My Picture
I made a picture; all my heart
I put in it, and all I knew
Of canvas-cunning and of Art,
Of tenderness and passion true.
A worshipped Master came to see;
Oh he was kind and gentle, too.
He studied it with sympathy,
And sensed what I had sought to do.
Said he: "Your paint is fresh and fair,
And I can praise it without cease;
And yet a touch just here and there
Would make of it a masterpiece."
He took the brush from out my hand;
He touched it here, he touched it there.
So well he seemed to understand,
And momently it grew more fair.
Oh there was nothing I could say,
And there was nothing I could do.
I thanked him, and he went his way,
And then - I slashed my picture through.
For though his brush with soft caress
Had made my daub a thing divine,
Oh God! I wept with bitterness,
. . . It wasn't mine, it wasn't mine.
poem by Robert William Service
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Related quotes
You Only Paint The Picture Once
(Teddy Gentry/Randy Owen/Ronnie Rogers/Greg Fowler)
Look at those evening shadows
Casting a peaceful light
The sun is disappearing
It's a beautiful sight
Moments caught forever
By the master's touch
A lasting reminder
To us
You only paint the picture once
(And) you only get one chance
Take the time to do your best
While the brush is in your hand
Make sure it's just right
Before the colors dry
You can't change it once it's done
You only paint the picture once
Love is the canvas
That's where it all starts
A lifetime together
Becomes a work of art
Just look what's been created
Between your heart and mine
Oh I believe that we're one of a kind
You only paint the picture once
(And) you only get one chance
Take the time to do your best
While the brush is in your hand
Make sure it's just right
Before the colors dry
You can't change it once it's done
You only paint the picture once
It's a portrait of life
You can't live it twice
You only paint the picture once
song performed by by Alabama
Submitted by Lucian Velea
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Am I a master
I am the master, master of art
have painted true pictures,
of rising sun, mountain, sea
through jungles flowing rivers,
shining stars, birds, cloudy sky,
can paint anything and everything.
insects, lions, bear and deer.
just like the living things.
I am the master, master of art,
can make my own paint and brush
Alas! but cannot create raw material
of any of paint, brush or canvas.
Oh! can not paint these seven
which are made only in heaven:
smell, touch, look, hear and taste,
emotions, thought and breathe.
No, I am not the master, master of art
can paint uncountable things yet not.
Not possible to paint love and laugh
I have to go again and again to learn
to the supreme master, who painted
the universe, stars, moon and sun
(C) S. D. Tiwari
poem by S.D. Tiwari
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Us Two
Wherever I am, there's always Pooh,
There's always Pooh and Me.
Whatever I do, he wants to do,
"Where are you going today?" says Pooh:
"Well, that's very odd 'cos I was too.
Let's go together," says Pooh, says he.
"Let's go together," says Pooh.
"What's twice eleven?" I said to Pooh.
("Twice what?" said Pooh to Me.)
"I think it ought to be twenty-two."
"Just what I think myself," said Pooh.
"It wasn't an easy sum to do,
But that's what it is," said Pooh, said he.
"That's what it is," said Pooh.
"Let's look for dragons," I said to Pooh.
"Yes, let's," said Pooh to Me.
We crossed the river and found a few-
"Yes, those are dragons all right," said Pooh.
"As soon as I saw their beaks I knew.
That's what they are," said Pooh, said he.
"That's what they are," said Pooh.
"Let's frighten the dragons," I said to Pooh.
"That's right," said Pooh to Me.
"I'm not afraid," I said to Pooh,
And I held his paw and I shouted "Shoo!
Silly old dragons!"- and off they flew.
"I wasn't afraid," said Pooh, said he,
"I'm never afraid with you."
So wherever I am, there's always Pooh,
There's always Pooh and Me.
"What would I do?" I said to Pooh,
"If it wasn't for you," and Pooh said: "True,
It isn't much fun for One, but Two,
Can stick together, says Pooh, says he. "That's how it is," says Pooh.
poem by Alan Alexander Milne
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He Touched Me
Shackled by a heavy burden
Neath a load of guilt and shame
Then the hand of jesus touched me
And now I am no longer the same
He touched me, oh he touched me
And oh the joy that floods my soul
Something happened and now I know
He touched me and made me whole
Since I met this blessed savior
Since he cleansed and made me whole
I will never cease to praise him
Ill shout it while eternity rolls
He touched me oh he touched me
And oh the joy that floods my soul
Something happened and now I know
He touched me and made me whole
song performed by by Elvis Presley
Submitted by Lucian Velea
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Still Life In Oils-De Jour
You painted a most exquisite picture
...Brush stroked her canvas delicately
With feathered brush-a touch
...Tinting with royal hues-
And crimson red coloured views...
'Tis a still life of a woman in degrees...
...A breath-taking piece of divinity...
A true masterpiece of elegance...
...Your virgin work of art...
Captured by your most artistic keen eye
...Creme De la Creme Ala Carte...
poem by Theodora Onken
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The Man Who Knew
The Dreamer visioned Life as it might be,
And from his dream forthright a picture grew,
A painting all the people thronged to see,
And joyed therein -- till came the Man Who Knew,
Saying: "'Tis bad! Why do ye gape, ye fools!
He painteth not according to the schools."
The Dreamer probed Life's mystery of woe,
And in a book he sought to give the clue;
The people read, and saw that it was so,
And read again -- then came the Man Who Knew,
Saying: "Ye witless ones! this book is vile:
It hath not got the rudiments of style."
Love smote the Dreamer's lips, and silver clear
He sang a song so sweet, so tender true,
That all the market-place was thrilled to hear,
And listened rapt -- till came the Man Who Knew,
Saying: "His technique's wrong; he singeth ill.
Waste not your time." The singer's voice was still.
And then the people roused as if from sleep,
Crying: "What care we if it be not Art!
Hath he not charmed us, made us laugh and weep?
Come, let us crown him where he sits apart."
Then, with his picture spurned, his book unread,
His song unsung, they found their Dreamer -- dead.
poem by Robert William Service
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With deep respect
I couldn't believe eyes
As she was no less then butterfly
Extremely beautiful and matter of joy
Any one would say "hello" and enjoy
Some of the human beings are just not ordinary
Some praise is must and I feel it necessary
No one can deny existence of almighty
So same is the case with the creative beauty
I was moved with her appearance
She was above all and came before me by chance
It was nice to see her in picture
An absolute and beautiful character with figure
"I see your reflection in beauty"
"From all the angles you are present o, almighty"
I can't take away my eyes
As I get up suddenly to visualize
You are with different form
I feel great and unusually very warm
Soul an heart synchronize with each and every bit
I smile internally, praise it and greet
"Can you not create picture in words"? She had replied
"Surely I can as it can be an order from lord" I relied
Made a point clear and tried to visualize each aspect
It was coming out as natural figure with deep respect
To err is human
But to love is divine
As you are helpless in game
No one can share the blame
Love is to felt from within
When you try to close in
It may be physical contact
But certainly a divine and graceful act
poem by Hasmukh Amathalal
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Sonnet 105: Let not my love be called idolatry
Let not my love be called idolatry,
Nor my belovèd as an idol show,
Since all alike my songs and praises be
To one, of one, still such, and ever so.
Kind is my love today, tomorrow kind,
Still constant in a wondrous excellence;
Therefore my verse to constancy confined,
One thing expressing, leaves out difference.
"Fair, kind, and true" is all my argument,
"Fair, kind, and true" varying to other words;
And in this change is my invention spent,
Three themes in one, which wondrous scope affords.
Fair, kind, and true, have often lived alone.
Which three till now never kept seat in one.
poem by William Shakespeare
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The Three Enemies
THE FLESH
"Sweet, thou art pale."
"More pale to see,
Christ hung upon the cruel tree
And bore His Father's wrath for me."
"Sweet, thou art sad."
"Beneath a rod
More heavy, Christ for my sake trod
The winepress of the wrath of God."
"Sweet, thou art weary."
"Not so Christ:
Whose mighty love of me suffic'd
For Strength, Salvation, Eucharist."
"Sweet, thou art footsore."
"If I bleed,
His feet have bled; yea in my need
His Heart once bled for mine indeed."
THE WORLD
"Sweet, thou art young."
"So He was young
Who for my sake in silence hung
Upon the Cross with Passion wrung."
"Look, thou art fair."
"He was more fair
Than men, Who deign'd for me to wear
A visage marr'd beyond compare."
"And thou hast riches."
"Daily bread:
All else is His: Who, living, dead,
For me lack'd where to lay His Head."
"And life is sweet."
"It was not so
To Him, Whose Cup did overflow
With mine unutterable woe."
THE DEVIL
"Thou drinkest deep."
"When Christ would sup
He drain'd the dregs from out my cup:
So how should I be lifted up?"
"Thou shalt win Glory."
"In the skies,
Lord Jesus, cover up mine eyes
Lest they should look on vanities."
"Thou shalt have Knowledge."
"Helpless dust!
In Thee, O Lord, I put my trust:
Answer Thou for me, Wise and Just."
"And Might."--
"Get thee behind me. Lord,
Who hast redeem'd and not abhorr'd
My soul, oh keep it by Thy Word."
poem by Christina Georgina Rossetti
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Sonnet V: Nothing But No
Nothing but "No," and "Aye," and "Aye," and "No"?
How falls it out so strangely you reply?
I tell ye, Fair, I'll not be answer'd so,
With this affirming "No," denying "Aye."
I say, "I love," you slightly answer "Aye";
I say, "You love," you pule me out a "No";
I say, "I die," you echo me an "Aye";
"Save me," I cry, you sigh me out a "No";
Must woe and I have nought but "No" and "Aye"?
No I am I, if I no more can have;
Answer no more, with silence make reply,
And let me take myself what I do crave.
Let "No" and "Aye" with I and you be so;
Then answer "No," and "Aye," and "Aye" and "No."
poem by Michael Drayton
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The New Knighthood
Who gives him the Bath?
"I," said the wet,
Rank-Jungle-sweat,
"I'll give him the Bath!"
Who'll sing the psalms?
"We," said the Palms.
"Ere the hot wind becalms,
"We'll sing the psalms."
Who lays on the sword ?
"I," said the Sun,
Before he has done,
"I'll lay on the sword."
"Who fastens his belt?
"I," said Short-Rations,
" I know all the fashions
"Of tightening a belt!"
Who gives him his spur?
"I," said his Chief,
Exacting and brief,
"I'll give him the spur."
Who'll shake his hand?
"I," said the Fever,
"And I'm no deceiver,
"I'll shake his hand."
Who brings him the wine?
"I," said Quinine,
"It's a habit of mine.
"I'11 come with his wine."
Who'll put him to proof?
"I," said All Earth.
"Whatever he's worth,
"I'll put to the proof."
Who'll choose him for Knight?
"I," said his Mother,
"Before any other,
"My very own Knight."
And after this fashion, adventure to seek,
Sir Galahad was made--as it might be last week!
poem by Rudyard Kipling
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Michael
"There's something in your face, Michael, I've seen it all the day;
There's something quare that wasn't there when first ye wint away. . . ."
"It's just the Army life, mother, the drill, the left and right,
That puts the stiffinin' in yer spine and locks yer jaw up tight. . . ."
"There's something in your eyes, Michael, an' how they stare and stare --
You're lookin' at me now, me boy, as if I wasn't there. . . ."
"It's just the things I've seen, mother, the sights that come and come,
A bit o' broken, bloody pulp that used to be a chum. . . ."
"There's something on your heart, Michael, that makes ye wake at night,
And often when I hear ye moan, I trimble in me fright. . . ."
"It's just a man I killed, mother, a mother's son like me;
It seems he's always hauntin' me, he'll never let me be. . . ."
"But maybe he was bad, Michael, maybe it was right
To kill the inimy you hate in fair and honest fight. . . ."
"I did not hate at all, mother; he never did me harm;
I think he was a lad like me, who worked upon a farm. . . ."
"And what's it all about, Michael; why did you have to go,
A quiet, peaceful lad like you, and we were happy so? . . ."
"It's thim that's up above, mother, it's thim that sits an' rules;
We've got to fight the wars they make, it's us as are the fools. . . ."
"And what will be the end, Michael, and what's the use, I say,
Of fightin' if whoever wins it's us that's got to pay? . . ."
"Oh, it will be the end, mother, when lads like him and me,
That sweat to feed the ones above, decide that we'll be free. . . ."
"And when will that day come, Michael, and when will fightin' cease,
And simple folks may till their soil and live and love in peace? . . ."
"It's coming soon and soon, mother, it's nearer every day,
When only men who work and sweat will have a word to say;
When all who earn their honest bread in every land and soil
Will claim the Brotherhood of Man, the Comradeship of Toil;
When we, the Workers, all demand: `What are we fighting for?' . . .
Then, then we'll end that stupid crime, that devil's madness -- War."
poem by Robert William Service
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To Clementina Black
More blest than was of old Diogenes,
I have not held my lantern up in vain.
Not mine, at least, this evil--to complain:
"There is none honest among all of these."
Our hopes go down that sailed before the breeze;
Our creeds upon the rock are rent in twain;
Something it is, if at the last remain
One floating spar cast up by hungry seas.
The secret of our being, who can tell?
To praise the gods and Fate is not my part;
Evil I see, and pain ; within my heart
There is no voice that whispers: "All is well."
Yet fair are days in summer; and more fair
The growths of human goodness here and there.
An Unpraised Picture
I SAW a picture once by Angelo.
“Unfinished,” said the critic; “done in youth;”
And that was all, no thought of praise, forsooth!
He was informed, and doubtless it was so.
And yet, I let an hour of dreaming go
The way of all time, touched to tears and ruth,
Passion and joy, the prick of conscience’ tooth,
Before that careworn Christ’s divine, soft glow.
The painter’s yearning with an unsure hand
Had moved me more than might his master days;
He seemed to speak like one whose Meccaland
Is first beheld, though faint and far the ways;
Who may not then his shaken voice command,
Yet trembles forth a word of prayer and praise.
poem by Richard Francis Burton
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Upon the road of my life,
Upon the road of my life,
Passed me many fair creatures,
Clothed all in white, and radiant.
To one, finally, I made speech:
"Who art thou?"
But she, like the others,
Kept cowled her face,
And answered in haste, anxiously,
"I am good deed, forsooth;
You have often seen me."
"Not uncowled," I made reply.
And with rash and strong hand,
Though she resisted,
I drew away the veil
And gazed at the features of vanity.
She, shamefaced, went on;
And after I had mused a time,
I said of myself,
"Fool!"
poem by Stephen Crane
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New Year's Eve
I
The other night I had a dream, most clear
And comforting, complete
In every line, a crystal sphere,
And full of intimate and secret cheer.
Therefore I will repeat
That vision, dearest heart, to you,
As of a thing not feigned, but very true,
Yes, true as ever in my life befell;
And you, perhaps, can tell
Whether my dream was really sad or sweet.
II
The shadows flecked the elm-embowered street
I knew so well, long, long ago;
And on the pillared porch where Marguerite
Had sat with me, the moonlight lay like snow.
But she, my comrade and my friend of youth,
Most gaily wise,
Most innocently loved, --
She of the blue-grey eyes
That ever smiled and ever spoke the truth, --
From that familiar dwelling, where she moved
Like mirth incarnate in the years before,
Had gone into the hidden house of Death.
I thought the garden wore
White mourning for her blessed innocence,
And the syringa's breath
Came from the corner by the fence,
Where she had made her rustic seat,
With fragrance passionate, intense,
As if it breathed a sigh for Marguerite.
My heart was heavy with a sense
Of something good forever gone. I sought
Vainly for some consoling thought,
Some comfortable word that I could say
To the sad father, whom I visited again
For the first time since she had gone away.
The bell rang shrill and lonely, -- then
The door was opened, and I sent my name
To him, -- but ah! 't was Marguerite who came!
There in the dear old dusky room she stood
Beneath the lamp, just as she used to stand,
In tender mocking mood.
"You did not ask for me," she said,
"And so I will not let you take my hand;
"But I must hear what secret talk you planned
"With father. Come, my friend, be good,
"And tell me your affairs of state:
"Why you have stayed away and made me wait
"So long. Sit down beside me here, --
"And, do you know, it seemed a year
"Since we have talked together, -- why so late?"
Amazed, incredulous, confused with joy
I hardly dared to show,
And stammering like a boy,
I took the place she showed me at her side;
And then the talk flowed on with brimming tide
Through the still night,
While she with influence light
Controlled it, as the moon the flood.
She knew where I had been, what I had done,
What work was planned, and what begun;
My troubles, failures, fears she understood,
And touched them with a heart so kind,
That every care was melted from my mind,
And every hope grew bright,
And life seemed moving on to happy ends.
(Ah, what self-beggared fool was he
That said a woman cannot be
The very best of friends?)
Then there were memories of old times,
Recalled with many a gentle jest;
And at the last she brought the book of rhymes
We made together, trying to translate
The Songs of Heine (hers were always best).
"Now come," she said,
"To-night we will collaborate
"Again; I'll put you to the test.
"Here's one I never found the way to do, --
"The simplest are the hardest ones, you know, --
"I give this song to you."
And then she read:
Mein kind, wir waren Kinder,
Zei Kinder, jung und froh.
* * * * * * * * * *
But all the while a silent question stirred
Within me, though I dared not speak the word:
"Is it herself, and is she truly here,
"And was I dreaming when I heard
"That she was dead last year?
"Or was it true, and is she but a shade
"Who brings a fleeting joy to eye and ear,
"Cold though so kind, and will she gently fade
"When her sweet ghostly part is played
"And the light-curtain falls at dawn of day?"
But while my heart was troubled by this fear
So deeply that I could not speak it out,
Lest all my happiness should disappear,
I thought me of a cunning way
To hide the question and dissolve the doubt.
"Will you not give me now your hand,
"Dear Marguerite," I asked, "to touch and hold,
"That by this token I may understand
"You are the same true friend you were of old?"
She answered with a smile so bright and calm
It seemed as if I saw new stars arise
In the deep heaven of her eyes;
And smiling so, she laid her palm
In mine. Dear God, it was not cold
But warm with vital heat!
"You live!" I cried, "you live, dear Marguerite!"
Then I awoke; but strangely comforted,
Although I knew again that she was dead.
III
Yes, there's the dream! And was it sweet or sad?
Dear mistress of my waking and my sleep,
Present reward of all my heart's desire,
Watching with me beside the winter fire,
Interpret now this vision that I had.
But while you read the meaning, let me keep
The touch of you: for the Old Year with storm
Is passing through the midnight, and doth shake
The corners of the house, -- man oh! my heart would break
Unless both dreaming and awake
My hand could feel your hand was warm, warm, warm!
poem by Henry Van Dyke
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I like your books
In the betting line the other
day
man behind me asked,
"are you Henry
Chinaski?"
"uh huh," I answered.
"I like your books," he went
on.
"thanks," I answered.
"who do you like in this
race?" he asked.
"uh uh," I answered.
"I like the 4 horse," he
told me.
I made my bet and went back
to my seat....
the next race I am standing in
line and here is this same man
standing behind me
again.
there are at least 50 lines at
the windows but
he has to find mine
again.
"I think this race favors the
closers," he said to the back of
my neck. "the track looks
heavy."
"listen," I said, not looking
around, "it's the kiss of death to
talk about horses at the
track..."
"what kind of rule is that?"
he asked. "God doesn't make
rules..."
I turned around and looked at him:
"maybe not, but I
do."
after the next race
I got in line, glanced behind
me:
he was not there:
lost another reader.
I lose 2 or 3 each
week.
fine.
let 'em go back to
Kafka.
poem by Charles Bukowski
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Love As A Landscape Painter
ON a rocky peak once sat I early,
Gazing on the mist with eyes unmoving;
Stretch'd out like a pall of greyish texture,
All things round, and all above it cover'd.
Suddenly a boy appear'd beside me,
Saying "Friend, what meanest thou by gazing
On the vacant pall with such composure?
Hast thou lost for evermore all pleasure
Both in painting cunningly, and forming?"
On the child I gazed, and thought in secret:
"Would the boy pretend to be a master?"
"Wouldst thou be for ever dull and idle,"
Said the boy, "no wisdom thou'lt attain to;
See, I'll straightway paint for thee a figure,--
How to paint a beauteous figure, show thee."
And he then extended his fore-finger,--
(Ruddy was it as a youthful rosebud)
Tow'rd the broad and far outstretching carpet,
And began to draw there with his finger.
First on high a radiant sun he painted,
Which upon mine eyes with splendour glisten'd,
And he made the clouds with golden border,
Through the clouds he let the sunbeams enter;
Painted then the soft and feathery summits
Of the fresh and quicken'd trees, behind them
One by one with freedom drew the mountains;
Underneath he left no lack of water,
But the river painted so like Nature,
That it seem'd to glitter in the sunbeams,
That it seem'd against its banks to murmur.
Ah, there blossom'd flowers beside the river,
And bright colours gleam'd upon the meadow,
Gold, and green, and purple, and enamell'd,
All like carbuncles and emeralds seeming!
Bright and clear he added then the heavens,
And the blue-tinged mountains far and farther,
So that I, as though newborn, enraptured
Gazed on, now the painter, now the picture.
Then spake he: "Although I have convinced thee
That this art I understand full surely,
Yet the hardest still is left to show thee."
Thereupon he traced, with pointed finger,
And with anxious care, upon the forest,
At the utmost verge, where the strong sunbeams
From the shining ground appear'd reflected,
Traced the figure of a lovely maiden,
Fair in form, and clad in graceful fashion,
Fresh the cheeks beneath her brown locks' ambush,
And the cheeks possess'd the selfsame colour
As the finger that had served to paint them.
"Oh thou boy!" exclaim'd I then, "what master
In his school received thee as his pupil,
Teaching thee so truthfully and quickly
Wisely to begin, and well to finish?"
Whilst I still was speaking, lo, a zephyr
Softly rose, and set the tree-tops moving,
Curling all the wavelets on the river,
And the perfect maiden's veil, too, fill'd it,
And to make my wonderment still greater,
Soon the maiden set her foot in motion.
On she came, approaching tow'rd the station
Where still sat I with my arch instructor.
As now all, yes, all thus moved together,--
Flowers, river, trees, the veil,--all moving,--
And the gentle foot of that most fair one,
Can ye think that on my rock I linger'd,
Like a rock, as though fast-chain'd and silent?
poem by Johann Wolfgang von Goethe
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The Ballad of the Murdered Merchant
All stark and cold the merchant lay,
All cold and stark lay he.
And who hath killed the fair merchant?
Now tell the truth to me.
Oh, I have killed this fair merchant
Will never again draw breath;
Oh, I have made this fair merchant
To come unto his death.
Oh, why hast thou killed this fair merchant
Whose corpse I now behold?
And why hast caused this man to lie
In death all stark and cold?
Oh, I have killed this fair merchant
Whose kith and kin make moan,
For that he hath stolen my precious time
When he useth the telephone.
The telephone bell rang full and clear;
The receiver did I seize.
"Hello!" quoth I, and quoth a girl,
"Hello! . . . One moment, please."
I waited moments ane and twa,
And moments three and four,
And then I sought the fair merchant
And spilled his selfish gore.
That business man who scorneth to waste
His moments sae rich and fine
In calling a man to the telephone
Shall never again waste mine!
And every time a henchwoman
Shall cause me a moment's loss,
I'll forthwith fare to that office
And stab to death her boss.
Rise up! Rise up! thou blesséd knight!
And off thy bended knees!
Go forth and slay all folk who make
Us wait "One moment, please."
poem by Franklin P. Adams
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Lois House
Air -- "Saphrona's Farewell"
Come all ye young people of every degree,
Come give your attention one moment to me;
It's of a young couple I now will relate,
And of their misfortunes and of their sad fate.
One was a young damsel, both blooming and fair,
The other a young man, his beauty was rare;
He loved this lady as he loved his own life --
If God had not called her he would made her his wife.
He courted her a long time in triumph and glee,
But little did he think that she would soon leave,
Leave him in sorrow, forsaken, alone,
To mourn her departure, for she was going home:
Going home to her Father, that dwelleth on high,
Who gave her her life and who caused her to die,
And leave her true lover, one whom she could trust,
To moulder her fair form a while in the dust.
Lois House and Joy Morris were their names, I believe,
They loved each other dearly and never deceived,
But God he did part them, one which he laid low,
The other He left with his heart full of woe.
Joy laid her dying head on his bosom once more,
Pressed her to his heart as he had oft done before,
Saying, "Dear Lois, are you going to leave me?"
"Yes, Joy, I can no longer stay here with thee! "
"Oh! Joy, can't you give me up, dearest," said she;
"If you will say yes, love, I can leave in peace;
In heaven, love, I will be waiting for thee --
Be true to our Savior -- you'll soon follow me."
"If I must say yes, love, for you to leave me --
God will do better by you, Lois, than me;
Oh! it's hard for me, dearest, hard to say yes,
It leaves me alone, love, in sad woefulness."
"I want your picture, Joy, placed in my cold hand,
And let it be buried with me in the ground;
It's all I can carry with me to the grave --
Grant it to me, love, it's all that I crave."
They called for her father and mother most dear,
She kissed them and bade them farewell thro' their tears;
They called for her brother and sisters again,
To kiss their sister while life still remain.
"One kiss from you, Joy," she whispered so low,
That no one in the room heard her, you know;
She gasped for her breath once or twice more,
When lo! her spirit left her, and Lois is no more.
They placed her fair form in the coffin so cold,
And placed there Joy's picture as they had been told;
They bore her to her grave, all were in sad gloom,
And gently laid her down to rest in her tomb.
poem by Julia A Moore
Submitted by Poetry Lover
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