My Neighbors

To rest my fagged brain now and then,
When wearied of my proper labors,
I lay aside my lagging pen
And get to thinking on my neighbors;
For, oh, around my garret den
There's woe and poverty a-plenty,
And life's so interesting when
A lad is only two-and-twenty.

Now, there's that artist gaunt and wan,
A little card his door adorning;
It reads: "Je ne suis pour personne",
A very frank and fitting warning.
I fear he's in a sorry plight;
He starves, I think, too proud to borrow,
I hear him moaning every night:
Maybe they'll find him dead to-morrow.

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Revolt In The Ranks

I have just spent one-hour-and-a-half
handicapping tomorrow's
card.
when am I going to get at the poems?
well, they'll just have to wait
they'll have to warm their feet in the
anteroom
where they'll sit gossiping about
me.
"this Chinaski, doesn't he realize that
without us he would have long ago
gone mad, been dead?"
"he knows, but he thinks he can keep
us at his beck and call!"
"he's an ingrate!"
"let's give him writer's block!"
"yeah!"
"yeah!& quot;
"yeah!"
the little poems kick up their heels
and laugh.
then the biggest one gets up and
walks toward the door.
"hey, where are you going?" he is
asked.
"somewhere where I am
appreciated."
then, he
and the others
vanish.

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La Fontaine

Another Imitation Of Anacreon

PRONE, on my couch I calmly slept
Against my wont. A little child
Awoke me as he gently crept
And beat my door. A tempest wild
Was raging-dark and cold the night.
"Have pity on my naked plight,"
He begged, "and ope thy door".--"Thy name?"
I asked admitting him.--"The same
"Anon I'll tell, but first must dry
"My weary limbs, then let me try
"My mois'ened bow."--Despite my fear
The hearth I lit, then drew me near
My guest, and chafed his fingers cold.
"Why fear?" I thought. "Let me be bold
"No Polyphemus he; what harm
"In such a child?--Then I'll be calm!"
The playful boy drew out a dart,
Shook his fair locks, and to my heart
His shaft he launch'd.--"Love is my name,"
He thankless cried, "I hither came
"To tame thee. In thine ardent pain
"Of Cupid think and young Climene."--
"Ah! now I know thee, little scamp,
"Ungrateful, cruel boy! Decamp!"
Cupid a saucy caper cut,
Skipped through the door, and as it shut,
"My bow," he taunting cried, "is sound,
"Thy heart, poor comrade, feels the wound."

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The Bohemian

Up in my garret bleak and bare
I tilted back on my broken chair,
And my three old pals were with me there,
Hunger and Thirst and Cold;
Hunger scowled at his scurvy mate:
Cold cowered down by the hollow grate,
And I hated them with a deadly hate
As old as life is old.

So up in my garret that's near the sky
I smiled a smile that was thin and dry:
"You've roomed with me twenty year," said I,
"Hunger and Thirst and Cold;
But now, begone down the broken stair!
I've suffered enough of your spite . . . so there!"
Bang! Bang! I slapped on the table bare
A glittering heap of gold.

"Red flames will jewel my wine to-night;
I'll loose my belt that you've lugged so tight;
Ha! Ha! Dame Fortune is smiling bright;
The stuff of my brain I've sold;
Canaille of the gutter, up! Away!
You've battened on me for a bitter-long day;
But I'm driving you forth, and forever and aye,
Hunger and Thirst and Cold."

So I kicked them out with a scornful roar;
Yet, oh, they turned at the garret door;
Quietly there they spoke once more:
"The tale is not all told.
It's au revoir, but it's not good-by;
We're yours, old chap, till the day you die;
Laugh on, you fool! Oh, you'll never defy
Hunger and Thirst and Cold."

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Alma Mater

He knocked, and I beheld him at the door--
A vision for the gods to verify.
"What battered ancient is this," thought I,
"And when, if ever, did we meet before?"
But ask him as I might, I got no more
For answer than a moaning and a cry:
Too late to parley, but in time to die,
He staggered, and lay ahapeless on the floor.

When had I known him? And what brought him here?
Love, warning, malediction, fear?
Surely I never thwarted such as he?--
Again, what soiled obscurity was this:
Out of what scum, and up from what abyss,
Had they arrived--these rags of memory.

poem by Edwin Arlington RobinsonReport problemRelated quotes
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Intimacy

I hear people say, "I love my iPhone, "
Or, "I love drinking a Starbucks coffee."
Sometimes: "I love my Versace cologne, "
And also: "I love having this money."
I hear people say, "I love my Walmart, "
Or, "I love the drive-thru at Taco Bell."
"I love my TV. It's state of the art."
"I love the shoes that Nike has to sell."
I hear this: "I love American Idol, "
And, "I love a nice, cold Budweiser."
"I love medicines such as Demerol."
And, "I love my internet provider."
Yet, one thing I don't hear is, "I love you."
Saying that is too intimate to do.

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Us Two

Wherever I am, there's always Pooh,
There's always Pooh and Me.
Whatever I do, he wants to do,
"Where are you going today?" says Pooh:
"Well, that's very odd 'cos I was too.
Let's go together," says Pooh, says he.
"Let's go together," says Pooh.

"What's twice eleven?" I said to Pooh.
("Twice what?" said Pooh to Me.)
"I think it ought to be twenty-two."
"Just what I think myself," said Pooh.
"It wasn't an easy sum to do,
But that's what it is," said Pooh, said he.
"That's what it is," said Pooh.

"Let's look for dragons," I said to Pooh.
"Yes, let's," said Pooh to Me.
We crossed the river and found a few-
"Yes, those are dragons all right," said Pooh.
"As soon as I saw their beaks I knew.
That's what they are," said Pooh, said he.
"That's what they are," said Pooh.

"Let's frighten the dragons," I said to Pooh.
"That's right," said Pooh to Me.
"I'm not afraid," I said to Pooh,
And I held his paw and I shouted "Shoo!
Silly old dragons!"- and off they flew.

"I wasn't afraid," said Pooh, said he,
"I'm never afraid with you."

So wherever I am, there's always Pooh,
There's always Pooh and Me.
"What would I do?" I said to Pooh,
"If it wasn't for you," and Pooh said: "True,
It isn't much fun for One, but Two,
Can stick together, says Pooh, says he. "That's how it is," says Pooh.

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Christina Georgina Rossetti

At Home

When I was dead, my spirit turned
To seek the much-frequented house:
I passed the door, and saw my friends
Feasting beneath green orange boughs;
From hand to hand they pushed the wine,
They sucked the pulp of plum and peach;
They sang, they jested, and they laughed,
For each was loved of each.

I listened to thier honest chat:
Said one: "To-morrow we shall be
Plod plod along the featureless sands,
And coasting miles and miles of sea."
Said one: "Before the turn of tide
We will achieve the eyrie-seat."
Said one: "To-morrow shall be like
To-day, but much more sweet."

"To-morrow," said they, strong with hope,
And dwelt upon the pleasant way:
"To-morrow," cried they, one and all,
While no one spoke of yesterday.
Their life stood full at blessed noon;
I, only I, had passed away:
"To-morrow and to-day," they cried;
I was of yesterday.

I shivered comfortless, but cast
No chill across the table-cloth;
I, all-forgotten, shivered, sad
To stay, and yet to part how loth:
I passed from the familiar room,
I who from love had passed away,
Like the remembrance of a guest
That tarrieth but a day.

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Lewis Carroll

You Are Old Father William

"You are old, father William," the young man said,
"And your hair has become very white;
And yet you incessantly stand on your head --
Do you think, at your age, it is right?

"In my youth," father William replied to his son,
"I feared it might injure the brain;
But, now that I'm perfectly sure I have none,
Why, I do it again and again."

"You are old," said the youth, "as I mentioned before,
And you have grown most uncommonly fat;
Yet you turned a back-somersault in at the door --
Pray what is the reason for that?"

"In my youth," said the sage, as he shook his grey locks,
"I kept all my limbs very supple
By the use of this ointment -- one shilling a box --
Allow me to sell you a couple?"

"You are old," said the youth, "and your jaws are too weak
For anything tougher than suet;
Yet you finished the goose, with the bones and the beak --
Pray, how did you mange to do it?"

"In my youth," said his fater, "I took to the law,
And argued each case with my wife;
And the muscular strength, which it gave to my jaw,
Has lasted the rest of my life."

"You are old," said the youth, "one would hardly suppose
That your eye was as steady as every;
Yet you balanced an eel on the tend of your nose --
What made you so awfully clever?"

"I have answered three questions, and that is enough,"
Said his father. "Don't give yourself airs!
Do you think I can listen all day to such stuff?

Be off, or I'll kick you down stairs.

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A True Account of Talking to the Sun on Fire Island

The Sun woke me this morning loud
and clear, saying "Hey! I've been
trying to wake you up for fifteen
minutes. Don't be so rude, you are
only the second poet I've ever chosen
to speak to personally

so why
aren't you more attentive? If I could
burn you through the window I would
to wake you up. I can't hang around
here all day."

"Sorry, Sun, I stayed
up late last night talking to Hal."

"When I woke up Mayakovsky he was
a lot more prompt" the Sun said
petulantly. "Most people are up
already waiting to see if I'm going
to put in an appearance."

I tried
to apologize "I missed you yesterday."
"That's better" he said. "I didn't
know you'd come out." "You may be
wondering why I've come so close?"
"Yes" I said beginning to feel hot
wondering if maybe he wasn't burning me
anyway.

"Frankly I wanted to tell you
I like your poetry. I see a lot
on my rounds and you're okay. You may
not be the greatest thing on earth, but
you're different. Now, I've heard some
say you're crazy, they being excessively
calm themselves to my mind, and other
crazy poets think that you're a boring
reactionary. Not me.

Just keep on
like I do and pay no attention. You'll
find that people always will complain
about the atmosphere, either too hot
or too cold too bright or too dark, days
too short or too long.

If you don't appear
at all one day they think you're lazy
or dead. Just keep right on, I like it.

And don't worry about your lineage
poetic or natural. The Sun shines on
the jungle, you know, on the tundra
the sea, the ghetto. Wherever you were
I knew it and saw you moving. I was waiting
for you to get to work.

And now that you
are making your own days, so to speak,
even if no one reads you but me
you won't be depressed. Not
everyone can look up, even at me. It
hurts their eyes."
"Oh Sun, I'm so grateful to you!"

"Thanks and remember I'm watching. It's
easier for me to speak to you out
here. I don't have to slide down
between buildings to get your ear.
I know you love Manhattan, but
you ought to look up more often.

And
always embrace things, people earth
sky stars, as I do, freely and with
the appropriate sense of space. That
is your inclination, known in the heavens
and you should follow it to hell, if
necessary, which I doubt.

Maybe we'll
speak again in Africa, of which I too
am specially fond. Go back to sleep now
Frank, and I may leave a tiny poem
in that brain of yours as my farewell."

"Sun, don't go!" I was awake
at last. "No, go I must, they're calling
me."
"Who are they?"

Rising he said "Some
day you'll know. They're calling to you
too." Darkly he rose, and then I slept.

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Sonnet V: Nothing But No

Nothing but "No," and "Aye," and "Aye," and "No"?
How falls it out so strangely you reply?
I tell ye, Fair, I'll not be answer'd so,
With this affirming "No," denying "Aye."
I say, "I love," you slightly answer "Aye";
I say, "You love," you pule me out a "No";
I say, "I die," you echo me an "Aye";
"Save me," I cry, you sigh me out a "No";
Must woe and I have nought but "No" and "Aye"?
No I am I, if I no more can have;
Answer no more, with silence make reply,
And let me take myself what I do crave.
Let "No" and "Aye" with I and you be so;
Then answer "No," and "Aye," and "Aye" and "No."

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Momus

"Where's the need of singing now?"--
Smooth your brow,
Momus, and be reconciled.
For king Kronos is a child--
Child and father,
Or god rather,
And all gods are wild.

"Who reads Byron any more?"--
Shut the door
Momus, for I feel a draught;
Shut it quick, for some one laughed.--
What's become of
Browning? Some of
Wordsworth lumbers like a raft?

"What are poets to find here?"--
Have no fear:
When the stars are shining blue
There will yet be left a few
Themes availing--
And these failing,
Momus, there'll be you.

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Thomas Hardy

The Subalterns

I

"Poor wanderer," said the leaden sky,
"I fain would lighten thee,
But there are laws in force on high
Which say it must not be."

II

--"I would not freeze thee, shorn one," cried
The North, "knew I but how
To warm my breath, to slack my stride;
But I am ruled as thou."

III

--"To-morrow I attack thee, wight,"
Said Sickness. "Yet I swear
I bear thy little ark no spite,
But am bid enter there."

IV

--"Come hither, Son," I heard Death say;
"I did not will a grave
Should end thy pilgrimage to-day,
But I, too, am a slave!"

V

We smiled upon each other then,
And life to me had less
Of that fell look it wore ere when
They owned their passiveness.

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Emily Dickinson

If this is "fading"

120

If this is "fading"
Oh let me immediately "fade"!
If this is "dying"
Bury me, in such a shroud of red!
If this is "sleep,"
On such a night
How proud to shut the eye!
Good Evening, gentle Fellow men!
Peacock presumes to die!

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Lord Randall

"Oh where ha'e ye been, Lord Randall, my son!
And where ha'e ye been, my handsome young man!"
"I ha'e been to the wild wood: mother, make my bed soon,
For I'm wearied wi' hunting, and fain wald lie down."

"An wha met ye there, Lord Randall, my son?
An wha met you there, my handsome young man?"
"I dined wi my true-love; mother, make my bed soon,
For I'm wearied wi hunting, and fain wad lie doon."

"And what did she give you, Lord Randall, my son?
And what did she give you, my handsome young man?"
"Eels fried in broo; mother, make my bed soon,
For I'm wearied wi hunting, and fain wad lie doon."

"And wha gat your leavins, Lord Randall, my son?
And wha gat your leavins, my handsome young man?"
"My hawks and my hounds; mother, make my bed soon,
For I'm wearied wi hunting, and fain wad lie doon."

"What become a yer bloodhounds, Lord Randall, my son?
What become a yer bloodhounds, my handsome young man?"
"They swelled and they died; mother, make my bed soon,
For I'm weary wi huntin, and fain wad lie doon."

"O I fear ye are poisoned, Lord Randall, my son!
I fear ye are poisoned, my handsome young man!"
"O yes, I am poisoned; mother, make my bed soon,
For I'm sick at m' heart, and I fain wad lie doon."

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A Motor Courtship

Into her presence he gaily pranced,
A very fat spark, and a bit advanced.
With a Samson tread on the earth he trod,
He was stayed and gaitered, and fifty odd.

And she was a tulip just unfurled,
The sweetest thing in the motor world.

Her body was one of which poets dreamed;
Eighteen -- twenty, or so she seemed.

Her air was haughty, her spirit proud,
But properly governed, as all allowed.

"Pity," he said, "my sad condition;
My heart's in a state of advanced ignition.

"Ask me to do some desperate deed,
And I'll do it at once at my topmost speed."

"Sir," said the maiden, "pray be seated;
I fear from your bearing you're somewhat heated.

"And I trust that a timely lubrication
Of throttle will cool your circulation."

As a well-made mixture she indicated,
With joy and gladness he radiated.

"Oh, come," said he, "in this soft spring weather,
Let us run over the world together!"

But she slipped his clutch with a gesture mocking,
"Your heart," she said; "I can hear it knocking.

"You haven't the gear at my pace to last;
Both men and motors -- I like them fast.

"And I think that in me you have missed your mission;
You are only an old-style tube-ignition!"

With a sidelong motion he left the place;
For weal or woe he was off his base.

He drove his car to the cliffs of Dover,
Made one short circuit and ran her over.

And the stormy Petrol her rest is taking,
Where only the wild waves do the "braking".

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Lord Randall

"Oh where ha'e ye been, Lord Randall, my son!
And where ha'e ye been, my handsome young man!"
"I ha'e been to the wild wood: mother, make my bed soon,
For I'm wearied wi' hunting, and fain wald lie down."

"An wha met ye there, Lord Randall, my son?
An wha met you there, my handsome young man?"
"I dined wi my true-love; mother, make my bed soon,
For I'm wearied wi hunting, and fain wad lie doon."

"And what did she give you, Lord Randall, my son?
And what did she give you, my handsome young man?"
"Eels fried in broo; mother, make my bed soon,
For I'm wearied wi hunting, and fain wad lie doon."

"And wha gat your leavins, Lord Randall, my son?
And wha gat your leavins, my handsome young man?"
"My hawks and my hounds; mother, make my bed soon,
For I'm wearied wi hunting, and fain wad lie doon."

"What become a yer bloodhounds, Lord Randall, my son?
What become a yer bloodhounds, my handsome young man?"
"They swelled and they died; mother, make my bed soon,
For I'm weary wi huntin, and fain wad lie doon."

"O I fear ye are poisoned, Lord Randall, my son!
I fear ye are poisoned, my handsome young man!"
"O yes, I am poisoned; mother, make my bed soon,
For I'm sick at m' heart, and I fain wad lie doon."

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It Was a Famous Victory

It was a summer evening;
Old Kaspar was at home,
Sitting before his cottage door--
Like in the Southey pome--
And near him, with a magazine,
Idled his grandchild, Geraldine.

"Wy don't you ask me," Kaspar said
To the child upon the floor,
"Why don't you ask me what I did
When I was in the war?
They told me that each little kid
Would surely ask me what I did.

"I've had my story ready
For thirty years or more."
"Don't bother, Grandpa," said the child;
"I find such things a bore.
Pray leave me to my magazine,"
Asserted little Geraldine.

Then entered little Peterkin,
To whom the gaffer said:
"You'd like to hear about the war?
How I was left for dead?"
"No. And, besides," declared the youth,
"How do I know you speak the truth?"

Arose the Wan, embittered man,
The hero of this pome,
And walked, with not unsprightly step,
Down to the Soldiers' Home,
Where he, with seven other men,
Sat swapping lies till half-past ten.

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The night wind

Have you ever heard the wind go "Yooooo"?
'T is a pitiful sound to hear!
It seems to chill you through and through
With a strange and speechless fear.
'T is the voice of the night that broods outside
When folk should be asleep,
And many and many's the time I've cried
To the darkness brooding far and wide
Over the land and the deep:
Whom do you want, O lonely night,
That you wail the long hours through?"
And the night would say in its ghostly way:
"Yoooooooo!
Yoooooooo!
Yoooooooo!"

My mother told me long ago
(When I was a little tad)
That when the night went wailing so,
Somebody had been bad;
And then, when I was snug in bed,
Whither I had been sent,
With the blankets pulled up round my head,
I'd think of what my mother'd said,
And wonder what boy she meant!
And "Who's been bad to-day?" I'd ask
Of the wind that hoarsely blew,
And the voice would say in its meaningful way:
"Yoooooooo!
Yoooooooo!
Yoooooooo!"

That this was true I must allow -
You'll not believe it, though!
Yes, though I'm quite a model now,
I was not always so.
And if you doubt what things I say,
Suppose you make the test;
Suppose, when you've been bad some day
And up to bed are sent away
From mother and the rest -
Suppose you ask, "Who has been bad?"
And then you'll hear what's true;
For the wind will moan in its ruefulest tone:
"Yoooooooo!
Yoooooooo!
Yoooooooo!"

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When I Was One-and-Twenty

When I was one-and-twenty
I heard a wise man say,
"Give crowns and pounds and guineas
But not your heart away;
Give pearls away and rubies
But keep your fancy free."
But I was one-and-twenty,
No use to talk to me.

When I was one-and-twenty
I heard him say again,
"The heart out of the bosom
Was never given in vain;
'Tis paid with sighs a plenty
And sold for endless rue."
And I am two-and-twenty,
And oh, 'tis true, 'tis true.

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Emily Dickinson

It don't sound so terrible—quite—as it did

426

It don't sound so terrible—quite—as it did—
I run it over—"Dead", Brain, "Dead."
Put it in Latin—left of my school—
Seems it don't shriek so—under rule.

Turn it, a little—full in the face
A Trouble looks bitterest—
Shift it—just—
Say "When Tomorrow comes this way—
I shall have waded down one Day."

I suppose it will interrupt me some
Till I get accustomed—but then the Tomb
Like other new Things—shows largest—then—
And smaller, by Habit—

It's shrewder then
Put the Thought in advance—a Year—
How like "a fit"—then—
Murder—wear!

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