With Fay on a Bus.

The bus moved away
from the bus stop
and Fay sat next to you

her body rocking
side to side
with the motion

of the bus
her knees pushing
against each other

her hands in a prayer like pose
upon her knees
Are you going

to the cinema?
she asked
Yes

you replied
The Globe
That old fleapit?

she said smiling
her lips parting
showing

small white teeth
What are you going to see?
A cowboy film I think

you said
Why don't you come too?
I can't

I haven't any money
she said
Besides my dad

wouldn't like it
he thinks films
are the Devil's work

she looked out
at the passing view
you studied her thumbs

rubbing over each other
her nails pink
and polished

like small shells
He needn't know
you said

I wouldn't tell
she turned her head
and said

I would know
and he would know
by the look

in my eyes
he knows I always
tell the truth

and never tell lies
you put a hand over hers
and her thumbs

became still
and her hand
touched yours

Maybe one day
she said
I will.

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Fay and You and The Fading Bruise

Fay met you
at the bus stop
on the New Kent Road
she was dressed

in the lemon coloured dress
you liked
and her hair
was pulled tight

into a ponytail
where are you going?
she asked
to the Globe

you said
what Shakespeare's Globe?
she asked
no the fleapit cinema

at Camberwell Green
you replied
oh
she said

I've never been there
my daddy doesn't like
me going to cinemas
he says they're

dens of sin
she looked at you
as if you would confirm
her father's words

well it's certainly a den
you stated
but whether its
of sin I don't know

she looked puzzled
and touched
her ponytail
with her hand

are you coming along?
you asked
she looked about
as if her father

might be behind her
should I?
she asked
do you want to?

yes
she replied
then let's go
but I haven't any money

she said
I have enough
you said
my Mother gave me money

for chores I did
oh I see
she muttered
and she bit her lip

what would my daddy say
if he saw me?
he won't
how can you be so sure?

trust me
you said
fathers know little
of what their kids do

she smiled
if you think so
she said
sure I do

besides it'll
do you good
you said
giving her a smile

and then the bus came
and you both got on
and sat next
to each other

and you paid
the bus conductor
the fare
and as the bus

moved off
you both swayed
to the motion
of the bus

her arm touching yours
the fading bruise
on her flesh
a mixture of yellow

and brown
and blue
but you said nothing
besides you thought

if her old man
beats her
what the hell
can I do?

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Janice and You At London Bridge

It was the fourth day
since the break up
from school
for the summer vacation

and you were riding
with Janice
on the bus
to London Bridge

and she was wearing
the lemon coloured dress
you liked
that came to the knees

which were pressed
together
and the brown sandals
with the patterned holes

and the red beret
on her fair hair
was swaying
with the motion

of the bus
opposite you
was a man
wearing a trilby

and a moustache
who kept looking at you
with his dark eyes
his head going

from side to side
as the bus moved
and he sat next
to Janice

his hands
on his knees
and he turned
and gazed

at Janice's knees
then up at you again
his features flushing
and then he looked away

at the passing scene
behind you
pretending
you weren't there

then at London Bridge
he got off
and so did you
and Janice

and you waited
until he had gone
walking up
and over the bridge

and you said
he was a queer fish
who?
said Janice

that bloke
who sat next to you
why?
she asked

he kept staring at me
and ogling
at your knees
did he?

Janice said
you wait
until I tell Gran
about that

she'll say
you watch out
for his type Janice
he's no better

than he ought to be
you nodded
and smiled
at her imitation

of her gran
and she laughed
and you both
walked down

the steps and by
Southwark Cathedral
to the embankment
by the River Thames

and stood by the wall
looking at the passing
boats and ships and tugs
and the occasional

ducks floating
on the brown water
and you felt Janice's
9 year old hand

touch yours
as she pretended
(as she often did)
that you were

a married couple
out for a romantic walk
gazing
at the passing scenery

with the added
small talk.

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One Summer 1958

You sat with Fay that summer day
on the flat concrete roof
of the World War Two bomb shelter

down below the tall flats
where you both lived
and you said

do you want to go
to the movies with me?
she looked across

at the coal depot
with its trucks loading
and unloading

I don't have no money
she replied
you looked at her

my dad'll pay
you said
he's always giving me money

for the movies
she shook her head
and you looked ahead

at the sun shining above
the rain tracks
over the coal depot

you had on your blue jeans
and white tee shirt
and she you noticed

turning your head
had a red and white dress
which came just over her knees

and she wore sandals
on bare feet
besides my mother wants me

so she can see me
Fay said with a sigh
she raised and lowered

her legs against
the concrete wall
her sandals making

tapping noises
as they hit the wall
and you noticed bruises

along her thigh
as she moved
and her dress rode higher

what are those bruises
on your leg?
you asked

she looked down
and stopped moving her legs
and pulled her dress hem

over her knees and thighs
I fell
she replied

down the stairs
you looked at her arms
where other fading bruises

blended into her skin
like worn-out badges
we can see a Western film

you said
I'm sure
there's a Jeff Chandler film

so my dad tells me
but she shook her head
too violent

Mother says
Fay uttered looking away
but there's kissing stuff too

you added
Fay looked at you
her blue eyes

moving over you
like a smoothing
palm of a hand

I'm not allowed
to go to the movies
Daddy says

its sinful and only
wicked people
go there

to be tempted
by the Devil
she sighed

and you both sat in silence
for a while
watching pigeons fly

in the blue summer sky
then she turned quickly
and kissed your cheek

and said
don't have to go
to no movie

to see kissing
and you thought
of the boring bits in films

where the cowboy
gets kissed by the girl
after a gun shoot out

and having been kissed
by Fay
you were glad

and guessed that kissing
wasn't at all
too bad.

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Outside the Cinema.

After tea
you went out

into the summer evening
without cowboy hat

or rifle
but your six shooter

tucked in the belt
of your jeans

to meet Helen
under the railway bridge

next to the Duke of Wellington
public house

I thought you weren't coming
Helen said

standing in her summer dress
and holding her favourite doll

Battered Betty
my horse refused to come

so I had to walk
you said

Helen smiled
my mum knows I'm with you

but I mustn't be out late
Helen said

where shall we go?
you asked

let's go and see
what's on at the cinema

Helen said
so you both walked

along the back streets
until you came

onto the main road
and studied the cinema billboards

I saw Davy Crockett here
you said

who's he?
Helen asked

he was a frontiersman
who fought Indians

and wore a bearskin hat
you said

was he here?
Helen asked

it was a film
you replied

oh
she said

she swung Battered Betty
behind her back

from hand to hand
I haven't been

to the pictures recently
mum said we can't afford it

what about Saturday matinee?
you asked

you could come to that
it's for kids only

and it's fun
Helen brought Battered Betty

into her arms
I'm not sure

she said
I could asked your mum

you said
I'd take care of you

I've got my six shooter
Helen put her hand

in your hand
and said

ok she'd listen to you
Helen said

you felt her hand in yours
and hoped no boys

who knew you
saw this or

the following
small lips kiss.

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Naming of Things.

That's a Small Skipper
Jane said

And that's a Clouded yellow
as two butterflies

flittered overhead
as you both lay

in the tall grass
on the side

of the Downs
and you followed

her finger
as it indicated

the butterflies' flight
and then they were gone

and she gazed at you
and said

What?
How do you know

the names of things?
I'm a country girl

not a townie like you
she replied

her lips moulding
the words like a potter

moulds clay
and you caught a whiff

of her perfume
carried on the calm breeze

over your heads
and you looked

at her there
in the grass

her head turned back
to the sky

her eyes reflecting
the summer blue

and her left leg
bent upwards

so that her knee
stood naked

beneath the sun
and her right hand

lay next to yours
the white blouse

open at the neck
and she said

I often used to lay here
alone listening

to the overhead birds
and the winds' moan

watching tractors
in the fields below

and mother wondering
where I was

And now?
you asked

Does she wonder
where you are now?

she turned her head
and gazed at you

No not now
she knows I'm with you

and that I'm showing you
the store of nature

and the panoramic view
And she trusts you?

you asked
sensing her hand

touch yours
the flesh warm

and soft
She trusts you

Jane said
and another butterfly

fluttered by
like a ballerina overhead.

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Helen and You and The ABC Cinema

In the evening after tea
of bread and jam
and a glass of milk
you went out

and met Helen
under the railway bridge
in Rockingham Street
next to the Duke

of Wellington pub
and she was waiting
there looking up
and down the street

and when she saw you
she waved and walked
towards you
where's your doll

Battered Betty?
you asked
mum's washing her clothes
and I didn't want

to bring her out
with nothing on
she said
no that wouldn't be decent

you said
where are we going?
she asked
I want to show you

the passages behind
the ABC cinema
you said
it's like a cavern

of dark passages
and once I saw a rat
running along by a wall
oh god

she said
putting a hand
to her mouth
not a rat

yes it run along
one of the walls
not sure
I want to go there

she said softly
one little rat
isn't going to hurt you
you said

besides I'll chase it away
if it comes
will you?
she said

yes of course I will
nothing is going to harm you
while I am here
you said

you showed her
the toy gun
tucked in
the inside pocket

of your jacket
she nodded
and she took
your hand

and you walked her
along and up behind
the Trocodero cinema
and onto

the New Kent Road
and you crossed quickly
before the traffic lights changed
and once you got

to the other side
you took her
to the ABC cinema
and went down beside

the cinema walls
along the dark passages
that went on beside
and behind the cinema

all the time
she gripped your hand
and now and then
her grip tightened

when she thought
she saw something
out of the corner
of her eye

what was that?
she said
stopping still
clutching your hand tight

just a piece of paper
blown by the wind
are you sure?
yes just paper

she untightened
her grip
and you both
walked on

with the sound
of traffic and voices
in the distance
and at the back

of the cinema
you came to an entrance
where two doors where
and you said

sometimes the doors are open
and you can sneak in free
she looked at you
her eyes behind

her thick lens glasses
large and innocent
is that allowed?
she asked

no
you replied
if they catch you
you get into trouble

but if you're lucky
you can get in
no trouble
you said

oh
she said
my mum wouldn't like it
if I got into trouble

we won't get in tonight
anyway
you said
the doors are locked

another time maybe
and she gripped
your hand
and her face looked shocked.

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A Matter of Trust on a Summer's Day

Jane's mother said
she was up by the church
and so you went up

the path leading
to the church of St Mary
and there she was

laying some flowers
on a gravestone
she looked up

as you approached
and smiled
your mother told me

you were here
you said
I think Mother

must like you
she wouldn't
have told you

otherwise
Jane said
getting up

from the graveside
and brushing her hands
on her summery dress

who are the flowers for?
you asked
looking at the flowers

placed in a small jar
on the grave
a parishioner

we used to know
who used to like
this type of flower

oh I see
you said
looking at the graves around

and the Downs further back
and the trees nearby
where did you want to go?

you asked
how about a walk to Cocking?
we can do some shopping

while we're there
and enjoy each other's
company in the process

is it far? you asked
a mile or so
she replied

ok
you said
and you followed her

down the path
and along the lane
to her house

and you waited outside
while she went inside
after a few minutes

her mother came out
with her and said
it's very good of you

to go with Jane
all that way
I wouldn't like her

to go alone
that's all right
you said

and she smiled
and went in side
and Jane said

see she trusts you
not many boys
around here

she'd say that to
oh right
you said

looking at
her dark hair
and her eyes

gazing at you
and her hand
holding a shopping bag

and her lips
breaking into a smile
come on

she said and
so she took
your hand

and you walked
along the lane
keeping close

to the hedgerow
the sun warm
and the sky blue

and you sensed a joy
of it being
just her and you.

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Janice and You and the Spider

You stood
in the playground
of St Jude's school
which was really

the basement
of a bombed out house
which had been gutted
and the basement tarmaced

and the walls
were still there
where kids climbed up
and around

the thin ledge
when Janice
put her hands
over your eyes

and said
guess who?
and you put
your hands

into the pockets
of your short trousers
and said
Miss Murphy

or Miss Ashdown?
no
Janice said
it's me

and she removed
her hands
from over your eyes
and you turned around

and looked at her
and she had
her red beret on
and a pink scarf

around her neck
to keep out
the cold
you must

have known
it was me
she said
who else

would put their hands
over your eyes?
her eyes were bright
and you thought

you could see yourself
in them
as if they were small mirrors
Jupp might do

or maybe Carmody
you said smiling
she didn't smile back
but pulled her lips

tight in a line
then she took your hand
and pulled you
along the path

that led
to the school toilets
and pushed you
inside a cubicle

and shut the door
behind you both
and said
don't you love me?

there was a large spider
hanging from
the cistern chain
close to

her red beret
and it hung there
suspended
swaying back

and forth
and you said
of course I do
right down

to your white socks
but there's a spider
above your head
and she looked up

and screamed
and a voice
outside the door
asked

are you all right
in there?
Janice's eyes widened
and she watched

as the spider
moved up the chain
and she said
yes it's all right

Miss Murphy
just a small spider
and you stood there
next to Janice

wondering what
Miss Murphy
would say
if she saw you

and Janice
in the lavatory
together
and the voice said

ok as long
as you
are all right
and the footsteps

moved away
and Janice took
your hand in hers
and you sensed

how cold it was
slightly blue
and it was just
9 year old Janice

and the big spider
and 9 year old you.

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Sonia and You and The Promise

Sonia closed
the door
behind her
and leaned

against it
you go out
with me?
she asked

her Polish/English
grated on your ears
look I can't
I have other

things to do
you said
running a hand
to smooth

Mr Dubbin's bed
she looked around
the room
and said

what if someone
come in
and see you
here with me?

what if they think
you been having me?
but it wouldn't
be true

you said
standing up
and moving away
from the bed

you know that
and I know it
but others
they do not

she said
her voice
crisp and cool
what if I undo

my uniform
and show my breasts
and say you did it?
you blushed

at the thought
look
just leave me be
you said

she stood firm
against the door
her hands
on the lapels

of her uniform
you could say yes
she said
you could take me

out to cinema
and then
it would be good
huh?

you watched
as she undid
one button
at a time

you watched
her fingers undo
each button
with deliberate

slowness
if I say yes
you'll stop this folly?
you asked

if you mean it
I will walk
from the door
and we can leave

and I do up
the buttons
before others see
she stared at you

her pale blue eyes
on you
her lips parted
just so

you could see
her small white teeth
where do you want to go?
you asked

cinema is good
she said
in the dark
we can kiss yes?

the buttons
were undone
to reveal
her compacted tits

ok ok
you said
the cinema
it is promise?

she said coolly
you make promise
and keep?
yes I make promise

and keep
you repeated
she began to do up
the buttons

her eyes
looking at you
and she smiled
and said

good boy
we have fun no?
you breathed out
the held in breath

sweat dampened
the back
of your shirt
and trouser legs

but if
you do not
show up
she said

brushing her uniform
I'll say you make love
to me on this
Mr Dubbin's bed

and I make bed
look all untidy
and they believe
me yes?

I'll be there
trust me
you said
just let me go

I need to get
the other beds
made before lunch
she moved aside

and opened the door
her perfume
filtering your nose
off you go

she said
and be good
you went off
to make the beds

and show up
that night
as she knew
you would.

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Growing Up Before Time

You stood outside
the ABC cinema
with Helen looking
at the framed photographs

of the stills
from the film
then showing
she clutching her doll

Battered Betty
you standing there
pointing out
the main characters

my old man said
he'd take me
to see this
on Saturday

you said
Helen rocked Betty
in her arms
I hope our child

doesn't call you
old man
she said
maybe he won't

you replied
it might be a she
Helen said
sure it might

you said
you gave Betty a look
as she hung there
in Helen's arms

you looked back
at the photo stills
putting your hands
in the pockets

of your jeans
maybe
you can take me
to the cinema

when we are older
Helen said
and we can sit
at the back

like those grown ups do
and kiss
you sensed her hand
touch your arm

and rub it up
and down
Betty moving
as Helen's arm moved

sure
you said
long as I can still see
the movie

Helen handed you Betty
and you took
your hands out
of your pockets

and held her gingerly
like she might go
crap on you
and Helen put

a hand in her pocket
and pulled out
a few coins
I might have enough

here for some fries
she said
ok
you replied

and you walked
beside Helen
along the New Kent Road
to the Neptune's fish shop

holding Battered Betty
carefully against
your cowboy shirt
the one your mother

bought you
for your birthday
the year before
Helen talked

of children's names
and you thought
of the Wild West
and cowboy games.

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Sarsparilla and Janice and You.

You walked with Janice
to Baldwin's the Herbalist

at the corner of Elephant
and Walworth Road

she wore her blue patterned dress
and red beret

and white socks
and red sandals

and in her small purse
she had money

her gran gave her
to buy sarsaparilla

in a half pint glass
and you

in your cowboy shirt
and jeans and plimsolls

with your holster
and six shooter

in the belt
around your waist

and clutching money
your mother'd given you

for doing a few chores
Gran would never let me

go on my own
Janice said

but when I said
you were going

Gran said all right
but no sweets

they rot your teeth
I like the liquorice sticks

you can buy there
you said

they make your teeth white
or so my mum said

Janice looked at your gun
in the holster

and said
you can protect me

from outlaws with your gun
sure

you replied
she smelt of lavender

and toothpaste from tins
and she moved nearer to you

and her arm touched yours
as you walked along

here we are
she said

and opened the door of Baldwin's
and you both went in

and went to the counter
and asked the man

for two half pints
of sarsaparilla

and when he poured them
and you each paid him

you stood by the window
with your glasses

and sipped
and looked

at the passing traffic
and people

you feeling like Wyatt Earp
in the saloon

and Janice looking out
as if she feared

outlaws would be coming
pretty soon.

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That Summer That Love

The summer sun
warmed you and Jane

as you made your way
up the dried up

muddy track
towards the Downs

the sunlight
pouring through

the branches of trees
overhead

you thinking
of your work

on the farm below
the day before

the weighing of the milk
the clearing out

of cowsheds
and the cowman saying

what do you want to do
when you leave school?

to be a cowman
you replied

you want to get yourself
a proper job

you don't want to do this
for a living

and Jane said
breaking you

from your thoughts
I want to show you

where I used to sit on the Downs
and where I used to collect

bones and skeletons of rabbits
and moles and birds

and you turned
and looked at her

as she walked beside you
her hands swinging

as she walked
her black hair tied

in a small bun
at the back

and her yellowy flowered dress
capturing your eyes

my father works in the woods
further along

you said
he works in the ditches

and hedgerows too
she bent down

and plucked a flower
that's Squinancywort

she said
showing you the flower

as she twirled it
between fingers

she offered it to you to smell
lovely isn't it?

you nodded
and carried the scent

with you as you both
moved on up the track

she turned to you and said
your dad does well

at his work for a townie
and you smiled

and so did she
and you captured

her lips parting
and her bright white teeth

and her eyes
moving over you

like a soft caress
and she whispered

turning her head away
do you love me?

and you whispered
yes.

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A Question of Love.

After climbing off
the school bus
she grabbed the sleeve

of your coat and said
I want to talk to you
and so you stayed behind

as your sister and hers
walked on ahead
and her brothers ran off

in a game of tag
she released your sleeve
and brushed the hair

out of her eyes
what is it? you asked
walking beside her

along the side of the road
the winter afternoon darkening
what was Roland

saying to you in class?
she asked
Roland?

yes Roland
in the last lesson of maths?
you looked over

at the tall trees
becoming tall giants
as the sky began to dim

he was talking about his sister
you said
then why was he looking at me?

perhaps he finds you attractive
you replied
she slapped your arm

with her hand
don't talk nonsense
he wouldn't find

Marilyn Monroe attractive
if she sat
on his bony knees

she said looking at you
with her big blue eyes
you rubbed

your injured arm
playfully
he was saying his sister

had found his collection
of dirty magazines under his bed
you said

a car whizzed by
and she turned
and shouted back at it

some words her mother
would have slapped her
for saying

she sighed and said
why can't you tell me the truth?
you stopped and stood facing her

her blue eyes gazing at you
searching yours
as if she'd left something there

on a previous occasion
he said he didn't know
what I saw in you

her eyes enlarged
and what did you say?
she asked

in the sky over her shoulder
the moon was beginning to shine
in competition

with the weak sun
I said you snogged
pretty good

you said
she slapped your arm
and walked on

no
you called out
I was only joking

she stopped
and turned
and glared at you

I said you were the best thing
to happen to me
since God created Sundays

you're lying
she said
all right

you said
seeing her eyes watering
I said I loved you

you said
looking at her
wondering if her hand

might slap you again
did you?
yes

and what did he say?
she asked
he just shrugged

his shoulders
and drew a picture
of Mr Parrot on the corner

of his maths book
she was silent
and looked by you

at the incoming traffic
then kissed your cheek
leaving a damp patch

like a small oasis
on a dry landscape
of your 14 year old skin

conjuring up images
her mother
would define as sin.

poem by Terry CollettReport problemRelated quotes
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Jane and You and the Hollow Tree.

Jane waited for you
by the narrow road
that led to Linch farm

the water tower visible
against the afternoon sky
of pale blue and white

cold clouds
she was dressed
in a grey coat

and her dark hair
was pinned back
with grips

you noticed
blueness
about her lips

the cold taking toll
wasn't sure
if you would show

she said
the coldness
and such

I said I would
and I say
what I mean

you replied
once you were close to her
she took her hands

out of the coat pockets
and linked her arm
through yours

where shall we go?
she asked
you know it better

around here than I do
you choose
you said

let's go up
the dust track
to the hollow tree

on the way up
to the Downs
she said

ok
you said
and so you walked along

and up the dust track
side by side
and she talked

of the wintery trees
and what birds
there were still about

and how she liked
spring best with the coming
of flowers and birds nesting

and you listened
looking at her
as she spoke

watching her lips move
how when she spoke
her white teeth showed

and now and then
her tongue would show
and it reminded you

of that kiss she gave you
up by Diddling church
as you stood looking

at the grave stones
and she gazed at you
and then kissed

and her tongue
touched yours
and it was like heaven

as if someone
had opened up
your heart

and stuck
their tongue in there
and as you thought

about that kiss
she talked of some girl
of a cowman

who'd got pregnant
and how did that happen?
she asked

and you said nothing
but listened on
and then you reached

the hollow tree
and climbed inside
and sat down

looking out
of the hole
in the side

and it felt cosy
in there
like a small home

and she leaned
in against you
and there was silence

and you looked at her
at her eyes
and hair

and how her lips
were parted
and her white teeth

showed and her tongue
waiting to speak
and you wondered

about that kiss again
and whether
it would happen this time

there in the hollow tree
out of sight
of others

and she showed you
tucked between
her small breasts

a small locket
which used to be
her mother's.

poem by Terry CollettReport problemRelated quotes
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One Summer 1962

Christina sat next to you
on the school playing fields
the summer day was hot

and she sat there
cross-legged
her school skirt

touching on her knees
and you looked beyond her
wondering if the girl

who had kissed you
at Christmas
while carol singing

was looking over at you
from a group of girls
across the way

I wish I had
my bathing costume on
Christina said

so do I
you said looking back
at her taking in

her white knees
catching the summer sun
she giggled and looked away

did Cedric tell you about me
and what I told him?
she asked

her profile
like some Renoir girl
yes

you said
remembering Cedric's words
and his blushing face

he seemed put out
you added
you don't want to worry

about Cedric
she said
he hates me getting into boys

as she said this
you looked over
at the girl who kissed you

and she was staring
over at you and Christina
and seemed annoyed

and as you gazed at her
you still felt that kiss
on your lips

and that embrace
in the moonlight
and Christina touched

your knee
and said
if you want privacy

we can always go up
into the woods by the fence
and you said

did you hear about Brilton
the teacher of English?
No

she said
what?
he's been sacked

why? she asked
running her hand
along your thigh

for taking boys home
in the lunch period
you said

oh
she said
removing her hand

what for?
You looked
at her knees

in the sunlight
how the light
seemed to warm them

no idea
you said
and you looked away

with a picture
of her knees
carried in your head.

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One Afternnon that Summer.

Despite the fact
that other local kids

were in the hay barn playing
Jane stood at the barn doors

looking in apprehensively
and you stood beside her

waiting for her to move in
or say something

but she just stood looking in
are we allowed in to play?

she asked
sure as long as we don't

cause damage to the hay bales
you replied

and she sniffed the air
and moved in

and looked around
the huge barn

with its semi dark
and smells of hay

and captured sun
and warmth

the other kids played
but took no notice

of Jane or you
as you entered

closed the doors
and moved around

the hay strewn floor
haven't you been

in a hay barn before?
you asked looking

at her bright summer dress
and white socks and sandals

yes years ago
she said

as she paused
at the edge

of the nearest hay bale
and sat down

and you sat beside her
in the semi dark

with sunlight making
small light through cracks

and holes in the walls
I don't like mice and rats

she said
and I saw one once

in another barn
and it frightened me

you sat in silence
for a few moments

taking in the air and smells
and then the other kids

ran off out side
into the sunlight

talking of playing
down by the pond

and catching things
you sat still

until their voices died off
and then she said

why have you
brought me in here?

you looked at her eyes
in the dull light

and her lips moving
with their small speech

to be alone with you
without prying eyes

you said
oh I see

she replied
and stood up

and climbed upwards
on the hay bales

with you following
behind her

seeing her sway
as she moved

her hands pulling
her upwards

her legs taking each step
onto a hay bale carefully

then having reach
high up in the barn

she sat down
and you sat beside her

if my father saw me here
he'd think things

Jane said
and she looked at you

with her large eyes
what things? you asked

watching her lay back
with her hands

behind her head
I don't know

he never said
she muttered

as she lay there
she lifted a leg

and her dress
slipped downwards

revealing a glimpse
of naked thigh

that's parents for you
you uttered

never saying
what they think

or saying things
but don't explain

you lay down
beside her

on the hay
as outside the barn

the soft sound
of pitter patter

on the roof
of sudden rain.

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After School Walk

After lessons at junior school
coming down the bricks stairs

Helen said
can I walk home with you?

Sure
you replied

and she set off with you
along St George's Road

the traffic and smoke fumes
setting the scene

she in her school frock
and cardigan

and white ankle socks
beside you in your grey jacket

and grey short trousers
and she said

I don't usually walk home alone
but mum said I can walk home

with you save her coming along
to the school with the other kids

and pram with baby
you took in

her two plaits of hair
and thin framed glasses

with large lens
which made her eyes

larger than they were
her small hands

by her side
a small school bag

over her shoulder
and did you know

Janice likes you?
Her grandmother

told my mother
the other day

after school
but I like you better

do you like me?
she asked

you noticed
she had small white teeth

with a thin brace
along the top

sure I do
you replied

I like Janice too
but you I like more

and she smiled
and put her right hand

in yours and squeezed it
and you smiled

but hoped none
of the other boys around

noticed the hand holding
after all a tough boy

has a reputation to maintain
and as you squeezed

her hand back
clouds darkened

and it started
to piss with rain.

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Congress Woman Gabrielle Gifford

1/15/11

Congress woman Gifford shot in the head
By all rights she should have been dead.
But apparently god has plans for her to do
So he laid his hand on her and pulled her through.

With her husband by her side, and in her
sub conscience she heard him cry.
She heard the prayers of a nation when
They heard of this devastation.

She moved a finger, then a hand
Gave a peace sign, and a thumbs up too
It seems she knew exactly what to do.

Now wouldn’t you say this is the work of god
Who is giving her a brand new start?

A lone gunmen with a gun
Shot her And most everyone.
Then a retired military man
Jumped up and grabbed his hand.
Another man grabbed him too.
At that moment he was subdued.

A little girl who was born on that
Fretful day(9/11) took a bullet and passed away.
Christina Taylor green was her name
She died so young, which is a crying shame.

So many lives have been affected that day
And through out the world, people still pray.
They pray for all the survivors and for
The ones who passed away
And there’s not much more that anyone can say.

They say that guns don’t kill
That it is man.

Then it’s time that we take a stand.

Guns can be bought in every city or town
Any where you go, it can be found.
Stop the gun dealers on the streets
And put more cops on the beat.

Teen age gangs are on the rise
We’ve got to do something
We’ve got to try.

poem by Louis RamsReport problemRelated quotes
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On My Knees Ft. Ghostface Killah

CHORUS
I can't fall down on my knees
And apologise to you
Cos that ain't my style
VERSE 1
I remember how we met,
It was on the train
How could I forget?
You smiled and you looked at me
The soft of your lips, it captured me
The whole ride down we kept our eyes on each other
And then we sat down together
You gave me your number,
Said Give me a call
I thought I wouldn't call at all
Here we are, fell in love
Like hand to glove
Pure bliss from above
Now all we seem to do is fuss and fight
We never seem to get it right
CHORUS
I can't fall down on my knees
And apologise to you
Cos that ain't my style (x2)
VERSE 2
I remember the night when we were home alone
You were on the sofa, I was on the phone
You overheard me call out my best friend's name
That's when you went crazy, started going insane
Grabbed the phone from my hand,
Backed me against the wall
Shouting and asking
Who was on the call?
You wouldn't believe me
When I said it's just a friend
That's when all the madness began
CHORUS
I can't fall down on my knees
And apologise to you
Cos that ain't my style (x2)
MIDDLE 8 (x2)
He's got you begging on your knees,
Crying in your sleep
Making you believe him
But you're stronger
Than you'll ever know, girl
You control your own world
No need to take no more
GHOSTFACE KILLAH-
And yo' I asked you to calm down
Asked you who was on the phone put the horn down
You had a glass of wine a Versace night gown, a lime green one
That I brought you for the trip from the cruise you won,
I don't approve of those male friends, (no)
I told you back then when we first got together, I don't trust those men
And you did it again I lost my temper, blinked out and wrecked the house boo
That's all I remember, I'm sorry
MIDDLE 8
He's got you begging on your knees,
Crying in your sleep
Making you believe him
But you're stronger
Than you'll ever know, girl
You control your own world
No need to take no more
CHORUS
I can't fall down on my knees
And apologise to you
Cos' that ain't my style

song performed by by 411Report problemRelated quotes
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On My Knees

CHORUS
I can't fall down on my knees
And apologise to you
Cos that ain't my style
VERSE 1
I remember how we met,
It was on the train
How could I forget?
You smiled and you looked at me
The soft of your lips, it captured me
The whole ride down we kept our eyes on each other
And then we sat down together
You gave me your number,
Said Give me a call
I thought I wouldn't call at all
Here we are, fell in love
Like hand to glove
Pure bliss from above
Now all we seem to do is fuss and fight
We never seem to get it right
CHORUS
I can't fall down on my knees
And apologise to you
Cos that ain't my style (x2)
VERSE 2
I remember the night when we were home alone
You were on the sofa, I was on the phone
You overheard me call out my best friend's name
That's when you went crazy, started going insane
Grabbed the phone from my hand,
Backed me against the wall
Shouting and asking
Who was on the call?
You wouldn't believe me
When I said it's just a friend
That's when all the matters began
CHORUS
I can't fall down on my knees
And apologise to you
Cos that ain't my style (x2)
MIDDLE 8 (x2)
He's got you begging on your knees,
Crying in your sleep
Making you believe him
But you're stronger
Than you'll ever know, girl
You control your own world
No need to take no more
GHOSTFACE KILLAH-
And yo' I asked you to calm down
Asked you who was on the phone put the horn down
You had a glass of wine a Versace night gown, a lime green one
That I brought you for the trip from the cruise you won,
I don't approve of those male friends, (no)
I told you back then when we first got together, I don't trust those men
And you did it again I lost my temper, blinked out and wrecked the house boo
That's all I remember, I'm sorry
MIDDLE 8
He's got you begging on your knees,
Crying in your sleep
Making you believe him
But you're stronger
Than you'll ever know, girl
You control your own world
No need to take no more
CHORUS
I can't fall down on my knees
And apologise to you
Cos' that ain't my style

song performed by by 411Report problemRelated quotes
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