The Haughty Snail-King

Twelve snails went walking after night.
They'd creep an inch or so,
Then stop and bug their eyes
And blow.
Some folks . . . are . . . deadly . . . slow.
Twelve snails went walking yestereve,
Led by their fat old king.
They were so dull their princeling had
No sceptre, robe or ring—
Only a paper cap to wear
When nightly journeying.

This king-snail said: "I feel a thought
Within. . . . It blossoms soon. . . .
O little courtiers of mine, . . .
I crave a pretty boo. . . .
Oh, yes . . . (High thoughts with effort come
And well-bred snails are ALMOST dumb.)
"I wish I had a yellow crown
As glistering . . . as . . . the moon."

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Sonnet V: Nothing But No

Nothing but "No," and "Aye," and "Aye," and "No"?
How falls it out so strangely you reply?
I tell ye, Fair, I'll not be answer'd so,
With this affirming "No," denying "Aye."
I say, "I love," you slightly answer "Aye";
I say, "You love," you pule me out a "No";
I say, "I die," you echo me an "Aye";
"Save me," I cry, you sigh me out a "No";
Must woe and I have nought but "No" and "Aye"?
No I am I, if I no more can have;
Answer no more, with silence make reply,
And let me take myself what I do crave.
Let "No" and "Aye" with I and you be so;
Then answer "No," and "Aye," and "Aye" and "No."

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Emily Dickinson

What is—

215

What is—"Paradise"—
Who live there—
Are they "Farmers"—
Do they "hoe"—
Do they know that this is "Amherst"—
And that I—am coming—too—

Do they wear "new shoes"—in "Eden"—
Is it always pleasant—there—
Won't they scold us—when we're homesick—
Or tell God—how cross we are—

You are sure there's such a person
As "a Father"—in the sky—
So if I get lost—there—ever—
Or do what the Nurse calls "die"—
I shan't walk the "Jasper"—barefoot—
Ransomed folks—won't laugh at me—
Maybe—"Eden" a'n't so lonesome
As New England used to be!

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Lewis Carroll

Madrigal

(To Miss May Forshall.)


HE shouts amain, he shouts again,
(Her brother, fierce, as bluff King Hal),
"I tell you flat, I shall do that!"
She softly whispers " 'May' for 'shall'!"
He wistful sighed one eventide
(Her friend, that made this Madrigal),
"And shall I kiss you, pretty Miss!"
Smiling she answered " 'May' for 'shall'!"

With eager eyes my reader cries,
"Your friend must be indeed a val-
-uable child, so sweet, so mild!
What do you call her?" "May For shall."

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Snail

We already know snails are very slow
Reason behind, they carry along adobe;
placed on their back.

Blessed are many birds and small animals
can get easy food the snail's predators;
by virtue of being slow.

Can't run faster than enemies to defend,
so prefer to live in the shells, hidden;
but alas! enemies break.

Sometimes dogs and cats kill just playing,
snails can't do anything except praying;
defend by body colouring.

Not only animals, human too is great threat,
capture for own food millions of them;
thinking delicious and appetizer.

In cricket, only few players can hit a ton,
In laying eggs most of she snails can;
mating several times a year.

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The ABC

'Twas midnight in the schoolroom
And every desk was shut
When suddenly from the alphabet
Was heard a loud "Tut-Tut!"

Said A to B, "I don't like C;
His manners are a lack.
For all I ever see of C
Is a semi-circular back!"

"I disagree," said D to B,
"I've never found C so.
From where I stand he seems to be
An uncompleted O."

C was vexed, "I'm much perplexed,
You criticise my shape.
I'm made like that, to help spell Cat
And Cow and Cool and Cape."

"He's right" said E; said F, "Whoopee!"
Said G, "'Ip, 'Ip, 'ooray!"
"You're dropping me," roared H to G.
"Don't do it please I pray."

"Out of my way," LL said to K.
"I'll make poor I look ILL."
To stop this stunt J stood in front,
And presto! ILL was JILL.

"U know," said V, "that W
Is twice the age of me.
For as a Roman V is five
I'm half as young as he."

X and Y yawned sleepily,
"Look at the time!" they said.
"Let's all get off to beddy byes."
They did, then "Z-z-z."

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Goodbye Mine M.j.

A "Stranger in Moscow" told me that you've gone!
But is it true that you've gone my M.J.?
And with tears in my eyes I say goodbye my M.J.
You who feeds the eyes and the ears
And has graced our African soil
But why did you have to go, you "Smooth criminal"
When you know "They don't care about us"
Tell me, who will "Heal the world"?
Who will make it a better place for us?

Who will give to the poor once and again to their necessity?
Who will be there for them in their anguish and pain?
O', know you not that admired you are of those that hate you most
And did you have to go; or where you too lonely?
But you said "We're the world" that "You are not alone"
Then why did you have to go? And did you leave another "Thriller"
If no, then why choose to be "The man in the mirror"
Thus dirge and elegy now met in my heart. Why?

"Do you remember the time" we first met in my dream
And "The way you make me feel" with your "Childhood"?
Oh king of pop, my M.J., "I want you back"
And you "Got to be there" for me on my birthday
To sing me your song, "Don't stop till you get enough"
While "Rockin Robin and Ben" "Off the wall" till they "Scream"
For your love is magical because you're angelica
You are so wonderful because you're beautiful
You are indispensable because you're irreplaceable
And now I see the "Liberian girl" cry because you're "Speechless"
And upon our bodies the nighted color of mourning you. Why?
Alas death! Why taketh him away when all that look on him yet not satisfied?
O', let not the world lose another "Michael Jackson".
Michael I love you "Yesterday, today and forever."

May the spirit light your way
Through the land of the shadow
To the halls of eternal peace. Amen.


In the cabinet of my imagination, in the treasury of my reason, in the registry of my conscience, and in the council chamber of my thought, there shall you live forever.
I LOVE YOU MINE M.J.

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Rabindranath Tagore

The Gardener XXVI: What Comes From Your Willing Hands

"What comes from your willing
hands I take. I beg for nothing
more."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."
"If there be a stray flower for me
I will wear it in my heart."
"But if there be thorns?"
"I will endure them."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."
"If but once you should raise your
loving eyes to my face it would make
my life sweet beyond death."
"But if there be only cruel
glances?"
"I will keep them piercing my
heart."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."

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Are You Drinking?

washed-up, on shore, the old yellow notebook
out again
I write from the bed
as I did last
year.
will see the doctor,
Monday.
"yes, doctor, weak legs, vertigo, head-
aches and my back
hurts."
"are you drinking?" he will ask.
"are you getting your
exercise, your
vitamins?"
I think that I am just ill
with life, the same stale yet
fluctuating
factors.
even at the track
I watch the horses run by
and it seems
meaningless.
I leave early after buying tickets on the
remaining races.
"taking off?" asks the motel
clerk.
"yes, it's boring,"
I tell him.
"If you think it's boring
out there," he tells me, "you oughta be
back here."
so here I am
propped up against my pillows
again
just an old guy
just an old writer
with a yellow
notebook.
something is
walking across the
floor
toward
me.
oh, it's just
my cat
this
time.

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A Snail Goes To Heaven (A One-Act Tragicomedy)

Bare stage. A square neon sign on extreme right which reads: “This way to Heaven”.
Prolonged silence. Enter Snail, moving very slowly throughout the play.

Snail:
I’m a dead snail.
I’m going to Heaven.

I’ve lived for 15 years.
That’s a ripe old age.
I’ve been blessed.
Had a marvellous sex life, you know.
Well, if you know snails
we attract a mate with our slime.
Oh, slime turns me on, baby.

(Snail moves slowly, and then stops.)

Well, maybe I should focus on holy thoughts.
Purity...refined thoughts...you know...
Snail God does not like sex.
Copulation is not exactly what
Snail God meant when Snail God declared:
'Go forth and slime the world;
be ye together...'
Snail God demands purity
so let me be so...
after all, I’m going to Heaven...
a dead snail and moving on to Heaven...

(Snail moves slowly, and then stops.)

Had a precarious life,
you know,
all these 15 years...
A farmer saw me in the grass.
I heard him curse
and he raised his foot to crush me.
Well, unfortunately for him
he stepped on a snake
and the last I heard of the man
was an expletive
and the last I heard of the snake was a hiss.
Yes, I’ve had a long life
a risky life - but it’s all worth it
for an eternal life in Heaven
is my reward

(Snail moves slowly, and then stops.)

(Enter Frog, jumping. Snail looks at Frog in amazement. And Frog stops and looks at Snail in amazement.)

Frog: What are you doing?

Snail: That’s what I was about to ask of you.

Frog: I’m a dead Frog and I’m jumping on my way to Heaven.

Snail: I’m a dead Snail and I’m moving on to Heaven.

Frog: This is ridiculous.

Snail: Indeed. It is ridiculous.
A Frog going to Heaven?
No, for it is truly declared by Snail God:
'None but Snails shall enter Heaven.'

Frog: And in the words of the Frog God:
'I shall confound all other creatures.
Only Frogs shall enter Heaven.'
And so it has come to pass
Snails think they can go to Heaven.
Unless the Frog God
in Its Infinite Wisdom
has arranged for a Dish of Snails
when all Pure Frogs are at Its side in Paradise.
Well, Snail...you’re toast when I see you in Heaven.

(Frog jumps on to near stage right, screaming: “Heaven - here I come! ” and then disappears.)

(Long silence.)

Snail (facing audience) : Well, what next? - The snake to Heaven?
The Farmer to Heaven? His dog to Paradise?
Donkeys to Heaven?

(Snail moves on, in its slow way, to nothing but Heaven...)

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The King's Breakfast

The King's Breakfast
The King asked
The Queen, and
The Queen asked
The Dairymaid:
"Could we have some butter for
The Royal slice of bread?"
The Queen asked the Dairymaid,
The Dairymaid
Said, "Certainly,
I'll go and tell the cow
Now
Before she goes to bed."

The Dairymaid
She curtsied,
And went and told
The Alderney:
"Don't forget the butter for
The Royal slice of bread."
The Alderney
Said sleepily:
"You'd better tell
His Majesty
That many people nowadays
Like marmalade
Instead."

The Dairymaid
Said, "Fancy!"
And went to
Her Majesty.
She curtsied to the Queen, and
She turned a little red:
"Excuse me,
Your Majesty,
For taking of
The liberty,
But marmalade is tasty, if
It's very
Thickly
Spread."

The Queen said
"Oh!:
And went to
His Majesty:
"Talking of the butter for
The royal slice of bread,
Many people
Think that
Marmalade
Is nicer.
Would you like to try a little
Marmalade
Instead?"

The King said,
"Bother!"
And then he said,
"Oh, deary me!"
The King sobbed, "Oh, deary me!"
And went back to bed.
"Nobody,"
He whimpered,
"Could call me
A fussy man;
I only want
A little bit
Of butter for
My bread!"

The Queen said,
"There, there!"
And went to
The Dairymaid.
The Dairymaid
Said, "There, there!"
And went to the shed.
The cow said,
"There, there!
I didn't really
Mean it;
Here's milk for his porringer,
And butter for his bread."

The Queen took
The butter
And brought it to
His Majesty;
The King said,
"Butter, eh?"
And bounced out of bed.
"Nobody," he said,
As he kissed her
Tenderly,
"Nobody," he said,
As he slid down the banisters,
"Nobody,
My darling,
Could call me
A fussy man -
BUT
I do like a little bit of butter to my bread!"

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Concerning The Synthetic Unity Of Apperception

"Trash, trash!" the king my uncle said,
"The spirit's smoke and weak as smoke ascends.
"Sit in the sun and not among the dead,
"Eat oranges! Pish tosh! the car attends.

"All ghosts came back. they do not like it there,
"No silky water and no big brown bear,

"No beer and no siestas up above."
"Uncle," I said, "I'm lonely. What is love?"

This drove him quite insane. Now he must knit
Time and apperception, bit by tiny bit.

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Lewis Carroll

Another Acrostic ( In the style of Father William )

"Are you deaf, Father William!" the young man said,
"Did you hear what I told you just now?
"Excuse me for shouting! Don't waggle your head
"Like a blundering, sleepy old cow!
"A little maid dwelling in Wallington Town,
"Is my friend, so I beg to remark:
"Do you think she'd be pleased if a book were sent down
"Entitled 'The Hunt of the Snark?'"


"Pack it up in brown paper!" the old man cried,
"And seal it with olive-and-dove.
"I command you to do it!" he added with pride,
"Nor forget, my good fellow to send her beside
"Easter Greetings, and give her my love."

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Emily Dickinson

You're right—

234

You're right—"the way is narrow"—
And "difficult the Gate"—
And "few there be"—Correct again—
That "enter in—thereat"—

'Tis Costly—So are purples!
'Tis just the price of Breath—
With but the "Discount" of the Grave—
Termed by the Brokers—"Death"!

And after that—there's Heaven—
The Good Man's—"Dividend"—
And Bad Men—"go to Jail"—
I guess—

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La Fontaine

The Dress-Maker

A CLOISTERED nun had a lover
Dwelling in the neighb'ring town;
Both racked their brains to discover
How they best their love might crown.
The swain to pass the convent-door!--
No easy matter!--Thus they swore,
And wished it light.--I ne'er knew a nun
In such a pass to be outdone:--
In woman's clothes the youth must dress,
And gain admission. I confess
The ruse has oft been tried before,
But it succeeded as of yore.
Together in a close barred cell
The lovers were, and sewed all day,
Nor heeded how time flew away.--
"What's that I hear? Refection bell!
"'Tis time to part. Adieu!--Farewell!--
"How's this?" exclaimed the abbess, "why
"The last at table?"--"Madam, I
"Have had my dress-maker."--"The rent
"On which you've both been so intent
"Is hard to stop, for the whole day
"To sew and mend, you made her stay;
"Much work indeed you've had to do!
"--Madam, 't would last the whole night through,
"When in our task we find enjoyment
"There is no end of the employment."

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There was one I met upon the road

There was one I met upon the road
Who looked at me with kind eyes.
He said, "Show me of your wares."
And this I did,
Holding forth one.
He said, "It is a sin."
Then held I forth another;
He said, "It is a sin."
Then held I forth another;
He said, "It is a sin."
And so to the end;
Always he said, "It is a sin."
And, finally, I cried out,
"But I have none other."
Then did he look at me
With kinder eyes.
"Poor soul!" he said.

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With a Bouquet of Twelve Roses

I saw Lord Buddha towering by my gate
Saying: "Once more, good youth, I stand and wait."
Saying: "I bring you my fair Law of Peace
And from your withering passion full release;
Release from that white hand that stabbed you so.
The road is calling. With the wind you go,
Forgetting her imperious disdain —
Quenching all memory in the sun and rain."

"Excellent Lord, I come. But first," I said,
"Grant that I bring her these twelve roses red.
Yea, twelve flower kisses for her rose-leaf mouth,
And then indeed I go in bitter drouth
To that far valley where your river flows
In Peace, that once I found in every rose."

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Us Two

Wherever I am, there's always Pooh,
There's always Pooh and Me.
Whatever I do, he wants to do,
"Where are you going today?" says Pooh:
"Well, that's very odd 'cos I was too.
Let's go together," says Pooh, says he.
"Let's go together," says Pooh.

"What's twice eleven?" I said to Pooh.
("Twice what?" said Pooh to Me.)
"I think it ought to be twenty-two."
"Just what I think myself," said Pooh.
"It wasn't an easy sum to do,
But that's what it is," said Pooh, said he.
"That's what it is," said Pooh.

"Let's look for dragons," I said to Pooh.
"Yes, let's," said Pooh to Me.
We crossed the river and found a few-
"Yes, those are dragons all right," said Pooh.
"As soon as I saw their beaks I knew.
That's what they are," said Pooh, said he.
"That's what they are," said Pooh.

"Let's frighten the dragons," I said to Pooh.
"That's right," said Pooh to Me.
"I'm not afraid," I said to Pooh,
And I held his paw and I shouted "Shoo!
Silly old dragons!"- and off they flew.

"I wasn't afraid," said Pooh, said he,
"I'm never afraid with you."

So wherever I am, there's always Pooh,
There's always Pooh and Me.
"What would I do?" I said to Pooh,
"If it wasn't for you," and Pooh said: "True,
It isn't much fun for One, but Two,
Can stick together, says Pooh, says he. "That's how it is," says Pooh.

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Rudyard Kipling

The New Knighthood

Who gives him the Bath?
"I," said the wet,
Rank-Jungle-sweat,
"I'll give him the Bath!"

Who'll sing the psalms?
"We," said the Palms.
"Ere the hot wind becalms,
"We'll sing the psalms."

Who lays on the sword ?
"I," said the Sun,
Before he has done,
"I'll lay on the sword."

"Who fastens his belt?
"I," said Short-Rations,
" I know all the fashions
"Of tightening a belt!"

Who gives him his spur?
"I," said his Chief,
Exacting and brief,
"I'll give him the spur."

Who'll shake his hand?
"I," said the Fever,
"And I'm no deceiver,
"I'll shake his hand."

Who brings him the wine?
"I," said Quinine,
"It's a habit of mine.
"I'11 come with his wine."

Who'll put him to proof?
"I," said All Earth.
"Whatever he's worth,
"I'll put to the proof."

Who'll choose him for Knight?
"I," said his Mother,
"Before any other,
"My very own Knight."

And after this fashion, adventure to seek,
Sir Galahad was made--as it might be last week!

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Ch 01 Manner of Kings Story 31

The veziers of Nushirvan happened to discuss an important affair of state, each giving his opinion according to his knowledge. The king likewise gave his opinion and Barzachumihr concurred with it. Afterwards the veziers secretly asked him: "What superiority hast thou discovered in the opinion of the king above so many other reflections of wise men?" The philosopher replied: "Since the termination of the affair is unknown and it depends upon the will of God whether the opinion of the others will turn out right or wrong, it was better to agree with the opinion of the king so that, if it should turn out to have been wrong, we may, on account of having followed it, remain free from blame."

To proffer an opinion contrary to the king’s
Means to wash the hands in one’s own blood.
Should he in plain day say it is night,
It is meet to shout: "Lo, the moon and the pleiads!"

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Mother and sphinx

(EGYPTIAN FOLK-SONG)

Grim is the face that looks into the night
Over the stretch of sands;
A sullen rock in a sea of white--
A ghostly shadow in ghostly light,
Peering and moaning it stands.
"Oh, is it the king that rides this way--
Oh, is it the king that rides so free?
I have looked for the king this many a day,
But the years that mock me will not say
Why tarrieth he!"

'T is not your king that shall ride to-night,
But a child that is fast asleep;
And the horse he shall ride is the Dream-horse white--
Aha, he shall speed through the ghostly light
Where the ghostly shadows creep!
"My eyes are dull and my face is sere,
Yet unto the word he gave I cling,
For he was a Pharaoh that set me here--
And, lo! I have waited this many a year
For him--my king!"

Oh, past thy face my darling shall ride
Swift as the burning winds that bear
The sand clouds over the desert wide--
Swift to the verdure and palms beside
The wells off there!
"And is it the mighty king I shall see
Come riding into the night?
Oh, is it the king come back to me--
Proudly and fiercely rideth he,
With centuries dight!"

I know no king but my dark-eyed dear
That shall ride the Dream-Horse white;
But see! he wakes at my bosom here,
While the Dream-Horse frettingly lingers near
To speed with my babe to-night!
And out of the desert darkness peers
A ghostly, ghastly, shadowy thing
Like a spirit come out of the mouldering years,
And ever that waiting spectre hears
The coming king!

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