Ellen Terry in the Merchant of Venice

As there she lives and moves upon the scene,
So lived and moved this radiant womanhood
In Shakespeare's vision; in such wise she stood
Smiling upon Bassanio; such her mien
When pity dimmed her eyelids' golden sheen,
Hearing Antonio's story, and the blood
Paled on her cheek, and all her lightsome mood
Was gone. This shape in Shakespeare's thought has been!
Thus dreamt he of her in gray London town;
Such were her eyes; on such gold-colored hair
The grave young judge's velvet cap was set;
So stood she lovely in her crimson gown.
Mine were a happy cast, could I but snare
Her beauty in a sonnet's fragile net.

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A Silent Sonnet on a Mid Day Afternoon by Silent fingers

With the sun dancing in her heart-colored hair, a dream flowing in her honey-tinted eyes and a turquoise-hued gem prostrating her ears – she sits in her garden with sleeping white angels and smiling wise gnomes, a calm and numinous place where every bird has a song to sing, where every flower has a life to live, and every wall a story to tell.

Oh, I have never felt a feeling more blessed than her mystical presence.
For a while my breath stood still, and with me, the breeze too. Yes, we stood face to face, while time played a silent sonnet on a mid day afternoon.

With a sugary spell she had cast over her light-filled shadow, she lets her henna-dyed feet float among perfumed pink ‘kaneerumaa’ praising the round yellow one, among marred pieces of colored glass resurrected as bright jovial mirrors, among dangling little dream catchers humming sweet soft lullabies and painted vivid hand-prints gently pressing onto white rugged walls.

Oh, I have never heard a poem more eloquent than her whimsical world.
For a while I stood still, and with me, the world too. Yes, there I stood, face to face with her, while fate played a silent sonnet on a mid day afternoon.

With the marriage of a fiyaathoshi wall to a nookula door, she paints her castle yellow, sometimes violet, and sometimes white. With a flucid stroke of her magic-bound hand she creates cyan-colored beings and olive-colored poetry. Words fly out of her mouth like freed birds, while she swings her soul to-and-fro, and commands the sunny-rays-gone-astray to obey and kneel at her feet, to kiss her hands, caress her cheeks and rest in her eyes.

Oh, I have never seen a queen more refined in her placid manners.
For a while my heart stood still, and with it, my life too. Yes, There I stood face to face with her, while life played a silent sonnet on a mid day afternoon.

… and then she asks, “Have we met before? ”
… and I thought, “Yes, perhaps eight hundred years ago! ”

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William Butler Yeats

Aedh Tells of a Valley Full of Lovers

I dreamed that I stood in a valley, and amid sighs,
For happy lovers passed two by two where I stood;
And I dreamed my lost love came stealthily out of the wood
With her cloud-pale eyelids falling on dream-dimmed eyes:
I cried in my dream ‘O women bid the young men lay
‘Their heads on your knees, and drown their eyes with your hair,
‘Or remembering hers they will find no other face fair
‘Till all the valleys of the world have been withered away.’

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A Highly-Colored Romance

Ben Green was a New-Hampshire boy,
Who stood full six feet two:
A jovial chap this same Ben Green,
Though he had oft been blue.
He loved a girl named Olive Brown,
Who lived near Bixby's pond,
And who, despite her brunette name,
Was a decided blonde.
"A Highly Colored Romance."
A pink of rare perfection she,
The belle of all the town;
Though Ben oft wished her Olive Green,
Instead of Olive Brown.
And she loved Ben, and said that nought
Should mar their joy serene;
And, when she changed from Olive Brown,
'Twould surely be to Green.
She kept her word in-violet,
And vowed, ere she was wed,
Although when Brown she had Be(e)n Green.
When Green she'd be well read.
But, ah! her young affections changed
To Gray, a Southern fellow;
And Green turned white the news to hear,
Though first it made him yell, oh!
Says he, " How can you lilac this,
When you vowed to be true?
I'll take your fine young lover, Gray,
And beat him till he's blue."
Then Olive Brown to crimson turned,
And said, "Do as you say:
The country long has wished to see
'The Blue combined with Gray.'"
Ben Green to purple turned with rage,
And black his brow as night;
While on the cheek of Olive Brown
The crimson changed to white.
"O cruel Olive Brown!" says Ben,
"I've been dun-brown by you:
Let this 'Grayback' his steps retrace,
And take Greenback, — oh, do!"
Poor Olive Brown, what could she say,
To sea-Green look so sad ?
And so she rose, and said to him,
"I'll go and ask my dad."
. . . .
The years rolled by: Ben's raven locks
For silver did not lack;
And Olive, with her hair of gold,
Was glad she took Greenback.

poem by Charles Follen Adams from Yawcob Strauss and Other PoemsReport problemRelated quotes
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The Golden Rose

A POOR lost princess, weary and worn,
Came over the down by the wind-washed moor,
And the king looked out on her grace forlorn,
And he took her in at his palace door.


He made her queen, he gave her a crown,
Bidding her rest and be glad and gay
In his golden town, with a golden gown,
And a new gold lily every day.


But the crown is heavy, the gold gown gray,
And the queen's pale breast is like autumn snows;
For he brings a gold lily every day,
But no king gathers the golden rose.


One came at last to the palace keep
By worlds of water and leagues of land,
Gray were his garments, his eyes were deep,
And he held the golden rose in his hand.


She left gold gown, gold town, gold crown,
And followed him straight to a world apart,
And he left her asleep on the wind-washed down,
With the golden rose on her quiet heart.

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William Butler Yeats

He Tells Of A Valley Full Of Lovers

I DREAMED that I stood in a valley, and amid sighs,
For happy lovers passed two by two where I stood;
And I dreamed my lost love came stealthily out of the wood
With her cloud-pale eyelids falling on dream-dimmed eyes:
I cried in my dream, O women, bid the young men lay
Their heads on your knees, and drown their eyes with your fair,
Or remembering hers they will find no other face fair
Till all the valleys of the world have been withered away.

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William Shakespeare

Antonio: The Hebrew will turn Christian. He grows kind.
Bassanio: I like not fair terms and a villain's mind.

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To A Child

(Rosamund.)

The fairies have been busy while you slept;
They have been laughing where the sad rain wept,
They have taught Beauty to the ignorant flowers,
Set tasks of hope to weary wind-torn bowers,
And heard the lessons learned in school-rooms cold
By seedling snapdragon and marigold.
At dawn, while still you slept, I grew aware
How good the fairies are, how many and fair.

The fairy whose delightful gown is red
Across a corner of our garden sped,
And, where her flying raiment fluttered past,
Its roseate reflection still is cast:
Red poppies by the rhododendron's side,
Paeonies gorgeous in their summer pride,
And red may-bushes by the old red wall
Shower down their crimson petals over all.

Then she whose gown is gold, and gold her hair,
Swept down the golden steep straight sunbeam-stair,
She lit the tulip-lamps, she lit the torch
Of hollyhock beside the cottage porch.
She dressed the honeysuckle in fringe of gold,
She gave the king-cups fairy wealth to hold,
She kissed St. John's wort till it opened wide,
She set the yarrow by the river side.

Then came the lady all whose robes are white:
She made the pale buds blossom in delight,
Set silver stars upon the jasmine's hair,
And gave the stream white lily-buds to wear.
She painted lilies white, and pearl-white phlox,
White poppies, passion-flowers and gray-leaved stocks.
Her pure kind touch redeemed the most forlorn,
And even the vile petunia smiled, new-born.

The dearest fairy of all--green is her gown--
She kissed the plane-trees in the tiresome town,
She smoothed the pastures and the lawn's pale sheen,
She decked the boughs with hangings fresh and green,
She showed each flower the one and only way
Its beauty of shape and colour to display;
She taught the world to be a Paradise
Of changing leaf and blade, for tired eyes.

Then, one and all, they came where you were laid
In your strait bed, my little lovely maid;
The red-robed fairy kissed your lips, your face,
The white-robed made your heart her dwelling-place.
Into your eyes the green robed fairy smiled;
The golden fairy touched your dreams, my child,
And one, not named, but mightiest, made my Dear
The innermost rose of the re-flowered year.

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She Is Lovely (French / Dutch Roundel) (In Answer To Dorothy Parker)

She is lovely, but sometimes silent is she,
so fragile she looks with her golden hair
but always she is seen as fair
and about her sheer beauty most men agree.

Still she smiles with modesty
while her looks are beyond pretty and somewhat rare.
She is lovely, but sometimes silent is she,
so fragile she looks with her golden hair

that I a withering flower see
and men at her do continually stare
but of this she is totally unaware
as if she is from this world free,
she is lovely, but sometimes silent is she.

[Reference: “Roundel” by Dorothy Parker.]

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Guilielmus Rex

The folk who lived in Shakespeare's day
And saw that gentle figure pass
By London Bridge, his frequent way--
They little knew what man he was.

The pointed beard, the courteous mien,
The equal port to high and low,
All this they saw or might have seen--
But not the light behind the brow!

The doublet's modest gray or brown,
The slender sword-hilt's plain device,
What sign had these for prince or clown?
Few turned, or none, to scan him twice.

Yet 't was the King of England's kings!
The rest with all their pomps and trains
Are mouldered, half-remembered things--
'T is he alone that lives and reigns!

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My Love Outshines The Summer Sun (Sonnet Corona)

(after William Shakespeare)

I

My love outshines the summer sun,
even stars in their remote twinkling light
and her eyes are more beautiful, each one
than the stars glimmering at night

Her cheeks is dimpled cute
her hair is an auburn crown,
her cheeks is rosy beyond repute
her hair is sun-shot twisting in a way of their own.

Her lips are more soft and warm
and her spirit is more mild
than a ray of light falling on my arm
or at times more free and wild

than birds where they fly,
my love is like the radiant sapphire sky.

II

My love is like the radiant sapphire sky
like the breeze rustling through trees
so lovely on my eye,
eager to please.

My love is like the summer sun,
like the blue hued sea
always warm and full of fun,
touching me gently

even when the darkness calls
and when time goes to its finality
like a star her light still falls,
my love stays true to me

in every thing her face I see
so gentle, sweet and free.

III

So gentle, sweet and free
my love lives her life
but I long for her to be near to me
in a world without any strive.

Like a lily prospering alone in the marsh
blooming pure and serene,
my darling lives unknown to a world harsh
out of control, away from the limelight scene

and in that rural place
her beauty is untouched by makeup,
filled with a sweet grace
and even in the morning when she wakes up

the sun is in her hair,
my darling is really fair.

IV

My darling is really fair
there are stars in her eyes,
she’s the most beautiful flower found anywhere,
her eyes are much more pure than the bluest skies.

When she smiles at me,
smiling tenderly,
I in her smile blessings see
as if love is there in all of its glory.

Still more so the bliss
that is caught in her kiss
that comes from the divine
which she is making mine

and sometimes the beauty makes her cry,
when the day flutters by.

V

When the day flutters by
with the sun setting red
you will find my love and I
where stars come out from bed,

then like a butterfly
the sun kisses the night,
touches the dark low and high
before it goes by with its last light

and she unloosens my tie
while we watch the full yellow moon,
while the fire in her eyes lie
sparkling, much brighter than the sunny afternoon,

but with a passing bat flying low she catches a fright,
while the stars are shining bright.

VII

While the stars are shining bright
like jewels in the sky’s crown
on a winter night
it has tranquillity, a beauty of its own,

her eyes are radiant,
as if aflame
lovely and brilliant
and of some she know the name

and something indiscernibly small
creeps into the very soul, into the heart
and of it that is all,
a smouldering, something with which we cannot part:

to me she remains the only one in joy and fun,
my love outshines the summer sun.

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Shakespeare And Sylvia

Shakespeare awoke as
the world was sleeping
and wrote a sonnet for
Sylvia, his 'sweeting',
desperately hoping she'd
be his queen, in the beautiful
Isle of evergreen.

Sylvia was a Goddess fair
She captured his mind like
a sacred prayer.
But of her feelings he was
unsure, and could suffer
the doubt no more.

Now Shakespeare was a
sound young man, eager to
know her plan ~ so he posed
the question, asked for her hand:
Would Sylvia always be
his 'holy fair and wise' young Lady
of this bounteous land?

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A Change Of Seasons

There is beauty found in dying
when Autumn dons her velvet gown—
A pastel landscape underlying
when Autumn strolls through town.

When Autumn dons her velvet gown,
deep colors in her skirt unfold.
When Autumn strolls through town,
the leaves turn crimson, brown, and gold.

Deep colors in her skirt unfold.
Summer acquiesces.
The leaves turn crimson, brown, and gold
when Autumn unbraids her copper tresses.

Summer acquiesces—
A pastel landscape underlying.
When Autumn unbraids her copper tresses,
there is beauty found in dying.

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Great Laureate

When your Sonnet captures love's fantasy
A 'second Shakespeare' you may be
Writing of beautiful romance in bloom
Farewell to yesterday's doom and gloom.
All the wide world would welcome thee
Because of your knowledge and mastery
Young lovers may sing your madrigals
And a 'second Shakespeare' you will be.

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To Mrs. Frances--Arabella Kelly.

To Day, as at my Glass I stood,
To set my Head--cloaths, and my Hood;
I saw my grizzled Locks with Dread,
And call'd to mind the Gorgon's Head.

Thought I, whate'er the Poets say,
Medusa's Hair was only gray:
Tho' Ovid, who the Story told,
Was too well--bred to call her old;
But, what amounted to the same,
He made her an immortal Dame.

Yet now, whene'er a Matron sage
Hath felt the rugged Hand of Age,
You hear out witty Coxcombs cry,
Rot that old Witch--she'll never die.
Tho', had they but a little Reading,
Ovid would teach them better Breeding.

I fancy now, I hear you say,
Grant Heav'n, my Locks may ne'er be gray!
Why am I told this frightful Story?
To Beauty a Memento mori.

And, as along the Room you pass,
Casting your Eye upon the Glass,
Surely, say you, this lovely Face
Will never suffer such Disgrace:
The Bloom, that on my Cheek appears,
Will never be impair'd by Years.
Her Envy, now, I plainly see,
Makes her inscribe those Lines to me.
These Beldams, who were born before me,
Are griev'd to see the Men adore me:
Their snaky Locks freeze up the Blood;
My Tresses fire the purple Flood.

Unnumber'd Slaves around me wait,
And from my Eyes expect their Fate:
I own, of Conquest I am vain,
Tho' I despise the Slaves I gain.
Heav'n gave me Charms, and destin'd me
For universal Tyranny.

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Oscar Wilde

Portia

I MARVEL not Bassanio was so bold
To peril all he had upon the lead,
Or that proud Aragon bent low his head,
Or that Morocco's fiery heart grew cold:
For in that gorgeous dress of beaten gold
Which is more golden than the golden sun,
No woman Veronesé looked upon
Was half so fair as thou whom I behold.
Yet fairer when with wisdom as your shield
The sober-suited lawyer's gown you donned
And would not let the laws of Venice yield
Antonio's heart to that accursèd Jew--
O Portia! take my heart: it is thy due:
I think I will not quarrel with the Bond.

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Ella Wheeler Wilcox

A Picture

I strolled last eve across the lonely down;
One solitary picture struck my eye:
A distant ploughboy stood against the sky—
How far he seemed above the noisy town!
Upon the bosom of a cloud the sod
Laid its bruised cheek as he moved slowly by,
And, watching him, I asked myself if I
In very truth stood half as near to God.

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Anticipation

'Coming events cast their shadow before.'

I had a vision in the summer light—
Sorrow was in it, and my inward sight
Ached with sad images. The touch of tears
Gushed down my cheeks:—the figured woes of years
Casting their shadows across sunny hours.
Oh, there was nothing sorrowful in flowers
Wooing the glances of an April sun,
Or apple blossoms opening one by one
Their crimson bosoms—or the twittered words
And warbled sentences of merry birds;—
Or the small glitter and the humming wings
Of golden flies and many colored things—
Oh, these were nothing sad—nor to see Her,
Sitting beneath the comfortable stir
Of early leaves—casting the playful grace
Of moving shadows in so fair a face—
Nor in her brow serene—nor in the love
Of her mild eyes drinking the light above
With a long thirst—nor in her gentle smile—
Nor in her hand that shone blood-red the while
She raised it in the sun. All these were dear
To heart and eye—but an invisible fear
Shook in the trees and chilled upon the air,
And if one spot was laughing brightest—there
My soul most sank and darkened in despair!—
As if the shadows of a curtained room
Haunted me in the sun—as if the bloom
Of early flow'rets had no sweets for me,
Nor apple blossoms any blush to see—
As if the hour had brought too bright a day—
And little birds were all too gay!—too gay!—
As if the beauty of that Lovely One
Were all a fable.—Full before the sun
Stood Death and cast a shadow long before,
Like a dark pall enshrouding her all o'er,
Till eyes, and lips, and smiles, were all no more!

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William Butler Yeats

A Song From "The Player Queen"

MY mother dandled me and sang,
"How young it is, how young!'
And made a golden cradle
That on a willow swung.
"He went away,' my mother sang,
"When I was brought to bed,'
And all the while her needle pulled
The gold and silver thread.
She pulled the thread and bit the thread
And made a golden gown,
And wept because she had dreamt that I
Was born to wear a crown.
"When she was got,' my mother sang,
I heard a sea-mew cry,
And saw a flake of the yellow foam
That dropped upon my thigh."
How therefore could she help but braid
The gold into my hair,
And dream that I should carry
The golden top of care?

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To Donneen

When first you came to London Town, Donneen,
Just five years old,
I said—'He'll ask for marble halls, and streets
All paved with gold!'
I thought—'He'll weep, so stricken with amaze,
To hear the roar
Of trampling hoofs, of rushing feet that go
Our way before.'
I said—'He'll fear the throbbing engine's shriek,
The shaking path,
The pushing crowd, the city's comrade cries
Of joy, of wrath.'
And when we stood to hear the mighty heart
Of London Town,
I saw your angry cheek and knew a tear
Had threatened down.

'Why weep,' I whispered by your red gold head,
'Dearest of boys?'
'I cannot hear my new shoes creak,' you said,
'There is such noise.'

Oh, creak, dear shoes, above the city's roar;
Be heard, be seen,
So hearts grow glad, hands clap, and voices cry,
'Here comes Donneen!'

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Wife to Be (Petrarchan Sonnet)

I stroll along a fragrant country lane
With honeysuckle perfume on the air -
And feathered crooner's warble to revere -
Then cross a golden sea of flowing grain
In empathy - it seems to sense my pain
Of knowing all was done with my affair -
Her empty meaning now the solitaire
She cast away - betrothment all in vain.
But oceans team with many fish to catch
So I must up and hoist another sail
And seek the one that really waits for me,
For soon auspicious breezes will prevail
In guiding forth to find a truer match:
The one to take my hand as wife to be.


Copyright © Mark R Slaughter 2010


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