Leili

The serpents are asleep among the poppies,
The fireflies light the soundless panther's way
To tangled paths where shy gazelles are straying,
And parrot-plumes outshine the dying day.
O soft! the lotus-buds upon the stream
Are stirring like sweet maidens when they dream.


A caste-mark on the azure brows of Heaven,
The golden moon burns sacred, solemn, bright
The winds are dancing in the forest-temple,
And swooning at the holy feet of Night.
Hush! in the silence mystic voices sing
And make the gods their incense-offering.

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The Cloud Chorus

SOCRATES SPEAKS

Hither, come hither, ye Clouds renowned, and unveil yourselves
here;
Come, though ye dwell on the sacred crests of Olympian snow,
Or whether ye dance with the Nereid Choir in the gardens clear,
Or whether your golden urns are dipped in Nile's overflow,
Or whether you dwell by Maeotis mere
Or the snows of Mimas, arise! appear!
And hearken to us, and accept our gifts ere ye rise and go.


THE CLOUDS SING

Immortal Clouds from the echoing shore
Of the father of streams from the sounding sea,
Dewy and fleet, let us rise and soar;
Dewy and gleaming and fleet are we!
Let us look on the tree-clad mountain-crest,
On the sacred earth where the fruits rejoice,
On the waters that murmur east and west,
On the tumbling sea with his moaning voice.
For unwearied glitters the Eye of the Air,
And the bright rays gleam;
Then cast we our shadows of mist, and fare
In our deathless shapes to glance everywhere
From the height of the heaven, on the land and air,
And the Ocean Stream.
Let us on, ye Maidens that bring the Rain,
Let us gaze on Pallas's citadel,
In the country of Cecrops fair and dear,
The mystic land of the holy cell,
Where the Rites unspoken securely dwell,
And the gifts of the gods that know not stain,
And a people of mortals that know not fear.
For the temples tall and the statues fair,
And the feasts of the gods are holiest there;
The feasts of Immortals, the chaplets of flowers,
And the Bromian mirth at the coming of spring,
And the musical voices that fill the hours,
And the dancing feet of the maids that sing!

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The Vesper Hour

Soft and holy Vesper Hour—
Precursor of the night—
How I love thy soothing power,
The hush, the fading light;
Raising those vain thoughts of ours
To higher, holier things—
Mingling gleams from Eden’s bowers
With earth’s imaginings!

How thrilling in some grand old fane
To hear the Vesper prayer
Rise, with the organ’s solemn strain,
On incense-laden air;
While the last dying smiles of day
Athwart the stained glass pour—
Flooding with red and golden ray
The shrine and chancel floor.

Who, at such moment, has not felt
Those yearnings, vague, yet sweet,
For Heaven’s joys at last to melt,
Into fruition meet;
And wished, as with rapt soul he viewed
That glorious Home above,
That earth’s vain thoughts would ne’er intrude
On visions of God’s love?

To this calm hour belongs a sway
The bright day cannot wield—
Sweet as the evening star’s first ray,
Transforming wood and field;
Soft’ing gay flowers else too bright
And silvering hill and dell;
And clothing earth in that mild light
The sad heart loves so well.

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John Keats

Song. Hush, Hush! Tread Softly!

1.
Hush, hush! tread softly! hush, hush my dear!
All the house is asleep, but we know very well
That the jealous, the jealous old bald-pate may hear.
Tho' you've padded his night-cap -- O sweet Isabel!
Tho' your feet are more light than a Fairy's feet,
Who dances on bubbles where brooklets meet,--
Hush, hush! soft tiptoe! hush, hush my dear!
For less than a nothing the jealous can hear.

2.
No leaf doth tremble, no ripple is there
On the river, -- all's still, and the night's sleepy eye
Closes up, and forgets all its Lethean care,
Charm'd to death by the drone of the humming May-fly;
And the Moon, whether prudish or complaisant,
Hath fled to her bower, well knowing I want
No light in the dusk, no torch in the gloom,
But my Isabel's eyes, and her lips pulp'd with bloom.

3.
Lift the latch! ah gently! ah tenderly -- sweet!
We are dead if that latchet gives one little chink!
Well done -- now those lips, and a flowery seat --
The old man may sleep, and the planets may wink;
The shut rose shall dream of our loves, and awake
Full blown, and such warmth for the morning's take;
The stock-dove shall hatch her soft brace and shall coo,
While I kiss to the melody, aching all through!

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Dirge

PLACE this bunch of mignonette
In her cold, dead hand;
When the golden sun is set,
Where the poplars stand,
Bury her from sun and day,
Lay my little love away
From my sight.
She was like a modest flower
Blown in sunny June,
Warm as sun at noon's high hour,
Chaster than the moon.
Ah, her day was brief and bright,
Earth has lost a star of light;
She is dead.
Softly breathe her name to me,—
Ah, I loved her so.
Gentle let your tribute be;
None may better know
Her true worth than I who weep
O'er her as she lies asleep —
Soft asleep.
Lay these lilies on her breast,
They are not more white
Than the soul of her, at rest
'Neath their petals bright.
Chant your aves soft and low,
Solemn be your tread and slow, —
She is dead.
Lay her here beneath the grass,
Cool and green and sweet,
Where the gentle brook may pass
Crooning at her feet.
Nature's bards shall come and sing,
And the fairest flowers shall spring
Where she lies.
Safe above the water's swirl,
She has crossed the bar;
Earth has lost a precious pearl,
Heaven has gained a star,
That shall ever sing and shine,
Till it quells this grief of mine
For my love.

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Song Of The Sandman

Music: Eithne N Bhraonin - Lyrics: Roma Ryan
Can you hear the night's deep song?
All the shadows say
Telling you when you're asleep,
Tears will fade away
Dream of morning's golden light
When you and I will leave the night ...
And when the moon is high and bright,
Stars will shine on you
Dream of morning's golden light
When you and I will leave the night ...
Make a wish and when you close your eyes
I will come to you
Dream of morning's golden light
When you and I will leave the night ...
Make a wish and when you close your eyes
I will come to you

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Rabindranath Tagore

Lover's Gifts LIV: In the Beginning of Time

In the beginning of time, there rose from the churning of God's
dream two women. One is the dancer at the court of paradise, the
desired of men, she who laughs and plucks the minds of the wise
from their cold meditations and of fools from their emptiness; and
scatters them like seeds with careless hands in the extravagant
winds of March, in the flowering frenzy of May.
The other is the crowned queen of heaven, the mother, throned
on the fullness of golden autumn; she who in the harvest-time
brings straying hearts to the smile sweet as tears, the beauty deep
as the sea of silence, -brings them to the temple of the Unknown,
at the holy confluence of Life and Death.

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Robert Burns

Afton Water

1 Flow gently, sweet Afton, among thy green braes,
2 Flow gently, I'll sing thee a song in thy praise;
3 My Mary's asleep by thy murmuring stream,
4 Flow gently, sweet Afton, disturb not her dream.

5 Thou stock-dove, whose echo resounds thro' the glen,
6 Ye wild whistling blackbirds in yon thorny den,
7 Thou green-crested lapwing, thy screaming forbear,
8 I charge you disturb not my slumbering fair.

9 How lofty, sweet Afton, thy neighbouring hills,
10 Far mark'd with the courses of clear winding rills;
11 There daily I wander as noon rises high,
12 My flocks and my Mary's sweet cot in my eye.

13 How pleasant thy banks and green valleys below,
14 Where wild in the woodlands the primroses blow;
15 There oft, as mild Ev'ning sweeps over the lea,
16 The sweet-scented birk shades my Mary and me.

17 Thy crystal stream, Afton, how lovely it glides,
18 And winds by the cot where my Mary resides,
19 How wanton thy waters her snowy feet lave,
20 As gathering sweet flowrets she stems thy clear wave.

21 Flow gently, sweet Afton, among thy green braes,
22 Flow gently, sweet river, the theme of my lays;
23 My Mary's asleep by thy murmuring stream,
24 Flow gently, sweet Afton, disturb not her dream

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Robert Burns

Sweet Afton

'Flow gently, sweet Afton! amang thy green braes,
Flow gently, I'll sing thee a song in thy praise;
My Mary's asleep by thy murmuring stream,
Flow gently, sweet Afton, disturb not her dream.

Thou stockdove whose echo resounds thro' the glen,
Ye wild whistling blackbirds in yon thorny den,
Thou green-crested lapwing thy screaming forbear,
I charge you, disturb not my slumbering Fair.

How lofty, sweet Afton, thy neighbouring hills,
Far mark'd with the courses of clear, winding rills;
There daily I wander as noon rises high,
My flocks and my Mary's sweet cot in my eye.

How pleasant thy banks and green valleys below,
Where, wild in the woodlands, the primroses blow;
There oft, as mild Ev'ning weeps over the lea,
The sweet-scented birk shades my Mary and me.

Thy crystal stream, Afton, how lovely it glides,
And winds by the cot where my Mary resides;
How wanton thy waters her snowy feet lave,
As, gathering sweet flowerets, she stems thy clear wave.

Flow gently, sweet Afton, amang thy green braes,
Flow gently, sweet river, the theme of my lays;
My Mary's asleep by thy murmuring stream,
Flow gently, sweet Afton, disturb not her dream.

poem by Robert Burns (1791)Report problemRelated quotes
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When There Are No More Stars At Night

your routine
catches up with you

you sit on a chair
one night
you stare at the
black skies

and there are
no stars

you imagine
that fireflies
may soon
come to please
your dream
of lights

you imagine
that a moon
shall soon float
on the river

there is none
nothing happens
with your dream
for light

and then you dream
of another

drowsy you dream
you are asleep
you dream you
are dead

and true enough
you never thought
of waking up

because there is
so much
there to be
explored
to be understood

why some people
dream of sleep
dream of dying

why some people
do not talk anymore
and inside that dream
you dream you are
a poet and you see
yourself: writing

simply because
there are no more
stars giving light
to your dark nights

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The White Maiden And The Indian Girl

“Child of the Woods, bred in leafy dell,
See the palace home in which I dwell,
With its lofty walls and casements wide,
And objects of beauty on every side;
Now, tell me, dost thou not think it bliss
To dwell in a home as bright as this?”

“Has my pale-faced sister never seen
My home in the pleasant forest green,
With the sunshine weaving its threads of gold
Through the boughs of elm and of maples old,
And soft green moss and wild flowers sweet,
What carpet more fitting for maidens’ feet?”

“Well, see these diamonds of price untold,
These costly trinkets of burnished gold,
With rich soft robes—my daily wear—
These graceful flower-wreaths for my hair;
And now, at least, thou must frankly tell
Thou would’st like such garb and jewels well.”

“The White Lily surely speaks in jest,
For has she not seen me gaily dressed?
Bright beads and rich wampum belts are mine,
Which by far these paltry stones outshine,
Whilst heron plumes, fresh flowers and leaves,
Are fairer than scentless buds like these.”

“But, Forest Maiden, to this my home
What sights—what sounds of beauty come;
Pictures of loveliness—paintings rare—
All the charms that art can bestow are there,
With ravishing music of harp and song,
Sweet notes that to gifted souls belong.”

“The wild birds sing in our shady trees,
Mingling their notes with the vesper breeze;
The flow of waters, the wind’s low moan,
Have a music sweet that is all their own;
Whilst surely no tints or colors rare
Can with those of the sky and the wood compare.”

“But what of the winter’s cheerless gloom
When nature sleeps in a snowy tomb,
The storm clouds brooding over head,
Thy song-birds gone—thy wild-flowers dead?
With silence and gloom where’er you roam,
What then, what then, of your forest home?”

“We sing gay songs round our winter fires,
Or list the tales of our gray-haired sires;
When the hunting path has claimed our braves,
We pray to the God of winds and waves;
Or, on snow-shoes swift, we love to go
Over the fields of untrodden snow.”

“Then, I cannot tempt thee here to dwell,
Oh! wayward child of the forest dell,
To leave thy wandering, restless life,
With countless dangers and hardships rife
For a home of splendor such as this,
Where thy days would be a dream of bliss?”

“No, sister, it cannot my heart engage,
I would worry to death of this gilded cage
And the high close walls of each darkened room,
Heavy with stifling, close perfume;
Back to the free, fresh woods let me hie,
Amid them to live,—amid them to die.”

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Cradle Song

FROM groves of spice,
O'er fields of rice,
Athwart the lotus-stream,
I bring for you,
Aglint with dew
A little lovely dream.


Sweet, shut your eyes,
The wild fire-fiies
Dance through the fairy neem;
From the poppy-bole
For you I stole
A little lovely dream.


Dear eyes, good-night,
In golden light
The stars around you gleam;
On you I press
With soft caress
A little lovely dream.

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Becuz Of U

i still dream of chrysanthemums
and daffodils to bloom on the coming springtime
i still dream of tranquil ponds where the lotus sits
like dignity
i still dream of birds that sing for me
i still dream of blue skies and dancing clouds
soft winds, and swans floating like snow melting on the lake
i still dream of red roses and blue butterflies hovering on them
i still dream because of you.

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I Still Dream

i still dream of chrysanthemums
and daffodils to bloom on the coming springtime
i still dream of tranquil ponds where the lotus sits
like dignity
i still dream of birds that sing for me
i still dream of blue skies and dancing clouds
soft winds, and swans floating like snow melting on the lake
i still dream of red roses and blue butterflies hovering on them
i still dream because of you.

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Homes Of The Moon...

The Castle Of The Moon
Is Made Of Pearl
Its Banners and Pennants
Are Moonbeams Unfurled

See Pinpoints Of Lances
Of Her Knights Defenses
The Tapestry Of Darkness
Her Glory Eclipses
__________

The Palace Of The Moon
Is Made Of Silver
In The River Of Night
It Shines and Mirrors

Amid Lotus-Stars
And Nightingale Comets
Where Dreams and Torches
Move In Its Orbit
__________

The Villa Of The Moon
Is Made Of Alabaster
An Incandescent Sphere
Of Silken Plaster

Many Lamps Are Hung
Distant, Dim-Lit Suns
Dancing, Wearing Veils
‘Til Morning Comes
__________

The Mansion Of The Moon
Is Made Of Light
Full Of Illumed Treasures
Richly Bright

With Magnolia Blossoms Scattered
Beside The Fireflies Blinking
And Glinting Coins
and Little Eyes A-Winking
__________

But The Humble-Hut Of The Moon
Holds A Golden Harvest
It Glows and Invites You
Into Its Forest

A Thousand Flames Flickering
Round Its Welcome Hearth
Hailing Home Sweet Home
Up Over Our Earth …

In Any Somber Room
It Lightens Up The Gloom
The Castle, Palace, Villa, Mansion
Hut … Of The Moon

Written & ©: 10/16/10

By: The MoonBee

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Amy Lowell

The Garden by Moonlight

A black cat among roses,
Phlox, lilac-misted under a first-quarter moon,
The sweet smells of heliotrope and night-scented stock.
The garden is very still,
It is dazed with moonlight,
Contented with perfume,
Dreaming the opium dreams of its folded poppies.
Firefly lights open and vanish
High as the tip buds of the golden glow
Low as the sweet alyssum flowers at my feet.
Moon-shimmer on leaves and trellises,
Moon-spikes shafting through the snowball bush.
Only the little faces of the ladies' delight are alert and staring,
Only the cat, padding between the roses,
Shakes a branch and breaks the chequered pattern
As water is broken by the falling of a leaf.
Then you come,
And you are quiet like the garden,
And white like the alyssum flowers,
And beautiful as the silent sparks of the fireflies.
Ah, Beloved, do you see those orange lilies?
They knew my mother,
But who belonging to me will they know
When I am gone.

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Thank You

Azure soul true and blue as feathers
We sigh like lovers with fine wings
Breathe love like a warm spring day
Apples red as her kiss
Soft zephyrs
Placid streams
Replete with solemn strength
Refreshed in waters of life
My darling is a golden river
I drink her sweet fountains
In this insane world I have found you
Lets watch the clouds amidst the blue
Love is vital
Love makes it all worthwhile
Love is a gift beyond measure

Summer winds fill with gracious portent
She dreams of my warm arms
Golden meadows where prayer smiles
Moonlight sweet as honey
Silence drenched in deep passion
Fire always burning
Desire always awakening
Dreams amidst antique lamps
The kitchen bright with little kisses
We flow from all the ages
Let the clocks chime
My love ravages my lonely life
The bed burns both day and night
Out the window the stars shine
She sleeps in timeless dreams

Thank you my love for finding me
Thank you my God for blessing me

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The Baptistry

One winter eve, at twilight, when the sound
Of sorrowful winds scarce troubled Nature's rest,
As she lay sleeping, with her hair unbound,
Holding her grey robe to her shivering breast,

I enter'd through a low-arch'd oaken door,
Circled with curious sculpture; and I crept
With slow, hush'd footsteps, o'er the shadow'd floor,
Where organ notes in sudden silence slept;

Far down the aisle, where darkness seem'd to brood
With such wide-spreading wings, and where the sigh
Of murmur'd prayer scarce came,—until I stood
In the deep stillness of the Baptistry.

There, in the dim side-chapel, no bright glow
From jewelled windows on the wall was shed;
No sunbeams rested on the font below,
Or kiss'd those mighty arches overhead.

Soft lines and curves went upward, and were lost
In solemn shadow and in dreamy space;
Only the level floor was faintly crost
With glimmering brightness from the holy place.

And, as I listen'd, I heard music sweet
Trembling and swelling through the soundless air,
Threading dark aisles, as if an angel's feet
Were bidden bring God's message to me there.

Ah! and the echo of those anthem notes
Wanders and whispers in my heart for aye:
In all my life the mystic language floats,
Fitful and faint, as in my ears that day.

One whom we knew had enter'd into rest—
Calm on the pillow lay his hoary head;
And through that music spoke, in accents blest,
Our holy Mother's voice, hallowing the dead,
Telling of perfect peace, of labours done,
Of long years' sorrow turned to joy at last—
The quiet sleep, when battles all are won—
The hush of evening when the day is past.

I look'd upon the font, and mused of all
Its wondrous meaning, till my thoughts grew dim
And vast and shadowy as those columns tall;—
Morning of life for me—death's night for him!

How fancy tried to span that awful space
Between the two—between the here and there!
To bridge the nave—up to that blessed Place
Where light and song stream'd on the chancel-stair!

Dim recollections drifted through my brain—
Echoing footfalls of past childish years,
When the baptismal robe had less of stain,
E'en though unwash'd by penitential tears.

I saw the gloomy shadows o'er my head,
And sigh'd to think how I had suffer'd loss;
I saw the soft light, and was comforted,—
I knew it shone straight from the chancel-cross.

A few more steps, and then I stood below
The towering minster coronet again;
Down on my face that pure and gentle glow
Fell, like a pitying kiss in time of pain.

Down to my feet it stream'd; a passage dim,
With hosts of phantom-shapes on either side,
It drifted through;—as songs of seraphim
Drift through our mourning hearts at Easter-tide.

Looking up then, I seem'd to see my life,—
A long, dim vista, where the rays descend—
Where light and darkness wage continual strife;
But only light—the full light—at the end.

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A Dialogue. Lute And Voice

L. Sing, Laura, sing, whilst silent are the sphears,
And all the eyes of Heaven are turn'd to ears.

V. Touch thy dead wood, and make each living tree
Unchain its feet, take arms, and follow thee.

CHORUS.
L. Sing. V. Touch. 0 Touch. L. 0 Sing.
BOTH. It is the souls, souls sole offering.

V. Touch the divinity of thy chords, and make
Each heart string tremble, and each sinew shake.

L. Whilst with your voyce you rarifie the air,
None but an host of angels hover here.

CHORUS. SING, TOUCH, &c.

V. Touch thy soft lute, and in each gentle thread
The lyon and the panther captive lead.

L. Sing, and in heav'n inthrone deposed love,
Whilst angels dance, and fiends in order move.

DOUBLE CHORUS.
What sacred charm may this then be
In harmonie,
That thus can make the angels wild,
The devils mild,
And teach low hell to heav'n to swell,
And the high heav'n to stoop to hell?

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George Eliot

Bright, o bright Fedalma

Maiden crowned with glossy blackness,
Lithe as panther forest-roaming,
Long-armed Naiad when she dances
On a stream of ether floating,
Bright, o bright Fedalma!

Form all curves like softness drifted,
Wave-kissed marble roundly dimpling,
Far-off music slowly wingèd,
Gently rising, gently sinking,
Bright, o bright Fedalma!

Pure as rain-tear on a rose-leaf,
Cloud high born in noonday spotless
Sudden perfect like the dew-bead,
Gem of earth and sky begotten,
Bright, o bright Fedalma!

Beauty has no mortal father,
Holy light her form engendered,
Out of tremor yearning, gladness,
Presage sweet, and joy remembered,
Child of light! Child of light!
Child of light, Fedalma!

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Silent Night / Away In A Manger

Silent night, Holy night
All is calm, all is bright
Round yon virgin Mother and Child
Holy infant so tender and mild
Sleep in heavenly peace
Sleep in heavenly peace
Silent night, holy night,
Shepherds quake, at the sight
Glories stream from heaven afar
Heav'nly hosts they sing Allelluia
Christ the savior is born
Christ the savior is born.
Away in a manger, no crib for his bed,
The little Lord Jesus laid down his sweet head.
The stars in the sky looked down where he lay,
The little Lord Jesus asleep on the hay

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