Route Marchin
We're marchin' on relief over Injia's sunny plains,
A little front o' Christmas-time an' just be'ind the Rains;
Ho! get away you bullock-man, you've 'eard the bugle blowed,
There's a regiment a-comin' down the Grand Trunk Road;
With its best foot first
And the road a-sliding past,
An' every bloomin' campin'-ground exactly like the last;
While the Big Drum says,
With 'is "~rowdy-dowdy-dow!~" --
"~Kiko kissywarsti~ don't you ~hamsher argy jow?~"*
* Why don't you get on?
Oh, there's them Injian temples to admire when you see,
There's the peacock round the corner an' the monkey up the tree,
An' there's that rummy silver grass a-wavin' in the wind,
An' the old Grand Trunk a-trailin' like a rifle-sling be'ind.
While it's best foot first, . . .
At half-past five's Revelly, an' our tents they down must come,
Like a lot of button mushrooms when you pick 'em up at 'ome.
But it's over in a minute, an' at six the column starts,
While the women and the kiddies sit an' shiver in the carts.
An' it's best foot first, . . .
Oh, then it's open order, an' we lights our pipes an' sings,
An' we talks about our rations an' a lot of other things,
An' we thinks o' friends in England, an' we wonders what they're at,
An' 'ow they would admire for to hear us sling the ~bat~.*
An' it's best foot first, . . .
* Language. Thomas's first and firmest conviction is that
he is a profound Orientalist and a fluent speaker of Hindustani.
As a matter of fact, he depends largely on the sign-language.
It's none so bad o' Sunday, when you're lyin' at your ease,
To watch the kites a-wheelin' round them feather-'eaded trees,
For although there ain't no women, yet there ain't no barrick-yards,
So the orficers goes shootin' an' the men they plays at cards.
Till it's best foot first, . . .
So 'ark an' 'eed, you rookies, which is always grumblin' sore,
There's worser things than marchin' from Umballa to Cawnpore;
An' if your 'eels are blistered an' they feels to 'urt like 'ell,
You drop some tallow in your socks an' that will make 'em well.
For it's best foot first, . . .
We're marchin' on relief over Injia's coral strand,
Eight 'undred fightin' Englishmen, the Colonel, and the Band;
Ho! get away you bullock-man, you've 'eard the bugle blowed,
There's a regiment a-comin' down the Grand Trunk Road;
With its best foot first
And the road a-sliding past,
An' every bloomin' campin'-ground exactly like the last;
While the Big Drum says,
With 'is "~rowdy-dowdy-dow!~" --
"~Kiko kissywarsti~ don't you ~hamsher argy jow?~"
poem by Rudyard Kipling
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Danny Deever
"What are the bugles blowin' for?" said Files-on-Parade.
"To turn you out, to turn you out", the Colour-Sergeant said.
"What makes you look so white, so white?" said Files-on-Parade.
"I'm dreadin' what I've got to watch", the Colour-Sergeant said.
For they're hangin' Danny Deever, you can hear the Dead March play,
The regiment's in 'ollow square -- they're hangin' him to-day;
They've taken of his buttons off an' cut his stripes away,
An' they're hangin' Danny Deever in the mornin'.
"What makes the rear-rank breathe so 'ard?" said Files-on-Parade.
"It's bitter cold, it's bitter cold", the Colour-Sergeant said.
"What makes that front-rank man fall down?" said Files-on-Parade.
"A touch o' sun, a touch o' sun", the Colour-Sergeant said.
They are hangin' Danny Deever, they are marchin' of 'im round,
They 'ave 'alted Danny Deever by 'is coffin on the ground;
An' 'e'll swing in 'arf a minute for a sneakin' shootin' hound --
O they're hangin' Danny Deever in the mornin'!
"'Is cot was right-'and cot to mine", said Files-on-Parade.
"'E's sleepin' out an' far to-night", the Colour-Sergeant said.
"I've drunk 'is beer a score o' times", said Files-on-Parade.
"'E's drinkin' bitter beer alone", the Colour-Sergeant said.
They are hangin' Danny Deever, you must mark 'im to 'is place,
For 'e shot a comrade sleepin' -- you must look 'im in the face;
Nine 'undred of 'is county an' the regiment's disgrace,
While they're hangin' Danny Deever in the mornin'.
"What's that so black agin' the sun?" said Files-on-Parade.
"It's Danny fightin' 'ard for life", the Colour-Sergeant said.
"What's that that whimpers over'ead?" said Files-on-Parade.
"It's Danny's soul that's passin' now", the Colour-Sergeant said.
For they're done with Danny Deever, you can 'ear the quickstep play,
The regiment's in column, an' they're marchin' us away;
Ho! the young recruits are shakin', an' they'll want their beer to-day,
After hangin' Danny Deever in the mornin'.
poem by Rudyard Kipling
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For To Admire
The Injian Ocean sets an' smiles
So sof', so bright, so bloomin' blue;
There aren't a wave for miles an' miles
Excep' the jiggle from the screw.
The ship is swep', the day is done,
The bugle's gone for smoke and play;
An' black agin' the settin' sun
The Lascar sings, "~Hum deckty hai!~" ["I'm looking out."]
For to admire an' for to see,
For to be'old this world so wide --
It never done no good to me,
But I can't drop it if I tried!
I see the sergeants pitchin' quoits,
I 'ear the women laugh an' talk,
I spy upon the quarter-deck
The orficers an' lydies walk.
I thinks about the things that was,
An' leans an' looks acrost the sea,
Till spite of all the crowded ship
There's no one lef' alive but me.
The things that was which I 'ave seen,
In barrick, camp, an' action too,
I tells them over by myself,
An' sometimes wonders if they're true;
For they was odd -- most awful odd --
But all the same now they are o'er,
There must be 'eaps o' plenty such,
An' if I wait I'll see some more.
Oh, I 'ave come upon the books,
An' frequent broke a barrick rule,
An' stood beside an' watched myself
Be'avin' like a bloomin' fool.
I paid my price for findin' out,
Nor never grutched the price I paid,
But sat in Clink without my boots,
Admirin' 'ow the world was made.
Be'old a crowd upon the beam,
An' 'umped above the sea appears
Old Aden, like a barrick-stove
That no one's lit for years an' years!
I passed by that when I began,
An' I go 'ome the road I came,
A time-expired soldier-man
With six years' service to 'is name.
My girl she said, "Oh, stay with me!"
My mother 'eld me to 'er breast.
They've never written none, an' so
They must 'ave gone with all the rest --
With all the rest which I 'ave seen
An' found an' known an' met along.
I cannot say the things I feel,
And so I sing my evenin' song:
For to admire an' for to see,
For to be'old this world so wide --
It never done no good to me,
But I can't drop it if I tried!
poem by Rudyard Kipling
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On a Wet Day
As I walked thinking through a little grove,
Some girls that gathered flowers came passing me,
Saying -- "Look here! look there!" delightedly.
"O here it is!" "What's that?" "A lily? love!"
"And there are violets!"
"Farther for roses! O the lovely pets!
The darling beauties! O the nasty thorn!
Look here, my hand's all torn!"
"What's that that jumps?" "O don't! It's a grasshopper!"
"Come, run! come, run!
Here's bluebells!" "O what fun!"
"Not that way! Stop her!"
"Yes! this way!" Pluck them then!"
"O, I've found mushrooms! O look here!" "O, I'm
Quite sure that farther on we'll get wild thyme."
"O, we shall stay too long; it's going to rain;
There's lightning; O! there's thunder!"
"O shan't we hear the vesper bell? I wonder."
"Why, it's not nones, you silly little thing!
And don't you hear the nightingales that sing --
Fly away, O die away?"
"O, I hear something; hush!"
"Why, where? what is it then?" "Ah! in that bush."
So every girl here knocks it, shakes and shocks it:
Till with the stir they make
Out scurries a great snake.
"O Lord! O me! Alack! Ah me! Alack!"
They scream, and then all run and scream again,
And then in heavy drops comes down the rain.
Each running at the other in a fright,
Each trying to get before the other, and crying,
And flying, and stumbling, tumbling, wrong or right; --
One sets her knee
There where her foot should be;
One has her hands and dress
All smothered up with mud in a fine mess;
And one gets trampled on by two or three.
What's gathered is let fall
About the wood, and not picked up at all.
The wreaths of flowers are scattered on the ground,
And still as, screaming, hustling, without rest,
They run this way and that and round and round,
She thinks herself in luck who runs the best.
I stood quite still to have a perfect view,
And never noticed till I got wet through.
poem by Franco Sacchetti
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Sonnet V: Nothing But No
Nothing but "No," and "Aye," and "Aye," and "No"?
How falls it out so strangely you reply?
I tell ye, Fair, I'll not be answer'd so,
With this affirming "No," denying "Aye."
I say, "I love," you slightly answer "Aye";
I say, "You love," you pule me out a "No";
I say, "I die," you echo me an "Aye";
"Save me," I cry, you sigh me out a "No";
Must woe and I have nought but "No" and "Aye"?
No I am I, if I no more can have;
Answer no more, with silence make reply,
And let me take myself what I do crave.
Let "No" and "Aye" with I and you be so;
Then answer "No," and "Aye," and "Aye" and "No."
poem by Michael Drayton
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A Snake Yarn
"You talk of snakes," said Jack the Rat,
"But blow me, one hot summer,
I seen a thing that knocked me flat -
Fourteen foot long or more than that,
It was a reg'lar hummer!
Lay right along a sort of bog,
Just like a log!
"The ugly thing was lyin' there
And not a sign o' movin',
Give any man a nasty scare;
Seen nothin' like it anywhere
Since I first started drovin'.
And yet it didn't scare my dog.
Looked like a log!
"I had to cross that bog, yer see,
And bluey I was humpin';
But wonderin' what that thing could be
A-lyin' there in front o' me
I didn't feel like jumpin'.
Yet, though I shivered like a frog,
It seemed a log!
"I takes a leap and lands right on
The back of that there whopper!"
He stopped. We waited. Then Big Mac
Remarked: "Well, then, what happened, Jack?"
"Not much," said Jack, and drained his grog.
"It was a log!"
poem by William Thomas Goodge
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The ABC
'Twas midnight in the schoolroom
And every desk was shut
When suddenly from the alphabet
Was heard a loud "Tut-Tut!"
Said A to B, "I don't like C;
His manners are a lack.
For all I ever see of C
Is a semi-circular back!"
"I disagree," said D to B,
"I've never found C so.
From where I stand he seems to be
An uncompleted O."
C was vexed, "I'm much perplexed,
You criticise my shape.
I'm made like that, to help spell Cat
And Cow and Cool and Cape."
"He's right" said E; said F, "Whoopee!"
Said G, "'Ip, 'Ip, 'ooray!"
"You're dropping me," roared H to G.
"Don't do it please I pray."
"Out of my way," LL said to K.
"I'll make poor I look ILL."
To stop this stunt J stood in front,
And presto! ILL was JILL.
"U know," said V, "that W
Is twice the age of me.
For as a Roman V is five
I'm half as young as he."
X and Y yawned sleepily,
"Look at the time!" they said.
"Let's all get off to beddy byes."
They did, then "Z-z-z."
poem by Spike Milligan
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The Queen of Fairy Land
"I have a thousand men," said he,
"To wait upon my will;
And towers nine upon the Tyne,
And three upon the Till."
"And what care I for your men? " said she,
"Or towers from Tyne to Till?
Sith you must go with me," said she,
"To wait upon my will.
And you may lead a thousand men
Nor ever draw the rein,
But before you lead the Fairy Queen
'Twill burst your heart in twain."
He has slipped his foot from the stirrup-bar,
The bridle from his hand,
And he is bound by hand and foot
To the Queen of Fairy Land.
poem by Rudyard Kipling
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Stains
The three ghosts on the lonesome road
Spake each to one another,
"Whence came that stain about your mouth
No lifted hand may cover?"
"From eating of forbidden fruit,
Brother, my brother."
The three ghosts on the sunless road
Spake each to one another,
"Whence came that red burn on your foot
No dust nor ash may cover?"
"I stamped a neighbor's hearth-flame out,
Brother, my brother."
The three ghosts on the windless road
Spake each to one another,
"Whence came that blood upon your hand
No other hand may cover?"
"From breaking of a woman's heart,
Brother, my brother."
"Yet on the earth clean men we walked,
Glutton and Thief and Lover;
White flesh and fair it hid our stains
That no man might discover."
"Naked the soul goes up to God,
Brother, my brother."
poem by Theodosia Garrison
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The Australian Slanguage
"Tis the everyday Australian
Has a language of his own,
Has a language, or a slanguage,
Which can simply stand alone.
And a "dickon pitch to kid us"
Is a synonym for "lie",
And to "nark it" means to stop it,
And to "nit it" means to fly.
And a bosom friend's a "cobber,"
And a horse a "prad" or "moke,"
While a casual acquaintance
Is a "joker" or a "bloke."
And his lady-love's his "donah"
or his "clinah" or his "tart"
Or his "little bit o' muslin,"
As it used to be his "bart."
And his naming of the coinage
Is a mystery to some,
With his "quid" and "half-a-caser"
And his "deener" and his "scrum".
And a "tin-back" is a party
Who's remarkable for luck,
And his food is called his "tucker"
Or his "panem" or his "chuck".
A policeman is a "johnny"
Or a "copman" or a "trap",
And a thing obtained on credit
Is invariably "strap".
A conviction"s known as "trouble",
And a gaol is called a "jug",
And a sharper is a "spieler"
And a simpleton's a "tug".
If he hits a man in fighting
That is what he calls a "plug",
If he borrows money from you
He will say he "bit your lug."
And to "shake it" is to steal it,
And to "strike it" is to beg;
And a jest is "poking borac",
And a jester "pulls your leg".
Things are "cronk" when they go wrongly
In the language of the "push",
But when things go as he wants 'em
He declares it is "all cush".
When he's bright he's got a "napper",
And he's "ratty" when he's daft,
And when looking for employment
He is "out o' blooming graft".
And his clothes he calls his "clobber"
Or his "togs", but what of that
When a "castor" or a "kady"
Is the name he gives his hat!
And our undiluted English
Is a fad to which we cling,
But the great Australian slanguage
Is a truly awful thing!
poem by William Thomas Goodge
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Marit's Song
"Dance!" called the fiddle,
Its strings loudly giggled,
The bailiff's man wriggled
Ahead for a spree.
"Hold!" shouted Ola
And tripped him to tumbling,
The bailiff's man humbling,
To maidens' great glee.
"Hop!" said then Erik,
His foot struck the ceiling,
The beams rang their pealing,
The walls gave a shriek.
"Stop!" said now Elling,
And seizing him collared,
He held him and hollered:
"You still are too weak!"
"Hei!" said then Rasmus,
Fair Randi embracing:
"Be quick now in placing
The kiss that you know!"
"Nay!" answered Randi.
A slapping she gave him,
And from her she drave him:
"Here take what I owe!"
poem by Bjørnstjerne Bjørnson
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The Shut-Eye Sentry
Sez the Junior Orderly Sergeant
To the Senior Orderly Man:
"Our Orderly Orf'cer's ~hokee-mut~,
You 'elp 'im all you can.
For the wine was old and the night is cold,
An' the best we may go wrong,
So, 'fore 'e gits to the sentry-box,
You pass the word along."
So it was "Rounds! What Rounds?" at two of a frosty night,
'E's 'oldin' on by the sergeant's sash, but, sentry, shut your eye.
An' it was "Pass! All's well!" Oh, ain't 'e drippin' tight!
'E'll need an affidavit pretty badly by-an'-by.
The moon was white on the barricks,
The road was white an' wide,
An' the Orderly Orf'cer took it all,
An' the ten-foot ditch beside.
An' the corporal pulled an' the sergeant pushed,
An' the three they danced along,
But I'd shut my eyes in the sentry-box,
So I didn't see nothin' wrong.
Though it was "Rounds! What Rounds?" O corporal, 'old 'im up!
'E's usin' 'is cap as it shouldn't be used, but, sentry, shut your eye.
An' it was "Pass! All's well!" Ho, shun the foamin' cup!
'E'll need, etc.
'Twas after four in the mornin';
We 'ad to stop the fun,
An' we sent 'im 'ome on a bullock-cart,
With 'is belt an' stock undone;
But we sluiced 'im down an' we washed 'im out,
An' a first-class job we made,
When we saved 'im, smart as a bombardier,
For six-o'clock parade.
It 'ad been "Rounds! What Rounds?" Oh, shove 'im straight again!
'E's usin' 'is sword for a bicycle, but, sentry, shut your eye.
An' it was "Pass! All's well!" 'E's called me "Darlin' Jane"!
'E'll need, etc.
The drill was long an' 'eavy,
The sky was 'ot an' blue,
An' 'is eye was wild an' 'is 'air was wet,
But 'is sergeant pulled 'im through.
Our men was good old trusties --
They'd done it on their 'ead;
But you ought to 'ave 'eard 'em markin' time
To 'ide the things 'e said!
For it was "Right flank -- wheel!" for "'Alt, an' stand at ease!"
An' "Left extend!" for "Centre close!" O marker, shut your eye!
An' it was, "'Ere, sir, 'ere! before the Colonel sees!"
So he needed affidavits pretty badly by-an'-by.
There was two-an'-thirty sergeants,
There was corp'rals forty-one,
There was just nine 'undred rank an' file
To swear to a touch o' sun.
There was me 'e'd kissed in the sentry-box,
As I 'ave not told in my song,
But I took my oath, which were Bible truth,
I 'adn't seen nothin' wrong.
There's them that's 'ot an' 'aughty,
There's them that's cold an' 'ard,
But there comes a night when the best gets tight,
And then turns out the Guard.
I've seen them 'ide their liquor
In every kind o' way,
But most depends on makin' friends
With Privit Thomas A.!
When it is "Rounds! What Rounds?" 'E's breathin' through 'is nose.
'E's reelin', rollin', roarin' tight, but, sentry, shut your eye.
An' it is "Pass! All's well!" An' that's the way it goes:
We'll 'elp 'im for 'is mother, an' 'e'll 'elp us by-an'-by!
poem by Rudyard Kipling
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Epilogue
"Why can't you say what you mean straight out in prose?"
Well, say it yourself: then say "It's that, but more,
Or less perhaps, or not that way, or not
That after all." The meaning of a song
Might be an undernote; this tree might mean
That leaf as much as trunk, branch, other leaves.
And does one know till one begins? And let's
Look over hedges far as eyesight lets us,
Since road's not, surely, road, but road and hedge
And feet and sky and smell of hawthorn, horse-dung.
Submitted by Stephen Fryer
poem by Arthur Seymour John Tessimond
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What is—
215
What is—"Paradise"—
Who live there—
Are they "Farmers"—
Do they "hoe"—
Do they know that this is "Amherst"—
And that I—am coming—too—
Do they wear "new shoes"—in "Eden"—
Is it always pleasant—there—
Won't they scold us—when we're homesick—
Or tell God—how cross we are—
You are sure there's such a person
As "a Father"—in the sky—
So if I get lost—there—ever—
Or do what the Nurse calls "die"—
I shan't walk the "Jasper"—barefoot—
Ransomed folks—won't laugh at me—
Maybe—"Eden" a'n't so lonesome
As New England used to be!
poem by Emily Dickinson
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There was one I met upon the road
There was one I met upon the road
Who looked at me with kind eyes.
He said, "Show me of your wares."
And this I did,
Holding forth one.
He said, "It is a sin."
Then held I forth another;
He said, "It is a sin."
Then held I forth another;
He said, "It is a sin."
And so to the end;
Always he said, "It is a sin."
And, finally, I cried out,
"But I have none other."
Then did he look at me
With kinder eyes.
"Poor soul!" he said.
poem by Stephen Crane
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Grown-Up Talk
Half-Past-Six and I were talking
In a very grown-up way;
We had got so tired with running
That we did not want to play.
"How do babies come, I wonder,"
He said, looking at the sky,
"Does God mix the things together
An' just make it-like a pie?"
I was really not quite certain,
But it sounded very nice;
It was all that we could think of,
Besides a book said "sugar and spice."
Half-Past-Six said--He's so clever--
Cleverer than me, I mean...
"I suppose God makes the black ones
When the saucepan isn't clean."
poem by Katherine Mansfield
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You're right—
234
You're right—"the way is narrow"—
And "difficult the Gate"—
And "few there be"—Correct again—
That "enter in—thereat"—
'Tis Costly—So are purples!
'Tis just the price of Breath—
With but the "Discount" of the Grave—
Termed by the Brokers—"Death"!
And after that—there's Heaven—
The Good Man's—"Dividend"—
And Bad Men—"go to Jail"—
I guess—
poem by Emily Dickinson
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The New Knighthood
Who gives him the Bath?
"I," said the wet,
Rank-Jungle-sweat,
"I'll give him the Bath!"
Who'll sing the psalms?
"We," said the Palms.
"Ere the hot wind becalms,
"We'll sing the psalms."
Who lays on the sword ?
"I," said the Sun,
Before he has done,
"I'll lay on the sword."
"Who fastens his belt?
"I," said Short-Rations,
" I know all the fashions
"Of tightening a belt!"
Who gives him his spur?
"I," said his Chief,
Exacting and brief,
"I'll give him the spur."
Who'll shake his hand?
"I," said the Fever,
"And I'm no deceiver,
"I'll shake his hand."
Who brings him the wine?
"I," said Quinine,
"It's a habit of mine.
"I'11 come with his wine."
Who'll put him to proof?
"I," said All Earth.
"Whatever he's worth,
"I'll put to the proof."
Who'll choose him for Knight?
"I," said his Mother,
"Before any other,
"My very own Knight."
And after this fashion, adventure to seek,
Sir Galahad was made--as it might be last week!
poem by Rudyard Kipling
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Right in Front of the Army
"Where 'ave you been this week or more,
'Aven't seen you about the war'?
Thought perhaps you was at the rear
Guarding the waggons." "What, us? No fear!
Where have we been? Why, bless my heart,
Where have we been since the bloomin' start?
Right in the front of the army,
Battling day and night!
Right in the front of the army
Teaching 'em how to fight!"
Every separate man you see,
Sapper, gunner, and C.I.V.,
Every one of 'em seems to be
Right in front of the army!
Most of the troops to the camp had gone,
When we met with a cow-gun toiling on;
And we said to the boys, as they walked her past,
"Well, thank goodness, you're here at last!"
"Here at last! Why, what d'yer mean?
Ain't we just where we've always been?
Right in the front of the army,
Battling day and night!
Right in the front of the army,
Teaching'em bow to fight!"
Correspondents and Vets in force,
Mounted foot and dismounted horse,
All of them were, as a matter of course,
Right in the front of the army.
Old Lord Roberts will have to mind
If ever the enemy get behind;
For they'll smash him up with a rear attack,
Because his army has got no back!
Think of the horrors that might befall
An army without any rear at all!
Right in the front of the army,
Battling day and night!
Right in the front of the army,
Teaching 'em how to fight!
Swede attaches and German counts,
Yeomen (known as De Wet's Remounts),
All of them were, by their own accounts,
Right in the front of the army!
poem by Andrew Barton Paterson
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Us Two
Wherever I am, there's always Pooh,
There's always Pooh and Me.
Whatever I do, he wants to do,
"Where are you going today?" says Pooh:
"Well, that's very odd 'cos I was too.
Let's go together," says Pooh, says he.
"Let's go together," says Pooh.
"What's twice eleven?" I said to Pooh.
("Twice what?" said Pooh to Me.)
"I think it ought to be twenty-two."
"Just what I think myself," said Pooh.
"It wasn't an easy sum to do,
But that's what it is," said Pooh, said he.
"That's what it is," said Pooh.
"Let's look for dragons," I said to Pooh.
"Yes, let's," said Pooh to Me.
We crossed the river and found a few-
"Yes, those are dragons all right," said Pooh.
"As soon as I saw their beaks I knew.
That's what they are," said Pooh, said he.
"That's what they are," said Pooh.
"Let's frighten the dragons," I said to Pooh.
"That's right," said Pooh to Me.
"I'm not afraid," I said to Pooh,
And I held his paw and I shouted "Shoo!
Silly old dragons!"- and off they flew.
"I wasn't afraid," said Pooh, said he,
"I'm never afraid with you."
So wherever I am, there's always Pooh,
There's always Pooh and Me.
"What would I do?" I said to Pooh,
"If it wasn't for you," and Pooh said: "True,
It isn't much fun for One, but Two,
Can stick together, says Pooh, says he. "That's how it is," says Pooh.
poem by Alan Alexander Milne
Submitted by Poetry Lover
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Intimacy
I hear people say, "I love my iPhone, "
Or, "I love drinking a Starbucks coffee."
Sometimes: "I love my Versace cologne, "
And also: "I love having this money."
I hear people say, "I love my Walmart, "
Or, "I love the drive-thru at Taco Bell."
"I love my TV. It's state of the art."
"I love the shoes that Nike has to sell."
I hear this: "I love American Idol, "
And, "I love a nice, cold Budweiser."
"I love medicines such as Demerol."
And, "I love my internet provider."
Yet, one thing I don't hear is, "I love you."
Saying that is too intimate to do.
poem by Tim Stensloff
Submitted by Poetry Lover
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