
Reading the Roll of Honour. "Poor young chap,"
I'd say -- "I used to know his father well;
Yes, we've lost heavily in this last scrap."
And when the war is done and youth stone dead,
I'd toddle safely home and die -- in bed.
poem by Siegfried Sassoon
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The Golden Moon
The money is the Planet’s Wheel.
Into the mud the money binds the human’s Will. The money is Survival's drill.
The money diggs in our heart relations dirt, or Separation, which is "emotion's bill." The money is the dust.
With money covered our Life and Path. Sometimes, the money serves (in stead of oil) as "Diplomatic honey."
The money gives the Power to sinner and to swami. The money is the NEED.
Without money we are the Soul's zero, "Human's meat" indeed. We wish the money night and day.
The whisper ‘money’ make us forget the smile; blessing of pundit, the pray. The money is the Dream: "The Golden Moon"
Without money we are in Life useless wave: "balloon." Conclusion:
"Without money, I am the sand on Ocean's shore,"
concluded Poem "Golden Moon"- the Poet Lebishor.
poem by Leonid Rotshtein
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The Woman and the Wife
I--THE EXPLANATION
"You thought we knew," she said, "but we were wrong.
This we can say, the rest we do not say;
Nor do I let you throw yourself away
Because you love me. Let us both be strong,
And we shall find in sorrow, before long,
Only the price Love ruled that we should pay:
The dark is the end of every day,
And silence is the end of every song.
"You ask me for one more proof that I speak right,
But I can answer only what I know;
You look for just one lie to make black white,
But I can tell you only what is true--
God never made me for the wife of you.
This we can say,--believe me! . . . Tell me so!"
II--THE ANNIVERSARY
"Give me the truth, whatever it may be.
You thought we knew, but now tell me what you miss:
You are the one to tell me what it is--
You are a man, and you have married me.
What is it worth to-night that you can see
More marriage in the dream of one dead kiss
Than in a thousand years of life like this?
Passion has turned the lock. Pride keeps the key.
"Whatever I have said or left unsaid,
Whatever I have done or left undone,--
Tell me. Tell me the truth . . . Are you afraid?
Do you think that Love was ever fed with lies
But hunger lived thereafter in his eyes?
Do you ask me to take moonlight for the sun?"
poem by Edwin Arlington Robinson
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Lead "me" to "me
What is this place?
Where have I reached?
I stand infront
The mirror,
As a stranger
Stares back at me.
Do I know her?
Have we met before?
Why do I see in her traces of' me'?
Or is this…
The new ‘me"?
Do I like her?
Brazen she stands…
Her hair wind swept,
Her eyes, wild
No longer windows
To the divinity of her soul.
But her smile has
Traces of "me".
That strange
Devil in "me".
As I shudder in peril,
Where have I reached?
Its miles and miles of mist,
Paths untread,
Lonely beings.
But…
Its this mysterious "me"
Which terrifies my soul.
Did I ever want to be
"her"?
Do I have a choice?
Is it too late to decide,
Revert, run back?
Where did I lose the "me"
I was so proud about?
Pray, give me your magic hand
Do lead "me to"me"…
For without "you" holding "me"
I remain not even "me"
Daddy…
your little 'ai'is all lost
Please lead "me" to "me"….
poem by Anjali Kakati
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The Gift Of The Sea
The dead child lay in the shroud,
And the widow watched beside;
And her mother slept, and the Channel swept
The gale in the teeth of the tide.
But the mother laughed at all.
"I have lost my man in the sea,
And the child is dead. Be still," she said,
"What more can ye do to me?"
The widow watched the dead,
And the candle guttered low,
And she tried to sing the Passing Song
That bids the poor soul go.
And "Mary take you now," she sang,
"That lay against my heart."
And "Mary smooth your crib to-night,"
But she could not say "Depart."
Then came a cry from the sea,
But the sea-rime blinded the glass,
And "Heard ye nothing, mother?" she said,
"'Tis the child that waits to pass."
And the nodding mother sighed.
"'Tis a lambing ewe in the whin,
For why should the christened soul cry out
That never knew of sin?"
"O feet I have held in my hand,
O hands at my heart to catch,
How should they know the road to go,
And how should they lift the latch?"
They laid a sheet to the door,
With the little quilt atop,
That it might not hurt from the cold or the dirt,
But the crying would not stop.
The widow lifted the latch
And strained her eyes to see,
And opened the door on the bitter shore
To let the soul go free.
There was neither glimmer nor ghost,
There was neither spirit nor spark,
And "Heard ye nothing, mother?" she said,
"'Tis crying for me in the dark."
And the nodding mother sighed:
"'Tis sorrow makes ye dull;
Have ye yet to learn the cry of the tern,
Or the wail of the wind-blown gull?"
"The terns are blown inland,
The gray gull follows the plough.
'Twas never a bird, the voice I heard,
O mother, I hear it now!"
"Lie still, dear lamb, lie still;
The child is passed from harm,
'Tis the ache in your breast that broke your rest,
And the feel of an empty arm."
She put her mother aside,
"In Mary's name let be!
For the peace of my soul I must go," she said,
And she went to the calling sea.
In the heel of the wind-bit pier,
Where the twisted weed was piled,
She came to the life she had missed by an hour,
For she came to a little child.
She laid it into her breast,
And back to her mother she came,
But it would not feed and it would not heed,
Though she gave it her own child's name.
And the dead child dripped on her breast,
And her own in the shroud lay stark;
And "God forgive us, mother," she said,
"We let it die in the dark!"
poem by Rudyard Kipling
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Venevil
Fair Venevil hastened with tripping feet
Her lover to meet.
He sang, so it rang o'er the church far away:
"Good-day! Good-day!"
And all the little birds sang right merrily their lay:
"Midsummer Day
Brings us laughter and play;
But later know I little, if she twines her wreath so gay!"
She twined him a wreath of the flowers blue:
"My eyes for you!"
He tossed it and caught it and to her did bend:
"Good-by, my friend!"
And loudly he exulted at the field's far distant end:
"Midsummer Day
Brings us laughter and play;
But later know I little, if she twines her wreath so gay!"
She twined him a wreath: "Do at all you care
For my golden hair?"
She twined one, and gave in life's hour so rare
Her red lips' pair;
He took them and he pressed them, and he blushed as she did there.
She twined one all white as a lily-band:
"'T is my right hand."
She twined one blood-red, with her love in each strand:
"'T is my left hand."
He took them both and kept them both, but would not understand.
She twined of the flowers that bloomed around
"Every one I found!"
She gathered and twined, while tears would her eyes fill:
"Take them you will!"
In silence then he took them, but to flight he turned him still.
She twined one so large, of discordant hue:
"My bride's-wreath true!"
She twined it and twined, till her fingers were sore:
"Crown me, I implore!"
But when she turned, he was not there, she never saw him more.
She twined yet undaunted without a stay
At her bride's-array.
But now it was long past the Midsummer Day,
All the flowers away:
She twined it of the flowers, though they all were now away!
"Midsummer Day
Brings us laughter and play;
But later know I little, if she twines her wreath so gay!"
poem by Bjørnstjerne Bjørnson
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Home Burial
He saw her from the bottom of the stairs
Before she saw him. She was starting down,
Looking back over her shoulder at some fear.
She took a doubtful step and then undid it
To raise herself and look again. He spoke
Advancing toward her: "What is it you see
From up there always? -- for I want to know."
She turned and sank upon her skirts at that,
And her face changed from terrified to dull.
He said to gain time: "What is it you see?"
Mounting until she cowered under him.
"I will find out now -- you must tell me, dear."
She, in her place, refused him any help,
With the least stiffening of her neck and silence.
She let him look, sure that he wouldn't see,
Blind creature; and a while he didn't see.
But at last he murmured, "Oh" and again, "Oh."
"What is it -- what?" she said.
"Just that I see."
"You don't," she challenged. "Tell me what it is."
"The wonder is I didn't see at once.
I never noticed it from here before.
I must be wonted to it -- that's the reason.
The little graveyard where my people are!
So small the window frames the whole of it.
Not so much larger than a bedroom, is it?
There are three stones of slate and one of marble,
Broad-shouldered little slabs there in the sunlight
On the sidehill. We haven't to mind those.
But I understand: it is not the stones,
But the child's mound ----"
"Don't, don't, don't,
don't," she cried.
She withdrew, shrinking from beneath his arm
That rested on the banister, and slid downstairs;
And turned on him with such a daunting look,
He said twice over before he knew himself:
"Can't a man speak of his own child he's lost?"
"Not you! -- Oh, where's my hat? Oh, I don't need it!
I must get out of here. I must get air.--
I don't know rightly whether any man can."
"Amy! Don't go to someone else this time.
Listen to me. I won't come down the stairs."
He sat and fixed his chin between his fists.
"There's something I should like to ask you, dear."
"You don't know how to ask it."
"Help me, then."
Her fingers moved the latch for all reply.
"My words are nearly always an offense.
I don't know how to speak of anything
So as to please you. But I might be taught,
I should suppose. I can't say I see how.
A man must partly give up being a man
With womenfolk. We could have some arrangement
By which I'd bind myself to keep hands off
Anything special you're a-mind to name.
Though I don't like such things 'twixt those that love.
Two that don't love can't live together without them.
But two that do can't live together with them."
She moved the latch a little. "Don't -- don't go.
Don't carry it to someone else this time.
Tell me about it if it's something human.
Let me into your grief. I'm not so much
Unlike other folks as your standing there
Apart would make me out. Give me my chance.
I do think, though, you overdo it a little.
What was it brought you up to think it the thing
To take your mother-loss of a first child
So inconsolably -- in the face of love.
You'd think his memory might be satisfied ----"
"There you go sneering now!"
"I'm not, I'm not!
You make me angry. I'll come down to you.
God, what a woman! And it's come to this,
A man can't speak of his own child that's dead."
"You can't because you don't know how to speak.
If you had any feelings, you that dug
With your own hand -- how could you? -- his little grave;
I saw you from that very window there,
Making the gravel leap and leap in air,
Leap up, like that, like that, and land so lightly
And roll back down the mound beside the hole.
I thought, Who is that man? I didn't know you.
And I crept down the stairs and up the stairs
To look again, and still your spade kept lifting.
Then you came in. I heard your rumbling voice
Out in the kitchen, and I don't know why,
But I went near to see with my own eyes.
You could sit there with the stains on your shoes
Of the fresh earth from your own baby's grave
And talk about your everyday concerns.
You had stood the spade up against the wall
Outside there in the entry, for I saw it."
"I shall laugh the worst laugh I ever laughed.
I'm cursed. God, if I don't believe I'm cursed."
"I can repeat the very words you were saying:
'Three foggy mornings and one rainy day
Will rot the best birch fence a man can build.'
Think of it, talk like that at such a time!
What had how long it takes a birch to rot
To do with what was in the darkened parlour?
You couldn't care! The nearest friends can go
With anyone to death, comes so far short
They might as well not try to go at all.
No, from the time when one is sick to death,
One is alone, and he dies more alone.
Friends make pretense of following to the grave,
But before one is in it, their minds are turned
And making the best of their way back to life
And living people, and things they understand.
But the world's evil. I won't have grief so
If I can change it. Oh, I won't, I won't!"
"There, you have said it all and you feel better.
You won't go now. You're crying. Close the door.
The heart's gone out of it: why keep it up?
Amyl There's someone coming down the road!"
"You -- oh, you think the talk is all. I must go --
Somewhere out of this house. How can I make you ----"
"If -- you -- do!" She was opening the door wider.
"Where do you mean to go? First tell me that.
I'll follow and bring you back by force. I will! --"
poem by Robert Frost
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A Casualty
That boy I took in the car last night,
With the body that awfully sagged away,
And the lips blood-crisped, and the eyes flame-bright,
And the poor hands folded and cold as clay --
Oh, I've thought and I've thought of him all the day.
For the weary old doctor says to me:
"He'll only last for an hour or so.
Both of his legs below the knee
Blown off by a bomb. . . . So, lad, go slow,
And please remember, he doesn't know."
So I tried to drive with never a jar;
And there was I cursing the road like mad,
When I hears a ghost of a voice from the car:
"Tell me, old chap, have I `copped it' bad?"
So I answers "No," and he says, "I'm glad."
"Glad," says he, "for at twenty-two
Life's so splendid, I hate to go.
There's so much good that a chap might do,
And I've fought from the start and I've suffered so.
'Twould be hard to get knocked out now, you know."
"Forget it," says I; then I drove awhile,
And I passed him a cheery word or two;
But he didn't answer for many a mile,
So just as the hospital hove in view,
Says I: "Is there nothing that I can do?"
Then he opens his eyes and he smiles at me;
And he takes my hand in his trembling hold;
"Thank you -- you're far too kind," says he:
"I'm awfully comfy -- stay . . . let's see:
I fancy my blanket's come unrolled --
My feet, please wrap 'em -- they're cold . . . they're cold."
poem by Robert William Service
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Two Schools
I put my heart to school
In the world, where men grow wise,
"Go out," I said, "and learn the rule;
Come back when you win a prize."
My heart came back again:
"Now where is the prize?" I cried. ----
"The rule was false, and the prize was pain,
And the teacher's name was Pride."
I put my heart to school
In the woods, where veeries sing,
And brooks run cool and clear;
In the fields, where wild flowers spring,
And the blue of heaven bends near.
"Go out," I said: "you are half a fool,
But perhaps they can teach you here."
"And why do you stay so long,
My heart, and where do you roam?"
The answer came with a laugh and a song, ---
"I find this school is home."
poem by Henry Van Dyke
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His Boys
"I'm going, Billy, old fellow. Hist, lad! Don't make any noise.
There's Boches to beat all creation, the pitch of a bomb away.
I've fixed the note to your collar, you've got to get back to my Boys,
You've got to get back to warn 'em before it's the break of day."
The order came to go forward to a trench-line traced on the map;
I knew the brass-hats had blundered, I knew and I told 'em so;
I knew if I did as they ordered I would tumble into a trap,
And I tried to explain, but the answer came like a pistol: "Go."
Then I thought of the Boys I commanded -- I always called them "my Boys" --
The men of my own recruiting, the lads of my countryside;
Tested in many a battle, I knew their sorrows and joys,
And I loved them all like a father, with more than a father's pride.
To march my Boys to a shambles as soon as the dawn of day;
To see them helplessly slaughtered, if all that I guessed was true;
My Boys that trusted me blindly, I thought and I tried to pray,
And then I arose and I muttered: "It's either them or it's you."
I rose and I donned my rain-coat; I buckled my helmet tight.
I remember you watched me, Billy, as I took my cane in my hand;
I vaulted over the sandbags into the pitchy night,
Into the pitted valley that served us as No Man's Land.
I strode out over the hollow of hate and havoc and death,
From the heights the guns were angry, with a vengeful snarling of steel;
And once in a moment of stillness I heard hard panting breath,
And I turned . . . it was you, old rascal, following hard on my heel.
I fancy I cursed you, Billy; but not so much as I ought!
And so we went forward together, till we came to the valley rim,
And then a star-shell sputtered . . . it was even worse than I thought,
For the trench they told me to move in was packed with Boche to the brim.
They saw me too, and they got me; they peppered me till I fell;
And there I scribbled my message with my life-blood ebbing away;
"Now, Billy, you fat old duffer, you've got to get back like hell;
And get them to cancel that order before it's the dawn of day.
"Billy, old boy, I love you, I kiss your shiny black nose;
Now, home there. . . . Hurry, you devil, or I'll cut you to ribands. . . . See . . ."
Poor brute! he's off! and I'm dying. . . . I go as a soldier goes.
I'm happy. My Boys, God bless 'em! . . . It had to be them or me.
poem by Robert William Service
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In The Moonlight
"O lonely workman, standing there
In a dream, why do you stare and stare
At her grave, as no other grave where there?"
"If your great gaunt eyes so importune
Her soul by the shine of this corpse-cold moon,
Maybe you'll raise her phantom soon!"
"Why, fool, it is what I would rather see
Than all the living folk there be;
But alas, there is no such joy for me!"
"Ah - she was one you loved, no doubt,
Through good and evil, through rain and drought,
And when she passed, all your sun went out?"
"Nay: she was the woman I did not love,
Whom all the other were ranked above,
Whom during her life I thought nothing of."
poem by Thomas Hardy
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The New Knighthood
Who gives him the Bath?
"I," said the wet,
Rank-Jungle-sweat,
"I'll give him the Bath!"
Who'll sing the psalms?
"We," said the Palms.
"Ere the hot wind becalms,
"We'll sing the psalms."
Who lays on the sword ?
"I," said the Sun,
Before he has done,
"I'll lay on the sword."
"Who fastens his belt?
"I," said Short-Rations,
" I know all the fashions
"Of tightening a belt!"
Who gives him his spur?
"I," said his Chief,
Exacting and brief,
"I'll give him the spur."
Who'll shake his hand?
"I," said the Fever,
"And I'm no deceiver,
"I'll shake his hand."
Who brings him the wine?
"I," said Quinine,
"It's a habit of mine.
"I'11 come with his wine."
Who'll put him to proof?
"I," said All Earth.
"Whatever he's worth,
"I'll put to the proof."
Who'll choose him for Knight?
"I," said his Mother,
"Before any other,
"My very own Knight."
And after this fashion, adventure to seek,
Sir Galahad was made--as it might be last week!
poem by Rudyard Kipling
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