Now, Heart' - Some Of What I Remember When I Listen
A river is a process through time, and the river stages are its momentary parts.
—Willard Van Orman Quine
From early poems,1970s, youthful indiscretions/attempts to vocally/poetically arrive at/derive a worthwhile writer's voice. Some explication might serve or enhance these under serving, undeserving though 'striving-after' poems hidden in old journals understandably unpublished but now so with apologies which are these expiatory explanations. Recently rediscovering these early arrivals, derivative yet aspiring I recognized and reembraced an enduring self maturing, arriving into late middle age:
Obsessed newly by jazz, mad about the many miraculous lady singers, entranced all too easily as youth are wont to be by sorrows and sexual infatuations which feel, emphasis on 'feel', like love, here are two of many 'songs' as tributes and life markers to jazz singers who provided soundtrack and felt expression to my angst and easily inflated/deflated sense of self, of beloved others, and of that new territory, independent life away from parental home and childhood community discovering, blundering into the fray of separate hearts and minds, irresponsible genitals and insouciant jouissance ('juiciness', in French) , discovering then and again and again that like Walt Whitman I 'contain worlds' and many disparate selves poorly formed, most of them collective projections and expectations of who or what I wanted to be, what others wanted and expected me to be, resulting in much confusion, tumult and multitudes of momentary throw-away selves. Thus singers like Bessie Smith and Dinah Washington became anchors, warm contexts and containers, for my daily fragmentation and re-formation.
I lived on 3rd street in downtown Chattanooga, a refugee from zealous, politically conservative white evangelicals and the vestigial yet still viral Southern Confederacy. Just a block or two from where Bessie Smith was born, I used to watch from my upstairs porch the steep hilly street's comings and goings with a glimpse of the Tennessee River between tenements across the street, its persistent rich aroma heavy in the air. I imagined Bessie Smith as a little girl playing up and down the street like the kids I saw then - once, two of them gleefully chasing a frighteningly large and confused looking rat.
William—he insisted on 'Willie'—an old man down the street who knew Bessie as a little girl, used to come up to my porch after one day hearing Bessie from my phonograph singing blues onto the always busy but attentive street. One of the first and permanent things I learned from my porch is that a city street has keen, observant eyes, acute ears, omnivorously seeing/hearing everything, indifferently, perhaps, but nothing escapes it, a roving, all-knowing urban Eye of God.
Extremely green and eager as green always is though stutteringly, and without apology, I enjoyed Willie's many stories and back pocket bottles of Old Mr. Boston Apricot Brandy, both of which—story and spirits/spirited story —dissolved or appeared to, age, racial, cultural, and sociological differences, along with those catalysts/cata-lusts, the forever alchemical Bessie and other jazz singers, Billie! Dinah! Ella! Sassy! Lil Ester Phillips! Nina Simone! to name only a few of the sensuous solutio chanteuses resolving sexual confoundaries by Miss-ambiguating sins' plethera with loose lilt and will- o-the-lisp whisper tongues.
One night Willie, much 'in the pocket'—an expression for being well onto tipsy which I've never heard from anyone but him—wanted to dance to a Bessie tune playing, 'Back Water Blues', him recalling nights as a young man in rural Tennessee where he'd worked hard days in oppressive vegetable fields then hit the after hours juke joints for 'colored, twas segregation days, ' he explained, where he would go to drink, dance then dive/delve, as it were, into the sensual mysteries of moist skin, hot breath, mutually open mouths with their commodious moans and mumbles, venial hands, always vital parts, private hearts mutually pounding ancient known rhythms, odors and tastes of gin and those slender, forbidden, now greedily stolen bites in those all too short nights with their damned intrusive dawns.
'Dawnus interuptus, ' I quipped, us both slapping knees, passing the narrative bottle fore and aft hefting moments re-grasped between us, offerings to the equally narrative river, the all-knowing hungry street.
Jumping to his feet, Willie described 'powder dancin'' (pronounced marvelously, 'powdah') which I had never heard of. Talcum powder would be copiously scattered onto the dance floor where couples in stocking or bare feet would ecstatically dance, gliding and sliding sweetly scented, muskily bent toward later glides and slides in the slippery joy of momentary allure and amour on dimmed porches or surrounding woods often enough and gratis upon delicate slabs of moonlight gratuitously dewy providing cushion for Passion's out and in, honoring and dignifying deities of skin wanting more making more skin, headlong Nature's frictional algo-rhythms indelibly scored in every/each his/her yawing yen.
Willie shouted, 'YOU GOT ANY TALC POWDER? ! '
...The jazz us trembled...
'NO! ' I bellowed, curious.
'YOU GOT ANY FLOUR? ! '
Even more curious, 'YEAH! ! '
'GO GIT IT! QUICK! ! '
He grinned an Old Mr. Boston juke-joint night-memories quaff-again grin.
Martha White, a brand of flour sold down South, has never been put to better use. Willie threw handfuls of 'Martha' over the tenement-planked living room floor as I half protested at the mess it (and me and Willie) was and would become. Completely gripped by his present-in-the-past brandy trance, a much younger man now, he suddenly grabbed me, brandied and tranced, too, my long hair flying, and danced me all over the floor the night through with swigs of Old But Now Spry 'n' Sprightly Mr. Boston with pauses to change record albums on the phonograph, 'catching up our breaths, ' he panted.
Next morning (more likely early afternoon) , Willie long gone, I awakened sprawled on the penitent porch—a cool concrete floor my sinner's bench—sweaty and thick as pan gravy, mosquito bitten, marinaded in Tennessee night mists. I staggered into the living room onto the ghostly floor powdery white, 'stroked' with two attached, or close to, sets of foot prints, heel slides and smears, a kind of 'Jackson Pollock meets Tibetan sand painting 'yazzed' yantra'**' with cigarette ashes flicked into the flickering impermanent mix. I've not powder danced since when we drank discovering oral history's joys, opened eager ears and fraternal arms forgetting fears of race and religion, age and expressed/ espressed Desire's multilingual disseminations.
I know that wheat is anciently sacred but now even more so for flour, the sight and feel of it, its unbaked smell, turns me again toward a Chattanooga 3rd street, its compass river swelling like bread nearby bearing witness still for one cannot say too much about rivers—their irreverence of edges scored, spilling themselves, proclaiming natural gods deeper than memory yet dependent upon it for traced they must be in every human activity, no matter the breech, for something there is to teach even deity though it may be wrong to do so, or hearsay to say it or sing, but the song is there for those whose ears are broken onto bottoms from which cry urgencies of Being and between, dutiful banks barely containing the straining Word.
**From Tibetan Buddhism. Visual meditation devices,
Yantras function as revelatory conduits of cosmic truths.
1. To Bessie Smith,3rd Street Chattanooga (circa 1971)
Already the river begins its sweat.
April to September I'll be on the porch
Come sunsets listening to cars in the
Dark and you, remembering the flour
On the floor and me and Willie in
Stocking feet dancing till dawn,
An old man down the street come
To drink on my porch sometime.
You were singing one night
While we drank and he just
Had to dance and pulled me,
Reluctant, skinny ass kid
All over the floor that night.
But my feet did dance.
And the flour stayed down
The whole summer long.
Now, Karen E. and Dinah Washington are still too painful 'o' dirges to give but only the skinniest details about. Karen, skinny, too, like this account where the devil is, indeed, in the details; Karen, young, vibrant, brilliant, German literature Thomas Mann scholar, once a patient in a mental hospital I worked the night shift at, committed suicide. We both loved the divine divas of jazz, Dinah Washington in particular.
I used to read William Blake out loud, the voices of the school children on the playground out our window and in the nearby park so loud that I had to shout out his 'Songs of Innocence and Songs of Experience' to be heard. Karen would almost always cry when she heard me quote/shout now by heart, mistakes and all, holding her sad face in my hands, 'And we are put on earth a little space, That we may learn to bear the beams of love And these black bodies and this sunburnt face Is but a cloud, and like a shady grove, For when our souls have learn'd the heat to bear, The cloud will vanish, we shall hear His voice, Saying, 'Come out from the grove, my love and care And round my golden tent like lambs rejoice'...'
By then gin had replaced Old Mr. Boston, and thin Karen had replaced some earnest yet fleeting others for in youth there are ne'er too many, from Willie nights to other momentary eternities of lovers. We lived Blake's songs, and Dinah's. Karen died them. The gods and Thomas Mann love her. I still do. Die of them, that is. And love her, do.
2
Dinah Washington, All Alone On The Street Of Regret (circa 1977)
It was sunrise, October.
Karen had just done herself in.
I suffered it through with
William Blake and gin.
Over the fence across the street
Children ran to class and Blake,
Too, chased those kids fast through
Leaves in the chill school yard.
I thought - the ground's already hard over
You, Karen. To Charon, then, and keep
Yourself warm. My arms no longer can.
You left no note in the dawn.
Out of lime and song at 7 a.m.
I dress, spin down the steps like then
In this morning now thin with Spring.
There's green over you now.
I cannot help but see a thin mildew
Form around your fingers in the dark.
Blake's still down playing in the park.
I'll play some Dinah when I get back in.
Now, Heart, don't you
Start that singing again.
poem by Warren Falcon
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Related quotes
2 Proems from ' 'Now, Heart' - Some Of What I Remember When I Listen
for Willie 'in the pocket' now of earth
A river is a process through time, and the river stages are its momentary parts.
—Willard Van Orman Quine
One [Remembering Chattanooga Days With Willie, Tennessee River Close By]:
One night Willie, much 'in the pocket'—an expression for being well onto drunk which I've never heard from anyone but him—wanted to dance to a Bessie tune playing, 'Back Water Blues', him recalling nights as a young man in rural Tennessee where he had worked hard days in oppressive vegetable fields then hit the after hours juke joints for 'colored, twas parting days, Jim Crow, ' he explained, where he would drink, dance then dive/delve into sensual mysteries of moist skin, hot breath, mutually open mouths, their commodious moans and mumbles, venial hands, always vital parts, private hearts mutually pounding ancient known rhythms, odors, tastes of gin and those slender, forbidden, now greedily stolen bites in those all too short nights with their damned intrusive dawns.
Jumping to his feet, Willie described 'powder dancin'' (pronounced marvelously, 'powdah') which I had never heard of. Talcum powder would be copiously scattered onto the planked dance floor where couples in stockinged or bare feet would ecstatically dance, gliding and sliding sweetly scented, muskily bent toward later glides and slides in slippery joy of momentary allure, amour on dimmed porches or in surrounding woods often enough and gratis upon delicate slabs of moonlight gratuitously dewy providing cushion for Passion's out and in, honoring, dignifying deities of skin wanting more making more skin, headlong Nature's frictional algorithms indelibly scored in every each his her yawing yen.
Two [Paean To Rivers]:
I know that wheat is anciently holy but now even more so for flour, the sight and feel of it, its unbaked smell, turns me again toward a Chattanooga 3rd street, its compass river swelling like bread nearby bearing witness still for one cannot say too much about rivers—their irreverence of edges scored, spilling themselves, proclaiming natural gods deeper than memory yet dependent upon it for traced they must be in every human activity no matter the breech, for something there is to teach even deity though it may be wrong to do so, or hearsay to say it or sing, but the song is there for those whose ears are broken onto bottoms from which cry urgencies of Being and between, dutiful banks barely containing the straining Word.
poem by Warren Falcon
Submitted by Poetry Lover
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Dinah Washington, All Alone On The Street Of Regret (circa 1977)
.
It was sunrise, October.
Karen had just done herself in.
I suffered it through with
William Blake and gin.
Over the fence across the street
Children ran to class and Blake,
Too, chased those kids fast through
Leaves in the chill school yard.
I thought - the ground's already hard over
You, Karen. To Charon, then, and keep
Yourself warm. My arms no longer can.
You left no note in the dawn.
Out of lime and song at 7 a.m.
I dress, spin down the steps like then
In this morning now thin with Spring.
There's green over you now.
I can't help but see a thin mildew
Form around your fingers in the dark.
Blake's down playing in the park.
I'll play some Dinah when I get back in.
Now, heart,
Don't you start that singing again.
poem by Warren Falcon
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Bessie Girl
Bessie Girl once so lively and young
Bessie Girl would be here to come
Bessie Girl always here to comfort
Bessie Girl always fought!
She fought for the people she loves the most
She fought for the people she loved to boast
She fought for a lousy piece of toast
But most of all,
She fought for the people she loved the most
Bessie wanted to last forever
Bessie never wanted there to a NEVER
Bessie wanted what everyone had
Bessie was never, ever sad.
Bessie Girl had a happy life
Bessie Girl loved the night
Bessie Girl had awesome family and friends
Bessie Girl, Our hearts have to mend!
Bessie is with us all in our hearts
Bessie will never let us part
Bessie Girl is attached to our hearts
Bessie Girl who ever let us apart.
Bessie fought for her survival
Bessie fought for her last breath
But couldn't hang on no more
Bessie will always be the one we adore!
poem by Kaitlyn Breitkreutz
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Down On The Corner
Early on the evening, just about suppertime
Over by the courthouse, theyre startin to unwind
Poor kids on the corner tryin to bring you up
Willie picks a tune out and he knows they gonna start
Down on the corner
Out in the street
Willie and the poor boys are playin
Bring a nickel tap your feet
Johnny hits the washboard, people just gotta smile
Robby thumbs a gut-bass and solos for a while
Poor boy brings the rhythm on his kalamazoo
And willie goes into a dance doubles on kazoo, hey!
Down on the corner
Out in the street
Willie and the poor boys are playin
Bring a nickel tap your feet
Down on the corner
Out in the street
Willie and the poor boys are playin
Bring a nickel tap your feet
Down on the corner
Out in the street
Willie and the poor boys are playin
Bring a nickel tap your feet
You dont need a penny just to hang around
But if you got a nickel wont ya lay your money down
Over on the corner theres a happy noise
People come from all around to watch the magic boy
Down on the corner
Out in the street
Willie and the poor boys are playin
Bring a nickel tap your feet
(repeat and fade)
song performed by by Goo Goo Dolls
Submitted by Lucian Velea
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Down On The Corner (feat. Lance Diamond)
Early on the evening, just about suppertime
Over by the courthouse, they're startin' to unwind
Poor kids on the corner tryin' to bring you up
Willie picks a tune out and he knows they gonna start
Down on the corner
Out in the street
Willie and the Poor Boys are playin'
Bring a nickel tap your feet
Johnny hits the washboard, people just gotta smile
Robby thumbs a gut-bass and solos for a while
Poor boy brings the rhythm on his kalamazoo
And Willie goes into a dance doubles on kazoo, hey!
Down on the corner
Out in the street
Willie and the Poor Boys are playin'
Bring a nickel tap your feet
Down on the corner
Out in the street
Willie and the Poor Boys are playin'
Bring a nickel tap your feet
Down on the corner
Out in the street
Willie and the Poor Boys are playin'
Bring a nickel tap your feet
You don't need a penny just to hang around
But if you got a nickel won't ya lay your money down
Over on the corner there's a happy noise
People come from all around to watch the magic boy
Down on the corner
Out in the street
Willie and the Poor Boys are playin'
Bring a nickel tap your feet
[fade out
song performed by by Goo Goo Dolls
Submitted by Lucian Velea
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By The Alma River
WILLIE, fold your little hands;
Let it drop, that 'soldier' toy:
Look where father's picture stands,--
Father, who here kissed his boy
Not two months since,--father kind,
Who this night may--Never mind
Mother's sob, my Willie dear,
Call aloud that He may hear
Who is God of battles, say,
'O, keep father safe this day
By the Alma river.'
Ask no more, child. Never heed
Either Russ, or Frank, or Turk,
Right of nations or of creed,
Chance-poised victory's bloody work:
Any flag i' the wind may roll
On thy heights, Sebastopol;
Willie, all to you and me
Is that spot, where'er it be,
Where he stands--no other word!
Stands--God sure the child's prayer heard--
By the Alma river.
Willie, listen to the bells
Ringing through the town to-day.
That's for victory. Ah, no knells
For the many swept away,--
Hundreds--thousands! Let us weep,
We who need not,--just to keep
Reason steady in my brain
Till the morning comes again,
Till the third dread morning tell
Who they were that fought and fell
By the Alma river.
Come, we'll lay us down, my child,
Poor the bed is, poor and hard;
Yet thy father, far exiled,
Sleeps upon the open sward,
Dreaming of us two at home:
Or beneath the starry dome
Digs out trenches in the dark,
Where he buries--Willie, mark--
Where he buries those who died
Fighting bravely at his side
By the Alma river.
Willie, Willie, go to sleep,
God will keep us, O my boy;
He will make the dull hours creep
Faster, and send news of joy,
When I need not shrink to meet
Those dread placards in the street,
Which for weeks will ghastly stare
In some eyes--Child, sy thy prayer
Once again; a different one:
Say, 'O God, Thy will be done
By the Alma river.'
poem by Dinah Maria Mulock Craik
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Bessie Smith
(r. danko and j.r. robertson)
Bessie was more than just a friend of mine
We shared the good times with the bad
Now many a year has passed me by
I still recall the best thing I ever had
Im just goin down the road t see bessie
Oh, see her soon
Goin down the road t see bessie smith
When I get there I wonder what shell do
Now all the crazy things I had to try
Well I tried them all and then some
But if youre lucky one day you find out
Where it is youre really comin from
Im just goin down the road t see bessie
Oh, see her soon
Goin down the road t see bessie smith
When I get there I wonder what shell do
Now in my day Ive made some foolish moves
But back then, I didnt worry bout a thing
And now again I still wonder to myself
Was it her sweet love or the way that she could sing
Im just goin down the road t see bessie
Oh, see her soon
Goin down the road t see bessie smith
When I get there I wonder what shell do
Theres so much time has gone right on by
I didnt think one could be so wrong
And then one night I was drinkin and a-thinkin
In the bottom of the glass I could see bessies face so strong
Im just goin down the road t see bessie
Oh, see her soon
Goin down the road t see bessie smith
When I get there I wonder what shell do
When she sees me will she know what Ive been through?
Will old times start to feelin like new?
When I get there will our love still feel so true?
Yet all I have, Ill be a-bringin it to you
Oh bessie, sing them old-time blues
song performed by by Bob Dylan
Submitted by Lucian Velea
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Bessie Smith
Bessie was more than a friend of mine
We shared the good times and the bad
Well many years has since passed me by
I still recall the best thing I ever had
Now I'm going down the road to see Bessie
Oh see her soon
I'm just going down the road to see Bessie Smith
When I get there I wondering what she'll do
Now all the crazy things I had to try
Well I tried them all and then some
But if you're lucky one day you will find out
Where it is that you're really coming from
Now I'm going down the road to see Bessie
Oh see her soon
I'm just going down the road to see Bessie Smith
When I get there I wondering what she'll do
Now in my day I've made some foolish moves
But back then I didn't worry about a thing
Now and again I still wonder to myself
Was it the sweet love or the way that she could sing
I'm just going down the road to see Bessie Smith
When I get there I wondering what she'll do
I'm just going down the road to see Bessie Smith
When I get there I wondering what she'll do
song performed by by Norah Jones
Submitted by Lucian Velea
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Cinnamon Street
Growing up on cinnamon street. everywhere you look there are lots of people to meet, its seven oclock, the breakfast treat. now the schoolbus is here, hurry up and grab a seat. all the dreams
Iny ones, another week has just begun on cinnamon street.
There was a girl on cinnamon street, the same age as me, we shared the curiosity. I won her heart cos I could play guitar. I promised her heaven at once and later all the stars. but it all remai
He same cos things can never change on cinnamon street.
I can hear my heartbeat the very first time we made love, life was a lazy rest in the sun. later we went dancing, staying up all night long - playing all our favourite songs, cinnamon songs: oh
Na na na na.
I say goodbye to cinnamon street. springtime is here and the air is so dry and sweet. I walk in a cloud, the smell of cinnamon bread, its in my blood since the day I was born til I wake up...
And the sun is smiling gently, a funny shade of red, cinnamon street.
I still feel my heartbeat the very first time we made love, life was a lazy day in the sun. later we went dancing, hanging out all night long - singing all our favourite songs, cinnamon songs: o
Na na na na na na.
song performed by by Roxette
Submitted by Lucian Velea
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On The Street
On the street
On the street
O, O, On the street
On the street
O, O, On the street
[Everybody dance]
[Watch for the difference]
On the street
{Breaking on broadway]
O, O, On the street
[Shaking on sunset strip]
On the street
[Like nobody booming supporting that]
Da, da, da, da, da ...
On the street
On the street
Dancing
On the street
On the street
Dancing
Dancing
On the street
On the street
[Twisting on the turnpipe]
Dancing
On the street
On the street
On the street ...
Da, da, da, da, ...
Dance on the street ...
song performed by by Madonna
Submitted by Lucian Velea
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Dead End Street
Theres a crack up in the ceiling,
And the kitchen sink is leaking.
Out of work and got no money,
A sunday joint of bread and honey.
What are we living for?
Two-roomed apartment on the second floor.
No money coming in,
The rent collectors knocking, trying to get in.
We are strictly second class,
We dont understand,
(dead end!)
Why we should be on dead end street.
(dead end!)
People are living on dead end street.
(dead end!)
Gonna die on dead end street.
Dead end street (yeah)
Dead end street (yeah)
On a cold and frosty morning,
Wipe my eyes and stop me yawning.
And my feet are nearly frozen,
Boil the tea and put some toast on.
What are we living for?
Two-roomed apartment on the second floor.
No chance to emigrate,
Im deep in debt and now its much too late.
We both want to work so hard,
We cant get the chance,
(dead end!)
People live on dead end street.
(dead end!)
People are dying on dead end street.
(dead end!)
Gonna die on dead end street.
Dead end street (yeah)
Dead end street (yeah)
(dead end!)
People live on dead end street.
(dead end!)
People are dying on dead end street.
(dead end!)
Gonna die on dead end street.
Dead end street (yeah)
Dead end street (yeah)
Dead end street (yeah)
Head to my feet (yeah)
Dead end street (yeah)
Dead end street (yeah)
Dead end street (yeah)
Hows it feel? (yeah)
Hows it feel? (yeah)
Dead end street (yeah)
Dead end street (yeah)
song performed by by Kinks
Submitted by Lucian Velea
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Lonely Street
Sometimes when I'm walking down this lonely street,
Well, it sure don't seem like twenty years,
Since I went walking down this lonely street
And the smell of perfumed ladies filled the air
This street ain't got no name, dead end is in the river,
And I lived where I hated life day by day,
There wasn't nothing I could do to shake a cold night shiver,
'Cause to move up Lonely Street you had to have some say
Gambling is bad luck down on Lonely Street
And it sure ain't no place to be when a man gets sore
You know I killed a man and I paid all I can,
With twenty years on a chain gang,
For the flesh and the blood on that jailhouse floor
Sometimes when I'm walking down this lonely street
I get caught up in a dream that won't let me go
And as the bright lights flash up and down this lonely street
My mind rolls back the years long time ago
I see my baby stumblin' around with tears in her eyes
And as I reach out for her she falls on the floor
She mumbles through bloody lips about a bad man, robber, raper,
And in my gut I know I got one to score
The word was comin' down, down on Lonely Street
That the bad man was a dead man if he crossed my trail
Every night I'd walk up and down this Lonely Street
I get stinkin' drunk, and always in jail,
One night they threw me in with a man they called the mangler
He was caught on the street makin' some old whore,
I remember he was quite proud of that,
So half-crazed I shot him,
And I cried in the blood on that jailhouse floor
song performed by by Kansas
Submitted by Lucian Velea
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When Bessie Died
If from your own the dimpled hands had slipped,
And ne'er would nestle in your palm again;
If the white feet into the grave had tripped--'
When Bessie died--
We braided the brown hair, and tied
It just as her own little hands
Had fastened back the silken strands
A thousand times-- the crimson bit
Of ribbon woven into it
That she had worn with childish pride--
Smoothed down the dainty bow-- and cried
When Bessie died.
When Bessie died--
We drew the nursery blinds aside,
And as the morning in the room
Burst like a primrose into bloom,
Her pet canary's cage we hung
Where she might hear him when he sung--
And yet not any note he tried,
Though she lay listening folded-eyed.
When Bessie died--
We writhed in prayer unsatisfied:
We begged of God, and He did smile
In silence on us all the while;
And we did see Him, through our tears,
Enfolding that fair form of hers,
She laughing back against His love
The kisses had nothing of--
And death to us He still denied,
When Bessie died--
When Bessie died.
poem by James Whitcomb Riley
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Rambling, Gambling Willie
Come around you rovin gamblers and a story I will tell
About the greatest gambler, you all should know him well.
His name was will o conley and he gambled all his life,
He had twenty-seven children, yet he never had a wife.
And its ride, willie, ride,
Roll, willie, roll,
Wherever you are a-gamblin now, nobody really knows.
He gambled in the white house and in the railroad yards,
Wherever there was people, there was willie and his cards.
He had a reputation as the gamblinest man around,
Wives would keep their husbands home when willie came to town.
And its ride, willie, ride,
Roll, willie, roll,
Wherever you are a-gamblin now, nobody really knows.
Sailin down the mississippi to a town called new orleans,
Theyre still talkin about their card game on that jackson river queen.
Ive come to win some money, gamblin willie says,
When the game finally ended up, the whole damn boat was his.
And its ride, willie, ride,
Roll, willie, roll,
Wherever you are a-gamblin now, nobody really knows.
Up in the rocky mountains in a town called cripple creek,
There was an all-night poker game, lasted about a week.
Nine hundred miners had laid their money down,
When willie finally left the room, he owned the whole damn town.
And its ride, willie, ride,
Roll, willie, roll,
Wherever you are a-gamblin now, nobody really knows.
But willie had a heart of gold and this I know is true,
He supported all his children, and all their mothers too.
He wore no rings or fancy things, like other gamblers wore,
He spread his money far and wide, to help the sick and the poor.
And its ride, willie, ride,
Roll, willie, roll,
Wherever you are a-gamblin now, nobody really knows.
When you played your cards with willie, you never really knew
Whether he was bluffin or whether he was true.
He won a fortune from a man who folded in his chair.
The man, he left a diamond flush, willie didnt even have a pair.
And its ride, willie, ride,
Roll, willie, roll,
Wherever you are a-gamblin now, nobody really knows.
It was late one evenin during a poker game,
A man lost all his money, he said willie was to blame.
He shot poor willie through the head, which was a tragic fate,
When willies cards fell on the floor, they were aces backed with eights.
And its ride, willie, ride,
Roll, willie, roll,
Wherever you are a-gamblin now, nobody really knows.
So all you rovin gamblers, wherever you might be,
The moral of this story is very plain to see.
Make your money while you can, before you have to stop,
For when you pull that dead mans hand, your gamblin days are up.
And its ride, willie, ride,
Roll, willie, roll,
Wherever you are a-gamblin now, nobody really knows.
song performed by by Bob Dylan
Submitted by Lucian Velea
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Cinnamon Street 2
Growing up on cinnamon street.
Everywhere you look there are lots of people to meet,
Its seven oclock, the breakfast treat.
Now the schoolbus is here, hurry up and grab a seat.
All the dreams are tiny ones, another week has just begun
On cinnamon street.
There was a boy on cinnamon street,
The same age as me, we shared the curiosity.
He won my heart cos he could play guitar.
He promised me heaven at once and later all the stars.
But it all remained the same cos things can never change
On cinnamon street.
I can hear my heartbeat the very first time we made love,
Life was a lazy rest in the sun.
Later we went dancing, staying up all night long - playing all our favourite songs,
Cinnamon songs:
Oh oh na na na na na.
I say goodbye to cinnamon street.
Springtime is here and the air is so dry and sweet.
I walk in a cloud, the smell of cinnamon bread,
Its in my blood since the day I was born til I wake up... dead.
And the sun is smiling gently, a funny shade of red,
Cinnamon street.
I still feel my heartbeat the very first time we made love,
Life was a lazy day in the sun.
Later we went dancing, hanging out all night long - singing all our favourite songs,
Cinnamon songs:
Oh oh na na na na na na...
song performed by by Roxette
Submitted by Lucian Velea
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The Street Only Knew Your Name
Your street, rich street or poor
You should always be sure of your street
There's a place in your heart,
When you know from the start
And you can't be complete without a street
Keep movin' on, just like a train
Sometimes you gotta look back to the street again
Would you prefer all those castles in spain
Or a view of the street from your window pane
When you were young, so young
So very very young
When you were young, so young
So very very young
And the street only knew your name
And the street only knew your name
And the street only knew your name, oh your precious name, precious name
There was walter and joy, kate and roy
All hung around the corner lamplight
Get together sing some songs
Like boppin' the blues - you make me feel alright
That was long before fortune and fame
No such thing as a star when you've played that game
Everyone knew who everyone was
There was no preference in the street no, no
When you were young, so young
So very very young
When you were young, so young
So very very young
And the street only knew your name
And the street only knew your name
And the street only knew your name, oh your precious name
And you walked around in the heart of town
Listening for that sound
And you walk around in the heart of town
Listening for that sound
Blue suede shoes, it was the blue suede shoes
When you were young, so young
So very very young
When you were young, so young
So very very young
And the street only knew your name
And the street only knew your name
And the street only knew your name
And the street only knew your name
song performed by by Van Morrison
Submitted by Lucian Velea
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The Scottish Dance
I once had myself a Scottish Lassie
She then became my joy and pride
Then one-night she gave me Scottish ale
Then she became my Scottish bride
~We then danced around the table
We danced across the floor
We danced and danced all night long
And then we drank a little more~
She enjoyed to go out clubbing
Her family and mates I would meet
She was so exciting and loving
And when I grabbed her she said I was cheek...
I once had myself a Scottish Lassie
She was also my Scottish bride
She fed me Scottish eggs and Haggis
I got so sick I thought I had nearly died.
~So we danced around the table
We danced across the floor
We danced and danced all night long
And then we ate a little more.~
She took me out dancing
Where I would meet her friends and mates
She would drink and dance all night long
How I wished to go back to the states...
I once had myself a Scottish Lassie
She was also my Scottish wife
She told me she loved me with all of her heart
And together we would share the same life.
~So we danced around the table
We danced across the floor
We danced and danced all night long
And then we loved a little more~
I would take her out drinking
Every Friday and Saturday night
One thing she loved more than drinking or singing
My lassie she loved to argue and fight...
I once had myself a Scottish Lassie
But that was many years ago
I will always remember my Scottish Lassie
And the places that we use to go
~We would dance around the table
We would dance across the floor
We would dance and dance all night long
And then we would dance a little more~
Now I am alone and single
But her memories and thoughts I do keep
I remember the good-times and not the bad
So now I smile and I never weep
~So I dance around the table
I dance across the floor
I dance and dance all night long
And then I drink and dance a little more~
Randy L. McClave
poem by Randy McClave
Submitted by Poetry Lover
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Time For Tea
Scouring through the wasteland
With an uge to take
Anything that comes into view
Only ten more puffs to tea time
Ive found eating so time consuming
Willie, oh willie she cried
Its time for tea
Willie, where in hell has he gone
Its time for tea
South of the wateland at your d.i.y.
The inconsiderate rings his till
Offering plans of easy credit
Claims hell cause a killing in the school half term
Willie, oh willie she cried
Its time for tea
Willie, where in hell has he gone
Its time for tea
And welly well well well what have I found here
A hiding place made by frigid air
I think Ill try it on and give my mates a scare
Theyll all be searching neither here nor there
Willie, oh willie she cried
Its time for tea
Willie, where in hell has he gone
Its time for tea
Long depress of autumn breeze
Sucking on a rubber back teeth
Plays into the hands of the hardware man
Who selfishly I dont care
song performed by by Madness
Submitted by Lucian Velea
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What Would Willie Do
I was lost in trouble and strife, I heard a voice and it changed my life
And now it's a brand new day, and I ain't afraid to say
You're not alone when you're down and out
And I think you know who I'm talking about
When I don't know how I'll get through
I ask myself what would Willie do
What would Willie do, well he'd travel so far with nothing but a song and his old guitar
And a tour bus and some semi-trucks, thirty crew men and a little bit of luck
Well he loves all the people, the ugly and the randy
If you don't believe me take a look at the family
And they'll tell you that it's true
When skies are gray what would Willie do
Well long ago he came unto us, his words were simple but they went right through us
And the whole world sang along, but then they didn't want to hear his songs
He was gone and we thought we'd lost him
But he grew his hair and he moved to Austin
And all of the people smiled, they came to hear him sing from miles
Like a miracle all those rednecks and hippies
From New York City down to Mississippi
Stood together and raised a brew
When it's all gone wrong what would Willie do
You know sometimes I wonder when I ain't gettin' nowhere
What would old Willie do when it all gets too much to bear
And I can see him on his lonely old tour bus
And he's got his problems just like any of us
Well he'd just take a deep breath and then he'd let it all go
And he'd take another deep breath and let it all go
And he'd take another deep breath...and he'd hold it
Ah and I bet he'd feel hungry in a way that seems strange
Yeah hungry for all the things that he just can't change
Like the time he passed out in is own bedroom
And his wife sewed him up in the sheets and beat him with a broom and he forgave her
And you think that's rough, well then the IRS came and they took away all of his stuff
They took his golf course and his recording studio, and he just went out and did another show
So when it's all coming down on you
You better ask yourself what would Willie do
What would Willie do, well he'd take a little time
And talk to old rooser as he'd drive on down the line
And there's millions down that road, and with a word he's gonna lighten their load
He loves all the people no matter their races
Hell he even had a hit country song with Julio Iglesias
And that ain't easy to do, so when it's all too much, what would Willie
When the game gets tough what would Willie
When they call your bluff what would Willie do
song performed by by Gary Allan
Submitted by Lucian Velea
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Willie & Laura Mae Jones
(tony joe white)
Willie & laura mae jones
Were our neighbours a long time back
They lived right down the road from us
In a shack just like our shack
The people worked the land together
And we learned to count on each other
When you live off the land
You dont have the time to think about another mans colour
The cotton was high and the corn was growing fine
But that was another place and another time
Sit out on the front porch
In the evening when the sun went down
Willie would play and the kids would sing
And everybody would mess around
Daddyd bring out his guitar
And play on through the night
Every now and then ol willie would grin and say
Hey, you play all right
Made me feel so good
I remember the best times of all
When saturday came around
We all would stop by willies house and say
Do yall need anything from town?
Hed say no, but why dont yall stop on the way back through?
And Ill get laura mae, yeah, to cook up some barbecue
And you know thats good
The cotton was high and the corn was growing fine, yes it was
But that was another place and another time
Oh, the years rolled past the land
And took back what theyd given
We all knew we had to move
If we were gonna make a living
So we all moved off
And went about our separate ways
It sure was hard to say goodbye
To willie and laura mae (jones), oh yeah
The cotton was high and the corn was growing fine, yes it was
But that was another place and another time
I remember so well
The cotton looked so fine
But that was another place and another time
And it felt so good, yes it did
song performed by by Dusty Springfield
Submitted by Lucian Velea
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