St. Francis Of Borgia By The Coffin Of Queen Isabel
“Open the coffin and shroud until
I look on the dead again
Ere we place her in Grenada’s vaults,
Where sleep the Monarchs of Spain;
For unto King Charles must I swear
That I myself have seen
The regal brow of the royal corpse,
Our loved, lamented Queen.”
The speaker was Borgia, Gaudia’s Duke,
A noble and gallant knight,
Whose step was welcome in courtly halls,
As his sword was keen in fight.
To him had his Monarch given the task
Of conveying to the tomb.
The Princess ravished from his arms
In the pride of youthful bloom.
While they slowly raised the coffin lid,
Borgia stood silent by,
Recalling the beauty of the dead
With low, half-uttered sigh—
Longing to look on that statue fair
That wanted but life’s warm breath,
That matchless form which he hoped to find
Beautiful e’en in death.
’Tis done, and with silent, rev’rent step
To the coffin draws he near,
And sadly looks in its depths, where lies
Spain’s Queen, his sovereign dear.
But what does he see? What horrors drear
Are those that meet his eye,
For he springs aside and shades his brow
With a sharp, though stifled, cry?
Ah’ youth and beauty, in spirit gaze
On what that coffin holds—
On the fearful object that now lies
In the shroud’s white ample folds:
Nay, turn not away with loathing look,
Lest that hideous sight you see,
In a few short years from now, alas!
It is what we all shall be.
Let us learn as Francis Borgia learned,
By that lifeless form of clay,
To despise the changing things of earth,
All doomed to swift decay—
Deep into his heart the lesson sank,
Effacing earthly taint,
And Spain’s Court lost a gallant knight,
While the Church gained a Saint!
poem by Rosanna Eleanor Leprohon

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Related quotes
Gil, the Toreador
THE QUEEN sat in her balcony,
The Loveliest of Spain;
Beneath rode all the chivalry,
And roses fell like rain
To crown the gallant gentlemen
The gonfalon who bore:
A woman’s favor fell for one,—
Gil, the Toreador.
Beneath the royal canopy,
To see the red bull slain,
They sat, like loyal lovers,
The King and Queen of Spain.
Came marshal, noble, knight and squire,
Chulo and picador:
Of all a woman saw but one,—
Gil, the Toreador.
The trumpets clanged, the sport was on,
The royal sport of Spain;
Maddened by shouts and thrust of lance
The bull now charged amain:
Down to their death went chulos then,
And many a matador:—
A woman only knew there fell
Gil, the Toreador.
When through the streets of proud Madrid
Swept next the courtly train,
Sat not upon her balcony
The Loveliest of Spain.
Long live the King and his fair Queen,
Still loyal thousands roar:—
None know what woman died when fell
Gil, the Toreador.
poem by Charles Harper Webb

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Small White Coffin.
The mourners come,
Each one set out
Along the way
From chapel door
To where the small
White coffin lies
And preacher stands.
One small red rose
Upon the lid,
To tell of love
And show the grief
Of baby dead
Which lies beneath
The coffin's wood
Which was a tree
And proudly stood
But now it holds
Like vessel womb
A baby child
Within its tomb.
poem by Terry Collett

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Reconciliation
WORD over all, beautiful as the sky!
Beautiful that war, and all its deeds of carnage, must in time be
utterly lost;
That the hands of the sisters Death and Night, incessantly softly
wash again, and ever again, this soil'd world:
... For my enemy is dead--a man divine as myself is dead;
I look where he lies, white-faced and still, in the coffin--I draw
near;
I bend down, and touch lightly with my lips the white face in the
coffin.
poem by Walt Whitman

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A Dream Of Resurrection
SO heavenly beautiful it lay,
It was less like a human corse
Than that fair shape in which perforce
A lost hope clothes itself alway.
The dream showed very plain: the bed
Where that known unknown face reposed,--
A woman's face with eyelids closed,
A something precious that was dead;
A something, lost on this side life,
By which the mourner came and stood,
And laid down, ne'er to be indued,
All flaunting robes of earthly strife;
Shred off, like votive locks of hair,
Youth's ornaments of pride and strength,
And cast them in their golden length
The silence of that bier to share.
No tears fell,--but with gazings long
Lorn memory tried to print that face
On the heart's ever-vacant place,
With a sun-finger, sharp and strong.--
Then kisses, dropping without sound,
And solemn arms wound round the dead,
And lifting from the natural bed
Into the coffin's strange new bound.
Yet still no farewell, or belief
In death, no more than one believes
In some dread truth that sudden weaves
The whole world in a shroud of grief.
And still unanswered kisses; still
Warm clingings to the image cold
With an incredulous faith's close fold,
Creative in its fierce 'I will.'
Hush,--hush! the marble eyelids move,
The kissed lips quiver into breath:
Avaunt, thou mockery of Death!
Avaunt!--we are conquerors, I and Love.
Corpse of dead Hope, awake, arise,
A living Hope that only slept
Until the tears thus overwept
Had washed the blindness from our eyes.
Come back into the upper day:
Pluck off these cerements. Patient shroud,
We'll wrap thee as a garment proud
Round the fair shape we thought was clay.
Clasp, arms; cling, soul; eyes, drink anew
The beauty that returns with breath:
Faith, that out-loved this trance-like death,
May see this resurrection too.
poem by Dinah Maria Mulock Craik

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Coffin Car
Coffin car, shes riding a coffin car.
People watching her with tender eyes,
Friends whispering in kindly words,
Children running, waving hands,
Telling each other, how pretty she is.
Coffin car, she likes to ride a coffin car.
Friends making ways for the first time,
People throwing kisses for the first time,
Showering flowers, ringing bells,
Telling each other, how nice she is.
Coffin car, shes riding a coffin car.
Wives showing tears for the first time,
Husband taking their hats off for the first time,
Crushing their handkerchiefs, rubbing their nose,
Telling each other, how good she is.
Half the world is dead anyway,
The other half is asleep.
And life is killing her,
Telling her to join the dead.
So evry day, she likes to ride a coffin car,
A flower covered coffin car,
Pretending she was dead.
song performed by by Yoko Ono

Submitted by Lucian Velea
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Coffin Car
Coffin car, shes riding a coffin car.
People watching her with tender eyes,
Friends whispering in kindly words,
Children running, waving hands,
Telling each other, how pretty she is.
Coffin car, she likes to ride a coffin car.
Friends making ways for the first time,
People throwing kisses for the first time,
Showering flowers, ringing bells,
Telling each other, how nice she is.
Coffin car, shes riding a coffin car.
Wives showing tears for the first time,
Husband taking their hats off for the first time,
Crushing their handkerchiefs, rubbing their nose,
Telling each other, how good she is.
Half the world is dead anyway,
The other half is asleep.
And life is killing her,
Telling her to join the dead.
So evry day, she likes to ride a coffin car,
A flower covered coffin car,
Pretending she was dead.
song performed by by Yoko Ono

Submitted by Lucian Velea
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In the Dead of night
In the dead of night, a Sufi began to weep.
He said, 'This world is like a closed coffin, in which
We are shut and in which, through our ignorance,
We spend our lives in folly and desolation.
When Death comes to open the lid of the coffin,
Each one who has wings will fly off to Eternity,
But those without will remain locked in the coffin.
So, my friends, before the lid of this coffin is taken off,
Do all you can to become a bird of the Way to God;
Do all you can to develop your wings and your feathers.'
poem by Farid ud-Din Attar Abu Hamid bin Abu Bakr Ibrahim

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Snow-White (Part 5)
During this time, with unknown motions of sweet innocence, Snow White
Was walking in the wood to feel the Zephyr's scent and to see the pure light.
The prince was walking on his horseback at dawn lacing through its highs.
Being sad, he wanted to hunt, when the girl's face enlightened his eyes.
''Will he cross the boundary and move over to my side? '' She suddenly thought.
He came to her saying, ''I'm another victim of your beauty, I like you a lot.'
''I'm drowning in my own willingness to give up my strengths for your kiss, ''
''Queen of beauty, to get an approval to kiss you is my overwhelming bliss.'
He started to dismount his horse, because their eyes had magically met.
He kissed her saying, ' I could although avoid your eyes, but I would regret.'
''For this love that thrills my heart, there is no use in this forest to hide,
Skies' golden blessings come for our souls, please, will you be my bride? '
The queen poisoned an apple, '' She's driven by forces beyond her control.
I want her blood and she will eat this apple to pay for me the beauty's toll.''
She disguised herself as a peasant woman to knock on the dwarf's door.
The girl bitted into it, she had the bite in her mouth, when she fell on the floor.
The dwarfs returned home and they cried seeing that she was really dead.
She did not look at all like a dead person and her cheeks' color was still red.
They made a diamante coffin to lie her inside, so that she could be seen.
They wrote the name on it using golden letters to be visible through green.
Snow White laid there in the coffin for a very long time as if she was asleep.
One of dwarfs always stayed at home to keep watching and the tears to weep.
One day, the prince came to the dwarfs' house and saw the dead Snow-White.
She was illuminated by seven candles and he wanted to hold her very tight.
He asked the dwarfs to sell him the coffin with the princess Snow-White inside,
The dwarfs took pity on him and gave him the coffin with his dead bride.
As the prince looked into her eyes, he immediately knew that he can't wait
To be together with his lost bride and he wanted to open the death's gate.
poem by Marieta Maglas

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Satin In A Coffin
You were laying on the carpet
like you're satin in a coffin.
You said, "Do you believe what you're sayin'?"
Yeah right now, but not that often.
Are you dead or are you sleepin'?
Are you dead or are you sleepin'?
Are you dead or are you sleepin'?
God I sure hope you are dead.
Well you disappeared so often
like you dissolved into coffee.
Are you here right now
or are there probably fossils under your meat?
Are you dead or are you sleepin'?
Are you dead or are you sleepin'?
Are you dead or are you sleepin'?
God I sure hope you are dead.
Now the blow's been softened,
since the air we breathe's our coffin.
Well now the blow's been softened,
since the ocean is our coffin.
Often times you know our laughter
is your coffin ever after.
And you know the blow's been softened,
since the world is our coffin.
Well now the blow's been softened
since we are our own damn coffins.
Well everybody's talkin' about their short lists.
Everybody's talkin' about death.
You were laying on the carpet
like you're satin in a coffin.
You said, "Do you believe what you're sayin'?"
Yeah right now, but not that often.
Are you dead or are you sleepin'?
Are you dead or are you sleepin'?
Are you dead or are you sleepin'?
God, I sure hope you are dead.
song performed by by Modest Mouse

Submitted by Lucian Velea
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Juana
The night-wind shook the tapestry round an ancient palace-room,
And torches, as it rose and fell, waved thro' the gorgeous gloom,
And o'er a shadowy regal couch threw fitful gleams and red,
Where a woman with long raven hair sat watching by the dead.
Pale shone the features of the dead, yet glorious still to see,
Like a hunter or a chief struck down while his heart and step were free;
No shroud he wore, no robe of death, but there majestic lay,
Proudly and sadly glittering in royalty's array.
But she that with the dark hair watch'd by the cold slumberer's side,
On her wan cheek no beauty dwelt, and in her garb no pride;
Only her full impassion'd eyes as o'er that clay she bent,
A wildness and a tenderness in strange resplendence blent.
And as the swift thoughts cross'd her soul, like shadows of a cloud,
Amidst the silent room of death, the dreamer spoke aloud;
She spoke to him who could not hear, and cried, 'Thou yet wilt wake,
And learn my watchings and my tears, belov'd one! for thy sake.
'They told me this was death, but well I knew it could not be;
Fairest and stateliest of the earth! who spoke of death for thee?
They would have wrapp'd the funeral shroud thy gallant form around,
But I forbade–and there thou art, a monarch, robed and crown'd!
'With all thy bright locks gleaming still, their coronal beneath,
And thy brow so proudly beautiful–who said that this was death?
Silence hath been upon thy lips, and stillness round thee long,
But the hopeful spirit in my breast is all undimm'd and strong.
'I know thou hast not loved me yet; I am not fair like thee,
The very glance of whose clear eye threw round a light of glee!
A frail and drooping form is mine–a cold unsmiling cheek,–
Oh! I have but a woman's heart, wherewith thy heart to seek.
'But when thou wak'st, my prince, my lord! and hear'st how I have kept
A lonely vigil by thy side, and o'er thee pray'd and wept;
How in one long, deep dream of thee my nights and days have past,
Surely that humble, patient love must win back love at last!
'And thou wilt smile–my own, my own, shall be the sunny smile,
Which brightly fell, and joyously, on all but me erewhile!
No more in vain affection's thirst my weary soul shall pine–
Oh! years of hope deferr'd were paid by one fond glance of thine!
'Thou'lt meet me with that radiant look when thou com'st from the chase,
For me, for me, in festal halls it shall kindle o'er thy face!
Thou'lt reck no more tho' beauty's gift mine aspect may not bless;
In thy kind eyes this deep, deep love, shall give me loveliness.
'But wake! my heart within me burns, yet once more to rejoice
In the sound to which it ever leap'd, the music of thy voice:
Awake! I sit in solitude, that thy first look and tone,
And the gladness of thine opening eyes, may all be mine alone.'
In the still chambers of the dust, thus pour'd forth day by day,
The passion of that loving dream from a troubled soul found way,
Until the shadows of the grave had swept o'er every grace,
Left midst the awfulness of death on the princely form and face.
And slowly broke the fearful truth upon the watcher's breast,
And they bore away the royal dead with requiems to his rest,
With banners and with knightly plumes all waving in the wind,–
But a woman's broken heart was left in its lone despair behind.
poem by Felicia Dorothea Hemans

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Harder Than A Coffin Nail
Harden than a coffin nail
Bend the heaven up into hell
Harden than a coffin nail
Hahahahahaha
Harden than a coffin nail
Harden than a coffin nail
Harden than a coffin nail
Harden than a coffin nail
Hahahaha
Harden than a coffin nail
Hahahahaha
Harden than a coffin nail
Avril Lavigne
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song performed by by Papa Roach

Submitted by Lucian Velea
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Nurse Green
'Your prayers you have said, and you've wished good night:
What cause is there yet keeps my darling awake?
This throb in your bosom proclaims some affright
Disturbs your composure. Can innocence quake?
'Why thus do you cling to my neck, and enfold me,
What fear unimparted your quiet devours?'
'O mother, there's reason-for Susan has told me,
A dead body lies in the room next to ours.'
'I know it; and, but for forgetfulness, dear,
I meant you the coffin this day should have seen,
And read the inscription, and told me the year
And day of the death of your poor old Nurse Green.'
'O not for the wealth of the world would I enter
A chamber wherein a dead body lay hid,
Lest somebody bolder than I am should venture
To go near the coffin and lift up the lid.'
'And should they do so and the coffin uncover,
The corpse underneath it would be no ill sight;
This frame, when its animal functions are over,
Has nothing of horror the living to fright.
To start at the dead is preposterous error,
To shrink from a foe that can never contest;
Shall that which is motionless move thee to terror;
Or thou become restless, 'cause they are at rest?
To think harm of her our good feelings forbid us
By whom when a babe you were dandled and fed;
Who living so many good offices did us,
I ne'er can persuade me would hurt us when dead.
But if no endeavour your terrors can smother,
If vainly against apprehension you strive,
Come, bury your fears in the arms of your mother;
My darling, cling close to me, I am alive.'
poem by Charles Lamb

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Knight Aagen And The Maiden Else
TRANSLATED FROM THE DANISH.
It was the fair knight Aagen
To an isle he went his way,
And plighted troth to Else,
Who was so fair a may.
He plighted troth to Else
All with the ruddy gold,
But or ere that day’s moon came again
Low he lay in the black, black mould.
It was the maiden Else,
She was fulfilled of woe
When she heard how the fair knight Aagen
In the black mould lay alow.
Uprose the fair knight Aagen,
Coffin on back took he,
And he’s away to her bower,
Sore hard as the work might be.
With that same chest on door he smote,
For the lack of flesh and skin;
“O hearken, maiden Else,
And let thy true-love in!”
Then answered maiden Else,
“Never open I my door,
But and if thou namest Jesu’s name
As thou hadst might before.”
“O hearken, maiden Else,
And open thou thy door,
For Jesu’s name I well may name
As I had might before!”
Then uprose maiden Else,
O’er her cheek the salt tears ran,
Nor spared she into her very bower
To welcome that dead man.
O, she’s taken up her comb of gold
And combed adown her hair,
And for every hair she combed adown
There fell a weary tear.
“Hearken thou, knight Aagen,
Hearken, true-love, and tell,
If down-adown in the black, black earth
Thou farest ever well?”
“O whenso thou art joyous,
And the heart is glad in thee,
Then fares it with my coffin
That red roses are with me.
“But whenso thou art sorrowful
And weary is thy mood,
Then all within my coffin
Is it dreadful with dark blood.
“Now is the red cock a-crowing,
To the earth adown must I;
Down to the earth wend all dead folk,
And I wend in company.
“Now is the black cock a-crowing,
To the earth must I adown,
For the gates of Heaven are opening now,
Thereto must I begone.”
Uprose the fair knight Aagen,
Coffin on back took he,
And he’s away to the churchyard now,
Sore hard as the work might be.
But so wrought maiden Else,
Because of her weary mood,
That she followed after own true love
All through the mirk wild wood.
But when the wood was well passed through,
And in the churchyard they were,
Then was the fair knight Aagen
Waxen wan of his golden hair.
And when therefrom they wended
And were the church within,
Then was the fair knight Aagen
Waxen wan of cheek and chin.
“Hearken thou, maiden Else,
Hearken, true-love, to me,
Weep no more for thine own troth-plight,
However it shall be!
“Look thou up to the heavens aloft,
To the little stars and bright,
And thou shalt see how sweetly
It fareth with the night!”
She looked up to the heavens aloft,
To the little stars bright above
The dead man sank into his grave,
Ne’er again she saw her love.
Home then went maiden Else,
Mid sorrow manifold,
And ere that night’s moon came again
She lay alow in the mould.
poem by William Morris

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I Learned To Stutter/coffin Car
Recorded live 3 june 1973 at the first international feminist conference, harvard university, cambridge, ma.
While john is setting up the amp...
What happened to me was that I was living as an artist and, who had relative freedom
As a woman and was considered the bitch in the society.
Since I met john, I was upgraded into a witch and I was...and I think that thats very flattering.
Anyway, what I learned from being with john is that the society solely treated me as a woman, as a woman who belonged to a man who is one of the most powerful people in our generation, and some of his closest friends told me that probably I should stay in the background, I should shut up, I should give up my work and that way Ill be happy.
And I got those advises, I was luck, I was over thirty and it was too late for me to change,
But still, still, this is one thing I want to say, sisters, because, with the wish that you know
Youre not alone, i...because the whole society started to attack me and the whole society wished me dead, I started accumulating a tremendous amount of guilt complex and in result of that I started to stutter. and I consider myself a very eloquent woman and also an attractive woman all my life and suddenly, because I was associated to john, that was considered an ugly woman, ugly jap, who took your monument or something away from you.
And thats when I realised how hard it is for woman, if I can start to stutter, being a strong woman and having lived thirty years by then, learn to stutter in three years of being treated as such, it is a very hard road.
Now the next song is called coffin car and this is a song that I observed in myself and also in many sisters who are riding on coffin cars.
Okay
Coffin car, shes riding a coffin car,
She likes to ride a coffin car.
People watching her with tender eyes,
Friends whispering in kindly words,
Children running, waving hands,
Telling each other, how pretty she is.
Coffin car, shes riding a coffin car,
She likes to ride a coffin car.
Friends making ways for the first time,
People throwing kisses for the first time,
Showering flowers, ringing bells,
Telling each other, how nice she is.
Coffin car, she likes to ride a coffin car,
Shes riding a coffin car.
Wives showing tears for the first time,
Husbands taking their hats off for the first time,
Crushing their handkerchiefs, rubbing their nose,
Telling each other, how good she is.
Half the world is dead anyway,
The other half is asleep.
And life is killing her,
Telling her to join the dead.
So evry day, she likes to ride a coffin car,
A flower covered coffin car,
Pretending she was dead.
Coffin car,
A flower covered coffin car,
A flower covered coffin car,
A flower covered coffin car.
song performed by by Yoko Ono

Submitted by Lucian Velea
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The Death of Prince Leopold
Alas! noble Prince Leopold, he is dead!
Who often has his lustre shed:
Especially by singing for the benefit of Esher School,
Which proves he was a wise prince. and no conceited fool.
Methinks I see him on the platform singing the Sands o' Dee,
The generous-hearted Leopold, the good and the free,
Who was manly in his actions, and beloved by his mother;
And in all the family she hasn't got such another.
He was of a delicate constitution all his life,
And he was his mother's favourite, and very kind to his wife,
And he had also a particular liking for his child,
And in his behaviour he was very mild.
Oh! noble-hearted Leopold, most beautiful to see,
Who was wont to fill your audience's hearts with glee,
With your charming songs, and lectures against strong drink:
Britain had nothing else to fear, as far as you could think
A wise prince you were, and well worthy of the name,
And to write in praise of thee I cannot refrain;
Because you were ever ready to defend that which is right,
Both pleasing and righteous in God's eye-sight.
And for the loss of such a prince the people will mourn,
But, alas! unto them he can never more return,
Because sorrow never could revive the dead again,
Therefore to weep for him is all in vain.
'Twas on Saturday the 12th of April, in the year 1884,
He was buried in the royal vault, never to rise more
Until the great and fearful judgment-day,
When the last trump shall sound to summon him awav.
When the Duchess of Albany arrived she drove through the Royal Arch,--
A little before the Seaforth Highlanders set out on the funeral march;
And she was received with every sympathetic respect,
Which none of the people present seem'd to neglect.
Then she entered the memorial chapel and stayed a short time,
And as she viewed her husband's remains it was really sublime,
While her tears fell fast on the coffin lid without delay,
Then she took one last fond look, and hurried away.
At half-past ten o'clock the Seaforth Highlanders did appear,
And every man in the detachment his medals did wear;
And they carried their side-arms by their side,
With mournful looks, but full of love and pride.
Then came the Coldstream Guards headed by their band,
Which made the scene appear imposing and grand;
Then the musicians drew up in front of the guardroom
And waited patiently to see the prince laid in the royal tomb.
First in the procession were the servants of His late Royal Highness,
And next came the servants of the Queen in deep mourning dress,
And the gentlemen of his household in deep distress,
Also General Du Pla, who accompanied the remains from Cannes.
The coffin was borne by eight Highlanders of his own regiment,
And the fellows seemed to be rather discontent
For the loss of the prince they loved most dear,
While adown their cheeks stole many a silent tear
Then behind the corpse came the Prince of Wales in field marshal uniform,
Looking very pale, dejected, careworn, and forlorn;
Then followed great magnates, all dressed in uniform,
And last, but not least, the noble Marquis of Lorne.
The scene in George's Chapel was most magnificent to behold,
The banners of the knights of the garter embroidered with gold;
Then again it was most touching and lovely to see
The Seaforth Highlanders' inscription to the Prince's memory:
It was wrought in violets, upon a background of white flowers,
And as they gazed upon it their tears fell in showers;
But the whole assembly were hushed when Her Majesty did appear,
Attired in her deepest mourning, and from her eye there fell a tear.
Her Majesty was unable to stand long, she was overcome with grief,
And when the Highlanders lowered the coffin into the tomb she felt relief;
Then the ceremony closed with singing "Lead, kindly light,"
Then the Queen withdrew in haste from the mournful sight.
Then the Seaforth Highlanders' band played "Lochaber no more,"
While the brave soldiers' hearts felt depressed and sore;
And as homeward they marched they let fall many a tear
For the loss of the virtuous Prince Leopold they loved so dear.
poem by William Topaz McGonagall

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As At Thy Portals Also Death
AS at thy portals also death,
Entering thy sovereign, dim, illimitable grounds,
To memories of my mother, to the divine blending, maternity,
To her, buried and gone, yet buried not, gone not from me,
(I see again the calm benignant face fresh and beautiful still,
I sit by the form in the coffin,
I kiss and kiss convulsively again the sweet old lips, the cheeks,
the closed eyes in the coffin;)
To her, the ideal woman, practical, spiritual, of all of earth, life,
love, to me the best,
I grave a monumental line, before I go, amid these songs,
And set a tombstone here. 10
poem by Walt Whitman

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The Coming Of War
Strong from the hills it comes, and flowing
rivers;
Swift from the waters of the rising seas;
Swift on the chilling heart that waits and quivers
With a terror of hideousies.
Behind grey mist it comes, and creeping cloud
That licks the fading earth with foetid breath.
From plains it comes, and silent lakes – a shroud
That holds unloosed the damned brigades of
death.
It sweeps and passes. Everything is dead-
Broken with foulness-ravished as it bled!
A blow, a weeping! Then a silence lies.
Faint bells low-tinkling from the bloody sod
Rise from the depths of heart, and touch the skies,
And murmur at the very stairs of God.
poem by Leon Gellert

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The Funeral of the Late Prince Henry of Battenberg
Alas! Prince Henry of Battenberg is dead!
And, I hope, has gone to heaven, its streets to tread,
And to sing with God's saints above,
Where all is joy and peace and love.
'Twas in the year of 1896, and on the 5th of February,
Prince Henry was buried at Whippingham- a solemn sight to see.
As the funeral moved off, it was a very impressive sight-
First came the military, and police, and volunteers from the Isle of Wight.
Then came the carriage party of the Scots Guards;
While the people uncovered their heads as it passed onwards
And many of them did sob and sigh
When the gun carriage with the coffin was passing by.
Prince Henry's charger was led by Richter, his stud groom;
And depicted in the people's faces there was a sad gloom
When they saw the noble charger of the dead-
It seemed that all joy from them had fled.
The Queen's carriage was followed by the Princess of Wales, and other Princesses,
All clad in gorgeous mourning dresses;
And there was a number of military representatives, which enhanced the scene;
And as the procession moved along it was solemn in the extreme.
Her Majesty looked very sad and serene,
Leaning back in her carriage could plainly be seen;
And the carriage was drawn by a pair of greys in grand harness;
And Her Majesty seemed to be in deep distress.
By Her Majesty's side sat the Princess Beatrice
And the two younger Battenberg children, looking very nice;
And by the coffin walked the elder Prince, immediately
Between Prince Louis and Prince Joseph, holding their hands tenderly.
The "Dead March" was played by the Marine Band;
And the music was solemn and very grand,
And accompanied by the roll of muffled drums;
Whilst among the spectators were heard sighs and hums.
And when the procession arrived at the church of Whippingham,
Then the coffin was carried inside- of the good man-
And was then laid in its resting place,
While sorrow was depicted in every face.
Then there was the firing of guns, with their earthly Thunder
Which made the people start and wonder;
And the tolling of the village bells,
While the solemn music on the air swells.
And the people said, "Prince Henry was a good man,
But now he's laid low in the church of Whippingham."
But when the Grim King his dart does throw,
None can escape death, high or low.
The funeral service was certainly very nice-
Which was by the request of Princess Beatrice-
Which was the rendering of Sullivan's anthem, "Brother, before us thou art gone"-
I hope unto thy heavenly home.
No Doubt the Princess Beatrice will mourn for him-
But to mourn for the dead it is a sin!
Therefore I hope God will comfort her always,
And watch o'er her children night and day.
Prince Henry was a God-fearing man-
And to deny it few people can-
And very kind to his children dear,
And for the loss of him they will drop a tear.
His relatives covered the coffin lid with wreaths of flowers,
While adown their cheeks flowed tears in showers.
Then the service concluded with "Christ will gather His own";
And each one left with a sad heart and went home.
poem by William Topaz McGonagall

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The Soldier's Funeral
The muffled drum rolled on the air,
Warriors, with stately step, were there;
On every arm was the black crape bound,
Every carbine was turned to the ground;
Solemn, the sound of their measured tread,
As silent and slow, they followed the dead.
The riderless horse was led in the rear;
There were white plumes waving over the bier;
Helmet and sword were laid on the pall,
For, it was a soldier's funeral.
That soldier had stood on the battle plain,
Where every step was over the slain;
But the brand and the ball had passed him by,
And he came to his native land, to die.
'Twas hard to come to that native land,
And not clasp one familiar hand;
'Twas hard to be numbered amid the dead,
Before he could hear his welcome said.
But, 'twas something to see its cliffs once more,
And to lay his bones on his own loved shore;
To think, that the friends of his youth might weep,
O'er the green grass turf of the soldier's sleep.
The bugles ceased their wailing sound,
As the coffin was lowered into the ground;
A volley was fired, a blessing said,
One moment's pause, and they left the dead.
I saw a poor and aged man -
His step was feeble, his cheek was wan;
He knelt him down on the new-raised mound,
His face was bowed on the cold damp ground;
He raised his head, his tears were done -
The father had prayed o'er his only son.
poem by Letitia Elizabeth Landon

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Iron Coffins
Dedicated to the submariners everywhere, past, present and future.
The sea holds many secrets
in the darkness of its depths
and men being men have dived
beneath the waves in iron coffins.
Some have gone there
to fight an unseen war on passing ships,
while others have dived
to depths for exploration.
No matter what they did,
at times their machines
became iron coffin
to entomb them on the oceans floors.
Each who sails beneath the waves
holds their breath for a moment
always hoping to return
as they dove - alive.
However, there have been many.
Who have been lost below
in the iron coffin that they rode.
12 April 2010
poem by David Harris

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