Ossian’s Grave
PREHISTORIC MONUMENT NEAR CUSHENDALL
IN ANTRIM
Steep up in Lubitavish townland stands
A ring of great stones like fangs, the shafts of the stones
Grown up with thousands of years of gradual turf,
The fangs of the stones still biting skyward; and hard
Against the stone ring, the oblong enclosure
Of an old grave guarded with erect slabs; gray rocks
Backed by broken thorn-trees, over the gorge of Glenaan;
It is called Ossian's Grave. Ossian rests high then,
Haughtily alone.
If there were any fame or burial or monument
For me to envy,
Warrior and poet they should be yours and yours.
For this is the pure fame, not caged in a poem,
Fabulous, a glory untroubled with works, a name in the north
Like a mountain in the mist, like Aura
Heavy with heather and the dark gray rocks, or Trostan
Dark purple in the cloud: happier than what the wings
And imperfections of work hover like vultures
Above the carcass.
I also make a remembered name;
And I shall return home to the granite stones
On my cliff over the greatest ocean
To be blind ashes under the butts of the stones:
As you here under the fanged limestone columns
Are said to lie, over the narrow north straits
Toward Scotland, and the quick-tempered Moyle. But written
reminders
Will blot for too long a year the bare sunlight
Above my rock lair, heavy black birds
Over the field and the blood of the lost battle.
Oh but we lived splendidly
In the brief light of day
Who now twist in our graves.
You in the guard of the fanged
Erect stones; and the man-slayer
Shane O'Neill dreams yonder at Cushendun
Crushed under his cairn;
And Hugh McQuillan under his cairn
By his lost field in the bog on Aura;
And I a foreigner, one who has come to the country of the dead
Before I was called,
To eat the bitter dust of my ancestors;
And thousands on tens of thousands in the thronged earth
Under the rotting freestone tablets
At the bases of broken round towers;
And the great Connaught queen on her mountain-summit
The high cloud hoods, it creeps through the eyes of the cairn,
We dead have our peculiar pleasures, of not
Doing, of not feeling, of not being.
Enough has been felt, enough done, Oh and surely
Enough of humanity has been. We lie under stones
Or drift through the endless northern twilights
And draw over our pale survivors the net of our dream.
All their lives are less
Substantial than one of our deaths, and they cut turf
Or stoop in the steep
Short furrows, or drive the red carts, like weeds waving
Under the glass of water in a locked bay,
Which neither the wind nor the wave nor their own will
Moves; when they seem to awake
It is only to madden in their dog-days for memories of dreams
That lost all meaning many centuries ago.
Oh but we lived splendidly
In the brief light of day,
You with hounds on the mountain
And princes in palaces,
I on the western cliff
In the rages of the sun:
Now you lie grandly under your stones
But I in a peasant's hut
Eat bread bitter with the dust of dead men;
The water I draw at the spring has been shed for tears
Ten thousand times,
Or wander through the endless northern twilights
From the rath to the cairn, through fields
Where every field-stone's been handled
Ten thousand times,
In a uterine country, soft
And wet and worn out, like an old womb
That I have returned to, being dead.
Oh but we lived splendidly
Who now twist in our graves.
The mountains are alive;
Tievebuilleagh lives, Trostan lives,
Lurigethan lives;
And Aura, the black-faced sheep in the belled heather;
And the swan-haunted loughs; but also a few of us dead
A life as inhuman and cold as those.
poem by Robinson Jeffers
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Related quotes
Shooting Season
IN THE NORTH OF SCOTLAND
The whole countryside deployed on the hills of heather, an army
with banners,
The beaters whoop the grouse to the butts.
Three gentlemen fling up their guns and the frightened covey is
a few wings fewer;
Then grooms approach with the panniered horses.
The gray old moorland silence has closed like water and covered
the gunshots.
Wave on wave goes the moor to the great
Circle of the sky; the cairn on the slope names an old battle and
beyond are
Broad gray rocks the grave-marks of clans.
Blond Celtic warriors lair in the sky-line barrows, down toward
the sea
Stand the tall stones of the Danish captains.
We dead that handled weapons and hunted in earnest, we old
dead have watched
Three little living gentlemen yonder
With a bitter flavor in the grin of amusement, uneasily remembering
our own
Old sports and delights. It is better to be dust.
poem by Robinson Jeffers
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Shane O’Neill’s Cairn
TO U. J.
When you and I on the Palos Verdes cliff
Found life more desperate than dear,
And when we hawked at it on the lake by Seattle,
In the west of the world, where hardly
Anything has died yet: we'd not have been sorry, Una,
But surprised, to foresee this gray
Coast in our days, the gray waters of the Moyle
Below us, and under our feet
The heavy black stones of the cairn of the lord of Ulster.
A man of blood who died bloodily
Four centuries ago: but death's nothing, and life,
From a high death-mark on a headland
Of this dim island of burials, is nothing either.
How beautiful are both these nothings.
poem by Robinson Jeffers
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Honor the Vets
I looked at the grave stones of the veteran dead
Tears filled my eyes as I bowed my head.
All of them had served their country proud
Now they lay in this ground.
They were sons and daughters, mothers and fathers
Sisters and brothers, uncles and aunts
And the list goes on and on.
But how many of them are honored
with a flower or two.
It’s really not hard to do.
They gave their lives so that we can be free
Don’t they deserve some dignity?
This country is standing on the lives of the dead
All of these have died, and many have bled.
Freedom isn’t really free
Other wise these grave stones you would not see.
Isn’t there someone in your family
Who died fighting for liberty?
Let us honor the dead
And thank the living for all that they have given.
poem by Louis Rams
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From small begginings story poem for M'lady Ernestine
.
A cairn of stones that’s added to
By travellers who pass this way.
Although today they’re very few.
Few realise the cairn exists
Now no one can remember why
But the custom still persists
Originally the cairn was built
to mark the spot where someone died.
Perhaps assuaging a sense of guilt.
The killing was an accident
a blow which was in anger struck.
There was no murderous intent
He killed his friend and he confessed
The man was truly penitent.
So obviously that he impressed.
The learned judge who heard the case.
Who ruled that he was innocent
of murder but that he still must face.
A whole life sentence of regret
and that was punishment enough.
This old legend lingers yet.
Each time he passed the spot
he placed a stone upon the cairn.
Which whilst he lived grew quite a lot.
It towers now some eight feet high.
As people added their tribute
although no one remembers why.
Although it’s off the beaten track
one day you might just pass this way
and add your pebble to the stack
It has become a monument
a cairn of stone sure to impress.
Yet it began by accident
12/10/2009
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poem by Ivor Or Ivor.e Hogg
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Migration
Migration
In this rich flat landscape there are no stones they had to
travel to the far mountain and with mule and cart it was
a long arduous journey. Stones were only used as base for
houses and as grave stones, but since these were stolen
so this practice ended, the dead had to do with wooden
crosses which tend to rot when it rains. Farmers buried
their stones under a mass of soil, for safety mounds of
them dotted the flat landscape and made it less monotone.
Modern time, a railway line stretches across the land and
ends in a haze were the mountain begins, stones are now
a common thing, way, all and sundry has one, the poorest
even have gravelled strewn back yards. A clever man decided
to open a rise and sell stones a souvenir as a memory of
the past, when life was idyllic, but he found a mass grave,
not only human skeletons but also household goods, toys
and musical instruments.
poem by Oskar Hansen
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The Broadstone
NEAR FINVOY, COUNTY ANTRIM
We climbed by the old quarries to the wide highland of heath,
On the slope of a swale a giant dolmen,
Three heavy basalt pillars upholding the enormous skb,
Towers and abides as if time were nothing.
The hard stones are hardly dusted with lichen in nobody knows
What ages of autumns in this high solitude
Since a recordless tribe of an unknown race lifted them up
To be the availing hero's memorial,
And temple of his power. They gathered their slighter dead
from the biting
Winds of time in his lee, the wide moor
About him is swollen with barrows and breaks upon many stones,
Lean gray guardians of old urned ashes,
In waves on waves of purple heather and blithe spray of its bells.
Here lies the hero, more than half God,
And nobody knows his name nor his race, in the bee-bright
necropolis,
With the stone circle and his tribe around him.
Sometimes perhaps (but who'd confess it?) in soft adolescence
We used to wonder at the world, and have wished
To hear some final harmony resolve the discords of life?
Here they are all perfectly resolved.
poem by Robinson Jeffers
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Stones
Stones
Stones would play inside her head
And where she slept,
They made her bed
And she would ache
For love and get but stones
La la la la la la la la la
Lordy, child
A good days comin
And Ill be there to let the sun in
And bein lost
Is worth the comin home
La la la la la la la la la on stones
You and me, a time for planting
You and me, a harvest granting
The every prayer ever prayed
For just two wild flowers that grow
La la la la la la la la la on stones
Mmmmmmmm.....
song performed by by Neil Diamond
Submitted by Lucian Velea
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Poem (‘It Doesn’t Look Like A Finger...’)
It doesn’t look like a finger it looks like a feather of broken glass
It doesn’t look like something to eat it looks like something eaten
It doesn’t look like an empty chair it looks like an old woman
searching in a heap of stones
It doesn’t look like a heap of stones it looks like an estuary where
the drifting filth is swept to and fro on the tide
It doesn’t look like a finger it looks like a feather with broken teeth
The spaces between the stones are made of stone
It doesn’t look like a revolver it looks like a convolvulus
It doesn’t look like a living convolvulus it looks like a dead one
KEEP YOUR FILTHY HANDS OFF MY FRIENDS USE THEM ON
YOUR BITCHES OR
YOURSELVES BUT KEEP THEM OFF MY FRIENDS
The faces between the stones are made of bone
It doesn’t look like an eye it looks like a bowl of rotten fruit
It doesn’t look like my mother in the garden it looks like my father
when he came up from the sea covered in shells and tangle
It doesn’t look like a feather it looks like a finger with broken wings
It doesn’t look like the old woman’s mouth it looks like a handful
of broken feathers or a revolver buried in cinders
The faces beneath the stones are made of stone
It doesn’t look like a broken cup it looks like a cut lip
It doesn’t look like yours it looks like mine
BUT IT IS YOURS NOW
SOON IT WILL LOOK LIKE YOURS
AND ANYTHING YOU SEE WILL BE USED AGAINST YOU
London Bulletin, No. 2 (May 1938), 7.
poem by Hugh Sykes Davies
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The Air is a Root
The air is a root.
The stones are filled with tenderness. bravo.
bravo. the stones are filled with air.
the stones are watery branches.
on the stones replacing the mouth
grows the skeleton of a leaf. bravo.
A stone voice face to face and foot to foot
with a stone glance.
the stones are tormented like flesh
the stones are clouds for their second
nature dances to them on their third nose.
bravo. bravo.
when the stones scratch themselves, nails grow
on the roots. bravo. bravo.
the stones woke to eat the exact
hour
Temporary Poem Of My Time
Hebrew writing and Arabic writing go from east to west,
Latin writing, from west to east.
Languages are like cats:
You must not stroke their hair the wrong way.
The clouds come from the sea, the hot wind from the desert,
The trees bend in the wind,
And stones fly from all four winds,
Into all four winds. They throw stones,
Throw this land, one at the other,
But the land always falls back to the land.
They throw the land, want to get rid of it.
Its stones, its soil, but you can't get rid of it.
They throw stones, throw stones at me
In 1936, 1938, 1948, 1988,
Semites throw at Semites and anti-Semites at anti-Semites,
Evil men throw and just men throw,
Sinners throw and tempters throw,
Geologists throw and theologists throw,
Archaelogists throw and archhooligans throw,
Kidneys throw stones and gall bladders throw,
Head stones and forehead stones and the heart of a stone,
Stones shaped like a screaming mouth
And stones fitting your eyes
Like a pair of glasses,
The past throws stones at the future,
And all of them fall on the present.
Weeping stones and laughing gravel stones,
Even God in the Bible threw stones,
Even the Urim and Tumim were thrown
And got stuck in the beastplate of justice,
And Herod threw stones and what came out was a Temple.
Oh, the poem of stone sadness
Oh, the poem thrown on the stones
Oh, the poem of thrown stones.
Is there in this land
A stone that was never thrown
And never built and never overturned
And never uncovered and never discovered
And never screamed from a wall and never discarded by the builders
And never closed on top of a grave and never lay under lovers
And never turned into a cornerstone?
Please do not throw any more stones,
You are moving the land,
The holy, whole, open land,
You are moving it to the sea
And the sea doesn't want it
The sea says, not in me.
Please throw little stones,
Throw snail fossils, throw gravel,
Justice or injustice from the quarries of Migdal Tsedek,
Throw soft stones, throw sweet clods,
Throw limestone, throw clay,
Throw sand of the seashore,
Throw dust of the desert, throw rust,
Throw soil, throw wind,
Throw air, throw nothing
Until your hands are weary
And the war is weary
And even peace will be weary and will be.
Translated from the Hebrew by Barbara and Benjamin Harshav
poem by Yehuda Amichai
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Dead Cow Farm
An ancient saga tells us how
In the beginning the First Cow
(For nothing living yet had birth
But Elemental Cow on earth)
Began to lick cold stones and mud:
Under her warm tongue flesh and blood
Blossomed, a miracle to believe:
And so was Adam born, and Eve.
Here now is chaos once again,
Primeval mud, cold stones and rain.
Here flesh decays and blood drips red,
And the Cow’s dead, the old Cow’s dead.
poem by Robert Graves
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When Earth Quaked
Earth uncovered
Two hundred thousand dead
A woman groaned
Stone slabs crushed her head
These are the times
When God weeps
When the earth quaked
I heard His steps
In my pain
I am filled with anger
My blood curls
As I ponder
How many lives slip
In this quake's blunder
This is how earth rage
I am thankful
For the hands He sent
The press
People from every corner
Friends I never knew
This is how you know
He never sleeps
Many dead
But many spared
So I am not mad
New lives conceived
Still lives to be lived
Two hundred thousand dead
But millions breathe
poem by Buxton Shippy
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Blame It On The Stones
Mister marvin middle class is really in a stew
Wondrin what the younger generations coming to
And the taste of his martini doesnt please his bitter tongue
Blame it on the rolling stones.
Blame it on the stones; blame it on the stones
Youll feel so much better, knowing you dont stand alone
Join the accusation; save the bleeding nation
Get it off your shoulders; blame it on the stones
Mother tells the ladies at the bridge club every day
Of the rising price of tranquilizers she must pay
And she wonders why the children never seem to stay at home
Blame it on the rolling stones.
Blame it on the stones; blame it on the stones
Youll feel so much better, knowing you dont stand alone
Join the accusation; save the bleeding nation
Get it off your shoulders; blame it on the stones
Fathers at the office, nightly working all the time
Trying to make the secretary change her little mind
And it bothers him to read about so many broken homes
Blame it on those rolling stones.
Blame it on the stones; blame it on the stones
Youll feel so much better knowing you dont stand alone
Join the accusation; same the bleeding nation
Get it off your shoulders; blame it on the stones
Blame it on the stones, blame it on the stones.
song performed by by Kris Kristofferson
Submitted by Lucian Velea
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Crystal
Hand of gold stretches out
to touch a rose’s scented petal.
Kissed by dew and now by hand,
it holds out thorns like some sharp nettle.
Beauty it has unbound,
regardless of surrounding around.
Head held high in fragrant air,
sun looks down plentiful there.
Diamonds, rubies, emeralds adorn,
round necks and arms are worn.
Stones that gleam and formate suns,
beauty that startles and stuns.
Stones of glory, stones of death.
Rainbow colours as light passes through.
Evil, good and happiness follows them too.
Waves under the sun shimmer,
like the silvery glint of a flashing scimitar.
People pass each other daily,
never knowing what the other thinks.
Wrapped in dreams of some passed glory,
lives that see no coloured tinsel.
Things they do they are never sorry,
their whole lives trapped within a crystal.
poem by David Harris
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Baltic Fog Notes
Seven days all fog, all mist, and the turbines pounding through high seas.
I was a plaything, a rat’s neck in the teeth of a scuffling mastiff.
Fog and fog and no stars, sun, moon.
Then an afternoon in fjords, low-lying lands scrawled in granite languages on a gray sky,
A night harbor, blue dusk mountain shoulders against a night sky,
And a circle of lights blinking: Ninety thousand people here.
Among the Wednesday night thousands in goloshes and coats slickered for rain,
I learned how hungry I was for streets and people.
I would rather be water than anything else.
I saw a drive of salt fog and mist in the North Atlantic and an iceberg dusky as a cloud in the gray of morning.
And I saw the dream pools of fjords in Norway … and the scarf of dancing water on the rocks and over the edges of mountain shelves.
Bury me in a mountain graveyard in Norway.
Three tongues of water sing around it with snow from the mountains.
Bury me in the North Atlantic.
A fog there from Iceland will be a murmur in gray over me and a long deep wind sob always.
Bury me in an Illinois cornfield.
The blizzards loosen their pipe organ voluntaries in winter stubble and the spring rains and the fall rains bring letters from the sea.
poem by Carl Sandburg
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Sack Full Of Stones
(Travis Tritt/Marty Stuart)
I used to be the kind of guy
I could laugh as well as cry
With a heart feather-soft and summer-warm
Since you've left me I've been faced
With emptiness that's been replaced
With a heart that's hard and heavy as a sack full of stones
I never thought I'd ever see
The man my mirror is showing me
Lord I must have aged ten years
Since you've been gone
The longest mile you'll ever crawl
Is the one after you fall
Draggin' around a heart that's heavy as a sack full of stones
With the world upon my shoulders
And my feelings on my sleeve
Every time I close my eyes at night
All I do is watch you leave
But by far the biggest curse of being left alone
Is draggin' around a heart that's heavy as a sack full of stones
Well I tried turning to a bottle
But the bottle turned on me
I've tried everything
But nothing sets your memory free
I'm serving life here in a prison
That we once called a home
With a heart that's cold and heavy as a sack full of stones
With the world upon my shoulders
And my feelings on my sleeve
Every time I close my eyes at night
All I do is watch you leave
But by far the biggest curse of being left alone
Is draggin' around a heart that's heavy as a sack full of stones
Yes by far the biggest curse of being left alone
Is draggin' around a heart that's heavy as a sack full of stones
song performed by by Travis Tritt
Submitted by Lucian Velea
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History Stones People.
History stones people.
They stoned Moses, David and Linclon,
history did that for all to see
Marbel and cement,
that's all it leaves behind
of a long changing life.
Great heroes of time,
fall under the mercy
of the sculptor's knife.
History stones faces,
in a way that would make
ecclestias cringe.
History stones feet,
in a way that would make
piligrims cry.
History stones life
to always stay fresh,
yet, what is life without
the sins of the flesh.
All the radical kids
get stoned
and never change
or even move a muscle.
All the sword raising warriors
history stoned
without blood in their veins.
You can see all the victims
that history stoned
when you walk in the park,
they got kings
and queens
hell, they even got Gods.
They are there captive
in history's stones,
never to be again what they were;
wilting flesh and
breakable bones.
People look up at them
they are victims too.
History's stones fall far,
even on to you.
Those stoned to live
are like the ones stoned to die.
enslaved to the search
of the frozen smile.
Life is a burning bush
that doesn't get consumed.
not a dead rock
or a statue of history.
It's a fusing wind
of happinnes and misery.
An exploding volcano
of courage and fear.
It is the stem of the flower
struggling through the seasons
to stand and bloom
above the drying soil.
Life is the fighting wave
you see at sea
forgotten and denied
by the stones of history.
poem by Samuel Katz
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In Memoriam
In memoriam
Tribute to Alfred Lord Tennyson
Old Yew, which graspeth at the stones
that name the underlying dead.
Thy fibres net the dreamless head
thy roots are wrapt around the bones.
Old Yew, which graspeth at the stones.
Hale and heart still long after
the aged men and withered crones.
Have ceased their life of love and laughter.
That name the underlying dead.
Fine samples of the mason’s art
in letters finely chisell’ed.
The stones remain though souls depart
Thy fibres net the dreamless head,
the flesh consumed to feed the tree.
Which lives long after they are dead.
Still clothed each year in greenery.
Thy roots are wrapt around the bones
An embrace closer than they knew
when they were wracked by passions moans
and no doubt longer lasting too.
4-Sep-08
http: // blog.myspace.com/poeticpiers
poem by Ivor Or Ivor.e Hogg
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The Dead To The Living
Work while it is day: the night cometh, when no man can work.
IN the childhood of April, while purple woods
With the young year's blood in them smiled,
I passed through the lanes and the wakened fields,
And stood by the grave of the child.
And the pain awoke that is never dead
Though it sometimes sleeps, and again
It set its teeth in this heart of mine,
And fastened its claws in my brain:
For it seemed so hard that the little hands
And the little well-loved head
Should be out of reach of my living lips,
And be side by side with the dead--
Not side by side with us who had loved,
But with these who had never seen
The grace of the smile, the gold of the hair,
And the eyes of my baby-queen.
Yet with trees about where the brown birds build,
And with long green grass above,
She lies in the cold sweet breast of earth
Beyond the reach of our love;
Whatever befalls in the coarse loud world,
We know she will never wake.
When I thought of the sorrow she might have known,
I was almost glad for her sake. . . .
Tears might have tired those kiss-closed eyes,
Grief hardened the mouth I kissed;
I was almost glad that my dear was dead
Because of the pain she had missed.
Oh, if I could but have died a child
With a white child-soul like hers,
As pure as the wind-flowers down in the copse,
Where the soul of the spring's self stirs;
Or if I had only done with it all,
And might lie by her side unmoved!
I envied the very clods of earth
Their place near the child I loved!
And my soul rose up in revolt at life,
As I stood dry-eyed by her grave,
When sudden the grass of the churchyard sod
Rolled back like a green smooth wave;
The brown earth looked like the brown sea rocks,
The tombstones were white like spray,
And white like surf were the curling folds
Of the shrouds where the dead men lay;
For each in his place with his quiet face
I saw the dead lie low,
Who had worked and suffered and found life sad,
So many sad years ago.
Unchanged by time I saw them lie
As when first they were laid to rest,
The tired eyes closed, the sad lips still,
And the work-worn hands on the breast.
There were some who had found the green world so grey,
They had left it before their time,
And some were little ones like my dear,
And some had died in their prime;
And some were old, they had had their fill
Of bitter unfruitful hours,
And knew that none of them, none, had known
A flower of a hope like ours!
Through their shut eyelids the dead looked up,
And without a voice they said:
'We lived without hope, without hope we died,
And hopeless we lie here dead;
And death is better than life that draws
Pain in, as it draws in breath,
If life never dreams of a coming day
When life shall not envy death.
Through the dark of our hours and our times we lived,
Uncheered by a single ray
Of such hope as lightens the lives of you
Who are finding life hard to-day;
With our little lanterns of human love
We lighted our dark warm night--
But you in the chill of the dawn are set
With your face to the eastern light.
Freedom is waiting with hands held out
Till you tear the veil from her face--
And when once men have seen the light of her eyes,
And felt her divine embrace,
The light of the world will be risen indeed,
And will shine in the eyes of men,
And those who come after will find life fair,
And their lives worth living then!
Will you strive to the light in your loud rough world,
That these things may come to pass,
Or lie in the shadow beside the child,
And strive to the sun through the grass?'
'My world while I may,' I cried; 'but you
Whose lives were as dark as your grave?'
'We too are a part of the coming light,'
They called through the smooth green wave.
Their white shrouds gleamed as the flood of green
Rolled over and hid them from me--
Hid all but the little hands and the hair,
And the face that I always see.
poem by Edith Nesbit
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Dead Alive
Mourned to be the one -
To wake -
To live -
To see -
To walk -
Alive but dead -
Days by day, my oasis lives by the colour of night -
Energies of the living, absorbed -
To live in the between of dead -
Peace to be found, the yard where we spade the graves -
Where tombs act the way of stones -
The dead of the flowers, vase the portrait of a future to be -
Flesh to earth, invested to be inverted -
Still born -
Aged we pass to birth -
To be boned -
To die in death
poem by Unic Cjonr
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