Blood' Brothers or 'Bloody' Brothers under the Banner
"A dying people tolerates the present, rejects the future, and finds its satisfactions in past greatness and half-remembered glory."
"A strong man makes a weak people. A strong people don't need a strong man."
John Steinbeck (Nobel Prize 1962)
for the DEAD in the Struggle for EELAM
I
Ages from now, let it not be said:
Blood spills only as brother dies.
Ages from now, let not peace be bled
By chances lost now in sighs.
To the high nor low slams the door
To him who seeks the Law and more.
Take, take the Golden Mean way!
Truth your only key, don't ever slay!
Where the elephant roams un-tethered free,
The familiar myna will echo carefree
Words of yore buried in sacred memory:
One breed, one species carved in ivory.
No greater fear simmers in the lowlands
Than the stealth of brother against brother;
No higher disdain festers in the highlands
Than vengeance lying in wait for the other.
II
Think not of the promises made and broken,
Think only of the time lost and forsaken.
Every hour, every day, a life blown or taken;
Every month, every year, a people woe-driven.
To the high nor low slams the door
To him who seeks the Law and more.
Take, take the Golden Mean path!
Truth your only key, never the lathe!
Think of Prince Paranirupasingham who to succour
King Jayavira's queen, to Kandy, fled his throne:
Abandoned to court intrigue, schemes and wiles encore:
A princely retreat, a physician's penance alone.
First governor, then regent, the last Jaffna King Cankili
Learnt best the conqueror's cruel art of slaughter;
Then, fired by the local converts' iniquitous treachery,
Revolted too late, his head the butt of lofty laughter.
Think of C.P. Ramanathan the island's cause to defend
Sailed over choppy seas past wild submarines
To raise the nation's flag in the court of the Empire's den,
His homeward chariot drawn by one peoples' teens.
III
What shame if might measures not with muscle?
What disgrace awaits those who fail?
Should wanting life be held lèse-majesté to a tussle?
Should a nation thrive as in a sundered jail?
To the high nor low slams the door
To him who seeks the Law and more.
Take, take the Golden Mean road!
Truth your only key, never the sword!
Decades from now sawn men will in right ask:
Had we then no will to attend to our wounds?
Should not the White Master be called back to task
To bear the burden of our graveyard mounds?
What guidance should wise men need
More than their own tested counsels?
Lay, lay aside the pride of higher breed
Like two strong men upright in councils!
IV
People are made to feel their lives rendered great
By what their leaders do to invoke fate;
Destiny asks not who may stand in as its fated mate,
When all around lives are lost through hate.
To the high nor low slams the door
To him who seeks the Law and more.
Take, take the Golden Mean way!
Truth the only key, no, never slay!
If the Lion strays from its prescribed domain,
The Tiger will seek to sink its fangs in flanks.
Two kings bide their time in a land full of bane,
While the common folk lie razed by tanks.
V
Seek not to replace life with conundrums.
Seek only a life-giving solution.
Herald not the arrival of the enemy with drums.
Let only your heart speak in absolution.
The mountain cannot reach up to the sky.
The lake at the summit is full.
If monsoons come, calling cranes will cry.
Kindred spirits will rally in full.
To the high nor low slams the door
To him who seeks the Law and more.
Take, take the Golden Mean way!
Truth the only key, no, never ever slay!
Can a people simply grow strong in broken places
While strong men before the hour vacate places?
"Man can be destroyed but not defeated.
Man can be defeated but not destroyed."
(©: T.Wignesan - September 21,2005; from the Sequence: 'Words for a Lost Sub-Continent', Paris, France. Pub. in T. Wignesan. Rama and Ravana at the Altar of Hanuman: on Tamils, Tamil Literature and Tamil Culture. Chennai: Institute of Asian Studies,2006 & Allahabad: Cyberwit.net,2008.)
poem by T. Wignesan
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God's Grief
"Lord God of Hosts," the people pray,
"Make strong our arms that we may slay
Our cursed foe and win the day."
"Lord God of Battles," cries the foe,
"Guide us to strike a bloody blow,
And lay the adversary low."
But brooding o'er the battle smother
Bewails the Lord: "Brother to brother,
Why must ye slaughter one another?
When will ye come to understand
My peace, and hand reach out to hand,
In every race, in every land?"
And yet, his weary words despite,
Went murderously on the fight,
Till God from mankind hid His sight,
Saying: "Poor children, must you gain
To brotherhood through millions slain?
--Was anguish on the Cross in vain?"
poem by Robert William Service
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On Authors, Critics and Readers
Some leave behind a hard-won name
Others only fame
A few the sweat and tears of their passage
Snatched from the rigours of their age
Yet none the folly of the game
Fiction is licensed perjury
The coward's excuse for character
Courage revelation originality veracity
All conspire to make for a writer
All mirrors distort
Reviewers like haïr-dressers retort
And mistake the fall of water for the harp
A mere critic can only carp
If what you see is repugnant
close your ever envious eyes
and you'll even see in darkness
and the reason for your blindness
(© T. Wignesan, Paris - 2006. Pub. in T. Wignesan. Rama and Ravana at the Altar of Hanuman: on Tamils, Tamil Literature and Tamil Culture. Chennai: Institute of Asian Studies,2006 & Allahabad: Cyberwit.net,2008.)
poem by T. Wignesan
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Under the Pines
"LIFE is sad," says the wind in the pines
To the still soul listening,
While the pale, pale day declines
Like a white bird on the wing.
"Life is sad," says the quiet earth
5
Under the churchyard wall,
Where the spring flowers have their birth
And the autumn leaflets fall.
"Life is sad," say the daisies that blow there
And stretch out their heads to the sun;
10
"Life is sad," say the poor hearts that go there
To weep when the day's work is done.
"Life is sad," from below, from on high,
From forest and meadow and tree,
From the clouds that drift over the sky
15
And the days that die into the sea.
Then up and be brave with thy sorrow,
Like a man with his face to the blast;
Not from hope of the joys of to-morrow,
Nor rest when the warfare is past;
20
But strong that weak souls may grow strong,
That men may take heart by the way,
Till the heavens break forth with the song
That will herald eternal day.
poem by Frederick George Scott
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Psalm 89 part 4
v.19ff
C. M.
Christ's mediatorial kingdom; or, His Divine and human nature
Hear what the Lord in vision said,
And made his mercy known:
"Sinners, behold your help is laid
On my Almighty Son.
"Behold the Man my wisdom chose
Among your mortal race:
His head my holy oil o'erflows,
The Spirit of my grace.
"High shall he reign on David's throne,
My people's better King;
My arm shall beat his rivals down,
And still new subjects bring.
"My truth shall guard him in his way,
With mercy by his side,
While in my name through earth and sea
He shall in triumph ride.
"Me for his Father and his God
He shall for ever own,
Call me his rock, his high abode,
And I'll support my Son.
"My first-born Son arrayed in grace
At my right hand shall sit;
Beneath him angels know their place,
And monarchs at his feet.
"My cov'nant stands for ever fast,
My promises are strong;
Firm as the heav'ns his throne shall last,
His seed endure as long."
poem by Isaac Watts
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How Deep Is Your Love?
Superficial, or sacrificial?
Secular, or the supernatural?
How deep is your love?
Would you give up quality of life?
Or give up life itself?
To what do we let go?
To what do we hold on?
People or objects?
How far do we go,
Before we move on?
To our breaking point,
Or until we have proven it.
Hold on to resentment,
Let go of another.
Prove our point, or to prove love.
Beauty is only skin deep.
But beautiful is at the core.
The spirit lives forever.
It endures all.
Our essence, our core, is love itself.
Given by God, as He lives inside of us.
He is buried deep,
Surrounded by lies.
Lies we have bought in a cold cruel world.
A world of shallow love.
Love of self, at the cost of another.
She walked away,
He waited.
She asked, "Why when you had me you did not want me, "
"But now I am gone, and you will fight? "
"You have changed, but it is too late."
"For I have found another."
The man replied, "The answer is simple."
"Why is it, you have me now and do not want me? "
"I have proven the truth of my love."
"I have endured a thousand deaths."
"I have risen each time."
"To become love itself."
"Not for me, but for you."
"Affection is shown, but love is assumed."
"To the superficial, love is all show."
"To the sacrificial, love is the show."
"I can tell you I love you,
"But the words have no substance."
"They disappear in thin air."
"Love is patient."
"Love as a feeling, will come and go."
"Feelings are impatient."
"It is truth that never changes."
"And love, that is true, will endure all."
"As it has since the beginning of time."
"Not as defined by society."
"But as defined by the creator and sustainer."
"It is only once the feelings have broken the heart, the holder of the feelings."
"That the beholder is freed."
"To show the love that will never be broken."
"Love that is true."
poem by Ryan Lee Morris
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I want that India back
The Golden Bird
with rich culture,
Widely heard
for its treasure,
Remembered for
Great kings & great saints,
who took birth
on that land,
That dignity,
That greatness,
Now, where is that?
"I want that India back"
Rulers and dynasties
came and went,
But no one
too long remained,
Found defeated
and turned away,
Against its unity
and "Satyagraha",
That brotherhood,
That equality,
Can anyone return me that?
"I want that India back"
The relation
of teacher and student,
For which
famous was my land,
where youth
became inspiration,
And followed truth
away from corruption,
That zeal,
That spirit,
Youth can only return that,
"I want that India back"
poem by Kaushal Saboo
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A Ballad of John Nicholson
It fell in the year of Mutiny,
At darkest of the night,
John Nicholson by Jalándhar came,
On his way to Delhi fight.
And as he by Jalándhar came,
He thought what he must do,
And he sent to the Rajah fair greeting,
To try if he were true.
"God grant your Highness length of days,
And friends when need shall be;
And I pray you send your Captains hither,
That they may speak with me."
On the morrow through Jalándhar town
The Captains rode in state;
They came to the house of John Nicholson,
And stood before the gate.
The chief of them was Mehtab Singh,
He was both proud and sly;
His turban gleamed with rubies red,
He held his chin full high.
He marked his fellows how they put
Their shoes from off their feet;
"Now wherefore make ye such ado
These fallen lords to greet?
"They have ruled us for a hundred years,
In truth I know not how,
But though they be fain of mastery
They dare not claim it now."
Right haughtily before them all
The durbar hall he trod,
With rubies red his turban gleamed,
His feet with pride were shod.
They had not been an hour together,
A scanty hour or so,
When Mehtab Singh rose in his place
And turned about to go.
Then swiftly came John Nicholson
Between the door and him,
With anger smouldering in his eyes,
That made the rubies dim.
"You are over-hasty, Mehtab Singh," --
Oh, but his voice was low!
He held his wrath with a curb of iron
That furrowed cheek and brow.
"You are over-hasty, Mehtab Singh,
When that the rest are gone,
I have a word that may not wait
To speak with you alone."
The Captains passed in silence forth
And stood the door behind;
To go before the game was played
Be sure they had no mind.
But there within John Nicholson
Turned him on Mehtab Singh,
"So long as the soul is in my body
You shall not do this thing.
"Have ye served us for a hundred years
And yet ye know not why?
We brook no doubt of our mastery,
We rule until we die.
"Were I the one last Englishman
Drawing the breath of life,
And you the master-rebel of all
That stir this land to strife --
"Were I," he said, "but a Corporal,
And you a Rajput King,
So long as the soul was in my body
You should not do this thing.
"Take off, take off, those shoes of pride,
Carry them whence they came;
Your Captains saw your insolence,
And they shall see your shame."
When Mehtab Singh came to the door
His shoes they burned his hand,
For there in long and silent lines
He saw the Captains stand.
When Mehtab Singh rode from the gate
His chin was on his breast:
The captains said, "When the strong command
Obedience is best."
poem by Sir Henry Newbolt
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Sister Helen
"Why did you melt your waxen man
Sister Helen?
To-day is the third since you began."
"The time was long, yet the time ran,
Little brother."
(O Mother, Mary Mother,
Three days to-day, between Hell and Heaven!)
"But if you have done your work aright,
Sister Helen,
You'll let me play, for you said I might."
"Be very still in your play to-night,
Little brother."
(O Mother, Mary Mother,
Third night, to-night, between Hell and Heaven!)
"You said it must melt ere vesper-bell,
Sister Helen;
If now it be molten, all is well."
"Even so,--nay, peace! you cannot tell,
Little brother."
(O Mother, Mary Mother,
O what is this, between Hell and Heaven?)
"Oh the waxen knave was plump to-day,
Sister Helen;
How like dead folk he has dropp'd away!"
"Nay now, of the dead what can you say,
Little brother?"
(O Mother, Mary Mother,
What of the dead, between Hell and Heaven?)
"See, see, the sunken pile of wood,
Sister Helen,
Shines through the thinn'd wax red as blood!"
"Nay now, when look'd you yet on blood,
Little brother?"
(O Mother, Mary Mother,
How pale she is, between Hell and Heaven!)
"Now close your eyes, for they're sick and sore,
Sister Helen,
And I'll play without the gallery door."
"Aye, let me rest,--I'll lie on the floor,
Little brother."
(O Mother, Mary Mother,
What rest to-night, between Hell and Heaven?)
"Here high up in the balcony,
Sister Helen,
The moon flies face to face with me."
"Aye, look and say whatever you see,
Little brother."
(O Mother, Mary Mother,
What sight to-night, between Hell and Heaven?)
"Outside it's merry in the wind's wake,
Sister Helen;
In the shaken trees the chill stars shake."
"Hush, heard you a horse-tread as you spake,
Little brother?"
(O Mother, Mary Mother,
What sound to-night, between Hell and Heaven?)
"I hear a horse-tread, and I see,
Sister Helen,
Three horsemen that ride terribly."
"Little brother, whence come the three,
Little brother?"
(O Mother, Mary Mother,
Whence should they come, between Hell and Heaven?)
"They come by the hill-verge from Boyne Bar,
Sister Helen,
And one draws nigh, but two are afar."
"Look, look, do you know them who they are,
Little brother?"
(O Mother, Mary Mother,
Who should they be, between Hell and Heaven?)
"Oh, it's Keith of Eastholm rides so fast,
Sister Helen,
For I know the white mane on the blast."
"The hour has come, has come at last,
Little brother!"
(O Mother, Mary Mother,
Her hour at last, between Hell and Heaven!)
"He has made a sign and called Halloo!
Sister Helen,
And he says that he would speak with you."
"Oh tell him I fear the frozen dew,
Little brother."
(O Mother, Mary Mother,
Why laughs she thus, between Hell and Heaven?)
"The wind is loud, but I hear him cry,
Sister Helen,
That Keith of Ewern's like to die."
"And he and thou, and thou and I,
Little brother."
(O Mother, Mary Mother,
And they and we, between Hell and Heaven!)
"Three days ago, on his marriage-morn,
Sister Helen,
He sicken'd, and lies since then forlorn."
"For bridegroom's side is the bride a thorn,
Little brother?"
(O Mother, Mary Mother,
Cold bridal cheer, between Hell and Heaven!)
"Three days and nights he has lain abed,
Sister Helen,
And he prays in torment to be dead."
"The thing may chance, if he have pray'd,
Little brother!"
(O Mother, Mary Mother,
If he have pray'd, between Hell and Heaven!)
"But he has not ceas'd to cry to-day,
Sister Helen,
That you should take your curse away."
"My prayer was heard,--he need but pray,
Little brother!"
(O Mother, Mary Mother,
Shall God not hear, between Hell and Heaven?)
"But he says, till you take back your ban,
Sister Helen,
His soul would pass, yet never can."
"Nay then, shall I slay a living man,
Little brother?"
(O Mother, Mary Mother,
A living soul, between Hell and Heaven!)
"But he calls for ever on your name,
Sister Helen,
And says that he melts before a flame."
"My heart for his pleasure far'd the same,
Little brother."
(O Mother, Mary Mother,
Fire at the heart, between Hell and Heaven!)
"Here's Keith of Westholm riding fast,
Sister Helen,
For I know the white plume on the blast."
"The hour, the sweet hour I forecast,
Little brother!"
(O Mother, Mary Mother,
Is the hour sweet, between Hell and Heaven?)
"He stops to speak, and he stills his horse,
Sister Helen;
But his words are drown'd in the wind's course."
"Nay hear, nay hear, you must hear perforce,
Little brother!" .
(O Mother, Mary Mother,
What word now heard, between Hell and Heaven?)
"Oh he says that Keith of Ewern's cry,
Sister Helen,
Is ever to see you ere he die."
"In all that his soul sees, there am I
Little brother!"
(O Mother, Mary Mother,
The soul's one sight, between Hell and Heaven!)
"He sends a ring and a broken coin,
Sister Helen,
And bids you mind the banks of Boyne."
"What else he broke will he ever join,
Little brother?"
(O Mother, Mary Mother,
No, never join'd, between Hell and Heaven!)
"He yields you these and craves full fain,
Sister Helen,
You pardon him in his mortal pain."
"What else he took will he give again,
Little brother?"
(O Mother, Mary Mother,
Not twice to give, between Hell and Heaven!)
"He calls your name in an agony,
Sister Helen,
That even dead Love must weep to see."
"Hate, born of Love, is blind as he,
Little brother!"
(O Mother, Mary Mother,
Love turn'd to hate, between Hell and Heaven!)
"Oh it's Keith of Keith now that rides fast,
Sister Helen,
For I know the white hair on the blast."
"The short short hour will soon be past,
Little brother!"
(O Mother, Mary Mother,
Will soon be past, between Hell and Heaven!)
"He looks at me and he tries to speak,
Sister Helen,
But oh! his voice is sad and weak!"
"What here should the mighty Baron seek,
Little brother?"
(O Mother, Mary Mother,
Is this the end, between Hell and Heaven?)
"Oh his son still cries, if you forgive,
Sister Helen,
The body dies but the soul shall live."
"Fire shall forgive me as I forgive,
Little brother!"
(O Mother, Mary Mother,
As she forgives, between Hell and Heaven!)
"Oh he prays you, as his heart would rive,
Sister Helen,
To save his dear son's soul alive."
"Fire cannot slay it, it shall thrive,
Little brother!"
(O Mother, Mary Mother,
Alas, alas, between Hell and Heaven!)
"He cries to you, kneeling in the road,
Sister Helen,
To go with him for the love of God!"
"The way is long to his son's abode,
Little brother."
(O Mother, Mary Mother,
The way is long, between Hell and Heaven!)
"A lady's here, by a dark steed brought,
Sister Helen,
So darkly clad, I saw her not."
"See her now or never see aught,
Little brother!"
(O Mother, Mary Mother,
What more to see, between Hell and Heaven?)
"Her hood falls back, and the moon shines fair,
Sister Helen,
On the Lady of Ewern's golden hair."
"Blest hour of my power and her despair,
Little brother!"
(O Mother, Mary Mother,
Hour blest and bann'd, between Hell and Heaven!)
"Pale, pale her cheeks, that in pride did glow,
Sister Helen,
'Neath the bridal-wreath three days ago."
"One morn for pride and three days for woe,
Little brother!"
(O Mother, Mary Mother,
Three days, three nights, between Hell and Heaven!)
"Her clasp'd hands stretch from her bending head,
Sister Helen;
With the loud wind's wail her sobs are wed."
"What wedding-strains hath her bridal-bed,
Little brother?"
(O Mother, Mary Mother,
What strain but death's, between Hell and Heaven?)
"She may not speak, she sinks in a swoon,
Sister Helen,--
She lifts her lips and gasps on the moon."
"Oh! might I but hear her soul's blithe tune,
Little brother!"
(O Mother, Mary Mother,
Her woe's dumb cry, between Hell and Heaven!)
"They've caught her to Westholm's saddle-bow,
Sister Helen,
And her moonlit hair gleams white in its flow."
"Let it turn whiter than winter snow,
Little brother!"
(O Mother, Mary Mother,
Woe-wither'd gold, between Hell and Heaven!)
"O Sister Helen, you heard the bell,
Sister Helen!
More loud than the vesper-chime it fell."
"No vesper-chime, but a dying knell,
Little brother!"
(O Mother, Mary Mother,
His dying knell, between Hell and Heaven!)
"Alas! but I fear the heavy sound,
Sister Helen;
Is it in the sky or in the ground?"
"Say, have they turn'd their horses round,
Little brother?"
(O Mother, Mary Mother,
What would she more, between Hell and Heaven?)
"They have rais'd the old man from his knee,
Sister Helen,
And they ride in silence hastily."
"More fast the naked soul doth flee,
Little brother!"
(O Mother, Mary Mother,
The naked soul, between Hell and Heaven!)
"Flank to flank are the three steeds gone,
Sister Helen,
But the lady's dark steed goes alone."
"And lonely her bridegroom's soul hath flown,
Little brother."
(O Mother, Mary Mother,
The lonely ghost, between Hell and Heaven!)
"Oh the wind is sad in the iron chill,
Sister Helen,
And weary sad they look by the hill."
"But he and I are sadder still,
Little brother!"
(O Mother, Mary Mother,
Most sad of all, between Hell and Heaven!)
"See, see, the wax has dropp'd from its place,
Sister Helen,
And the flames are winning up apace!"
"Yet here they burn but for a space,
Little brother! "
(O Mother, Mary Mother,
Here for a space, between Hell and Heaven!)
"Ah! what white thing at the door has cross'd,
Sister Helen?
Ah! what is this that sighs in the frost?"
"A soul that's lost as mine is lost,
Little brother!"
(O Mother, Mary Mother,
Lost, lost, all lost, between Hell and Heaven!)
poem by Dante Gabriel Rossetti
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Disobedience
James James
Morrison Morrison
Weatherby George Dupree
Took great
Care of his Mother,
Though he was only three.
James James Said to his Mother,
"Mother," he said, said he;
"You must never go down
to the end of the town,
if you don't go down with me."
James James
Morrison's Mother
Put on a golden gown.
James James Morrison's Mother
Drove to the end of the town.
James James Morrison's Mother
Said to herself, said she:
"I can get right down
to the end of the town
and be back in time for tea."
King John
Put up a notice,
"LOST or STOLEN or STRAYED!
JAMES JAMES MORRISON'S MOTHER
SEEMS TO HAVE BEEN MISLAID.
LAST SEEN
WANDERING VAGUELY:
QUITE OF HER OWN ACCORD,
SHE TRIED TO GET DOWN
TO THE END OF THE TOWN -
FORTY SHILLINGS REWARD!"
James James
Morrison Morrison
(Commonly known as Jim)
Told his
Other relations
Not to go blaming him.
James James
Said to his Mother,
"Mother," he said, said he:
"You must never go down to the end of the town
without consulting me."
James James
Morrison's mother
Hasn't been heard of since.
King John said he was sorry,
So did the Queen and Prince.
King John
(Somebody told me)
Said to a man he knew:
If people go down to the end of the town, well,
what can anyone do?"
(Now then, very softly)
J.J.
M.M.
W.G.Du P.
Took great
C/0 his M*****
Though he was only 3.
J.J. said to his M*****
"M*****," he said, said he:
"You-must-never-go-down-to-the-end-of -the-town-
if-you-don't-go-down-with-ME!"
poem by Alan Alexander Milne
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Anthony Findlay
Both for the country and for the man,
And for a country as well as a man,
'Tis better to be feared than loved.
And if this country would rather part
With the friendship of every nation
Than surrender its wealth,
I say of a man 'tis worse to lose
Money than friends.
And I rend the curtain that hides the soul
Of an ancient aspiration:
When the people clamor for freedom
They really seek for power o'er the strong.
I, Anthony Findlay, rising to greatness
From a humble water carrier,
Until I could say to thousands "Come,"
And say to thousands "Go,"
Affirm that a nation can never be good,
Or achieve the good,
Where the strong and the wise have not the rod
To use on the dull and weak.
poem by Edgar Lee Masters
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Thomas
Thomas knocked the secret code on the door
and immediately it swung open,
all of his friends were talking simultaneously.
"Thomas! Thomas, Mary spoke the truth,
He lives." But Thomas did not believe them.
"Unless I see the marks in His hands
and stick my fingers in his wounds,
I will not believe that He is living."
Only a week later while the group was gathered
Jesus appeared among them and said:
"Peace to you, " turning to Thomas
He said to him: "Take your fingers
and investigate my hands. Push
your hand into my side."
Thomas exclaimed: "My Master and my God! "
"You believe what your eyes have seen,
but blessed are those who believe
and hath not seen."
Thomas did never doubt Jesus again
and while visiting Calamina in India
Thomas destroyed an image of the sun god
that the people their were worshiping.
The priests caused their king to arrest him
and Thomas was sentenced
to be burned with red hot metal plates
and then to be cast
into a burning oven
but to their astonishment the fire
did not harm him and he was still
alive and well inside the oven
and in great anger the priests
of the sun god grabbed spears,
throwing them into Thomas
until they killed him.
poem by Gert Strydom
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The Shag
"What is that great bird, sister, tell me,
Perched high on the top of the crag?"
"'T is the cormorant, dear little brother;
The fishermen call it the shag."
"But what does it there, sister, tell me,
Sitting lonely against the black sky?"
"It has settled to rest, little brother;
It hears the wild gale wailing high."
"But I am afraid of it, sister,
For over the sea and the land
It gazes, so black and so silent!"
"Little brother, hold fast to my hand."
"Oh, what was that, sister? The thunder?
Did the shag bring the storm and the cloud,
The wind and the rain and the lightning?"
"Little brother, the thunder roars loud.
"Run fast, for the rain sweeps the ocean;
Look! over the light-house it streams;
And the lightning leaps red, and above us
The gulls fill the air with their screams."
O'er the beach, o'er the rocks, running swiftly,
The little white cottage they gain;
And safely they watch from the window
The dance and the rush of the rain.
But the shag kept his place on the headland,
And when the brief storm had gone by,
He shook his loose plumes, and they saw him
Rise splendid and strong in the sky.
Clinging fast to the gown of his sister,
The little boy laughed as he flew;
"He is gone with the wind and the lightning!
And -- I am not frightened, -- are you?"
poem by Celia Thaxter
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Grandfather Says
"Sit in my hand."
I'm ten.
I can't see him,
but I hear him breathing
in the dark.
It's after dinner playtime.
We're outside,
hidden by trees and shrubbery.
He calls it hide-and-seek,
but only my little sister seeks us
as we hide
and she can't find us,
as grandfather picks me up
and rubs his hands between my legs.
I only feel a vague stirring
at the edge of my consciousness.
I don't know what it is,
but I like it.
It gives me pleasure
that I can't identify.
It's not like eating candy,
but it's just as bad,
because I had to lie to grandmother
when she asked,
"What do you do out there?"
"Where?" I answered.
Then I said, "Oh, play hide-and-seek."
She looked hard at me,
then she said, "That was the last time.
I'm stopping that game."
So it ended and I forgot.
Ten years passed, thirtyfive,
when I began to reconstruct the past.
When I asked myself
why I was attracted to men who disgusted me
I traveled back through time
to the dark and heavy breathing part of my life
I thought was gone,
but it had only sunk from view
into the quicksand of my mind.
It was pulling me down
and there I found grandfather waiting,
his hand outstretched to lift me up,
naked and wet
where he rubbed me.
"I'll do anything for you," he whispered,
"but let you go."
And I cried, "Yes," then "No."
"I don't understand how you can do this to me.
I'm only ten years old,"
and he said, "That's old enough to know."
It Happens in the B.R. Families
'Twas on the shores that round our coast
From Deal to Newport lie
That I roused from sleep in a huddled heap
An elderly wealthy guy.
His hair was graying, his hair was long,
And graying and long was he;
And I heard this grouch on the shore avouch,
In a singular jazzless key:
"Oh, I am a cook and a waitress trim
And a maid of the second floor,
And a strong chauffeur and a housekeeper,
And the man who tends the door!"
And he shook his fists and he tore his hair,
And he started to frisk and play,
Till I couldn't help thinking the man had been drinking,
So I said (in the Gilbert way):
"Oh, elderly man, I don't know much
Of the ways of societee,
But I'll eat my friend if I comprehend
However you can be
"At once a cook and a waitress trim
And the maid of the second floor,
And a strong chauffeur and a housekeeper,
And the man who tends the door."
Then he smooths his hair with a nervous air,
And a gulp in his throat he swallows,
And that elderly guy he then lets fly
Substantially as follows:
"We had a house down Newport way,
And we led a simple life;
There was only I," said the elderly guy,
And my daughter and my wife.
"And of course the cook and a waitress trim
And the maid of the second floor,
And a strong chauffeur and a housekeeper,
And the man who tends the door."
"One day the cook she up and left,
She up and left us flat.
She was getting a hundred and ten a mon-
Th, but she couldn't work for that.
"And the waitress trim was her bosom friend,
And she wouldn't stay no more;
And our strong chauffeur eloped with her
Who was the maid of the second floor.
"And we couldn't get no other help,
So I had to cook and wait.
It was quite absurd," wept the elderly bird.
"I deserve a better fate.
"And I drove the car and I made the beds
Till the housekeeper up and quit;
And the man at the door found that a bore,
Which is why I am, to wit:
"At once a cook and a waitress trim
And the maid of the second floor,
And a strong chauffeur and a housekeeper,
And the man who tends the door."
poem by Franklin P. Adams
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Revolt In The Ranks
I have just spent one-hour-and-a-half
handicapping tomorrow's
card.
when am I going to get at the poems?
well, they'll just have to wait
they'll have to warm their feet in the
anteroom
where they'll sit gossiping about
me.
"this Chinaski, doesn't he realize that
without us he would have long ago
gone mad, been dead?"
"he knows, but he thinks he can keep
us at his beck and call!"
"he's an ingrate!"
"let's give him writer's block!"
"yeah!"
"yeah!& quot;
"yeah!"
the little poems kick up their heels
and laugh.
then the biggest one gets up and
walks toward the door.
"hey, where are you going?" he is
asked.
"somewhere where I am
appreciated."
then, he
and the others
vanish.
poem by Charles Bukowski
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The Woman and the Wife
I--THE EXPLANATION
"You thought we knew," she said, "but we were wrong.
This we can say, the rest we do not say;
Nor do I let you throw yourself away
Because you love me. Let us both be strong,
And we shall find in sorrow, before long,
Only the price Love ruled that we should pay:
The dark is the end of every day,
And silence is the end of every song.
"You ask me for one more proof that I speak right,
But I can answer only what I know;
You look for just one lie to make black white,
But I can tell you only what is true--
God never made me for the wife of you.
This we can say,--believe me! . . . Tell me so!"
II--THE ANNIVERSARY
"Give me the truth, whatever it may be.
You thought we knew, but now tell me what you miss:
You are the one to tell me what it is--
You are a man, and you have married me.
What is it worth to-night that you can see
More marriage in the dream of one dead kiss
Than in a thousand years of life like this?
Passion has turned the lock. Pride keeps the key.
"Whatever I have said or left unsaid,
Whatever I have done or left undone,--
Tell me. Tell me the truth . . . Are you afraid?
Do you think that Love was ever fed with lies
But hunger lived thereafter in his eyes?
Do you ask me to take moonlight for the sun?"
poem by Edwin Arlington Robinson
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Childhood friend
I saw childhood friend named as Ibhrahim
Very pious, devoted and near replica of Him
True Momin(follower of truth) and servant of poor
He will welcome, provide the service but never show door
"Hello, Hello I shouted and ran after
He saw me and instantly greeted each other
He was medical practitioner and had dispensary
An ordinary man in outfit and a true missionary
I saw some kind of invisible pain on his face
He was pale, concerned individual and almost chased
He was never like this before so I hunted him
I simply stared in his eyes and beamed
He opened up slowly by saying
I am dejected and heavily paying
My dispensary was about to be burnt
I was shocked to hear from his mouth when learnt
"Two more brothers suffered same fate" he just broke down
"Their houses were burnt of late" he made me known
One brother has sold out property and moving out
Another was saved miraculously and what more to talk about
I could feel the pain behind his voice
He had every reason to feel bad without any choice
"Do you know I could make out a man in crowd"?
"I had saved his wife when she was almost dead"
I silently heard him without watching his face
"If you have holy reason to burn my clinic"
"Please do so along with me as an undesired person"
The crowd heard him silently and withdrew without any reason
He looked at the roof and thanked almighty
For sparing life and showing mercy
I saw now a man now in great pain
It has almost killed him and drained
I am living my beautiful motherland
To go abroad and settle in alien land
I loved the people so much here
I don't know what will be waiting there
Now was the turn for me to think
His plight was genuine and made me to sink
He had only one solace that crowd had spared
Otherwise he was almost over and dead
*Ibhrahim… name ….Momin...follower of truth
poem by Hasmukh Amathalal
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Pity Me, Loo!
On the sunset borders of the mountains I stray,
Of a dear home dreaming 'yond the snow peaks far away,
While the bubbling brook beside me goes dancing along,
As it seeks the "Golden Gate" of the ocean blue;
And a lone bird murmurs in the bush-top his song--
"Pity me, Loo!" "Pity me, Loo!" "Pity me, Loo!"
Tra la la la, la la la la
From mate to mate the carol rings:
Tra la la la, la la la la!
la la la la
A thousand valleys through;
Yet the lone bird sorrows as he plaintively sings--
"Pity me, Loo!" "Pity me, Loo!" "Pity me, Loo!"
'Neath the rocks I'm treading there are treasures of gold,
But by far more precious is my own native mold.
Nevermore, in search of Beauty need Fancy take wings:
Here is beauty, here is grandeur, at ev'ry view;
Yet my heart grows heavy, and the lone bird still sings--
"Pity me, Loo!" "Pity me, Loo!" "Pity me, Loo!"
In the green-clad valley where the wayward brook mends
There are homes most charming--there are warmhearted friends.
Lovely dell! it seems an Eden, afloat in mid-air,
As if God had sent from Heaven a creation new;
But its charm is broken, for my heart is not there--
"Pity me, Loo!" "Pity me, Loo!" "Pity me, Loo!"
poem by Henry Clay Work
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Richard Bone
When I first came to Spoon River
I did not know whether what they told me
Was true or false.
They would bring me an epitaph
And stand around the shop while I worked
And say "He was so kind," "He was wonderful,"
"She was the sweetest woman," "He was a consistent Christian."
And I chiseled for them whatever they wished,
All in ignorance of its truth.
But later, as I lived among the people here,
I knew how near to the life
Were the epitaphs that were ordered for them when they died.
But still I chiseled whatever they paid me to chisel
And made myself party to the false chronicles
Of the stones,
Even as the historian does who writes
Without knowing the truth,
Or because he is influenced to hide it.
poem by Edgar Lee Masters
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Let truth prevail
*Satya mev jayte* is ancient saying with clear message
"Let the truth prevail and score in all the ages"
Often spoken by many people when under duress
Worry lines clearly seen and observed on the faces
Satya or truth has remained an illusory concept
A person always claiming to be near truth with act
Leaving behind a long tail of suspicion
With no force of conviction and precision
The truth has been pushed behind for metaphor phrase
It may look nice to hear but strong enough to fall back in chase
People may take an oath to speak truth but rely upon bundles of untruth
Yet find not guilty at heart and find the way convenient and smooth
No doubt ultimate end may be pleasant with strict following
But no one may like it on face and finally disallowing
Advance the arguments and follow the same path as others are doing
Under the lame excuse" we are only human being"
Neither have I reason to dispute the easy flow
Nor any advice for others to blindly go
Yet truth can't be denied for its forceful impact
When you are on right path with powerful act
Eyes may reflect magnetic waves to spell magic
The feet may move decisively to speak its basic
It may dishearten or discourage when pursued
But over all result may certainly be viewed
To speak untruth and take a shield has become an art
It has made us politicians to adopt it as an inseparable part
It is argued convincingly and followed with little regret
But truth has remained truth for people not to forget
poem by Hasmukh Amathalal
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