Arabia
Far are the shades of Arabia,
Where the Princes ride at noon,
'Mid the verdurous vales and thickets,
Under the ghost of the moon;
And so dark is that vaulted purple
Flowers in the forest rise
And toss into blossom 'gainst the phantom stars
Pale in the noonday skies.
Sweet is the music of Arabia
In my heart, when out of dreams
I still in the thin clear mirk of dawn
Descry her gliding streams;
Hear her strange lutes on the green banks
Ring loud with the grief and delight
Of the dim-silked, dark-haired Musicians
In the brooding silence of night.
They haunt me -- her lutes and her forests;
No beauty on earth I see
But shadowed with that dream recalls
Her loveliness to me:
Still eyes look coldly upon me,
Cold voices whisper and say --
'He is crazed with the spell of far Arabia,
They have stolen his wits away.'
poem by Walter de la Mare
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Related quotes
The Secret Life Of Arabia
The secret life of arabia
Secret secrets never seen
Secret secrets ever green
I was running at the speed of life
Through mornings thoughts and fantasies
Then I saw your eyes at the cross fades
Secret secrets never seen
Secret secrets ever green
The secret life of arabia
Never here never seen
Secret life ever green
The secret life of arabia
You must see the movie the sand in my eyes
I walk through a desert song when the heroine dies
Arabia (secret secret)
Arabia (secret)
Arabia (secret secret)
Arabia
Arabia (secret secret)
Arabia
Arabia (secret secret)
Arabia
Arabia (secret secret)
Arabia
Arabia (secret secret)
The secret life of arabia
Never here never seen
Secret life ever green
song performed by by David Bowie
Submitted by Lucian Velea
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The Frogs
I1.
Breathers of wisdom won without a quest,
.
Quaint uncouth dreamers, voices high and strange;
.
Flutists of lands where beauty hath no change,
.
And wintry grief is a forgotten guest,
.
Sweet murmurers of everlasting rest,
.
For whom glad days have ever yet to run,
.
And moments are as aeons, and the sun
.
But ever sunken half-way toward the west.1.
Often to me who heard you in your day,
.
With close rapt ears, it could not choose but seem
.
That earth, our mother, searching in what way
.
Men's hearts might know her spirit's inmost-dream;
.
Ever at rest beneath life's change and stir,
.
Made you her soul, and bade you pipe for her.II2.
In those mute days when spring was in her glee,
.
And hope was strong, we knew not why or how,
.
And earth, the mother, dreamed with brooding brow,
.
Musing on life, and what the hours might be,
.
When love should ripen to maternity,
.
Then like high flutes in silvery interchange
.
Ye piped with voices still and sweet and strange,
.
And ever as ye piped, on every tree2.
The great buds swelled; among the pensive woods
.
The spirits of first flowers awoke and flung
.
From buried faces the close-fitting hoods,
.
And listened to your piping till they fell,
.
The frail spring-beauty with her perfumed bell,
.
The wind-flower, and the spotted adder-tongue.III3.
All the day long, wherever pools might be
.
Among the golden meadows, where the air
.
Stood in a dream, as it were moorèd there
.
For ever in a noon-tide reverie,
.
Or where the birds made riot of their glee
.
In the still woods, and the hot sun shone down,
.
Crossed with warm lucent shadows on the brown
.
Leaf-paven pools, that bubbled dreamily, 3.
Or far away in whispering river meads
.
And watery marshes where the brooding noon,
.
Full with the wonder of its own sweet boon,
.
Nestled and slept among the noiseless reeds,
.
Ye sat and murmured, motionless as they,
.
With eyes that dreamed beyond the night and day.IV4.
And when day passed and over heaven's height,
.
Thin with the many stars and cool with dew,
.
The fingers of the deep hours slowly drew
.
The wonder of the ever-healing night,
.
No grief or loneliness or rapt delight
.
Or weight of silence ever brought to you
.
Slumber or rest; only your voices grew
.
More high and solemn; slowly with hushed flight4.
Ye saw the echoing hours go by, long-drawn,
.
Nor ever stirred, watching with fathomless eyes,
.
And with your countless clear antiphonies
.
Filling the earth and heaven, even till dawn,
.
Last-risen, found you with its first pale gleam,
.
Still with soft throats unaltered in your dream.V5.
And slowly as we heard you, day by day,
.
The stillness of enchanted reveries
.
Bound brain and spirit and half-closèd eyes,
.
In some divine sweet wonder-dream astray;
.
To us no sorrow or upreared dismay
.
Nor any discord came, but evermore
.
The voices of mankind, the outer roar,
.
Grew strange and murmurous, faint and far away. 5.
Morning and noon and midnight exquisitely,
.
Rapt with your voices, this alone we knew,
.
Cities might change and fall, and men might die,
.
Secure were we, content to dream with you
.
That change and pain are shadows faint and fleet,
.
And dreams are real, and life is only sweet.
poem by Archibald Lampman
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So, I think even in Saudi Arabia there is movement. And we have to remember that over the years they've stabilized the oil price and that is tremendously important for the economies of the world. I think we have no choice but to work with the government of Saudi Arabia.
quote by Frank Carlucci
Submitted by Lucian Velea
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I think the real target of al-Qaeda is Saudi Arabia by the way. They hate us and we're a vehicle to get at Saudi Arabia. I think Osama bin Laden really wants to topple that regime and have his people move in, but that's a whole other story.
quote by Frank Carlucci
Submitted by Lucian Velea
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Spring
Wake up again, sad heart, wake up again !
(I heard the birds this morning singing sweet.)
Wake up again ! The sky was crystal clear,
And washed quite clean with rain ;
And tar below my heart stirred with the year,
Stirred with the year and sighed. O pallid feet
Move now at last, O heart that sleeps with pain
Rise up and hear
The voices in the valleys, run to meet
The songs and shadows. O wake up again !
Put out green leaves, dead tree, put out green leaves t
(Last night the moon was soft and kissed the air.)
Put out green leaves ! The moon was in the skies,
All night she wakes and weaves.
The dew was on the grass like fairies' eyes,
Like fairies' eyes. O trees so black and bare,
Remember all the fruits, the full gold sheaves;
For nothing dies,
The songs that are, are silences that were,
Summer was Winter. O put but green leaves!
Break through the earth, pale flower, break through the earth !
(All day the lark has sung a madrigal.)
Break through the earth that lies not lightly yet
And waits thy patient birth,
Waits for the jonquil and the violet,
The violet. Full soon the heavy pall
Will be a bed, and in the noon of mirth
Some rivulet
Will bubble in my wilderness, some call
Will touch my silence. O break through the earth.
poem by Lord Alfred Douglas
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Silence
Over the forests the moon
Gleams pale, makes us dream,
The willow by the dark pond
Weeps soundlessly in the night.
A heart extinguishes - and placidly
The fogs flood and rise -
Silence, silence!
poem by Georg Trakl
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Music
When music sounds, gone is the earth I know,
And all her lovely things even lovelier grow;
Her flowers in vision flame, her forest trees
Lift burdened branches, stilled with ecstasies.
When music sounds, out of the water rise
Naiads whose beauty dims my waking eyes,
Rapt in strange dreams burns each enchanted face,
With solemn echoing stirs their dwelling-place.
When music sounds, all that I was I am
Ere to this haunt of brooding dust I came;
And from Time's woods break into distant song
The swift-winged hours, as I hasten along.
poem by Walter de la Mare
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Favorites of Pan
Once, long ago, before the gods
Had left this earth, by stream and forest glade,
Where the first plough upturned the clinging sods,
Or the lost shepherd strayed,
Often to the tired listener's ear
There came at noonday or beneath the stars
A sound, he knew not whence, so sweet and clear,
That all his aches and scars
And every brooded bitterness,
Fallen asunder from his soul took flight,
Like mist or darkness yielding to the press
Of an unnamed delight,-
A sudden brightness of the heart,
A magic fire drawn down from Paradise,
That rent the cloud with golden gleam apart,-
And far before his eyes
The loveliness and calm of earth
Lay like a limitless dream remote and strange,
The joy, the strife, the triumph and the mirth,
And the enchanted change;
And so he followed the sweet sound,
Till faith had traversed her appointed span,
And murmured as he pressed the sacred ground:
'It is the note of Pan!'
Now though no more by marsh or stream
Or dewy forest sounds the secret reed-
For Pan is gone-Ah yet, the infinite dream
Still lives for them that heed.
In April, when the turning year
Regains its pensive youth, and a soft breath
And amorous influence over marsh and mere
Dissolves the grasp of death,
To them that are in love with life,
Wandering like children with untroubled eyes,
Far from the noise of cities and the strife,
Strange flute-like voices rise
At noon and in the quiet of the night
From every watery waste; and in that hour
The same strange spell, the same unnamed delight,
Enfolds them in its power.
An old-world joyousness supreme,
The warmth and glow of an immortal balm,
The mood-touch of the gods, the endless dream,
The high lethean calm.
They see, wide on the eternal way,
The services of earth, the life of man;
And, listening to the magic cry they say:
'It is the note of Pan!'
For, long ago, when the new strains
Of hostile hymns and conquering faiths grew keen,
And the old gods from their deserted fanes,
Fled silent and unseen,
So, too, the goat-foot Pan, not less
Sadly obedient to the mightier hand,
Cut him new reeds, and in a sore distress
Passed out from land to land;
And lingering by each haunt he knew,
Of fount or sinuous stream or grassy marge,
He set the syrinx to his lips, and blew
A note divinely large;
And all around him on the wet
Cool earth the frogs came up, and with a smile
He took them in his hairy hands, and set
His mouth to theirs awhile,
And blew into their velvet throats;
And ever from that hour the frogs repeat
The murmur of Pan's pipes, the notes,
And answers strange and sweet;
And they that hear them are renewed
By knowledge in some god-like touch conveyed,
Entering again into the eternal mood,
Wherein the world was made.
poem by Archibald Lampman
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Dead Man's Morrice
There came a crowder to the Mermaid Inn,
One dark May night,
Fiddling a tune that quelled our motley din,
With quaint delight,
It haunts me yet, as old lost airs will do,
A phantom strain:
_Look for me once, lest I should look for you,
And look in vain._
In that old wood, where ghosts of lovers walk,
At fall of day,
Gleaning such fragments of their ancient talk
As poor ghosts may,
From leaves that brushed their faces, wet with dew,
Or tears, or rain,...
_Look for me once, lest I should look for you,
And look in vain._
Have we not seen them--pale forgotten shades
That do return,
Groping for those dim paths, those fragrant glades,
Those nooks of fern,
Only to find that, of the may they knew,
No wraiths remain;
_Yet they still look, as I should look for you,
And look in vain._
They see those happier ghosts that waned away--
Whither, who knows?--
Ghosts that come back with music and the may,
And Spring's first rose,
Lover and lass, to sing the old burden through,
Stave and refrain:
_Look for me once, lest I should look for you,
And look in vain._
So, after death, if in that starless deep,
I lose your eyes,
I'll haunt familiar places. I'll not keep
Tryst in the skies.
I'll haunt the whispering elms that found us true,
The old grass-grown lane.
_Look for me there, lest I should look for you,
And look in vain._
There, as of old, under the dreaming moon,
A phantom throng
Floats through the fern, to a ghostly morrice tune,
A thin sweet song,
Hands link with hands, eyes drown in eyes anew,
Lips meet again....
_Look for me, once, lest I should look for you,
And look in vain._
poem by Alfred Noyes
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The House Of Dust: Part 01: 01: The sun goes down in a cold pale flare of light
The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.
And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.
'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.
We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .
Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.
Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.
Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.
poem by Conrad Potter Aiken
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The Dreamer Of Dreams
The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.
And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.
'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.
We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .
Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.
Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.
Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.
poem by Conrad Potter Aiken
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The House Of Dust: Part 04: 07: The sun goes down in a cold pale flare of light
The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.
And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.
'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces,
I will hear them whisper, invisible in their veins. . . . '
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.
We hear him and take him among us like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister mass, we ascend a stair,
With laughter and cry, with word upon murmured word,
We flow, we descend, we turn. . . . and the eternal dreamer
Moves on among us like light, like evening air . . .
Good night! good night! good night! we go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.
Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky.
We have built a city of towers.
Our hands are light, they are singing with emptiness.
Our souls are light. They have shaken a burden of hours. . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.
poem by Conrad Potter Aiken
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From the Still Days
So ghostly are these late days
Just like the look of sick people, sent here
In the light. However, the night shades the muted lament
Of their eyes, toward which they already turn.
They probably smile and recall their celebrations,
How one is moved after songs, half forgotten,
And searches words for a sad gesture,
Which already grows pale in silence unmeasured.
So the sun still plays around ill flowers
And lets them shiver in the thin, clear airs
With a death-cool delight.
The red forests whisper and darken,
And more death-nightly the woodpeckers' hammering echoes
Just like a reverberation from airless crypts.
poem by Georg Trakl
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Second Best
Here in the dark, O heart;
Alone with the enduring Earth, and Night,
And Silence, and the warm strange smell of clover;
Clear-visioned, though it break you; far apart
From the dead best, the dear and old delight;
Throw down your dreams of immortality,
O faithful, O foolish lover!
Here's peace for you, and surety; here the one
Wisdom - the truth! - 'All day the good glad sun
Showers love and labour on you, wine and song;
The greenwood laughs, the wind blows, all day long
Till night.' And night ends all things.
Then shall be
No lamp relumed in heaven, no voices crying,
Or changing lights, or dreams and forms that hover!
(And, heart, for all your sighing,
That gladness and those tears are over, over. . . .)
And has the truth brought no new hope at all,
Heart, that you're weeping yet for Paradise?
Do they still whisper, the old weary cries?
‘’Mid youth and song, feasting and carnival,
Through laughter, through the roses,as of old
Comes Death, on shadowy and relentless feet,
Death, unappeaseable by prayer or gold;
Death is the end, the end!’
Proud, then, clear-eyed and laughing, go to greet
Death as a friend!
Exile of immortality, strongly wise,
Strain through the dark with undesirous eyes
To what may lie beyond it. Sets your star,
O heart, for ever! Yet, behind the night,
Waits for the great unborn, somewhere afar,
Some white tremendous daybreak. And the light,
Returning, shall give back the golden hours,
Ocean a windless level, Earth a lawn
Spacious and full of sunlit dancing-places,
And laughter, and music, and, among the flowers,
The gay child-hearts of men, and the child-faces
O heart, in the great dawn!
poem by Rupert Brooke (1908)
Submitted by Veronica Serbanoiu
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Earth’s Moments Of Gloom
“The heart knoweth its own bitterness”
The heart hath its moments of hopeless gloom,
As rayless as is the dark night of the tomb;
When the past has no spell, the future no ray,
To chase the sad cloud from the spirit away;
When earth, though in all her rich beauty arrayed,
Hath a gloom o’er her flowers—o’er her skies a dark shade,
And we turn from all pleasure with loathing away,
Too downcast, too spirit sick, even to pray!
Oh! where may the heart seek, in moments like this,
A whisper of hope, or a faint gleam of bliss?
When friendship seems naught but a cold, cheerless flame,
And love a still falser and emptier name;
When honors and wealth are a wearisome chain,
Each link interwoven with grief and with pain,
And each solace or joy that the spirit might crave
Is barren of comfort and dark as the grave.
Lift—lift up thy sinking heart, pilgrim of life!
A sure spell there is for thy spirit’s sad strife;
’Tis not to be found in the well-springs of earth,—
Oh! no, ’tis of higher and holier birth.
poem by Rosanna Eleanor Leprohon
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Symphony for the night
Close your eyes
let me sing you a song of the night
When the sky is dark,
And sweet cold winds blows,
Dream it for me,
let your heart sleep,
To wander in magic,
Flying trough sea of stars that shimmering
Let the moon smiles,
Greeting you trough the sky,
Let the clouds go with you,
Let us sail trough the night!
Let them,
Let the stars, blanketing your night sleep
Let the wind, blowing for your dreams
Let the symphony in, filling your heart,
Putting you, a good sleep trough the night,
Lei it be,
Dream, oh dream it for me,
Till the dawn, let you sleep.
Marlena
Far off in the sea is Marlena,
A land of shades and streams,
A land of many delights,
Dark and bold, thy shores, Marlena;
But green, and timorous, thy soft knolls,
Crouching behind the woodlands.
All shady thy hills; all gleaming thy springs,
Like eyes in the earth looking at you.
How charming thy haunts, Marlena!--
Oh, the waters that flow through Onimoo;
Oh, the leaves that rustle through Ponoo:
Oh, the roses that blossom in Tarma.
Come, and see the valley of Vina:
How sweet, how sweet, the Isles from Hina:
'Tis aye afternoon of the full, full moon,
And ever the season of fruit,
And ever the hour of flowers,
And never the time of rains and gales,
All in and about Marlena.
Soft sigh the boughs in the stilly air,
Soft lap the beach the billows there;
And in the woods or by the streams,
You needs must nod in the Land of Dreams.
poem by Herman Melville
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Fire-Fly City
Like a long arrow through the dark the train is darting,
Bearing me far away, after a perfect day of love's delight:
Wakeful with all the sad-sweet memories of parting,
I lift the narrow window-shade and look out on the night.
Lonely the land unknown, and like a river flowing,
Forest and field and hill are gliding backward still athwart my dream;
Till in that country strange, and ever stranger growing,
A magic city full of lights begins to glow and gleam.
Wide through the landscape dim the lamps are lit in millions;
Long avenues unfold clear-shining lines of gold across the green;
Clusters and rings of light, and luminous pavilions, --
Oh, who will tell the city's name, and what these wonders mean?
Why do they beckon me, and what have they to show me?
Crowds in the blazing street, mirth where the feasters meet, kisses and wine:
Many to laugh with me, but never one to know me:
A cityful of stranger-hearts and none to beat with mine!
Look how the glittering lines are wavering and lifting, --
Softly the breeze of night, scatters the vision bright: and, passing fair,
Over the meadow-grass and through the forest drifting,
The Fire-Fly City of the Dark is lost in empty air!
Girl of the golden eyes, to you my heart is turning:
Sleep in your quiet room, while through the midnight gloom my train is whirled.
Clear in your dreams of me the light of love is burning, --
The only never failing light in all the phantom world.
poem by Henry Van Dyke
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The House Of Dust: Part 04: 05: The Bitter Love-Song
No, I shall not say why it is that I love you—
Why do you ask me, save for vanity?
Surely you would not have me, like a mirror,
Say 'yes,—your hair curls darkly back from the temples,
Your mouth has a humorous, tremulous, half-shy sweetness,
Your eyes are April grey. . . .with jonquils in them?'
No, if I tell at all, I shall tell in silence . . .
I'll say—my childhood broke through chords of music
—Or were they chords of sun?—wherein fell shadows,
Or silences; I rose through seas of sunlight;
Or sometimes found a darkness stooped above me
With wings of death, and a face of cold clear beauty. .
I lay in the warm sweet grass on a blue May morning,
My chin in a dandelion, my hands in clover,
And drowsed there like a bee. . . .blue days behind me
Stretched like a chain of deep blue pools of magic,
Enchanted, silent, timeless. . . .days before me
Murmured of blue-sea mornings, noons of gold,
Green evenings streaked with lilac, bee-starred nights.
Confused soft clouds of music fled above me.
Sharp shafts of music dazzled my eyes and pierced me.
I ran and turned and spun and danced in the sunlight,
Shrank, sometimes, from the freezing silence of beauty,
Or crept once more to the warm white cave of sleep.
No, I shall not say 'this is why I praise you—
Because you say such wise things, or such foolish. . .'
You would not have me say what you know better?
Let me instead be silent, only saying—:
My childhood lives in me—or half-lives, rather—
And, if I close my eyes cool chords of music
Flow up to me . . . long chords of wind and sunlight. . . .
Shadows of intricate vines on sunlit walls,
Deep bells beating, with aeons of blue between them,
Grass blades leagues apart with worlds between them,
Walls rushing up to heaven with stars upon them. . .
I lay in my bed and through the tall night window
Saw the green lightning plunging among the clouds,
And heard the harsh rain storm at the panes and roof. . . .
How should I know—how should I now remember—
What half-dreamed great wings curved and sang above me?
What wings like swords? What eyes with the dread night in them?
This I shall say.—I lay by the hot white sand-dunes. .
Small yellow flowers, sapless and squat and spiny,
Stared at the sky. And silently there above us
Day after day, beyond our dreams and knowledge,
Presences swept, and over us streamed their shadows,
Swift and blue, or dark. . . .What did they mean?
What sinister threat of power? What hint of beauty?
Prelude to what gigantic music, or subtle?
Only I know these things leaned over me,
Brooded upon me, paused, went flowing softly,
Glided and passed. I loved, I desired, I hated,
I struggled, I yielded and loved, was warmed to blossom . . .
You, when your eyes have evening sunlight in them,
Set these dunes before me, these salt bright flowers,
These presences. . . .I drowse, they stream above me,
I struggle, I yield and love, I am warmed to dream.
You are the window (if I could tell I'd tell you)
Through which I see a clear far world of sunlight.
You are the silence (if you could hear you'd hear me)
In which I remember a thin still whisper of singing.
It is not you I laugh for, you I touch!
My hands, that touch you, suddenly touch white cobwebs,
Coldly silvered, heavily silvered with dewdrops;
And clover, heavy with rain; and cold green grass. . .
poem by Conrad Potter Aiken
Submitted by Poetry Lover
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The Rush-Bearing At Ambleside
SUMMER is come, with her leaves and her flowers—
Summer is come, with the sun on her hours;
The lark in the clouds, and the thrush on the bough,
And the dove in the thicket, make melody now.
The noon is abroad, but the shadows are cool
Where the green rushes grow in the dark forest pool.
We seek not the hedges where violets blow,
There alone in the twilight of ev'ning we go;
They are love-tokens offered, when heavy with dew,
To a lip yet more fragrant—an eye yet more blue.
But leave them alone to their summer-soft dream—
We seek the green rushes that grow by the stream.
Away from the meadow, although the long grass
Be filled with young flowers that smile as we pass;
Where the bird's eye is bright as the sapphires that shine
When the hand of a beauty is decked from the mine.
We want not their gems, and we want not their flowers.
But we seek the green rush in the dark forest bowers.
The cowslip is ringing its fairy-like chime,
Sweet bells, by whose music Titania keeps time;
The rose-bush is covered with cups that unfold
Their petals that tremble in delicate gold.
But we seek not their blossoms in garlands to blend,
We seek the green rush where the willow-trees bend.
The green rush, the green rush, we bear it along
To the church of our village with triumph and song;
We strew the cold chancel, and kneel on it there,
While its fresh odours rise with our voices in prayer.
Hark the peal from the old tower in praise of it rings,
Let us seek the green rush by the deep woodland springs.
poem by Letitia Elizabeth Landon
Submitted by Poetry Lover
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