Only A Boche
We brought him in from between the lines: we'd better have let him lie;
For what's the use of risking one's skin for a tyke that's going to die?
What's the use of tearing him loose under a gruelling fire,
When he's shot in the head, and worse than dead, and all messed up on the wire?
However, I say, we brought him in. Diable! The mud was bad;
The trench was crooked and greasy and high, and oh, what a time we had!
And often we slipped, and often we tripped, but never he made a moan;
And how we were wet with blood and with sweat! but we carried him in like our own.
Now there he lies in the dug-out dim, awaiting the ambulance,
And the doctor shrugs his shoulders at him, and remarks, "He hasn't a chance."
And we squat and smoke at our game of bridge on the glistening, straw-packed floor,
And above our oaths we can hear his breath deep-drawn in a kind of snore.
For the dressing station is long and low, and the candles gutter dim,
And the mean light falls on the cold clay walls and our faces bristly and grim;
And we flap our cards on the lousy straw, and we laugh and jibe as we play,
And you'd never know that the cursed foe was less than a mile away.
As we con our cards in the rancid gloom, oppressed by that snoring breath,
You'd never dream that our broad roof-beam was swept by the broom of death.
Heigh-ho! My turn for the dummy hand; I rise and I stretch a bit;
The fetid air is making me yawn, and my cigarette's unlit,
So I go to the nearest candle flame, and the man we brought is there,
And his face is white in the shabby light, and I stand at his feet and stare.
Stand for a while, and quietly stare: for strange though it seems to be,
The dying Boche on the stretcher there has a queer resemblance to me.
It gives one a kind of a turn, you know, to come on a thing like that.
It's just as if I were lying there, with a turban of blood for a hat,
Lying there in a coat grey-green instead of a coat grey-blue,
With one of my eyes all shot away, and my brain half tumbling through;
Lying there with a chest that heaves like a bellows up and down,
And a cheek as white as snow on a grave, and lips that are coffee brown.
And confound him, too! He wears, like me, on his finger a wedding ring,
And around his neck, as around my own, by a greasy bit of string,
A locket hangs with a woman's face, and I turn it about to see:
Just as I thought . . . on the other side the faces of children three;
Clustered together cherub-like, three little laughing girls,
With the usual tiny rosebud mouths and the usual silken curls.
"Zut!" I say. "He has beaten me; for me, I have only two,"
And I push the locket beneath his shirt, feeling a little blue.
Oh, it isn't cheerful to see a man, the marvellous work of God,
Crushed in the mutilation mill, crushed to a smeary clod;
Oh, it isn't cheerful to hear him moan; but it isn't that I mind,
It isn't the anguish that goes with him, it's the anguish he leaves behind.
For his going opens a tragic door that gives on a world of pain,
And the death he dies, those who live and love, will die again and again.
So here I am at my cards once more, but it's kind of spoiling my play,
Thinking of those three brats of his so many a mile away.
War is war, and he's only a Boche, and we all of us take our chance;
But all the same I'll be mighty glad when I'm hearing the ambulance.
One foe the less, but all the same I'm heartily glad I'm not
The man who gave him his broken head, the sniper who fired the shot.
No trumps you make it, I think you said? You'll pardon me if I err;
For a moment I thought of other things . . .Mon Dieu! Quelle vache de gueerre.
poem by Robert William Service

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A Casualty
That boy I took in the car last night,
With the body that awfully sagged away,
And the lips blood-crisped, and the eyes flame-bright,
And the poor hands folded and cold as clay --
Oh, I've thought and I've thought of him all the day.
For the weary old doctor says to me:
"He'll only last for an hour or so.
Both of his legs below the knee
Blown off by a bomb. . . . So, lad, go slow,
And please remember, he doesn't know."
So I tried to drive with never a jar;
And there was I cursing the road like mad,
When I hears a ghost of a voice from the car:
"Tell me, old chap, have I `copped it' bad?"
So I answers "No," and he says, "I'm glad."
"Glad," says he, "for at twenty-two
Life's so splendid, I hate to go.
There's so much good that a chap might do,
And I've fought from the start and I've suffered so.
'Twould be hard to get knocked out now, you know."
"Forget it," says I; then I drove awhile,
And I passed him a cheery word or two;
But he didn't answer for many a mile,
So just as the hospital hove in view,
Says I: "Is there nothing that I can do?"
Then he opens his eyes and he smiles at me;
And he takes my hand in his trembling hold;
"Thank you -- you're far too kind," says he:
"I'm awfully comfy -- stay . . . let's see:
I fancy my blanket's come unrolled --
My feet, please wrap 'em -- they're cold . . . they're cold."
poem by Robert William Service

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Our Captain's Last Words
Where the foremost flag was flying,
Pierce'd by manny a shot and shell,
Where the bravest men were dying,
There our gallant captain fell.
"Boys! you follow now another;
Follow till the foe shall yield;"
Then he whisper'd, "Tell my mother
Stephen died upon the field."
"Mother!"
"Moth er!"
"Stephen died upon the field."
Through the battle they bore him,
But his words were growing wild;
Heeding not the scenes before him,
Stephen was once more a child.
"Ah, she comes! there is no other
Speaks my name with such a joy;
Press me to your bosom, mother,
Call my still your darling joy."
"Mother!"
"Mother !"
"Call my still your darling joy."
Men who were not used to weeping,
Turn'd aside to hide a tear,
When they saw the pallor creeping,
That assured them death was near.
Kindly as he were a brother,
Strangers caught his parting breath,
Laden with the mumur "mother"
Last upon his lips in death.
"Mother!"
"Mother!&qu ot;
Last upon his lips in death.
poem by Henry Clay Work

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A Child's Nightmare
Through long nursery nights he stood
By my bed unwearying,
Loomed gigantic, formless, queer,
Purring in my haunted ear
That same hideous nightmare thing,
Talking, as he lapped my blood,
In a voice cruel and flat,
Saying for ever, "Cat! ... Cat! ... Cat!..."
That one word was all he said,
That one word through all my sleep,
In monotonous mock despair.
Nonsense may be light as air,
But there's Nonsense that can keep
Horror bristling round the head,
When a voice cruel and flat
Says for ever, "Cat! ... Cat! ... Cat!..."
He had faded, he was gone
Years ago with Nursery Land,
When he leapt on me again
From the clank of a night train,
Overpowered me foot and head,
Lapped my blood, while on and on
The old voice cruel and flat
Says for ever, "Cat! ... Cat! ... Cat!..."
Morphia drowsed, again I lay
In a crater by High Wood:
He was there with straddling legs,
Staring eyes as big as eggs,
Purring as he lapped my blood,
His black bulk darkening the day,
With a voice cruel and flat,
"Cat! ... Cat! ... Cat! ... Cat!..." he said, "Cat! ... Cat!..."
When I'm shot through heart and head,
And there's no choice but to die,
The last word I'll hear, no doubt,
Won't be "Charge!" or "Bomb them out!"
Nor the stretcher-bearer's cry,
"Let that body be, he's dead!"
But a voice cruel and flat
Saying for ever, "Cat! ... Cat! ... Cat!"
poem by Robert Graves

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We are Seven
--------A Simple Child,
That lightly draws its breath,
And feels its life in every limb,
What should it know of death?
I met a little cottage Girl:
She was eight years old, she said;
Her hair was thick with many a curl
That clustered round her head.
She had a rustic, woodland air,
And she was wildly clad:
Her eyes were fair, and very fair;
--Her beauty made me glad.
"Sisters and brothers, little Maid,
How many may you be?"
"How many? Seven in all," she said
And wondering looked at me.
"And where are they? I pray you tell."
She answered, "Seven are we;
And two of us at Conway dwell,
And two are gone to sea.
"Two of us in the church-yard lie,
My sister and my brother;
And, in the church-yard cottage, I
Dwell near them with my mother."
"You say that two at Conway dwell,
And two are gone to sea,
Yet ye are seven!--I pray you tell,
Sweet Maid, how this may be."
Then did the little Maid reply,
"Seven boys and girls are we;
Two of us in the church-yard lie,
Beneath the church-yard tree."
"You run about, my little Maid,
Your limbs they are alive;
If two are in the church-yard laid,
Then ye are only five."
"Their graves are green, they may be seen,"
The little Maid replied,
"Twelve steps or more from my mother's door,
And they are side by side.
"My stockings there I often knit,
My kerchief there I hem;
And there upon the ground I sit,
And sing a song to them.
"And often after sunset, Sir,
When it is light and fair,
I take my little porringer,
And eat my supper there.
"The first that died was sister Jane;
In bed she moaning lay,
Till God released her of her pain;
And then she went away.
"So in the church-yard she was laid;
And, when the grass was dry,
Together round her grave we played,
My brother John and I.
"And when the ground was white with snow,
And I could run and slide,
My brother John was forced to go,
And he lies by her side."
"How many are you, then," said I,
"If they two are in heaven?"
Quick was the little Maid's reply,
"O Master! we are seven."
"But they are dead; those two are dead!
Their spirits are in heaven!"
'Twas throwing words away; for still
The little Maid would have her will,
And said, "Nay, we are seven!"
poem by William Wordsworth

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At Lulworth Cove a Century Back
Had I but lived a hundred years ago
I might have gone, as I have gone this year,
By Warmwell Cross on to a Cove I know,
And Time have placed his finger on me there:
"You see that man?" -- I might have looked, and said,
"O yes: I see him. One that boat has brought
Which dropped down Channel round Saint Alban's Head.
So commonplace a youth calls not my thought."
"You see that man?" -- "Why yes; I told you; yes:
Of an idling town-sort; thin; hair brown in hue;
And as the evening light scants less and less
He looks up at a star, as many do."
"You see that man?" -- "Nay, leave me!" then I plead,
"I have fifteen miles to vamp across the lea,
And it grows dark, and I am weary-kneed:
I have said the third time; yes, that man I see!"
"Good. That man goes to Rome -- to death, despair;
And no one notes him now but you and I:
A hundred years, and the world will follow him there,
And bend with reverence where his ashes lie."
poem by Thomas Hardy

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Intimacy
I hear people say, "I love my iPhone, "
Or, "I love drinking a Starbucks coffee."
Sometimes: "I love my Versace cologne, "
And also: "I love having this money."
I hear people say, "I love my Walmart, "
Or, "I love the drive-thru at Taco Bell."
"I love my TV. It's state of the art."
"I love the shoes that Nike has to sell."
I hear this: "I love American Idol, "
And, "I love a nice, cold Budweiser."
"I love medicines such as Demerol."
And, "I love my internet provider."
Yet, one thing I don't hear is, "I love you."
Saying that is too intimate to do.
poem by Tim Stensloff

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In The Moonlight
"O lonely workman, standing there
In a dream, why do you stare and stare
At her grave, as no other grave where there?"
"If your great gaunt eyes so importune
Her soul by the shine of this corpse-cold moon,
Maybe you'll raise her phantom soon!"
"Why, fool, it is what I would rather see
Than all the living folk there be;
But alas, there is no such joy for me!"
"Ah - she was one you loved, no doubt,
Through good and evil, through rain and drought,
And when she passed, all your sun went out?"
"Nay: she was the woman I did not love,
Whom all the other were ranked above,
Whom during her life I thought nothing of."
poem by Thomas Hardy

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Sonnet V: Nothing But No
Nothing but "No," and "Aye," and "Aye," and "No"?
How falls it out so strangely you reply?
I tell ye, Fair, I'll not be answer'd so,
With this affirming "No," denying "Aye."
I say, "I love," you slightly answer "Aye";
I say, "You love," you pule me out a "No";
I say, "I die," you echo me an "Aye";
"Save me," I cry, you sigh me out a "No";
Must woe and I have nought but "No" and "Aye"?
No I am I, if I no more can have;
Answer no more, with silence make reply,
And let me take myself what I do crave.
Let "No" and "Aye" with I and you be so;
Then answer "No," and "Aye," and "Aye" and "No."
poem by Michael Drayton

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You're right—
234
You're right—"the way is narrow"—
And "difficult the Gate"—
And "few there be"—Correct again—
That "enter in—thereat"—
'Tis Costly—So are purples!
'Tis just the price of Breath—
With but the "Discount" of the Grave—
Termed by the Brokers—"Death"!
And after that—there's Heaven—
The Good Man's—"Dividend"—
And Bad Men—"go to Jail"—
I guess—
poem by Emily Dickinson

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A Trembling Star
"There is my little trembling star," she said.
I looked; once more
The tender sea had put the sun to bed,
And heaven's floor
Was grey.
And nowhere yet in all that young night sky
Was any star,
But one that hung above the sea. Not high,
Nor very far
Away.
"I watch it every night," she said, and crept
Within my arm.
"Soft little star, I wish the angels kept
It safe from harm
Alway.
"I know it is afraid," she said; her eyes
Held a sweet tear.
"They send it all alone into the skies,
No big stars near,
To stay.
"They push it out before the sweet, kind moon
Lights up the sea.
They laugh because it fears the dark. `Soon, soon,
You'll braver be,'
They say.
"One night I climbed far up that high white tree
Beside the beach,
And tried to stretch my hand across the sea
And tried to reach
The grey.
"For something made me feel my heart would break
Unless that night
I in my hand my trembling star could take
And kiss its fright
Away.
"There only blew a strange wind chillily,
And clouds were swept.
The angels would not let my own star see
That someone wept.
I pray
"To Christ, who hears my little prayers each night,
That He will seek
Through all His skies for that sweet, frightened light,
And stoop His cheek
And say
"`My angels must not send so frail a thing
To light the West.
Lift up the little trembling star to cling
About my breast
Alway.'"
poem by Ethel Turner

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The Night Ride
The red sun on the lonely lands
Gazed, under clouds of rose,
As one who under knitted hands
Takes one last look and goes.
Then Pain, with her white sister Fear,
Crept nearer to my bed:
"The sands are running; dost thou hear
Thy sobbing heart?" she said.
There came a rider to the gate,
And stern and clear spake he:
"For meat or drink thou must not wait,
But rise and ride with me."
I waited not for meat or drink,
Or kiss, or farewell kind --
But oh! my heart was sore to think
Of friends I left behind.
We rode o'er hills that seemed to sweep
Skyward like swelling waves;
The living stirred not in their sleep,
The dead slept in their graves.
And ever as we rode I heard
A moan of anguish sore --
No voice of man or beast or bird,
But all of these and more.
"Is it the moaning of the Earth?
Dark Rider, answer me!"
"It is the cry of life at birth"
He answered quietly:
"But thou canst turn a face of cheer
To good days still in store;
Thou needst not care for Pain or Fear --
They cannot harm thee more."
Yet I rode on with sullen heart,
And said with breaking breath,
"If thou art he I think thou art,
Then slay me now, O Death!"
The veil was from my eyesight drawn --
"Thou knowest now," said he:
"I am the Angel of the Dawn!
Ride back, and wait for me."
So I rode back at morning light,
And there, beside my bed,
Fear had become a lily white
And Pain a rose of red.
poem by Victor James Daley

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No Lilies For Lisette
Said the Door: "She came in
With no shadow of sin;
Turned the key in the lock,
Slipped out of her frock,
The robe she liked best
When for supper she dressed.
Then a letter she tore . . .
What a wan look she wore!"
Said the Door.
Said the Chair: "She sat down
With a pitiful frown,
And then (oh, it's queer)
Just one lonely tear
Rolled down her pale cheek.
How I hoped she would speak
As she let down her hair,"
Said the Chair.
Said the Glass: "Then she gazed
Into me like one dazed;
As with delicate grace
She made up her face,
Her cheeks and her lips
With rose finger-tips,
So lovely - alas!
Then she turned on the gas."
Said the Glass.
Said the Bed: "Down she lay
In a weariful way,
Like an innocent child,
To her fate reconciled;
Hands clasped to her breast,
In prayer or in rest:
'Dear Mother,' she said,
Then pillowed her head,"
Said the Bed.
Said the Room: "Then the gleam
Of the moon like a dream,
Soft silvered my space,
And it fell on her face
That was never so sweet
As her heart ceased to beat . . .
Then the moon fled and gloom
Fell like funeral plume,"
Said the Room.
"Just a whore,"
Said the Door;
"Yet so fair,"
Said the Chair;
"Frail, alas!"
Said the Glass;
"Now she's dead,"
Said the Bed;
"Sorry doom,"
Said the Room. . . .
Then they all,
Floor and wall,
Quiet grew,
Ceiling too;
Like a tomb
Was the room;
With hushed breath
Hailing Death:
Soul's release,
Silence, Peace.
poem by Robert William Service

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At play
Play that you are mother dear,
And play that papa is your beau;
Play that we sit in the corner here,
Just as we used to, long ago.
Playing so, we lovers two
Are just as happy as we can be,
And I'll say "I love you" to you,
And you say "I love you" to me!
"I love you" we both shall say,
All in earnest and all in play.
Or, play that you are that other one
That some time came, and went away;
And play that the light of years agone
Stole into my heart again to-day!
Playing that you are the one I knew
In the days that never again may be,
I'll say "I love you" to you,
And you say "I love you" to me!
I love you!" my heart shall say
To the ghost of the past come back to-day!
Or, play that you sought this nestling-place
For your own sweet self, with that dual guise
Of your pretty mother in your face
And the look of that other in your eyes!
So the dear old loves shall live anew
As I hold my darling on my knee,
And I'll say "I love you" to you,
And you say "I love you" to me!
Oh, many a strange, true thing we say
And do when we pretend to play!
poem by Eugene Field

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The Day of Battle
"Far I hear the bugle blow
To call me where I would not go,
And the guns begin the song,
'Soldier, fly or stay for long.'
"Comrade, if to turn and fly
Made a soldier never die,
Fly I would, for who would not?
'Tis sure no pleasure to be shot.
"But since the man that runs away
Lives to die another day,
And cowards' funerals, when they come,
Are not wept so well at home,
"Therefore, though the best is bad,
Stand and do the best, my lad;
Stand and fight and see your slain,
And take the bullet in your brain."
poem by Alfred Edward Housman

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The ABC
'Twas midnight in the schoolroom
And every desk was shut
When suddenly from the alphabet
Was heard a loud "Tut-Tut!"
Said A to B, "I don't like C;
His manners are a lack.
For all I ever see of C
Is a semi-circular back!"
"I disagree," said D to B,
"I've never found C so.
From where I stand he seems to be
An uncompleted O."
C was vexed, "I'm much perplexed,
You criticise my shape.
I'm made like that, to help spell Cat
And Cow and Cool and Cape."
"He's right" said E; said F, "Whoopee!"
Said G, "'Ip, 'Ip, 'ooray!"
"You're dropping me," roared H to G.
"Don't do it please I pray."
"Out of my way," LL said to K.
"I'll make poor I look ILL."
To stop this stunt J stood in front,
And presto! ILL was JILL.
"U know," said V, "that W
Is twice the age of me.
For as a Roman V is five
I'm half as young as he."
X and Y yawned sleepily,
"Look at the time!" they said.
"Let's all get off to beddy byes."
They did, then "Z-z-z."
poem by Spike Milligan

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Soldier, Soldier
"Soldier, soldier come from the wars,
Why don't you march with my true love?"
"We're fresh from off the ship an' 'e's maybe give the slip,
An' you'd best go look for a new love."
New love! True love!
Best go look for a new love,
The dead they cannot rise, an' you'd better dry your eyes,
An' you'd best go look for a new love.
"Soldier, soldier come from the wars,
What did you see o' my true love?"
"I seed 'im serve the Queen in a suit o' rifle-green,
An' you'd best go look for a new love."
"Soldier, soldier come from the wars,
Did ye see no more o' my true love?"
"I seed 'im runnin' by when the shots begun to fly --
But you'd best go look for a new love."
"Soldier, soldier come from the wars,
Did aught take 'arm to my true love?"
"I couldn't see the fight, for the smoke it lay so white --
An' you'd best go look for a new love."
"Soldier, soldier come from the wars,
I'll up an' tend to my true love!"
"'E's lying on the dead with a bullet through 'is 'ead,
An' you'd best go look for a new love."
"Soldier, soldier come from the wars,
I'll down an' die with my true love!"
"The pit we dug'll 'ide 'im an' the twenty men beside 'im --
An' you'd best go look for a new love."
"Soldier, soldier come from the wars,
Do you bring no sign from my true love?"
"I bring a lock of 'air that 'e allus used to wear,
An' you'd best go look for a new love."
"Soldier, soldier come from the wars,
O then I know it's true I've lost my true love!"
"An' I tell you truth again -- when you've lost the feel o' pain
You'd best take me for your true love."
True love! New love!
Best take 'im for a new love,
The dead they cannot rise, an' you'd better dry your eyes,
An' you'd best take 'im for your true love.
poem by Rudyard Kipling

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Harbury
All the men of Harbury go down to the sea in ships,
The wind upon their faces, the salt upon their lips.
The little boys of Harbury when they are laid to sleep,
Dream of masts and cabins and the wonders of the deep.
The women-folk of Harbury have eyes like the sea,
Wide with watching wonder, deep with mystery.
I met a woman: "Beyond the bar," she said,
"Beyond the shallow water where the green lines spread,
"Out beyond the sand-bar and the white spray,
My three sons wait for the Judgment Day."
I saw an old man who goes to sea no more,
Watch from morn till evening down on the shore.
"The sea's a hard mistress," the old man said;
"The sea is always hungry and never full fed.
"The sea had my father and took my son from me --
Sometimes I think I see them, walking on the sea!
"I'd like to be in Harbury on the Judgment Day,
When the word is spoken and the sea is wiped away,
"And all the drowned fisher boys, with sea-weed in their hair,
Rise and walk to Harbury to greet the women there.
"I'd like to be in Harbury to see the souls arise,
Son and mother hand in hand, lovers with glad eyes.
"I think there would be many who would turn and look with me,
Hoping for another glimpse of the cruel sea!
"They tell me that in Paradise the fields are green and still,
With pleasant flowers everywhere that all may take who will,
"And four great rivers flowing from out the Throne of God
That no one ever drowns in and souls may cross dry-shod.
"I think among those wonders there will be men like me,
Who miss the old salt danger of the singing sea.
"For in my heart, like some old shell, inland, safe and dry,
Any one who harks will still hear the sea cry."
poem by Louise Driscoll

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The Dormouse and the Doctor
There once was a Dormouse who lived in a bed
Of delphiniums (blue) and geraniums (red),
And all the day long he'd a wonderful view
Of geraniums (red) and delphiniums (blue).
A Doctor came hurrying round, and he said:
"Tut-tut, I am sorry to find you in bed.
Just say 'Ninety-nine' while I look at your chest....
Don't you find that chrysanthemums answer the best?"
The Dormouse looked round at the view and replied
(When he'd said "Ninety-nine") that he'd tried and he'd tried,
And much the most answering things that he knew
Were geraniums (red) and delphiniums (blue).
The Doctor stood frowning and shaking his head,
And he took up his shiny silk hat as he said:
"What the patient requires is a change," and he went
To see some chrysanthemum people in Kent.
The Dormouse lay there, and he gazed at the view
Of geraniums (red) and delphiniums (blue),
And he knew there was nothing he wanted instead
Of delphiniums (blue) and geraniums (red).
The Doctor came back and, to show what he meant,
He had brought some chrysanthemum cuttings from Kent.
"Now these," he remarked, "give a much better view
Than geraniums (red) and delphiniums (blue)."
They took out their spades and they dug up the bed
Of delphiniums (blue) and geraniums (red),
And they planted chrysanthemums (yellow and white).
"And now," said the Doctor, "we'll soon have you right."
The Dormouse looked out, and he said with a sigh:
"I suppose all these people know better than I.
It was silly, perhaps, but I did like the view
Of geraniums (red) and delphiniums (blue)."
The Doctor came round and examined his chest,
And ordered him Nourishment, Tonics, and Rest.
"How very effective," he said, as he shook
The thermometer, "all these chrysanthemums look!"
The Dormouse turned over to shut out the sight
Of the endless chrysanthemums (yellow and white).
"How lovely," he thought, "to be back in a bed
Of delphiniums (blue) and geraniums (red.)"
The Doctor said, "Tut! It's another attack!"
And ordered him Milk and Massage-of-the-back,
And Freedom-from-worry and Drives-in-a-car,
And murmured, "How sweet your chrysanthemums are!"
The Dormouse lay there with his paws to his eyes,
And imagined himself such a pleasant surprise:
"I'll pretend the chrysanthemums turn to a bed
Of delphiniums (blue) and geraniums (red)!"
The Doctor next morning was rubbing his hands,
And saying, "There's nobody quite understands
These cases as I do! The cure has begun!
How fresh the chrysanthemums look in the sun!"
The Dormouse lay happy, his eyes were so tight
He could see no chrysanthemums, yellow or white.
And all that he felt at the back of his head
Were delphiniums (blue) and geraniums (red).
And that is the reason (Aunt Emily said)
If a Dormouse gets in a chrysanthemum bed,
You will find (so Aunt Emily says) that he lies
Fast asleep on his front with his paws to his eyes.
poem by Alan Alexander Milne

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I have lived with Shades
I
I have lived with Shades so long,
So long have talked to them,
I sped to street and throng,
That sometimes they
In their dim style
Will pause awhile
To hear my say;
II
And take me by the hand,
And lead me through their rooms
In the To-Be, where Dooms
Half-wove and shapeless stand:
And show from there
The dwindled dust
And rot and rust
Of things that were.
III
"Now turn," they said to me
One day: "Look whence we came,
And signify his name
Who gazes thence at thee" --
-- "Nor name nor race
Know I, or can,"
I said, "Of man
So commonplace."
IV
"He moves me not at all:
I note no ray or jot
Of rareness in his lot,
Or star exceptional.
Into the dim
Dead throngs around
He'll sink, nor sound
Be left of him."
V
"Yet," said they, "his frail speech,
Hath accents pitched like thine --
Thy mould and his define
A likeness each to each --
But go! Deep pain
Alas, would be
His name to thee,
And told in vain!"
poem by Thomas Hardy

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Pressure
There was a kind of pressure, in the room,
I mean, it wasn't anything tangible but it was there
and he looked about him to try to spot the culprit.
A suspicious character was drinking brandy,
he could certainly be the one, but wait,
there she was, a tall red head with hawk like eyes.
They looked at each other and then she crooked her finger,
"yes… you" she mouthed! "Come here, talk to me"
He slowly walked towards her, settling at her side.
"It's cold for the time of year", he whispered.
"Not cold enough" was the coded reply.
Then she took out a yellow glove from her bag.
"When are you going to introduce me? " she asked
"That's right, " she said, "I'm from the ministry"
and I want you to act as though we're old friends.
"O.K." he replied, "slip me the key first and I'll
take you over. The stooge is that small,
rather portly man in the black bow tie."
"But can he lead us to Nightingales, " she asked
They've killed two of our spies already.
At that she dropped the yellow glove on the floor.
The lights went out and as they fumbled in the dark
the pressure grew……….do you feel it?
Nah, its just that dodgy guy sitting next to you.
************************************* ************
Footnote:
No spies were killed or yellow gloves
dropped during the making
of this episode.
However, some fumbling
did take place.
*********************************** ***************
Next episode:
Dazed and sore, Montague came round,
feeling pressure on his head
which seemed to be warm and comforting.
It was Marjorie's soft hand.
"Are you alright, my dear" she said,
looking concerned and worried.
Blood dripped down Montague's cheek,
he'd been hit on the head with a sharp object!
"Where is she? " he stammered, "She still has the key"
"Leave her to us" said the man in the black bow tie
"We've got it all under control,
Just tell us who sent you! "
Monty's eyes rolled back in his head.
The pressure was all too hard to take
and Marjorie's perfume had
triggered off his allergy.
Or was this a counter plot to extract the truth?
Did they know he was allergic to Channel no 5?
Too late! A sharp pain in Montague's chest
saw the end of him…….
poem by Ruth Walters

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