Thomas Hardy

The Colonel's Soliloquy (Southampton Docks: October, 1899)

"The quay recedes. Hurrah! Ahead we go! . . .
It's true I've been accustomed now to home,
And joints get rusty, and one's limbs may grow
   More fit to rest than roam.

"But I can stand as yet fair stress and strain;
There's not a little steel beneath the rust;
My years mount somewhat, but here's to't again!
   And if I fall, I must.

"God knows that for myself I've scanty care;
Past scrimmages have proved as much to all;
In Eastern lands and South I've had my share
   Both of the blade and ball.

"And where those villains ripped me in the flitch
With their old iron in my early time,
I'm apt at change of wind to feel a twitch,
   Or at a change of clime.

"And what my mirror shows me in the morning
Has more of blotch and wrinkle than of bloom;
My eyes, too, heretofore all glasses scorning,
   Have just a touch of rheum . . .

"Now sounds 'The Girl I've left behind me,'--Ah,
The years, the ardours, wakened by that tune!
Time was when, with the crowd's farewell 'Hurrah!'
   'Twould lift me to the moon.

"But now it's late to leave behind me one
Who if, poor soul, her man goes underground,
Will not recover as she might have done
   In days when hopes abound.

"She's waving from the wharfside, palely grieving,
As down we draw . . . Her tears make little show,
Yet now she suffers more than at my leaving
   Some twenty years ago.

"I pray those left at home will care for her!
I shall come back; I have before; though when
The Girl you leave behind you is a grandmother,
   Things may not be as then."

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People at Night

A night that cuts between you and you
and you and you and you
and me : jostles us apart, a man elbowing
through a crowd.       & nbsp;  We won't
      &nbs p;         ;     look for each other, either-
wander off, each alone, not looking
in the slow crowd. Among sideshows
               & nbsp;     under movie signs,
      &nb sp;       &nbs p;     pictures made of a million lights,
      &n bsp;       &nb sp;     giants that move and again move
        ;              again, above a cloud of thick smells,
      &n bsp;       &nb sp;     franks, roasted nutmeats-

Or going up to some apartment, yours
      &nbs p;         ;     or yours, finding
someone sitting in the dark:
who is it really? So you switch the
light on to see: you know the name but
who is it ?
       &n bsp;  But you won't see.

The fluorescent light flickers sullenly, a
pause. But you command. It grabs
each face and holds it up
by the hair for you, mask after mask.
      &nbs p;         ;     You  &nb sp;and   you and I   repeat
   &n bsp;       &nb sp;       &nbs p;gestures that make do when speech
      &nb sp;       &nbs p;     has failed       & nbsp;  and talk
        ;              and talk, laughing, saying
      &nb sp;       &nbs p;     'I', and 'I',
meaning 'Anybody'.
       ;                 & nbsp;       No one.

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The Words

Clouds scattered across the sky       &nbs p;all so far away
and then the space between         this strange 'distance'
What does 'normal' mean, after all?       &nb sp;you move
toward the window       & nbsp;lights marking the headland
and the night becomes a milestone      &nbs p; though
I         the fog rolls up the hill from the sea
in waves the town       &nb sp;desperate?
Whichever way we look       &nb sp;though so much at hand
only held back by obsessions
but 'home' is so long ago       &nbs p;don't cry
the light's a very pale blue       &nb sp;then maybe       &n bsp;the next time too
a faint glimmer across the bay       &nbs p;neither moon
nor stars
and your letter making signs       &n bsp;concerning 'understanding'
and 'the magic tortoise'      &nbs p; what then?       &n bsp;or just tiredness

At each alternative      &n bsp; the colours in the sky
gradually changing        ; until you're lulled into believing
you've seen this before       & nbsp;but not quite
The wood-cut of a lone horseman
riding through a deathly countryside      &n bsp; raped

'You're very brave'       & nbsp;I clean the table-top
and you sat in that chair       &n bsp;two red poppies
in the garden below       &n bsp;at dawn
This apparent clumsiness is far from true

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A Revocation

WHAT should I say?
   --Since Faith is dead,
And Truth away
   From you is fled?
   Should I be led
   With doubleness?
   Nay! nay! mistress.

I promised you,
   And you promised me,
To be as true
   As I would be.
   But since I see
   Your double heart,
   Farewell my part!

Thought for to take
   'Tis not my mind;
But to forsake
   One so unkind;
   And as I find
   So will I trust.
   Farewell, unjust!

Can ye say nay
   But that you said
That I alway
   Should be obeyed?
   And--thus betrayed
   Or that I wist!
   Farewell, unkist!

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Thomas Hardy

A Spot

In years defaced and lost,
   Two sat here, transport-tossed,
   Lit by a living love
The wilted world knew nothing of:
   Scared momently
   By gaingivings,
   Then hoping things
   That could not be.

   Of love and us no trace
   Abides upon the place;
   The sun and shadows wheel,
Season and season sereward steal;
   Foul days and fair
   Here, too, prevail,
   And gust and gale
   As everywhere.

   But lonely shepherd souls
   Who bask amid these knolls
   May catch a faery sound
On sleepy noontides from the ground:
   "O not again
   Till Earth outwears
   Shall love like theirs
   Suffuse this glen!"

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Thomas Hardy

Her Late Husband (King's-Hintock, 182-.)

"No--not where I shall make my own;
   But dig his grave just by
The woman's with the initialed stone -
   As near as he can lie -
After whose death he seemed to ail,
   Though none considered why.

"And when I also claim a nook,
   And your feet tread me in,
Bestow me, under my old name,
   Among my kith and kin,
That strangers gazing may not dream
   I did a husband win."

"Widow, your wish shall be obeyed;
   Though, thought I, certainly
You'd lay him where your folk are laid,
   And your grave, too, will be,
As custom hath it; you to right,
   And on the left hand he."

"Aye, sexton; such the Hintock rule,
   And none has said it nay;
But now it haps a native here
   Eschews that ancient way . . .
And it may be, some Christmas night,
   When angels walk, they'll say:

"'O strange interment! Civilized lands
   Afford few types thereof;
Here is a man who takes his rest
   Beside his very Love,
Beside the one who was his wife
   In our sight up above!'"

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Thomas Hardy

The Tenant-For-Life

The sun said, watching my watering-pot
   "Some morn you'll pass away;
These flowers and plants I parch up hot -
   Who'll water them that day?

"Those banks and beds whose shape your eye
   Has planned in line so true,
New hands will change, unreasoning why
   Such shape seemed best to you.

"Within your house will strangers sit,
   And wonder how first it came;
They'll talk of their schemes for improving it,
   And will not mention your name.

"They'll care not how, or when, or at what
   You sighed, laughed, suffered here,
Though you feel more in an hour of the spot
   Than they will feel in a year

"As I look on at you here, now,
   Shall I look on at these;
But as to our old times, avow
   No knowledge--hold my peace! . . .

"O friend, it matters not, I say;
   Bethink ye, I have shined
On nobler ones than you, and they
   Are dead men out of mind!"

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Thomas Hardy

By the Earth's Corpse

I

   "O Lord, why grievest Thou? -
   Since Life has ceased to be
   Upon this globe, now cold
   As lunar land and sea,
And humankind, and fowl, and fur
   Are gone eternally,
All is the same to Thee as ere
   They knew mortality."

II

"O Time," replied the Lord,
   "Thou read'st me ill, I ween;
Were all THE SAME, I should not grieve
   At that late earthly scene,
Now blestly past--though planned by me
   With interest close and keen! -
Nay, nay: things now are NOT the same
   As they have earlier been.

III

   "Written indelibly
   On my eternal mind
   Are all the wrongs endured
   By Earth's poor patient kind,
Which my too oft unconscious hand
   Let enter undesigned.
No god can cancel deeds foredone,
   Or thy old coils unwind!

IV

   "As when, in Noe's days,
   I whelmed the plains with sea,
   So at this last, when flesh
   And herb but fossils be,
And, all extinct, their piteous dust
   Revolves obliviously,
That I made Earth, and life, and man,
   It still repenteth me!"

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Thomas Hardy

The Inconsistent

I say, "She was as good as fair,"
   When standing by her mound;
"Such passing sweetness," I declare,
   "No longer treads the ground."
I say, "What living Love can catch
   Her bloom and bonhomie,
And what in newer maidens match
   Her olden warmth to me!"

- There stands within yon vestry-nook
   Where bonded lovers sign,
Her name upon a faded book
   With one that is not mine.
To him she breathed the tender vow
   She once had breathed to me,
But yet I say, "O love, even now
   Would I had died for thee!"

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Old Woman

I see Senora Sanchez
along the river.
Black catfish
pop the silver
water surface,
waves unroll
as the gnarled
bronze face and
black eyes
remember
cool sea shells
and warm turquoise,
the turkey gobbling
behind bushes,
and the red skirt
hanging on boughs
as she bathed….
She pulls her black sweater
snug around her, folded arms
across her stomach.
She who remembers
cannot say amen
but smiles to sunrise
as she walks through the grass,
      &nb sp;       &nbs p;         ;       the tall,
      &nbs p;         ;                green grass,
grass that does not listen to
       & nbsp;       &n bsp;       &nb sp;      the priest
in black robes, blooms green
as she walks through the grass
and talks with them.

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Music in an Empty House

The house was empty and
      the people of the house
      gone many months

Months for the weevil
      for the patient worm
      timbe r-mole softly tunnelling
       ;for the parliament of rats

Footsteps slink past
      damp walls
      down
      long
& nbsp;     corridors

Slow feet
      warily scuff
      bare boards
The much-bitten
     &nbs p;tapestry
       ;  holds
    &nb sp;     many
 &n bsp;    moths

In a certain curtain'd room
      the halting steps evade
      chai rs white shrouded

To twitch the winding-sheet
     &n bsp;around a grand piano
      thin phalanx of sound
      sharp rat's teeth edge yellow
      with decay

The much-bitten
     &nbs p;tapestry
       ;holds
      man y
      moths

On rat's teeth-edge
       ;fingers preparate
       hesitate

Then falling send
  as tenantry
    darnp-muffied chords
      rus ting strings
  a still-born song

Their fortissimoThe tattered   scarcetapestry   stirsholds   nearmany   cobwebsmoths

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William Shakespeare

Fairy Land i

OVER hill, over dale,
   Thorough bush, thorough brier,
   Over park, over pale,
   Thorough flood, thorough fire,
   I do wander everywhere,
   Swifter than the moone's sphere;
   And I serve the fairy queen,
   To dew her orbs upon the green:
   The cowslips tall her pensioners be;
   In their gold coats spots you see;
   Those be rubies, fairy favours,
   In those freckles live their savours:
   I must go seek some dew-drops here,
And hang a pearl in every cowslip's ear.

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Amy Lowell

Apology

Be not angry with me that I bear
   Your colours everywhere,
   All through each crowded street,
   And meet
   The wonder-light in every eye,
   As I go by.

Each plodding wayfarer looks up to gaze,
   Blinded by rainbow haze,
   The stuff of happiness,
   No less,
   Which wraps me in its glad-hued folds
   Of peacock golds.

Before my feet the dusty, rough-paved way
   Flushes beneath its gray.
   My steps fall ringed with light,
   So bright,
   It seems a myriad suns are strown
   About the town.

Around me is the sound of steepled bells,
   And rich perfumed smells
   Hang like a wind-forgotten cloud,
   And shroud
   Me from close contact with the world.
   I dwell impearled.

You blazon me with jewelled insignia.
   A flaming nebula
   Rims in my life. And yet
   You set
   The word upon me, unconfessed
   To go unguessed.

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Home

"Where shall we dwell?" say you.
   Wandering winds reply:
"In a temple with roof of blue
   -- Under the splendid sky."

Never a nobler home
   We'll find though an age we try
Than is arched by the azure dome
   Of the all-enfolding sky.

Here we are wed, and here
   We live under God's own eye.
"Where shall we dwell," my dear?
   Under the splendid sky.

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Thomas Hardy

V.R. 1819-1901, A Reverie

Moments the mightiest pass uncalendared,
   And when the Absolute
   In backward Time outgave the deedful word
   Whereby all life is stirred:
"Let one be born and throned whose mould shall constitute
The norm of every royal-reckoned attribute,"
   No mortal knew or heard.
   But in due days the purposed Life outshone -
   Serene, sagacious, free;
   --Her waxing seasons bloomed with deeds well done,
   And the world's heart was won . . .
Yet may the deed of hers most bright in eyes to be
Lie hid from ours--as in the All-One's thought lay she -
   Till ripening years have run.

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Wedding-Ring

My wedding-ring lies in a basket
as if at the bottom of a well.
Nothing will come to fish it back up
and onto my finger again.
       &nb sp;       &nbs p;    It lies
among keys to abandoned houses,
nails waiting to be needed and hammered
into some wall,
telephone numbers with no names attached,
idle paperclips.
       &nb sp;  It can't be given away
for fear of bringing ill-luck.
       &nb sp;  It can't be sold
for the marriage was good in its own
time, though that time is gone.
       &nb sp;  Could some artificer
beat into it bright stones, transform it
into a dazzling circlet no one could take
for solemn betrothal or to make promises
living will not let them keep? Change it
into a simple gift I could give in friendship?

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A Parting Guest

What delightful hosts are they --
   Life and Love!
Lingeringly I turn away,
   This late hour, yet glad enough
They have not withheld from me
   Their high hospitality.
So, with face lit with delight
   And all gratitude, I stay
   Yet to press their hands and say,
"Thanks. -- So fine a time! Good night."

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Thomas Hardy

To Life

O life with the sad seared face,
   I weary of seeing thee,
And thy draggled cloak, and thy hobbling pace,
   And thy too-forced pleasantry!

   I know what thou would'st tell
   Of Death, Time, Destiny -
I have known it long, and know, too, well
   What it all means for me.

   But canst thou not array
   Thyself in rare disguise,
And feign like truth, for one mad day,
   That Earth is Paradise?

   I'll tune me to the mood,
   And mumm with thee till eve;
And maybe what as interlude
   I feign, I shall believe!

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William Shakespeare

Fairy Land iii

COME unto these yellow sands,
   And then take hands:
Court'sied when you have, and kiss'd,--
   The wild waves whist,--
Foot it featly here and there;
And, sweet sprites, the burthen bear.
   Hark, hark!
   Bow, wow,
   The watch-dogs bark:
   Bow, wow.
   Hark, hark! I hear
   The strain of strutting chanticleer
   Cry, Cock-a-diddle-dow!

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A Trembling Star

"There is my little trembling star," she said.
   I looked; once more
The tender sea had put the sun to bed,
   And heaven's floor
   Was grey.

And nowhere yet in all that young night sky
   Was any star,
But one that hung above the sea. Not high,
   Nor very far
   Away.

"I watch it every night," she said, and crept
   Within my arm.
"Soft little star, I wish the angels kept
   It safe from harm
   Alway.

"I know it is afraid," she said; her eyes
   Held a sweet tear.
"They send it all alone into the skies,
   No big stars near,
   To stay.

"They push it out before the sweet, kind moon
   Lights up the sea.
They laugh because it fears the dark. `Soon, soon,
   You'll braver be,'
   They say.

"One night I climbed far up that high white tree
   Beside the beach,
And tried to stretch my hand across the sea
   And tried to reach
   The grey.

"For something made me feel my heart would break
   Unless that night
I in my hand my trembling star could take
   And kiss its fright
   Away.

"There only blew a strange wind chillily,
   And clouds were swept.
The angels would not let my own star see
   That someone wept.
   I pray

"To Christ, who hears my little prayers each night,
   That He will seek
Through all His skies for that sweet, frightened light,
   And stoop His cheek
   And say

"`My angels must not send so frail a thing
   To light the West.
Lift up the little trembling star to cling
   About my breast
   Alway.'"

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Thomas Hardy

The Superseded

I

As newer comers crowd the fore,
   We drop behind.
- We who have laboured long and sore
   Times out of mind,
And keen are yet, must not regret
   To drop behind.

II

Yet there are of us some who grieve
   To go behind;
Staunch, strenuous souls who scarce believe
   Their fires declined,
And know none cares, remembers, spares
   Who go behind.

III

'Tis not that we have unforetold
   The drop behind;
We feel the new must oust the old
   In every kind;
But yet we think, must we, must WE,
   Too, drop behind?

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