Evening Date.
Hi come in I've just put on
the Mahler the 3rd Ok? she says
and before you can reply she
ushers you into the lounge where
you remove your coat and hear
the Mahlerian sounds from the hifi
and the smell of her scent and two
glasses of scotch on the small table
by the sofa take a seat she says taking
your coat off to the other room and
you look at the Picasso print on the
wall and think how long before she
tries to undress you and you sit and
she's back and sits beside you and says
drink up and take in the Mahler and
guess who I saw today and she had
the cheek to ask how I was when she
knew she'd been gossiping about me
to the darn neighbours and you sip
the scotch and look at her plump face
and her deep blue eyes and the red
dress she has on and the overbearing
perfume and how her breasts try and
push their way out of the dress and you
try and get a word in something about
the 3rd symphony or how you like the
Picasso print but she talks on and over
you like a tank her words hard biting with
their Gaelic tones and then she puts her
hand on your thigh and rubs it up and down
all the time her words unfaltering stretching
through the air and I told the old crab to
go smell her husband's crotch and that was
it how was your day? she asks looking into
your eyes her hand still rubbing and your
pecker rising and you say a real downer of
a day but whatever now let's just get into
the 3rd and sip our scotch and she smiles
and makes a grab for your hidden crotch.
poem by Terry Collett
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Related quotes
Booze and Mahler and Sex.
If you want to come around
she said
bring a bottle of booze
and ring the bell twice
so you brought
a bottle of scotch
and rang twice
and she opened the door
and said
come in
and so you closed the door
and followed her
along the passageway
to the main room
and you heard the Mahler playing
and she took the scotch
and poured two large glasses
and said
sit down on the sofa Honey
and she gave you the glass
and you sipped
and she sat down next to you
and put her hand
on your thigh and squeezed
and she always managed
to get you stirred
and you smiled at her
and the Mahler symphony
was playing in the background
and you associated
that symphony
with sex
and sex with her
and each movement
of the symphony
suggested a given act
and as she moved
in on you
you almost drowned
in her scent
and the scotch
was on her breath
and her blue eyes
stared into yours
and her fingers moved
into your pants
for the prize
and you wondered
who the conductor was
on the Mahler record
and the same Monet print
hung on the wall
the one of some garden
and flowers
and she said
are you ready Honey?
And you said sure
and she took you
along the passage
to her room and bed
and the room smelt
of sweet perfume
and the Mahler faded
as she closed the door
as you both dropped clothes
on the carpeted floor.
poem by Terry Collett
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Another Night with Miss Pinkie
Miss Pinkie (she dropped
the title Mrs from
her name ages ago)
lay on the sofa
and said
take me if you want
spank me if you will
and he stood
looking at her
a glass of scotch
in his hand
the music of Mahler's
symphony number 4
coming through the door
from an outer room
she lay butt naked
her amble flesh
spread out
her hands resting
on her breasts
who's the orchestra
on the Mahler piece?
he asked
can't remember
she said shifting slightly
her blue eyes searching him
aren't you going to oblige?
she said
he drank back
the scotch
and put the glass down
on the small coffee table
can I sit first?
sure
she said and sat up
and moved over
to allow him room
beside her
he gazed at her
at her dyed blonde hair
at her eyes deep
like oceans of blueness
knowing she had
19 years upward on him
and all she wanted
was a few hours
of talk and laughter
and a leisurely screw
one of the old guys
died at the home today
he said
out of the blue
oh which one?
she asked
the one who sat
in his room each day
and looked out
the window
and said next to nothing
oh him
she said
think he was
broken hearted
she added
he took in
the beauty spot
on her cheek
like Marilyn used
to have years ago
so how about it?
she asked
are you ready for it?
the Mahler piece softened
some moving movement
well?
she said placing
a hand on his thigh
maybe you could put
on Brahms for a change
he said
sensing her hands
move upwards
maybe
she said softly
if you're a good boy
the lights were low
the lights from the street
added a different shade
of glow
ok
he said
and her hands moved
and did their work
and so did his
bit by bit
time over time
the music playing on
in the background
that and flesh slapping
and the sofa squeaking
was the symphony
of a sexual sound.
poem by Terry Collett
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What Max Wanted
What do you want from me?
Max's wife said
and he looked by her
at the waitress
at the cafe
who was walking
with some order
behind his wife's back
and he noticed
the cute ass as she moved
the way she swayed
and the hands
holding the tray
huh? What is it
you want from me?
his wife repeated
her eyes peering at him
taking in
that aspect of him
as he turned his head
look said Max
following the waitress
to the table across the way
his eyes slowly
undressing her
his mind making up scenes
like in some movie
you say come on Honey
let's go out for a meal
and talk
and what are you doing
looking elsewhere
and not talking
his wife said
spittle on her lower lip
Max looked back
at his wife and said
oh yes sure
I was thinking
of the Picasso print
we saw the other day
you know that one
we both liked
and you said you'd like it
for your birthday
well maybe
I ought to get it
what do you think?
And the waitress
looked over at Max
as she went by
and he saw
a whole new ball game
in her eyes
and caught the cheek
and ear
and was sure
he captured some aspect
of her perfume
and his wife said
Picasso?
That Picasso?
are you sure Max?
and she went into a daze
and smiled
and Max imagined himself
and the waitress
and sex games
and a party
going wild.
poem by Terry Collett
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An Invitation.
She invited Joey
to her apartment
on the second floor
and as she opened the door
her dog came
barking along the hall
Shut up Bonaparte
she said
Go away
and the mutt walked back
with its tail
between its legs
to its basket
under the table
and she ushered Joey in
and closed the door behind her
and said
What would you like to drink?
tea coffee coke beer?
Coke will be fine
he said
and she told him
to go sit in the lounge
and once he sat down
he looked around the room
and on the small table
by the sofa where he sat
was a photograph of her
and her husband
taken on their wedding day
she dressed in white
and smiling
and he in a black suit
like a hit man
in a mobster movie
and she came in
with his coke
and set it on the table
by the sofa
and then went out again
swaying her behind
which made him smile
then she was back
with a tall glass
of white wine
and she set it down
on the table beside him
and sat down
and began talking
about the night
he had met her
and her husband
in the bar in town
and how she had invited
him over to meet her husband
and he had bought them
both a drink
and while her husband
talked to his friend
she had flirted with him
and made him laugh
and how after that
they'd all meet
on Friday evenings
in the same bar
and her husband
had invited him
to their place
to play chess
and he remembered
how he used to play chess
holding off letting
her husband win
so he could stay longer
and see her more often
and then she leaned over
to get her drink
and she put one hand
on his thigh
and reached over
for her wine
and he smelt her scent
and the brush of her hair
as she leaned over him
and having her glass
she leaned back
her hand still resting
on his thigh
and that look of mischief
burning in her eye.
poem by Terry Collett
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Gazing At Sunflowers
Your first wife’s friend
came in with her
for a coffee and chat
and you were sitting
on the sofa
with the sleeping cat
and she looked
at the Van Gogh print
of sunflowers
over the mantelpiece
above the open fire
did you paint that?
the friend asked
staring at it
through John Lennon
type glasses
no you said
it’s a Van Gogh print
oh she said
peering closer
I do like flowers don’t you?
Yeah you replied
sunflowers have a way
when Van Gogh
pushes them through
and she stood in silence
taking in the print
and flowers
and colours
and you noticed
she had a run
in her stockings
from the back
of her knee
to where
her thigh disappeared
beneath her drab dress
and your first wife
came in and said
oh you’re not looking
at that painting are you?
He knows all about
those arty types
with their odd ways
and weird eyes
and her friend said
turning round
scratching her ass
I know nothing
of art and such
it’s way out
of my class.
poem by Terry Collett
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Helen Wiped Her Glasses
Helen wiped
her thick lens glasses
with the hem
of her school dress
and you watched
her finger and thumb
move around the glass
in circular motion
Can you see much
without your glasses?
you asked
she looked up at you
and said
Not much
you for instance
are like a small tree
without leaves
with thin branches
hanging down
you smiled and saw
as she lifted the hem
a glimpse of thigh
white as one kept
out of sun and light
But what do I look like
with your glasses on?
you asked
looking at her face
and eyes that squinted
quite naked
without the specs
A boy who's cheeky
but often shy
especially around girls
and their blue eyes
and dark curls
and she giggled
and dropped
the hem of
her dress
and put her glasses on
and her eyes enlarged
and gazed at you
taking in
your unkempt hair
and school boy grin
and at that moment
as she stood stifling
her giggle with one
small hand
you sensed a love
you neither had before
nor could
in the light of day
and innocence of youth
quite understand.
poem by Terry Collett
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White Hat White Coat
To the late doug whalan.... from your daughter.....
White hat white coat and greying in hair
he would dance around the dance floor with plenty of flair
White hat white coat black pants to boot
the men would all say 'silly old coot'
Whitehat white coat and a big friendly smile
when he went to a dance he'd dress in style
White hat white coat and a beat in his feet
it's of to the dance and people to meet
White hat white coat and a scotch on the rocks he'd love to dance
and the men would all mock
White hat white coat asleep at the wheel
he's danced all night 'boy i know how he feels'
White hat white coat have been put to the test
it's time to go home for a well earned rest
White hat white coat clean shirt and socks too
he's all geard up and ready for round two
White hat white coat so tired and run down
close your eyes and dream of your nights on the town
White hat white coat you've seen better days
your torn around the edges and your starting to fray
White hat white coat the time's come for us to part
but always remember ' i love you with all my heart '
poem by Debbie Gregory
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Unburdened.
It's not the sort of house
You'd want to go to again,
Mildred said, the smell hits
You first, the kind of smell
That climbed in your nose
And didn't leave for days.
She sipped her wine and
Sat down on the couch,
Carefully holding the glass
With her other ringed hand.
There was an unhappy
Feel About the place as
You entered in, a feel
Of neglect. She looked
At the black and white
Mat under the coffee
Table, at the books lying
There: Fashion books, art,
How to Dress for the Occasion.
We found the first child
Drowned in a bath, the hair
Was floating there on the
Water's skin. Someone sort
Of sobbed or maybe they
Didn't, seemed as though
They had. The second child
Was lying beneath a blanket
Where they'd suffocated.
That's where the main smell
Came from. She breathed in
And smelt pine air freshener
That Caser used in his house,
She wanted to smoke, pull
Out a cigarette and light up,
But didn't. The third child,
Baby really, was stiff in a cot.
Unfed, unwashed, a token of
Neglect. Someone pulled back
Curtains, light broke through
Darkness, lit up the sad scene;
Another nearby let out a cry,
The under the breath kind.
She pushed her knees together
As if about to give birth to a
Different tale, her hands played
With the glass, a finger tapped
The side. The mother was found
In a darkened room, wrists slit,
OD'd days back, slouched in a
Chair, dressed in death and black.
Had sleepless nights after, she
Said, ought to be used to, but
You never are, kind of gets
Under the radar. Caser looked
At her sitting there, her hair
Pulled in a bun, her eyes looking
Up at the Picasso print he'd bought.
She had told him at last. She had
Unburdened herself of the one
Last thing that she couldn't tell
Him at the psychiatric sessions
They'd had at his in town clinic.
Never did like Picasso, she said,
Turning away, putting down the
Glass, as of nothing more to say.
Caser watched her as she got up,
Brushed down her dress, sighed
And walked down the hall, left
His apartment, victim of the Fall.
poem by Terry Collett
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Not Wanting To Forget
The Modigliani print was on the wall
By the front door. Who’s she? Bridshaw’s
Dame asked, pointing at the print.
It’s a painting by Modigliani, Bridshaw said.
Is he a friend of yours? The dame asked.
Bridshaw pulled a face and said, No, he’s
Dead now. Shame, she replied, stroking
The print, her finger tracing the woman’s
Outline, her tongue hanging out of the side
Of her mouth in concentration. She’s a bit
On the thin side, the dame said, and I don’t
Like the black coat she’s wearing, like some
Darn widow. Bridshaw wanted to get the dame
In bed for sex; the Modigliani print was no
Big deal, he’d bought it in some art shop on
The high street from the guy with the Boston
Tones. Shame he’s dead, the dame said, he
Could have painted me; I would have made
A good model, more meat on me than that
Woman in black, thin as a pole. Bridshaw
Nodded his head, Sure, sure, but you’re too
Late, the guy’s dead, now can we move on,
Get a drink, hit the bed, have sex, and then
A cigarette. Sure, the dame said, moving away
From the Modigliani print, taking the image
Of the woman with her, not wanting to forget.
poem by Terry Collett
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Mamie in Malaga.
Mamie met you
in the base camp bar
in Malaga
her curly red hair
damp from a recent shower
and said
Picasso was born here
In this bar?
you said
No
she moaned
In the city
in 1881
and she took the drink
you'd bought her
I like Picasso don't you?
she asked
taking a sip
of the drink
and you noticed
the tight tee shirt
snugly holding
her firm breasts
and her eyes bright
as sunlight's breaking dawn
yes
you said
I like his later work
not the Blue
or Pink period or
that Cubist shite
and your eyes
slipped downwards
along her slender frame
the tight blue jeans
caressing her small
but plumpish ass
her fingers holding
the glass
and you thinking
of other things
far removed
from Picasso‘s art
though knowing he
would understand
where your mind
had wandered
and what the scene
your mind had set
like some dramatist
preparing for a play
she sipped more
of the drink
her head thrown back
the nice turn
of the neck
the chin
the nose
the ears protruding slight
between her red
and curly hair
and wondered deep
as you drank your own
if the other hair below
between her thighs
was as red and tight
as that above
and she said
breaking through
your thoughts
Was it lust or love
that moved his brush
Picasso I mean?
and oh you mused
taking on her words
and squeezing
the meaning
from each syllable
that was uttered
on her breath
to lay my head
upon her breast
not to sleep
but dreaming rest
and you turning to her
said High love or low lust
fed by his fond muse
moved his brush I trust.
poem by Terry Collett
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There were years when I was a beer and tequila guy, then I got real fat. And then I found that you could actually go on a diet and drink scotch. Then I got hooked on scotch, and if you get hooked on scotch, then everything else just tastes wrong.
Gone Daddy Gone
Beautiful girl lovely dress
High school smiles oh yes
Beautiful girl lovely dress
Where she is now I can only guess
Cause its gone daddy gone
Your love is gone
Gone daddy gone
The love is gone away
When I see you
Eyes will turn blue
When I see you
Thousand eyes turnin blue
Tell by the way you that you switch and walk
I can see by the way that you baby talk
I can know by the way you treat your man
I can love you baby til its a cryin
Beatiful girl lovely dress
15 smiles oh yes
Beautiful girl lovely dress
Where she is now I can only guess
Gordon gano: guitar, violin, lead vocal
Brian ritchie: xylophone, electric bass
Victor delorenzo: snare drum and trancephone,
Scotch marching bass drum, vocals
Engineers: glen l. loribecki and john tanner
Recorded at castle recording company, lake geneva, wi, july 1982
Produced by mark van hecke
gorno music reprinted with permission
song performed by by Violent Femmes
Submitted by Lucian Velea
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As Girls Sleep
She sleeps as only girls sleep
dreaming of babies and diamonds
or how that rich guy got away.
She slumbers with lips pressed tight.
Her eyes flicker like flames of
a new touched fire. Her hands lay
like guardians over her womb,
beneath her dress. She dreams
of his lips. Pressed close, skin on skin.
Once upon a dream she made love
to her sister's husband. Once upon
a nightmare her husband kissed her
upon her vagina. In deep sleep she
smells of ashes from Auschwitz, her
mother's family perished amongst flames.
She rubs her nose in sleeps' hold,
scratches her head with unpainted
fingernails. Once upon a sleep she
counted aborted babes, the white
vacant coffins. She turns in her sleep,
her body moves in her favourite armchair,
too tired for bed. She has had nailed
her one Picasso print above her head.
Her husband is in Vienna, a floozy on
his arm, another between sheets,
never from love, always the lust.
She will have him back upon his return;
always his pupil, but never to learn.
poem by Terry Collett
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In Mr Atkinson's Room
You saw Judy on the south wing
of the old folks nursing home
near to Mr Atkinson's room
carrying towels in her arms
I need to speak to you
you said
what about?
she asked
you playfully bundled her
into Bob Atkinson's room
(he was either
in the lounge
or out down town
hobbling along
for small items of shopping
or at the second-hand
book shop looking
for boy's annuals
of yesteryear
which he read
from cover to cover
before cutting out
the pictures
and sticking them
in albums)
what are you doing?
she said
what if Bob comes in?
he won't
he's out
you said
but what if he does?
she whispered
well unless I was rogering you
to kingdom come
I don't think he'd mind
you said
pressing her 5'5'' body
against the door
and looking into her
grey blue eyes
she gazed
into your eyes
and said
what do you need
to talk to me about?
I think I'm in love with you
you said
she sighed
that's the umpteen time
you've told me that
she said
she dropped the towels
on Bob's bed
and put her arms
around your waist
and drew you closer
you moved your left hand
around her back
and your right hand
on her buttocks
and said
that's because it's
umpteen times worse
or better depending
how you look at it
she kissed you on the lips
and you sensed
her tongue touch yours
her eyes closed
and you closed yours
the room becoming
a far away place
her perfume blending
into the air about you
the ticktock of Bob's
old clock on the bedside table
like some metronome
setting the pace
as if it was all part
of some song or some
deep aspect
of a Bruckner symphony
she pushed you away
and said
it's nearly break time
and people will wonder
why we're not there
and put one
and one together
ok
you said
removing your hand
from her butt
the warmth still there
her eyes still captured
in your inner self
thank you
for the Chagall postcard
I've put it on
my bedside table
along with that photo
you gave me of you
got to go
she said
and opened the door
and walked off
down the passage
you looked around
Bob's room
at the ticking clock
and the blue
candlewick cover
and the picture
of some boy
cut out of some
old annual
chasing a dog
over a field
and Judy's lips
and tongue
seemed still
to be there
in your mouth
and her hand enfolding
your waist and back
and Peter in the pants
going all slack.
poem by Terry Collett
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Hornbridge and Girls.
Hornbridge likes to see girls undress.
But slowly. Their thin fingers and thumbs
Holding the cloth and taking off. Especially
The black negligee held just so. He fully
Dressed waits until the final article of
Clothing is removed and she stands gazing
At him with her bright expectant eyes.
He likes to have music in the background
Playing. Jazz or classic. Gerry Mulligan for
Some types or Mozart for others depending
On their breeding or class. Occasionally a Rock
Chick makes it through his defences and he
Puts on the Stones or something of their ilk.
He likes it when the girls place their hands on
Their hips as they wait for him to undress.
Yet there is always some disappointment.
Some flaw in either breasts or waist or legs
Or ass. Gloria spoilt him. Hard act to follow.
Those eyes. How he could swim there in that
Blue liquid of the two eyes. Those breasts.
How could he ever forget them? His dear friends.
The way they would be waiting. Her hands soft
And warm and gentle touching him. And how
She loved to disrobe to the tones of a turned
Down Vivaldi from the hifi. Sad she left. Final
Curtain. Big cancer. No fond slow goodbye.
poem by Terry Collett
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As Per Usual
It'll not be the first time he'll
Have said that and not meant
It and she knows oh how she
Knows that he will probably
Say it again and bring her the
Usual flowers and maybe a new
Dress two sizes too big for her
And have that look on his face
That look he used to give his
Mother when he was late home
Or if he'd not noticed her having
Had her hair done and she knows
He'll get down on his knees and
Pretend to beg for forgiveness
Yet at the back of his mind he's
Already imagining the girl in the
Office bent over her desk and him
Doing what he thinks he does best
And now as she waits for him to
Come home knowing he'll have
The words sitting on the end of
His tongue like obedient puppies
Ready for the false apology and
The flowers in one hand and the
Maybe new dress in the other and
Even though she will be able to
Smell the other woman's scent and
See her hairs on his jacket he'll
Have that dumb look about him
As if butter wouldn't melt as if ice
Wouldn't drown his drink and as
She waits for him she really just
Wants him not to come home at
All wants him to stay with the other
Woman soak into her sheets and
Into her skin with his two bit morality
And sin oh that he didn't come home
At all she mumbles as she hears his
Key in the lock and that stupid look
On his face as the door opens up and
The flowers and bag with dress in each
Hand and hair limp by the rain she knows
He'll say he loves her and she knows he
Will do it again the liar her lover the pain.
poem by Terry Collett
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Judy and You and Chagall
What did you think
of the Chagall postcard print
I bought you?
Judy asked as you both sat
outside the Fox Inn
I pinned it on my wall
you replied
and stared at it every time
I entered the room
thinking of you
she sipped her drink
her eyes searching you
her hair tied behind
in a ponytail
so I gathered
by your letters
she said
putting her glass
on the small wooden table
I missed you
you said
I went to London
while you were away
and saw you
in every girl I saw
even at the ballet
at the opera house
she looked at her glass
I was only away for a week
she said
it seemed a year
you said
you inhaled the cigarette
you were holding
taking in her hair
and eyes and how
her lips moved
as she spoke
Florence was fantastic
she said
I picked out
that Chagall print for you
in one of the art galleries
who did you go with?
you asked
friends
she replied
male or female?
both
she said
you inhaled the cigarette again
and thought of the first time
you kissed her
how the moonlight
shone on her face
as you moved her around
you mustn't be so jealous
she said
I have to see others
who was the guy?
Henrik
she said
you imagined her
and this Henrik
making out
in some Florence hotel
his hands touching her
I thought of you
every moment
you said
that's sad
she said
why?
you said
because no one
should think of another
that often
she sipped her drink
and looked around
at the evening sky
how was Florence?
beautiful
she said
like you
you said
I am like Shakespeare's' lily
she said
as it withers
she added
I see
you said
and you studied
her hands as they lifted
the glass to her lips
the fingers
the skin
the way they held
the glass
did you read my letters
when you got home?
you asked
yes
she said
every single one
my mother said
I must have besotted
some poor soul
and you thought
of the Chagall print
and how you had sniffed it
for traces of her scent
and remembered
your mother's words
nothing is given forever
things in this world
are only lent.
poem by Terry Collett
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Old grey eyes
Old grey eyes
~
He sits alone in the bar
Slumped into his chair
Looking down onto the table
Turning the glass in his hand
Occasionally, looking up
He surveys the room quietly
His brow furrowed
Eyes deep cast look tired
The is an air of sadness about him
That no-one seems to know
He is just old grey eyes
The man who sits in a bar alone
Looking down at his drink
Almost mouthing words
In conversation with himself
He is sensibly dressed
With old tatty shoes
He picks through his change
Counting out another drink
He will be there for a while longer
And then when he has gone
Who will say ‘old grey eyes’
‘Do you remember him’
poem by Matthew Holloway
Submitted by Poetry Lover
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In Michael Robins’s Class Minus One
At the desk where the boy sat, he sees the Chicago River.
It raises its hand.
It asks if metaphor should burn.
He says fire is the basis for all forms of the mouth.
He asks, why did you fill the boy with your going?
I didn't know a boy had been added to me, the river says.
Would you have given him back if you knew?
I think so, the river says, I have so many boys in me,
I'm worn out stroking eyes looking up at the day.
Have you written a poem for us? he asks the river,
and the river reads its poem,
and the other students tell the river
it sounds like a poem the boy would have written,
that they smell the boy's cigarettes
in the poem, they feel his teeth
biting the page.
And the river asks, did this boy dream of horses?
because I suddenly dream of horses, I suddenly dream.
They're in a circle and the river says, I've never understood
round things, why would leaving come back
to itself?
And a girl makes a kiss with her mouth and leans it
against the river, and the kiss flows away
but the river wants it back, the river makes sounds
to go after the kiss.
And they all make sounds for the river to carry to the boy.
And the river promises to never surrender the boy's shape
to the ocean.
The Love Letter
She wonders how to begin her letter
She knows he will read each word
Greedily for any hint of love. She knows
He will sniff the paper for any scent of her
She leans an elbow on her writing desk
And clutches her pen tight. She has got
As far as, Dear John, but then the words
Stopped coming. Before she had sat down
To write, the words flowed through her
Mind like a rushing stream, now nothing
She sucks the end of the pen. Say what
You would if you were face to face, her
Mother always said. She tries to imagine
He is there before her and what she would
Say if he was, but still no words will come
He writes to her so fluently when he writes
He always seems to know what to write
And how to put it into words. She tries again
Puts the pen nib onto the paper, gripping
The pen tighter. She reads what she’s written
Dear John. The pen moves, the words begin
To flow, her hand moves across the page
The images come into her mind as she writes
The things that they said last time they met
The things they did, she blushes slightly
That almost being caught out by the maid
In a state of undress. She pauses the pen
And sits gazing at the painting on the wall.
She looks back at the paper and starts again
The words tripping over themselves to be put
Down in ink upon a page; the images open up
In her mind, the colours, the smells, the events
The pen now stops. The love letter is written
The writing done. She looks at the words
Then she seals it in an envelope and writes
His address. She pictures him reading it: in bed
In his room, sleepy, in a state of his usual undress
poem by Terry Collett
Submitted by Poetry Lover
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