Poor Old Pilgrim Misery ( Song )
Act I, scene 1, lines 141-60
Poor old pilgrim Misery,
Beneath the silent moon he sate,
A-listening to the screech owl's cry,
And the cold wind's goblin prate;
Beside him lay his staff of yew
With withered willow twined,
His scant grey hair all wet with dew,
His cheeks with grief ybrined;
And his cry it was ever, alack!
Alack, and woe is me.
Anon a wanton imp astray
His piteous moaning hears,
And from his bosom steals away
His rosary of tears:
With his plunder fled that urchin elf,
And hid it in your eyes,
Then tell me back the stolen pelf,
Give up the lawless prize;
Or your cry shall be ever, alack!
Alack, and woe is me.
poem by Thomas Lovell Beddoes
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Related quotes
The Wooing
A YOUTH went faring up and down,
Alack and well-a-day.
He fared him to the market town,
Alack and well-a-day.
And there he met a maiden fair,
With hazel eyes and auburn hair;
His heart went from him then and there,
Alack and well-a-day.
She posies sold right merrily,
Alack and well-a-day;
But not a flower was fair as she,
Alack and well-a-day.
He bought a rose and sighed a sigh,
'Ah, dearest maiden, would that I
Might dare the seller too to buy!'
Alack and well-a-day.
She tossed her head, the coy coquette,
Alack and well-a-day.
'I'm not, sir, in the market yet,'
Alack and well-a-day.
'Your love must cool upon a shelf;
Tho' much I sell for gold and pelf,
I'm yet too young to sell myself,'
Alack and well-a-day.
The youth was filled with sorrow sore,
Alack and well-a-day;
And looked he at the maid once more,
Alack and well-a-day.
Then loud he cried, 'Fair maiden, if
Too young to sell, now as I live,
You're not too young yourself to give,'
Alack and well-a-day.
The little maid cast down her eyes,
Alack and well-a-day,
And many a flush began to rise,
Alack and well-a-day.
'Why, since you are so bold,' she said,
'I doubt not you are highly bred,
So take me!' and the twain were wed,
Alack and well-a-day.
poem by Paul Laurence Dunbar
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Verses To John Tupper
DEAR Jack
Alack!
A few days back
I bound myself by oath to smack
My lips o'er sloshy tea, and attack
White, brown, or black
Bread, and vile jokes to crack,
This night with brutes whose knack
Would squeeze a pun in Syriac.
And for to—morrow, alack!
I have a model on my track,
So that I may not pack.
Of course I writhe upon the rack:
Though as to NATURE, Jack,
(Poor dear old hack!)
Touching sky, sun, stone, stick, and stack,
I guess I'm half a quack;
For whom ten lines of Browning whack
The whole of the Zodiac.
Nevertheless, alack!
Seeing this time I must send back
To Prince and Baron, Stephens and Jack
(Spec—cadav Rex, hic hæc hoc hac),
And to the Maniac,
The sack.
This much from D.G.R. (in black,
I.e., with coal—ash cloth—of—sack.)
poem by Dante Gabriel Rossetti
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The Story
They met each other in the glade –
She lifted up her eyes;
Alack the day! Alack the maid!
She blushed in swift surprise.
Alas! Alas! the woe that comes from lifting up the eyes.
The pail was full, the path was steep –
He reached to her his hand;
She felt her warm young pulses leap,
But did not understand.
Alas! Alas! the woe that comes from clasping hand with hand.
She sat beside him in the wood –
He wooed with words and sighs;
Ah! love in spring seems sweet and good,
And maidens are not wise.
Alas! Alas! the woe that comes from listing lovers’ sighs.
The summer sun shone fairly down,
The wind blew from the south;
As his blue eyes gazed in eyes of brown,
His kiss fell on her mouth.
Alas! Alas! the woe that comes from kisses on the mouth.
And now the autumn time is near,
The lover roves away,
With breaking heart and falling tear,
She sits the livelong day.
Alas! Alas! for breaking hearts when lovers rove away.
poem by Ella Wheeler Wilcox
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King Borria Bungalee Boo
KING BORRIA BUNGALEE BOO
Was a man-eating African swell;
His sigh was a hullaballoo,
His whisper a horrible yell -
A horrible, horrible yell!
Four subjects, and all of them male,
To BORRIA doubled the knee,
They were once on a far larger scale,
But he'd eaten the balance, you see
('Scale' and 'balance' is punning, you see).
There was haughty PISH-TUSH-POOH-BAH,
There was lumbering DOODLE-DUM-DEY,
Despairing ALACK-A-DEY-AH,
And good little TOOTLE-TUM-TEH -
Exemplary TOOTLE-TUM-TEH.
One day there was grief in the crew,
For they hadn't a morsel of meat,
And BORRIA BUNGALEE BOO
Was dying for something to eat -
'Come, provide me with something to eat!
'ALACK-A-DEY, famished I feel;
Oh, good little TOOTLE-TUM-TEH,
Where on earth shall I look for a meal?
For I haven't no dinner to-day! -
Not a morsel of dinner to-day!
'Dear TOOTLE-TUM, what shall we do?
Come, get us a meal, or, in truth,
If you don't, we shall have to eat you,
Oh, adorable friend of our youth!
Thou beloved little friend of our youth!'
And he answered, 'Oh, BUNGALEE BOO,
For a moment I hope you will wait, -
TIPPY-WIPPITY TOL-THE-ROL-LOO
Is the Queen of a neighbouring state -
A remarkably neighbouring state.
'TIPPY-WIPPITY TOL-THE-ROL-LOO,
She would pickle deliciously cold -
And her four pretty Amazons, too,
Are enticing, and not very old -
Twenty-seven is not very old.
'There is neat little TITTY-FOL-LEH,
There is rollicking TRAL-THE-RAL-LAH,
There is jocular WAGGETY-WEH,
There is musical DOH-REH-MI-FAH -
There's the nightingale DOH-REH-MI-FAH!'
So the forces of BUNGALEE BOO
Marched forth in a terrible row,
And the ladies who fought for QUEEN LOO
Prepared to encounter the foe -
This dreadful, insatiate foe!
But they sharpened no weapons at all,
And they poisoned no arrows - not they!
They made ready to conquer or fall
In a totally different way -
An entirely different way.
With a crimson and pearly-white dye
They endeavoured to make themselves fair,
With black they encircled each eye,
And with yellow they painted their hair
(It was wool, but they thought it was hair).
And the forces they met in the field:-
And the men of KING BORRIA said,
'Amazonians, immediately yield!'
And their arrows they drew to the head -
Yes, drew them right up to the head.
But jocular WAGGETY-WEH
Ogled DOODLE-DUM-DEY (which was wrong),
And neat little TITTY-FOL-LEH
Said, 'TOOTLE-TUM, you go along!
You naughty old dear, go along!'
And rollicking TRAL-THE-RAL-LAH
Tapped ALACK-A-DEY-AH with her fan;
And musical DOH-REH-MI-FAH
Said, 'PISH, go away, you bad man!
Go away, you delightful young man!'
And the Amazons simpered and sighed,
And they ogled, and giggled, and flushed,
And they opened their pretty eyes wide,
And they chuckled, and flirted, and blushed
(At least, if they could, they'd have blushed).
But haughty PISH-TUSH-POOH-BAH
Said, 'ALACK-A-DEY, what does this mean?'
And despairing ALACK-A-DEY-AH
Said, 'They think us uncommonly green!
Ha! ha! most uncommonly green!'
Even blundering DOODLE-DUM-DEY
Was insensible quite to their leers,
And said good little TOOTLE-TUM-TEH,
'It's your blood we desire, pretty dears -
We have come for our dinners, my dears!'
And the Queen of the Amazons fell
To BORRIA BUNGALEE BOO, -
In a mouthful he gulped, with a yell,
TIPPY-WIPPITY TOL-THE-ROL-LOO -
The pretty QUEEN TOL-THE-ROL-LOO.
And neat little TITTY-FOL-LEH
Was eaten by PISH-POOH-BAH,
And light-hearted WAGGETY-WEH
By dismal ALACK-A-DEY-AH -
Despairing ALACK-A-DEY-AH.
And rollicking TRAL-THE-RAL-LAH
Was eaten by DOODLE-DUM-DEY,
And musical DOH-REH-MI-FAH
By good little TOOTLE-DUM-TEH -
Exemplary TOOTLE-TUM-TEH!
poem by William Schwenck Gilbert
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Redivivus
To-day I took old rhymes that I had written.
And read them through, each one unto the end:
When with a swift nostalgia was I smitten,
As with sad memories of some old friend
Some happy, wayward man I used to know
Long since. Alas! (And, by the way, heigh-ho!)
All his, it seemed, these sudden, cheerful spasms
Of humor poured from an untroubled mind,
These old ambitions, old enthusiasms,
When all the world seemed true, and men most kind:
When roseate skies were never tinged with grey.
Ah woe! (And, so to speak, alack-a-day!)
All his these views so unsophisticated.
These thoughts so innocent and yet so wise.
Such minds as mine have never contemplated
A world so free of guile, so free of lies,
A world of woe and wickedness so free,
Of misery! (And, as it were, ah me!)
Not mine this intricate, yet careless weaving
Of joyous rhymes? Not mine this happy twist?
Surely not mine? 'Tis far beyond believing!
Such songs come from some youthful optimist
Who gaily danced along life's primrose way,
And yet - (Well, once again, alack-a-day!)
Yet they are mine, these merry, lilting phrases.
Never again shall I pen such sweet lays!
Never again shall I...But why the blazes
Shouldn't I? (Odds fish! and spare me days!)
Why shouldn't I? The time is surely ripe
For verses far surpassing this old tripe!
poem by Clarence Michael James Stanislaus Dennis
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The Pessimist
1 Nothing to do but work,
2 Nothing to eat but food,
3 Nothing to wear but clothes
4 To keep one from going nude.
5 Nothing to breathe but air
6 Quick as a flash 't is gone;
7 Nowhere to fall but off,
8 Nowhere to stand but on.
9 Nothing to comb but hair,
10 Nowhere to sleep but in bed,
11 Nothing to weep but tears,
12 Nothing to bury but dead.
13 Nothing to sing but songs,
14 Ah, well, alas! alack!
15 Nowhere to go but out,
16 Nowhere to come but back.
17 Nothing to see but sights,
18 Nothing to quench but thirst,
19 Nothing to have but what we've got;
20 Thus thro' life we are cursed.
21 Nothing to strike but a gait;
22 Everything moves that goes.
23 Nothing at all but common sense
24 Can ever withstand these woes.
poem by Benjamin Franklin King
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A 'Scion Of Nobility
Come, sisters, weep!-our Baron dear,
Alas! has run away.
If always we had kept him here
He had not gone astray.
Painter and grainer it were vain
To say he was, before;
And if he were, yet ne'er again
He'll darken here a door.
We mourn each matrimonial plan
Even tradesmen join the cry:
He was so promising a man
Whenever he did buy.
He was a fascinating lad,
Deny it all who may;
Even moneyed men confess he had
A very taking way.
So from our tables he is gone
Our tears descend in showers;
We loved the very fat upon.
His kidneys, for 'twas ours.
To women he was all respect
To duns as cold as ice;
No lady could his suit reject,
No tailor get its price.
He raised our hope above the sky;
Alas! alack! and O!
That one who worked it up so high
Should play it down so low!
poem by Ambrose Bierce
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Mysticism.
Uri Geller
bend me a fork
so’s I may
eat round corners.
For I will meet
On the corner of the street
A comely maid
With dainty feet
And midnight eyes
And raven hair
And if without a glance
She will by me pass
I’ll cry aloud
Alack!
Alas!
And without turning
the corner I
could fork her
in the ass.
poem by Frederick Boslough
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Contrasts
I see the tall church steeples,
They reach so far, so far,
But the eyes of my heart see the world’s great mart,
Where the starving people are.
I hear the church bells ringing
Their chimes on the morning air;
But my soul’s sad ear is hurt to hear
The poor man’s cry of despair.
Thicker and thicker the churches,
Nearer and nearer the sky –
But alack for their creeds while the poor man’s needs
Grow deeper as years roll by.
poem by Ella Wheeler Wilcox
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The Giddy Girl
A giddy young maiden with nimble feet,
Heigh-ho! alack and alas!
Declared she would far rather dance than eat,
And the truth of it came to pass.
For she danced all day and she danced all night;
She danced till the green earth faded white;
She danced ten partners out of breath;
She danced the eleventh one quite to death;
And still she redowaed up and down-
The giddiest girl in town.
With one, two, three; one, two, three; one, two, three-kick;
Chassée back, chassée back, whirl around quick.
The name of this damsel ended with E-
Heigh-ho! alack and a-day!
And she was as fair as a maiden need be,
Till she danced her beauty away.
She danced her big toes out of joint;
She danced her other toes all to a point;
She danced out slipper and boot and shoe;
She danced till the bones of her feet came through.
And still she redowaed, waltzed and whirled-
The giddiest girl in the world.
With one, two, three; one, two, three; one, two, three-kick;
Chassée back, chassée back, whirl around quick.
Now the end of my story is sad to relate-
Heigh-ho! and away we go!
For this beautiful maiden's final fate
Is shrouded in gloom and woe.
She danced herself into a patent top;
She whirled and whirled till she could not stop;
She danced and bounded and sprang so far,
That she stuck at last on a pointed star;
And there she must dance till the Judgment Day,
And after it, too, for she danced away
Her soul, you see, so she has no place anywhere out of space,
With her one, two, three; one, two, three; one, two, three-kick;
Chassée back, chassée back, whirl about quick.
poem by Ella Wheeler Wilcox
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The Sceptic
My Father Christmas passed away
When I was barely seven.
At twenty-one, alack-a-day,
I lost my hope of heaven.
Yet not in either lies the curse:
The hell of it's because
I don't know which loss hurt the worse --
My God or Santa Claus.
poem by Robert William Service
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Passing The Buck
Whatever the task that comes your way,
Just take it as part of your luck.
Look it right square in the eyes, and say,
'This is
my
task, I'll do it to-day':
Don't pass the buck.
Oh! whether you cook, or whether you fight,
Or whether you trundle a truck,
Just tackle your job and do it right:
Don't pass the buck.
The wheels of the earth have gone, alack!
Deep into war's mire and muck.
If you want to put it again on its track,
Don't shift your load on another man's back:
Don't pass the buck.
poem by Ella Wheeler Wilcox
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Corydon
A PASTORAL
SCENE: A roadside in Arcady
SHEPHERD.
Good sir, have you seen pass this way
A mischief straight from market-day?
You'd know her at a glance, I think;
Her eyes are blue, her lips are pink;
She has a way of looking back
Over her shoulder, and, alack!
Who gets that look one time, good sir,
Has naught to do but follow her.
PILGRIM.
I have not seen this maid, methinks,
Though she that passed had lips like pinks.
SHEPHERD.
Or like two strawberries made one
By some sly trick of dew and sun.
PILGRIM.
A poet!
SHEPHERD.
Nay, a simple swain
That tends his flock on yonder plain,
Naught else, I swear by book and bell.
But she that passed, you marked her well.
Was she not smooth as any be
That dwell herein in Arcady?
PILGRIM.
Her skin was as the satin bark
Of birches
SHEPHERD.
Light or dark?
PILGRIM.
Quite dark.
SHEPHERD.
Then 'twas not she.
PILGRIM.
The peach's side
That's next the sun is not so dyed
As was her cheek. Her hair hung down
Like summer twilight falling brown;
And when the breeze swept by, I wist
Her face was in a sombre mist.
SHEPHERD.
No, that is not the maid I seek.
Her hair lies gold against the cheek;
Her yellow tresses take the morn
Like silken tassles of the corn.
And yet--brown locks are far from bad.
PILGRIM.
Now I bethinks me, this one had
A figure like the willow-tree
Which, slight and supple, wondrously
Inclines to droop with pensive grace,
And still retains its proper place;
A foot so arched and very small
The marvel was she walked at all;
Her hand--in sooth I lack for words--
her hand, five slender snow-white birds.
Her voice--though she but said "God-speed"--
Was melody blown through a reed;
The girl Pan changed into a pipe
Had not a note so full and ripe.
And then her eye--my lad her eye!
Discreet, inviting, candid, shy,
An outward ice, an inward fire,
And lashes to the heart's desire--
Soft fringes blacker than the sloe.
SHEPHERD.
Good sir, which way did this one go?
PILGRIM, solus.
So, he is off! The silly youth
Knoweth not love in sober sooth.
He loves, thus lads at first are blind--
No woman, only Womankind.
I needs must laugh, for, by the Mass,
No maid at all did this way pass!
poem by Thomas Bailey Aldrich
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Juliet's Soliloquy
Farewell!--God knows when we shall meet again.
I have a faint cold fear thrills through my veins
That almost freezes up the heat of life:
I'll call them back again to comfort me;--
Nurse!--What should she do here?
My dismal scene I needs must act alone.--
Come, vial.--
What if this mixture do not work at all?
Shall I be married, then, to-morrow morning?--
No, No!--this shall forbid it:--lie thou there.--
What if it be a poison, which the friar
Subtly hath minister'd to have me dead,
Lest in this marriage he should be dishonour'd,
Because he married me before to Romeo?
I fear it is: and yet methinks it should not,
For he hath still been tried a holy man:--
I will not entertain so bad a thought.--
How if, when I am laid into the tomb,
I wake before the time that Romeo
Come to redeem me? there's a fearful point!
Shall I not then be stifled in the vault,
To whose foul mouth no healthsome air breathes in,
And there die strangled ere my Romeo comes?
Or, if I live, is it not very like
The horrible conceit of death and night,
Together with the terror of the place,--
As in a vault, an ancient receptacle,
Where, for this many hundred years, the bones
Of all my buried ancestors are pack'd;
Where bloody Tybalt, yet but green in earth,
Lies festering in his shroud; where, as they say,
At some hours in the night spirits resort;--
Alack, alack, is it not like that I,
So early waking,--what with loathsome smells,
And shrieks like mandrakes torn out of the earth,
That living mortals, hearing them, run mad;--
O, if I wake, shall I not be distraught,
Environed with all these hideous fears?
And madly play with my forefathers' joints?
And pluck the mangled Tybalt from his shroud?
And, in this rage, with some great kinsman's bone,
As with a club, dash out my desperate brains?--
O, look! methinks I see my cousin's ghost
Seeking out Romeo, that did spit his body
Upon a rapier's point:--stay, Tybalt, stay!--
Romeo, I come! this do I drink to thee.
poem by William Shakespeare
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There was an Old Man of Jamaica,
Who suddenly married a Quaker;
But she cried out, 'Alack!
I have married a black!'
Which distressed that Old Man of Jamaica
quote by by Edward Lear
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Sonnet 103: Alack, what poverty my Muse brings forth
Alack, what poverty my Muse brings forth,
That having such a scope to show her pride,
The argument all bare is of more worth
Than when it hath my added praise beside.
O, blame me not if I no more can write!
Look in your glass, and there appears a face
That overgoes my blunt invention quite,
Dulling my lines, and doing me disgrace.
Were it not sinful then striving to mend,
To mar the subject that before was well?
For to no other pass my verses tend
Than of your graces and your gifts to tell;
And more, much more than in my verse can sit,
Your own glass shows you when you look in it.
poem by William Shakespeare
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The Mad Maid's Song
Good morrow to the day so fair;
Good morning, sir, to you;
Good morrow to mine own torn hair,
Bedabbled with the dew.
Good morning to this primrose too;
Good morrow to each maid;
That will with flowers the tomb bestrew
Wherein my Love is laid.
Ah! woe is me, woe, woe is me,
Alack and well-a-day!
For pity, sir, find out that bee,
Which bore my Love away.
I'll seek him in your bonnet brave;
I'll seek him in your eyes;
Nay, now I think they've made his grave
I' th' bed of strawberries.
I'll seek him there; I know, ere this,
The cold, cold earth doth shake him;
But I will go, or send a kiss
By you, sir, to awake him.
Pray hurt him not; though he be dead,
He knows well who do love him;
And who with green turfs rear his head,
And who do rudely move him.
He's soft and tender, pray take heed,
With bands of cowslips bind him,
And bring him home;--but 'tis decreed
That I shall never find him.
poem by Robert Herrick
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Ballade De Marguerite (Normande)
I am weary of lying within the chase
When the knights are meeting in market-place.
Nay, go not thou to the red-roofed town
Lest the hoofs of the war-horse tread thee down.
But I would not go where the Squires ride,
I would only walk by my Lady's side.
Alack! and alack! thou art overbold,
A Forester's son may not eat off gold.
Will she love me the less that my Father is seen
Each Martinmas day in a doublet green?
Perchance she is sewing at tapestrie,
Spindle and loom are not meet for thee.
Ah, if she is working the arras bright
I might ravel the threads by the fire-light.
Perchance she is hunting of the deer,
How could you follow o'er hill and mere?
Ah, if she is riding with the court,
I might run beside her and wind the morte.
Perchance she is kneeling in St. Denys,
(On her soul may our Lady have gramercy!)
Ah, if she is praying in lone chapelle,
I might swing the censer and ring the bell.
Come in, my son, for you look sae pale,
The father shall fill thee a stoup of ale.
But who are these knights in bright array?
Is it a pageant the rich folks play?
'T is the King of England from over sea,
Who has come unto visit our fair countrie.
But why does the curfew toll sae low?
And why do the mourners walk a-row?
O 't is Hugh of Amiens my sister's son
Who is lying stark, for his day is done.
Nay, nay, for I see white lilies clear,
It is no strong man who lies on the bier.
O 't is old Dame Jeannette that kept the hall,
I knew she would die at the autumn fall.
Dame Jeannette had not that gold-brown hair,
Old Jeannette was not a maiden fair.
O 't is none of our kith and none of our kin,
(Her soul may our Lady assoil from sin!)
But I hear the boy's voice chaunting sweet,
'Elle est morte, la Marguerite.'
Come in, my son, and lie on the bed,
And let the dead folk bury their dead.
O mother, you know I loved her true:
O mother, hath one grave room for two?
poem by Oscar Wilde
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After Hearing Robin Hood
The songs of Sherwood Forest
Are lilac-sweet and clear;
The virile rhymes of merrier times
Sound fair upon mine ear.
Sweet is their sylvan cadence
And sweet their simple art.
The balladry of the greenwood tree
Stirs memories in my heart.
O braver days and elder
With mickle valor dight,
How ye bring back the time, alack!
When Harry Smith could write!
poem by Franklin P. Adams
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Ballade De Marguerite
(NORMANDE.)
I AM weary of lying within the chase
When the knights are meeting in market-place.
Nay, go not thou to the red-roofed town
Lest the hooves of the war-horse tread thee down.
But I would not go where the Squires ride,
I would only walk by my Lady's side.
Alack! and alack! thou art over bold,
A Forester's son may not eat off gold.
Will she love me the less that my Father is seen,
Each Martinmas day in a doublet green?
Perchance she is sewing at tapestrie,
Spindle and loom are not meet for thee.
Ah, if she is working the arras bright
I might ravel the threads by the fire-light.
Perchance she is hunting of the deer,
How could you follow o'er hill and meer?
Ah, if she is riding with the court,
I might run beside her and wind the morte.
Perchance she is kneeling in S. Denys,
(On her soul may our Lady have gramercy!)
Ah, if she is praying in lone chapelle,
I might swing the censer and ring the bell.
Come in my son, for you look sae pale,
The father shall fill thee a stoup of ale.
But who are these knights in bright array?
Is it a pageant the rich folks play?
'Tis the King of England from over sea,
Who has come unto visit our fair countrie.
But why does the curfew toll sae low
And why do the mourners walk a-row?
O 'tis Hugh of Amiens my sister's son
Who is lying stark, for his day is done.
Nay, nay, for I see white lilies clear,
It is no strong man who lies on the bier.
O 'tis old Dame Jeannette that kept the hall,
I knew she would die at the autumn fall.
Dame Jeannette had not that gold-brown hair,
Old Jeannette was not a maiden fair.
O 'tis none of our kith and none of our kin,
(Her soul may our Lady assoil from sin!)
But I hear the boy's voice chaunting sweet,
'Elle est morte, la Marguerite.'
Come in my son and lie on the bed,
And let the dead folk bury their dead.
O mother, you know I loved her true:
O mother, hath one grave room for two?
poem by Oscar Wilde
Submitted by Poetry Lover
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