The Ballad Of Lenin's Tomb

This is the yarn he told me
As we sat in Casey's Bar,
That Rooshun mug who scammed from the jug
In the Land of the Crimson Star;
That Soviet guy with the single eye,
And the face like a flaming scar.

Where Lenin lies the red flag flies, and the rat-grey workers wait
To tread the gloom of Lenin's Tomb, where the Comrade lies in state.
With lagging pace they scan his face, so weary yet so firm;
For years a score they've laboured sore to save him from the worm.
The Kremlin walls are grimly grey, but Lenin's Tomb is red,
And pilgrims from the Sour Lands say: "He sleeps and is not dead."
Before their eyes in peace he lies, a symbol and a sign,
And as they pass that dome of glass they see - a God Divine.
So Doctors plug him full of dope, for if he drops to dust,
So will collapse their faith and hope, the whole combine will bust.
But say, Tovarich; hark to me . . . a secret I'll disclose,
For I did see what none did see; I know what no one knows.

I was a Cheko terrorist - Oh I served the Soviets well,
Till they put me down on the bone-yard list, for the fear that I might tell;
That I might tell the thing I saw, and that only I did see,
They held me in quod with a firing squad to make a corpse of me.
But I got away, and here today I'm telling my tale to you;
Though it may sound weird, by Lenin's beard, so help me God it's true.
I slouched across that great Red Square, and watched the waiting line.
The mongrel sons of Marx were there, convened to Lenin's shrine;
Ten thousand men of Muscovy, Mongol and Turkoman,
Black-bonnets of the Aral Sea and Tatars of Kazan.
Kalmuck and Bashkir, Lett and Finn, Georgian, Jew and Lapp,
Kirghiz and Kazakh, crowding in to gaze at Lenin's map.
Aye, though a score of years had run I saw them pause and pray,
As mourners at the Tomb of one who died but yesterday.
I watched them in a bleary daze of bitterness and pain,
For oh, I missed the cheery blaze of vodka in my brain.
I stared, my eyes were hypnotized by that saturnine host,
When with a start that shook my heart I saw - I saw a ghost.
As in foggèd glass I saw him pass, and peer at me and grin -
A man I knew, a man I slew, Prince Boris Mazarin.

Now do not think because I drink I love the flowing bowl;
But liquor kills remorse and stills the anguish of the soul.
And there's so much I would forget, stark horrors I have seen,
Faces and forms that haunt me yet, like shadows on a screen.
And of these sights that mar my nights the ghastliest by far
Is the death of Boris Mazarin, that soldier of the Czar.

A mighty nobleman was he; we took him by surprise;
His mother, son and daughters three we slew before his eyes.
We tortured him, with jibes and threats; then mad for glut of gore,
Upon our reeking bayonets we nailed him to the door.
But he defied us to the last, crying: "O carrion crew!
I'd die with joy could I destroy a hundred dogs like you."
I thrust my sword into his throat; the blade was gay with blood;
We flung him to his castle moat, and stamped him in its mud.
That mighty Cossack of the Don was dead with all his race....
And now I saw him coming on, dire vengeance in his face.
(Or was it some fantastic dream of my besotted brain?)
He looked at me with eyes a-gleam, the man whom I had slain.
He looked and bade me follow him; I could not help but go;
I joined the throng that passed along, so sorrowful and slow.
I followed with a sense of doom that shadow gaunt and grim;
Into the bowels of the Tomb I followed, followed him.

The light within was weird and dim, and icy cold the air;
My brow was wet with bitter sweat, I stumbled on the stair.
I tried to cry; my throat was dry; I sought to grip his arm;
For well I knew this man I slew was there to do us harm.
Lo! he was walking by my side, his fingers clutched my own,
This man I knew so well had died, his hand was naked bone.
His face was like a skull, his eyes were caverns of decay . . .
And so we came to the crystal frame where lonely Lenin lay.

Without a sound we shuffled round> I sought to make a sign,
But like a vice his hand of ice was biting into mine.
With leaden pace around the place where Lenin lies at rest,
We slouched, I saw his bony claw go fumbling to his breast.
With ghastly grin he groped within, and tore his robe apart,
And from the hollow of his ribs he drew his blackened heart. . . .
Ah no! Oh God! A bomb, a BOMB! And as I shrieked with dread,
With fiendish cry he raised it high, and . . . swung at Lenin's head.
Oh I was blinded by the flash and deafened by the roar,
And in a mess of bloody mash I wallowed on the floor.
Then Alps of darkness on me fell, and when I saw again
The leprous light 'twas in a cell, and I was racked with pain;
And ringèd around by shapes of gloom, who hoped that I would die;
For of the crowd that crammed the Tomb the sole to live was I.
They told me I had dreamed a dream that must not be revealed,
But by their eyes of evil gleam I knew my doom was sealed.

I need not tell how from my cell in Lubianka gaol,
I broke away, but listen, here's the point of all my tale. . . .
Outside the "Gay Pay Oo" none knew of that grim scene of gore;
They closed the Tomb, and then they threw it open as before.
And there was Lenin, stiff and still, a symbol and a sign,
And rancid races come to thrill and wonder at his Shrine;
And hold the thought: if Lenin rot the Soviets will decay;
And there he sleeps and calm he keeps his watch and ward for aye.
Yet if you pass that frame of glass, peer closely at his phiz,
So stern and firm it mocks the worm, it looks like wax . . . and is.
They tell you he's a mummy - don't you make that bright mistake:
I tell you - he's a dummy; aye, a fiction and a fake.
This eye beheld the bloody bomb that bashed him on the bean.
I heard the crash, I saw the flash, yet . . . there he lies serene.
And by the roar that rocked the Tomb I ask: how could that be?
But if you doubt that deed of doom, just go yourself and see.
You think I'm mad, or drunk, or both . . . Well, I don't care a damn:
I tell you this: their Lenin is a waxen, show-case SHAM.

Such was the yarn he handed me,
Down there in Casey's Bar,
That Rooshun bug with the scrambled mug
From the land of the Commissar.
It may be true, I leave it you
To figger out how far.

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The Ghosts

Said Lenin's ghost to Stalin's ghost:
"Mate with me in the Tomb;
Then day by day the rancid host
May gaze upon our doom.
A crystal casket we will share;
Come, crusty Comrade come,
And we will bear the public stare,
Ad nauseum."
Said Stalin's spook to Lenin's spook:
"Long have you held your place.
The masses must be bored to look
Upon your chemic face.
A change might be a good idear,
And though I pity you,
There is within the Tomb, I fear,
No room for two."

Said Lenin's wraith to Stalin's wraith:
"You're welcome to my job;
Let millions of our mighty faith
Gaze on your noble nob.
So when to goodly earth I've gone,
(And I'll be glad to go),
Your carrion can carry on
Our waxwork show."

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Lenin lived, Lenin lives, Lenin will live.

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No Lilies For Lisette

Said the Door: "She came in
With no shadow of sin;
Turned the key in the lock,
Slipped out of her frock,
The robe she liked best
When for supper she dressed.
Then a letter she tore . . .
What a wan look she wore!"
Said the Door.

Said the Chair: "She sat down
With a pitiful frown,
And then (oh, it's queer)
Just one lonely tear
Rolled down her pale cheek.
How I hoped she would speak
As she let down her hair,"
Said the Chair.

Said the Glass: "Then she gazed
Into me like one dazed;
As with delicate grace
She made up her face,
Her cheeks and her lips
With rose finger-tips,
So lovely - alas!
Then she turned on the gas."
Said the Glass.

Said the Bed: "Down she lay
In a weariful way,
Like an innocent child,
To her fate reconciled;
Hands clasped to her breast,
In prayer or in rest:
'Dear Mother,' she said,
Then pillowed her head,"
Said the Bed.

Said the Room: "Then the gleam
Of the moon like a dream,
Soft silvered my space,
And it fell on her face
That was never so sweet
As her heart ceased to beat . . .
Then the moon fled and gloom
Fell like funeral plume,"
Said the Room.

"Just a whore,"
Said the Door;
"Yet so fair,"
Said the Chair;
"Frail, alas!"
Said the Glass;
"Now she's dead,"
Said the Bed;
"Sorry doom,"
Said the Room. . . .

Then they all,
Floor and wall,
Quiet grew,
Ceiling too;
Like a tomb
Was the room;
With hushed breath
Hailing Death:
Soul's release,
Silence, Peace.

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Ronald Reagan

How do you tell a communist Well, it's someone who reads Marx and Lenin. And how do you tell an anti-Communist It's someone who understands Marx and Lenin.

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Ronald Reagan

How do you tell a communist? Well, it's someone who reads Marx and Lenin. And how do you tell an anti-Communist? It's someone who understands Marx and Lenin.

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An Old Story

(Retold in Rhyme)

They threw him in a prison cell;
He moaned upon his bed.
And when he crept from coils of hell:
"Last night you killed," they said.

"last night in drunken rage you slew
A being brave with breath;
A radiant soul, because of you
Lies dark in death."

"last night I killed," he moaned distraught,
"When I was wild with wine;
I slew, and I remember naught . . .
O Mother, Mother mine!

"To what unbridled rage may lead
You taught me at your knew.
Why did I not your warning heed . . .
And now - the gallows tree.

"O Mother, Mother, come to me,
For I am sore distrest,
And I would kneel beside your knee
And weep upon your breast. . . ."

They stared at him; their lips were dumb,
Their eyes tear filled;
Then spoke the Priest: "She cannot come . . .
'Twas she you killed."

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Rudyard Kipling

The Gift Of The Sea

The dead child lay in the shroud,
And the widow watched beside;
And her mother slept, and the Channel swept
The gale in the teeth of the tide.

But the mother laughed at all.
"I have lost my man in the sea,
And the child is dead. Be still," she said,
"What more can ye do to me?"

The widow watched the dead,
And the candle guttered low,
And she tried to sing the Passing Song
That bids the poor soul go.

And "Mary take you now," she sang,
"That lay against my heart."
And "Mary smooth your crib to-night,"
But she could not say "Depart."

Then came a cry from the sea,
But the sea-rime blinded the glass,
And "Heard ye nothing, mother?" she said,
"'Tis the child that waits to pass."

And the nodding mother sighed.
"'Tis a lambing ewe in the whin,
For why should the christened soul cry out
That never knew of sin?"

"O feet I have held in my hand,
O hands at my heart to catch,
How should they know the road to go,
And how should they lift the latch?"

They laid a sheet to the door,
With the little quilt atop,
That it might not hurt from the cold or the dirt,
But the crying would not stop.

The widow lifted the latch
And strained her eyes to see,
And opened the door on the bitter shore
To let the soul go free.

There was neither glimmer nor ghost,
There was neither spirit nor spark,
And "Heard ye nothing, mother?" she said,
"'Tis crying for me in the dark."

And the nodding mother sighed:
"'Tis sorrow makes ye dull;
Have ye yet to learn the cry of the tern,
Or the wail of the wind-blown gull?"

"The terns are blown inland,
The gray gull follows the plough.
'Twas never a bird, the voice I heard,
O mother, I hear it now!"

"Lie still, dear lamb, lie still;
The child is passed from harm,
'Tis the ache in your breast that broke your rest,
And the feel of an empty arm."

She put her mother aside,
"In Mary's name let be!
For the peace of my soul I must go," she said,
And she went to the calling sea.

In the heel of the wind-bit pier,
Where the twisted weed was piled,
She came to the life she had missed by an hour,
For she came to a little child.

She laid it into her breast,
And back to her mother she came,
But it would not feed and it would not heed,
Though she gave it her own child's name.

And the dead child dripped on her breast,
And her own in the shroud lay stark;
And "God forgive us, mother," she said,
"We let it die in the dark!"

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Rivera Honeymoon

Beneath the trees I lounged at ease
And watched them speed the pace;
They swerved and swung, they clutched and clung,
They leapt in roaring chase;
The crowd was thrilled, a chap was killed:
It was a splendid race.

Two men, they say, went West that day,
But I knew only one;
Geranium-red his blood was spread
And blazoned in the sun;
A lighting crash . . . Lo! in a flash
His racing days were done.

I did not see - such sights to me
Appallingly are grim;
But for a girl of sunny curl
I would not mention him,
That English lad with grin so glad,
And racing togs so trim.

His motor bike was painted like
A postal box of ed.
'Twas gay to view . . . "We bought it new,"
A voice beside me said.
"Our little bit we blew on it
The day that we were wed.

"We took a chance: through sunny France
We flashed with flaunting power.
With happy smiles a hundred miles
Or more we made an hour.
Like flame we hurled into a world
A-foam with fruit and flower.

"Our means were small; we risked them all
This famous race to win,
So we can take a shop and make
Our bread - one must begin.
We're not afraid; Jack has his trade:
He's bright as brassy pin.

"Hark! Here they come; uphill they hum;
My lad has second place;
They swing, they roar, they pass once more,
Now Jack sprints up the pace.
They're whizzing past . . . At last, at last
He leads - he'll win the race.

Another round . . . They leap, they bound,
But - where O where is he?"
And then the girl with sunny curl
Turned chalk-faced unto me,
Within her eyes a wild surmise
It was not good to see.

They say like thunder-bold he crashed
Into a wall of stone;
To bloody muck his face was mashed,
He died without a moan;
In borrowed black the girl went back
To London Town alone.

Beneath the trees I longed at ease
And saw them pep the pace;
They swerved and swung, they clutched and clung
And roaring was the chase:
Two men, they say, were croaked that day -
It was a glorious race.

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In a Lonesome Burial-Place

In a lonesome burial-place
Crouched a mourner white of face;
Wild her eyes--unheeding
Circling pomp of night and day--
Ever crying, "Well away,
Love lies a-bleeding!"

And her sighs were like a knell,
And her tears for ever fell,
With their warm rain feeding
That purpureal flower, alas!
Trailing prostrate in the grass,
Love lies a-bleeding.

Through the yews' black-tufted gloom
Crimson light fell on the tomb,
Funeral shadows breeding:
In the sky the sun's light shed
Dyed the earth one awful red--
Love lies a-bleeding.

Came grey mists, and blanching cloud
Bore one universal shroud;
Came the bowed moon leading,
From the infinite afar
Star that rumoured unto star--
Love that lies a-bleeding.

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If kids can forget their own mothers but still have a sense of comrade Lenin, then Soviet power really is here to stay!

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Goodbye Mine M.j.

A "Stranger in Moscow" told me that you've gone!
But is it true that you've gone my M.J.?
And with tears in my eyes I say goodbye my M.J.
You who feeds the eyes and the ears
And has graced our African soil
But why did you have to go, you "Smooth criminal"
When you know "They don't care about us"
Tell me, who will "Heal the world"?
Who will make it a better place for us?

Who will give to the poor once and again to their necessity?
Who will be there for them in their anguish and pain?
O', know you not that admired you are of those that hate you most
And did you have to go; or where you too lonely?
But you said "We're the world" that "You are not alone"
Then why did you have to go? And did you leave another "Thriller"
If no, then why choose to be "The man in the mirror"
Thus dirge and elegy now met in my heart. Why?

"Do you remember the time" we first met in my dream
And "The way you make me feel" with your "Childhood"?
Oh king of pop, my M.J., "I want you back"
And you "Got to be there" for me on my birthday
To sing me your song, "Don't stop till you get enough"
While "Rockin Robin and Ben" "Off the wall" till they "Scream"
For your love is magical because you're angelica
You are so wonderful because you're beautiful
You are indispensable because you're irreplaceable
And now I see the "Liberian girl" cry because you're "Speechless"
And upon our bodies the nighted color of mourning you. Why?
Alas death! Why taketh him away when all that look on him yet not satisfied?
O', let not the world lose another "Michael Jackson".
Michael I love you "Yesterday, today and forever."

May the spirit light your way
Through the land of the shadow
To the halls of eternal peace. Amen.


In the cabinet of my imagination, in the treasury of my reason, in the registry of my conscience, and in the council chamber of my thought, there shall you live forever.
I LOVE YOU MINE M.J.

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The Ballad Of Hank The Finn

Now Fireman Flynn met Hank the Finn where lights of Lust-land glow;
"Let's leave," says he, "the lousy sea, and give the land a show.
I'm fed up to the molar mark with wallopin' the brine;
I feel the bloody barnacles a-carkin' on me spine.
Let's hit the hard-boiled North a crack, where creeks are paved with gold."
"You count me in," says Hank the Finn. "Ay do as Ay ban told."

And so they sought the Lonely Land and drifted down its stream,
Where sunny silence round them spanned, as dopey as a dream.
But to the spell of flood and fell their gold-grimed eyes were blind;
By pine and peak they paused to seek, but nothing did they find;
No yellow glint of dust to mint, just mud and mocking sand,
And a hateful hush that seemed to crush them down on every hand.
Till Fireman Flynn grew mean as sin, and cursed his comrade cold,
But Hank the Finn would only grin, and . . . do as he was told.

Now Fireman Flynn had pieces ten of yellow Yankee gold,
Which every night he would invite his partner to behold.
"Look hard," says he; "It's all you'll see in this god-blasted land;
But you fret, I'm gonna let you hold them i your hand.
Yeah! Watch 'em gleam, then go and dream they're yours to have and hold."
Then Hank the Finn would scratch his chin and . . . do as he was told.

But every night by camp-fire light, he'd incubate his woes,
And fan the hate of mate for mate, the evil Artic knows.
In dreams the Lapland withes gloomed like gargoyles overhead,
While the devils three of Helsinkee came cowering by his bed.
"Go take," said they, "the yellow loot he's clinking in his belt,
And leave the sneaking wolverines to snout around his pelt.
Last night he called you Swedish scum, from out the glory-hole;
To-day he said you were a bum, and damned your mother's soul.
Go, plug with lead his scurvy head, and grab his greasy gold . . ."
Then Hank the Finn saw red within, and . . . did as he was told.

So in due course the famous Force of Men Who Get Their Man,
Swooped down on sleeping Hank the Finn, and popped him in the can.
And in due time his grievous crime was judged without a plea,
And he was dated up to swing upon the gallows tree.
Then Sheriff gave a party in the Law's almighty name,
He gave a neck-tie party, and he asked me to the same.
There was no hooch a-flowin' and his party wasn't gay,
For O our hearts were heavy at the dawning of the day.
There was no band a-playin' and the only dancin' there
Was Hank the Fin interpretin' his solo in the air.

We climbed the scaffold steps and stood beside the knotted rope.
We watched the hooded hangman and his eyes were dazed with dope.
The Sheriff was in evening dress; a bell began to toll,
A beastly bell that struck a knell of horror to the soul.
As if the doomed one was myself, I shuddered, waiting there.
I spoke no word, then . . . then I heard his step upon the stair;
His halting foot, moccasin clad . . . and then I saw him stand
Between a weeping warder and a priest with Cross in hand.
And at the sight a murmur rose of terror and of awe,
And all them hardened gallows fans were sick at what they saw:
For as he towered above the mob, his limbs with leather triced,
By all that's wonderful, I swear, his face was that of Christ.

Now I ain't no blaspheming cuss, so don't you start to shout.
You see, his beard had grown so long it framed his face about.
His rippling hair was long and fair, his cheeks were spirit-pale,
His face was bright with holy light that made us wince and quail.
He looked at us with eyes a-shine, and sore were we confused,
As if he were the Judge divine, and we were the accused.
Aye, as serene he stood between the hangman and the cord,
You would have sworn, with anguish torn, he was the Blessed Lord.

The priest was wet with icy sweat, the Sheriff's lips were dry,
And we were staring starkly at the man who had to die.
"Lo! I am raised above you all," his pale lips seemed to say,
"For in a moment I shall leap to God's Eternal Day.
Am I not happy! I forgive you each for what you do;
Redeemed and penitent I go, with heart of love for you."
So there he stood in mystic mood, with scorn sublime of death.
I saw him gently kiss the Cross, and then I held by breath.
That blessed smile was blotted out; they dropped the hood of black;
They fixed the noose around his neck, the rope was hanging slack.
I heard him pray, I saw him sway, then . . . then he was not there;
A rope, a ghastly yellow rope was jerking in the air;
A jigging rope that soon was still; a hush as of the tomb,
And Hank the Finn, that man of sin, had met his rightful doom.

His rightful doom! Now that's the point. I'm wondering, because
I hold a man is what he is, and never what he was.
You see, the priest had filled that guy so full of holy dope,
That at the last he came to die as pious as the Pope.
A gentle ray of sunshine made a halo round his head.
I thought to see a sinner - lo! I saw a Saint instead.
Aye, as he stood as martyrs stand, clean-cleansed of mortal dross,
I think he might have gloried had . . . WE NAILED HIM TO A CROSS.

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Emily Dickinson

It don't sound so terrible—quite—as it did

426

It don't sound so terrible—quite—as it did—
I run it over—"Dead", Brain, "Dead."
Put it in Latin—left of my school—
Seems it don't shriek so—under rule.

Turn it, a little—full in the face
A Trouble looks bitterest—
Shift it—just—
Say "When Tomorrow comes this way—
I shall have waded down one Day."

I suppose it will interrupt me some
Till I get accustomed—but then the Tomb
Like other new Things—shows largest—then—
And smaller, by Habit—

It's shrewder then
Put the Thought in advance—a Year—
How like "a fit"—then—
Murder—wear!

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Realization

I smiled with skeptic mocking where they told me you were dead,
You of the airy laughter and lightly twinkling feet;
"They tell a dream that haunted a chill gray dawn," I said,
"Death could not touch or claim a thing so vivid and so sweet!"

I looked upon you coffined amid your virgin flowers,
But even that white silence could bring me no belief:
"She lies in maiden sleep," I said. "and in the youngling hours
Her sealed dark eyes will open to scorn our foolish grief."

But when I went at moonrise to our ancient trysting place. . . . .
And, oh, the wind was keening in the fir-boughs overhead! . . . .
And you came never to me with your little gypsy face,
Your lips and hands of welcome, I knew that you were dead!

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Lenin

Fascism is capitalism in decay.

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At play

Play that you are mother dear,
And play that papa is your beau;
Play that we sit in the corner here,
Just as we used to, long ago.
Playing so, we lovers two
Are just as happy as we can be,
And I'll say "I love you" to you,
And you say "I love you" to me!
"I love you" we both shall say,
All in earnest and all in play.

Or, play that you are that other one
That some time came, and went away;
And play that the light of years agone
Stole into my heart again to-day!
Playing that you are the one I knew
In the days that never again may be,
I'll say "I love you" to you,
And you say "I love you" to me!
I love you!" my heart shall say
To the ghost of the past come back to-day!

Or, play that you sought this nestling-place
For your own sweet self, with that dual guise
Of your pretty mother in your face
And the look of that other in your eyes!
So the dear old loves shall live anew
As I hold my darling on my knee,
And I'll say "I love you" to you,
And you say "I love you" to me!
Oh, many a strange, true thing we say
And do when we pretend to play!

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Rio Grande's Last Race

Now this was what Macpherson told
While waiting in the stand;
A reckless rider, over-bold,
The only man with hands to hold
The rushing Rio Grande.

He said, `This day I bid good-bye
To bit and bridle rein,
To ditches deep and fences high,
For I have dreamed a dream, and I
Shall never ride again.

`I dreamt last night I rode this race
That I to-day must ride,
And cant'ring down to take my place
I saw full many an old friend's face
Come stealing to my side.

`Dead men on horses long since dead,
They clustered on the track;
The champions of the days long fled,
They moved around with noiseless tread -
Bay, chestnut, brown, and black.

`And one man on a big grey steed
Rode up and waved his hand;
Said he, "We help a friend in need,
And we have come to give a lead
To you and Rio Grande.

`"For you must give the field the slip,
So never draw the rein,
But keep him moving with the whip,
And if he falter - set your lip
And rouse him up again.

`"But when you reach the big stone wall,
Put down your bridle hand
And let him sail - he cannot fall -
But don't you interfere at all;
You trust old Rio Grande."

`We started, and in front we showed,
The big horse running free:
Right fearlessly and game he strode,
And by my side those dead men rode
Whom no one else could see.

`As silently as flies a bird,
They rode on either hand;
At every fence I plainly heard
The phantom leader give the word,
"Make room for Rio Grande!"

`I spurred him on to get the lead,
I chanced full many a fall;
But swifter still each phantom steed
Kept with me, and at racing speed
We reached the big stone wall.

`And there the phantoms on each side
Drew in and blocked his leap;
"Make room! make room!" I loudly cried,
But right in front they seemed to ride -
I cursed them in my sleep. `He never flinched, he faced it game,
He struck it with his chest,
And every stone burst out in flame,
And Rio Grande and I became
As phantoms with the rest.

`And then I woke, and for a space
All nerveless did I seem;
For I have ridden many a race,
But never one at such a pace
As in that fearful dream.

`And I am sure as man can be
That out upon the track,
Those phantoms that men cannot see
Are waiting now to ride with me,
And I shall not come back.

`For I must ride the dead men's race,
And follow their command;
'Twere worse than death, the foul disgrace
If I should fear to take my place
To-day on Rio Grande.'

He mounted, and a jest he threw,
With never sign of gloom;
But all who heard the story knew
That Jack Macpherson, brave and true,
Was going to his doom.

They started, and the big black steed
Came flashing past the stand;
All single-handed in the lead
He strode along at racing speed,
The mighty Rio Grande.

But on his ribs the whalebone stung,
A madness it did seem!
And soon it rose on every tongue
That Jack Macpherson rode among
The creatures of his dream.

He looked to left and looked to right,
As though men rode beside;
And Rio Grande, with foam-flecks white,
Raced at his jumps in headlong flight
And cleared them in his stride.

But when they reached the big stone wall,
Down went the bridle-hand,
And loud we heard Macpherson call,
`Make room, or half the field will fall!
Make room for Rio Grande!'

. . . . .

`He's down! he's down!' And horse and man
Lay quiet side by side!
No need the pallid face to scan,
We knew with Rio Grande he ran
The race the dead men ride.

A.B. (Banjo) Paterson

poem by Andrew Barton PatersonReport problemRelated quotes
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The Faceless Man

I'm dead.
Officially I'm dead. Their hope is past.
How long I stood as missing! Now, at last
        ;                 & nbsp;       &n bsp;       &nb sp;       &nbs p;   I'm dead.

Look in my face -- no likeness can you see,
No tiny trace of him they knew as "me".
How terrible the change!
Even my eyes are strange.
So keyed are they to pain,
That if I chanced to meet
My mother in the street
She'd look at me in vain.

When she got home I think she'd say:
"I saw the saddest sight to-day --
A poilu with no face at all.
Far better in the fight to fall
Than go through life like that, I think.
Poor fellow! how he made me shrink.
No face. Just eyes that seemed to stare
At me with anguish and despair.
This ghastly war! I'm almost cheered
To think my son who disappeared,
My boy so handsome and so gay,
Might have come home like him to-day."

I'm dead. I think it's better to be dead
When little children look at you with dread;
And when you know your coming home again
Will only give the ones who love you pain.
Ah! who can help but shrink? One cannot blame.
They see the hideous husk, not, not the flame
Of sacrifice and love that burns within;
While souls of satyrs, riddled through with sin,
Have bodies fair and excellent to see.
Mon Dieu! how different we all would be
If this our flesh was ordained to express
Our spirit's beauty or its ugliness.

(Oh, you who look at me with fear to-day,
And shrink despite yourselves, and turn away --
It was for you I suffered woe accurst;
For you I braved red battle at its worst;
For you I fought and bled and maimed and slew;
      &nbs p;         ;                 & nbsp;       &n bsp;       For you, for you!

For you I faced hell-fury and despair;
The reeking horror of it all I knew:
I flung myself into the furnace there;
I faced the flame that scorched me with its glare;
I drank unto the dregs the devil's brew --
Look at me now -- for you and you and you. . . .)

      &nb sp;       &nbs p;    . . . . .

I'm thinking of the time we said good-by:
We took our dinner in Duval's that night,
Just little Jacqueline, Lucette and I;
We tried our very utmost to be bright.
We laughed. And yet our eyes, they weren't gay.
I sought all kinds of cheering things to say.
"Don't grieve," I told them. "Soon the time will pass;
My next permission will come quickly round;
We'll all meet at the Gare du Montparnasse;
Three times I've come already, safe and sound."
(But oh, I thought, it's harder every time,
After a home that seems like Paradise,
To go back to the vermin and the slime,
The weariness, the want, the sacrifice.
"Pray God," I said, "the war may soon be done,
But no, oh never, never till we've won!")

Then to the station quietly we walked;
I had my rifle and my haversack,
My heavy boots, my blankets on my back;
And though it hurt us, cheerfully we talked.
We chatted bravely at the platform gate.
I watched the clock. My train must go at eight.
One minute to the hour . . . we kissed good-by,
Then, oh, they both broke down, with piteous cry.
I went. . . . Their way was barred; they could not pass.
I looked back as the train began to start;
Once more I ran with anguish at my heart
And through the bars I kissed my little lass. . . .

Three years have gone; they've waited day by day.
I never came. I did not even write.
For when I saw my face was such a sight
I thought that I had better . . . stay away.
And so I took the name of one who died,
A friendless friend who perished by my side.
In Prussian prison camps three years of hell
I kept my secret; oh, I kept it well!
And now I'm free, but none shall ever know;
They think I died out there . . . it's better so.

To-day I passed my wife in widow's weeds.
I brushed her arm. She did not even look.
So white, so pinched her face, my heart still bleeds,
And at the touch of her, oh, how I shook!
And then last night I passed the window where
They sat together; I could see them clear,
The lamplight softly gleaming on their hair,
And all the room so full of cozy cheer.
My wife was sewing, while my daughter read;
I even saw my portrait on the wall.
I wanted to rush in, to tell them all;
And then I cursed myself: "You're dead, you're dead!"
God! how I watched them from the darkness there,
Clutching the dripping branches of a tree,
Peering as close as ever I might dare,
And sobbing, sobbing, oh, so bitterly!

But no, it's folly; and I mustn't stay.
To-morrow I am going far away.
I'll find a ship and sail before the mast;
In some wild land I'll bury all the past.
I'll live on lonely shores and there forget,
Or tell myself that there has never been
The gay and tender courage of Lucette,
The little loving arms of Jacqueline.

A man lonely upon a lonely isle,
Sometimes I'll look towards the North and smile
To think they're happy, and they both believe
I died for France, and that I lie at rest;
And for my glory's sake they've ceased to grieve,
And hold my memory sacred. Ah! that's best.
And in that thought I'll find my joy and peace
As there alone I wait the Last Release.

poem by Robert William ServiceReport problemRelated quotes
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No-Name The Cat

The cat and I stare at the room
No-name the cat, the cat and I,
She stares at me, I at the gloom
The house lies still as a vaulted tomb.

She sits and waits, No-name the cat,
Sits and waits for a sign from me
But I in the corner chair am sat
And make no sign for No-name the cat.

We’re all alone, alone are we
No-name the cat, the cat and I
Only the two, No-name and me
Yet once in the past we numbered three.

Now on the floor, between us two
No-name the cat, and me, lies you.
Your eyes are staring, your cheek is slack,
Your tongue’s thrust out and your face is blue.

The cat and I stare at the room
No-name the cat, the cat and I,
She stares at me, I at the gloom
The house lies still as a vaulted tomb.

30 June 1999

poem by David Lewis PagetReport problemRelated quotes
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Longevity

I watched one day a parrot grey - 'twas in a barber shop.
"Cuckold!" he cried, until I sighed: "You feathered devil, stop!"
Then balefully he looked at me, and slid along his perch,
With sneering eye that seemed to pry me very soul to search.
So fierce, so bold, so grim, so cold, so agate was his stare:
And then that bird I thought I heard this sentiment declare: -

"As it appears, a hundred years a parrot may survive,
When you are gone I'll sit upon this perch and be alive.
In this same spot I'll drop my crot, and crack my sunflower seeds,
And cackle loud when in a shroud you rot beneath the weeds.
I'll carry on when carrion you lie beneath the yew;
With claw and beak my grub I'll seek when grubs are seeking you."

"Foul fowl! said I, "don't prophesy, I'll jolly well contrive
That when I rot in bone-yard lot you cease to be alive."
So I bespoke that barber bloke: "Joe, here's a five pound note.
It's crisp and new, and yours if you will slice that parrot's throat."
"In part," says he, "I must agree, for poor I be in pelf,
With right good will I'll take your bill, but - cut his throat yourself."

So it occurred I took that bird to my ancestral hall,
And there he sat and sniggered at the portraits on the wall.
I sought to cut his wind-pipe but he gave me such a peck,
So cross was I, I swore I'd try to wring his blasted neck;
When shrill he cried: "It's parrotcide what you propose to do;
For every time you make a rhyme you're just a parrot too."

Said I: "It's true. I bow to you. Poor parrots are we all."
And now I sense with reverence the wisdom of his poll.
For every time I want a rhyme he seems to find the word;
In any doubt he helps me out - a most amazing bird.
This line that lies before your eyes he helped me to indite;
I sling the ink but often think it's he who ought to write.
It's he who should in mystic mood concoct poetic screeds,
And I who ought to drop my crot and crackle sunflower seeds.

A parrot nears a hundred years (or so the legend goes),
So were I he this century I might see to its close.
Then I might swing within my ring while revolutions roar,
And watch a world to ruin hurled - and find it all a bore.
As upside-down I cling and clown, I might with parrot eyes
Blink blandly when excited men are moulding Paradise.
New Christs might die, while grimly I would croak and carry on,
Till gnarled and old I should behold the year TWO THOUSAND dawn.

But what a fate! How I should hate upon my perch to sit,
And nothing do to make anew a world for angels fit.
No, better far, though feeble are my lyric notes and flat,
Be dead and done than anyone who lives a life like that.
Though critic-scarred a humble bard I feel I'd rather be,
Than flap and flit and shriek and spit through all a century.

So feathered friend, until the end you may divide my den,
And make a mess, which (more or less) I clean up now and then.
But I prefer the doom to share of dead and gone compeers,
Than parrot be, and live to see ten times a hundred years.

poem by Robert William ServiceReport problemRelated quotes
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