Two Graves
First Ghost
To sepulcher my mouldy bones
I bough a pile of noble stones,
And half a year a sculptor spent
To hew my marble monument,
The stateliest to rear its head
In all this city of the dead.
And generations passing through
Will gape, and ask: What did he do
To earn this tomb so rich and rare,
In Attic grace beyond compare?
How was his life in honour spent,
To worthy this proud monument?
What did I do" Well, nothing much.
'Tis true I had the Midas touch.
A million pounds I made wherewith
To glorify the name: John Smith;
Yet not a soul wept for me when
Death raft me from my fellow men.
My sculptor wins undying fame,
While I, who paid, am just a name.
Second Ghost
A wooden cross surveys my bones,
With on it stenciled: Peter Jones.
And round it are five hundred more;
(A proper job did old man War!)
So young they were, so fresh, so fit,
So hopeful - that's the hell of it.
The old are sapped and ripe to die,
But in the flush of Spring was I.
I might have fathered children ten,
To come to grips with sterling men;
And now a cross in weeds to rot,
Is all to show how fierce I fought.
The old default, the young must pay;
My life was wasted, thrown away.
While people gladden, to forget
The bitterness of vein regret,
With not a soul to morn for me
My skull grins up in mockery.
. . . Pale crosses greet the grieving stars,
And always will be - War and Wars.
poem by Robert William Service
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Related quotes
Young Fellow My Lad
"Where are you going, Young Fellow My Lad,
On this glittering morn of May?"
"I'm going to join the Colours, Dad;
They're looking for men, they say."
"But you're only a boy, Young Fellow My Lad;
You aren't obliged to go."
"I'm seventeen and a quarter, Dad,
And ever so strong, you know."
* * * *
"So you're off to France, Young Fellow My Lad,
And you're looking so fit and bright."
"I'm terribly sorry to leave you, Dad,
But I feel that I'm doing right."
"God bless you and keep you, Young Fellow My Lad,
You're all of my life, you know."
"Don't worry. I'll soon be back, dear Dad,
And I'm awfully proud to go."
* * * *
"Why don't you write, Young Fellow My Lad?
I watch for the post each day;
And I miss you so, and I'm awfully sad,
And it's months since you went away.
And I've had the fire in the parlour lit,
And I'm keeping it burning bright
Till my boy comes home; and here I sit
Into the quiet night.
* * * *
"What is the matter, Young Fellow My Lad?
No letter again to-day.
Why did the postman look so sad,
And sigh as he turned away?
I hear them tell that we've gained new ground,
But a terrible price we've paid:
God grant, my boy, that you're safe and sound;
But oh I'm afraid, afraid."
* * * *
"They've told me the truth, Young Fellow My Lad:
You'll never come back again:
(Oh God! the dreams and the dreams I've had,
and the hopes I've nursed in vain!)
For you passed in the night, Young Fellow My Lad,
And you proved in the cruel test
Of the screaming shell and the battle hell
That my boy was one of the best.
"So you'll live, you'll live, Young Fellow My Lad,
In the gleam of the evening star,
In the wood-note wild and the laugh of the child,
In all sweet things that are.
And you'll never die, my wonderful boy,
While life is noble and true;
For all our beauty and hope and joy
We will owe to our lads like you."
poem by Robert William Service
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On Shakespear
What needs my Shakespear for his honour'd Bones,
The labour of an age in piled Stones,
Or that his hallow'd reliques should be hid
Under a Star-ypointing Pyramid?
Dear son of memory, great heir of Fame,
What need'st thou such weak witnes of thy name?
Thou in our wonder and astonishment
Hast built thy self a live-long Monument.
For whilst toth' shame of slow-endeavouring art,
Thy easie numbers flow, and that each heart
Hath from the leaves of thy unvalu'd Book,
Those Delphick lines with deep impression took
Then thou our fancy of it self bereaving,
Dost make us Marble with too much conceaving;
And so Sepulcher'd in such pomp dost lie,
That Kings for such a Tomb would wish to die.
poem by John Milton
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To Either
Back further than
I know, in San
Francisco dwelt a wealthy man.
So rich was he
That none could be
Wise, good and great in like degree.
'Tis true he wrought,
In deed or thought,
But few of all the things he ought;
But men said: 'Who
Would wish him to?
Great souls are born to be, not do!'
One thing, indeed,
He did, we read,
Which was becoming, all agreed:
Grown provident,
Ere life was spent
He built a mighty monument.
For longer than
I know, in San
Francisco lived a beggar man;
And when in bed
They found him dead
'Just like the scamp!' the people said.
He died, they say,
On the same day
His wealthy neighbor passed away.
What matters it
When beggars quit
Their beats? I answer: Not a bit.
They got a spade
And pick and made
A hole, and there the chap was laid.
'He asked for bread,'
'Twas neatly said:
'He'll get not even a stone instead.'
The years rolled round:
His humble mound
Sank to the level of the ground;
And men forgot
That the bare spot
Was like (and was) the beggar's lot.
Forgotten, too,
Was t'other, who
Had reared the monument to woo
Inconstant Fame,
Though still his name
Shouted in granite just the same.
That name, I swear,
They both did bear
The beggar and the millionaire.
That lofty tomb,
Then, honored-whom?
For argument here's ample room.
I'll not debate,
But only state
The scamp first claimed it at the Gate.
St. Peter, proud
To serve him, bowed
And showed him to the softest cloud.
poem by Ambrose Bierce
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In Mine One Monument I Lye
I.
In mine one monument I lye,
And in my self am buried;
Sure, the quick lightning of her eye
Melted my soul ith' scabberd dead;
And now like some pale ghost I walk,
And with another's spirit talk.
II.
Nor can her beams a heat convey,
That may my frozen bosome warm,
Unless her smiles have pow'r, as they,
That a cross charm can countercharm.
But this is such a pleasing pain,
I'm loth to be alive again.
poem by Richard Lovelace
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Dinosaur
Long ago and far away in a different age
When I was a dumb young guy
Fossilized photos of my life then
Illustrate what an easy prey I must have been
Standing in the sun, idiot savant
Something like a monument
Im a dinosaur, somebody is digging my bones
Ignorance has alway been something I excel in
Followed by naivete and pride
Doesnt take a scientist to see how
Any clever predator could have a piece of me
Standing in the sun, idiot savant
Something like a monument
Im a dinosaur, somebody is digging my bones
When I look back on the past
Its a wonder Im not yet extinct
All the mistakes and bad judgements I made
Nearly pushed me to the brink
It doesnt pay to be too nice
Its the one thing I have learned
Still, I made my fossil bed
Now I toss and turn
Im a dinosaur, somebody is digging my bones
song performed by by King Crimson
Submitted by Lucian Velea
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A Monument For The Soldiers
A monument for the Soldiers!
And what will ye build it of?
Can ye build it of marble, or brass, or bronze,
Outlasting the Soldiers' love?
Can ye glorify it with legends
As grand as their blood hath writ
From the inmost shrine of this land of thine
To the outermost verge of it?
And the answer came: We would build it
Out of our hopes made sure,
And out of our purest prayers and tears,
And out of our faith secure:
We would build it out of the great white truths
Their death hath sanctified,
And the sculptured forms of the men in arms,
And their faces ere they died.
And what heroic figures
Can the sculptor carve in stone?
Can the marble breast be made to bleed,
And the marble lips to moan?
Can the marble brow be fevered?
And the marble eyes be graved
To look their last, as the flag floats past,
On the country they have saved?
And the answer came: The figures
Shall all be fair and brave,
And, as befitting, as pure and white
As the stars above their grave!
The marble lips, and breast and brow
Whereon the laurel lies,
Bequeath us right to guard the flight
Of the old flag in the skies!
A monument for the Soldiers!
Built of a people's love,
And blazoned and decked and panoplied
With the hearts ye build it oft
And see that ye build it stately,
In pillar and niche and gate,
And high in pose as the souls of those
It would commemorate!
poem by James Whitcomb Riley
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At Parting
Go, since you must, but, Dearest, know
That, Honour having bid you go,
Your honour, if your life be spent,
Shall have a costly monument.
This heart, that fire and roses is
Beneath the magic of your kiss,
Shall turn to marble if you die
And be your deathless effigy.
poem by Edith Nesbit
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What Am I Doing Here
(Justin Hayward)
Pale the young squire who goes to fight
To die at his master's side
Living is just a dream inside
You ask me why he cried
"What am I doin' here?"
"What am I doin' here?"
Beautiful princess, fair and pale
Stares out across the sea
Alone in her castle dark and grey
Her love she'll never see
"What am I doin' here?"
"What am I doin' here?"
Tenderly bury the fair young dead
Place a wooden cross at his head
All the words you can say
Have been said
It's for you my tears are shed
What can be done, you won't believe
Listen and you may see
Everyone's dream is deep within
Find it and you'll be free
"What am I doin' here?"
"What am I doin' here?"
Tenderly bury the fair young dead
Place a wooden cross at his head
All the words you can say
Have been said
It's for you my tears are shed
Tenderly bury the fair young dead
Place a wooden cross at his head
All the words you can say
Have been said
It's for you my tears are shed
*************************************************************
song performed by by Moody Blues
Submitted by Lucian Velea
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The Black Watch Memorial
Ye Sons of Mars, it gives me great content
To think there has been erected a handsome monument
In memory of the Black Watch, which is magnificent to see,
Where they first were embodied at Aberfeldy.
And as a Highland regiment they are worthy of what has been done for them,
Because a more courageous regiment we cannot find of men
Who have bravely fought and bled in defence of their country,
Especially in the Ruusian War and Soudan War they made their enemies flee.
The monument I hope will stand secure for many a long day,
And may the people of Aberfeldy always feel gay;
As they gaze upon the beautiful Black Watch monument,
I hope they will think of the brave soldiers and feel content.
'Twas in the year of 1887, and on Saturday the 12th of November,
Which the people of Aberfeldy and elsewhere will remember,
Who came all the way from Edinburgh, Glasgow, Perth and Dundee,
Besides the Pitlochry Volunteers headed the procession right manfully.
And the Perthshire Rifies joined the procession with their pipe band,
Then followed a detachment of the 42nd Righlanders so grand,
Under the command of Lieutenant McCleod,
Whose duty if was to represent the regiment of which he felt proud.
The pipe band of the Glasgow Highlanders also were there,
And Taymouth Brass Band, which discoursed sweet music I do declare;
Also military officers and the magistrates of Aberfeldy,
While in the rear came the members of Committee.
There were also Freemasons, Foresters, all in a row,
And wearing their distinctive regalias, which made a great show;
And the processionists were formed into three sides of a square
Around the monument, while the music of the bands did rend the air.
The noble Marquis of Breadalbane arrived on the ground at 1.30,
Escorted by a guard of honour and his pipe band;
Then the bands struck up, and the pipes were set a bumming,
And all with one accord played up the "Campbell's are Coming."
Then his Lordship ascended a platform on the north side of the monument,
And the bands played cheerfully till their breath was almost spent;
Then his Lordship received three ringing cheers from the people there,
Then he requested the Rev. John McLean to open the proceedings with prayer.
And after the prayer, Major Menzies stepped forward
And said, "Ladies and gentlemen, for the Black Watch I have great regard;
And the duty I have to perform gives me great content,
And that is to ask the noble Marquis to unveil this monument."
Then he handed the noble Marquis a Lochaber axe to unveil the Monument,
And the Marquis said, "Sir, to your request I most willingly consent."
Then he unveiled the monument in memory of the gallant Forty-twa,
While the bands played up the "Highland Laddie" as loud as they could blaw.
And when the bands ceased playing the noble Marquis said,
"This monument I declare is very elegantly made,
And its bold style is quite in keeping with the country I find,
And the Committee were fortunate in obtaining so able a designer as Mr. Rhind."
Then, turning to the Chief Magistrate of Aberfeldy,
He said, "Sir, I have been requested by the Committee
To give you the deed conveying the monument to your care,
With the feu-charter of the ground, therefore, sir, I'd have you beware."
Then the Chief Magistrate Forbes to Lord Breadalbane said,
"My noble Lord, I accept the charge, and you needn't be afraid.
Really it gives me much pleasure in accepting as I now do from thee
This Memorial, along with the deeds, on behalf of Aberfeldy."
Then Major Menzies proposed three cheers for the burgh of Aberfeldy,
And three cheers were given right heartily.
Then the Taymouth Band played "God Save the 8ueen,"
Then the processionists marched to the New Public School, happy and serene.
Then there was a banquet held in the school,
At which three hundred sat down and ate till they were full;
And Lord Breadalbane presided, and had on his right,
Magistrates, Colonels, end Provosfs, a most beautiful sight.
And the toast of "The Queen," "Prince and Princess of Wales," were given,
Wishing them prosperity while they are living;
Then the noble Chairman proposed "The Army, Navy and Volunteers,"
Which was loudly responded to with three loud cheers.
Then Colonel Smith, of the Highland Volunteers, from Bonnie Dundee
Replied for the Volunteers right manfully.
Then the noble Chairman said, "The toast I have now to propose
Is long life and prosperity to the Royal Highlanders in spite of their foes."
Then the toast was drnnk with Highland honours and hearts
While Pipe-Major McDougall played "The 42nd March at Waterloo."
So ended the proceedings in honour of the Black Watch, the bravest of men,
And the company with one accord sung the National Anthem.
poem by William Topaz McGonagall
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Poem: Song to the Holy Cross
The cross of love:
The cross I love:
The cross I'd loved all life;
The wooden cross:
The holy cross:
The cross that bore man's strife.
The oaken cross:
The heavy cross:
The cross Jesus carried;
The cross on which
Christ Lord was nailed:
And bore man's sins indeed.
The cross of death:
The blood-stained cross:
The Savior, man, redeemed;
The cross of life's
Victory o'er death:
That souls on earth must heed.
poem by John Celes
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Along The War Avenue Of honour
Along the war Avenue of Honour a plaque to a dead soldier nailed to every tree
Brave young men who died in battle their reward for their bravery
They died in the war said to end all wars in the killing fields of World war one
But many wars since and far too many bloody battles and peace in the World not yet won.
Wars started by silly ageing men who send the young for them to die
Ageing men who themselves will die of old age and their twilight years they will enjoy,
ageing males heroes of their people we honour cowards as heroes one might say
The young men will go to war for them and the young men with their young lives pay.
The war supposed to end all wars long over almost nine decades since have gone by
But many wars have been fought since then and war pilots dropp their big bombs from the night sky
But suppose that's what will always happen when we give all of our power away
To silly and ageing male war men who with hair dyes cover their gray.
Along the war avenue of honour long dead soldiers names on every tree
Young noble men who died in battle far from homeland and family
In what was to be the war to end all wars yet we don't have much wisdom to show
For the loss of so many fine young men well over eight decades ago.
poem by Francis Duggan
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Sonnet: After Death
A dead person never requires praise,
Nor does rebuking help to change his ways;
What if he wins or loses any case?
His earthly tenure, none can ev’r efface.
The soul that’s dead needs no awards/rewards,
Or posthumous citations, or birthdays;
What does it matter if they be kings/ bards?
No monument, his achievements repays.
And statues, paintings too will not suffice,
To glorify his works or laud great souls;
Just prayers for the dead souls will be wise,
And pleas to God to save souls from hell’s coals.
Death is a full-stop to our life’s sentence!
Where use we must, our sense and common sense.
9-12-2002
poem by John Celes
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Phantasmagoria CANTO VII ( Sad Souvenaunce )
"WHAT'S this?" I pondered. "Have I slept?
Or can I have been drinking?"
But soon a gentler feeling crept
Upon me, and I sat and wept
An hour or so, like winking.
"No need for Bones to hurry so!"
I sobbed. "In fact, I doubt
If it was worth his while to go -
And who is Tibbs, I'd like to know,
To make such work about?
"If Tibbs is anything like me,
It's POSSIBLE," I said,
"He won't be over-pleased to be
Dropped in upon at half-past three,
After he's snug in bed.
"And if Bones plagues him anyhow -
Squeaking and all the rest of it,
As he was doing here just now -
I prophesy there'll be a row,
And Tibbs will have the best of it!"
Then, as my tears could never bring
The friendly Phantom back,
It seemed to me the proper thing
To mix another glass, and sing
The following Coronach.
'AND ART THOU GONE, BELOVED GHOST?
BEST OF FAMILIARS!
NAY THEN, FAREWELL, MY DUCKLING ROAST,
FAREWELL, FAREWELL, MY TEA AND TOAST,
MY MEERSCHAUM AND CIGARS!
THE HUES OF LIFE ARE DULL AND GRAY,
THE SWEETS OF LIFE INSIPID,
WHEN thou, MY CHARMER, ART AWAY -
OLD BRICK, OR RATHER, LET ME SAY,
OLD PARALLELEPIPED!'
Instead of singing Verse the Third,
I ceased - abruptly, rather:
But, after such a splendid word
I felt that it would be absurd
To try it any farther.
So with a yawn I went my way
To seek the welcome downy,
And slept, and dreamed till break of day
Of Poltergeist and Fetch and Fay
And Leprechaun and Brownie!
For year I've not been visited
By any kind of Sprite;
Yet still they echo in my head,
Those parting words, so kindly said,
"Old Turnip-top, good-night!"
poem by Lewis Carroll
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The Cross
Two fallen twigs when kept across
Can form a cross;
Two blades of grass just put cris-cross
Becomes a cross.
Two fingers placed atop the next
Looks like a cross;
A wire-mesh has umpteen crosses,
Like stars the sky across.
The cross is symbol of Christians;
The cross is pride of all baptized;
The cross instills love of Jesus;
The cross is feared by all devils!
The cross is sign of faith in God;
The cross means sacrifice like Christ;
The cross reminds of victory over death;
Carry your cross and follow Christ.
The cross can save the worst sinner;
The cross is sign of after-life;
The cross means Christ is Son of God!
The cross leads always to heaven.
Copyright by Dr John Celes 10-30-2009
poem by John Celes
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For my own Monument
AS doctors give physic by way of prevention,
Mat, alive and in health, of his tombstone took care;
For delays are unsafe, and his pious intention
May haply be never fulfill'd by his heir.
Then take Mat's word for it, the sculptor is paid;
That the figure is fine, pray believe your own eye;
Yet credit but lightly what more may be said,
For we flatter ourselves, and teach marble to lie.
Yet counting as far as to fifty his years,
His virtues and vices were as other men's are;
High hopes he conceived, and he smother'd great fears,
In a life parti-colour'd, half pleasure, half care.
Nor to business a drudge, nor to faction a slave,
He strove to make int'rest and freedom agree;
In public employments industrious and grave,
And alone with his friends, Lord! how merry was he!
Now in equipage stately, now humbly on foot,
Both fortunes he tried, but to neither would trust;
And whirl'd in the round as the wheel turn'd about,
He found riches had wings, and knew man was but dust.
This verse, little polish'd, tho' mighty sincere,
Sets neither his titles nor merit to view;
It says that his relics collected lie here,
And no mortal yet knows too if this may be true.
Fierce robbers there are that infest the highway,
So Mat may be kill'd, and his bones never found;
False witness at court, and fierce tempests at sea,
So Mat may yet chance to be hang'd or be drown'd.
If his bones lie in earth, roll in sea, fly in air,
To Fate we must yield, and the thing is the same;
And if passing thou giv'st him a smile or a tear,
He cares not--yet, prithee, be kind to his fame.
poem by Matthew Prior
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The Monument
Now can you see the monument? It is of wood
built somewhat like a box. No. Built
like several boxes in descending sizes
one above the other.
Each is turned half-way round so that
its corners point toward the sides
of the one below and the angles alternate.
Then on the topmost cube is set
a sort of fleur-de-lys of weathered wood,
long petals of board, pierced with odd holes,
four-sided, stiff, ecclesiastical.
From it four thin, warped poles spring out,
(slanted like fishing-poles or flag-poles)
and from them jig-saw work hangs down,
four lines of vaguely whittled ornament
over the edges of the boxes
to the ground.
The monument is one-third set against
a sea; two-thirds against a sky.
The view is geared
(that is, the view's perspective)
so low there is no "far away,"
and we are far away within the view.
A sea of narrow, horizontal boards
lies out behind our lonely monument,
its long grains alternating right and left
like floor-boards--spotted, swarming-still,
and motionless. A sky runs parallel,
and it is palings, coarser than the sea's:
splintery sunlight and long-fibred clouds.
"Why does the strange sea make no sound?
Is it because we're far away?
Where are we? Are we in Asia Minor,
or in Mongolia?"
An ancient promontory,
an ancient principality whose artist-prince
might have wanted to build a monument
to mark a tomb or boundary, or make
a melancholy or romantic scene of it...
"But that queer sea looks made of wood,
half-shining, like a driftwood, sea.
And the sky looks wooden, grained with cloud.
It's like a stage-set; it is all so flat!
Those clouds are full of glistening splinters!
What is that?"
It is the monument.
"It's piled-up boxes,
outlined with shoddy fret-work, half-fallen off,
cracked and unpainted. It looks old."
--The strong sunlight, the wind from the sea,
all the conditions of its existence,
may have flaked off the paint, if ever it was painted,
and made it homelier than it was.
"Why did you bring me here to see it?
A temple of crates in cramped and crated scenery,
what can it prove?
I am tired of breathing this eroded air,
this dryness in which the monument is cracking."
It is an artifact
of wood. Wood holds together better
than sea or cloud or and could by itself,
much better than real sea or sand or cloud.
It chose that way to grow and not to move.
The monument's an object, yet those decorations,
carelessly nailed, looking like nothing at all,
give it away as having life, and wishing;
wanting to be a monument, to cherish something.
The crudest scroll-work says "commemorate,"
while once each day the light goes around it
like a prowling animal,
or the rain falls on it, or the wind blows into it.
It may be solid, may be hollow.
The bones of the artist-prince may be inside
or far away on even drier soil.
But roughly but adequately it can shelter
what is within (which after all
cannot have been intended to be seen).
It is the beginning of a painting,
a piece of sculpture, or poem, or monument,
and all of wood. Watch it closely.
poem by Elizabeth Bishop
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Silly; Religion: Rich Man Vs. Ghost
honest 'scrooge':
The rich man said 'I care not to breed; time's too valuable to sow my ‘seed'.
Money's my own evil, like cotton has its weevil.
All I really care about is greed.'
rich man is warned:
To rich man one eve came a tall ghost. Said the foretelling ghost to his host:
'All money you can save you can take to your grave,
but in Hell you'll still be scorched toast.'
ooh! scary ghost (not) ! :
Rich man to ghost: 'You're not so clever. You'll find I have no panic lever.
L. R. Hubbard did say 'rich men, live for today;
Scientologists live forever'.'
ghost retorts:
Ghost to rich man: 'I have discovered what became of your L. R. Hubbard.
He told a mighty tale, but his beliefs did fail….
to keep him out of the Devil's cupboard.'
rich man retorts back:
Rich man to ghost: 'I believe you're a liar. I think your tail will be on fire.
I would not hire you …to fix the sole of my shoe, …
let alone 'my soul '. You conspire! ! '
ghost gives up! (almost) :
At that the poor ghost his head did scratch, thinking, perhaps, he'd met his match.
Then he saw the TV. He put on channel three,
and Hubbard's broadcast (from Hell) they did catch.
thankful (formerly-rich) man to ghost:
Rich man said: 'Ghost, I believe you indeed! ! You can leave now on your steed.
but first take my money and bring me a ‘honey',
for I've been long overdue to breed! ! '
poem by Bri Edwards
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On The Proposal To Erect A Monument In England To Lord Byron
The grass of fifty Aprils hath waved green
Above the spent heart, the Olympian head,
The hands crost idly, the shut eyes unseen,
Unseeing, the locked lips whose song hath fled;
Yet mystic-lived, like some rich, tropic flower,
His fame puts forth fresh blossoms hour by hour;
Wide spread the laden branches dropping dew
On the low, laureled brow misunderstood,
That bent not, neither bowed, until subdued
By the last foe who crowned while he o'erthrew.
Fair was the Easter Sabbath morn when first
Men heard he had not wakened to its light:
The end had come, and time had done its worst,
For the black cloud had fallen of endless night.
Then in the town, as Greek accosted Greek,
'T was not the wonted festal words to speak,
'Christ is arisen,' but 'Our chief is gone,'
With such wan aspect and grief-smitten head
As when the awful cry of 'Pan is dead!'
Filled echoing hill and valley with its moan.
'I am more fit for death than the world deems,'
So spake he as life's light was growing dim,
And turned to sleep as unto soothing dreams.
What terrors could its darkness hold for him,
Familiar with all anguish, but with fear
Still unacquainted? On his martial bier
They laid a sword, a helmet, and a crown-
Meed of the warrior, but not these among
His voiceless lyre, whose silent chords unstrung
Shall wait-how long?-for touches like his own.
An alien country mourned him as her son,
And hailed him hero: his sole, fitting tomb
Were Theseus' temple or the Parthenon,
Fondly she deemed. His brethren bare him home,
Their exiled glory, past the guarded gate
Where England's Abbey shelters England's great.
Afar he rests whose very name hath shed
New lustre on her with the song he sings.
So Shakespeare rests who scorned to lie with kings,
Sleeping at peace midst the unhonored dead.
And fifty years suffice to overgrow
With gentle memories the foul weeds of hate
That shamed his grave. The world begins to know
Her loss, and view with other eyes his fate.
Even as the cunning workman brings to pass
The sculptor's thought from out the unwieldy mass
Of shapeless marble, so Time lops away
The stony crust of falsehood that concealed
His just proportions, and, at last revealed,
The statue issues to the light of day,
Most beautiful, most human. Let them fling
The first stone who are tempted even as he,
And have not swerved. When did that rare soul sing
The victim's shame, the tyrant's eulogy,
The great belittle, or exalt the small,
Or grudge his gift, his blood, to disenthrall
The slaves of tyranny or ignorance?
Stung by fierce tongues himself, whose rightful fame
Hath he reviled? Upon what noble name
Did the winged arrows of the barbed wit glance?
The years' thick, clinging curtains backward pull,
And show him as he is, crowned with bright beams,
'Beauteous, and yet not all as beautiful
As he hath been or might be; Sorrow seems
Half of his immortality.' He needs
No monument whose name and song and deeds
Are graven in all foreign hearts; but she
His mother, England, slow and last to wake,
Needs raise the votive shaft for her fame's sake:
Hers is the shame if such forgotten be!
poem by Emma Lazarus
Submitted by Poetry Lover
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Equality
I saw a King, who spent his life to weave
Into a nation all his great heart thought,
Unsatisfied until he should achieve
The grand ideal that his manhood sought;
Yet as he saw the end within his reach,
Death took the sceptre from his failing hand,
And all men said, "He gave his life to teach
The task of honour to a sordid land!"
Within his gates I saw, through all those years,
One at his humble toil with cheery face,
Whom (being dead) the children, half in tears,
Remembered oft, and missed him from his place.
If he be greater that his people blessed
Than he the children loved, God knoweth best.
poem by John McCrae
Submitted by Poetry Lover
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Anzac Day
Patriotic men and women from sixty down to sixteen
Rode proudly on their horses in the famed Anzac green
Followed by the women of the Red Cross in their renowned white and red
On this day every April they honour the war dead.
Up to the war memorial where a large crowd stand around
And at the front of the congregation old 'Diggers' to be found
Old veterans of World war 2 they show their years in gray
Their war medals pinned to their lapels their bravery on display.
A lone bugler played the last post to honour the war dead
And an old man who was standing near i saw him bow his head
And tears were trickling down his face his thoughts were far away
Some noble men who were his friends in foreign Country lay.
We are gathered here this morning the ageing speaker said
To commemorate true heroes our great and brave war dead
They made the ultimate sacrifice and at a young age they did die
And we have them in part to thank for the freedom we enjoy
For our soldiers who died in foreign wars for their souls let us pray
It's only to remember them that we have Anzac day
Their bones may lay in foreign fields but in history they survive
And the spirit of the Anzac is still very much alive.
He thanked the old war veterans who marched in the parade
How can we thank you enough for the sacrifice you've made
You risked your lives in cause of peace 'we salute you today'
You noble men who won the war in Country far away.
He thanked the red cross women the finest in the Land
And the bugler who played 'The Last Post' and the six piece marching band
And the horse riders dressed as Anzacs in the famed faded green
And he asked the band to finish up by playing 'God save the Queen'.
And the band played 'God save the Queen' but not 'Advance Australia Fair'
And i who doesn't believe in war could only feel aware
That in Britain they don't play the Australian anthem when they honour their war dead
Was it for Britain or Australia that young Aussie blood was shed? .
The horse riders dressed as Anzacs in the famed faded green
And the bugler played the last post and the band played 'God Save The Queen'.
And a war veteran spoke of Aussie war dead their bones in Europe lay
At least they are remembered still on every Anzac Day.
poem by Francis Duggan
Submitted by Poetry Lover
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