The Snake Charmer and the Hamadryad
Piccolo and been-throated pibroch
Dilating dimpled hood
Spreading photometric darkroom eyes
Waxing waxing matching
Venomous lip to music's piping lip
O Queen of stung dragon-mouthed Po
Dancing girl of nuanceless ancient reliefs
The apotheosis Brahman curling on the neck
Must you now sink sink
Dread watched
Spineless
Into the winding womb wickerwork
Watching watching pipe-eyed watching
Until you slip
Over the sill of the pipe and the lip
Anathema!
Amorphous piteous anathema!
Amulet of Siva!
Licking the boneless air companionless
Then slithering to lie on the trodden path
Must you have this one last lick
A lick that
Stills the
Unheeding
Child astray
Or ripple tailless
In the reedy gust
To the squat charmer's
Hypnotical pibroch
(©: T. Wignesan - Paris,1957; from T. Wignesan. Tracks of a Tramp. Kuala Lumpur-Singapore: 1961; first pub. in 'Forum Academicum', University of Heidelberg,1957)
poem by T. Wignesan

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The Death of the Hindu
Chin cupped
on the ancient bone
of his elbow
he spread five fingers to the world:
and like a cat on zither strings
the hoarse voice of his fathers
issues from his forgotten children:
now he picks one tick
from the back of that suckling cow:
his failing fingers
find not the strength to crush
Not a single eyelash twitters
pass him by
pass him
'Wake not a man asleep
And tell him he has
Nothing to eat.'
(©: T. Wignesan - Paris,1957; from T. Wignesan. Tracks of a Tramp. Kuala Lumpur-Singapore: 1961; first pub. in 'Forum Academicum', University of Heidelberg,1957)
poem by T. Wignesan

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Coal-Truck
I am a coal-truck
Carrying gold dust.
Someone threw some
Coal-dust upon
My gold-dust.
I am a coal-truck
In a gold mine.
Someone struck a coal vein
And piled me full in vain.
I am a coal-truck
Covered in subterranean dust.
Someone shovelled my soil
And found an ancient bone
All coiled.
I am a coal-truck
Waiting for the rain.
The sun is my rail
The night my shed.
I am a coal-truck
Rumbling all the way.
Wash me in the rain-storm
And fill me full of coke
Until I choke.
(©: T. Wignesan,1957 - Pub. in 'Forum Academicum', Heidelberg University,1957; from the collection: Tracks of a Tramp. Kuala Lumpur-Singapore: 1961)
poem by T. Wignesan

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The Gnat Nebulae
Full pummelling fisticuffs
Stitch over stitch
In and out
Imperceptibly kaleidoscopic
Swirling from ear to ear
Sporadic
Thrumming mystical notes
Notes of whisper
Whisper in the ear
Now a bothered swish of clawing
Cleaving slipping fingers
Immalleable rolling universal ball
Microcosmic needle into
Macrocosmic wool all
Silently thudding kneading pulling
Sealing a sin all opened unforgiven
Eternally whispering to a few
And never really heard
Pummelling sewing the invisible centre
Round and round the darkless sun
Only the end that began
Only a scratch and a bother
What bother to scratch
For scratching bothers
Bothers a scratch
Scratch and not to bother
Scratch Scratch Scratch
Dedicated to J.C. Alldridge
(©: T. Wignesan - Paris,1957; from T. Wignesan. Tracks of a Tramp. Kuala Lumpur-Singapore: 1961; first pub. in 'Forum Academicum', University of Heidelberg,1957)
poem by T. Wignesan

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Unheeded in the spread of his name, quaking
Unheeded in the spread of his name, quaking
Through the knit brow cuddling the sombre eye
Twice buckled into the couch of his yearning
The mouldy cast of unsculptured hands, moulting
In the surging sweaty cries' unexpected sigh
Sooner lost than won with unrenewed longing
Every day, every night in chastened haste, calling
That one face, one hand trembling on bosomy thigh
Through all the twigs of his knotty brooding
Mighty log in the dismembered chips, raking
In uneasy orgasms of a protracted lie
The woman clasped in the memory revolting
Fleshy hair to press, hovering nostrils, drinking
In the incensing vapours, and that face a wry
Screaming in the rubbing spasm, a bloody cursing
All, all and more, and the biting shame, clawing
Now at the name, silently growing, that shy
Child of old hopefully shared and lingered moaning
(© T. Wignesan,1957; first pub. in 'Forum Academicum', University of Heidelberg,1957; from the collection: T. Wignesan. Tracks of a Tramp. Kuala Lumpur-Singapore: 1961)
poem by T. Wignesan

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I saw a tree a-falling...
I saw a tree a-falling
a-falling down on me
I had no way to turn
it was close on me
I thought it was a plot
to force me out
I knew I could not
even hold it or shout
It was a tree I sheltered
on many a longing day
And now it was so altered
coming to make me pay
I asked it why it longed
to touch its upmost brim
When all around no foe
turned the sun down dim
I touched its bark to hear
I thought I heard a cry
Two leaves it shed on me
and brushed its bark up high
I asked it why it stood
alone and left to brood
It shook its sticks in emphasis
as if to say it was good
(©: T. Wignesan - Kuala Lumpur,1957, from Tracks of a Tramp. Kuala Lumpur-Singapore: Rayirath Publications,1961.)
poem by T. Wignesan

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Little Clock
Why in pensive ticking, silent thoughts
You wile your time away
When all around huge swelling bells
Toll the days away!
Every hour that announced may go
Your silent hands take hold
And though the ages chimed in ears
Yours they never behold.
If all the clocks the world had known
Had struck one strong big note,
They would never still your plodding tone
Nor the working hearth you alert.
Do you wonder, wonder, little clock
What makes the grandfather tick!
Or his aching belly in the depth of sorrow
Cries to the world it's sick!
Thirty million years and Pleistocene dark,
They are one split second short!
And whimpering suns that rise and flop
Have scarce stolen your tick or thought!
So, my little clock, my faithful clock
When I hear the tall town bell,
I'll shrug my shoulders, one tiny moment
And know that all is well.
Dedicated to Gertrud Widmayer, my landlady at Heidelberg
(©: T. Wignesan,1957 (from the collection: Tracks of a Tramp. Kuala Lumpur-Singapore: 1961)
poem by T. Wignesan

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Pied à terre
Once within a break in brambly fields
something stirred its fearful head in sleep:
Though it be woman or child, work or vision
something that dares not hold me in derision
But till that lingering day bares your face
with prating breath I bide my bane
And even as I clear the brake, shift the trunks
hosannas crop up before you every dawn.
And someday as I have you in my arms
in osculation's brimming nirvanic bliss,
May I not then turn away empty handed
though warm in your inane atmanic face
Then as I wend my kindly way down the road
pitch my tent on this terraqueous matter-mind
Should I then go looking for my immortality
through doors that are forever locked to me
Or could I then lie upon nescience' impervious skies
upon some smoky grass unmapped or husbanded
And hear the awakening cries of spring born trees
then get up to wind my way to some factory blast
(©: T. Wignesan,1957, from the collection: Tracks of a Tramp. Kuala Lumpur-Singapore: 1961)
poem by T. Wignesan

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Paths in the Private Country
The memory in need
Is the implacable enemy of the creed,
Waits and watches its foe
The all-clawing frenzy on tip-toe;
Quiescent in the instant's repose
The thud of flurried gnawing years evoke.
The poet in his solitary moments, spoke
Those whispered words, memory's secret ear yoke.
His wares, his scares, ailments and balms
Suddenly at the oasis of his thirst, awoke
Transilluminating the hard wad of his private notes,
Clutching at the infant's murmurous innocence
The clear innocuous dogma of cries;
While his immodestly preened notes of travesty
Hark back; and the first poem playfully struck
Teaches him now too late the laugh, the critic's qualms.
Just as the poet had wandered away from childhood,
So will the child thwart the unspoilt man
And shyly, shyly he turns away from the poet
Coming in like a stray camp-follower to brood.
For who may ask which the supreme poet
The child's sweet ineffable musings disrespect
While language etherises meanings proudly sown:
The title in two is halved - one the art, one, lone.
And the man, memory's ill-begotten infant
Lurking round the corner, pranks the urgent moment
Or two - then restores the poet to the poem.
(© T. Wignesan,1957 - First pub. in 'Diskus', University of Frankfurt-am-Main,1960; from the collection: T. Wignesan. Tracks of a Tramp. Kuala Lumpur-Singapore: 1961)
poem by T. Wignesan

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Night in the Eyes, Invading
I do not know if this is true what I see:
I see in some dim, distant, desolate rock-hold
gathering peoples, driven as though by common fear.
A low mournful humming drifts with the breeze
of manhood tread, and eyeless turban-headed
in the lambent darkness, fire-fly brands moving.
This symphonious humming fills my heart
with deep remorse I cannot quite understand.
In a winding never-ending line they keep coming:
mesmerically drawn as in a living dream.
They do not speak but it seems they are in
common bondage bound and move to words of order.
Someone is dying or some great catastrophe
has befallen these earthen men - for they do not speak!
So many seem to come, but only a few are here.
Yet they keep coming and around
a little rock are gathered cross-legged, naked
scalded knees jagged out, a cluster of brown skinny men.
On the rock someone is standing and a little
behind him - I do not know what - a tree, a ragged pole
or dolmen! and yet here it glows, now a moment paly.
Fading far volcanic lights skip engulfing the sky.
I cannot say what this is all about.
I have a fear the Aliens are here.
And in the middle of this funereal happening,
a voice bursts out crying - 'EMILIANO'...
'Emiliano', and then a choking whimpering
and again - 'Emiliano......
Is this all that is left for me! '
(©: T. Wignesan - Paris,1957 - rev.; from Tracks of a Tramp. Kuala Lumpur-Singapore: Rayirath Publications,1961.)
poem by T. Wignesan

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Feet, feet that walked away with the toes
Heavy the hoods of the eyes
that laboured the scan of horizons
Heavy the course of the thoughts
that sat unstirred on the sill of the stare
Heavy this ancient bottomed nose
sitting in judgment over this meat
Endlessly shunting the frenzied workers
now sniff-drunk and steam-bellowed in the street
This the scull careered through rutted scars
the primeval hair bushed in pathways
Where long tribes with long lances
prod the undergrowth for signs of lost bones
These the ears that heard the wake of worlds
wandering in the ever irretraceable tread
Ears though that admit the silent secrets
ever still and hospitable to the panicky refrain
This the assembled machinery, forging fire
have dropped the tongs
Down the corridors of investigation
hurtling in darkening diseases
These the loins, companion of time
stalked through fire, filth, and foam
Baked in the hot ovens of empires
wearied some morning in blurry depredation
Wobble-eyed, knee-tied, dragged with pacing company
through yesterdays that are forever lost indemnity
Heavy the larvae lipped throb, kiss and consider
heavy the molten strata ooze, consider and kiss
These the organs that prodded nations
and shrivelled up to curse them all in pain
Pursed its potency, convulsed the course of the vein
this the dismembered member of the tribe
Heavy, alas, these feet that thump
jog and reel in the dancing rhythm of millenniums
Trod on the will-less face of faiths
twitched their toes and walked their way
(©: T. Wignesan,1957 (from the collection: Tracks of a Tramp. Kuala Lumpur-Singapore: 1961)
poem by T. Wignesan

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Watching Me Watching You
I sit by the cutting on the beaconsfield line.
Hes watching me watching the trains go by.
And they move so fast --- boy, they really fly.
Hes still watching me watching you watching the
Trains go by.
And the way he stares --- feel like locking my door
And pulling my phone from the wall.
His eyes, like lights from a laser, burn
Making my hair stand --- making the goose-bumps crawl.
Hes watching me watching you watching him
Watching me
Im watching you watching him watching me
Watching stares.
At the cocktail party with a bucks fizz in my hand
I feel him watching me watching the girls go by.
And they move so smooth without even trying.
Hes still watching me watching you watching the
Trains go by.
And the crowd thins and he moves up close but he doesnt speak.
I have to look the other way.
But curiosity gets the better part of me and I peek:
Got two drinks in his hand --- see his lips move ---
What the hells he trying to say.
Hes watching me watching you watching him
Watching me.
Im watching you watching him watching me
Watching stares.
Hes watching me watching you watching him
Watching me.
Hes watching me watching you watching
The trains go by.
Hes watching me watching you watching him
Watching me.
Hes watching me watching you watching him watching me.
Hes watching me watching you watching him watching me watching him watching.
song performed by by Jethro Tull

Submitted by Lucian Velea
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Private Eyes
Lyrics & music: daryl hall, warren pash, sara allen, janna allen
I see you, you see me
Watch you blowin the lines when youre making a scene
Oh girl, youve got to know
What my head overlooks
The senses will show to my heart
When its watching for lies
You cant escape my
Private eyes
Theyre watching you
They see your every move
Private eyes
Theyre watching you
Private eyes
Theyre watching you watching you watching you watching you
You play with words you play with love
You can twist it around baby that aint enough
Cause girl Im gonna know
If youre letting me in or letting me go
Dont lie when youre hurting inside
cause you cant escape my
Private eyes
Theyre watching you
They see your every move
Private eyes
Theyre watching you
Private eyes
Theyre watching you watching you watching you watching you
Why you try to put up a front for me
Im a spy but on your side you see
Slip on, into any disguise
Ill still know you
Look into my private eyes
song performed by by Hall & Oates

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Blinks through bloodshot walks
When at five-thirty
In the rubbed-eye haziness
Of ferreting lonesome night walks
The camera-eye refugee
Asleep in the half wakefulness
Of the hour
Peers out of his high turbanned sockets:
Hyde Park's through road links
London's diurnally estranged couple -
The Arch and Gate.
When at five-thirty
The foot falls gently
Of the vision cut in dark recesses
And the man, finger gingerly on the fly
Gapes dolefully about
For a while
Exchanges a casual passing word
Standing in the Rembrandtesque clefts
And the multipled ma'm'selle trips out:
Neat and slick.
They say you meet the girls at parties
And get deeper than swine in orgies.
When at five-thirty
The fisherman's chilled chips
Lie soggy and heeled under the Arch
Where patchy transparent wrappers cling
To slippery hands jingling the inexact change
That mounted the trustful fisherman's credit:
The stub legged fisher of diplomat
And cool cat
And the prostitutes' confidant;
Each shivering pimp's warming pan.
Then at five-thirty
The bowels of Hyde Park
Improperly growled and shunted
And shook the half-night-long
Lazily swaggering double-deckers,
Suddenly as in a rude recollection,
To break and pull, grind and swing away
And around, drawing the knotting air after
Curling and unfurling on the pavements.
And at five-thirty
The prostrate mindful old refugee
Dares not stir
Nor cares to wake and swallow
The precisely half-downed bottle
Of Coke clinging to the pearly dew
Nor lick the clasp knife clean
Lying bare by a tin of' skewed top
Corned beef, incisively culled
Look! that garden all spruced up
An incongruous lot of hair on that bald pate
No soul stirs in there but the foul air
No parking alongside but from eight to eight.
Learning so hard and late
No time to scratch the bald pate.
At five-thirty-one
A minute just gone
The thud is on, the sledge-hammer yawns
And in the back of ears, strange noises
As from afar and a million feet tramp.
One infinitesimal particle knocks another
And the whirl begins in a silent rage
And the human heart beats harder
While in and around, this London
This atomic mammoth roams
In the wastes of wars and tumbling empires.
(© T. Wignesan 1956, London; from T. Wignesan. Tracks of a Tramp. (A first collection of poems: 1948-61) Kuala Lumpur-Singapore: 1961.)
poem by T. Wignesan

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Watching For Pa
Three little forms in the twilight gray,
Searching the shadows across the way;
Two pair of black eyes, and one of blue --
Brimful of love, and of mischief too;
Watching for Pa!
Watching for Pa!
Sitting by the window,
Watching for Pa!
Watching for Pa!
Watching for Pa!
Sitting by the window,
Watching for Pa!
May, with her placid and thoughtful brow,
Beaming with kindness and love just now;
Willie the youngest, in anguish did lay,
Stealing sly kisses from sister May,
Watching for Pa!
Watching for Pa!
Sitting by the window,
Watching for Pa!
Watching for Pa!
Watching for Pa!
Sitting by the window,
Watching for Pa!
Nellie, with ringlets of sunny hue,
Cosily nested between the two;
Pressing her cheeks to the window pane,
Wishing the absent one home again.
Watching for Pa!
Watching for Pa!
Sitting by the window,
Watching for Pa!
Watching for Pa!
Watching for Pa!
Sitting by the window,
Watching for Pa!
Now there are shouts from the window seat;
There is a patter of childish feet;
Gaily they rush through the lighted hall --
"Coming at last" is the joyful call.
Watching for Pa!
Watching for Pa!
Standing on the doorstep,
Watching for Pa!
Watching for Pa!
Watching for Pa!
Standing on the doorstep,
Watching for Pa!
poem by Henry Clay Work

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The Piper
AGAIN I hear you piping, for I know the tune so well, -
You rouse the heart to wander and be free,
Tho' where you learned your music, not the God of song can tell,
For you pipe the open highway and the sea.
O piper, lightly footing, lightly piping on your way,
Tho' your music thrills and pierces far and near,
I tell you you had better pipe to someone else to-day,
For you cannot pipe my fancy from my dear.
You sound the note of travel through the hamlet and the town;
You would lure the holy angels from on high;
And not a man can hear you, but he throws the hammer down
And is off to see the countries ere he die.
But now no more I wander, now unchanging here I stay;
By my love, you find me safely sitting here:
And pipe you ne'er so sweetly, till you pipe the hills away,
You can never pipe my fancy from my dear.
poem by Robert Louis Stevenson

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Black Bruises I
I can stare into the blackness,
the void of many abysses
behind every dark curtains
I can endure calm and silence
watching pole dancers grind,
watching stars scintillate,
watching still shadows on the walls,
watching dislimned reflections,
watching trees pass me by,
watching ethers wash the screen,
watching my lonely feet,
watching little things sway;
but am I the only one watching
these black bruised visions?
poem by Norman Santos

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Revenge Of The Black Dog
he never left
he just lay there staring
through the cracks in the gate
which locked him out
kept him at a safe distance
biding his time watching
waiting for any opportunity
to strike, sink in his teeth
tear at the flesh of thought
he stalked in the shadows
cold blooded and cruel
eyes lifeless, loveless
watching always watching
knowing he'd never win
he'd never claim his kill
just wanting to strike
deliver the pain get revenge
before he's gone
locked out again
poem by Matthew Holloway

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Angels
Take this man to prison, the man heard herod say,
And then four squads of soldiers came and carried him away.
Chained up between two watchmen, peter tried to sleep,
But beyond the walls an endless prayer was lifting for his keep.
Then a light cut through the darkness of a lonely prison cell,
And the chains that bound the man of God just opened up and fell,
And running to his people before the break of day,
There was only one thing on his mind, only one thing to say:
Angels watching over me, every move I make,
Angels watching over me!
Angels watching over me, every step I take,
Angels watching over me!
God only knows the times my life was threatened just today.
A reckless car ran out of gas before it ran my way.
Near misses all around me, accidents unknown,
Though I never see with human eyes the hands that lead me home.
But I know theyre all around me all day and through the night.
When the enemy is closing in, I know sometimes they fight
To keep my fight from falling, Ill never turn away.
If youre asking whats protecting me then youre gonna hear me say:
Got his angels watching over me, every move I make,
Angles watching over me!
Angels watching over me, every step I take,
Angels watching over me....
Angels watching over me....
Angels watching over me.
Got his angels watching over me, every move I make,
Angels watching over me!
Angels watching over me, every step I take,
Angels watching over me!
Angels watching over me,
Angels watching over me,
Angels watching over me,
Angels watching over me!
Though I never see with human eyes the hands that lead me home....
song performed by by Amy Grant

Submitted by Lucian Velea
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Songs Of Innocence: Introduction
Piping down the valleys wild
Piping songs of pleasant glee
On a cloud I saw a child.
And he laughing said to me.
Pipe a song about a Lamb:
So I piped with merry chear,
Piper, pipe that song again--
So I piped, he wept to hear.
Drop thy pipe thy happy pipe
Sing thy songs of happy chear,
So I sung the same again
While he wept with joy to hear
Piper sit thee down and write
In a book that all may read--
So he vanished from my sight
And I pluck'd a hollow reed.
And I made a rural pen,
And I stained the water clear,
And I wrote my happy songs,
Every child may joy to hear.
poem by William Blake

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Piping Down the Valleys Wild
Piping down the valleys wild,
Piping songs of pleasant glee,
On a cloud I saw a child,
And he laughing said to me:
'Pipe a song about a lamb!'
So I piped with merry cheer.
'Piper, pipe that song again.'
So I piped: he wept to hear.
'Drop thy pipe, thy happy pipe;
Sing thy songs of happy cheer.'
So I sung the same again,
While he wept with joy to hear.
'Piper, sit thee down and write
In a book, that all may read.'
So he vanished from my sight,
And I plucked a hollow reed,
And I made a rural pen,
And I stained the water clear,
And I wrote my happy songs
Every child may joy to hear.
poem by William Blake

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