The Garden Of Boccaccio
[exerpt]
Of late, in one of those most weary hours,
When life seems emptied of all genial powers,
A dready mood, which he who ne'er has known
May bless his happy lot, I sate alone ;
And, from the numbing spell to win relief,
Call'd on the Past for thought of glee or grief.
In vain ! bereft alike of grief and glee,
I sate and cow'r'd o'er my own vacancy !
And as I watch'd the dull continuous ache,
Which, all else slumb'ring, seem'd alone to wake ;
O Friend ! long wont to notice yet conceal,
And soothe by silence what words cannot heal,
I but half saw that quiet hand of thine
Place on my desk this exquisite design.
Boccaccio's Garden and its faery,
The love, the joyaunce, and the gallantry !
An Idyll, with Boccaccio's spirit warm,
Framed in the silent poesy of form.
Like flocks adown a newly-bathéd steep
Emerging from a mist : or like a stream
Of music soft that not dispels the sleep,
But casts in happier moulds the slumberer's dream,
Gazed by an idle eye with silent might
The picture stole upon my inward sight.
A tremulous warmth crept gradual o'er my chest,
As though an infant's finger touch'd my breast.
And one by one (I know not whence) were brought
All spirits of power that most had stirr'd my thought
In selfless boyhood, on a new world tost
Of wonder, and in its own fancies lost ;
Or charm'd my youth, that, kindled from above,
Loved ere it loved, and sought a form for love ;
Or lent a lustre to the earnest scan
Of manhood, musing what and whence is man !
...
And many a verse which to myself I sang,
That woke the tear, yet stole away the pang,
Of hopes, which in lamenting I renew'd :
...
Thanks, gentle artist ! now I can descry
Thy fair creation with a mastering eye,
And all awake ! And now in fix'd gaze stand,
Now wander through the Eden of thy hand ;
...
I see no longer ! I myself am there,
Sit on the ground-sward, and the banquet share.
'Tis I, that sweep that lute's love-echoing strings,
And gaze upon the maid who gazing sings :
Or pause and listen to the tinkling bells
From the high tower, and think that there she dwells.
With old Boccaccio's soul I stand possest,
And breathe an air like life, that swells my chest.
...
Still in thy garden let me watch their pranks,
...
With that sly satyr peeping through the leaves !
poem by Samuel Taylor Coleridge
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Condolatory Address To Sarah, Countess Of Jersey, On The Prince Regent's Returning Her Picture To Mrs. Mee
When the vain triumph of the imperial lord,
Whom servile Rome obey'd, and yet abhorr'd,
Gave to the vulgar gaze each glorious bust,
That left a likeness of the brave or just;
What most admired each scrutinising eye
Of all that deck'd that passing pageantry?
What spread from face to face that wondering air?
The thought of Brutus - for his was not there!
That absence proved his worth, - that absence fix'd
His memory on the longing mind, unmix'd;
And more decreed his glory to endure,
Than all a gold Colossus could secure.
If thus, fair Jersey, our desiring gaze
Search for thy form, in vain and mute amaze,
Amidst those pictured charms, whose loveliness,
Bright though they be, thine own had render'd less:
If he, that vain old man, whom truth admits
Heir of his father's crown, and of his wits,
If his corrupted eye, and wither'd heart,
Could with thy gentle image bear to part;
That tasteless shame be his, and ours the grief,
To gaze on Beauty's band without its chief:
Yet comfort still one selfish thought imparts,
We lose the 'portrait, but preserve our hearts.
What can his vaulted gallery now disclose?
A garden with all flowers--except the rose;--
A fount that only wants its living stream;
A night, with every star, save Dian's beam.
Lost to our eyes the present forms shall be,
That turn from tracing them to dream of thee;
And more on that recall'd resemblance pause,
Than all he shall not force on our applause.
Long may thy yet meridian lustre shine,
With all that Virtue asks of Homage thine:
The symmetry of youth, the grace of mien,
The eye that gladdens, and the brow serene;
The glossy darkness of that clustering hair,
Which shades, yet shows that forehead more than fair!
Each glance that wins us, and the life that throws
A spell which will not let our looks repose,
But turn to gaze again, and find anew
Some charm that well rewards another view.
These are not lessen'd, these are still as bright,
Albeit too dazzling for a dotard's sight;
And those must wait till ev'ry charm is gone,
To please the paltry heart that pleases none;-
That dull cold sensualist, whose sickly eye
In envious dimness pass'd thy portrait by;
Who rack'd his little spirit to combine
Its hate of Freedom's loveliness, and thine.
August 1814.
Maternal Hope
Lo! at the couch where infant beauty sleeps,
Her silent watch the mournful mother keeps:
She, while the lovely babe unconscious lies,
Smiles on her slumb'ring child with pensive eyes,
And weaves a song of melancholy joy:-
'Sleep, image of thy father! - sleep, my boy!
No ling'ring hour of sorrow shall be thine,
No sigh that rends thy father's heart and mine.
Bright, as his manly sire, the son shall be,
In form and soul; but, ah! more blest than he!
Thy fame, thy worth, thy filial love, at last,
Shall soothe his aching heart for all the past;
With many a smile my solitude repay,
And chase the world's ungenerous scorn away.
'And say, when summon'd from the world and thee
I lay my head beneath the willow-tree,
And soothe may parted spirit ling'ring near?
Oh! wilt thou come at evening hour, to shed
The tears of mem'ry o'er my narrow bed;
With aching temples on thy hand reclined,
Muse on the last 'farewell!' I leave behind,
Breathe a deep sigh to winds that murmur low,
And think on all my love, and all my woe?'
So speaks affection, ere the infant eye
Can look regard, or brighten in reply;
But, when the cherub lip hath learn'd to claim
A mother's ear by that endearing name, -
Soon as the playful innocent can prove
A tear of pity, or a smile of love,
Or cons his murmuring task beneath her care,
Or lisps with holy look his evening prayer,
Or gazing, mutely pensive, sits to hear
The mournful ballad warbled in his ear, -
How fondly looks admiring hope the while,
At every artless tear, and every smile!
How glows the joyous parent to descry
A guileless bosom, true to sympathy!
poem by Thomas Campbell
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Properzia Rossi
Tell me no more, no more
Of my soul's lofty gifts! Are they not vain
To quench its haunting thirst for happiness?
Have I not lov'd, and striven, and fail'd to bind
One true heart unto me, whereon my own
Might find a resting-place, a home for all
Its burden of affections? I depart,
Unknown, tho' Fame goes with me; I must leave
The earth unknown. Yet it may be that death
Shall give my name a power to win such tears
As would have made life precious.
I.
ONE dream of passion and of beauty more!
And in its bright fulfillment let me pour
My soul away! Let earth retain a trace
Of that which lit my being, tho' its race
Might have been loftier far. Yet one more dream!
From my deep spirit one victorious gleam
Ere I depart! For thee alone, for thee!
May this last work, this farewell triumph be,
Thou, lov'd so vainly! I would leave enshrined
Something immortal of my heart and mind,
That yet may speak to thee when I am gone,
Shaking thine inmost bosom with a tone
Of lost affection; something that may prove
What she hath been, whose melancholy love
On thee was lavish'd; silent pang and tear,
And fervent song, that gush'd when none were near,
And dream by night, and weary thought by day,
Stealing the brightness from her life away,
While thou, Awake! not yet within me die,
Under the burden and the agony
Of this vain tenderness my spirit, wake!
Ev'n for thy sorrowful affection's sake,
Live! in thy work breathe out! that he may yet
Feeling sad mastery there, perchance regret
Thine unrequited gift.
II.
It comes, the power
Within me born, flows back; my fruitless dower
That could not win me love. Yet once again
I greet it proudly, with its rushing train
Of glorious images: they throng they press
A sudden joy lights up my loneliness,
I shall not perish all!
The bright work grows
Beneath my hand, unfolding, as a rose,
Leaf after leaf, to beauty; line by line,
I fix my thought, heart, soul, to burn, to shine,
Thro' the pale marble's veins. It grows and now
I give my own life's history to thy brow,
Forsaken Ariadne! thou shalt wear
My form, my lineaments; but oh! more fair,
Touched into lovelier being by the glow
Which in me dwells, as by the summer-light
All things are glorified. From thee my wo
Shall yet look beautiful to meet his sight,
When I am pass'd away. Thou art the mould,
Wherein I pour the fervent thoughts, th' untold,
The self-consuming! Speak to him of me,
Thou, the deserted by the lonely sea,
With the soft sadness of thine earnest eye,
Speak to him, lorn one, deeply, mournfully,
Of all my love and grief! Oh! could I throw
Into thy frame a voice, a sweet, and low,
And thrilling voice of song! when he came nigh,
To send the passion of its melody
Thro' his pierced bosom on its tones to bear
My life's deep feeling as the southern air
Wafts the faint myrtle's breath, to rise, to swell,
To sink away in accents of farewell,
Winning but one, one gush of tears, whose flow
Surely my parted spirit yet might know,
If love be strong as death!
III.
Now fair thou art,
Thou form, whose life is of my burning heart!
Yet all the vision that within me wrought,
I cannot make thee! Oh! I might have given
Birth to creations of far nobler thought,
I might have kindled, with the fire of heaven,
Things not of such as die! But I have been
Too much alone; a heart, whereon to lean,
With all these deep affections that o'erflow
My aching soul, and find no shore below,
An eye to be my star; a voice to bring
Hope o'er my path like sounds that breathe of spring,
These are denied me dreamt of still in vain,
Therefore my brief aspirings from the chain,
Are ever but as some wild fitful song,
Rising triumphantly, to die ere long
In dirge-like echoes.
IV.
Yet the world will see
Little of this, my parting work, in thee,
Thou shalt have fame! Oh, mockery! give the reed
From storms a shelter, give the drooping vine
Something round which its tendrils may entwine,
Give the parch'd flower a rain-drop, and the meed
Of love's kind words to woman! Worthless fame!
That in his bosom wins not for my name
Th' abiding place it ask'd! Yet how my heart,
In its own fairy world of song and art,
Once beat for praise! Are those high longings o'er?
That which I have been can I be no more?
Never, oh! never more; tho' still thy sky
Be blue as then, my glorious Italy!
And tho' the music, whose rich breathings fill
Thine air with soul, be wandering past me still,
And tho' the mantle of thy sunlight streams
Unchang'd on forms instinct with poet-dreams;
Never, oh! never more! Where'er I move,
The shadow of this broken-hearted love
Is on me and around! Too well they know,
Whose life is all within, too soon and well,
When there the blight hath settled; but I go
Under the silent wings of Peace to dwell;
From the slow wasting, from the lonely pain,
The inward burning of those words 'in vain',
Sear'd on the heart I go. 'Twill soon be past,
Sunshine, and song, and bright Italian heaven,
And thou, oh! thou, on whom my spirit cast
Unvalued wealth, who know'st not what was given
In that devotedness, the sad, and deep,
And unrepaid farewell! If I could weep
Once, only once, belov'd one! on thy breast,
Pouring my heart forth ere I sink to rest!
But that were happiness, and unto me
Earth's gift is fame. Yet I was form'd to be
So richly bless'd! With thee to watch the sky,
Speaking not, feeling but that thou wert nigh:
With thee to listen, while the tones of song
Swept ev'n as part of our sweet air along,
To listen silently; with thee to gaze
On forms, the deified of olden days,
This had been joy enough; and hour by hour,
From its glad well-springs drinking life and power,
How had my spirit soar'd, and made its fame
A glory for thy brow! Dreams, dreams! the fire
Burns faint within me. Yet I leave my name?
As a deep thrill may linger on the lyre
When its full chords are hush'd?awhile to live,
And one day haply in thy heart revive
Sad thoughts of me: I leave it, with a sound,
A spell o'er memory, mournfully profound;
I leave it, on my country's air to dwell,
Say proudly yet?'
'Twas hers who lov'd me well!
'
poem by Felicia Dorothea Hemans
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The Blind Man’s Bride
I.
WHEN first, beloved, in vanish'd hours
The blind man sought thy love to gain,
They said thy cheek was bright as flowers
New freshen'd by the summer rain:
They said thy movements, swift yet soft,
Were such as make the wingéd dove
Seem, as it gently soars aloft,
The image of repose and love.
II.
They told me, too, an eager crowd
Of wooers praised thy beauty rare,
But that thy heart was all too proud
A common love to meet or share.
Ah! thine was neither pride nor scorn,
But in thy coy and virgin breast
Dwelt preference, not of PASSION born,
The love that hath a holier rest!
III.
Days came and went;--thy step I heard
Pause frequent, as it pass'd me by:--
Days came and went;--thy heart was stirr'd,
And answer'd to my stifled sigh!
And thou didst make a humble choice,
Content to be the blind man's bride,
Who loved thee for thy gentle voice,
And own'd no joy on earth beside.
IV.
And well by that sweet voice I knew
(Without the happiness of sight)
Thy years, as yet, were glad and few,--
Thy smile, most innocently bright:
I knew how full of love's own grace
The beauty of thy form must be;
And fancy idolized the face
Whose loveliness I might not see!
V.
Oh! happy were those days, beloved!
I almost ceased for light to pine
When thro' the summer vales we roved,
Thy fond hand gently link'd in mine.
Thy soft, 'Good night' still sweetly cheer'd
The unbroken darkness of my doom;
And thy 'Good morrow, love,' endear'd
Each sunrise that return'd in gloom!
VI.
At length, as years roll'd swiftly on,
They spoke to me of Time's decay--
Of roses from thy smooth cheek gone,
And ebon ringlets turn'd to grey.
Ah! then I bless'd the sightless eyes
Which could not feel the deepening shade,
Nor watch beneath succeeding skies
Thy withering beauty faintly fade.
VII.
I saw no paleness on thy cheek,
No lines upon thy forehead smooth,--
But still the BLIND MAN heard thee speak
In accents made to bless and soothe:
Still he could feel thy guiding hand
As thro' the woodlands wild we ranged,--
Still in the summer light could stand,
And know thy HEART and VOICE unchanged.
VIII.
And still, beloved, till life grows cold,
We'll wander 'neath a genial sky,
And only know that we are old
By counting happy years gone by:
For thou to me art still as fair
As when those happy years began,--
When first thou cam'st to soothe and share
The sorrows of a sightless man!
IX.
Old Time, who changes all below,
To wean men gently for the grave,
Hath brought us no increase of woe,
And leaves us all he ever gave:
For I am still a helpless thing,
Whose darken'd world is cheer'd by thee--
And thou art she whose beauty's spring
The blind man vainly yearn'd to see!
poem by Caroline Elizabeth Sarah Norton
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Youth and Age
Dance on, dance on, we see, we see
Youth goes, alack, and with it glee,
A boy the old man ne'er can be;
Maternal thirty scarce can find
The sweet sixteen long left behind;
Old folks must toil, and scrape, and strain,
That boys and girls may once again
Be that for them they cannot be,
But which it gives them joy to see,
Youth goes and glee; but not in vain
Young folks if only you remain.
Dance on, dance on, 'tis joy to see;
The dry red leaves on winter's tree,
Can feel the new sap rising free.
On, on, young folks; so you survive,
The dead themselves are still alive;
The blood in dull parental veins
Long numbed, a tingling life regains.
Deep down in earth, the tough old root
Is conscious still of flower and fruit.
Spring goes and glee but were not vain:
In you, young folks, they come again.
Dance on, dance on, we see, we feel;
Wind, wind your waltzes, wind and wheel,
Our senses too with music reel;
Nor let your pairs neglect to fill
The old ancestral scorned quadrille.
Let hand the hand uplifted seek,
And pleasure fly from cheek to cheek;
Love too; but gently, nor astray,
And yet, deluder, yet in play.
Dance on; youth goes: but all's not vain,
Young folks, if only you remain.
Dance on, dance on, 'tis joy to see;
We once were nimble e'en as ye,
And danced to give the oldest glee;
O wherefore add, as we, you too,
Once gone your prime cannot renew;
You too, like us, at last shall stand
To watch and not to join the band,
Content some day (a far-off day)
To your supplanters soft to say,
Youth goes, but goes not all in vain,
Young folks, so only you remain,
Dance on, dance on, 'tis joy to see.
poem by Arthur Hugh Clough
Submitted by Veronica Serbanoiu
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The Future.
I WAS a laughing child, and gaily dwelt
Where murmuring brooks, and dark blue rivers roll'd,
And shadowy trees outspread their silent arms,
To welcome all the weary to their rest.
And there an antique castle rais'd its head,
Where dwelt a fair and fairy girl: perchance
Two summers she had seen beyond my years;
And all she said or did, was said and done
With such a light and airy sportiveness,
That oft I envied her, for I was poor,
And lowly, and to me her fate did seem
Fraught with a certainty of happiness.
Years past; and she was wed against her will,
To one who sought her for the gold she brought,
And they did vex and wound her gentle spirit,
Till madness took the place of misery.
And oft I heard her low, soft, gentle song,
Breathing of early times with mournful sound,
Till I could weep to hear, and thought how sad.
The envied future of her life had prov'd.
And then I grew a fond and thoughtful girl,
Loving, and deeming I was lov'd again:
But he that won my easy heart, full soon
Turn'd to another:-she might be more fair,
But could not love him better. And I wept,
Day after day, till weary grew my spirit,
With fancying how happy she must be
Whom he had chosen-yet she was not so;
For he she wedded, loved her for a time,
And then he changed, even as he did to me,
Though something later; and he sought another
To please his fancy, far away from home.
And he was kind: oh, yes! he still was kind.
It vex'd her more; for though she knew his love
Had faded like the primrose after spring,
Yet there was nothing which she might complain,
Had cause to grieve her; he was gentle still.
She would have given all the store she had,
That he would but be angry for an hour,
That she might come and soothe his wounded spirit,
And lay her weeping head upon his bosom,
And say, how freely she forgave her wrongs:
But still, with calm, cold kindness he pursued
(Kindness, the mockery of departed love!)
His way-and then she died, the broken-hearted;
And I thanked heaven, who gave me not her lot,
Though I had wish'd it.
Again, I was a wife, a happy wife;
And he I loved was still unchangeable,
And kind, and true, and loved me from his soul;
But I was childless, and my lonely heart
Yearned for an image of my heart's beloved,
A something which should be my 'future' now
That I had so much of my life gone by;
Something to look to after I should go,
And all except my memory be past.
There was a child, a little rosy thing,
With sunny eyes, and curled and shining hair,
That used to play among the daisy flowers,
Looking as innocent and fair as they;
And sail its little boat upon the stream,
Gazing with dark blue eyes in the blue waters,
And singing in its merriment of heart
All the bright day: and when the sun was setting,
It came unbid to its glad mother's side,
To lisp with holy look its evening prayer:
And, kneeling on the green and flowery ground,
At the sweet cottage door-he fixed his eyes
For some short moments on her tranquil face,
As if she was his guiding star to God;
And then with young, meek, innocent brow upraised,
Spoke the slow words with lips that longed to smile,
But dared not. Oh! I loved that child with all
A mother's fondest love; and, as he grew
More and more beautiful from day to day,
The half-involuntary sigh I gave
Spoke but too plain the wish that he were mine-
My child-my own. And in my solitude,
Often I clasped my hands and thought of him,
And looked with mournful and reproachful gaze
To heaven, which had denied me such a one.
Years past: the child became a rebel boy;
The boy a wild, untamed, and passionate youth;
The youth a man-but such a man! so fierce,
So wild, so headlong, and so haughty too,
So cruel in avenging any wrongs,
So merciless when he had half avenged them!
At length his hour had come-a deed of blood,
Of murder, was upon his guilty soul.
He stood in that same spot, by his sweet home,
The same blue river flowing by his feet,
(Whose stream might never wash his guilt away
The same green hills, and mossy sloping banks,
Where the bright sun was smiling as of yore:
With pallid cheek and dark and sullen brow,
The beautiful and lost; you might have deemed
That Satan, newly banished, stood and gazed
On the bright scenery of an infant world.
For, fallen as he was, his Maker's hand
Had stamped him beauteous, and he was so still.
And his eyes turned from off his early home
With something like a shudder; and they lighted
On his poor broken-hearted mother's grave.
And there was something in them of old times,
Ere sin had darkened o'er their tranquil blue,
In that most mournful look-that made me weep;
'For I had gazed on him with fear and anguish
Till now. And, 'weep for her,' my favourite said,
For she was good-I murdered her-I killed
Many that harmed me not.' And still he spoke
In a low, listless voice; and forms came round
Who dragged him from us. I remember not
What followed then. But on another day,
There was a crowd collected, and a cart
Slowly approached to give to shameful death
Its burden; and there was a prayer, and silence,
Silence like that of death. And then a murmur!
And all was over. And I groaned, and turned
To where his poor old father had been sitting;
And there he sate, still with his feeble limbs
And palsied head, and dim and watery eyes,
Gazing up at the place where was his son;
And with a shuddering touch I sought to rouse him,
But could not, for the poor old man was dead.
And then I flung myself upon the ground,
And mingled salt tears with the evening dew;
And thanked my God that he was not my son;
And that I was a childless, lonely wife.
To-morrow I will tell thee all that now
Remains to tell-but I am old and feeble.
And cannot speak for tears.
She rose and went,
But she returned no more. The morrow came,
But not to her;-the tale of life was finished,
Not by her lips, for she had ceased to breath.
But, by this silent warning joined to hers,
How little we may count upon the future,
Or reckon what that future may bring forth!
poem by Caroline Elizabeth Sarah Norton
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A Picture
'
The maiden is not dead, but sleepeth.
'
She is not gone;—still in our sight
That dearest maid shall live,
In form as true, in tints as bright,
As youth and health could give.
Still, still is ours the modest eye;
The smile unwrought by art;
The glance that shot so piercingly
Affection's keenest dart;
The thrilling voice, I ne'er could hear
But felt a joy and pain;—
A pride that she was ours, a fear
Ours she might not remain;
Whether the page divine call'd forth
Its clear sweet, tranquil tone,
Or cheerful hymn, or seemly mirth
In sprightlier measure shown;
The meek inquiry of that face,
Musing on wonders found,
As 'mid dim paths she sought to trace
The truth on sacred ground;
The thankful sigh that would arise,
When aught her doubts removed,
Full sure the explaining voice to prize,
Admiring while she loved;
The pensive brow, the world might see
When she in crowds was found;
The burst of heart, the o'erflowing glee
When only friends were round;
Hope's warmth of promise, prompt to fill
The thoughts with good in store,
Match'd with content's deep stream, which still
Flow'd on, when hope was o'er;
That peace, which, with its own bright day,
Made cheapest sights shine fair;
That purest grace, which track'd its way
Safe from aught earthly there.
Such was she in the sudden hour
That brought her Maker's call,—
Proving her heart's self-mastering power
Blithely to part with all,—
All her eye loved, all her hand press'd
With keen affection's glow,
The voice of home, all pleasures best,
All dearest thoughts below.
From friend-lit hearth, from social board,
All duteously she rose;
For faith upon the Master's word
Can find a sure repose.
And in her wonder up she sped,
And tried relief in vain;
Then laid her down upon her bed
Of languor and of pain,—
And waited till the solemn spell,
(A ling'ring night and day,)
Should fill its numbers, and compel
Her soul to come away.
Such was she then; and such she is,
Shrined in each mourner's breast;
Such shall she be, and more than this,
In promised glory blest;
When in due lines her Saviour dear
His scatter'd saints shall range,
And knit in love souls parted here,
Where cloud is none, nor change.
poem by John Henry Newman
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The Organist
In his dim chapel day by day
The organist was wont to play,
And please himself with fluted reveries;
And all the spirit's joy and strife,
The longing of a tender life,
Took sound and form upon the ivory keys;
And though he seldom spoke a word,
The simple hearts that loved him heard
His glowing soul in these.
One day as he wrapped, a sound
Of feet stole near; he turned and found
A little maid that stood beside him there.
She started, and in shrinking-wise
Besought him with her liquid eyes
And little features, very sweet and spare.
'You love the music, child,' he said,
And laid his hand upon her head,
And smoothed her matted hair.
She answered, 'At the door one day
I sat and heard the organ play;
I did not dare to come inside for fear;
But yesterday, a little while,
I crept half up the empty aisle
And heard the music sounding sweet and clear;
To-day I thought you would not mind,
For, master dear, your face was kind,
And so I came up here.'
'You love the music then,' he said,
And still he stroked her golden head,
And followed out some winding reverie;
'And you are poor?' said he at last;
The maiden nodded, and he passed
His hand across his forehead dreamingly;
'And will you be my friend?' he spake,
'And on the organ learn to make
Grand music here with me?'
And all the little maiden's face
Was kindled with a grateful grace;
'Oh, master, teach me; I will slave for thee!'
She cried; and so the child grew dear
To him, and slowly year by year
He taught her all the organ's majesty;
And gave her from his slender store
Bread and warm clothing, that no more
Her cheeks were pinched to see.
And year by year the maiden grew
Taller and lovelier, and the hue
Deepened upon her tender cheeks untried.
Rounder, and queenlier, and more fair
Her form grew, and her golden hair
Fell yearly richer at the master's side.
In speech and bearing, form and face,
Sweeter and graver, grace by grace,
Her beauties multiplied.
And sometimes at his work a glow
Would touch him, and he murmured low
'How beautiful she is?' and bent his head;
And sometimes when the day went by
And brought no maiden he would sigh,
And lean and listen to her velvet tread;
And he would drop his hands and say,
'My music cometh not to-day;
Pray God she be not dead!'
So the sweet maiden filled his heart,
And with her growing grew his art,
For day by day more wondrously he played.
Such heavenly things the master wrought,
That in his happy dreams he thought,
The organ's self did love the gold-haired maid:
But she, the maiden, never guessed-
What prayers for her in hours of rest
The sombre organ prayed.
At last, one summer morning fair,
The maiden came with braided hair,
And took his hands, and held them eagerly.
'To-morrow is my wedding day;
Dear master, bless me that the way
Of life be smooth, not bitter unto me.'
He stirred not; but the light did go
Out of his shrunken cheeks, and oh!
His head hung heavily.
'You love him, then?' 'I love him well,'
She answered, and a numbness fell
Upon his eyes and all his heart that bled.
A glory, half a smile, abode
Within the maiden's eyes and glowed
Upon her parted lips. The master said,
'God bless and bless thee, little maid,
With peace and long delight,' and laid
His hands upon her head.
And she was gone; and all that day
The hours crept up and slipped away,
And he sat still, as moveless as a stone.
The night came down, with quiet stars,
And darkened him: in coloured bars
Along the shadowy aisle the moonlight shone.
And then the master woke and passed
His hands across the keys at last,
And made the organ moan.
The organ shook, the music wept;
For sometimes like a wail it crept
In broken moanings down the shadows drear;
And otherwhiles the sound did swell,
And like a sudden tempest fell
Through all the windows wonderful and clear.
The people gathered from the street,
And filled the chapel seat by seat-
They could not choose but hear.
And there they sat till dawning light,
Nor ever stirred to awe. 'To-night,
The master hath a noble mood,' they said.
But on a sudden ceased the sound:
Like ghosts the people gathered round,
And on the keys they found his fallen head.
The silent organ had received
The master's broken heart relieved,
And he was white and dead.
poem by Archibald Lampman
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The Lost One
COME to the grave--the silent grave! and dream
Of a light, happy voice--so full of joy,
That those who heard her laugh, would laugh again,
Echoing the mirth of such an innocent spirit;
And pause in their own converse, to look round,
Won by the witchery of that gleesome tone.
Come to the grave--the lone dark grave! and dream
Of eyes whose brilliancy was of the soul,
Eyes which, with one bright flash from their dark lids,
Seemed at a glance to read the thoughts of others;
Or, with a full entire tenderness,
The pure expression of all-perfect love,
(Of woman's love, which is for you alone,
While your's is for yourself)--gave in that look
The promise of a life of meek affection.
Come to the grave--the mouldering grave! and dream
Of a fair form that glided over earth
One of its happiest creatures:--to her cheek
The lightest word might bring the blushing blood
In pure carnation;--down her graceful neck,
The long rich curls of jet hung carelessly,
Untortured by the cunning hand of art:
And on her brow, bright purity and joy,
Twin sisters, sate,--as on a holy throne.
Come yet unto the grave--the still, damp grave!
And dream of a young heart that beat with life,
And all life's best affections; of a heart
Where sorrow never came, nor fear, nor sin--
Nor aught save innocence, and perfect love:
And, having dreamed of such a lovely being--
So gay, so bright, so pure, so fond, so meek--
Having thus conjured up a form of love
In thine own pausing and regretful mind;--
A vision will be present to thy soul,
A faint, but faithful portraiture, of one
Most dearly loved, and now for ever lost!
poem by Caroline Elizabeth Sarah Norton
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Burial of the Dead
I thought to meet no more, so dreary seem'd
Death's interposing veil, and thou so pure,
Thy place in Paradise
Beyond where I could soar;
Friend of this worthless heart! but happier thoughts
Spring like unbidden violets from the sod,
Where patiently thou tak'st
Thy sweet and sure repose.
The shadows fall more soothing: the soft air
Is full of cheering whispers like thine own;
While Memory, by thy grave,
Lives o'er thy funeral day;
The deep knell dying down, the mourners' pause,
Waiting their Saviour's welcome at the gate.—
Sure with the words of Heaven
Thy spirit met us there,
And sought with us along th' accustom'd way
The hallow'd porch, and entering in, beheld
The pageant of sad joy
So dear to Faith and Hope.
O! hadst thou brought a strain from Paradise
To cheer us, happy soul, thou hadst not touch'd
The sacred springs of grief
More tenderly and true,
Than those deep-warbled anthems, high and low,
Low as the grave, high as th' Eternal Throne,
Guiding through light and gloom
Our mourning fancies wild,
Till gently, like soft golden clouds at eve
Around the western twilight, all subside
Into a placid faith,
That even with beaming eye
Counts thy sad honours, coffin, bier, and pall;
So many relics of a frail love lost,
So many tokens dear
Of endless love begun.
Listen! it is no dream: th' Apostles' trump
Gives earnest of th' Archangel's;—calmly now,
Our hearts yet beating high
To that victorious lay
(Most like a warrior's, to the martial dirge
Of a true comrade), in the grave we trust
Our treasure for awhile:
And if a tear steal down,
If human anguish o'er the shaded brow
Pass shuddering, when the handful of pure earth
Touches the coffin-lid;
If at our brother's name,
Once and again the thought, 'for ever gone,'
Come o'er us like a cloud; yet, gentle spright,
Thou turnest not away,
Thou know'st us calm at heart.
One look, and we have seen our last of thee,
Till we too sleep and our long sleep be o'er.
O cleanse us, ere we view
That countenance pure again,
Thou, who canst change the heart, and raise the dead!
As Thou art by to soothe our parting hour,
Be ready when we meet,
With Thy dear pardoning words.
poem by John Keble
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The Origin of the Harp
Tis believed that this Harp, which I wake now for thee
Was a Siren of old, who sung under the sea;
And who often, at eve, through the bright waters roved,
To meet, on the green shore, a youth whom she loved.
But she loved him in vain, for he left her to weep,
And in tears, all the night, her gold tresses to steep,
Till heaven look'd with pity on true-love so warm,
And changed to this soft Harp the sea-maiden's form.
Still her bosom rose fair -- still her cheeks smiled the same --
While her sea-beauties gracefully form'd the light
And her hair, as, let loose, o'er her white arm it fell,
Was changed to bright chords uttering melody's spell.
Hence it came, that this soft Harp so long hath been known
To mingle love's language with sorrow's sad tone;
Till thou didst divide them, and teach the fond lay
To speak love when I'm near thee, and grief when away.
poem by Thomas Moore
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Boccaccio
One day upon a topmost shelf
I found a precious prize indeed,
Which father used to read himself,
But did not want us boys to read;
A brown old book of certain age
(As type and binding seemed to show),
While on the spotted title-page
Appeared the name 'Boccaccio.'
I'd never heard that name before,
But in due season it became
To him who fondly brooded o'er
Those pages a belovèd name!
Adown the centuries I walked
Mid pastoral scenes and royal show;
With seigneurs and their dames I talked--
The crony of Boccaccio!
Those courtly knights and sprightly maids,
Who really seemed disposed to shine
In gallantries and escapades,
Anon became great friends of mine.
Yet was there sentiment with fun,
And oftentimes my tears would flow
At some quaint tale of valor done,
As told by my Boccaccio.
In boyish dreams I saw again
Bucolic belles and dames of court,
The princely youths and monkish men
Arrayed for sacrifice or sport.
Again I heard the nightingale
Sing as she sang those years ago
In his embowered Italian vale
To my revered Boccaccio.
And still I love that brown old book
I found upon the topmost shelf--
I love it so I let none look
Upon the treasure but myself!
And yet I have a strapping boy
Who (I have every cause to know)
Would to its full extent enjoy
The friendship of Boccaccio!
But boys are, oh! so different now
From what they were when I was one!
I fear my boy would not know how
To take that old raconteur's fun!
In your companionship, O friend,
I think it wise alone to go
Plucking the gracious fruits that bend
Wheree'er you lead, Boccaccio.
So rest you there upon the shelf,
Clad in your garb of faded brown;
Perhaps, sometime, my boy himself
Shall find you out and take you down.
Then may he feel the joy once more
That thrilled me, filled me years ago
When reverently I brooded o'er
The glories of Boccaccio!
poem by Eugene Field
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Image worship
Why mounts my blood to cheek and brow,
Like an ascending flame,
Whene'er from careless lips I hear
The accents of thy name?
Why, when my idle fancy seeks
Some pictured form to trace,
Beneath my pencil still will grow
The features of thy face?
Why comes thy haunting shadow thus
Between the world and me,
To bind my spirit with a charm
That blinds to all but thee?
To bid me watch thine upward course,
Thy path from mine so far;
As earth, 'mid all the hosts of heaven,
Watches the polar star?
Thy cold and polished courtesy,
Each look and tone of thine,
Might well have roused the woman's pride
In duller souls than mine.
They tell me, too, thy heart is light, --
That more than once thou'st loved;
And 'mid all flowers of loveliness
That bee-like thou hast roved.
Why is it, then, while o'er thy heart
There comes no thought of me,
The good, the true, the beautiful,
All speak to me of thee?
Think'st thou 'tis what the world calls love,
Love that return is seeking?
No -- I would scorn a love I sought,
Although my heart were breaking.
It is because within the human heart
There is an altar to an Unknown God,
Who from the gods of this world dwells apart,
And in the Unseen, the Unreal, has his abode.
This disembodied thought the soul pursues,
And seeking in the visible a sign,
She moulds an image, like the apostate Jews,
And sets her idol on the vacant shrine.
Thus worshipped once an Indian maid the sun;
Thus was an Arab boy won by a star;
Thus loved a maid of France the god in stone;
And thus did Numa love a shape of air.
What were the sun, the star, the god, to them,
The fond idolators! thou art to me;
And rapturous as a poet's earliest dream,
Is the sweet worship that I give to thee.
The world around me is so dark and cold,
Life hath for me such draughts of bitter sadness,
Oh, bid me not the mocking Real behold!
Oh, wake me not from this delicious madness!
poem by Anne Lynch Botta from Poems (1848)
Submitted by Veronica Serbanoiu
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The Late W. V. Wild, Esq.
SAD FACES came round, and I dreamily said
“Though the harp of my country now slumbers,
Some hand will pass o’er it, in love for the dead,
And attune it to sorrowful numbers!”
But the hopes that I clung to are withering things,
For the days have gone by with a cloud on their wings,
And the touch of a bard is unknown to the strings—
Oh, why art thou silent, Australia?
The leaves of the autumn are scattering fast,
The willows look barren and lonely;
But I dream a sad dream of my friend of the past,
And his form I can dwell upon only!
In the strength of his youth I can see him go by.
There is health on the cheek, and a fire in the eye—
Oh, who would have thought that such beauty could die!
Ah, mourn for thy noblest, Australia!
A strange shadow broods o’er the desolate earth,
And the cypresses tremble and quiver;
But my heart waxeth dark with the thoughts of the worth
That has left us for ever and ever!
A dull cloud creepeth close to the moon,
And the winter winds pass with a shuddering croon—
Oh, why was he snatched from his brothers so soon?
Ah, weep for thy lost one, Australia!
How weary we grow when we turn to reflect
Upon what we have seen and believed in;
When harping on promises hopelessly wrecked,
And the things we have all been deceived in!
When a voice that I loved lingers near to me yet!
And a kind, handsome face which I’ll never forget—
Can I wake to the present and stifle regret—
Can I smother these feelings, Australia?
It is useless to grieve o’er the light that has fled
But the harp of my country still slumbers;
And I thought that some bard in his love for the dead,
Would have thrilled it to sorrowful numbers!
Lo, the hopes that I clung to are withering things
For the days have gone by with a cloud on their wings,
And my hand is too feeble to strike at the strings—
Oh, why art thou silent, Australia?
poem by Henry Kendall
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A Dead Friend
I.
Gone, O gentle heart and true,
Friend of hopes foregone,
Hopes and hopeful days with you
Gone?
Days of old that shone
Saw what none shall see anew,
When we gazed thereon.
Soul as clear as sunlit dew,
Why so soon pass on,
Forth from all we loved and knew
Gone?
II.
Friend of many a season fled,
What may sorrow send
Toward thee now from lips that said
'Friend'?
Sighs and songs to blend
Praise with pain uncomforted
Though the praise ascend?
Darkness hides no dearer head:
Why should darkness end
Day so soon, O dear and dead
Friend?
III.
Dear in death, thou hast thy part
Yet in life, to cheer
Hearts that held thy gentle heart
Dear.
Time and chance may sear
Hope with grief, and death may part
Hand from hand's clasp here:
Memory, blind with tears that start,
Sees through every tear
All that made thee, as thou art,
Dear.
IV.
True and tender, single-souled,
What should memory do
Weeping o'er the trust we hold
True?
Known and loved of few,
But of these, though small their fold,
Loved how well were you!
Change, that makes of new things old,
Leaves one old thing new;
Love which promised truth, and told
True.
V.
Kind as heaven, while earth's control
Still had leave to bind
Thee, thy heart was toward man's whole
Kind.
Thee no shadows blind
Now: the change of hours that roll
Leaves thy sleep behind.
Love, that hears thy death-bell toll
Yet, may call to mind
Scarce a soul as thy sweet soul
Kind.
VI.
How should life, O friend, forget
Death, whose guest art thou?
Faith responds to love's regret,
How?
Still, for us that bow
Sorrowing, still, though life be set,
Shines thy bright mild brow.
Yea, though death and thou be met,
Love may find thee now
Still, albeit we know not yet
How.
VII.
Past as music fades, that shone
While its life might last;
As a song-bird's shadow flown
Past!
Death's reverberate blast
Now for music's lord has blown
Whom thy love held fast.
Dead thy king, and void his throne:
Yet for grief at last
Love makes music of his own
Past.
poem by Algernon Charles Swinburne
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The Magnetic Lady To Her Patient
I.
'Sleep, sleep on! forget thy pain;
My hand is on thy brow,
My spirit on thy brain;
My pity on thy heart, poor friend;
And from my fingers flow
The powers of life, and like a sign,
Seal thee from thine hour of woe;
And brood on thee, but may not blend
With thine.
II.
'Sleep, sleep on! I love thee not;
But when I think that he
Who made and makes my lot
As full of flowers as thine of weeds,
Might have been lost like thee;
And that a hand which was not mine
Might then have charmed his agony
As I another's--my heart bleeds
For thine.
III.
'Sleep, sleep, and with the slumber of
The dead and the unborn
Forget thy life and love;
Forget that thou must wake forever;
Forget the world's dull scorn;
Forget lost health, and the divine
Feelings which died in youth's brief morn;
And forget me, for I can never
Be thine.
IV.
'Like a cloud big with a May shower,
My soul weeps healing rain
On thee, thou withered flower!
It breathes mute music on thy sleep
Its odour calms thy brain!
Its light within thy gloomy breast
Spreads like a second youth again.
By mine thy being is to its deep
Possessed.
V.
'The spell is done. How feel you now?'
'Better—Quite well,' replied
The sleeper.--'What would do
You good when suffering and awake?
What cure your head and side?--'
‘What would cure, that would kill me, Jane:
And as I must on earth abide
Awhile, yet tempt me not to break
My chain.'
poem by Percy Bysshe Shelley
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Elegy, Written In The Year 1758
Still, shall unthinking man substantial deem
The forms that fleet through life's deceitful dream?
On clouds, where Fancy's beam amusive plays,
Shall heedless Hope the towering fabric raise?
Till at Death's touch the fairy visions fly,
And real scenes rush dismal on the eye;
And from Elysium's balmy slumber torn
The startled soul awakes, to think and mourn.
O ye, whose hours in jocund train advance,
Whose spirits to the song of gladness dance,
Who flowery vales in endless view survey
Glittering in beams of visionary day;
O, yet while Fate delays th' impending wo,
Be roused to thought, anticipate the blow;
Lest, like the lightning's glance, the sudden ill
Flash to confound, and penetrate to kill;
Lest, thus encompass'd with funereal gloom,
Like me, ye bend o'er some untimely tomb,
Pour your wild ravings in Night's frighted ear,
And half pronounce Heavens sacred doom severe.
Wise, beauteous, good! O every grace combined,
That charms the eye, or captivates the mind!
Fair as the floweret opening on the morn,
Whose leaves bright drops of liquid pearl adorn!
Sweet, as the downy-pinion'd gale, that roves
To gather fragrance in Arabian groves!
Mild, as the strains, that, at the close of day
Warbling remote, along the vales decay! -
Yet, why with these compared? What tints so fine
What sweetness, mildness, can be match'd with thine?
Why roam abroad? Since still, to fancy's eyes,
I see, I see thy lovely form arise.
Still let me gaze, and every care beguile,
Gaze on that cheek, where all the Graces smile;
That soul-expressing eye, benignly bright,
Where meekness beams ineffable delight;
That brow, where Wisdom sits enthroned serene,
Each feature forms, and dignifies the mien:
Still let me listen, while her words impart
The sweet effusions of the blameless heart,
Till all my soul, each tumult charm'd away,
Yields, gently led, to Virtue's easy sway.
By thee inspired, O Virtue, age is young,
And music warbles from the faltering tongue:
Thy ray creative cheers the clouded brow,
And decks the faded cheek with rosy glow,
Brightens the joyless aspect, and supplies
Pure heavenly lustre to the languid eyes;
But when Youth's living bloom reflects thy beams,
Resistless on the view the glory streams,
Love, Wonder, Joy, alternately alarm,
And Beauty dazzles with angelic charm.
Ah whither fled! - ye dear illusions stay -
Lo, pale and silent lies the lovely clay.
How are the roses on that cheek decay'd,
Which late the purple light of youth display'd!
Health on her form each sprightly grace bestow'd;
With life and thought each speaking feature glow'd -
Fair was the flower, and soft the vernal sky;
Elate with hope, we deem'd no tempest nigh;
When lo, a whirlwind's instantaneous gust
Left all its beauties withering in the dust.
All cold the hand, that soothed Wo's weary head!
And quench'd the eye, the pitying tear that shed!
And mute the voice, whose pleasing accents stole,
Infusing balm, into the rankled soul!
O Death, why arm with cruelty thy power,
And spare the idle weed, yet lop the flower!
Why fly thy shafts in lawless error driven!
Is Virtue then no more the care of Heaven! --
But peace, bold thought! be still my bursting heart!
We, not Eliza , felt the fatal dart.
'Scaped the dark dungeon does the slave complain,
Nor bless the hand that broke the galling chain?
Say, pines not Virtue for the lingering morn,
On this dark wild condemn'd to roam forlorn?
Where Reason's meteor-rays, with sickly glow,
O'er the dun gloom a dreadful glimmering flow?
Disclosing dubious to th' affrighted eye
O'erwhelming mountains tottering from on high,
Black billowy seas in storm perpetual toss'd,
And weary ways in wildering labyrinths lost.
O happy stroke that bursts the bonds of clay,
Darts through the rending gloom the blaze of day,
And wings the soul with boundless flight to soar,
Where dangers threat, and fears alarm no more.
Transporting thought! here let me wipe away
The tear of grief, and wake a bolder lay.
But ah! the swimming eye o'erflows anew,
Nor check the sacred drops to pity due;
Lo, where in speechless, hopeless anguish, bend
O'er her loved dust, the Parent, Brother, Friend!
How vain the hope of man! - But cease thy strain,
Nor Sorrow's dread solemnly profane;
Mix'd with yon drooping Mourners, on her bier
In silence shed the sympathetic tear.
poem by James Beattie
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Addressed To Miss Macartney, Afterwards Mrs. Greville, On Reading The Prayer For Indifference
And dwells there in a female heart,
By bounteous heaven design'd
The choicest raptures to impact,
To feel the most refined;
Dwells there a wish in such a breast
Its nature to forego,
To smother in ignoble rest
At once both bliss and woe?
Far be the thought, and far the strain,
Which breathes the low desire.
How sweet soe'er the verse complain,
Though Phoebus string the lyre.
Come then, fair maid (in nature wise),
Who, knowing them, can tell
From generous sympathy what joys
The glowing bosom swell;
In justice to the various powers
Of pleasing, which you share,
Join me, amid your silent hours,
To form the better prayer.
With lenient balm may Oberon hence
To fairy land be driven,
With every herb that blunts the sense
Mankind received from heaven.
'Oh! if my Soverign Author please,
Far be it from my fate,
To live unblest in torpid ease,
And slumber on in state;
Each tender tie of life defied,
Whence social pleasures spring:
Unmoved with all the world beside,
A solitary thing.'
Some Alpine mountain wrapt in snow,
Thus braves the whirling blast,
Eternal winter doomed to know,
No genial spring to taste;
In vain warm suns their influence shed,
The zephyrs sport in vain,
He rears unchanged his barren head,
Whilst beauty decks the plain.
What though in scaly armour dress'd,
Indifference may repel
The shafts of woe, in such a breast
No joy can ever dwell.
'Tis woven in the world's great plan,
And fix'd by Heaven's decree,
That all the true delights of man
Should spring from Sympathy.
'Tis nature bids, and whilst the laws
Of nature we retain,
Our self-approving bosom draws
A pleasure from its pain.
Thus grief itself has comforts dear,
The sordid never know;
And ecstasy attends the tear,
When virtue bids it flow.
For when it streams from that pure source,
No bribes the heart can win,
To check, or alter from its course
The luxury within.
Peace to the phlegm of sullen elves,
Who, if from labour eased,
Extend no care beyond themselves,
Unpleasing and unpleased.
Let no low thought suggest the prayer!
Oh! grant, kind Heaven, to me,
Long as I draw ethereal air,
Sweet Sensibility!
Where'er the heavenly nymph is seen,
With lustre-beaming eye,
A train, attendant on their queen,
(Her rosy chorus) fly.
The jocund Loves in Hymen's band,
With torches ever bright,
And generous Friendship hand in hand,
With Pity's watery sight.
The gentler virtues too are join'd,
In youth immortal warm,
The soft relations which combined
Give life her every charm.
The Arts come smiling in the close,
And lend celestial fire;
The marble breathes, the canvas glows,
The Muses sweep the lyre.
'Still may my melting bosom cleave
To sufferings not my own;
And still the sigh responsive heave,
Where'er is heard a groan.
So Pity shall take Virtue's part,
Her natural ally,
And fashioning my softened heart,
Prepare it for the sky.'
This artless vow may Heaven receive,
And you, fond maid, approve:
So may your guiding angel give
Whate'er you wish or love.
So may the rosy-fingered hours
Lead on the various year,
And every joy, which now is yours,
Extend a larger sphere.
And suns to come, as round they wheel,
Your golden moments bless,
With all a tender heart can feel,
Or lively fancy guess.
poem by William Cowper
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To Sensibility
In SENSIBILITY'S lov'd praise
I tune my trembling reed,
And seek to deck her shrine with bays,
On which my heart must bleed!
No cold exemption from her pain
I ever wish to know;
Cheer'd with her transport, I sustain
Without complaint her woe.
Above whate'er content can give,
Above the charm of ease,
The restless hopes and fears, that live
With her, have power to please.
Where, but for her, were Friendship's power
To heal the wounded heart,
To shorten sorrow's ling'ring hour,
And bid its gloom depart?
'Tis she that lights the melting eye
With looks to anguish dear;
She knows the price of every sigh,
The value of a tear.
She prompts the tender marks of love
Which words can scarce express;
The heart alone their force can prove,
And feel how much they bless.
Of every finer bliss the source!
'Tis she on love bestows
The softer grace, the boundless force,
Confiding passion knows;
When to another, the fond breast
Each thought for ever gives;
When on another leans for rest,
And in another lives!
Quick, as the trembling metal flies
When heat or cold impels,
Her anxious heart to joy can rise,
Or sink where anguish dwells!
Yet though her soul must griefs sustain
Which she alone can know,
And feel that keener sense of pain
Which sharpens every woe;
Though she, the mourners' grief to calm,
Still shares each pang they feel,
And, like the tree distilling balm,
Bleeds others' wounds to heal;
Though she, whose bosom, fondly true,
Has never wish'd to range,
One alter'd look will trembling view,
And scarce can bear the change;
Though she, if death the bands should tear
She vainly thought secure,
Through life must languish in despair,
That never hopes a cure;
Though wounded by some vulgar mind,
Unconscious of the deed,
Who never seeks those wounds to bind,
But wonders why they bleed;--
She oft will heave a secret sigh,
Will shed a lonely tear,
O'er feelings nature wrought so high,
And gave on terms so dear.
Yet who would hard INDIFFERENCE choose,
Whose breast no tears can steep?
Who, for her apathy, would lose
The sacred power to weep?
Though in a thousand objects pain
And pleasure tremble nigh,
Those objects strive to reach in vain
The circle of her eye.
Cold as the fabled god appears
To the poor suppliant's grief,
Who bathes the marble form in tears,
And vainly hopes relief.
Ah, GREVILLE ! why the gifts refuse
To souls like thine allied?
No more thy nature seem to lose,
No more thy softness hide.
No more invoke the playful sprite
To chill, with magic spell,
The tender feelings of delight,
And anguish sung so well;
That envied case thy heart would prove
Were sure too dearly bought
With friendship, sympathy, and love,
And every finer thought.
poem by Helen Maria Williams
Submitted by Poetry Lover
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The Slave-Mother's Farewell
May God have mercy on thee, son, for man's stern heart hath none!
My gentle boy, my beautiful, my loved and only one!
I would the bitter tears that steep thy young and grief-doom'd head,
Were springing from a broken heart, that mourn'd thee with the dead.
And yet how often have I watch'd above thine infant sleep,
With love whose gushing tenderness strove vainly not to weep,
When starting through my timid heart, the thought that thou couldst die,
Shot, even amidst a mother's bliss, a pang of agony.
My boy! my boy! Oh cling not thus around me in thy grief,
Thy mother's arm, thy mother's love, can yield thee no relief;
The tiger's bloody jaw hath not a gripe more fierce and fell
Than that which tears thee from my arms—thou who wert loved so well!
How may I live bereft of thee? Thy smile was all that flung
A ray of gladness ‘midst the gloom, forever round me hung:
How may a mother's heart endure to think upon thy fate,
Thou doom'd to misery and chains!—so young and desolate!
Farewell! farewell!—They tear thee hence!—and yet my heart beats on;
How can it bear the weight of life, when thou art from me gone?
Mine own! mine own! Yet cruel hands have barter'd thee for gold,
And torn thee, with a ruthless grasp, forever from my hold!
poem by Elizabeth Margaret Chandler from Poetical Works (1836)
Submitted by Veronica Serbanoiu
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