En.Citatepedia^®.ro

Lowly Laureate

O Sacred Muse, my lyre excuse! -
My verse is vagrant singing;
Rhyme I invoke for simple folk
Of penny-wise upbringing:
For Grannies grey to paste away
Within an album cover;
For maids in class to primly pass,
And lads to linger over.

I take the clay of every day
And mould it in my fashion;
I seek to trace the commonplace
With humor and compassion.
Of earth am I, and meekly try
To be supremely human:
To please, I plan, the little man,
And win the little women.

No evil theme shall daunt my dream
Of fellow-love and pity;
I tune my lute to prostitute,
To priest I pipe my ditty.
Through gutter-grime be in my rhyme,
I bow to altars holy. . . .
Lord, humble me, so I may be
A Laureate of the Lowly.

poem by Robert William Service
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The Moderns

To many reading modern poetry more interesting the meaning in the metaphors they seek to find
They feel it makes their brains work that much harder that it is good exercise for the mind
Rhyme for their great brains seems that bit too simple it does not test their thinking power at all
'Tis not a poem to them if it seems simple and the meaning in it easy to recall,
Yes rhyme for them it does seem that bit simple and deciphering it to them is not a test
The hidden meaning in the metaphors is something that does seem to try them best
Rhyme poetry to them is too simple and far too easy for to understand
It has to be blank verse with dozens of metaphors for their interest for to command
They look on rhyme and bush poets as inferior their preference in poets and poetry they make known
On literature they air their opinions like it is said to each their own
Their poetry evenings do seem quite exclusive rhyme poets to read they never do invite
Their unmusical lines that are laced with metaphors to each other they do recite
They do not like rhyme or they do not like bush poetry to them it is of another time
And in their poetry evenings there is no place for the men and the women of rhyme.

poem by Francis Duggan
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Prelude

To smite Apollo's lyre I am unable;
Of loveliness, alas! I cannot sing.
My lot it i, across the tavern table,
To start a chorus to the strumming string.
I have no gift to touch your heart to pity;
I have no power to ring the note of pain:
All I can do is pipe a pot-house ditty,
Or roar a Rabelaisian refrain.

Behold yon minstrel of the empty belly,
Who seeks to please the bored and waiting throng,
Outside the Opera with ukulele,
And raucous strains of syncopated song.
His rag-time mocks their eager hearts a-hunger
For golden voices, melody divine:
Yet . . . throw a penny to the ballad-monger;
Yet . . . listen idly to this song of mine.

For with a humble heart I clank rhyme's fetters,
And bare my buttocks to the critic knout;
A graceless hobo in the Land of Letters,
Piping my ditties of the down-and-out.
A bar-room bard . . . so if a coin you're flinging,
Pay me a pot, and let me dream and booze;
To stars of scorn my dour defiance ringing,
With battered banjo and a strumpet Muse.

poem by Robert William Service
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Song Of A Rhyming Man

I love the sound of rhyming words like Dan will rhyme with Ann
And I could never be a poet just call me rhyming man
This modern verse too much for me it's way above my head
Though modern poets are now the rage and Rhyme is with the dead.

I love the sound of rhyming words, I love the verse that rhyme
To blank or free or non rhyme verse prefer it every time
And there's many who will disagree and most will say I'm wrong
But give me ballad or rhyme verse or good old rhyming song.

You may say I am limited and with you most will agree
That I'm not into modern verse of twenty first century
But I've been an old style rhyming man since nineteen seventy three
And I am in my sixties now and there's no changing me.

I love the sound of rhyming words like Dan will rhyme with Ann
And I could never be a poet just call me rhyming man
And I am guilty of no sin and I can't see no crime
In liking sound of rhyming verse and loving words that rhyme

poem by Francis Duggan
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0007: 2007 - Year Of Revolting Poets

2007, he said, was a memorable year for poetry.

A world conference of poets held
somewhere NewMex way, came to the view
that the rhyming dictionary put altogether too
great a stricture on the structure
of verse, and worse;
it was time, for rhyme
(which came back into fashion
that year with a passion)
to be more relevant,
less of a white elephant;

so
all poets who
wrote in English
(including Strine)
were asked to define
what words should be allowed appropriately to rhyme.

It took a little time;
since they couldn’t agree about basic words
(some felt that ‘ words’ shouldn’t even rhyme with ‘turds’,
they thought that any such ditty
would be shitty;
some thought that such a possibility of rhyme was crap,
and would lead to poetic mishap)

So, first things first, what would be appropriate
to rhyme with love?
(which of course some pronounced luv,
others, lurve) :
some felt that rhyming it with ‘above’
had just a smidgen
of politically inappropriate reference to religion…

* * *

The whole idea was well meant
but you can see just how it went –

it took until 3006
even just to fix
after long debate upon it,
fourteen rhyming words to cover one suitable sonnet

by which time
those celebrated poets who did or didn’t rhyme,
while English tended to vanish,
were writing in Spanish
or Chinese;
bringing American-language poetry to its knees.

then vowelless txt
became the nxt
style
for a while
(which left poetry weakened,
bcs t cdnt b spknd) …

* * *

But I’ll have to cease this sorry tale;
I’ve a Hallmark card I need to mail.

poem by Michael Shepherd
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Jesus Told a Joke

Jesus told a joke
To the lowly and humble folk
And they laughed.
So the Pope
Who didn't understand the joke
Banned laughter in Church.

The lowly and humble folk
Had killed themselves laughing
So the Church said
The Joker must die too.

Why must something beautiful
Be destroyed
By serious-minded clerics
Without a sense of humour?

Why must we bow down
To a corpse on a tree
Instead of singing and dancing?

Why are our loveliest songs
Inspired by sorrow?

And why do our priests and priestesses
Lord it over us
Clothed in dark garments of woven tears?

poem by John Thorkild Ellison
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My Cross

I wrote a poem to the moon
But no one noticed it;
Although I hoped that late or soon
Someone would praise a bit
Its purity and grace forlone,
Its beauty tulip-cool...
But as my poem died still-born,
I felt a fool.

I wrote a verse of vulgar trend
Spiced with an oath or two;
I tacked a snapper at the end
And called it Dan McGrew.
I spouted it to bar-room boys,
Full fifty years away;
Yet still with rude and ribald noise
It lives today.

'Tis bitter truth, but there you are-
That's how a name is made;
Write of a rose, a lark, a star,
You'll never make the grade.
But write of gutter and of grime,
Of pimp and prostitute,
The multitude will read your rhyme,
And pay to boot.

So what's the use to burn and bleed
And strive for beauty's sake?
No one your poetry will read,
Your heart will only break.
But set your song in vulgar pitch,
If rhyme you will not rue,
And make your heroine a bitch...
Like Lady Lou.

poem by Robert William Service
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Poetry

Yes, I shall swear by you, my verse,
I shall wheeze out, before I swoon:
You're not a tenor's shape and voice,
You're summer travelling third class,
You are a suburb, not a tune.

You're a street as close as May,
You're a battlefield at night,
Where clouds groan loudly in dismay
And scatter, when dismissed, in fright.

And, splitting in the railway's lace-
That's outskirts, not refrain and home-
They crawl back to their native place
Without a song, as if struck dumb.

The shower's offshoots stick in clusters
Till break of day, and all the time
They scribble on the roofs acrostics
And bubble up rhyme after rhyme.

All poetry is what you make it.
And even when the truism's not worth
The rhyme, the flow of verse is scared.
The notebook's open-so flow forth!

poem by Boris Pasternak
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Belated Bard

The songs I made from joy of earth
In wanton wandering,
Are rapturous with Maytime mirth
And ectasy of Spring.
But all the songs I sing today
Take tediously the ear:
Novemberishly dark are they
With mortuary fear.

For half a century has gone
Since first I rang a rhyme;
And that is long to linger on
The tolerance of Time.
This blue-veined hand with which I write
Yet answers to my will;
Though four-score years I count to-night
I am unsilent still.

"Senile old fool!" I hear you say;
"Beside the dying fire
You huddle and stiff-fingered play
Your tired and tinny lyre."
Well, though your patience I may try,
Bear with me yet awhile,
And though you scorn my singing I
Will thank you with a smile.

For I such soul-delighting joy
Have found in simple rhyme,
Since first a happy-hearted boy
I coaxed a word to chime,
That ere I tryst with Mother Earth
Let from my heart arise
A song of youth and starry mirth . . .
Then close my eyes.

poem by Robert William Service
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Look To The Rainbow (feat. Barbara Cook)

On the day I was born
Set me father said he
I've got an elegent legacy waiting for me
It's a rhyme for your lips
It's a song for your heart
To sing it whenever the world falls apart
Look, look , look to the rainbow
Follow it over the hills and stream
Look, look, look to the rainbow
Follow the fellow who follows our dream
It was a sumtuous gift
To beguife to a child
Or the lore of that song kept her feet running wild
For you never grow old
And you never stand still
With whipper will singing beyond the next hill
Look, look , look to the rainbow
Follow it over the hills and stream
Look, look, look to the rainbow
Follow the fellow who follows a dream
Strike one me heart and I roam the world free
To the east with a lark
To the west with the sea
And I searched all the Earth
And I scanned all the sky
But I found it at last
In my own true love's eyes
Look, look , look to the rainbow
Follow it over the hills and stream
Look, look, look to the rainbow
Follow the fellow who follows the dream
Follow the fellow
Follow the fellow
Follow the fellow
Who follows the dream

song performed by by Barry Manilow
Submitted by Lucian Velea
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The Holy Water

No one lives outside the walls of this sacred place, existence.
The holy water, I need it upon my eyes: it is you, dear, you – each form.

What mother would lose her infant – and we are that to God,
never lost from His gaze are we? Every cry of the heart
is attended by light’s own arms.

You cannot wander anywhere that will not aid you.
Anything you can touch – God brought it into
the classroom of your mind.

Differences exist, but not in the city of love.
Thus my vows and yours, I know they are the same.

I have just peeled the skin from the potato
and you are still contemplating its worth,
sweetheart; indeed there are wonderful nutrients in all,
for God made everything.

You joined our community at birth.
With your Father being who He is, what do the
world’s scales know of your precious value.
The priest and the prostitute – they weigh the same before the Son’s
immaculate being,
but who can bear that truth and freedom,
so a wise man adulterated the
scriptures;
every wise man knows this.

My soul’s face has revealed its beauty to me;
why was it shy so long, didn’t it know how this made me suffer
and weep?

A different game He plays with His close ones.
God tells us truths you would not believe,
for most everyone needs to limit His compassion; concepts of
right and wrong preserve the golden seed
until one of God’s friends comes along and tends your body
like a divine bride.

The Holy sent out a surveyor to find the limits of its compassion
and being.
God knows a divine frustration whenever He acts like that,
for the Infinite has
no walls.

Why not tease Him about this?
Why not accept the freedom of what it means
for our Lord to see us
as Himself.

So magnificently sovereign is our Lover; never say,
'On the other side of this river a different King rules.”
For how could that be true – for nothing can oppose Infinite strength.

No one lives outside the walls of this sacred place, existence.

The holy water my soul’s brow needs is unity.
Love opened my eye and I was cleansed
by the purity of each
form.

poem by Rabia al Basri
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Fashion Follower Changelings

There are possessive in people
who collect trendy set people
like brew stock fashion flavours
of the promotion theme month
suddenly one assessment day
collectibles are so last year
fickle spot light chess chasers
out of here will shift disappear

time to get a new one new orbit sun
always creating next theme exhibit
la la la la plan next spot set paste piece
serious set fashion follower changelings

poem by Terence George Craddock
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Farewell To Verse

In youth when oft my muse was dumb,
My fancy nighly dead,
To make my inspiration come
I stood upon my head;
And thus I let the blood down flow
Into my cerebellum,
And published every Spring or so
Slim tomes in vellum.

Alas! I am rheumatic now,
Grey is my crown;
I can no more with brooding brow
Stand upside-down.
I fear I might in such a pose
Burst brain blood-vessel;
And that would be a woeful close
To my rhyme wrestle.

If to write verse I must reverse
I fear I'm stymied;
In ink of prose I must immerse
A pen de-rhymèd.
No more to spank the lyric lyre
Like Keats or Browning,
May I inspire the Sacred Fire
My Upside-downing.

poem by Robert William Service
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Tales Of A Wayside Inn : Part 1. The Musician's Tale; The Saga of King Olaf IX. -- Thangbrand The Priest

Short of stature, large of limb,
Burly face and russet beard,
All the women stared at him,
When in Iceland he appeared.
'Look!' they said,
With nodding head,
'There goes Thangbrand, Olaf's Priest.'

All the prayers he knew by rote,
He could preach like Chrysostome,
From the Fathers he could quote,
He had even been at Rome,
A learned clerk,
A man of mark,
Was this Thangbrand, Olaf's Priest.

He was quarrelsome and loud,
And impatient of control,
Boisterous in the market crowd,
Boisterous at the wassail-bowl,
Everywhere
Would drink and swear,
Swaggering Thangbrand, Olaf's Priest

In his house this malcontent
Could the King no longer bear,
So to Iceland he was sent
To convert the heathen there,
And away
One summer day
Sailed this Thangbrand, Olaf's Priest.

There in Iceland, o'er their books
Pored the people day and night,
But he did not like their looks,
Nor the songs they used to write.
'All this rhyme
Is waste of time!'
Grumbled Thangbrand, Olaf's Priest.

To the alehouse, where he sat
Came the Scalds and Saga-men;
Is it to be wondered at,
That they quarrelled now and then,
When o'er his beer
Began to leer
Drunken Thangbrand, Olaf's Priest?

All the folk in Altafiord
Boasted of their island grand;
Saying in a single word,
'Iceland is the finest land
That the sun
Doth shine upon!'
Loud laughed Thangbrand, Olaf's Priest.

And he answered: 'What's the use
Of this bragging up and down,
When three women and one goose
Make a market in your town!'
Every Scald
Satires drawled
On poor Thangbrand, Olaf's Priest.

Something worse they did than that;
And what vexed him most of all
Was a figure in shovel hat,
Drawn in charcoal on the wall;
With words that go
Sprawling below,
'This is Thangbrand, Olaf's Priest.'

Hardly knowing what he did,
Then he smote them might and main,
Thorvald Veile and Veterlid
Lay there in the alehouse slain.
'To-day we are gold,
To-morrow mould!'
Muttered Thangbrand, Olaf's Priest.

Much in fear of axe and rope,
Back to Norway sailed he then.
'O King Olaf! little hope
Is there of these Iceland men!'
Meekly said,
With bending head,
Pious Thangbrand, Olaf's Priest.

poem by Henry Wadsworth Longfellow
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A poem with the perfect rhyme

If a poem could cost a dime
I will spend my ink and spend my time
Making the perfect rhyme

More than a million people may read it
Even if I have to sell it on credit
I will be the businesswoman with wit
Sit down! Think about it!

A penny for the perfect sentence
A penny for a poem glaring with essence
A penny for writing about the present and past tense
A penny for describing a situation that is intense
A penny if I write truthfully without pretence
As I turn away from crime
Making the perfect rhyme

If a poem could cost a pound
I will turn my life around
As I compose the perfect poetic sound
That rhymes against any background

My words will be sublime
Not just the perfect rhyme
They will be read both at teatime and during bedtime
My sentences will mature in their prime with time
As I turn away from crime
Making the perfect rhyme

Copyright 2006 - Sylvia Chidi
www.sylviachidi.co.uk

poem by Sylvia Chidi
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The Bird of Jesus

IT was pure indeed,
The air we breathed in, the light we saw,
I and my brother, when we played that day,
Or piped to one another; then there came
Two young lads of an age with one another,
And with us two, and these two played with us,
And went away.

Each had a bearing that was like a prince's,
Yet they were simple lads and had the kindness
Of our own folk lads simple and unknowing:
Then, afterwards, we went to visit them.

Theirs was a village that was not far off,
But out of reach towards elbow, not towards hand:
And what was there were houses
Houses and some trees
And it was like a place within a fold.

We found the lads,
And found them still as simple and unknowing,
And played with them: we played outside the stall
Where worked the father of the wiser lad
Not brothers were the boys, but cousins' children.

There was a pit:
We brought back clay and sat beside the stall,
And made birds out of clay; and then my brother
Took up his bird and flung it in the air:
His playmate did as he,
And clay fell down upon the face of clay.

And then I took
The shavings of the board the carpenter
Was working on, and flung them in the air,
And watched them streaming down.

There would be nought to tell
Had not the wiser of the lads took up
The clay he shaped: a little bird it was;
He tossed it from his hand up to his head;
The bird stayed in the air.

O what delight we had
To see it fly and pause, that little bird,
Sinking to earth sometimes, and sometimes rising
As though to fly into the very sun;
At last it spread out wings and flew, and flew,
Flew to the sun.

I do not think
That we played any more, or thought of playing,
For every drop of blood our bodies held
Was free and playing, free and playing then.
Four lads together on the bench we sat:
Nothing was in the open air around us,
And yet we thought something was there for us
A secret, charmed thing.

So we went homeward; by soft ways we went
That wound us back to our familiar place.
Some increase lay upon the things we saw:
I'll speak of grasses, but you'll never know
What grass was there; words wither it and make it
Like to the desert children's dream of grass;

Lambs in the grass, but I will not have shown you
What fleece of purity they had to show;
I'll speak of birds, but I will not have told you
How their song filled the heart; and when I speak
Of him, my brother, you will never guess
How we two were at one!

Even to our mother we had gained in grace!

poem by Padraic Colum
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Thangbrand the Priest

Short of stature, large of limb,
Burly face and russet beard,
All the women stared at him,
When in Iceland he appeared.
"Look!" they said,
With nodding head,
"There goes Thangbrand, Olaf's Priest."

All the prayers he knew by rote,
He could preach like Chrysostome,
From the Fathers he could quote,
He had even been at Rome.
A learned clerk,
A man of mark,
Was this Thangbrand, Olaf's Priest.

He was quarrelsome and loud,
And impatient of control,
Boisterous in the market crowd,
Boisterous at the wassail-bowl,
Everywhere
Would drink and swear,
Swaggering Thangbrand, Olaf's Priest.

In his house this malcontent
Could the King no longer bear,
So to Iceland he was sent
To convert the heathen there,
And away
One summer day
Sailed this Thangbrand, Olaf's Priest.

There in Iceland, o'er their books
Pored the people day and night,
But he did not like their looks,
Nor the songs they used to write.
All this rhyme
Is waste of time! "
Grumbled Thangbrand, Olaf's Priest.

To the alehouse, where he sat,
Came the Scalds and Saga men;
Is it to be wondered at,
That they quarrelled now and then,
When o'er his beer
Began to leer
Drunken Thangbrand, Olaf's Priest?

All the folk in Altafiord
Boasted of their island grand;
Saying in a single word,
"Iceland is the finest land
That the sun
Doth shine upon!"
Loud laughed Thangbrand, Olaf's Priest.

And he answered: "What's the use
Of this bragging up and down,
When three women and one goose
Make a market in your town! "
Every Scald
Satires scrawled
On poor Thangbrand, Olaf's Priest.

Something worse they did than that!
And what vexed him most of all
Was a figure in shovel hat,
Drawn in charcoal on the wall;
With words that go
Sprawling below,
"This is Thangbrand, Olaf's Priest."

Hardly knowing what he did,
Then he smote them might and main,
Thorvald Veile and Veterlid
Lay there in the alehouse slain.
"To-day we are gold,
To-morrow mould!"
Muttered Thangbrand, Olaf's Priest

Much in fear of axe and rope,
Back to Norway sailed he then.
"O, King Olaf! little hope
Is there of these Iceland men!"
Meekly said,
With bending head,
Pious Thangbrand, Olaf's Priest.

poem by Henry Wadsworth Longfellow
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Ditty Wah Ditty

(arthur blake)
Theres a great big mistery
And it sure is worrying me
Its a ditty wah ditty
Mister ditty wah ditty
I wished somebody would tell me what ditty wah ditty means
I went out and walked around
Somebody yelled, now whos in town ?
Mister ditty wah ditty
Mister ditty wah ditty
I wished somebody would tell me what ditty wah ditty means
Some little girl bout four-feet-four
Said, come on, papa, and gimme some mo
Your ditty wah ditty
Your ditty wah ditty
I wished somebody would tell me what ditty wah ditty means
I went to church, put my hat on the seat
A lady sat on it and said, daddy you sho is sweet
Mister ditty wah ditty
Mister ditty wah ditty
I wished somebody would tell me what ditty wah ditty means
I said, sister, Ill soon be gone
Just give me that thing that youre sitting on
My ditty wah ditty
Mister ditty wah ditty
I wished somebody would tell me what ditty wah ditty means
Then I got put outta the church
cause I talked about ditty wah ditty too much
Mister ditty wah ditty
Mister ditty wah ditty
I wished somebody would tell me what ditty wah ditty means

song performed by by Ry Cooder
Submitted by Lucian Velea
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Holy Is The Lord

Holy is your name, in all the earth I worship you
Holy is your name, in all the earth I come to you
Holy is your name, in all the earth I sing to you
Holy, Holy, Holy is your name

Holy are you Lord, I come before your throne and bow
Holy are you Lord, I come into your presence now
Holy are you Lord I listen to the angels sing
Holy, Holy, Holy are you Lord

Holy are you Lord, my heart it leaps within my chest
Holy are you Lord, Its in your arms I find my rest
Holy are you Lord, the saints around the world they sing
Holy, Holy, Holy are you Lord

Now listen to the saints, they sing Holy are you Lord
Now listen to them cry to you, Holy are you Lord
There is a cry around the world, they lift their voice and sing
Holy, Holy, Holy are you Lord

I come before your throne to sing, Holy is your name
I come before your throne to sing, I'll never be the same
Pour our out your fire of love on me, this is what I sing
Holy, Holy, to the risen King

poem by Frank McEleny
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I Know Only Poems With Rhyme

To the children of the world

I know only poems with rhyme
That stay in tune with ev’ry clime.
I know only poems with beat
That make me stand up on my feet.
When poets all have breathed their last,
And poems are buried in dust,
Then children will come out in time
To dig the poems, black with grime.
And when the cloud of dust is gone,
And children are through having fun,
They’ll throw away poems like lime
But pick up only those with rhyme.

poem by Gilbert Pangyarihan
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The Greatest Line

What was the greatest
line of verse ever written?

I know a secret...
the greatest line...
the greatest line of verse
ever written an eternal rhyme

a rhyme that sings
seeds of potent peace
through an entire universe
that sings throughout time

“You must love ADONAI
your God with your whole heart
and your whole soul
and your whole strength.”
“You must love your neighbour
As you love yourself.” Matthew 22: 35-40.

“Peace On Earth and
Good Will To All Men”

Harmony Throughout Eternity

God Dwells In The Heart
Of All Men Who Worship
Their Lord Sovereign Creator
Throughout All Eternity

With Blessed Love
For All Glorious Creation

Harmony Throughout Eternity

poem by Terence George Craddock
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