The Great and Little Weavers
The great and the little weavers,
They neither rest nor sleep.
They work in the height and the glory,
They toil in the dark and the deep.
The rainbow melts with the shower,
The white-thorn falls in the gust,
The cloud-rose dies into shadow,
The earth-rose dies into dust.
But they have not faded forever,
They have not flowered in vain,
For the great and the little weavers
Are weaving under the rain.
Recede the drums of the thunder
When the Titan chorus tires,
And the bird-song piercing the sunset
Faints with the sunset fires,
But the trump of the storm shall fail not,
Nor the flute-cry fail of the thrush,
For the great and the little weavers
Are weaving under the hush.
The comet flares into darkness,
The flame dissolves into death,
The power of the star and the dew
They glow and are gone like a breath,
But ere the old wonder is done
Is the new-old wonder begun,
For the great and the little weavers
Are weaving under the sun.
The domes of an empire crumble,
A child's hope dies in tears;
Time rolls them away forgotten
In the silt of the flooding years;
The creed for which men died smiling
Decays to a beldame's curse;
The love that made lips immortal
Drags by in a tattered hearse.
But not till the search of the moon
Sees the last white face uplift,
And over the bones of the kindreds
The bare sands dredge and drift,
Shall Love forget to return
And lift the unused latch,
(In his eyes the look of the traveller,
On his lips the foreign catch),
Nor the mad song leave men cold,
Nor the high dream summon in vain, --
For the great and the little weavers
Are weaving in heart and brain.
poem by Sir Charles George Douglas Roberts
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Related quotes
Indian Weavers
WEAVERS, weaving at break of day,
Why do you weave a garment so gay? . . .
Blue as the wing of a halcyon wild,
We weave the robes of a new-born child.
Weavers, weaving at fall of night,
Why do you weave a garment so bright? . . .
Like the plumes of a peacock, purple and green,
We weave the marriage-veils of a queen.
Weavers, weaving solemn and still,
What do you weave in the moonlight chill? . . .
White as a feather and white as a cloud,
We weave a dead man's funeral shroud.
poem by Sarojini Naidu
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The Couple...
she is weaving
she has an intricate design inside her mind
and for now
i do not see it
she is secretive and
does not want to be asked
just like me
in my own privacy
i am also weaving
stories of my own
and the plot is complicated
in the manner of
whodunnit.
we are the weavers
inside this room and it is not
so well lighted by the
moon
we seldom discuss
what is missing
we decide not to talk about
what mess we are in
tomorrow morning
we shall weave again
under the heat of the sun
we are never burned
never charred
tonight we shall be in this room
again
we shall weave again
the designs in our minds
our fingers entwine
on matters sanguine.
poem by Ric S. Bastasa
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All Of A Piece
ALL of a piece were the sunset light,
The rose in the tree, and the golden girl;
Beauty, the weaver, 'twas that wove them,
Weaving deftly, as Beauty can,
Just to capture the eyes of a man,
Just to make the heart of him love them,
Setting the blood in his veins a-swirl;
Ah, the rose, and the girl, its piece-mate!
Ah, the sunset of rose and pearl!
All of a piece are the faded light,
The rose in the mire and the girl grown old;
Beauty, the trickster, 'twas that wove them,
Weaving deftly, as Beauty can,
Just to capture the soul of a man,
Just to make the heart of him love them,
Then to sicken and grow grave-cold;
Fragile wear is the cloth of Beauty —
Rose and sunset and girl of gold!
poem by Roderic Quinn
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A Great Woman
It is said “Behind
every great man.
There must definitely
be, a great woman.”
Does this proverbial saying,
explain definitively?
Adequately, why
there are so few great men?
Such an indictment.
Answering this accusation.
Is indicative in identifying.
The shallow minded.
An acquittal is adjourning.
Critics are hamstrung.
Such are not examples of.
Dream weavers with visionary.
Transcended minds.
Rather it proves.
Rather conclusively.
The fundamentally obvious.
Men and Women both.
Are made from common clay.
But how wonderfully made.
Each in their own individually.
poem by Terence George Craddock
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Love Never Dies
You say you saw the dark side, baby
I know what gets you through the night
And love is like a red rose, baby
And so it's coming 'round again
If we can take the same direction
We find the road that never ends
'Cause love never dies
It goes on forever
Love never dies, love never dies
Love goes on forever
This is the love we've been talking about
You led her in 'till she couldn't get out
'Cause you made the little girl cry
No sad stories to deny
I go through the holy war for you, baby
You know, so you ain't got a prayer
I'll answer if you call for me, baby
I'm yours, to God above I swear
I only wanna live in the shadow you make
The soul that never lies
'Cause love never dies
It goes on forever
Love never dies, love never dies
Love goes on forever
You better run to the heart of the flame
She don't change like the sun and the rain
'Cause she don't understand why
You made the little girl cry
'Cause love never dies
It goes on forever
Love never dies, love never dies
Love goes on forever
This is the love we've been talking about
You led her in 'till she couldn't get out
'Cause you made the little girl cry
No sad stories to deny
You better run to the heart of the flame
She don't change like the sun and the rain
'Cause she don't understand why
You made the little girl cry
song performed by by Bee Gees
Submitted by Lucian Velea
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Doubtful Dreams
Aye, snows are rife in December,
And sheaves are in August yet,
And you would have me remember,
And I would rather forget ;
In the bloom of the May-day weather,
In the blight of October chill,
We were dreamers of old together,—
As of old, are you dreaming still ?
For nothing on earth is sadder
Than the dream that cheated the grasp,
The flower that turned to the adder,
The fruit that changed to the asp ;
When the day-spring in darkness closes,
As the sunset fades from the hills,
With the fragrance of perish'd roses,
With the music of parch'd-up rills.
When the sands on the sea-shore nourish
Red clover and yellow corn ;
When figs on the thistle flourish,
And grapes grow thick on the thorn ;
When the dead branch, blighted and blasted,
Puts forth green leaves in the spring,
Then the dream that life has outlasted
Dead comfort to life may bring.
I have changed the soil and the season,
But whether skies freeze or flame,
The soil they flame on or freeze on
Is changed in little save name ;
The loadstone points to the nor'ward,
The river runs to the sea ;
And you would have me look forward,
And backward I fain would flee.
I remember the bright spring garlands,
The gold that spangled the green,
And the purple on fairy far lands,
And the white and the red bloom, seen
From the spot where we last lay dreaming
Together—yourself and I—
The soft grass beneath us gleaming,
Above us the great grave sky.
And we spoke thus : 'Though we have trodden
Rough paths in our boyish years ;
And some with our sweat are sodden,
And some are salt with our tears ;
Though we stumble still, walking blindly,
Our paths shall be made all straight ;
We are weak, but the heavens are kindly,
The skies are compassionate.'
Is the clime of the old and younger,
Where the young dreams longer are nursed ?
With the old insatiable hunger,
With the old unquenchable thirst,
Are you longing, as in the old years
We have longed so often in vain ;
Fellow-toilers still, fellow-soldiers,
Though the seas have sundered us twain ?
But the young dreams surely have faded !
Young dreams !—old dreams of young days—
Shall the new dream vex us as they did ?
Or as things worth censure or praise ?
Real toil is ours, real trouble,
Dim dreams of pleasure and pride ;
Let the dreams disperse like a bubble,
So the toil like a dream subside.
Vain toil! men better and braver
Rose early and rested late,
Whose burdens than ours were graver,
And sterner than ours their hate.
What fair reward had Achilles ?
What rest could Alcides win ?
Vain toil ! 'Consider the lilies,
They toil not, neither do spin.'
Nor for mortal toiling nor spinning
Will the matters of mortals mend ;
As it was so in the beginning,
It shall be so in the end.
The web that the weavers weave ill
Shall not be woven aright
Till the good is brought forth from evil,
As day is brought forth from night.
Vain dreams! for our fathers cherish'd
High hopes in the days that were ;
And these men wonder'd and perish'd,
Nor better than these we fare ;
And our due at least is their due :
They fought against odds and fell ;
'En avant, les enfants perdus !'
We fight against odds as well.
The skies ! Will the great skies care for
Our footsteps, straighten our path,
Or strengthen our weakness ? Wherefore ?
We have rather incurr'd their wrath ;
When against the Captain of Hazor
The stars in their courses fought,
Did the sky shed merciful rays, or
With love was the sunshine fraught ?
Can they favour man—can they wrong man—
The unapproachable skies ?
Though these gave strength to the strong man,
And wisdom gave to the wise ;
When strength is turn'd to derision,
And wisdom brought to dismay,
Shall we wake from a troubled vision,
Or rest from a toilsome day ?
Nay ! I cannot tell. Peradventure
Our very toil is a dream,
And the works that we praise or censure,
It may be, they only seem.
If so, I would fain awaken,
Or sleep more soundly than so,
Or by dreamless sleep overtaken,
The dream I would fain forgo.
For the great things of life are small things,
The longest life is a span,
And there is an end to all things,
A season to every man,
Whose glory is dust and ashes,
Whose spirit is but a spark,
That out from the darkness flashes,
And flickers out in the dark.
We remember the pangs that wrung us
When some went down to the pit,
Who faded as leaves among us,
Who flitted as shadows flit ;
What visions under the stone lie ?
What dreams in the shroud sleep dwell,
For we saw the earth pit only,
And we heard only the knell.
We know not whether they slumber
Who waken on earth no more,
As the stars of the heights in number,
As sands on the deep sea-shore.
Shall stiffness bind them, and starkness
Enthral them, by field and flood,
Till 'the sun shall be turn'd to darkness,
And the moon shall be turn'd to blood ?'
We know not !—worse may enthral men—
'The wages of sin are death' ;
And so death pass'd upon all men,
For sin was born with man's breath.
Then the labourer spent with sinning,
His hire with his life shall spend ;
For it was so in the beginning,
And shall be so in the end.
There is life in the blacken'd ember
While a spark is smouldering yet ;
In a dream e'en now I remember
That dream I had lief forget—
I had lief forget, I had e'en lief
That dream with this doubt should die—
'If we did these things in the green leaf,
What shall be done in the dry ?'
poem by Adam Lindsay Gordon
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An Expostulation to Lord King
How can you, my Lord, thus delight to torment all
The Peers of realm about cheapening their corn,
When you know, if one hasn't a very high rental,
'Tis hardly worth while being very high born?
Why bore them so rudely, each night of your life,
On a question, my Lord, there's so much to abhor in?
A question - like asking one, "How is your wife?" --
At once so confounded domestic and foreign.
As to weavers, no matter how poorly they feast;
But Peers, and such animals, fed up for show,
(Like the well-physick'd elephant, lately deceas'd,)
Take wonderful quantum of cramming, you know.
You might see, my dear Baron, how bor'd and distrest
Were their high noble hearts by your merciless tale,
When the force of the agony wrung even a jest
From the frugal Scotch wit of my Lord L-d-d-le!
Bright Peer! to whom Nature and Berwickshire gave
A humour, endow'd with effects so provoking,
That, when the whole House looks unusually grave,
You may always conclude that Lord L-d-d-le's joking!
And then, those unfortunate weavers of Perth -
Not to know the vast difference Providence dooms
Between weavers of Perth and Peers of high birth,
'Twixt those who have heir-looms, and those who've but looms!
"To talk now of starving!" - as great Ath-l said --
(and nobles all cheer'd, and the bishops all wonder'd,)
"When, some years ago, he and others had fed
Of these same hungry devils about fifteen hundred!"
It follows from hence - and the Duke's very words
Should be publish'd wherever poor rogues of this craft are --
That weavers,once rescued from starving by Lords,
Are bound to be starved by said Lords ever after.
When Rome was uproarious, her knowing patricians
Made "Bread and the Circus" a cure for each row;
But not so the plan of our noble physicians,
"No Bread and the Tread-mill" 's the regimen now.
So cease, my dear Baron of Ockham, your prose,
As I shall my poetry -- neither convinces;
And all we have spoken and written but show,
When you tread on a nobleman's corn, how he winces.
poem by Thomas Moore
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Blind Is One, Who Said Love Is Blind!
Love is such great,
They say love is blind,
One who believe this,
is a blind for sure
As Love sees something,
Which mortal eyes fail to see!
Love can see great things,
Where even wise fail to find,
Love is eternal and is infinite,
And it is boon from infinite,
Love knows to give smile,
and not to take, great is that love which sacrifice,
Even Love for love's sake!
Love says,
' go my love, here you suffer,
Can't see your face dried by gloom,
Go somewhere,
where you can bloom,
or else I go somewhere to save our love '!
Love is that great, always grateful to love,
Great to be loved,
Even The Almighty,
bow before that love,
Which can flow as pure as mountain ice melt!
Great poet sang,
'With the Beloved's water of life,
no illness remains
In the Beloved's rose garden of
union, no thorn remains.
They say there is a window
from one heart to another
How can there be a window
where no wall remains? '
And inspired heart sings,
No water required,
As nothing can dry,
The roses of love,
And love is the bed of rose,
To that pair two bodies,
one in love, one wipes the pain of another!
Souls union makes everything possible,
it may look like
perfume bed of roses,
even if full of thorns
Rose is that heart,
Which even swallows pains,
When two souls become one,
All walls fall, all pains fail,
Fair their heart feel,
When two pair of hands wipe tears of one another!
poem by Ramdas Bhandarkar
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Interwoven Changes
from spiritual sphere
vibrating perfection
heightened plane
radiating enlightenment
come skilled weavers
cultivating choice workmanship
surrogate forefathers weave
substitute artisan transition
come weavers who
sanction chosen
pious path divining
difficult diffuse
deifying interwoven
soul shaping changes
guardians investing
cerebellum corporeal beauty
redusting
waning world
with stardust
breathing
resonant life
back into
dead works
made manifest
poem by Terence George Craddock
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The Purple Thread
'The priests distributed various coloured silken threads to weave for the veil of the sanctuary; and it fell to Mary's lot to weave purple.'
—The Book of the Bee, ch. XXXIV.
I
THE chosen maidens, Weavers of the Veil,
Kneeling in crescent, from the High Priest took
Their wisps of silk in slender hands that shook
Lifting the colors to their lips rose-pale
With holy passion, —colors like the frail
Spring flowers of Carmel, blue as that glad look
Of dancing iris, scarlet as a nook
Of wild anemones, or gold as sail
Seen from its summit 'neath the Syrian moon.
But Mary caught her breath in one swift sob
Of pain uncomprehended ere it fled,
Leaving her heart with some strange fear a-throb,
For the wise priest, as one conferring boon,
Had meted out to her a purple thread.
II
O mothers of the race, ye blessèd ones
Who weave with cherubim the veil before
The Holy Place of God, the mystic door
Of life, proud mothers of belovèd sons,
To-day you send them forth to front the guns,
Waving your boys farewell with smiles that pour
Strength into their young souls. Your prayers implore
The Mercy Seat; your love, an angel, runs
Before them with wild, shielding arms outspread.
O Weavers of the Veil, however varies
The silk assigned, exceeding great reward
Is yours, for you —O you, most sacred Maries,
To whom is given grief's royal, purple thread —
Make beautiful the temple of the Lord.
poem by Katharine Lee Bates
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Return
Once more. Look: a spent old scarecrow
shrivelled face
straw-dry shadow
swaying like a leaf
bending and swaying over books.
Once more. Look: a spent old crone
weaving and weaving
knitted stockings
mouth full of curses
lips forever mumbling curses.
There’s the household cat
has not moved since I left,
still dreaming by the stove
playing cat and mouse
in his dream.
And as ever, in darkness
the spider weaves
hanging its web
full of swollen fly corpses
in the dark west corner.
You’ve not changed:
All old as the hills.
Nothing new.
I’ll join you, old cronies!
Together we’ll rot till we stink.
poem by Hayyim Nahman Bialik
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The Fisher's Wife
A long, low waste of yellow sand
Lay shining northward far as eye could reach,
Southward a rocky bluff rose high
Broken in wild, fantastic shapes.
Near by, one jagged rock towered high,
And o'er the waters leaned, like giant grim,
Striving to peer into the mysteries
The ocean whispers of continually,
And covers with her soft, treacherous face.
For the rest, the sun was sinking low
Like a great golden globe, into the sea;
Above the rock a bird was flying
In dizzy circles, with shrill cries,
And on a plank floated from some wreck,
With shreds of musty seaweed
Clinging to it yet, a woman sat
Holding a child within her arms;
A sweet-faced woman--looking out to sea
With dark, patient eyes, and singing to the child,
And this the song she in the sunset sang:
Thine eyes are brown, my beauty, brown and bright,
Drowned deep in languor now, the angel Sleep
Is clasping thee within her arms so white,
Bearing thee up the dreamland's sunny steep.
Oh, baby, sleep, my baby, sleep.
Thy father's boat, I see its swaying shroud
Like a white sea-gull, swinging to and fro
Against the ledges of a crimson cloud,
A tiny bird with flutt'ring wing of snow.
Oh, baby, sleep, my baby, sleep.
Thy father toils beyond the harbor bar,
And, singing at his toil, he thinks of thee;
Lit by the red lamp of the evening star
Home will he come, will come to thee and me,
Oh, baby, sleep, my baby, sleep.
His cabin shall be bright with flowers sweet,
The table shall be set, the fire shall glow,
We'll wait within the door, his coming steps to greet,
And if my eye be sad, he will not know--
Oh, baby, sleep, my baby, sleep.
He will not pause to ponder things so slight,
He is not one a smile to prize or miss;
Yet he would shield us with a strong arm's might,
And he will meet us with a loving kiss--
Oh, baby, sleep, my baby, sleep.
But would I could forget those other days
When if with gayer gleam mine eyes had shone,
Or shade of sorrow, gentlest eyes would gaze
With tender questioning into my own.
Oh, baby, sleep, my baby, sleep.
Thine eyes are brown--thou hast thy father's eyes,
But those, my darling, those were clear and blue,
Ah, me! how sorrowfully that sea-bird cries,
Cries for its mate, oh, tender bird and true;
My, baby, sleep, my baby, sleep.
Oh, of my truest love well worthy he,
And near was I, ah, nearest to his heart;
But ships are parted on the dreary sea
Swept by the waves, forever swept apart--
Oh, baby, sleep, my baby, sleep.
And sometimes sad-eyed women sighing say,
Sweet love is lost, all that remains is rest,
So in their weakness they are lured to lay
Their head upon some strong and loving breast.
Oh, baby, sleep, my baby, sleep.
Our cabin stands upon the dreary sands,
And it is sad to be alone, alone.
But on my bosom thou hast lain thy hands,
Near to me art thou, near, my precious one--
My, baby, sleep, my baby, sleep.
The red light faded as she sung,
A chill breeze rose and swept across the sea,
She drew her cloak still closer round the child,
And turned toward the cabin;
As she went a faint glow glimmered
In the east, and slowly rose--
The silver crescent of the moon.
Another, paler light, than the warm sunset glow,
But clear enough to guide her home.
poem by Marietta Holley
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In my youth nature was very intense (cavatina)
In my youth nature was very intense,
I could then find
the smallest insect, the tiniest bird;
in my own mind,
all things were great and quite beautiful
but left behind
that world has long gone into some decay;
if in another life, another day.
Now summer is just extremely hot
some weavers a pest,
the grass far too long after the last rain,
a fallen nest
now unnoticed is trodden upon
and at its best
the year bring some new opportunities
in some assets and liabilities.
poem by Gert Strydom
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Bega
FROM the clouded belfry calling,
Hear my soft ascending swells;
Hear my notes like swallows falling;
I am Bega, least of bells.
When great Turkeful rolls and rings
All the storm-touched turret swings,
Echoing battle, loud and long.
When great Tatwin wakening roars
To the far-off shining shores,
All the seamen know his song.
I am Bega, least of bells:
In my throat my message swells.
I with all the winds a-thrill,
Murmuring softly, murmuring still,
'God around me, God above me,
God to guard me, God to love me.'
I am Bega, least of bells,
Weaving wonder, wind-born spells.
High above the morning mist,
Wreathed in rose and amethyst,
Still the dreams of music float
Silver from my silver throat,
Whispering beauty, whispering peace.
When great Tatwin's golden voice
Bids the listening land rejoice,
When great Turkeful rings and rolls
Thunder down to trembling souls,
Then my notes like curlews flying,
Lifting, falling, sinking, sighing,
Softly answer, softly cease.
I with all the airs at play
Murmuring sweetly, murmuring say,
'God around me, God above me,
God to guard me, God to love me.'
poem by Marjorie Lowry Christie Pickthall
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On a Line from Valéry (The Gulf War)
The whole green sky is dying.The last tree flares
With a great burst of supernatural rose
Under a canopy of poisonous airs.
Could we imagine our return to prayers
To end in time before time's final throes,
The green sky dying as the last tree flares?
But we were young in judgement, old in years
Who could make peace; but it was war we chose,
To spread its canopy of poisoning airs.
Not all our children's pleas and women's fears
Could steer us from this hell.And now God knows
His whole green sky is dying as it flares.
Our crops of wheat have turned to fields of tares.
This dreadful century staggers to its close
And the sky dies for us, its poisoned heirs.
All rain was dust.Its granules were our tears.
Throats burst as universal winter rose
To kill the whole green sky, the last tree bare
Beneath its canopy of poisoned air.
poem by Carolyn Kizer
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Into The Sunset
(mike batt)
Producer for bonnie: mike batt
Recorded in 1990 as part of the soundtrack to the animated tv series 'the dreamstone'. the lyrics are taken from the soundtrack sleeve
The stories we could tell
God knows what we've both been through
You caught me when i fell
The same as i did for you
Don't let the wild winds blow out the flame
It won't ever be the same
Into the sunset once again together
After the darkness and the rain
Into the sunset we could ride forever
There goes that dream again
The dangers that we face
Are great if we let them be
No army could replace
The strength that you give to me
Don't let the wild woods lead us astray
And don't let us lose our way
Into the sunset once again together
After the darkness and and the rain
Into the sunset we could ride forever
There goes that dream again
Into the sunset once again together
After the darkness and and the rain
Into the sunset we could ride forever
There goes that dream again
song performed by by Bonnie Tyler
Submitted by Lucian Velea
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A Noon Song
There are songs for the morning and songs for the night,
For sunrise and sunset, the stars and the moon;
But who will give praise to the fulness of light,
And sing us a song of the glory of noon?
Oh, the high noon, the clear noon,
The noon with golden crest;
When the blue sky burns, and the great sun turns
With his face to the way of the west!
How swiftly he rose in the dawn of his strength;
How slowly he crept as the morning wore by;
Ah, steep was the climbing that led him at length
To the height of his throne in the wide summer sky.
Oh, the long toil, the slow toil,
The toil that may not rest,
Till the sun looks down from his journey's crown,
To the wonderful way of the west!
Then a quietness falls over meadow and hill,
The wings of the wind in the forest are furled,
The river runs softly, the birds are all still,
The workers are resting all over the world.
Oh, the good hour, the kind hour,
The hour that calms the breast!
Little inn half-way on the road of the day,
Where it follows the turn to the west!
There's a plentiful feast in the maple-tree shade,
The lilt of a song to an old-fashioned tune,
The talk of a friend, or the kiss of a maid,
To sweeten the cup that we drink to the noon.
Oh, the deep noon, the full noon,
Of all the day the best!
When the blue sky burns, and the great sun turns
To his home by the way of the west.
poem by Henry Van Dyke
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Thunder stroke
Outside the office
suddenly a thunderbolt smashed down blue-white,
splitting a tree with bird nests,
blue-white fiery tongues hissed and danced
when it perfectly cleft it from the top
in into the ground, right up to the roots
with weavers that were chattering and cursing.
poem by Gert Strydom
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My Winter Rose
Why did you come when the trees were bare?
Why did you come with the wintry air?
When the faint note dies in the robin's throat,
And the gables drip and the white flakes float?
What a strange, strange season to choose to come,
When the heavens are blind and the earth is dumb:
When nought is left living to dirge the dead,
And even the snowdrop keeps its bed!
Could you not come when woods are green?
Could you not come when lambs are seen?
When the primrose laughs from its childlike sleep,
And the violets hide and the bluebells peep?
When the air as your breath is sweet, and skies
Have all but the soul of your limpid eyes,
And the year, growing confident day by day,
Weans lusty June from the breast of May?
Yet had you come then, the lark had lent
In vain his music, the thorn its scent,
In vain the woodbine budded, in vain
The rippling smile of the April rain.
Your voice would have silenced merle and thrush,
And the rose outbloomed would have blushed to blush,
And Summer, seeing you, paused, and known
That the glow of your beauty outshone its own.
So, timely you came, and well you chose,
You came when most needed, my winter rose.
From the snow I pluck you, and fondly press
Your leaves 'twixt the leaves of my leaflessness.
poem by Alfred Austin
Submitted by Poetry Lover
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Fate of Love
you can save love as secret
though you avoid and hide
love only has two fate
it grows or it dies
you will fail loving someone
to be same day by day
it grows or it dies
you say broken heart
shattered love into thousand pieces
but it still grows or it dies
old memories bring love from the past
but only the illusion
somewhere in time
it grows or it dies
you can keep love in beautiful box
protect it from storm and darkness
but love only has two fate
it grows or it dies
poem by Maria Sudibyo
Submitted by Poetry Lover
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