Infidelity
Three Triangles
TRIANGLE ONE
My husband put some poison in my beer,
And fondly hoped that I would drink it up.
He would get rid of me - no bloody fear,
For when his back was turned I changed the cup.
He took it all, and if he did not die,
Its just because he's heartier than I.
And now I watch and watch him night and day
dreading that he will try it on again.
I'm getting like a skeleton they say,
And every time I feel the slightest pain
I think: he's got me this time. . . . Oh the beast!
He might have let me starve to death, at least.
But all he thinks of is that shell-pink nurse.
I know as well as well that they're in loe.
I'm sure they kiss, and maybe do things worse,
Although she looks as gentle as a dove.
I see their eyes with passion all aglow:
I know they only wait for me to go.
Ah well, I'll go (I have to, anyway),
But they will pay the price of lust and sin.
I've sent a letter to the police to say:
"If I should die its them have dome me in."
And now a lot of vernal I'll take,
And go to sleep, and never, never wake.
But won't I laugh! Aye, even when I'm dead,
To think of them both hanging by the head.
TRIANGLE TWO
My wife's a fancy bit of stuff it's true;
But that's no reason she should do me dirt.
Of course I know a girl is tempted to,
With mountain men a-fussin' round her skirt.
A 'andome women's bound to 'ave a 'eart,
But that's no reason she should be a tart.
I didn't oughter give me 'ome address
To sergeant when 'e last went on 'is leave;
And now the 'ole shebang's a bloody mess;
I didn't think the missis would deceive.
And 'ere was I, a-riskin' of me life,
And thee was 'e, a-sleepin' wiv me wife.
Go blimy, but this thing 'as got to stop.
Well, next time when we makes a big attack,
As soon as we gets well across the top,
I'll plug 'em (accidental) in the back.
'E'll cop a blinkin' packet in 'is spine,
And that'll be the end of 'im, the swine.
It's easy in the muck-up of a fight;
And all me mates'll think it was the foe.
And 'oo can say it doesn't serve 'im right?
And I'll go 'ome and none will ever know,
My missis didn't oughter do that sort o' thing,
Seein' as 'ow she wears my weddin' ring.
Well, we'll be just as 'appy as before,
When otherwise she might a' bin a 'ore.
TRIANGLE THREE
It's fun to see Joe fuss around that kid.
I know 'e loves 'er more than all the rest,
Because she's by a lot the prettiest.
'E wouldn't lose 'er for a 'undred quid.
I love 'er too, because she isn't his'n;
But Jim, his brother's, wot they've put in prision.
It's 'ard to 'ave a 'usband wot you 'ate;
So soft that if 'e knowed you'd 'ad a tup,
'E wouldn't 'ave the guts to beat you up.
Now Jim - 'e's wot I call a proper mate.
I daren't try no monkey tricks wiv 'im.
'E'd flay be 'ide off (quite right, too) would Jim.
I won't let on to Jim when 'e comes out;
But Joe - each time I see 'im kissin' Nell,
I 'ave to leave the room and laughlike 'ell.
"E'll 'ave the benefit (damn little) of the doubt.
So let 'im kiss our Nellie fit to smother;
There ain't no proof 'er father is 'is brother.
Well, anyway I've no remorse. You see,
I've kept my frailty in the family.
poem by Robert William Service
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Related quotes
Schoolchildren Singing Particle Man
Particle man, particle man
Doing the things a particle can
Whats he like? its not important
Particle man
Is he a dot, or is he a speck?
When hes underwater does he get wet?
Or does the water get him instead?
Nobody knows, particle man
Triangle man, triangle man
Triangle man hates particle man
They have a fight, triangle wins
Triangle man
Universe man, universe man
Size of the entire universe man
Usually kind to smaller man
Universe man
Hes got a watch with a minute hand,
Millenium hand and an eon hand
When they meet its a happy land
Powerful man, universe man
Person man, person man
Hit on the head with a frying pan
Lives his life in a garbage can
Person man
Is he depressed or is he a mess?
Does he feel totally worthless?
Who came up with person man?
Degraded man, person man
Triangle man, triangle man
Triangle man hates person man
They have a fight, triangle wins
Triangle man
song performed by by They Might Be Giants
Submitted by Lucian Velea
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Particle Man
Particle man, particle man
Doing the things a particle can
Whats he like? its not important
Particle man
Is he a dot, or is he a speck?
When hes underwater does he get wet?
Or does the water get him instead?
Nobody knows, particle man
Triangle man, triangle man
Triangle man hates particle man
They have a fight, triangle wins
Triangle man
Universe man, universe man
Size of the entire universe man
Usually kind to smaller man
Universe man
Hes got a watch with a minute hand,
Millenium hand and an eon hand
When they meet its a happy land
Powerful man, universe man
Person man, person man
Hit on the head with a frying pan
Lives his life in a garbage can
Person man
Is he depressed or is he a mess?
Does he feel totally worthless?
Who came up with person man?
Degraded man, person man
Triangle man, triangle man
Triangle man hates person man
They have a fight, triangle wins
Triangle man
song performed by by They Might Be Giants
Submitted by Lucian Velea
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Swinging the Lead
Said the soldier to the Surgeon, "I've got noises in me head
And a kind o' filled up feeling after every time I'm fed;
I can sleep all night on picket, but I can't sleep in my bed".
And the Surgeon said,
"That's Lead!"
Said the soldier to the Surgeon, "Do you think they'll send me back?
For I really ain't adapted to be carrying a pack
Though I've humped a case of whisky half a mile upon my back".
And the Surgeon said,
"That's Lead!"
"And my legs have swelled up cruel, I can hardly walk at all,
Bur when the Taubes come over you should see me start to crawl;
When we're sprinting for the dugout, I can easy beat 'em all".
And the Surgeon said,
"That's Lead!"
So they sent him to the trenches where he landed safe and sound,
And he drew his ammunition, just about two fifty round:
"Oh Sergeant, what's this heavy stuff I've got to hump around?"
And the Sergeant said,
"That's Lead!"
poem by Andrew Barton Paterson
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Danny Deever
"What are the bugles blowin' for?" said Files-on-Parade.
"To turn you out, to turn you out", the Colour-Sergeant said.
"What makes you look so white, so white?" said Files-on-Parade.
"I'm dreadin' what I've got to watch", the Colour-Sergeant said.
For they're hangin' Danny Deever, you can hear the Dead March play,
The regiment's in 'ollow square -- they're hangin' him to-day;
They've taken of his buttons off an' cut his stripes away,
An' they're hangin' Danny Deever in the mornin'.
"What makes the rear-rank breathe so 'ard?" said Files-on-Parade.
"It's bitter cold, it's bitter cold", the Colour-Sergeant said.
"What makes that front-rank man fall down?" said Files-on-Parade.
"A touch o' sun, a touch o' sun", the Colour-Sergeant said.
They are hangin' Danny Deever, they are marchin' of 'im round,
They 'ave 'alted Danny Deever by 'is coffin on the ground;
An' 'e'll swing in 'arf a minute for a sneakin' shootin' hound --
O they're hangin' Danny Deever in the mornin'!
"'Is cot was right-'and cot to mine", said Files-on-Parade.
"'E's sleepin' out an' far to-night", the Colour-Sergeant said.
"I've drunk 'is beer a score o' times", said Files-on-Parade.
"'E's drinkin' bitter beer alone", the Colour-Sergeant said.
They are hangin' Danny Deever, you must mark 'im to 'is place,
For 'e shot a comrade sleepin' -- you must look 'im in the face;
Nine 'undred of 'is county an' the regiment's disgrace,
While they're hangin' Danny Deever in the mornin'.
"What's that so black agin' the sun?" said Files-on-Parade.
"It's Danny fightin' 'ard for life", the Colour-Sergeant said.
"What's that that whimpers over'ead?" said Files-on-Parade.
"It's Danny's soul that's passin' now", the Colour-Sergeant said.
For they're done with Danny Deever, you can 'ear the quickstep play,
The regiment's in column, an' they're marchin' us away;
Ho! the young recruits are shakin', an' they'll want their beer to-day,
After hangin' Danny Deever in the mornin'.
poem by Rudyard Kipling
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A Strange Wild Song
He thought he saw an Elephant
That practised on a fife:
He looked again, and found it was
A letter from his wife.
"At length I realize," he said,
"The bitterness of life!"
He thought he saw a Buffalo
Upon the chimney-piece:
He looked again, and found it was
His Sister's Husband's Niece.
"Unless you leave this house," he said,
"I'll send for the police!"
he thought he saw a Rattlesnake
That questioned him in Greek:
He looked again, and found it was
The Middle of Next Week.
"The one thing I regret," he said,
"Is that it cannot speak!"
He thought he saw a Banker's Clerk
Descending from the bus:
He looked again, and found it was
A Hippopotamus.
"If this should stay to dine," he said,
"There won't be much for us!"
He thought he saw a Kangaroo
That worked a Coffee-mill:
He looked again, and found it was
A Vegetable-Pill.
"Were I to swallow this," he said,
"I should be very ill!"
He thought he saw a Coach-and-Four
That stood beside his bed:
He looked again, and found it was
A Bear without a Head.
"Poor thing," he said, "poor silly thing!
It's waiting to be fed!"
poem by Lewis Carroll
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Bottled Up Horny Christian
3
times
in
4
years &
1 of those times brought on the little boy whom she spends most of her time taking care of these days
(that is, after all, the reason her man married her-for her child rearing capability)
and she thinks this second sexless marriage
brings with it the security that the first marriage did not
(first guy & her went at it like bunnies until he started finding other bunnies as well) -
the making of constant whoopee that came with the first guy
is secretly missed,
even if she wasn't the only one that had been tickling his pickle-
still, it is hard to ignore the long stretches of time that her "faithful" husband is gone
with his phone turned off,
or just left on the kitchen table, as if he had been out of the house in an awful rush &
when the baby is asleep &
she's masturbating alone
(well, she still has "jesus, " right? -that strapping young fictional character) ,
she wonders just what she did
for "god" to condemn her in such a way,
as certainly this choice was hers alone,
but everyone that raised her told her that if she followed the ways of the bible,
that if she didn't cheat on her husband &
that if she was a good wife,
then things would be ok for her-that "god" would provide-
but would "god" provide her orgasms?
she knows that if she even so much as asks where her husband has been
that said good christian man will make her wish that she hadn't &
that is why she doesn't-
instead, she just moans alone by the grace of "god, " until she gets off &
then feels guilty about having had any pleasure at all-
she knows that when the next time rolls around that the family goes to church,
that she will look good playing the roll of the dutiful wife,
wound tight in her gingham dress & smiling at her husband
who is smiling at some other church whore-
all the time pent up & about to explode from such relentless sexual
craving, wondering if she'll ever have sex again,
telling her close friends that she doesn't even think about it much,
that her hands are full with the baby-
putting on the best show of her life, daily,
she obviously missed her true calling in life-
she would've made a great actress.
poem by Andrew Delapruch
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The Woman and the Wife
I--THE EXPLANATION
"You thought we knew," she said, "but we were wrong.
This we can say, the rest we do not say;
Nor do I let you throw yourself away
Because you love me. Let us both be strong,
And we shall find in sorrow, before long,
Only the price Love ruled that we should pay:
The dark is the end of every day,
And silence is the end of every song.
"You ask me for one more proof that I speak right,
But I can answer only what I know;
You look for just one lie to make black white,
But I can tell you only what is true--
God never made me for the wife of you.
This we can say,--believe me! . . . Tell me so!"
II--THE ANNIVERSARY
"Give me the truth, whatever it may be.
You thought we knew, but now tell me what you miss:
You are the one to tell me what it is--
You are a man, and you have married me.
What is it worth to-night that you can see
More marriage in the dream of one dead kiss
Than in a thousand years of life like this?
Passion has turned the lock. Pride keeps the key.
"Whatever I have said or left unsaid,
Whatever I have done or left undone,--
Tell me. Tell me the truth . . . Are you afraid?
Do you think that Love was ever fed with lies
But hunger lived thereafter in his eyes?
Do you ask me to take moonlight for the sun?"
poem by Edwin Arlington Robinson
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You Are Old Father William
"You are old, father William," the young man said,
"And your hair has become very white;
And yet you incessantly stand on your head --
Do you think, at your age, it is right?
"In my youth," father William replied to his son,
"I feared it might injure the brain;
But, now that I'm perfectly sure I have none,
Why, I do it again and again."
"You are old," said the youth, "as I mentioned before,
And you have grown most uncommonly fat;
Yet you turned a back-somersault in at the door --
Pray what is the reason for that?"
"In my youth," said the sage, as he shook his grey locks,
"I kept all my limbs very supple
By the use of this ointment -- one shilling a box --
Allow me to sell you a couple?"
"You are old," said the youth, "and your jaws are too weak
For anything tougher than suet;
Yet you finished the goose, with the bones and the beak --
Pray, how did you mange to do it?"
"In my youth," said his fater, "I took to the law,
And argued each case with my wife;
And the muscular strength, which it gave to my jaw,
Has lasted the rest of my life."
"You are old," said the youth, "one would hardly suppose
That your eye was as steady as every;
Yet you balanced an eel on the tend of your nose --
What made you so awfully clever?"
"I have answered three questions, and that is enough,"
Said his father. "Don't give yourself airs!
Do you think I can listen all day to such stuff?
Be off, or I'll kick you down stairs.
poem by Lewis Carroll
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A Snake Yarn
"You talk of snakes," said Jack the Rat,
"But blow me, one hot summer,
I seen a thing that knocked me flat -
Fourteen foot long or more than that,
It was a reg'lar hummer!
Lay right along a sort of bog,
Just like a log!
"The ugly thing was lyin' there
And not a sign o' movin',
Give any man a nasty scare;
Seen nothin' like it anywhere
Since I first started drovin'.
And yet it didn't scare my dog.
Looked like a log!
"I had to cross that bog, yer see,
And bluey I was humpin';
But wonderin' what that thing could be
A-lyin' there in front o' me
I didn't feel like jumpin'.
Yet, though I shivered like a frog,
It seemed a log!
"I takes a leap and lands right on
The back of that there whopper!"
He stopped. We waited. Then Big Mac
Remarked: "Well, then, what happened, Jack?"
"Not much," said Jack, and drained his grog.
"It was a log!"
poem by William Thomas Goodge
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My Hero
Of all the boys with whom I fought
In Africa and Sicily,
Bill was the bravest of the lot
In our dare-devil Company.
That lad would rather die than yield;
His gore he glorified to spill,
And so in every battlefield
A hero in my eyes was Bill.
Then when the bloody war was done,
He moseyed back to our home town,
And there, a loving mother's son,
Like other kids he settled down.
His old girl seemed a shade straight-laced,
For when I called my buddy "Bill,"
She looked at me with some distaste,
Suggesting that his name was "Will."
And then he had to get engaged,
And took unto himself a wife;
And so inevitably caged,
He settled down to wedded life.
He introduced me to his Missis,
But oh I thought her rather silly,
For in between their frequent kisses
She called my hard-boiled here: "Willie."
Now he has long forgot the War,
The which he did a lot to win,
And feeling full of ginger for
He's happy Pop of cherubs twin.
Yet with his air: "Don't care a damn,"
On Main Street he's my hero still . . .
As proud he wheels a double pram
What guy has got the guts of Bill!
poem by Robert William Service
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Goodbye Mine M.j.
A "Stranger in Moscow" told me that you've gone!
But is it true that you've gone my M.J.?
And with tears in my eyes I say goodbye my M.J.
You who feeds the eyes and the ears
And has graced our African soil
But why did you have to go, you "Smooth criminal"
When you know "They don't care about us"
Tell me, who will "Heal the world"?
Who will make it a better place for us?
Who will give to the poor once and again to their necessity?
Who will be there for them in their anguish and pain?
O', know you not that admired you are of those that hate you most
And did you have to go; or where you too lonely?
But you said "We're the world" that "You are not alone"
Then why did you have to go? And did you leave another "Thriller"
If no, then why choose to be "The man in the mirror"
Thus dirge and elegy now met in my heart. Why?
"Do you remember the time" we first met in my dream
And "The way you make me feel" with your "Childhood"?
Oh king of pop, my M.J., "I want you back"
And you "Got to be there" for me on my birthday
To sing me your song, "Don't stop till you get enough"
While "Rockin Robin and Ben" "Off the wall" till they "Scream"
For your love is magical because you're angelica
You are so wonderful because you're beautiful
You are indispensable because you're irreplaceable
And now I see the "Liberian girl" cry because you're "Speechless"
And upon our bodies the nighted color of mourning you. Why?
Alas death! Why taketh him away when all that look on him yet not satisfied?
O', let not the world lose another "Michael Jackson".
Michael I love you "Yesterday, today and forever."
May the spirit light your way
Through the land of the shadow
To the halls of eternal peace. Amen.
In the cabinet of my imagination, in the treasury of my reason, in the registry of my conscience, and in the council chamber of my thought, there shall you live forever.
I LOVE YOU MINE M.J.
poem by Lightcheerful Briggs
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Lois House
Air -- "Saphrona's Farewell"
Come all ye young people of every degree,
Come give your attention one moment to me;
It's of a young couple I now will relate,
And of their misfortunes and of their sad fate.
One was a young damsel, both blooming and fair,
The other a young man, his beauty was rare;
He loved this lady as he loved his own life --
If God had not called her he would made her his wife.
He courted her a long time in triumph and glee,
But little did he think that she would soon leave,
Leave him in sorrow, forsaken, alone,
To mourn her departure, for she was going home:
Going home to her Father, that dwelleth on high,
Who gave her her life and who caused her to die,
And leave her true lover, one whom she could trust,
To moulder her fair form a while in the dust.
Lois House and Joy Morris were their names, I believe,
They loved each other dearly and never deceived,
But God he did part them, one which he laid low,
The other He left with his heart full of woe.
Joy laid her dying head on his bosom once more,
Pressed her to his heart as he had oft done before,
Saying, "Dear Lois, are you going to leave me?"
"Yes, Joy, I can no longer stay here with thee! "
"Oh! Joy, can't you give me up, dearest," said she;
"If you will say yes, love, I can leave in peace;
In heaven, love, I will be waiting for thee --
Be true to our Savior -- you'll soon follow me."
"If I must say yes, love, for you to leave me --
God will do better by you, Lois, than me;
Oh! it's hard for me, dearest, hard to say yes,
It leaves me alone, love, in sad woefulness."
"I want your picture, Joy, placed in my cold hand,
And let it be buried with me in the ground;
It's all I can carry with me to the grave --
Grant it to me, love, it's all that I crave."
They called for her father and mother most dear,
She kissed them and bade them farewell thro' their tears;
They called for her brother and sisters again,
To kiss their sister while life still remain.
"One kiss from you, Joy," she whispered so low,
That no one in the room heard her, you know;
She gasped for her breath once or twice more,
When lo! her spirit left her, and Lois is no more.
They placed her fair form in the coffin so cold,
And placed there Joy's picture as they had been told;
They bore her to her grave, all were in sad gloom,
And gently laid her down to rest in her tomb.
poem by Julia A Moore
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Astrophel And Stella-Eleventh Song
"Who is it that this dark night
Underneath my window plaineth?"
'It is one who from thy sight
Being, ah! exiled, disdaineth
Every other vulgar light.'
"Why, alas! and are you he?
Be not yet those fancies changed?"
'Dear, when you find change in me,
Though from me you be estranged,
Let my change to ruin be.'
"Well, in absence this will die;
Leave to see, and leave to wonder."
'Absence sure will help, If I
Can learn how myself to sunder
From what in my heart doth lie.'
"But time will these thoughts remove:
Time doth work what no man knoweth."
'Time doth as the subject prove,
With time still the affection groweth
In the faithful turtle dove.'
"What if you new beauties see?
Will not they stir new affection?"
'I will think they pictures be,
Image-like of saint's perfection,
Poorly counterfeiting thee.'
"But your reason's purest light
Bids you leave such minds to nourish."
'Dear, do reason no such spite,—
Never doth thy beauty flourish
More than in my reason's sight.'
"But the wrongs love bears will make
Love at length leave undertaking."
'No, the more fools do it shake
In a ground of so firm making,
Deeper still they drive the stake.'
"Peace! I think that some give ear;
Come no more, lest I get anger."
'Bliss, I will my bliss forbear,
Fearing, sweet, you to endanger;
But my soul shall harbour there.'
Well, begone, begone, I say,
Lest that Argus' eyes perceive you."
'O unjust Fortune's sway,
Which can make me thus to leave you,
And from louts to run away!'
poem by Philip Sidney
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My Rival
If she met him or he met her,
I knew that something must occur;
For they were just like flint and steel
To strike the spark of woe and weal;
Or like two splinters broken fine,
In perfect fitness to combine;
And so I ept them well apart,
For she was precious to my heart.
One time we all three met at church
I tried to give the lad the lurch,
But heard him say: "How like a rose!
is it your daughter , I suppose?"
"Why no," said I; "My wife to be,
And sic months gone wi' child is she."
He looked astonished and distraught:
My boy, that's one for you I thought.
The wife asked: "What a handsome lad!
A sailor . . ." Somehow she looked sad;
And then his memory grew dim,
For nevermore she mentioned him.
And as I be nigh twice her age
I've always thought it mighty sage,
Lest she might one day go astray,
To keep her in the breeding way.
Oh did she ever dream of Jack?
The boy who nevermore came back,
And never will, I heard that he
Was drowned in the China Sea.
I told her not, lest she be sad,
And me? It's mean, but I was glad;
For if he's come into my life
He would have robbed me of my wife.
But when at night by her I lie,
And in her sleep I hear her sigh,
I have a doubt if I did well
In separating Jack and Nell.
And though we have a brood of seven,
Yet marriage may be made in Heaven:
For Nell has cancer, Doctors state,
So maybe 'tis the way of fate
That in the end them two may mate.
poem by Robert William Service
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The Coward
'Ave you seen Bill's mug in the Noos to-day?
'E's gyned the Victoriar Cross, they say;
Little Bill wot would grizzle and run away,
If you 'it 'im a swipe on the jawr.
'E's slaughtered the Kaiser's men in tons;
'E's captured one of their quick-fire guns,
And 'e 'adn't no practice in killin' 'Uns
Afore 'e went off to the war.
Little Bill wot I nussed in 'is by-by clothes;
Little Bill wot told me 'is childish woes;
'Ow often I've tidied 'is pore little nose
Wiv the 'em of me pinnyfore.
And now all the papers 'is praises ring,
And 'e's been and 'e's shaken the 'and of the King
And I sawr 'im to-day in the ward, pore thing,
Where they're patchin' 'im up once more.
And 'e says: "Wot d'ye think of it, Lizer Ann?"
And I says: "Well, I can't make it out, old man;
You'd 'ook it as soon as a scrap began,
When you was a bit of a kid."
And 'e whispers: "'Ere, on the quiet, Liz,
They're makin' too much of the 'ole damn biz,
And the papers is printin' me ugly phiz,
But . . . I'm 'anged if I know wot I did.
"Oh, the Captain comes and 'e says: 'Look 'ere!
They're far too quiet out there: it's queer.
They're up to somethin' -- 'oo'll volunteer
To crawl in the dark and see?'
Then I felt me 'eart like a 'ammer go,
And up jumps a chap and 'e says: 'Right O!'
But I chips in straight, and I says 'Oh no!
'E's a missis and kids -- take me.'
"And the next I knew I was sneakin' out,
And the oozy corpses was all about,
And I felt so scared I wanted to shout,
And me skin fair prickled wiv fear;
And I sez: 'You coward! You 'ad no right
To take on the job of a man this night,'
Yet still I kept creepin' till ('orrid sight!)
The trench of the 'Uns was near.
"It was all so dark, it was all so still;
Yet somethin' pushed me against me will;
'Ow I wanted to turn! Yet I crawled until
I was seein' a dim light shine.
Then thinks I: 'I'll just go a little bit,
And see wot the doose I can make of it,'
And it seemed to come from the mouth of a pit:
'Christmas!' sez I, 'a mine.'
"Then 'ere's the part wot I can't explain:
I wanted to make for 'ome again,
But somethin' was blazin' inside me brain,
So I crawled to the trench instead;
Then I saw the bullet 'ead of a 'Un,
And 'e stood by a rapid-firer gun,
And I lifted a rock and I 'it 'im one,
And 'e dropped like a chunk o' lead.
"Then all the 'Uns that was underground,
Comes up with a rush and on with a bound,
And I swings that giddy old Maxim round
And belts 'em solid and square.
You see I was off me chump wiv fear:
'If I'm sellin' me life,' sez I, 'it's dear.'
And the trench was narrow and they was near,
So I peppered the brutes for fair.
"So I 'eld 'em back and I yelled wiv fright,
And the boys attacked and we 'ad a fight,
And we 'captured a section o' trench' that night
Which we didn't expect to get;
And they found me there with me Maxim gun,
And I'd laid out a score if I'd laid out one,
And I fainted away when the thing was done,
And I 'aven't got over it yet."
So that's the 'istory Bill told me.
Of course it's all on the strict Q. T.;
It wouldn't do to get out, you see,
As 'e hacted against 'is will.
But 'e's convalescin' wiv all 'is might,
And 'e 'opes to be fit for another fight --
Say! Ain't 'e a bit of the real all right?
Wot's the matter with Bill!
poem by Robert William Service
Submitted by Poetry Lover
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Home Burial
He saw her from the bottom of the stairs
Before she saw him. She was starting down,
Looking back over her shoulder at some fear.
She took a doubtful step and then undid it
To raise herself and look again. He spoke
Advancing toward her: "What is it you see
From up there always? -- for I want to know."
She turned and sank upon her skirts at that,
And her face changed from terrified to dull.
He said to gain time: "What is it you see?"
Mounting until she cowered under him.
"I will find out now -- you must tell me, dear."
She, in her place, refused him any help,
With the least stiffening of her neck and silence.
She let him look, sure that he wouldn't see,
Blind creature; and a while he didn't see.
But at last he murmured, "Oh" and again, "Oh."
"What is it -- what?" she said.
"Just that I see."
"You don't," she challenged. "Tell me what it is."
"The wonder is I didn't see at once.
I never noticed it from here before.
I must be wonted to it -- that's the reason.
The little graveyard where my people are!
So small the window frames the whole of it.
Not so much larger than a bedroom, is it?
There are three stones of slate and one of marble,
Broad-shouldered little slabs there in the sunlight
On the sidehill. We haven't to mind those.
But I understand: it is not the stones,
But the child's mound ----"
"Don't, don't, don't,
don't," she cried.
She withdrew, shrinking from beneath his arm
That rested on the banister, and slid downstairs;
And turned on him with such a daunting look,
He said twice over before he knew himself:
"Can't a man speak of his own child he's lost?"
"Not you! -- Oh, where's my hat? Oh, I don't need it!
I must get out of here. I must get air.--
I don't know rightly whether any man can."
"Amy! Don't go to someone else this time.
Listen to me. I won't come down the stairs."
He sat and fixed his chin between his fists.
"There's something I should like to ask you, dear."
"You don't know how to ask it."
"Help me, then."
Her fingers moved the latch for all reply.
"My words are nearly always an offense.
I don't know how to speak of anything
So as to please you. But I might be taught,
I should suppose. I can't say I see how.
A man must partly give up being a man
With womenfolk. We could have some arrangement
By which I'd bind myself to keep hands off
Anything special you're a-mind to name.
Though I don't like such things 'twixt those that love.
Two that don't love can't live together without them.
But two that do can't live together with them."
She moved the latch a little. "Don't -- don't go.
Don't carry it to someone else this time.
Tell me about it if it's something human.
Let me into your grief. I'm not so much
Unlike other folks as your standing there
Apart would make me out. Give me my chance.
I do think, though, you overdo it a little.
What was it brought you up to think it the thing
To take your mother-loss of a first child
So inconsolably -- in the face of love.
You'd think his memory might be satisfied ----"
"There you go sneering now!"
"I'm not, I'm not!
You make me angry. I'll come down to you.
God, what a woman! And it's come to this,
A man can't speak of his own child that's dead."
"You can't because you don't know how to speak.
If you had any feelings, you that dug
With your own hand -- how could you? -- his little grave;
I saw you from that very window there,
Making the gravel leap and leap in air,
Leap up, like that, like that, and land so lightly
And roll back down the mound beside the hole.
I thought, Who is that man? I didn't know you.
And I crept down the stairs and up the stairs
To look again, and still your spade kept lifting.
Then you came in. I heard your rumbling voice
Out in the kitchen, and I don't know why,
But I went near to see with my own eyes.
You could sit there with the stains on your shoes
Of the fresh earth from your own baby's grave
And talk about your everyday concerns.
You had stood the spade up against the wall
Outside there in the entry, for I saw it."
"I shall laugh the worst laugh I ever laughed.
I'm cursed. God, if I don't believe I'm cursed."
"I can repeat the very words you were saying:
'Three foggy mornings and one rainy day
Will rot the best birch fence a man can build.'
Think of it, talk like that at such a time!
What had how long it takes a birch to rot
To do with what was in the darkened parlour?
You couldn't care! The nearest friends can go
With anyone to death, comes so far short
They might as well not try to go at all.
No, from the time when one is sick to death,
One is alone, and he dies more alone.
Friends make pretense of following to the grave,
But before one is in it, their minds are turned
And making the best of their way back to life
And living people, and things they understand.
But the world's evil. I won't have grief so
If I can change it. Oh, I won't, I won't!"
"There, you have said it all and you feel better.
You won't go now. You're crying. Close the door.
The heart's gone out of it: why keep it up?
Amyl There's someone coming down the road!"
"You -- oh, you think the talk is all. I must go --
Somewhere out of this house. How can I make you ----"
"If -- you -- do!" She was opening the door wider.
"Where do you mean to go? First tell me that.
I'll follow and bring you back by force. I will! --"
poem by Robert Frost
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Little Guy
I know this little guy, he stands, oh so, about knee high.
He's got the cutest dimples on his cheery face,
Got a smile that lights up the whole place.
He's got the knack for chatter, he invites himself if you won't:
"I'll have that muesli bar please cause my brother don't."
Suppose to have a nap, and in the a tragic voice he confides,
"I was crying the whole time." Ok, please don't make me cry.
Apparently being bounced on the trampoline is hilarious,
But all I can think of is how dangerous.
Not enough sleep is constantly plaguing me,
But he don't care if in bed he's suppose to be.
In the middle of a rousing game of hide-and-seek,
He'll curl up and go to sleep.
Wish I could do just that, and live a bit more like him,
So unaware of all the dangers and troubles surrounding,
Spend a bit more time enjoying the little things
Get the chance to take them all in.
"Can I have a drink? " he toddles up the sink.
"Why of course, here's your drink."
Watch his little legs carry him off to some new adventure,
"You can't catch me! " wait, "I gotcha! "
You're running out of time, little guy,
If only you could stay knee-high.
poem by Joses Tirtabudi
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The Wedding Ring
I pawned my sick wife's wedding ring,
To drink and make myself a beast.
I got the most that it would bring,
Of golden coins the very least.
With stealth into her room I crept
And stole it from her as she slept.
I do not think that she will know,
As in its place I left a band
Of brass that has a brighter glow
And gleamed upon her withered hand.
I do not think that she can tell
The change - she does not see too well.
Pray God, she doesn't find me out.
I'd rather far I would be dead.
Yet yesterday she seemed to doubt,
And looking at me long she said:
"My finger must have shrunk, because
My ring seems bigger than it was."
She gazed at it so wistfully,
And one big tear rolled down her cheek.
Said she: "You'll bury it with me . . ."
I was so moved I could not speak.
Oh wretched me! How whisky can
Bring out the devil in a man!"
And yet I know she loves me still,
As on the morn that we were wed;
And darkly guess I also will
Be doomed the day that she is dead.
And yet I swear, before she's gone,
I will retrieve her ring from pawn.
I'll get it though I have to steal,
Then when to ease her bitter pain
They give her sleep oh I will feel
Her hand and slip it on again;
Through tears her wasted face I'll see,
And pray to God: "Oh pity me!"
poem by Robert William Service
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The Australian Slanguage
"Tis the everyday Australian
Has a language of his own,
Has a language, or a slanguage,
Which can simply stand alone.
And a "dickon pitch to kid us"
Is a synonym for "lie",
And to "nark it" means to stop it,
And to "nit it" means to fly.
And a bosom friend's a "cobber,"
And a horse a "prad" or "moke,"
While a casual acquaintance
Is a "joker" or a "bloke."
And his lady-love's his "donah"
or his "clinah" or his "tart"
Or his "little bit o' muslin,"
As it used to be his "bart."
And his naming of the coinage
Is a mystery to some,
With his "quid" and "half-a-caser"
And his "deener" and his "scrum".
And a "tin-back" is a party
Who's remarkable for luck,
And his food is called his "tucker"
Or his "panem" or his "chuck".
A policeman is a "johnny"
Or a "copman" or a "trap",
And a thing obtained on credit
Is invariably "strap".
A conviction"s known as "trouble",
And a gaol is called a "jug",
And a sharper is a "spieler"
And a simpleton's a "tug".
If he hits a man in fighting
That is what he calls a "plug",
If he borrows money from you
He will say he "bit your lug."
And to "shake it" is to steal it,
And to "strike it" is to beg;
And a jest is "poking borac",
And a jester "pulls your leg".
Things are "cronk" when they go wrongly
In the language of the "push",
But when things go as he wants 'em
He declares it is "all cush".
When he's bright he's got a "napper",
And he's "ratty" when he's daft,
And when looking for employment
He is "out o' blooming graft".
And his clothes he calls his "clobber"
Or his "togs", but what of that
When a "castor" or a "kady"
Is the name he gives his hat!
And our undiluted English
Is a fad to which we cling,
But the great Australian slanguage
Is a truly awful thing!
poem by William Thomas Goodge
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In The End
One thing I don't know why
It doesn't even matter how hard you try
Keep that in mind, I designed this rhyme
To explain in due time
All I know
time is a valuable thing
Watch it fly by as the pendulum swings
Watch it count down to the end of the day
The clock ticks life away
It's so unreal
Didn't look out below
Watch the time go right out the window
Trying to hold on but didn't even know
Wasted it all just to
Watch you go
I kept everything inside and even though I
tried, it all fell apart
What it meant to me will eventually be a
memory of a time when I tried so hard
And got so far
But in the end
It doesn't even matter
I had to fall
To lose it all
But in the end
It doesn't even matter
One thing, I don't know why
It doesn't even matter how hard you try
Keep that in mind, I designed this rhyme
To remind myself how
I tried so hard
In spite of the way you were mocking me
Acting like I was part of your property
Remembering all the times you fought with
me
I'm surprised it got so (far)
Things aren't the way they were before
You wouldn't even recognize me anymore
Not that you knew me back then
But it all comes back to me
In the end
You kept everything inside and even though
I tried, it all fell apart
What it meant to me will eventually be a
memory of a time when I tried so hard
And got so far
But in the end
It doesn't even matter
I had to fall
To lose it all
But in the end
It doesn't even matter
I've put my trust in you
Pushed as far as I can go
For all this
There's only one thing you should know
I've put my trust in you
Pushed as far as I can go
For all this
There's only one thing you should know
I tried so hard
And got so far
But in the end
poem by Pawan Kumar 'Meonlafesta'
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