En.Citatepedia^®.ro

The Ruined Homestead

White birds, frightened from silver grass,
whose blood-rose breasts and wings are thrown
like petals settling down the pass,
flower the ruined homestead’s stone.

Rise from the fallen walls and scream,
crested, from the stark dead gum;
shatter the crystal of the morning’s dream
where I, across your landscape, come.

Roofless, the broken stonework frames
red arid hills, a valley where
the ghost-gums writhe like whitened flames
and desert-oaks droop their dark hair.

And when, in the crucible of the hills
the molten day has died, there stands
under the blaze of stars that fills
its night, a house not made with hands.

poem by Roland Robinson
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Sestina

I have come, alas, to the great circle of shadow,
to the short day and to the whitening hills,
when the colour is all lost from the grass,
though my desire will not lose its green,
so rooted is it in this hardest stone,
that speaks and feels as though it were a woman.

And likewise this heaven-born woman
stays frozen, like the snow in shadow,
and is unmoved, or moved like a stone,
by the sweet season that warms all the hills,
and makes them alter from pure white to green,
so as to clothe them with the flowers and grass.

When her head wears a crown of grass
she draws the mind from any other woman,
because she blends her gold hair with the green
so well that Amor lingers in their shadow,
he who fastens me in these low hills,
more certainly than lime fastens stone.

Her beauty has more virtue than rare stone.
The wound she gives cannot be healed with grass,
since I have travelled, through the plains and hills,
to find my release from such a woman,
yet from her light had never a shadow
thrown on me, by hill, wall, or leaves’ green.

I have seen her walk all dressed in green,
so formed she would have sparked love in a stone,
that love I bear for her very shadow,
so that I wished her, in those fields of grass,
as much in love as ever yet was woman,
closed around by all the highest hills.

The rivers will flow upwards to the hills
before this wood, that is so soft and green,
takes fire, as might ever lovely woman,
for me, who would choose to sleep on stone,
all my life, and go eating grass,
only to gaze at where her clothes cast shadow.

Whenever the hills cast blackest shadow,
with her sweet green, the lovely woman
hides it, as a man hides stone in grass.

poem by Dante Alighieri
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This Is Just An Exercise

this poem
is a morning poem

i write it when
the sun begins to peep
between the two hills
where my house
stands

i write it when the dews
are still alive
glistening with life
on the green leaves
on the white petals
of the flowers

i write it when the birds
start to chirp
and in flocks start
to leave the trees
where they
sleep for the
whole dark night

oh, this poem is nothing
it is just an idea
just an exercise of the mind
this morning

just to assure myself
that i am still a rational being
in touch with art
honed to the skills
of humanity

oh, this is just nothing
but a prelude
to my day

a day
when we wish
we are not thinking at all

poem by Ric S. Bastasa
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Descent and Defeat

To Karl Borromaus Heinrich

Over the white fishpond
The wild birds have blown away.
An icy wind drifts from our stars at evening.
Over our graves
The broken forehead of the night is bending.
Under the oaks we veer in a silver skiff.
The white walls of the city are always giving off
sound.
Under arching thorns
O my brother blind minute-hands we are climbing
toward midnight

poem by Georg Trakl
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The Rainbow

Watch the white dawn gleam,
To the thunder of hidden guns.
I hear the hot shells scream
Through skies as sweet as a dream
Where the silver dawn-break runs.
And stabbing of light
Scorches the virginal white.
But I feel in my being the old, high, sanctified thrill,
And I thank the gods that the dawn is beautiful still.

From death that hurtles by
I crouch in the trench day-long,
But up to a cloudless sky
From the ground where our dead men lie
A brown lark soars in song.
Through the tortured air,
Rent by the shrapnel's flare,
Over the troubleless dead he carols his fill,
And I thank the gods that the birds are beautiful still.

Where the parapet is low
And level with the eye
Poppies and cornflowers glow
And the corn sways to and fro
In a pattern against the sky.
The gold stalks hide
Bodies of men who died
Charging at dawn through the dew to be killed or to kill.
I thank the gods that the flowers are beautiful still.

When night falls dark we creep
In silence to our dead.
We dig a few feet deep
And leave them there to sleep -
But blood at night is red,
Yea, even at night,
And a dead man's face is white.
And I dry my hands, that are also trained to kill,
And I look at the stars - for the stars are beautiful still.

poem by Leslie Coulson
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Fields of Soria

Hills of silver plate,
grey heights, dark red rocks
through which the Duero bends
its crossbow arc
round Soria, shadowed oaks,
stone dry-lands, naked mountains,
white roads and river poplars,
twilights of Soria, warlike and mystical,
today I feel, for you,
in my hearts depths, sadness,
sadness of love! Fields of Soria,
where it seems the stones have dreams,
you go with me! Hills of silver plate,
grey heights, dark red rocks.

poem by Antonio Machado
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The Vampire

She rose among us where we lay.
She wept, we put our work away.
She chilled our laughter, stilled our play;
And spread a silence there.
And darkness shot across the sky,
And once, and twice, we heard her cry;
And saw her lift white hands on high
And toss her troubled hair.

What shape was this who came to us,
With basilisk eyes so ominous,
With mouth so sweet, so poisonous,
And tortured hands so pale?
We saw her wavering to and fro,
Through dark and wind we saw her go;
Yet what her name was did not know;
And felt our spirits fail.

We tried to turn away; but still
Above we heard her sorrow thrill;
And those that slept, they dreamed of ill
And dreadful things:
Of skies grown red with rending flames
And shuddering hills that cracked their frames;
Of twilights foul with wings;

And skeletons dancing to a tune;
And cries of children stifled soon;
And over all a blood-red moon
A dull and nightmare size.
They woke, and sought to go their ways,
Yet everywhere they met her gaze,
Her fixed and burning eyes.

Who are you now, —we cried to her—
Spirit so strange, so sinister?
We felt dead winds above us stir;
And in the darkness heard
A voice fall, singing, cloying sweet,
Heavily dropping, though that heat,
Heavy as honeyed pulses beat,
Slow word by anguished word.

And through the night strange music went
With voice and cry so darkly blent
We could not fathom what they meant;
Save only that they seemed
To thin the blood along our veins,
Foretelling vile, delirious pains,
And clouds divulging blood-red rains
Upon a hill undreamed.

And this we heard: 'Who dies for me,
He shall possess me secretly,
My terrible beauty he shall see,
And slake my body's flame.
But who denies me cursed shall be,
And slain, and buried loathsomely,
And slimed upon with shame.'

And darkness fell. And like a sea
Of stumbling deaths we followed, we
Who dared not stay behind.
There all night long beneath a cloud
We rose and fell, we struck and bowed,
We were the ploughman and the ploughed,
Our eyes were red and blind.

And some, they said, had touched her side,
Before she fled us there;
And some had taken her to bride;
And some lain down for her and died;
Who had not touched her hair,
Ran to and fro and cursed and cried
And sought her everywhere.

'Her eyes have feasted on the dead,
And small and shapely is her head,
And dark and small her mouth,' they said,
'And beautiful to kiss;
Her mouth is sinister and red
As blood in moonlight is.'

Then poets forgot their jeweled words
And cut the sky with glittering swords;
And innocent souls turned carrion birds
To perch upon the dead.
Sweet daisy fields were drenched with death,
The air became a charnel breath,
Pale stones were splashed with red.

Green leaves were dappled bright with blood
And fruit trees murdered in the bud;
And when at length the dawn
Came green as twilight from the east,
And all that heaving horror ceased,
Silent was every bird and beast,
And that dark voice was gone.

No word was there, no song, no bell,
No furious tongue that dream to tell;
Only the dead, who rose and fell
Above the wounded men;
And whisperings and wails of pain
Blown slowly from the wounded grain,
Blown slowly from the smoking plain;
And silence fallen again.

Until at dusk, from God knows where,
Beneath dark birds that filled the air,
Like one who did not hear or care,
Under a blood-red cloud,
An aged ploughman came alone
And drove his share through flesh and bone,
And turned them under to mould and stone;
All night long he ploughed.

poem by Conrad Potter Aiken
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Thèlus Wood

I came by night to Thèlus wood,
And though in dark and desperate places
Stubborned with wire and brown with blood
Undaunted April crept and sewed
Her violets in dead men's faces,
And in a soft and snowy shroud
Drew the scarred fields with gentle stitch;
Though in the valley where the ditch
Was hoarse with nettles, blind with mud,
She stroked the golden-headed bud,
And loosed the fern, she dared not here
To touch nor tend this murdered thing;
The wind went wide of it, the year
Upon this breast stopped short of Spring:
Beauty turned back from Thèlus Wood.

From broken brows the dim eyes stared,
Blistered and maimed the wide stumps grinned
From the black mouth of Thèlus bared
In laughter at some monstrous jest.
No creature moved there, weed nor wind.
Huge arms, half-torn from savage breast,
Hung wide, and tangled limbs and faces
Lay, as if giants blind and stark
With violent, with perverse embraces
Groped for each other in the dark.
A moaning rose — not of the wind,
— There was no wind, but hollowly
From its dim bed of mud each tree
Gave forth a sound, till trees and mud
Seemed but a single, sighing mouth,
A wound that spoke with lips uncouth,
And cried to me from Thèlus Wood.

I heard one tree say: 'This was I
Who drew great clouds across the sky
To weep against me.' This one said:
'I made a gloom where love might lie
All day and dream it night, a bed
Secret and soft, the birds' song had
A twilight sound the whole day there.'
One said: 'Last night I shook my hair
Before the mirror of the moon.'
'I saw a corpse to-day,' said one
'That was but buried yester-year.'
And one, the smallest, sweetest thing —
A fair child-tree made never stir,
Dead before God had tended her
In the green nurseries of Spring.
She lay, the loveliest, loneliest,
Among the old and ruined trees,
And at each small and broken wrist
The white flowers grew like bandages.

Then from the ruined churchyard where
Old vaults and graves lay turned and tossed
And earth from earth was shaken bare,
Came murmurings of a tongueless host
That to each ghastly brother said:
'Who raised us from our sleep? Is this
The resurrection of the dead?
Upon our bodies no flesh grows,
No bright blood through our temples springs,
No glory spreads, no trumpet blows,
The air is not white and blind with wings.
And yet dragged up before us lie
The woods of Thèlus at our feet,
And strange hills sentinel the sky,
And where the road went yawns a pit.
The world is finished: let us sleep.
God has forgotten: we shall keep
Here a sweet, safe Eternity.
There is no other end than this,
And this is death, and that is peace.'
But even as they ceased the stones
Were loosed, the earth shook where I stood,
And from far off the crouching guns
Swung slowly round on Thèlus Wood.

poem by Muriel Stuart
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Toboggan

1 Down from the hills and over the snow
2 Swift as a meteor's flash we go,
3 Toboggan! Toboggan! Toboggan!
4 Down from the hills with our senses lost,
5 Jealous of cheeks that are kissed by the frost,
6 Toboggan! Toboggan! Toboggan!

7 With snow piled high on housetop and hill,
8 O'er frozen rivulet, river, and rill,
9 Clad in her jacket of sealskin and fur,
10 Down from the hills I'm sliding with her,
11 Toboggan! Toboggan! Toboggan!

12 Down from the hills, what an awful speed!
13 As if on the back of a frightened steed,
14 Toboggan! Toboggan! Toboggan!
15 Down from the hills at the rise of the moon,
16 Merrily singing the toboggan tune,
17 "Toboggan! Toboggan! Toboggan!"

18 Down from the hills like an arrow we fly,
19 Or a comet that whizzes along through the sky;
20 Down from the hills! Oh, isn't it grand!
21 Clasping your best winter girl by the hand,
22 Toboggan! Toboggan! Toboggan!

23 Down from the hills and both growing old,
24 Down from the hills we are nearing the fold:
25 Toboggan! Toboggan! Toboggan!
26 Close to the homestead we hear the ring
27 Of children's voices that cheerily sing,
28 "Toboggan! Toboggan! Toboggan!"

29 Down from the hills and we hear the chime
30 Of bells that are ringing out Old Father Time;
31 Down from the hills we are riding away,
32 Nearing the life with its endless day;
33 Toboggan! Toboggan! Toboggan!

poem by Benjamin Franklin King
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Lost Dream

Its a beautiful dream
Like a crimson sun
On a milky blue sky
Birds flying to home
And myself in Rome

Its a beautiful dream
Like silver cloud line
To mounted dark cloud
Light kissing the head
And myself on rose bed

Its a beautiful dream
Like shining dew drop
On a lush green grass
Bright day smiling
And myself flying

Its a beautiful dream
Like a new born cub
In hands of young love
Tears flowing in joy
And myself with toys

Its a beautiful dream
Like a painless sleep
On a dry soft pillow
Night not slept slow
And myself out of flow

Its a beautiful dream
Like full moon night
On a artful dark sky
Dogs stopped scream
And myself out of dream

poem by Kranthi Pothineni
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Dark Rose

a dark rose growing from the dark
concrete crevice of
this deserted building
on this dark night
spreading its petals of darkness
for a dreamer dark dream

on a fine morning
when the darkness
is gone
the dark rose
comes out in the open
to meet the sun
to embrace it's light
with so much light
turning into something
of a reddish blood
coloured rose
something glowing like
the blood of pain
but still dark
like the one last night.

poem by Suelynn Walters
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She Is Looking For The Simplicity Of You

she is looking for nothing but the simplicity
of the sea
the plain salt in water
you may even remove the bluish part of it

she is expecting nothing in the landscape
but only the grass on the hills
you may remove the house nearby
and the running brook

the moon at night need not even be there
the star can be dispensed with

you may only give her the darkness and the silence
of the grass and the hills

she is looking for nothing except that you
the one she loves must be there tonight

you may even dispense with the body
the hands and the face and the thighs

you may take them all away from her
she needs only the presence of your words

or even if you take the last word that you cannot give
you leave her the sigh unspoken by you

that will still suffice
she loves you and it is enough for her to last for another day

poem by Ric S. Bastasa
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Of Haiti and Other Wars

Dark soldier at attention near the sea
A tear, like sudden blood,
Down sweat and flesh and the teeth of strangers
Through bullets and the barrels of loaded guns

Blood, like a frightened lizard
Through his window in the night,
A sky the colour of corbeaux
And tears that flow to a fretful, reckless sea

Dark soldier came here, a stranger, when the moon was low and
Mocking distance from this dry and shattered land
Lying beautiful and broken like first sex
Her smile the shape of an unfinished dream

He came here when the day was night and the night was blind
Planes the shape of vultures over scalded hills
Smoke the smell of scabs greets them as they arrive
He stands at attention near the sea and in his tears

Strangers presenting alms of food and cameras
Strangers from across the way
Strangers through his window in the night
Strangers from familiar lands

Dark soldier at attention near the sea
A castaway on broken ground
Bullets, blood and breakfast
She smiles at him, turns away and goes to sleep

poem by Wesley Gibbings
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Uses For Wings - Variations From 'We Can Be Broken' & Other Discarded Poems

.
'It means so much that we can be broken.' - from an early poem,1978

For Tien Ho, departed,
and Michael R.
carving the empty space
of her leaving still

*

Here is a Presence beyond
illicit fires bearing witness
to evidence, remains of flight,
contrived escapes blocked by panes,
walls striped in ramming panic,
of ritual and a broken neck,
petrified wings placed in open
spaces they once could range.

*

I began

a bird flown down a chimney
dying in an empty house,
a hidden mountain valley,
night time fires upon surrounding
hills, moonshine stills signaling
flame warnings, bootleggers' silent
spirits conjuring drip by drip
metal and grain.

*

Here are uses for wings:

something returning,
or turning inward

eventually climbed,
rested upon,

or fallen to some chimney life.

*

Descending the hill in unplanned rehearsal
for what has become a destined association,
our mutual confession is invisibly drawn.

A ruined one-room church appears,
a cemetery plot weed-hidden behind this
once sentinel house long remote to men,
as present as God. My own presence is bound
to his who stands confounded now as three,
one above grave, one within it, and me
in between, one eye upon him, the other
upon sagging dirt where bones and a
ragged shirt share an unexpected
moment of veils confused in sunlight's
disarray of leaves, wood, of stone and
shadows frozen there, not breathing
for us all in unstoried astonishment.

Here horseflies feast.
Upon weathered stones
are only creases for once were
names, dates, even God's Word,
chiseled by a now unknown hand,
an impression only, one among many,
reduced to no plot but that of Providence
left to surmise swatting at Eucharistic
flies proving only flesh and only blood,
a flood of questions eventually exhaled,
and exhaling still, waiting beside
a white rock with wings,
ignoring fires,

leaning into changes.

*

poem by Warren Falcon
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The Gippsland Hills

The hills of Gippsland were so green but that was in September
And songbirds piping happy songs as well I might remember
But now the Gippsland hills are gray since sun changed the grass colour
And though the sun shines hot today this countryside looks duller.

The Gippsland hills were green in Spring and grass growing winds were blowing
And all along the sunlit hills the wildering flowers were showing
And bell magpie piped his joyful notes and butcherbird was singing
And through those hills those happy hills the bushlark's voice went ringing.

The Gippsland hills the sunburnt hills grown lonelier and quieter
And like the shades of old man's hair they've turned a gray type whiter
The nearby creek in trickle flow, the birds have lost their voices
And not one of Nature's minstrels now on Gippsland hills rejoices.

The Gippsland hills the sunburnt hills have lost their Spring like colour
And though the sun shines hot today the Gippsland hills look duller
But Spring bring green to Gippsland hills Spring rains and soft winds blowing
And birds will sing on Gippsland hills and Gippsland creeks fast flowing.

poem by Francis Duggan
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The House of Stone

I came, from where?
From the house made of stone...

My aunt Romana -
That whom you do not know,

When she had an accident
She stayed in the house of stone

To get well and recover...
But with a cutting tongue

Against my father,
She said to me,

'T'is a big house made of stone,
But inside here lives an owl! '

Where did I come from?
From that house of stone...

But I cannot fathom,
Was her anger so deep

For the owl on pedestal,
The King of our clan;

Was corrupted and fallen
Weakened by the flesh of men...

My Aunt Romana, she left
And my father is dead;

The house made of stone
Forever ruined...

But the lesson of the owl lives;
And him fondly remembered!

poem by Jane Quijano
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Shamrock Song

O, the red rose may be fair,
And the lily statelier;
But my shamrock, one in three,
Takes the very heart of me!

Many a lover hath the rose
When june's musk-wind breathes and blows:
And in many a bower is heard
Her sweet praise from bee and bird.

Through the gold hours dreameth she,
In her warm heart passionately,
Her fair face hung languid-wise:
O, her breath of honey and spice!

Like a fair saint virginal
Stands your lily, silver and tall;
Over all the flowers that be
Is my shamrock dear to me.

Shines the lily like the sun,
Crystal-pure, a cold, sweet nun;
With her austere lip she sings
To her heart of heavenly things.

Gazeth through a night of June
To her sister-saint, the moon;
With the stars communeth long
Of the angels and their song.

But when summer died last year
Rose and lily died with her;
Shamrock stayeth every day,
Be the winds or gold or grey.

Irish hills, as grey as the dove,
Know the little plant I love;
Warm and fair it mantles them
Stretching down from throat to hem.

And it laughs o'er many a vale,
Sheltered safe from storm and gale;
Sky and sun and stars thereof
Love the gentle plant I love.

Soft it clothes the ruined floor
Of many an abbey, grey and hoar,
And the still home of the dead
With its green is carpeted.

Roses for an hour of love,
With the joy and pain thereof:
Stand my lilies white to see
All for prayer and purity.

These are white as the harvest moon,
Roses flush like the heart of June;
But my shamrock, brave and gay,
Glads the tired eyes every day.

O, the red rose shineth rare,
And the lily saintly fair;
But my shamrock, one in three,
Takes the inmost heart of me!

poem by Katharine Tynan
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Milk White, Blood-Red

Gently as wind blows
Sways the beauty of the Milk White rose
Day and night that rose stays
Its beauty drawing people closer
Its thorns keeping them away
The rose stays here
As seasons pass it by
The petals have worn
As the wind made it fly
A single rose seed
Falls onto the ground
And the Milk White rose
Now dead
Gave birth safe and sound
To a rose of Blood Red

poem by Monina Furigay
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The Golden Yesterday

AFTER a spell of chill, grey weather,
(Green, O green, are the feet of Spring!)
The heaven is here of flower and feather,
Of wild red blossom and flashing wing.
Hither of old queer flotsam drifted,
Borne on the breast of an age-old stream —
Men and women, with hope uplifted,
Spurred and stirred by a splendid dream.
Hither they quested, the young and eager,
The social misfit, the aged, the banned;
Friends were lacking and fortune meagre,
And here was promise — the Promised Land.
Each had a goal, a star, a beacon —
A good-bye smile, or a soft love-trees —
To urge his feet lest his feet should weaken,
Drag and falter with weariness.
Love and honour, and mirth and pity —
The joy that brightens, the gloom that chills —
Dwelt at once in the tented city,
Set of old in these watching hills.
The birds aroused them with matin numbers;
The air was scented with waking flowers;
They woke renewed from their starlit slumbers,
They toiled, dream-warmed, through the sunlit hours.
They had their triumphs, their gains, their losses,
Their noons of laughter, their nights of care.
Back on the hills are some rough crosses —
A name . . .a date . . .and, perchance, a prayer.
It seems like a dream that flashed and flitted,
That reigned a moment and passed away,
And only the earth — its kind face pitted —
Tells the tale of that old, dead day.
They dug the clay, and they broke the boulders;
They turned the creek, and they washed the mould;
But vain as makers, and vain as moulders,
They lived and wrought in the age of Gold.
They worked and worried, their labour blotching
The land's green surface with scar and pit;
Yet, all around them the hills were watching
Flower-crowned, tree-crested and glory-lit.
Like time-worn sages the green hills waited —
Clouds round their foreheads, their hips in grass;
They knew that the man at their feet was fated,
That he and the work of his hands would pass.
A breeze comes down from the highlands, smoothing
The green young wheat, and a bird makes mirth,
And Spring is here, with her soft hands soothing
The ruined rocks and the wounded earth.
The diggers passed: and the last red embers
Of their night-fires they are ashen grey;
But, while hearts beat and the mind remembers,
They shall not fade as a dream away.

poem by Roderic Quinn
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Poem Song

I like to call you my wild horse
(and feed you silver sage ? )
Id like to paint my poems with
Desert tongued clay across her back
And ride you savagely as the sweet and southern wind
Through green and wild kentucky
Id like to make you my secret song
Blaze and dark and red in the orchards
And I would steal away to watch the way
Your silver belly bends and bows beneath me
Id make you my wings in the foothills of montana
My lover in the oceans of the world
Id make you... of children
And I would scatter you across my green memories of home
Id make you my hungry valley
And sow your golden fields and wheats my own
If I were a painter
I would paint you with this note
Silver traces on your skin
And if I were a writer
I would write these words on your back
In desert tongue clay, deep in (your wind? )
Id make you my secret song
Blazing in the orchard
And I would steal away
To watch the way your silver belly
Bends and bows beneath me
Id make you my wings in the foothills of montana
Make you my lover in the oceans of the world
Id make you my calico children
And I would scatter you across my green memories of home
Id be your hungry valley
And Id sow your golden fields of wheat my own
If I were a writer
I would make you my wild horse
Id paint you silver sage and
Ride you savagely through green wild country
(? ? ? ) swedish verses
And you are the rose on my alter
I worship you eternally in flight
Like the wave ?
Ill dip you in these praises like cobwebs
And watch them....?
For your hair is the rain
And it soaks across the continents of my skin
These hands that worship you so completely
You see this woman standing before you
Naked and seared, true of intent,
I dont need you
I want you near
For you are my love
You are my flower of the sun
You are my lover for all time
You wake in the morning
For your sun(flowers? )
You wake in the morning
With your kiss
Ill be your hungry valley
And sow your golden fields of wheat...?
And you are the rose on my alter
I worship you eternally in flight
Like the wave ?
You be my calico children
Ill scatter you across my green memories of home

song performed by by Jewel
Submitted by Lucian Velea
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Roses in the Valley

roses roses in the valley below
peaking up from the dead ground we know
one lil angle stands there crying
but not a single rose is dying
she tries to take flight with thorns in her wings
white is turning to deep deep red
red just like the roses she looks down upon
with thorns made red, and tears rolling down
the angel is dying with every tear that falls
the roses with petals of silk
shall catch the angel who's wings are no longer white as milk
now she lays down to stay
in a valley of roses that will live everyday
i am the angel
the angel that can no longer fly away
my dreams live on
like the roses, each and every day

poem by Sally Minns
Submitted by Poetry Lover
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