Winnie
When I went by the meadow gate
The chestnut mare would trot to meet me,
And as her coming I would wait,
She'd whinney high as if to greet me.
And I would kiss her silky nose,
And stroke her neck until it glistened,
And speak soft words: I don't suppose
She understand - but how she listened!
Then in the war-net I was caught,
Returning three black winters older;
And when the little mare I sought
The farmer told me he had sold her.
And so time passed - when in the street
One day I heard a plaintive whinney
That roused a recollection sweet,
So then I turned and there was Winnie.
I vow she knew me, mooning there.
She raised her nose for me to fondle,
And though I'd lost an arm I'll swear
She kissed the empty sleeve a-dangle.
But oh it cut me to the heart,
Though I was awful glad to meet her,
For lo! she dragged a tinker's cart
And stumbled weakly as he beat her.
Just skin and bone, a sorry hack!
Say, fellow, you may think it funny:
I made a deal and bought her back,
Though it took all my bonus money.
And she'll be in the meadow there,
As long as I have dough for spending . . .
Gee! I'll take care of that old mare -
"Sweetheart! you'll have a happy ending."
poem by Robert William Service
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Related quotes
Tom's Little Dog
Tom told his dog called Tim to beg,
And up at once he sat,
His two clear amber eyes fixed fast,
His haunches on his mat.Tom poised a lump of sugar on
His nose; then, "Trust!" says he;
Stiff as a guardsman sat his Tim;
Never a hair stirred he.
"Paid for!" says Tom; and in a trice
Up jerked that moist black nose;
A snap of teeth, a crunch, a munch,
And down the sugar goes!
poem by Walter de la Mare
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How The Favourite Beat Us
"Aye," said the boozer, "I tell you it's true, sir,
I once was a punter with plenty of pelf,
But gone is my glory, I'll tell you the story
How I stiffened my horse and got stiffened myself.
"'Twas a mare called the Cracker, I came down to back her,
But found she was favourite all of a rush,
The folk just did pour on to lay six to four on,
And several bookies were killed in the crush.
"It seems old Tomato was stiff, though a starter;
They reckoned him fit for the Caulfield to keep.
The Bloke and the Donah were scratched by their owner,
He only was offered three-fourths of the sweep.
"We knew Salamander was slow as a gander,
The mare could have beat him the length of the straight,
And old Manumission was out of condition,
And most of the others were running off weight.
"No doubt someone 'blew it', for everyone knew it,
The bets were all gone, and I muttered in spite,
'If I can't get a copper, by Jingo, I'll stop her,
Let the public fall in, it will serve the brutes right.'
"I said to the jockey, 'Now, listen, my cocky,
You watch as you're cantering down by the stand,
I'll wait where that toff is and give you the office,
You're only to win if I lift up my hand.'
"I then tried to back her -- 'What price is the Cracker?'
'Our books are all full, sir,' each bookie did swear;
My mind, then, I made up, my fortune I played up
I bet every shilling against my own mare.
"I strolled to the gateway, the mare, in the straight way
Was shifting and dancing, and pawing the ground,
The boy saw me enter and wheeled for his canter,
When a darned great mosquito came buzzing around.
"They breed 'em at Hexham, it's risky to vex 'em,
They suck a man dry at a sitting, no doubt,
But just as the mare passed, he fluttered my hair past,
I lifted my hand, and I flattened him out.
"I was stunned when they started, the mare simply darted
Away to the front when the flag was let fall,
For none there could match her, and none tried to catch her --
She finished a furlong in front of them all.
"You bet that I went for the boy, whom I sent for
The moment he weighed and came out of the stand --
"Who paid you to win it? Come, own up this minute."
"Lord love yer," said he, "why, you lifted your hand."
`'Twas true, by St Peter, that cursed 'muskeeter'
Had broke me so broke that I hadn't a brown,
And you'll find the best course is when dealing with horses
To win when you're able, and keep your hands down."
poem by Andrew Barton Paterson
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Mulligan's Mare
Oh, Mulligan's bar was the deuce of a place
To drink, and to fight, and to gamble and race;
The height of choice spirits from near and from far
Were all concentrated on Mulligan's bar.
There was "Jerry the Swell", and the jockey-boy Ned,
"Dog-bite-me" -- so called from the shape of his head --
And a man whom the boys, in their musical slang,
Designated the "Gaffer of Mulligan's Gang".
Now Mulligan's Gang had a racer to show,
A bad un to look at, a good un to go;
Whenever they backed her you safely might swear
She'd walk in a winner, would Mulligan's mare.
But Mulligan, having some radical views,
Neglected his business and got on the booze;
He took up with runners -- a treacherous troop --
Who gave him away, and he "fell in the soup".
And so it turned out on a fine summer day,
A bailiff turned up with a writ of "fi. fa.";
He walked to the bar with a manner serene,
"I levy," said he, "in the name of the Queen."
Then Mulligan wanted, in spite of the law,
To pay out the bailiff with "one on the jaw";
He drew out to hit him; but ere you could wink,
He changed his intention and stood him a drink.
A great consultation there straightway befell
'Twixt jockey-boy Neddy and Jerry the Swell,
And the man with the head, who remarked "Why, you bet!
Dog-bite-me!" said he, "but we'll diddle 'em yet.
"We'll slip out the mare from her stall in a crack,
And put in her place the old broken-down hack;
The hack is so like her, I'm ready to swear
The bailiff will think he has Mulligan's mare.
"So out with the racer and in with the screw,
We'll show him what Mulligan's talent can do;
And if he gets nasty and dares to say much,
I'll knock him as stiff as my grandfather's crutch."
Then off to the town went the mare and the lad;
The bailiff came out, never dreamt he was "had";
But marched to the stall with a confident air --
"I levy," said he, "upon Mulligan's mare."
He watched her by day and he watched her by night,
She was never an instant let out of his sight,
For races were coming away in the West
And Mulligan's mare had a chance with the best.
"Here's a slant," thought the bailiff, "to serve my own ends,
I'll send off a wire to my bookmaking friends:
'Get all you can borrow, beg, snavel or snare
And lay the whole lot against Mulligan's mare.'"
The races came round, and the crowd on the course
Were laying the mare till they made themselves hoarse,
And Mulligan's party, with ardour intense,
They backed her for pounds and for shillings and pence.
But think of the grief of the bookmaking host
At the sound of the summons to go to the post --
For down to the start with her thoroughbred air
As fit as a fiddle pranced Mulligan's mare!
They started, and off went the boy to the front,
He cleared out at once, and he made it a hunt;
He steadied as rounding the corner they wheeled,
Then gave her her head -- and she smothered the field.
The race put her owner right clear of his debts;
He landed a fortune in stakes and in bets,
He paid the old bailiff the whole of his pelf,
And gave him a hiding to keep for himself.
So all you bold sportsmen take warning, I pray,
Keep clear of the running, you'll find it don't pay;
For the very best rule that you'll hear in a week
Is never to bet on a thing that can speak.
And whether you're lucky or whether you lose,
Keep clear of the cards and keep clear of the booze,
And fortune in season will answer your prayer
And send you a flyer like Mulligan's mare.
poem by Andrew Barton Paterson
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Manners
For a Child of 1918
My grandfather said to me
as we sat on the wagon seat,
"Be sure to remember to always
speak to everyone you meet."
We met a stranger on foot.
My grandfather's whip tapped his hat.
"Good day, sir. Good day. A fine day."
And I said it and bowed where I sat.
Then we overtook a boy we knew
with his big pet crow on his shoulder.
"Always offer everyone a ride;
don't forget that when you get older,"
my grandfather said. So Willy
climbed up with us, but the crow
gave a "Caw!" and flew off. I was worried.
How would he know where to go?
But he flew a little way at a time
from fence post to fence post, ahead;
and when Willy whistled he answered.
"A fine bird," my grandfather said,
"and he's well brought up. See, he answers
nicely when he's spoken to.
Man or beast, that's good manners.
Be sure that you both always do."
When automobiles went by,
the dust hid the people's faces,
but we shouted "Good day! Good day!
Fine day!" at the top of our voices.
When we came to Hustler Hill,
he said that the mare was tired,
so we all got down and walked,
as our good manners required.
poem by Elizabeth Bishop
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Ough''A Phonetic Fantasy
The baker-man was kneading dough
And whistling softly, sweet and lough.
Yet ever and anon he'd cough
As though his head were coming ough!
"My word!" said he," but this is rough:
This flour is simply awful stough!"
He punched and thumped it through and through,
As all good bakers dough!
" I'd sooner drive," said he " a plough
Than be a baker anyhough!"
Thus spake the baker kneading dough;
But don't let on I told you sough!
poem by William Thomas Goodge
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Bannerman of the Dandenong
I rode through the Bush in the burning noon,
Over the hills to my bride, --
The track was rough and the way was long,
And Bannerman of the Dandenong,
He rode along by my side.
A day's march off my Beautiful dwelt,
By the Murray streams in the West; --
Lightly lilting a gay love-song
Rode Bannerman of the Dandenong,
With a blood-red rose on his breast.
"Red, red rose of the Western streams"
Was the song he sang that day --
Truest comrade in hour of need, --
Bay Mathinna his peerless steed --
I had my own good grey.
There fell a spark on the upland grass --
The dry Bush leapt into flame; --
And I felt my heart go cold as death,
And Bannerman smiled and caught his breath, --
But I heard him name Her name.
Down the hill-side the fire-floods rushed,
On the roaring eastern wind; --
Neck and neck was the reckless race, --
Ever the bay mare kept her pace,
But the grey horse dropped behind.
He turned in the saddle -- "Let's change, I say!"
And his bridle rein he drew.
He sprang to the ground, -- "Look sharp!" he said
With a backward toss of his curly head --
"I ride lighter than you!"
Down and up -- it was quickly done --
No words to waste that day! --
Swift as a swallow she sped along,
The good bay mare from Dandenong, --
And Bannerman rode the grey.
The hot air scorched like a furnace blast
From the very mouth of Hell: --
The blue gums caught and blazed on high
Like flaming pillars into the sky; . . .
The grey horse staggered and fell.
"Ride, ride, lad, -- ride for her sake!" he cried; --
Into the gulf of flame
Were swept, in less than a breathing space
The laughing eyes, and the comely face,
And the lips that named HER name.
She bore me bravely, the good bay mare; --
Stunned, and dizzy and blind,
I heard the sound of a mingling roar --
'Twas the Lachlan River that rushed before,
And the flames that rolled behind.
Safe -- safe, at Nammoora gate,
I fell, and lay like a stone.
O love! thine arms were about me then,
Thy warm tears called me to life again, --
But -- O God! that I came alone! --
We dwell in peace, my beautiful one
And I, by the streams in the West, --
But oft through the mist of my dreams along
Rides Bannerman of the Dandenong,
With the blood-red rose on his breast.
poem by Alice Werner
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Dat Ol' Mare O' Mine
Want to trade me, do you, mistah? Oh, well, now, I reckon not,
W'y you could n't buy my Sukey fu' a thousan' on de spot.
Dat ol' mare o' mine?
Yes, huh coat ah long an' shaggy, an' she ain't no shakes to see;
Dat's a ring-bone, yes, you right, suh, an' she got a on'ry knee,
But dey ain't no use in talkin', she de only hoss fu' me,
Dat ol' mare o' mine.
Co'se, I knows dat Suke 's contra'y, an' she moughty ap' to vex;
But you got to mek erlowance fu' de nature of huh sex;
Dat ol' mare o' mine.
Ef you pull her on de lef han'; she plum 'termined to go right,
A cannon could n't skeer huh, but she boun' to tek a fright
At a piece o' common paper, or anyt'ing whut's white,
Dat ol' mare o' mine.
Wen my eyes commence to fail me, dough, I trus'es to huh sight,
An' she 'll tote me safe an' hones' on de ve'y da'kes' night,
Dat ol' mare o' mine.
Ef I whup huh, she jes' switch huh tail, an' settle to a walk,
Ef I whup huh mo', she shek huh haid, an' lak ez not, she balk.
But huh sense ain't no ways lackin', she do evah t'ing but talk,
Dat ol' mare o' mine.
But she gentle ez a lady w'en she know huh beau kin see.
An' she sholy got mo' gumption any day den you or me,
Dat ol' mare o' mine.
She's a leetle slow a-goin,' an' she moughty ha'd to sta't,
But we 's gittin' ol' togathah, an' she 's closah to my hea't,
An' I does n't reckon, mistah, dat she 'd sca'cely keer to pa't;
Dat ol' mare o' mine.
W'y I knows de time dat cidah 's kin' o' muddled up my haid,
Ef it had n't been fu' Sukey hyeah, I reckon I 'd been daid;
Dat ol' mare o' mine.
But she got me in de middle o' de road an' tuk me home,
An' she would n't let me wandah, ner she would n't let me roam,
Dat's de kin' o' hoss to tie to w'en you 's seed de cidah's foam,
Dat ol' mare o' mine.
You kin talk erbout yo' heaven, you kin talk erbout yo' hell,
Dey is people, dey is hosses, den dey's cattle, den dey's--well--
Dat ol' mare o' mine;
She de beatenes' t'ing dat evah struck de medders o' de town,
An' aldough huh haid ain't fittin' fu' to waih no golden crown,
D' ain't a blessed way fu' Petah fu' to tu'n my Sukey down,
Dat ol' mare o' mine.
poem by Paul Laurence Dunbar
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Long Grey Mare
Written by peter green.
Ive got a long grey mare, she wont let me ride
I got a long grey mare, she wont let me ride
She makes me brush her in the morning
And put her to bed every night
Long grey mare, why cant we be just like before
Long grey mare, why cant we be just like before
We used to ride so hard
Until we just couldnt ride no more
Break:
Look at me grey mare, dont I feed you everyday
Look at me grey mare, dont I feed you everyday
But when I dig you with my spurs
You turn around the other way
song performed by by Fleetwood Mac
Submitted by Lucian Velea
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Middle-Age Enthusiasms
To M. H.
WE passed where flag and flower
Signalled a jocund throng;
We said: "Go to, the hour
Is apt!"--and joined the song;
And, kindling, laughed at life and care,
Although we knew no laugh lay there.
We walked where shy birds stood
Watching us, wonder-dumb;
Their friendship met our mood;
We cried: "We'll often come:
We'll come morn, noon, eve, everywhen!"
--We doubted we should come again.
We joyed to see strange sheens
Leap from quaint leaves in shade;
A secret light of greens
They'd for their pleasure made.
We said: "We'll set such sorts as these!"
--We knew with night the wish would cease.
"So sweet the place," we said,
"Its tacit tales so dear,
Our thoughts, when breath has sped,
Will meet and mingle here!"...
"Words!" mused we. "Passed the mortal door,
Our thoughts will reach this nook no more."
poem by Thomas Hardy
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Ebony Princess
Her hair was as black as the calm of the night
And was as black and as dark as I could see
Her body slowly moved like a bird in flight
I saw her, and I was overwhelmed by her beauty.
Her eyes they shined like a full moon glistened
And her smile was that of a new day sun
My soul before her was locked away in prison
And releasing that key, it had already begun.
Her skin was as soft as the finest silk
And her lips they tempted me with their mystery
Her teeth they sparkled and was white as milk
And her skin, was the color of ebony.
I looked at her and then my look became a stare
She became my muse and also my destiny
Her skin was dark and black was her hair
Then she whispered in my ear, "Don't forget me".
"Don't Forget me", she whispered those words to me
And like a raven with secrets she went away
With her skin so soft and the color of ebony
I pray again that we would meet again one day.
Her name forever is locked inside of my heart
And it will be lost, until to God her name I will confess
Until then if any man asks me who was the beauty of my art
My answer will be, my sweet and beautiful ebony princess.
RANDY L. McCLAVE
poem by Randy McClave
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I like your books
In the betting line the other
day
man behind me asked,
"are you Henry
Chinaski?"
"uh huh," I answered.
"I like your books," he went
on.
"thanks," I answered.
"who do you like in this
race?" he asked.
"uh uh," I answered.
"I like the 4 horse," he
told me.
I made my bet and went back
to my seat....
the next race I am standing in
line and here is this same man
standing behind me
again.
there are at least 50 lines at
the windows but
he has to find mine
again.
"I think this race favors the
closers," he said to the back of
my neck. "the track looks
heavy."
"listen," I said, not looking
around, "it's the kiss of death to
talk about horses at the
track..."
"what kind of rule is that?"
he asked. "God doesn't make
rules..."
I turned around and looked at him:
"maybe not, but I
do."
after the next race
I got in line, glanced behind
me:
he was not there:
lost another reader.
I lose 2 or 3 each
week.
fine.
let 'em go back to
Kafka.
poem by Charles Bukowski
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The doll's wooing
The little French doll was a dear little doll
Tricked out in the sweetest of dresses;
Her eyes were of hue
A most delicate blue
And dark as the night were her tresses;
Her dear little mouth was fluted and red,
And this little French doll was so very well bred
That whenever accosted her little mouth said
"Mamma! mamma!"
The stockinet doll, with one arm and one leg,
Had once been a handsome young fellow;
But now he appeared
Rather frowzy and bleared
In his torn regimentals of yellow;
Yet his heart gave a curious thump as he lay
In the little toy cart near the window one day
And heard the sweet voice of that French dolly say:
"Mamma! mamma!"
He listened so long and he listened so hard
That anon he grew ever so tender,
For it's everywhere known
That the feminine tone
Gets away with all masculine gender!
He up and he wooed her with soldierly zest
But all she'd reply to the love he professed
Were these plaintive words (which perhaps you have guessed):
"Mamma! mamma!"
Her mother - a sweet little lady of five -
Vouchsafed her parental protection,
And although stockinet
Wasn't blue-blooded, yet
She really could make no objection!
So soldier and dolly were wedded one day,
And a moment ago, as I journeyed that way,
I'm sure that I heard a wee baby voice say:
"Mamma! mamma!"
poem by Eugene Field
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A Disqualified Jockey's Story
You see, the thing was this way -- there was me,
That rode Panopply, the Splendor mare,
And Ikey Chambers on the Iron Dook,
And Smith, the half-caste rider on Regret,
And that long bloke from Wagga -- him that rode
Veronikew, the Snowy River horse.
Well, none of them had chances -- not a chance
Among the lot, unless the rest fell dead
Or wasn't trying -- for a blind man's dog
Could see Enchantress was a certain cop,
And all the books was layin' six to four.
They brought her out to show our lot the road,
Or so they said: but, then Gord's truth! you know,
You can believe 'em, though they took an oath
On forty Bibles that they's tell the truth.
But anyhow, an amateur was up
On this Enchantress; and so Ike and me,
We thought that we might frighten him a bit
By asking if he minded riding rough --
"Oh, not at all," says he, "oh, not at all!
I heard at Robbo Park, and if it comes
To bumping I'm your Moses! Strike me blue!"
Says he, "I'll bump you over either rail,
The inside rail or outside -- which you choose
Is good enough for me" -- which settled Ike.
For he was shaky since he near got killed
From being sent a buster on the rail,
When some chap bumped his horse and fetched him down
At Stony Bridge; so Ikey thought it best
To leave this bloke alone, and I agreed.
So all the books was layin' six to four
Against the favourite, and the amateur
Was walking this Enchantress up and down,
And me and Smithy backed him; for we thought
We might as well get something for ourselves,
Because we knew our horses couldn't win.
But Ikey wouldn't back him for a bob;
Because he said he reckoned he was stiff,
And all the books was layin' six to four.
Well, anyhow, before the start the news
Got around that this here amateur was stiff,
And our good stuff was blued, and all the books
Was in it, and the prices lengthened out,
And every book was bustin' of his throat,
And layin' five to one the favourite.
So there was we that couldn't win ourselves,
And this here amateur that wouldn't try,
And all the books was layin' five to one.
So Smithy says to me, "You take a hold
Of that there moke of yours, and round the turn
Come up behind Enchantress with the whip
And let her have it; that long bloke and me
Will wait ahead, and when she comes to us
We'll pass her on and belt her down the straight,
And Ikey'll flog her home -- because his boss
Is judge and steward and the Lord knows what,
And so he won't be touched; and, as for us,
We'll swear we only hit her by mistake!"
And all the books was layin' five to one.
Well, off we went, and comin' to the turn
I saw the amateur was holdinig back
And poking into every hole he could
To get her blocked; and so I pulled behind
And drew the whip and dropped it on the mare.
I let her have it twice, and then she shot
Ahead of me, and Smithy opened out
And let her up beside him on the rails,
And kept her there a-beltin' her like smoke
Until she struggled past him, pullin' hard,
And came to Ike; but Ikey drew his whip
And hit her on the nose, and sent her back
And won the race himself -- for, after all,
It seems he had a fiver on The Dook
And never told us -- so our stuff was lost.
And then they had us up for ridin' foul,
And warned us off the tracks for twelve months each
To get our livin' any way we could;
But Ikey wasn't touched, because his boss
Was judge and steward and the Lord knows what.
But Mister -- if you'll lend us half-a-crown,
I know three certain winners at the Park --
Three certain cops as no one knows but me;
And -- thank you, Mister, come an' have a beer
(I always like a beer about this time) . . .
Well, so long, Mister, till we meet again.
poem by Andrew Barton Paterson
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Jindgi Ne Lehro
jindgi ni lehro ma bhinajavu 6 mare Pan..
jindgi ni kef ma rachavu tu mare pan...
pan swarth ane samay na aa hisabo na sarvala ma j gunchavayo 6u Aaje..
jya khovayo hato tya sodhu 6u mujane..
pan Aa bhrstachar na dambhi kef ma ranagi gayo 6u...
bus svaas pan har pal meet mandi ne bethi 6 mot ni..
bus
jindgi na Aakhari palo ne to moaj ma rami dau...
bus jara Aam to karto jaav mara pran to beeja na name karto jaav...
jindgi ni lehro ma bhinajavu 6 mare Pan..
jindgi ni kef ma rachavu tu mare pan...
jindagi...
poem by Sandeep Jahaal
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The Cab Horses' Story
Now, you wouldn't imagine, to look at me,
That I was a racehorse once.
I have done my mile in - let me see
No matter. I was no dunce.
But you'd not believe me if I told
Of gallops I did in days of old.
I was first in - ah, well! What's the good?
It hurts to recall those days
When I drew from men, as a proud horse should,
Nothing but words of praise:
Oh, the waving hats, and the cheering crowd!
How could a horse help being proud?
My owner was just as proud as I;
I was cuddled and petted and praised.
My fame was great and my price was high,
And every year 'twas raised.
Then I strained a sinew in ninety-nine,
And that's when started my swift decline.
I was turned to grass for a year or so;
Then dragged to an auction sale;
And a country sport gave me a go;
But how could I hope but fail?
'A crock,' said he. And I here began
To learn of the ways of cruel man.
A year I spent as a lady's hack
I was growing old and spent
But she said that the riding hurt her back;
So we parted; and I went
For a while - and it nearly broke my heart
Dragging a greasy butcher's cart.
Then my stifle went. And I, proud horse,
Son of the nobly born,
The haughty king of a city course,
Knew even a butcher's scorn!
So down the ladder I quickly ran;
Till I came to be owned by a bottle man.
And my bed was hard and my food was poor,
And my work was harder still
Dragging a cart from door to door
The slave of Bottle-oh Bill.
Till even he, for a few mean bob,
Sold me into this hateful job.
As I dozed and dreamed in the ranks one day,
Thinking of good days past,
I heard a voice that I knew cry, 'Hey!
Say, cabby, is this horse fast?'
And he looked at me in a way I know.
'Twas the man I'd loved in the long ago.
'Twas my dear, old master of ninety-nine,
And I waited, fair surprised.
But ne'er by a look and ne'er by sign
Did he show he recognised.
Then I heard his words ('twas my last hard knock):
'Why don't you pole-axe the poor old crock?'
And he turned aside to a low-bred mare
That was foaled on some cockie's farm,
And he drove away. What do I care?
I can come to no more harm.
In a knacker's yard I am worth at least
Some pence for a hungry lion's feast.
poem by Clarence Michael James Stanislaus Dennis
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Bottle 'O
I ain't the kind of bloke as takes to any steady job;
I drives me bottle cart around the town;
A bloke what keeps 'is eyes about can always make a bob --
I couldn't bear to graft for every brown.
There's lots of handy things about in everybody's yard,
There's cocks and hens a-runnin' to an' fro,
And little dogs what comes and barks -- we take 'em off their guard
And we puts 'em with the Empty Bottle-O!
Chorus --
So it's any "Empty bottles! Any empty bottle-O!"
You can hear us round for half a mile or so
And you'll see the women rushing
To take in the Monday's washing
When they 'ear us crying, "Empty Bottle-O!"
I'm driving down by Wexford-street and up a winder goes,
A girl sticks out 'er 'ead and looks at me,
An all-right tart with ginger 'air, and freckles on 'er nose;
I stops the cart and walks across to see.
"There ain't no bottles 'ere," says she, "since father took the pledge,"
"No bottles 'ere," says I, "I'd like to know
What right 'ave you to stick your 'ead outside the winder ledge,
If you 'aven't got no Empty Bottle-O!"
I sometimes gives the 'orse a spell, and then the push and me
We takes a little trip to Chowder Bay.
Oh! ain't it nice the 'ole day long a-gazin' at the sea
And a-hidin' of the tanglefoot away.
But when the booze gits 'old of us, and fellows starts to "scrap",
There's some what likes blue-metal for to throw:
But as for me, I always says for layin' out a "trap"
There's nothing like an Empty Bottle-O!
poem by Andrew Barton Paterson
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The ride to bumpville
Play that my knee was a calico mare
Saddled and bridled for Bumpville;
Leap to the back of this steed, if you dare,
And gallop away to Bumpville!
I hope you'll be sure to sit fast in your seat,
For this calico mare is prodigiously fleet,
And many adventures you're likely to meet
As you journey along to Bumpville.
This calico mare both gallops and trots
While whisking you off to Bumpville;
She paces, she shies, and she stumbles, in spots,
In the tortuous road to Bumpville;
And sometimes this strangely mercurial steed
Will suddenly stop and refuse to proceed,
Which, all will admit, is vexatious indeed,
When one is en route to Bumpville!
She's scared of the cars when the engine goes "Toot!"
Down by the crossing at Bumpville;
You'd better look out for that treacherous brute
Bearing you off to Bumpville!
With a snort she rears up on her hindermost heels,
And executes jigs and Virginia reels -
Words fail to explain how embarrassed one feels
Dancing so wildly to Bumpville!
It's bumpytybump and it's jiggytyjog,
Journeying on to Bumpville
It's over the hilltop and down through the bog
You ride on your way to Bumpville;
It's rattletybang over boulder and stump,
There are rivers to ford, there are fences to jump,
And the corduroy road it goes bumpytybump,
Mile after mile to bumpville!
Perhaps you'll observe it's no easy thing
Making the journey to Bumpville,
So I think, on the whole, it were prudent to bring
An end to this ride to Bumpville;
For, though she has uttered no protest or plaint,
The calico mare must be blowing and faint -
What's more to the point, I'm blowed if I ain't!
So play we have got to Bumpville!
poem by Eugene Field
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Dyes Cast
Each night
As he drops his head
To the deep dream
Of the dark bed,
A shape beckons him
Wellaway
From the starlight
And the dim day.
A mare
Black as a spade, calls
From the dark hill
As the wind falls,
The reeds mutter
The night is black
As he leaps blind
To the mare’s back.
Then like the roar
Of an ill wind
Or a black flame
From the devil’s kiln,
The mare speeds
To the night’s work
By the old mill
And the dark Kirk.
Shapes flutter
And leap alight
Before they sputter
And, out of sight
Disport and mutter
Of black arts
To see the mare
And the rider pass.
Hour on hour
He clings to scenes
Of dark images,
Wild dreams
And chance friends
From the dead past
In the grim haunts
Of dyes cast.
His face burns
And tears stream
In the long night
Of the dark dream,
He clings grim
To the mare’s back
For his soul’s sake
And a long lack.
The day brinks
At night’s mist;
‘There may be nothing
More than this, ’
The mare fades
From his wide eyes –
But the thoughts bide,
And the old lies.
‘There may be nothing
More than this! ’
And his mind seeks
The mare, the mist;
‘There may be nought
But the dead past,
And the dark haunts
Of dyes cast.’
27 December 1978
poem by David Lewis Paget
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T.y.s.o.n.
Across the Queensland border line
The mobs of cattle go;
They travel down in sun and shine
On dusty stage, and slow.
The drovers, riding slowly on
To let the cattle spread,
Will say: "Here's one old landmark gone,
For old man Tyson's dead."
What tales there'll be in every camp
By men that Tyson knew!
The swagmen, meeting on the tramp,
Will yarn the long day through,
And tell of how he passed as "Brown",
And fooled the local men:
"But not for me -- I struck the town,
And passed the message further down;
That's T.Y.S.O.N.!"
There stands a little country town
Beyond the border line,
Where dusty roads go up and down,
And banks with pubs combine.
A stranger came to cash a cheque --
Few were the words he said --
A handkerchief about his neck,
An old hat on his head.
A long grey stranger, eagle-eyed --
"Know me? Of course you do?"
"It's not my work," the boss replied,
"To know such tramps as you."
"Well, look here, Mister, don't be flash,"
Replied the stranger then,
"I never care to make a splash,
I'm simple, but I've got the cash;
I'm T.Y.S.O.N."
But in that last great drafting-yard,
Where Peter keeps the gate,
And souls of sinners find it barred,
And go to meet their fate,
There's one who ought to enter in
For good deeds done on earth,
One who from Peter's self must win
That meed of sterling worth.
Not to the strait and narrow gate
Reserved for wealthy men,
But to the big gate, opened wide,
The grizzled figure, eagle-eyed,
Will saunter up -- and then
Old Peter'll say: "Let's pass him through;
There's many a thing he used to do,
Good-hearted things that no one knew;
That's T.Y.S.O.N."
poem by Andrew Barton Paterson
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The Prince's Progress (excerpt)
"Too late for love, too late for joy,
Too late, too late!
You loitered on the road too long,
You trifled at the gate:
The enchanted dove upon her branch
Died without a mate.
The enchanted princess in her tower
Slept, died, behind the grate;
Her heart was starving all this while
You made it wait.
"Ten years ago, five years ago,
One year ago,
Even then you had arrived in time,
Though somewhat slow;
Then you had known her living face
Which now you cannot know:
The frozen fountain would have leaped,
The buds gone on to blow,
The warm south wind would have awaked
To melt the snow.
"Is she fair now as she lies?
Once she was fair;
Meet queen for any kingly king,
With gold-dust on her hair.
Now these are poppies in her locks,
White poppies she must wear;
Must wear a veil to shroud her face
And the want graven there:
Or is the hunger fed at length,
Cast off the care?
"We never saw her with a smile
Or with a frown;
Her bed seemed never soft to her,
Though tossed of down;
She little heeded what she wore,
Kirtle, or wreath, or gown;
We think her white brows often ached
Beneath her crown,
Till silvery hairs showed in her locks
That used to be so brown.
"We never heard her speak in haste;
Her tones were sweet,
And modulated just so much
As it was meet:
Her heart sat silent through the noise
And concourse of the street.
There was no hurry in her hands,
No hurry in her feet;
There was no bliss drew nigh to her,
That she might run to greet.
"You should have wept her yesterday,
Wasting upon her bed:
But wherefore should you weep to-day
That she is dead?
Lo we who love weep not to-day,
But crown her royal head.
Let be these poppies that we strew,
Your roses are too red:
Let be these poppies, not for you
Cut down and spread."
poem by Christina Georgina Rossetti
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