The Place For No Story
The coast hills at Sovranes Creek:
No trees, but dark scant pasture drawn thin
Over rock shaped like flame;
The old ocean at the land's foot, the vast
Gray extension beyond the long white violence;
A herd of cows and the bull
Far distant, hardly apparent up the dark slope;
And the gray air haunted with hawks:
This place is the noblest thing I have ever seen.
No imaginable
Human presence here could do anything
But dilute the lonely self-watchful passion.
poem by Robinson Jeffers
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Related quotes
In Memoriam A. H. H.: 67. When on my bed the moonlight fall
When on my bed the moonlight falls,
I know that in thy place of rest
By that broad water of the west,
There comes a glory on the walls:
Thy marble bright in dark appears,
As slowly steals a silver flame
Along the letters of thy name,
And o'er the number of thy years.
The mystic glory swims away;
From off my bed the moonlight dies;
And closing eaves of wearied eyes
I sleep till dusk is dipt in gray:
And then I know the mist is drawn
A lucid veil from coast to coast,
And in the dark church like a ghost
Thy tablet glimmers to the dawn.
poem by Alfred Lord Tennyson
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Triangles
Three triangles of birds crossed
Over the enormous ocean which extended
In winter like a green beast.
Everything just lay there, the silence,
The unfolding gray, the heavy light
Of space, some land now and then.
Over everything there was passing
A flight
And another flight
Of dark birds, winter bodies
Trembling triangles
Whose wings,
Frantically flapping, hardly
Can carry the gray cold, the desolate days
From one place to another
Along the coast of Chile.
I am here while from one sky to another
The trembling of the migratory birds
Leaves me sunk inside myself, inside my own matter
Like an everlasting well
Dug by an immovable spiral.
Now they have disappeared
Black feathers of the sea
Iron birds
From steep slopes and rock piles
Now at noon
I am in front of emptiness. It’s a winter
Space stretched out
And the sea has put
Over its blue face
A bitter mask.
poem by Pablo Neruda
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The Details
one gets too particular about the details of
the morning picture: there are two rainbows
from the top of the galvanized roof of the old house
surrounded by trees
its other foot extending to the hazy hills
the rain is soft
landing on the small ponds
below the trees with few brownish leaves
making some ripples
the grass is wilting by the previous summer heat
the wind whispers softly like a woman in love
the horizon gives a gray boundary of the foot of the hills
some houses look like pigments of black and brown spots
too distant for my sight
i sit here
my mind is calm like a pigeon roosting on the steel beam
of the gymnasium
they say
that when one gets too lonely
the details of the world becomes
too visible
one can even hear the flapping wings
of a butterfly lost inside
the room of your heart
poem by Ric S. Bastasa
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An Autumn Landscape
No wind there is that either pipes or moans;
The fields are cold and still; the sky
Is covered with a blue-gray sheet
Of motionless cloud; and at my feet
The river, curling softly by,
Whispers and dimples round its quiet gray stones.
Along the chill green slope that dips and heaves
The road runs rough and silent, lined
With plum-trees, misty and blue-gray,
And poplars pallid as the day,
In masses spectral, undefined,
Pale greenish stems half hid in dry gray leaves.
And on beside the river's sober edge
A long fresh field lies black. Beyond,
Low thickets gray and reddish stand,
Stroked white with birch; and near at hand,
Over a little steel-smooth pond,
Hang multitudes of thin and withering sedge.
Across a waste and solitary rise
A ploughman urges his dull team,
A stooped gray figure with prone brow
That plunges bending to the plough
With strong, uneven steps. The stream
Rings and re-echoes with his furious cries.
Sometimes the lowing of a cow, long-drawn,
Comes from far off; and crows in strings
Pass on the upper silences.
A flock of small gray goldfinches,
Flown down with silvery twitterings,
Rustle among the birch-cones and are gone.
This day the season seems like one that heeds,
With fixed ear and lifted hand,
All moods that yet are known on earth,
All motions that have faintest birth,
If haply she may understand
The utmost inward sense of all her deeds.
poem by Archibald Lampman
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Shades Of Gray (Master Backing Track Take 98)
When the world and I were young, just yesterday
Life was such a simple game a child could play
It was easy then to tell right from wrong
Easy then to tell weak from strong
When a man should stand and fight
Or just go along
But today, there is no day or night
Today, there is no dark or light
Today, there is no black or white
Only shades of gray
I remember when the answer seemed so clear
We had never lived with doubt, or tasted fear
It was easy then to tell truth from lies
Selling out from compromise
Who to love and who to hate
The foolish from the wise
But today, there is no day or night
Today, there is no dark or light
Today, there is no black or white
Only shades of gray
It was easy then to know what was fair
When to keep and when to share
How much to protect your heart
And how much to care
But today, there is no day or night
Today, there is no dark or light
Today, there is no black or white
Only shades of gray
Only shades of gray
song performed by by Monkees
Submitted by Lucian Velea
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Ducks of Equality
Dark brown-black ducks
splish-splash and
pitter-patter on
gently rocking waves
of glee
When a light gray-white duck
tip-taps and
tip-toes
shyly shivering
'May I join? ' quacks he.
The dark brown-black ducks
easily accept
the light gray-white duck
as one of their own
and joyfully they swim and play
In chilly water
'til they're freezing to the bone
And I wonder:
Why can't America be
more like the
dark brown-black ducks
and the
light gray-white duck
floating on the waves
of acceptance and equality?
poem by Charlotte Riddle
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Shades Of Gray
By barry mann and cyntha weil
When the world and I were young,
Just yesterday.
Live was such a simple game,
A child could play.
It was easy then to tell right from wrong.
Easy then to tell weak from strong.
When a man should stand and fight,
Or just go along.
But today there is no day or night
Today there is no dark or light.
Today there is no black or white,
Only shades of gray.
I remember when the answers seemed so clear
We had never lived with doubt or tasted fear.
It was easy then to tell truth from lies
Selling out from compromise
Who to love and who to hate,
The foolish from the wise.
But today there is no day or night
Today there is no dark or light.
Today there is no black or white,
Only shades of gray.
[instumental interlude]
It was easy then to know what was fair
When to keep and when to share.
How much to protect your heart
And how much to care.
But today there is no day or night
Today there is no dark or light.
Today there is no black or white,
Only shades of gray.
Only shades of gray.
song performed by by Monkees
Submitted by Lucian Velea
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A Kind Of Story
a red cliff stands beside
a running creek
from a distance it looks like
a hand
C-shaped trying to give
a view of spring
fluffy clouds hang there
like friends
wanting to save someone
from an impending harm
the valley presents a shadow
of a gray land
offering the promises of
a bumpy harvest
meanwhile everyone watches
how a creek dies.
poem by Ric S. Bastasa
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In Death Valley
There came gray stretches of volcanic plains,
Bare, lone and treeless, then a bleak lone hill
Like to the dolorous hill that Dobell saw.
Around were heaps of ruins piled between
The Burn o’ Sorrow and the Water o’ Care;
And from the stillness of the down-crushed walls
One pillar rose up dark against the moon.
There was a nameless Presence everywhere;
In the gray soil there was a purple stain,
And the gray reticent rocks were dyed with blood—
Blood of a vast unknown Calamity.
It was the mark of some ancestral grief—
Grief that began before the ancient Flood.
poem by Edwin Markham
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Whistling In The Dark
A woman came up to me and said
Id like to poison your mind
With wrong ideas that appeal to you
Though I am not unkind
She looked at me, I looked at something
Written across her scalp
And these are the words that it faintly said
As I tried to call for help:
Theres only one thing that I know how to do well
And Ive often been told that you only can do
What you know how to do well
And thats be you,
Be what youre like,
Be like yourself,
And so Im having a wonderful time
But Id rather be whistling in the dark
Whistling in the dark
Whistling in the dark
Whistling in the dark
Whistling in the dark
Whistling in the dark
Theres only one thing that I like
And that is whistling in the dark
A man came up to me and said
Id like to change your mind
By hitting it with a rock, he said,
Though I am not unkind.
We laughed at his little joke
And then I happily walked away
And hit my head on the wall of the jail
Where the two of us live today.
Theres only one thing that I know how to do well
And Ive often been told that you only can do
What you know how to do well
And thats be you,
Be what youre like,
Be like yourself,
And so Im having a wonderful time
But Id rather be whistling in the dark
Whistling in the dark
Whistling in the dark
Whistling in the dark
Whistling in the dark
Whistling in the dark
Theres only one thing that I like
And that is whistling in the dark
Theres only one thing that I know how to do well
And Ive often been told that you only can do
What you know how to do well
And thats be you,
Be what youre like,
Be like yourself,
And so Im having a wonderful time
But Id rather be whistling in the dark
Whistling in the dark
Whistling in the dark
Whistling in the dark
Whistling in the dark
Whistling in the dark
Whistling, whistling
Whistling in the dark
Whistling (whistling), whistling (whistling)
Dark (dark), dark (dark)
Whistling (whistling), whistling (whistling)
Dark (dark), dark (dark)
Whistling (whistling), whistling (whistling)
Dark (dark), dark (dark)
Whistling (whistling), whistling (whistling)
Dark (dark), dark (dark)
Whistling (whistling), whistling (whistling)
Dark (dark), dark (dark)
Whistling (whistling), whistling (whistling)
Dark (dark), dark (dark)
Whistling (whistling), whistling (whistling)
Dark (dark), dark (dark)
Whistling (whistling), whistling (whistling)
Dark (dark), dark (dark)
Whistling (whistling), whistling (whistling)
Dark (dark), dark (dark)
Whistling (whistling), whistling (whistling)
Dark (dark), dark (dark)
Whistling (whistling), whistling (whistling)
Dark (dark), dark (dark)
Whistling (whistling), whistling (whistling)
Dark (dark), dark (dark)
song performed by by They Might Be Giants
Submitted by Lucian Velea
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At the Fishhouses
Although it is a cold evening,
down by one of the fishhouses
an old man sits netting,
his net, in the gloaming almost invisible,
a dark purple-brown,
and his shuttle worn and polished.
The air smells so strong of codfish
it makes one's nose run and one's eyes water.
The five fishhouses have steeply peaked roofs
and narrow, cleated gangplanks slant up
to storerooms in the gables
for the wheelbarrows to be pushed up and down on.
All is silver: the heavy surface of the sea,
swelling slowly as if considering spilling over,
is opaque, but the silver of the benches,
the lobster pots, and masts, scattered
among the wild jagged rocks,
is of an apparent translucence
like the small old buildings with an emerald moss
growing on their shoreward walls.
The big fish tubs are completely lined
with layers of beautiful herring scales
and the wheelbarrows are similarly plastered
with creamy iridescent coats of mail,
with small iridescent flies crawling on them.
Up on the little slope behind the houses,
set in the sparse bright sprinkle of grass,
is an ancient wooden capstan,
cracked, with two long bleached handles
and some melancholy stains, like dried blood,
where the ironwork has rusted.
The old man accepts a Lucky Strike.
He was a friend of my grandfather.
We talk of the decline in the population
and of codfish and herring
while he waits for a herring boat to come in.
There are sequins on his vest and on his thumb.
He has scraped the scales, the principal beauty,
from unnumbered fish with that black old knife,
the blade of which is almost worn away.
Down at the water's edge, at the place
where they haul up the boats, up the long ramp
descending into the water, thin silver
tree trunks are laid horizontally
across the gray stones, down and down
at intervals of four or five feet.
Cold dark deep and absolutely clear,
element bearable to no mortal,
to fish and to seals . . . One seal particularly
I have seen here evening after evening.
He was curious about me. He was interested in music;
like me a believer in total immersion,
so I used to sing him Baptist hymns.
I also sang "A Mighty Fortress Is Our God."
He stood up in the water and regarded me
steadily, moving his head a little.
Then he would disappear, then suddenly emerge
almost in the same spot, with a sort of shrug
as if it were against his better judgment.
Cold dark deep and absolutely clear,
the clear gray icy water . . . Back, behind us,
the dignified tall firs begin.
Bluish, associating with their shadows,
a million Christmas trees stand
waiting for Christmas. The water seems suspended
above the rounded gray and blue-gray stones.
I have seen it over and over, the same sea, the same,
slightly, indifferently swinging above the stones,
icily free above the stones,
above the stones and then the world.
If you should dip your hand in,
your wrist would ache immediately,
your bones would begin to ache and your hand would burn
as if the water were a transmutation of fire
that feeds on stones and burns with a dark gray flame.
If you tasted it, it would first taste bitter,
then briny, then surely burn your tongue.
It is like what we imagine knowledge to be:
dark, salt, clear, moving, utterly free,
drawn from the cold hard mouth
of the world, derived from the rocky breasts
forever, flowing and drawn, and since
our knowledge is historical, flowing, and flown.
poem by Elizabeth Bishop
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Our Cupid
Beautiful faces
All around the place
Sweet voices
From lovely persons
But what are they to me
While deep in me
I need a face and voice
Some are in company
Some are lonely
Some hate the company
Some jealous of the lonely
Do you long for hawks? Yes, hawks!
Lonely in thought for hawks
Better be lonely
Than be ripped apart
Sucked like orange
And dumped as garbage
One day will be your strike from the cupid
poem by Izuoma Ibe
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Jeckoyva
They made the warrior's grave beside
The dashing of his native time:
And there was mourning in the glen--
The strong wail of a thousand men--
O'er him thus fallen in his pride,
Ere mist of age - or blight or blast
Had o'er his might spirit past.
They made the warrior's grave beneath
The bending of the wild elm's wreath,
When the dark hunter's piercing eye
Had found that mountain rest on high,
Where, scattered by the sharp wind's breath,
Beneath the ragged cliff were thrown
The strong belt and the mouldering bone.
Where was the warrior's foot, when first
The red sun on the mountain burst?
Where -- when the sultry noon-time came
On the green vales with scorching flame,
And made the woodlands faint with thirst?
'Twas where the wind is keen and loud,
And the gray eagle breasts the cloud.
Where was the warrior's foot when night
Veiled in thick cloud the mountain-height?
None heard the loud and sudden crash--
None saw the fallen warrior dash
Down the bare rock so high and white!
But he that drooped not in the chase
Made on the hills his burial-place.
They found him there, when the long day
Of cold desertion passed away,
And traces on that barren cleft
Of struggling hard with death were left--
Deep marks and footprints in the clay!
And they have laid this feathery helm
By the dark river and green elm.
poem by Henry Wadsworth Longfellow
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Eurunderee
There are scenes in the distance where beauty is not,
On the desolate flats where gaunt appletrees rot.
Where the brooding old ridge rises up to the breeze
From his dark lonely gullies of stringy-bark trees,
There are voice-haunted gaps, ever sullen and strange,
But Eurunderee lies like a gem in the range.
Still I see in my fancy the dark-green and blue
Of the box-covered hills where the five-corners grew;
And the rugged old sheoaks that sighed in the bend
O'er the lily-decked pools where the dark ridges end,
And the scrub-covered spurs running down from the Peak
To the deep grassy banks of Eurunderee Creek.
On the knolls where the vineyards and fruit-gardens are
There's a beauty that even the drought cannot mar;
For I noticed it oft, in the days that are lost,
As I trod on the siding where lingered the frost,
When the shadows of night from the gullies were gone
And the hills in the background were flushed by the dawn.
I was there in late years, but there's many a change
Where the Cudgegong River flows down through the range,
For the curse of the town with the railroad had come,
And the goldfields were dead. And the girl and the chum
And the old home were gone, yet the oaks seemed to speak
Of the hazy old days on Eurunderee Creek.
And I stood by that creek, ere the sunset grew cold,
When the leaves of the sheoaks are traced on the gold,
And I thought of old things, and I thought of old folks,
Till I sighed in my heart to the sigh of the oaks;
For the years waste away like the waters that leak
Through the pebbles and sand of Eurunderee Creek.
poem by Henry Lawson
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Above Eurunderee
There are scenes in the distance where beauty is not,
On the desolate flats where gaunt appletrees rot.
Where the brooding old ridge rises up to the breeze
From his dark lonely gullies of stringy-bark trees,
There are voice-haunted gaps, ever sullen and strange,
But Eurunderee lies like a gem in the range.
Still I see in my fancy the dark-green and blue
Of the box-covered hills where the five-corners grew;
And the rugged old sheoaks that sighed in the bend
O'er the lily-decked pools where the dark ridges end,
And the scrub-covered spurs running down from the Peak
To the deep grassy banks of Eurunderee Creek.
On the knolls where the vineyards and fruit-gardens are
There's a beauty that even the drought cannot mar;
For I noticed it oft, in the days that are lost,
As I trod on the siding where lingered the frost,
When the shadows of night from the gullies were gone
And the hills in the background were flushed by the dawn.
I was there in late years, but there's many a change
Where the Cudgegong River flows down through the range,
For the curse of the town with the railroad had come,
And the goldfields were dead. And the girl and the chum
And the old home were gone, yet the oaks seemed to speak
Of the hazy old days on Eurunderee Creek.
And I stood by that creek, ere the sunset grew cold,
When the leaves of the sheoaks are traced on the gold,
And I thought of old things, and I thought of old folks,
Till I sighed in my heart to the sigh of the oaks;
For the years waste away like the waters that leak
Through the pebbles and sand of Eurunderee Creek.
poem by Henry Lawson
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The Flowers of the Sea
Tasting the pleasures
Of the ocean currents,
I find pearls
Black and white,
All different to my eyes.
Back and forth
The flowers of the sea,
Totally different.
Giving hidden meanings.
Back and forth
The flowers of the sea,
Totally different.
Always coming new
Giving each their pleasure,
With the blooming shades
Of the watchful sea,
Colors like the rainbow.
Back and forth
The flowers of the sea,
Totally different.
Billows wide and blue
Splitting into dark,
Crossing every surface
Under the ocean,
Under the green blue ocean.
Back and forth
The flowers of the sea,
Totally different.
Mermaids on the rocks,
Sea monsters in the dark,
Knowing every coast,
Swimming to every sea.
Billows wide and blue
Splitting into dark,
Crossing every surface
Under the ocean,
Under the green blue ocean.
poem by Peter S. Quinn
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A Little Scraping
True, the time, to one who does not love farce,
And if misery must be prefers it nobler, shows apparent vices;
At least it provides the cure for ambition.
One does not crave power in ant-hills, nor praise in a paper forest;
One must not even indulge the severe
Romance of separateness, as of Milton grown blind and old
In his broken temple against the drunkards:
The ants are good creatures, there is nothing to be heroic about.
But the time is not a strong prison either.
A little scraping the walls of dishonest contractor's concrete
Through a shower of chips and sand makes freedom.
Shake the dust from your hair. This mountain sea-coast is real,
For it reaches out far into past and future;
It is part of the great and timeless excellence of things. A few
Lean cows drift high up the bronze hill;
The heavy-necked plow-team furrows the foreland, gulls tread the furrow;
Time ebbs and flows but the rock remains.
Two riders of tired horses canter on the cloudy ridge;
Topaz-eyed hawks have the white air;
Or a woman with jade-pale eyes, hiding a knife in her hand,
Goes through cold rain over gray grass.
God is here, too, secretly smiling, the beautiful power
That piles up cities for the poem of their fall
And gathers multitude like game to be hunted when the season comes.
poem by Robinson Jeffers
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Haunted In Old Japan
I
Music of the star-shine shimmering o’er the sea
Mirror me no longer in the dusk of memory:
Dim and white the rose-leaves drift along the shore
Wind among the roses, blow no more!
II
All along the purple creek, lit with silver foam,
Silent, silent voices, cry no more of home;
Soft beyond the cherry-trees, o’er the dim lagoon,
Dawns the crimson lantern of the large low moon.
III
We that loved in April, we that turned away
Laughing, ere the wood-dove crooned across the May,
Watch the withered rose-leaves drift along the shore.
Wind among the roses, blow no more!
IV
We that saw the winter waste the weeping bower,
We that saw the young love perish like a flower,
We that saw the dark eyes deepening with tears,
Hear the vanished voices in the land beyond the years.
V
We that hurt the thing we loved; we that went astray,
We that in the darkness idly dreamed of day . . .
. . . Ah! The dreary rose-leaves drift along the shore.
Wind among the roses, blow no more!
VI
Lonely starry faces, wonderful and white,
Yearning with a cry across the dim sweet night,
All our dreams are blown a-drift as flowers before a fan,
All our hearts are haunted in the heart of old Japan.
VII
Haunted, haunted, haunted; we that mocked and sinned
Hear the vanished voices wailing down the wind,
Watch the ruined rose-leaves drift along the shore;
Wind among the roses, blow no more!
VIII
We, the sons of reason, we that chose to bride
Knowledge and rejected the Dream that we denied,
We that mocked the Holy Ghost and chose the Son of Man, [1]
Now must wander haunted in the heart of old Japan
IX
Haunted, haunted, haunted, by the sound of falling tears,
Haunted, haunted, haunted, by the yearning of the years;
Ah! the phantom rose-leaves drift along the shore;
Wind among the roses, blow no more!
X
All along the purple creek, lit with silver foam,
Sobbing, sobbing voices, cry no more of home:
Soft beyond the cherry trees, o’er the dim lagoon,
Dawns the crimson lantern of the large, low moon.
poem by Alfred Noyes
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Birchbrook Mill
A NOTELESS stream, the Birchbrook runs
Beneath its leaning trees;
That low, soft ripple is its own,
That dull roar is the sea's.
Of human signs it sees alone
The distant church spire's tip,
And, ghost-like, on a blank of gray,
The white sail of a ship.
No more a toiler at the wheel,
It wanders at its will;
Nor dam nor pond is left to tell
Where once was Birchbrook mill.
The timbers of that mill have fed
Long since a farmer's fires;
His doorsteps are the stones that ground
The harvest of his sires.
Man trespassed here; but Nature lost
No right of her domain;
She waited, and she brought the old
Wild beauty back again.
By day the sunlight through the leaves
Falls on its moist, green sod,
And wakes the violet bloom of spring
And autumn's golden-rod.
Its birches whisper to the wind,
The swallow dips her wings
In the cool spray, and on its banks
The gray song-sparrow sings.
But from it, when the dark night falls,
The school-girl shrinks with dread;
The farmer, home-bound from his fields,
Goes by with quickened tread.
They dare not pause to hear the grind
Of shadowy stone on stone;
The plashing of a water-wheel
Where wheel there now is none.
Has not a cry of pain been heard
Above the clattering mill?
The pawing of an unseen horse,
Who waits his mistress still?
Yet never to the listener's eye
Has sight confirmed the sound;
A wavering birch line marks alone
The vacant pasture ground.
No ghostly arms fling up to heaven
The agony of prayer;
No spectral steed impatient shakes
His white mane on the air.
The meaning of that common dread
No tongue has fitly told;
The secret of the dark surmise
The brook and birches hold.
What nameless horror of the past
Broods here forevermore?
What ghost his unforgiven sin
Is grinding o'er and o'er?
Does, then, immortal memory play
The actor's tragic part,
Rehearsals of a mortal life
And unveiled human heart?
God's pity spare a guilty soul
That drama of its ill,
And let the scenic curtain fall
On Birchbrook's haunted mill
poem by John Greenleaf Whittier
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Once Upon A Winter Day
Once upon a winter day
Gray clouds passed swiftly across the sky
As shapely snowflakes fell steadily down,
Covering the land in a dazzling white
Leaving a winter calling card on the ground.
Once upon a winter day
The snow-edged creek silently wept
Near the shadows of the tall pine trees
Trimmed in a glittering white lace,
Creating an impressive display in the breeze.
Once upon a winter day
Branches drooped to the impassable road
Due to the weight of the snow.
Icicles hung from the dormant trees
In view of the shattered daylight glow.
Once upon a winter day
Nothing is heard but rubbing tree limbs
And a stray dog faintly barking,
The vibrant sound of a frightened deer,
A broken tree branch suddenly falling.
Once upon a winter day
The distant snow-covered hills
Loomed in the path of the gloomy sky,
Where the northerly wind briskly growled
As chickadees and juncos fluttered by.
poem by Joseph T. Renaldi
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