Posing
She ignores the oil painting, pretends to read,
she knows she's there, of course
flaunting herself, naked,
but the fat lady's posing days are over.
There were times, years ago
when she'd posed, secretly of course.
Oh yes, by herself in her boudoir, pouting,
hoping someone might walk in!
She'd pretend she was an artist's model
laying draped across her bed,
careful not to wobble
just in case somebody did.
Now of course she's far too big
she wouldn't even dream
but likes to show her stocking tops
when she's lounging, reading books.
As for her up on the wall,
she's a beauty, such a doll!
An oil painting of a queen,
above us all majestically.
poem by Ruth Walters
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Related quotes
Key West 2004
Year was 2004
went to Key West,
not a bore like before.
I posed next to a gold man,
with cool planet painting in hand.
Then posed with a parrot,
while owner holds a carrot.
Went to strip club up the stairs,
all the soldiers where there who stared.
Went to restaurant wearing a pink hat
next to an artist at bar is where I sat.
Artist painted me in my pink hat,
really quick and really fast.
Took photos with him and my friend,
still have painting, needs no stand.
Then went to beach to get a tan,
It was warm I layed on sand.
Then I ate at pancake place,
It was fun, I ate and ate.
Have to go back at later date,
I hear Fantasy Fest is great.
(August 30, 2011)
poem by Christina Sunrise
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How It was
That is how it was that is how
The painting got painted with
You in it and the artist telling
You how to sit and where and
How to have the hat positioned
On your head and at what angle
And don’t smile too much girl he
Said or look too dour and so you
Sat there in that antique chair with
Your hands held together on your
Knees and your legs crossed ladylike
And your feet on a small stool with
The shawl wrapped about you to
Keep out the cold you felt that day
You posed and looking back years later
You think what a hat to wear and what
A bored expression to have upon your
Face and you note he painted that small
Glass vase of flowers and that round
Mirror on the wall to capture the others
Who stood across the room posing in their
Childhood play only now you recall that
It all was fiction on the artist’s part there
Were no others there across the room
To play their games that cold spring day.
poem by Terry Collett
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Key West 2004
Year was 2004
went to Key West,
not a bore like before.
I posed next to a gold man,
with cool planet painting in hand.
Then posed with a parrot,
while owner holds a carrot.
Went to strip club up the stairs,
all the soldiers where there who stared.
Went to restaurant wearing a pink hat
next to an artist at bar is where I sat.
Artist painted me in my pink hat,
really quick and really fast.
Took photos with him and my friend,
still have painting, needs no stand.
Then went to beach to get a tan,
It was warm I layed on sand.
Then I ate at pancake place,
It was fun, I ate and ate.
Have to go back at later date,
I hear Fantasy Fest is great.
Written by Suzae Chevalier on August 30,2011)
poem by Suzae Chevalier
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If I Were A Painting
If I were a painting
Captured on canvas
Alone in the portriat I would stand
And brush strokes bold
Yet soft as a whisper
The work of a feminine hand.
Caught in a still life
Surrounded by shadows
And lost in a background of blue
If I were a painting
My price would be pain
And the artist would have to be you.
I imagine the colors
Would all run together
If you ever allowed me to cry
So don't paint the tears
Just let me remember me
Without you in my eyes.
It's only the frame
That holds me together
Or else I would be falling apart
If I were a painting
I wouldn't feel
And you wouldnt be breaking my heart...
song performed by by Kenny Rogers
Submitted by Lucian Velea
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When I'm painting the picture, I'm really painting a picture. I may have a flat-footed technique, or something like that, but still, to me, the thrill, or the meat of the thing, is the actual painting. I don't get any thrill out of laying it out.
quote by Frank Stella
Submitted by Lucian Velea
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Unashamed Art
The artist who hides the model's beauty
won't allow others to see
the beauty of the model who poses
hidden by drapery.
But the artist who describes the beauty
allows the model to be
adorned in the garment given by God
which is painted naturally.
poem by Edwina Reizer
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Painting The Walls
painting the walls,
rolling over handprints,
cobwebs, and smoke stains....
over splashes of color,
over peels of time.
painting over the sounds
of voices whispering, laughing....
painting over tears hidden
from the world, from each other.
painting over running, and working,
working all day and half the night.
painting over children, and dreams,
folded like old clothes, and put away.
painting over notes from God,
that were often barely noticed...
painting over the nail that held
up the clock, hands moving slowly,
turning the seasons of living....
painting over the final words,
the last breath held in the hands,
of lives written in the grain....
the testimony of each feeling....
painting the walls,
and brushing the corners,
as if we never lived!
poem by Eric Cockrell
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When is a Painting Finished?
I paint.
On my easel
pictures in oil and acrylic grow
like stalagmites in limestone caves.
I think that painting is a magical act
that transforms invisible thoughts
and feelings into visible colors
and forms.
But I never can tell
when is the work finished.
After all it is always possible
to change a line, a hue, or a color
or even the whole composition.
Painters have different opinions
about this.
Some say that when the artist
successfully planted
all the details onto the canvas
the image expresses itself
as a severed autonomous entity,
which frees the painter from
the task of continuing to paint.
From then on the painting gains
an independent inner life of its own.
However, abandoning a work of art
involves a moral decision
ripened by the stiffening tension
between skill, creativity and integrity.
At what point does the polished image
meet the artist’s expectations?
And then, even if it does,
no single image can express
all that an artist wants to show,
and consequently his muses
compel him to carry on with his work
and create more paintings.
Hence the oeuvre of the artist
evolves as a set of different images
of the same single thrust and grind.
Many years ago I was wandering
through the countryside
of southern France in Provence.
Once I stopped to look at the road
where the village met the meadow.
A sturdy artist stood there
in front of his easel
painting the landscape
with skilful brushstrokes
on a well-stretched canvas.
I stared for a while
at the burgeoning picture
and then asked him:
“How do you know
when is the composition complete? ”
He gave me a piercing glance.
“Well”, he said,
“if you take a hammer
and hit me on the head
I know that the painting is finished.”
poem by Paul Hartal
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Why Is Repin Painting Monet?
why is repin
painting monet
why is not repin
painting repin
or why is not monet
painting monet
or they're just
making a team
in this day
very sunny day
in the south
south of beauty
oh beauty
beauty named france
france of that field
the sunflower field
oh making
making for a painting
a painting for price
a price for bread
bread for respect
respect for van gogh
van gogh for a day
a day for painting
painting for words
words for us
and us for them
and them are only
only and just
just se7en words
'we all are brothers
brothers
in love'
poem by Ahmed Khaled
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Ballade Of Modest Confession
My reading is extremely deep and wide;
And as our modern education goes—
Unique I think, and skilfully applied
To Art and Industry and Autres Choses
Through many years of scholarly repose.
But there is one thing where I disappoint
My numerous admirers (and my foes).
Painting on Vellum is my weakest point.
I ride superbly. When I say I 'ride'
The word's too feeble. I am one of those
That dominate a horse. It is my pride
To tame the fiercest with tremendous blows
Of heel and knee. The while my handling shows
Such lightness as a lady's. But Aroint
Thee! Human frailty with thy secret woes!
Painting on Vellum is my weakest point.
Painting on Vellum: not on silk or hide
Or ordinary Canvas: I suppose
No painter of the present day has tried
So many mediums with success, or knows
As well as I do how the subject grows
Beneath the hands of genius, that anoint
With balm. But I have something to disclose—
Painting on Vellum is my weakest point.
Envoi
Prince! do not let your Nose, your royal Nose,
Your large imperial Nose get out of Joint.
For though you cannot touch my golden Prose,
Painting on Vellum is my weakest point.
poem by Hilaire Belloc
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My father is a well known artist, Ted Dyer, who has been painting for many years. Our work is very different, but growing up surrounded by paintings, paints, easels and art books does have an effect.
Naked Eye
You can come inside
Come into the naked eye
My only world falls in again
I see your face fall in again
Its so dark
I dont know your name
Its so dark
And I dont know your name
Only mirrors lie only mirrors lie now
Only mirrors lie only mirrors lie now
Through the needles eye
Through the needles eye now
Only mirrors lie
Lie lie
You can come inside
Come into the naked eye
Naked
Naked
I feel so high
Going up on the wall
And youre down below me
Look all around look all around now
Look all around look all around now
Only mirrors lie only mirrors lie now
Only mirrors lie only mirrors lie now
Through the needles eye
Through the needles eye now
Only mirrors lie
Lie lie
You can come inside
Come into the naked eye
Naked
Naked
Just wanted a special view
Just me and you
Just just just the two of us
Just two of us
Going up on the wall
Up on the wall
Going up on the wall
Up on the wall
Naked eye naked eye
What do you see
And whats there to learn
Reading your books
Third diagram
Someones in the room down below
Someone someone
Someone below
Insects
Cherries
To the cherries
On the wall
Spider
Lyrics : j kerr music : simple minds (c) emi publishing ltd reproduced without permission
song performed by by Simple Minds
Submitted by Lucian Velea
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Dina Vieny, Maillol And Matisse
When posing for Maillol she looked quite obese,
since Aristide thought fat is fine,
but having been drawn by his good friend Matisse,
she left him reduced to a line.
Inspired by an obituary of Dina Vierny, Aristide Maillol’s model, by William Grimes (“Dina Vierny,89, model for Maillol’s sculptures, ” NYT, January 27,2009) :
Ms. Vierny was a 15-year-old lycée student in Paris when she met Maillol, in the mid-1930s. The architect Jean-Claude Dondel, a friend of her father’s, decided that she would make the perfect model for the artist, who was 73 and in the professional doldrums. “Mademoiselle, it is said that you look like a Maillol and a Renoir, ” Maillol wrote to her. “I’d be satisfied with a Renoir.” For the next 10 years, until his death in a car accident in 1944, Ms. Vierny was Maillol’s muse, posing for monumental works of sculpture that belied her modest height of 5 feet 2 inches. By mutual agreement, the relationship was strictly artistic….Her Rubenesque figure and jet-black hair indeed made her, as Dondel had predicted, “a living Maillol, ” memorialized in works like “The Seated Bather, ” “The Mountain, ” “Air, ” “The River, ” and “Harmony, ” his last, unfinished sculpture. Maillol also turned to her as a subject for drawings and painted portraits, like “Dina With a Scarf, ” now in the Maillol Museum.
In 1939, Maillol took refuge at his home in Banyuls-sur-Mer, at the foot of the eastern Pyrenees. There, Ms. Vierny, who had already begun working for a Resistance group in Paris, was approached by the Harvard-educated classicist Varian Fry, whose organization in Marseille helped smuggle refugees from occupied France into Spain. Unbeknownst to Maillol, she began working as a guide, identifiable to her fleeing charges by her red dress. The work was doubly dangerous because she was Jewish. Ms. Vierny soon began dozing off at her posing sessions. The story came out, and Maillol, a native of the region, showed her secret shortcuts, smugglers’ routes and goat paths to use. After several months of working for the Comité Fry, Ms. Vierny was arrested by the French police, who seized her correspondence with her friends in the Surrealist movement but failed to notice stacks of forged passports in her room. A lawyer hired by Maillol won her acquittal at trial, and to keep her out of harm’s way the artist sent her to pose for Matisse in Nice. “I am sending you the subject of my work, ” Maillol told Matisse, “whom you will reduce to a line.” Matisse did several drawings and proposed an ambitious painting that he called a “Matisse Olympia, ” after the famous painting by Manet. When Maillol heard that the project would take at least six months, he hastily recalled her to Banyuls. She also posed for Dufy and for Bonnard, who used her as the model for “Somber Nude.” In 1943, Ms. Vierny was again arrested, this time by the Gestapo, in Paris. She was released after six months in prison when Maillol appealed to Arno Breker, Hitler’s favorite sculptor.
1/27/09
poem by Gershon Hepner
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Unpainted Painting
Unpainted Painting.
I found a painting on the dump by the road, heads of many colours
seeking shelter, under a colourful umbrella, against coming storm.
It is an original painting signed and dated 2052, who threw it away?
A black fly walks across the computer screen, when I shush it away
it only indolently moves and settles on the edge of the virtual page.
I look for a newspaper to swat it the devious fly reads my thought,
take lift and disappear Into the painting. Now I can read the name:
FEMA. I got, it the date, the work is not yet made by an artist not yet
born; I’m seeing into a future and if the sad faces are anything to go
by, it doesn’t look too promising. Before the darkness swirled into
the village I put the picture back on the dump, as it wasn’t painted
yet and not for me to see. The black fly was buzzing around my head
whispering words in a in a future language I shall never comprehend
In the morning dustmen came and took away the trash.
poem by Oskar Hansen
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The King
Sometimes a lion likes to pose,
To show off now and then...
You see, he's learnt to fight his foes
And knows he's feared by men...
He's seen them run like little girls
And trying not to fall!
It doesn't matter, lords or earls,
He knows he's king of all!
Sometimes a lion likes to stare,
As if he's deep in thought...
Or simply just to say beware,
'You may get caught for sport! '
He can't ignore the way he acts,
Pretend he's like a lamb...
He knows the whole world's learnt the facts...
'Yes, that is how I am...'
Sometimes a lion likes to smirk,
Like victors often do...
When sad defeated lions lurk,
That smirk says, 'I beat you! '
No need to growl, no need to roar...
No need to run for miles...
One grin, that's all it takes, no more...
A lion rarely smiles...
Sometimes a lion likes to flirt,
The ladies to impress...
It's then he plays the extrovert,
In search of happiness!
Imagine him... his lady fair...
A twinkle in his eye...
The King needs tender loving care...
It's time to say goodbye...
The poem is based on the magnificent painting
by Stephen Gayford called 'The King'.
poem by Denis Martindale
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Handyman
If he were perfect, then
he wouldn't be
Dan the Handyman,
laying tile
in crooked rows,
painting windows shut,
installing commodes
that flush up.
If he were perfect, then
he wouldn't take jobs
that he can't do,
because if he did,
he wouldn't be
Dan the Handyman,
whistling
when things go wrong,
cursing when
things go right.
poem by Donal Mahoney
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Brooke
I dream of beauty, an image of such wonderful beauty.
No garden of roses could match the beauty I see.
No sculpture, no painting could capture such beauty.
Only the angels in heaven above could have greater.
But the beauty I dream of is not a dream. You are the beauty I see.
An earthy angel do I see, made from heaven above,
Wishing she was just for me.
poem by Anon Y. Mous
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Beyond the Art
Dad only had a month to live.
I peeked in to tell them goodnight.
Mom was painting. She stopped to give
Me a kiss. 'Your Dad will be all right.'
Next morning, both my folks were gone.
Perhaps they went out for some air.
Mom's new painting was sitting on
Its easel. Mom's class touch was there.
Mom's grace, Dad's strength - what a combo,
For forty years, husband and wife.
I touched the canvas. Where'd they go?
And then the painting came to life.
A couple walked along the sea.
Mom and Dad smiled and waved to me.
The HoLee model was the first term structure model. I remember reading their paper soon after it was published and as it was fairly different from many of the other papers that I had read, I had to read it quite a few times. I realized that it was a really important paper.
Modesty is high in view.
A painting free of cost;
A painting with a tag;
A painting not for sale;
The third soars high in view.
24.10.2012
poem by Rm. Shanmugam Chettiar
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