The Stretcher-Bearer

My stretcher is one scarlet stain,
And as I tries to scrape it clean,
I tell you wot -- I'm sick with pain
For all I've 'eard, for all I've seen;
Around me is the 'ellish night,
And as the war's red rim I trace,
I wonder if in 'Eaven's height,
Our God don't turn away 'Is Face.

I don't care 'oose the Crime may be;
I 'olds no brief for kin or clan;
I 'ymns no 'ate: I only see
As man destroys his brother man;
I waves no flag: I only know,
As 'ere beside the dead I wait,
A million 'earts is weighed with woe,
A million 'omes is desolate.

In drippin' darkness, far and near,
All night I've sought them woeful ones.
Dawn shudders up and still I 'ear
The crimson chorus of the guns.
Look! like a ball of blood the sun
'Angs o'er the scene of wrath and wrong. . . .
"Quick! Stretcher-bearers on the run!"
O Prince of Peace! 'ow long, 'ow long?

poem by Robert William ServiceReport problemRelated quotes
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Robert Graves

A Child's Nightmare

Through long nursery nights he stood
By my bed unwearying,
Loomed gigantic, formless, queer,
Purring in my haunted ear
That same hideous nightmare thing,
Talking, as he lapped my blood,
In a voice cruel and flat,
Saying for ever, "Cat! ... Cat! ... Cat!..."

That one word was all he said,
That one word through all my sleep,
In monotonous mock despair.
Nonsense may be light as air,
But there's Nonsense that can keep
Horror bristling round the head,
When a voice cruel and flat
Says for ever, "Cat! ... Cat! ... Cat!..."

He had faded, he was gone
Years ago with Nursery Land,
When he leapt on me again
From the clank of a night train,
Overpowered me foot and head,
Lapped my blood, while on and on
The old voice cruel and flat
Says for ever, "Cat! ... Cat! ... Cat!..."

Morphia drowsed, again I lay
In a crater by High Wood:
He was there with straddling legs,
Staring eyes as big as eggs,
Purring as he lapped my blood,
His black bulk darkening the day,
With a voice cruel and flat,
"Cat! ... Cat! ... Cat! ... Cat!..." he said, "Cat! ... Cat!..."

When I'm shot through heart and head,
And there's no choice but to die,
The last word I'll hear, no doubt,
Won't be "Charge!" or "Bomb them out!"
Nor the stretcher-bearer's cry,
"Let that body be, he's dead!"
But a voice cruel and flat
Saying for ever, "Cat! ... Cat! ... Cat!"

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Farewell to Barn and Stack and Tree

"Farewell to barn and stack and tree,
Farewell to Severn shore.
Terence, look your last at me,
For I come home no more.

"The sun burns on the half-mown hill,
By now the blood is dried;
And Maurice amongst the hay lies still
And my knife is in his side.

"My mother thinks us long away;
'Tis time the field were mown.
She had two sons at rising day,
To-night she'll be alone.

"And here's a bloody hand to shake,
And oh, man, here's good-bye;
We'll sweat no more on scythe and rake,
My bloody hands and I.

"I wish you strength to bring you pride,
And a love to keep you clean,
And I wish you luck, come Lammastide,
At racing on the green.

"Long for me the rick will wait,
And long will wait the fold,
And long will stand the empty plate,
And dinner will be cold."

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Stains

The three ghosts on the lonesome road
   Spake each to one another,
"Whence came that stain about your mouth
   No lifted hand may cover?"
"From eating of forbidden fruit,
   Brother, my brother."

The three ghosts on the sunless road
   Spake each to one another,
"Whence came that red burn on your foot
   No dust nor ash may cover?"
"I stamped a neighbor's hearth-flame out,
   Brother, my brother."

The three ghosts on the windless road
   Spake each to one another,
"Whence came that blood upon your hand
   No other hand may cover?"
"From breaking of a woman's heart,
   Brother, my brother."

"Yet on the earth clean men we walked,
   Glutton and Thief and Lover;
White flesh and fair it hid our stains
   That no man might discover."
"Naked the soul goes up to God,
   Brother, my brother."

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The Last to Leave

The guns were silent, and the silent hills
had bowed their grasses to a gentle breeze
I gazed upon the vales and on the rills,
And whispered, "What of these?' and "What of these?
These long forgotten dead with sunken graves,
Some crossless, with unwritten memories
Their only mourners are the moaning waves,
Their only minstrels are the singing trees
And thus I mused and sorrowed wistfully

I watched the place where they had scaled the height,
The height whereon they bled so bitterly
Throughout each day and through each blistered night
I sat there long, and listened - all things listened too
I heard the epics of a thousand trees,
A thousand waves I heard; and then I knew
The waves were very old, the trees were wise:
The dead would be remembered evermore-
The valiant dead that gazed upon the skies,
And slept in great battalions by the shore.

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Politeness

The English and the French were met
Upon the field of future battle;
The foes were formidably set
And waiting for the guns to rattle;
When from the serried ranks of France
The English saw with woeful presage
Under a flaming flag advance
A trumpeter who bore a message.

'Twas from their Marshal, quite polite,
Yet made the English leader shiver.
"We're perched," said he, "upon the height,
While you're exposed beside the river.
We have the vantage, you'll agree,
And your look-out is melancholy;
But being famed for courtesy
We'll let you fire the starting volley."

The English General was moved,
In fact his eyes were almost tearful;
Then he too his politeness proved
By writing back: "We are not fearful.
Our England is too proud to take
The privilege you thrust upon her;
So let your guns in thunder break:
To you, M'sieu, shall be the houour."

Again a note the Marshall sent
By envoy for his battle station:
"Your spirit wins my compliment,
Your courage my appreciation.
Yet you are weak and we are strong,
And though your faith is most inspiring,
Don't let us linger all day long -
Mon General, begin the firing."

"How chivalrous the soul of France."
The English General reflected.
"I hate to take this happy chance,
But I suppose it's what's expected.
Politeness is a platitude
In this fair land of gallant foemen."
So with a heart of gratitude
He primed his guns and cried: "Let's go men!"

The General was puzzled when
No answer came, said he: "What is it?
Why don't they give us hell?" And then
The herald paid another visit.
The Marshall wrote: "to your salute
Please pardon us for not replying;
To shatter you we cannot shoot . . .
My men are dead and I am dying."

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Revolt In The Ranks

I have just spent one-hour-and-a-half
handicapping tomorrow's
card.
when am I going to get at the poems?
well, they'll just have to wait
they'll have to warm their feet in the
anteroom
where they'll sit gossiping about
me.
"this Chinaski, doesn't he realize that
without us he would have long ago
gone mad, been dead?"
"he knows, but he thinks he can keep
us at his beck and call!"
"he's an ingrate!"
"let's give him writer's block!"
"yeah!"
"yeah!& quot;
"yeah!"
the little poems kick up their heels
and laugh.
then the biggest one gets up and
walks toward the door.
"hey, where are you going?" he is
asked.
"somewhere where I am
appreciated."
then, he
and the others
vanish.

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Thomas Hardy

I have lived with Shades

I

I have lived with Shades so long,
So long have talked to them,
I sped to street and throng,
That sometimes they
In their dim style
Will pause awhile
To hear my say;

II

And take me by the hand,
And lead me through their rooms
In the To-Be, where Dooms
Half-wove and shapeless stand:
And show from there
The dwindled dust
And rot and rust
Of things that were.

III

"Now turn," they said to me
One day: "Look whence we came,
And signify his name
Who gazes thence at thee" --
-- "Nor name nor race
Know I, or can,"
I said, "Of man
So commonplace."

IV

"He moves me not at all:
I note no ray or jot
Of rareness in his lot,
Or star exceptional.
Into the dim
Dead throngs around
He'll sink, nor sound
Be left of him."

V

"Yet," said they, "his frail speech,
Hath accents pitched like thine --
Thy mould and his define
A likeness each to each --
But go! Deep pain
Alas, would be
His name to thee,
And told in vain!"

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Identity

SOMEWHERE--in desolate wind-swept space--
In Twilight-land--in No-man's land--
Two hurrying Shapes met face to face,
And bade each other stand.

"And who are you?" cried one a-gape,
Shuddering in the gloaming light.
"I know not," said the second Shape,
"I only died last night!"

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Disarmament

One spake amid the nations, "Let us cease
From darkening with strife the fair World's light,
We who are great in war be great in peace.
No longer let us plead the cause by might."

But from a million British graves took birth
A silent voice -- the million spake as one --
"If ye have righted all the wrongs of earth
Lay by the sword! Its work and ours is done."

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I Am The Dawn

Sun splashed drops of sugar candy
White gold flicks of molten light
A horizon boysenberry stained
Quick to come and fast to leave
Oh fickle is the dawn

I am this ever-changing dawn
Sweet and pleasing; a lovers candy
Yet men forget how quick I leave
Fleeting as those pale beams of morning moon light
"Come and stare, " they say " at this rising sun."
They yearn a kiss of my passion red lips stained

I am the harlot you see at night, shadow stained
Most who see me don't believe I am a child of the dawn
But as my grandmother would always say all women are part sun
She knew what I couldn't see, that I was sunlit orange candy
That even those who lives are lived in midnight darkness, must have star light
She told me that some lights never leave

To watch, dream and wish and my sun would never leave
But fickle and young I became stained
I forgot what I could be with light
I never watched the rising dawn
Dreamed of clouds of soft spun candy
Or wished of flying in the warming sun

I spent my thoughts in corners hidden from beams of sun
"I bid you leave me" I would yell, "Leave! "
Then in my night a man came to me with a gift of sunlit orange candy
A man so young, I called him boy, his cheeks becoming sunrise red stained
It was like he hadn't noticed I was living night, he called me dawn
No man had ever reminded me of my light

"I am a shadow! " And he would protest, "Even shadows need light"
""But I am wicked", "Yes", he would say, "So is the sun"
"But I am fickle", "Ah and so is the dawn"
"Stop! " he shouts "enough I will not leave"
I know you think you are darkened and stained
But to me you are filled of sunlit orange candy

So glow my dawn, your love filled light
You are my toot-sweet candy, my bright and burning sun
I am your light that shall not leave; your sunrise whirl has me stained

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The night wind

Have you ever heard the wind go "Yooooo"?
'T is a pitiful sound to hear!
It seems to chill you through and through
With a strange and speechless fear.
'T is the voice of the night that broods outside
When folk should be asleep,
And many and many's the time I've cried
To the darkness brooding far and wide
Over the land and the deep:
Whom do you want, O lonely night,
That you wail the long hours through?"
And the night would say in its ghostly way:
"Yoooooooo!
Yoooooooo!
Yoooooooo!"

My mother told me long ago
(When I was a little tad)
That when the night went wailing so,
Somebody had been bad;
And then, when I was snug in bed,
Whither I had been sent,
With the blankets pulled up round my head,
I'd think of what my mother'd said,
And wonder what boy she meant!
And "Who's been bad to-day?" I'd ask
Of the wind that hoarsely blew,
And the voice would say in its meaningful way:
"Yoooooooo!
Yoooooooo!
Yoooooooo!"

That this was true I must allow -
You'll not believe it, though!
Yes, though I'm quite a model now,
I was not always so.
And if you doubt what things I say,
Suppose you make the test;
Suppose, when you've been bad some day
And up to bed are sent away
From mother and the rest -
Suppose you ask, "Who has been bad?"
And then you'll hear what's true;
For the wind will moan in its ruefulest tone:
"Yoooooooo!
Yoooooooo!
Yoooooooo!"

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Rudyard Kipling

The Shut-Eye Sentry

Sez the Junior Orderly Sergeant
To the Senior Orderly Man:
"Our Orderly Orf'cer's ~hokee-mut~,
You 'elp 'im all you can.
For the wine was old and the night is cold,
An' the best we may go wrong,
So, 'fore 'e gits to the sentry-box,
You pass the word along."

So it was "Rounds! What Rounds?" at two of a frosty night,
'E's 'oldin' on by the sergeant's sash, but, sentry, shut your eye.
An' it was "Pass! All's well!" Oh, ain't 'e drippin' tight!
'E'll need an affidavit pretty badly by-an'-by.

The moon was white on the barricks,
The road was white an' wide,
An' the Orderly Orf'cer took it all,
An' the ten-foot ditch beside.
An' the corporal pulled an' the sergeant pushed,
An' the three they danced along,
But I'd shut my eyes in the sentry-box,
So I didn't see nothin' wrong.

Though it was "Rounds! What Rounds?" O corporal, 'old 'im up!
'E's usin' 'is cap as it shouldn't be used, but, sentry, shut your eye.
An' it was "Pass! All's well!" Ho, shun the foamin' cup!
'E'll need, etc.

'Twas after four in the mornin';
We 'ad to stop the fun,
An' we sent 'im 'ome on a bullock-cart,
With 'is belt an' stock undone;
But we sluiced 'im down an' we washed 'im out,
An' a first-class job we made,
When we saved 'im, smart as a bombardier,
For six-o'clock parade.

It 'ad been "Rounds! What Rounds?" Oh, shove 'im straight again!
'E's usin' 'is sword for a bicycle, but, sentry, shut your eye.
An' it was "Pass! All's well!" 'E's called me "Darlin' Jane"!
'E'll need, etc.

The drill was long an' 'eavy,
The sky was 'ot an' blue,
An' 'is eye was wild an' 'is 'air was wet,
But 'is sergeant pulled 'im through.
Our men was good old trusties --
They'd done it on their 'ead;
But you ought to 'ave 'eard 'em markin' time
To 'ide the things 'e said!

For it was "Right flank -- wheel!" for "'Alt, an' stand at ease!"
An' "Left extend!" for "Centre close!" O marker, shut your eye!
An' it was, "'Ere, sir, 'ere! before the Colonel sees!"
So he needed affidavits pretty badly by-an'-by.

There was two-an'-thirty sergeants,
There was corp'rals forty-one,
There was just nine 'undred rank an' file
To swear to a touch o' sun.
There was me 'e'd kissed in the sentry-box,
As I 'ave not told in my song,
But I took my oath, which were Bible truth,
I 'adn't seen nothin' wrong.

There's them that's 'ot an' 'aughty,
There's them that's cold an' 'ard,
But there comes a night when the best gets tight,
And then turns out the Guard.
I've seen them 'ide their liquor
In every kind o' way,
But most depends on makin' friends
With Privit Thomas A.!

When it is "Rounds! What Rounds?" 'E's breathin' through 'is nose.
'E's reelin', rollin', roarin' tight, but, sentry, shut your eye.
An' it is "Pass! All's well!" An' that's the way it goes:
We'll 'elp 'im for 'is mother, an' 'e'll 'elp us by-an'-by!

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Rudyard Kipling

The Last Department

Twelve hundred million men are spread
About this Earth, and I and You
Wonder, when You and I are dead,
"What will those luckless millions do?"

None whole or clean, " we cry, "or free from stain
Of favour." Wait awhile, till we attain
The Last Department where nor fraud nor fools,
Nor grade nor greed, shall trouble us again.

Fear, Favour, or Affection -- what are these
To the grim Head who claims our services?
I never knew a wife or interest yet
Delay that pukka step, miscalled "decease";

When leave, long overdue, none can deny;
When idleness of all Eternity
Becomes our furlough, and the marigold
Our thriftless, bullion-minting Treasury

Transferred to the Eternal Settlement,
Each in his strait, wood-scantled office pent,
No longer Brown reverses Smith's appeals,
Or Jones records his Minute of Dissent.

And One, long since a pillar of the Court,
As mud between the beams thereof is wrought;
And One who wrote on phosphates for the crops
Is subject-matter of his own Report.

These be the glorious ends whereto we pass --
Let Him who Is, go call on Him who Was;
And He shall see the mallie steals the slab
For currie-grinder, and for goats the grass.

A breath of wind, a Border bullet's flight,
A draught of water, or a horse's firght --
The droning of the fat Sheristadar
Ceases, the punkah stops, and falls the night

For you or Me. Do those who live decline
The step that offers, or their work resign?
Trust me, To-day's Most Indispensables,
Five hundred men can take your place or mine.

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Seven Days

I dont care if the rain dont shine
Oh, I dont care if the sun dont fall
You are the one in a million, child
And you knew that I would call
Thoughts of you alone with me
I cant slow them down
But I cant sleep at night
Because youre not around
I cant wait
Seven days is a long time
To be waiting for you girl
I cant wait
Seven days is just too long
To be without you girl
Ive tried every kind of distraction
But nothing will ease this pain
There is only one solution, girl
So why do you make me wait
Got to say I didnt think
That I could read your mind
But I cant sleep at night
cause baby youre on mine
I cant wait
Seven days is a long time
Oh, I miss you girl
I cant wait
Seven days is just too long
I cant wait
Seven days is a long time
To be without you
I cant wait
Seven days is just too long
Just too long

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Rabindranath Tagore

The Hero

Mother, let us imagine we are travelling, and passing through a
strange and dangerous country.
You are riding in a palanquin and I am trotting by you on a
red horse.
It is evening and the sun goes down. The waste of Joradighi
lies wan and grey before us. The land is desolate and barren.
You are frightened and thinking-"I know not where we have come
to."
I say to you, "Mother, do not be afraid."
The meadow is prickly with spiky grass, and through it runs
a narrow broken path.
There are no cattle to be seen in the wide field; they have
gone to their village stalls.
It grows dark and dim on the land and sky, and we cannot tell
where we are going.
Suddenly you call me and ask me in a whisper, "What light is
that near the bank?"
Just then there bursts out a fearful yell, and figures come
running towards us.
You sit crouched in your palanquin and repeat the names of the
gods in prayer.
The bearers, shaking in terror, hide themselves in the thorny
bush.
I shout to you, "Don't be afraid, mother. I am here."
With long sticks in their hands and hair all wild about their
heads, they come nearer and nearer.
I shout, "Have a care, you villains! One step more and you are
dead men."
They give another terrible yell and rush forward.
You clutch my hand and say, "Dear boy, for heaven's sake, keep
away from them."
I say, "Mother, just you watch me."
Then I spur my horse for a wild gallop, and my sword and
buckler clash against each other.
The fight becomes so fearful, mother, that it would give you
a cold shudder could you see it from your palanquin.
Many of them fly, and a great number are cut to pieces.
I know you are thinking, sitting all by yourself, that your
boy must be dead by this time.
But I come to you all stained with blood, and say,"Mother, the
fight is over now."
You come out and kiss me, pressing me to your heart, and you
say to yourself,
"I don't know what I should do if I hadn't my boy to escort
me."
A thousand useless things happen day after day, and why
couldn't such a thing come true by chance?
It would be like a story in a book.
My brother would say, "Is it possible? I always thought he was
so delicate!"
Our village people would all say in amazement, "Was it not
lucky that the boy was with his mother?"

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Mom

"Hello mom, " I said "It's me"
"California set me free"
She just laughed and said "I knew"
Said I was one of the few
Who could make it anywhere
Go through life without a care
Which I can I know for sure
For in my heart I am pure
We talked for a long, long while
Which is really not my style
Then just before our goodbyes
She started in with the lies
About how good life had been
How she gave up on the gin
Then I heard a word she slurred
That moment my world was blurred
Was I to ignore the call
Or stop her from her sure fall
It pains me every day
That I didn't even pray
For we never spoke again
That's the source of all my pain

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A Domestic Tragedy

Clorinda met me on the way
As I came from the train;
Her face was anything but gay,
In fact, suggested pain.
"Oh hubby, hubby dear!" she cried,
"I've awful news to tell. . . ."
"What is it, darling?" I replied;
"Your mother -- is she well?"

"Oh no! oh no! it is not that,
It's something else," she wailed,
My heart was beating pit-a-pat,
My ruddy visage paled.
Like lightning flash in heaven's dome
The fear within me woke:
"Don't say," I cried, "our little home
Has all gone up in smoke!"

She shook her head. Oh, swift I clasped
And held her to my breast;
"The children! Tell me quick," I gasped,
"Believe me, it is best."
Then, then she spoke; 'mid sobs I caught
These words of woe divine:
"It's coo-coo-cook has gone and bought
A new hat just like mine."

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The Healer

"Tuberculosis should not be,"
The old professor said.
"If folks would hearken unto me
'Twould save a million dead.
Nay, no consumptive needs to die,
--A cure have I.

"From blood of turtle I've distilled
An elixir of worth;
Let every sufferer be thrilled
And sing for joy of earth;
Yet every doctor turns his back
And calls me quack.

"Alas! They do not want to cure,
For sickness is their meat;
So persecution I endure,
And die in dark defeat:
Ye lungers, listen to my call!
--I'll save you all."

The old Professor now is dead,
And turtles of the sea,
Knowing their blood they need not shed,
Are festive in their glee:
While sanitoriums are crammed
With legions dammed.

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Again Endorsing the Lady, II

I thought that I was wholly free,
That I had Love upon the shelf;
"Hereafter," I declared in glee,
"I'll have my evenings to myself."
How can such mortal beauty live?
(Ah, Jove, thine errings I forgive!)

Her tresses pale the sunlight's gold;
Her hands are featly formed and taper;
Her--well, the rest ought not be told
In any modest family paper.
Fair as Ischomache, and bright
As Brimo. Quæque queen is right.

O goddesses of long ago,
A shepherd called ye sweet and slender.
He saw ye, so he ought to know;
But sooth to her ye must surrender.
O may a million years not trace
A single line upon that face!

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Play

I could wait all night and day,
To go to a party sit down and wait,
Give my request to the DJ,
Cuz my song hes gotta play.
And when i hear that beat,
I get my body up out my seat
I grab a guy and move my feet,
He's playin my song!
Play,
Come on play that song,
Play it all night long,
Just turn it up and turn it on!
Play,
Come on Dj play that song.
You know it turns me on.
(DJ just play that song)
Just turn it up and turn it on!
Dj just play that song,
Cuz i wanna be dancin all night long
Just play my, play my, play my,
Play my, play my favorite song!
I dont care if everybody's gone.
Turn it up cuz it turns me on.
Keep dancin all night long,
Feels so right that it cant be wrong.
I get chills up and down my spine,
Whenever I hear that song of mine.
When it stops better press rewind.
Let me hear it one more time!
Play,
Come on play that song,
Play it all night long,
Cuz I wanna be dancin' all night long!
Play,
Come on Dj play that song.
You know it turns me on.
(DJ just play that song)
Cuz I wanna be dancin' all night long!
I just wanna dance.
Is that a crime?
Alright then.
Play..Play..Play..Play..Play
Now Mr. DJ,
I've asked you three times..
Play My Mother f*ckin song!!
Play,
Come on play that song,
Play it all night long,
Just turn it up and turn it on!
Play,
Come on Dj play that song.
You know it turns me on.
(DJ just play that song)
Just turn it up and turn it on

song performed by by PrinceReport problemRelated quotes
Submitted by Lucian Velea
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