Dramatic Finale

Shakespeare loved a corpse
strewn Globe Theatre stage.
As audience universal appeal; twas
all Elizabethan; dramatic finale rage.

Shakespeare loved a corpse strewn stage.
Dramatic methods made a single scene,
carry multiple meanings, beyond mere action,
echo tragic ruin; vibrating dust porous lives.


poem by Terence George CraddockReport problemRelated quotes
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Far Too Quickly Each Yesterday Fades (Cavatina Sequence)

(after William Shakespeare)

Far too quickly each yesterday fades,
ephemeral
each new tomorrow sweeps past day to day;
a funeral
of new beginnings in recorded time,
in general
like a shadow following waning light,
becoming part of the eventual night.

All life is at the whim of destiny,
were the dice falls
life and death begins and ends as it wills;
men large and small
are actors on a universal stage,
beyond recall
are every happy, sad yesterday
while continually on and on we play.

Oblivion swallows all of our old tales,
as to the rim
the candle of every single life
goes very dim
while nothing is as it had been before,
at mere chance's whim
nothing of significance is left
and of all our substance we are bereft.

[Reference: 'Tomorrow and tomorrow' Macbeth, Act V, Scene 5 by William Shakespeare.]

poem by Gert StrydomReport problemRelated quotes
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I acknowledge Shakespeare to be the world's greatest dramatic poet, but regret that no parent could place the uncorrected book in the hands of his daughter, and therefore I have prepared the Family Shakespeare.

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Stop Being So Dramatic

You tell me what you think and mean.
But why you don't,
Let it go!

When we're walking in the streets,
There's always a scene.
And under spotlight...
You begin your show.

Let it go.
Your past and those bitter things.
Let it go.
Why can't,
You let it go.

Does your happiness mean anything?
Then you've got to let stuff go!

Let it go.
Stop being so dramatic.

Let it go.
Stop being,
Those worst of fanatics.

Let it go.
Stop being so dramatic.
Let it go.
Stop being,
The worst of fanatics.

You spend your days fantasizing from your window.
Locked up tight without a social life.
And you tell 'me' I'm growing old.
But I'm not sitting with my eyes half closed.
Or watching my life pass by...
From a window.

Let it go.
Your past and those bitter things.
Let it go.
Why can't,
You let it go.

Let it go.
Stop being so dramatic.
Let it go.
Stop being,
The worst of fanatics.
Let it go.
Stop being so dramatic.
Let it go.
Stop being,
The worst of fanatics.

You tell me what you think and mean.
But why you don't,
Let it go!

Stop being so dramatic.
Let it go.
Stop being,
The worst of fanatics.
Let it go.
Stop being so dramatic.
Let it go.
Stop being,
The worst of fanatics.

You let life flow to pass you from your window!
Framed-in-pain...
Let it go!
Stop being so dramatic.
Let it go!
Stop being so dramatic.
Let it go!
Stop being so dramatic.

You need a hit to spark that light inside!
Let it go.
Stop being so dramatic.
Let it go!
Stop being,
The worst of fanatics.
You let life flow to pass you from your window!

Stop being so dramatic.
Stop being so dramatic.
Stop being so dramatic.
Stop being,
The worst of fanatics.

poem by Lawrence S. PertillarReport problemRelated quotes
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English dramatic literature is, of course, dominated by Shakespeare; and it is almost inevitable that an English reader should measure the value of other poetic drama by the standards which Shakespeare has already implanted in his mind.

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In Answer To The Powers That Be

If we apply
the question

What are the

'implications of media,
in this epoch of time'

to Elizabethan England,
the age of Shakespeare;
to next King James the first,

you will agree,
a significant
period in history,

what would this phrase mean?


The answer
to put it simply,
to be succinct,
to put it in a nut shell,

is the effect upon
the public of the time;
of the stage of course
and the printing press.

This could have been put in
one simple declarative sentence
but where is the art in that?

The stage and the plays
especially of Shakespeare
are thrilling live performance
and exceptionally influential
as an early form of mass media.


In the play King Lear for example,
the king must be either very wise;
like King James I; or very stupid, so
it cannot possibly be, King James I.

The first historically documented
performance of the play; took place
on December 26,1606; before King
James I; Shakespeare embeds conceit.


Cunningly Shakespeare embeds support
and opposition; first outlining cleverly
King James Stuart's ideas of absolutist
Monarchy; belief in divine right to rule.

Stuart's style of legitimizing his reign is
wisely promoted; secret opposition made
through a masked linking of King Stuart’s
character to Lear; hidden behind ill health.

Self imposed censorship of art and press is
constantly in vogue due to issues of legalize;
the ramifications of offending ruling power;
embodied in government or rule as dictated.


poem by Terence George CraddockReport problemRelated quotes
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Come Away, Death

(harle/shakespeare)
Come away, come away, death
And in sad cyprus let me be laid
Fie away, fie away, breath
I am slain by a fair cruel maid
My shroud of white stuck all with you
O prepare it
My part of death no one so true
Did share it
Come away, come away, death
Not a flower, not a flower, sweet
On my black coffin let there be strewn
Not a friend, not a friend, greet
My poor corpse where my bones shall be thrown
A thousand thousand sighs to say
Lay me over
Sad true lover never find my grave
To weep there
Come away, come away, death

song performed by by Elvis CostelloReport problemRelated quotes
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Fallen Chocobo

In the wind of the grassland,
where green grass grows tall
above your head

Sighing waves of flashing green
comfort one another
across the sun strewn lawn

Gritty details, dust and blood
carry as a scent on the wind
the cry, we'ih-ooh.

Oh the Chocobo has fallen,
the pink and the yellow
or the wily black male

A wolf of red hair and fiery tail
growls over the corpse
and eats around feathers

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Shakespeare is the true multicultural author. He exists in all languages. He is put on the stage everywhere. Everyone feels that they are represented by him on the stage.

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John Ritter

Most people don't know that I am an accomplished dramatic actor... But I've performed in several Shakespeare productions including Hamlet, except in this version, Hamlet lives in an apartment with two women, and has to pretend he's gay so that the landlord won't evict him.

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Get Off The Stage

Oh, you silly old man
You silly old man
Youre making a fool of yourself
So get off the stage
You silly old man
In your misguided trousers
With your mascara and your fender guitar
And you think you can arouse us ?
But the song that you just sang
It sounds exactly like the last one
And the next one
I bet you it will sound
Like this one
Downstage, and offstage
Dont you feel all run in ?
And do you wonder when they will take it away ?
This is your final fling
But then applause ran high
But for the patience of the ones behind you
As a verse drags on like a month drags on
Its very short, but it seems very long
And the song that you just sang
It sounds exactly like the last one
And the next one
I bet you it will sound
Like this one
So, get off the stage
Oh, get off the stage
And when we get down off of the stage
Please stay off the stage - all day !
Get off the stage
Oh, get off the stage
And when weve had our money back
Then Id like your back in plaster
Oh, I know that you say
How age has no meaning
Oh, but here is your audience now
And theyre screaming :
Get off the stage
Oh, get off the stage
Because Ive given you enough of my time
And the money that wasnt even mine
Have you seen yourself recently ?
Oh, get off the stage
Oh, get off the stage
For whom, oh ...
For whom, oh ...
For whom, oh ...
For whom, oh ...
Get off the stage
Get off the stage
Get off the stage
For whom the bell tolls

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Lines in Defence of the Stage

Good people of high and low degree,
I pray ye all be advised by me,
And don't believe what the clergy doth say,
That by going to the theatre you will be led astray.

No, in the theatre we see vice punished and virtue rewarded,
The villain either hanged or shot, and his career retarded;
Therefore the theatre is useful in every way,
And has no inducement to lead the people astray.

Because therein we see the end of the bad men,
Which must appall the audience - deny it who can
Which will help to retard them from going astray,
While witnessing in a theatre a moral play.

The theatre ought to be encouraged in every respect,
Because example is better than precept,
And is bound to have a greater effect
On the minds of theatre-goers in every respect.

Sometimes in theatres, guilty creatures there have been
Struck to the soul by the cunning of the scene;
By witnessing a play wherein murder is enacted,
They were proven to be murderers, they felt so distracted,

And left the theatre, they felt so much fear,
Such has been the case, so says Shakespeare.
And such is my opinion, I will venture to say,
That murderers will quake with fear on seeing murder in a play.

Hamlet discovered his father's murderer by a play
That he composed for the purpose, without dismay,
And the king, his uncle, couldn't endure to see that play,
And he withdrew from the scene without delay.

And by that play the murder was found out,
And clearly proven, without any doubt;
Therefore, stage representation has a greater effect
On the minds of the people than religious precept.

We see in Shakespeare's tragedy of Othello, which is sublime,
Cassio losing his lieutenancy through drinking wine;
And, in delirium and grief, he exclaims -
"Oh, that men should put an enemy in their mouths to steal away their brains!"

A young man in London went to the theatre one night
To see the play of George Barnwell, and he got a great fright;
He saw George Barnwell murder his uncle in the play,
And he had resolved to murder his uncle, but was stricken with dismay.

But when he saw George Barnwell was to be hung
The dread of murdering his uncle tenaciously to him clung,
That he couldn't murder and rob his uncle dear,
Because the play he saw enacted filled his heart with fear.

And, in conclusion, I will say without dismay,
Visit the theatre without delay,
Because the theatre is a school of morality,
And hasn't the least tendency to lead to prodigality.

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Michael C. Hall

For me, it was more a dramatic shift to go from the stage to the screen.

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A Star Is Born

The leading man walked onto the stage,
the house lights dimmed, a hush descended,
the play was about to begin.

A drama, powerful and dramatic.

Breaths were held, not one body moved.

Suddenly, he spoke.

'Ladies and Gentlemen, I'm afraid to have to inform you,
that our leading lady has been struck down by laryngitis,
therefore, the show is cancelled'.

Mumblings, rumblings, getting louder and louder.

'Not good enough' shouted someone.
'Sit down and shut up', shouted another.

Uproar! Pandemonium!

'Where's the understudy then? ' came from a third.

'She's also indisposed, I'm sorry to say', but your money
will be refunded in the foyer'.

'I know the part', a voice called from way down in the orchestra pit.
'If you'll give me a minute,
I'll go and change, and this show can start'.

Everyone sat down in amazement! '.

This small tiny girl, was bravely taking on the big leading role.

A hush descended in the auditorium,
and the curtains parted.

As the finale ended, there was a standing ovation.
The audience were thrilled.

The girl took a bow.

The orchestra played 'God Save The Queen'
and everyone clapped and cheered.

For here on this stage, this night, a star was born!

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Derangement

Everyone who gets on a stage,
Believes they can act.
Then they believe they can sing.
Then dance and entertain,
Anyone captivated.
And anyone knowing what it takes...
Wish to drag those with limited beliefs,
Off the stage!
Since all of those who seek the spotlight...
Should seek someone to tell them the truth,
About their nonexisting talents!
All folks who reach for the stage are not performers.
And despite what Shakespeare stated...
'All the world's a stage and all the men and women merely players.'
I must admit,
I have to respect his perspective.
However...
Very few of his roles were performed by women, if any
Back then.
And on these 'stages' today...
These 'players' should have entertained exiting,
Prior to revealing their production of 'Derangement'
It is much too real!
With the acting lacking motivation that connects honestly,
With a conviction that is felt.
They just throw this stuff together today.
With no training or class involved.
However...
The chaos depicted?
THAT is marvelously convincing!
Those scenes,
Absolutely gets everyone's attention.
Everyone gets to be involved.
And that's really my kind of 'theatre'...
A 'hands-on' affair!

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To me, Mozart is our Shakespeare, the one who wrote the most dramatic, psychologically most baffling music. He combined ideas that no one else would have thought of putting together.

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A mother and a toddler

Screeching tires
Halting onlookers
Camaraderie
Is dubious
What’s beneath
Limbs were strewn apart
Flesh of a mother and a toddler

Government officials
Broke down to their knees
The beggar they’re chasing
Was gone in a split seconds
Surreal
Now they have deceased
A tragic ending
Was it a life’s lesson?
Who could bear?
To look at the scene
Paradigm?
I swear
It’s not supposed to be seen

A toddler
In tact
In his mother’s cuddle
Albeit mother’s strewn
All over
A bundle

poem by Sulaiman Mohd YusofReport problemRelated quotes
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When The Set Has Changed

Both of us are too 'stage' ready.
We are those, 'Light, camera and action' folks.
Easily provoked...
When in meditation.
Or whatever that is called,
After someone is seen nodding to a sleep...
From boredom.

Both of us are too 'stage' ready.
Drama bent...
And prepared to chew up the scenery.
At a moment's notice.

However...
What is there to prove...
When the set has changed.
And so has the crew!
And the seats of the audience have been removed...
Without a single question asked.

To leave the ones rehashing the past...
Astonished they no longer mesmerize!

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Just A Little Love

Romance
Has always been
The most exciting scene
And angel voices seem to know
That only love can set the heart aglow
Our world is a stage for lovers
Shakespeare said it all
In his words of
Romance

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The Man Who I loved

The man whom we loved
And who also loved us
Always did his best in life
And had many to place his trust
He was kind and courageous
And his strength went for ages
But sadly one day the strength had to go
As he lay weak and fragile
With others bowed low
I went to his kitchen to fetch him soup and a drink
And brought it back to him as he sat on the brink
How close to death he was,
I didn’t know
Nor did I know that cancer was his foe
However I still loved him
How I loved him so
And now all that’s left of him is a corpse in a coffin
It’s all that’s left of the Grandfather I know

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We cannot arrive at Shakespeare's whole dramatic way of looking at the world from his tragedies alone, as we can arrive at Milton's way of regarding things, or at Wordsworth's or at Shelley's, by examining almost any one of their important works.

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