My Last Afternoon With Uncle Devereux Winslow
1922: the stone porch of my Grandfather’s summer house
I
“I won’t go with you. I want to stay with Grandpa!”
That’s how I threw cold water
on my Mother and Father’s
watery martini pipe dreams at Sunday dinner.
... Fontainebleau, Mattapoisett, Puget Sound....
Nowhere was anywhere after a summer
at my Grandfather’s farm.
Diamond-pointed, athirst and Norman,
its alley of poplars
paraded from Grandmother’s rose garden
to a scary stand of virgin pine,
scrub, and paths forever pioneering.
One afternoon in 1922,
I sat on the stone porch, looking through
screens as black-grained as drifting coal.
Tockytock, tockytock
clumped our Alpine, Edwardian cuckoo clock,
slung with strangled, wooden game.
Our farmer was cementing a root-house under the hill.
One of my hands was cool on a pile
of black earth, the other warm
on a pile of lime. All about me
were the works of my Grandfather’s hands:
snapshots of his Liberty Bell silver mine;
his high school at Stuttgart am Neckar;
stogie-brown beams; fools’-gold nuggets;
octagonal red tiles,
sweaty with a secret dank, crummy with ant-stale;
a Rocky Mountain chaise longue,
its legs, shellacked saplings.
A pastel-pale Huckleberry Finn
fished with a broom straw in a basin
hollowed out of a millstone.
Like my Grandfather, the décor
was manly, comfortable,
overbearing, disproportioned.
What were those sunflowers? Pumpkins floating shoulder-high?
It was sunset, Sadie and Nellie
bearing pitchers of ice-tea,
oranges, lemons, mint, and peppermints,
and the jug of shandygaff,
which Grandpa made by blending half and half
yeasty, wheezing homemade sarsaparilla with beer.
The farm, entitled Char-de-sa
in the Social Register,
was named for my Grandfather’s children:
Charlotte, Devereux, and Sarah.
No one had died there in my lifetime ...
Only Cinder, our Scottie puppy
paralyzed from gobbling toads.
I sat mixing black earth and lime.
II
I was five and a half.
My formal pearl gray shorts
had been worn for three minutes.
My perfection was the Olympian
poise of my models in the imperishable autumn
display windows
of Rogers Peet’s boys’ store below the State House
in Boston. Distorting drops of water
pinpricked my face in the basin’s mirror.
I was a stuffed toucan
with a bibulous, multicolored beak.
III
Up in the air
by the lakeview window in the billiards-room,
lurid in the doldrums of the sunset hour,
my Great Aunt Sarah
was learning Samson and Delilah.
She thundered on the keyboard of her dummy piano,
with gauze curtains like a boudoir table,
accordionlike yet soundless.
It had been bought to spare the nerves
of my Grandmother,
tone-deaf, quick as a cricket,
now needing a fourth for “Auction,”
and casting a thirsty eye
on Aunt Sarah, risen like the phoenix
from her bed of troublesome snacks and Tauchnitz classics.
Forty years earlier,
twenty, auburn headed,
grasshopper notes of genius!
Family gossip says Aunt Sarah
tilted her archaic Athenian nose
and jilted an Astor.
Each morning she practiced
on the grand piano at Symphony Hall,
deathlike in the off-season summer—
its naked Greek statues draped with purple
like the saints in Holy Week....
On the recital day, she failed to appear.
IV
I picked with a clean finger nail at the blue anchor
on my sailor blouse washed white as a spinnaker.
What in the world was I wishing?
... A sail-colored horse browsing in the bullrushes ...
A fluff of the west wind puffing
my blouse, kiting me over our seven chimneys,
troubling the waters....
As small as sapphires were the ponds: Quittacus, Snippituit,
and Assawompset, halved by “the Island,”
where my Uncle’s duck blind
floated in a barrage of smoke-clouds.
Double-barreled shotguns
stuck out like bundles of baby crow-bars.
A single sculler in a camouflaged kayak
was quacking to the decoys....
At the cabin between the waters,
the nearest windows were already boarded.
Uncle Devereux was closing camp for the winter.
As if posed for “the engagement photograph,”
he was wearing his severe
war-uniform of a volunteer Canadian officer.
Daylight from the doorway riddled his student posters,
tacked helter-skelter on walls as raw as a boardwalk.
Mr. Punch, a water melon in hockey tights,
was tossing off a decanter of Scotch.
La Belle France in a red, white and blue toga
was accepting the arm of her “protector,”
the ingenu and porcine Edward VII.
The pre-war music hall belles
had goose necks, glorious signatures, beauty-moles,
and coils of hair like rooster tails.
The finest poster was two or three young men in khaki kilts
being bushwhacked on the veldt—
They were almost life-size....
My Uncle was dying at twenty-nine.
“You are behaving like children,”
said my Grandfather,
when my Uncle and Aunt left their three baby daughters,
and sailed for Europe on a last honeymoon ...
I cowered in terror.
I wasn’t a child at all—
unseen and all-seeing, I was Agrippina
in the Golden House of Nero....
Near me was the white measuring-door
my Grandfather had penciled with my Uncle’s heights.
In 1911, he had stopped growing at just six feet.
While I sat on the tiles,
and dug at the anchor on my sailor blouse,
Uncle Devereux stood behind me.
He was as brushed as Bayard, our riding horse.
His face was putty.
His blue coat and white trousers
grew sharper and straighter.
His coat was a blue jay’s tail,
his trousers were solid cream from the top of the bottle.
He was animated, hierarchical,
like a ginger snap man in a clothes-press.
He was dying of the incurable Hodgkin’s disease....
My hands were warm, then cool, on the piles
of earth and lime,
a black pile and a white pile....
Come winter,
Uncle Devereux would blend to the one color.
poem by Robert Lowell
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Related quotes
The Old Family Picture
In the old
black-and-white
family picture,
I see
great grandfather
dead drunk
with his hat
slightly skewed.
In the same old
black-and-white
family picture,
I see
grandfather
as drunk as
his father is
with his hat
also slightly skewed.
Father fools
great grandfather
and grandfather
with his rice-washed-water
as the good old home-made
Makoli.
They all believe him.
1996
poem by Sangnam Nam
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Can Can Dancer Gran.
I used to be a dancer
during World War 1
your paternal grandmother said
as she sat next to you
on the seat in her
back garden in London
and your grandfather
would come and watch
with his army friends
and afterwards
he'd come
to the stage door
with flowers or chocolates
or just stand there
with that awestruck look
on his face
and she looked
at the flowers
that your grandfather grew
along both sides
of the garden
and she smiled and said
Look at him now
sits in the same room
and says nothing
or moans about the bills
or how the country is run
or the noise of the traffic
by the front gate
and you sat there
on the seat
in the back garden
in your new suit
and with your hair
cropped short
and that fifteen year old
I'm bored as hell look
on your face and you said
Why did you give up dancing
you must have been good at it?
and as you looked
at your grandmother
with her white frizzy hair
and stocky build
you couldn't imagine her
as a dancer on a stage
with men gawping at her
especially not your soft spoken
quiet grandfather
who sat in his armchair
by the fireside
in a silent mood
occasionally reading a book
or giving that
I've seen too much
of mankind's foolery
kind of look
and your grandmother said
Well after we got married
I fell for your uncle Fred
and beside I wasn't that good
a dancer and your
grandfather didn't want
a wife of his
to be peered at
or have her legs
gawked at
by other men
and then she was silent
and watched
a white butterfly
go by
fluttering its wings
but
she said softly
getting up
from the seat
and doing a small
Can Can dance
the shows not over
until the fat lady sings.
poem by Terry Collett
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A True Ghost Story
My grandfather's house at Maypajo
It was built in year nineteen o' five
Of the sturdy wood 'kamagong'
And for ninety long years it survived.
It had delicate capiz- shelled windows
And hard wooden planks for its floors
Wide beams on ceilings that show
Fine architecture and Spanish decor.
In the twenties it held various parties
And its rooms may have held many guests
My aunts and my Mom were real beauties
And I'm sure many gents laid their quests.
But the second World War had been deadly
The Japanese fired many a mortar
Its plastered walls bared testimony
To the ugly devastation of war.
That house witnessed many departures
As its tenants soon married away.
Grandfather, its permanent fixture
He would walk its rooms night and day.
But the years saw him slowly yielding
To the rigors of approaching old age
Like his old house that was depreciating
He was closing and turning Time's page.
At death bed he had wanted to see
(For the house in his will was not clear)
His second daughter, my dear Aunt Nellie
Was summoned for some things she should hear.
But alas, it was rather too late
And the dying man's word left unsaid
For Death was the guest who can't wait
When Aunt Nellie came, he was dead.
Aunt Nellie claimed the property
Said she had the title to her name
Though her four siblings begged to disagree
Her lawyers legalized it all the same
The house boldly stood through the years,
But there were some weird happenings
The neighbors and people had fears,
Some saw an old man at night... walking.
Some said when they looked for my aunt
An old man peered through the window
Informed them that the house was vacant
And to church my aunt with her son did go.
My own brother's nanny had witnessed it
In a story that turned up our hairs
She turned to see an old man without feet
In slow motion descending the stairs!
We showed her Grandfather's old photo
And she point blank said 'That's him! '
The man she saw in white tuxedo
Had been roaming the house at whim.
Though I have never seen a ghost
And consider them just halloween fun
This true story is fearful at the most
In that house, the old man there walks on.
-
This is a true story, and the house, though sold and renovated,
still has its 'permanent tenant' and many have seen him.
Copyright Cynthia Buhain Baello
February 6,2010
Philippines
poem by Cynthia Buhain-Baello
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They Are Tearing Down My Grandfather's House
(An NLP Editor's Choice Award Winner in Verdant Lands of Spring) They are tearing down my Grandfather's house,
it's made of wood and brick and stone.
The windows they've removed. To them it's real
estate, to me it's my heart being ripped in two.
The realtors, the bankers, the moneymen don't understand.
A house is more than made of wood, a house is made of man. My Grandfather's house is a memory that will
endure after it's torn down.
He's been gone for near thirty years, but his
house had lived on.
I know the world is made of change, and change
is all that's real. But one thing I cannot change,
that is the way I feel. I wipe a tear in the falling rain,
because they are tearing down my Grandfather's
house, and it gives me pain.
I love him as if it were yesteryear,
his wit and smile as warm as the sun.
The house once stood to remind me, but that too
is gone. They are tearing down my Grandfather's house,
it's made of wood and brick and stone.
Yet a house if more than made of wood,
a house is made of love.
poem by David A. Webb
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An Old Man With His Hat
There Little Robbie found him in an old yellow album
A blurred picture of a half old man with his hat
Standing in front of the coffin
He smiles shy but wide with his teeth gone making a hole like Little Robbie when he lose his baby teeth
Little Robbie doesn’t recognize him and he wonder where he is now
Maybe he is one of his grandfathers, one of his great uncles, one of his old families
So he asks to his big sister
But his sister doesn’t recognize him and she wonder who he is
Maybe he is one of his grandfathers, one of his great uncles, one of his old families
So he asks to his mother
But his mother doesn’t recognize him and she wonder how he was there
Maybe he is one of his grandfathers, one of his great uncles, one of his old families
So he asks to his father
But his father doesn’t recognize him and he wonder what he did there
Maybe he is one of his grandfathers, one of his great uncles, one of his old families
So he asks to his uncle
But his uncle doesn’t recognize him and he wonder when the picture taken
Maybe he is one of his grandfathers, one of his great uncles, one of his old families
So he asks hopelessly to his grandfather
His grandfather takes a deep look to that picture and wonders why Little Robbie asks
Little Robbie says, “I want to meet him! I want to know about him! I want to play with him! ”
Maybe he is one of his grandfathers, one of his great uncles, one of his old families
But his grandfather shakes his head, “No, he is not.”
He is not one of his grandfathers, one of his great uncles, one of his old families
He is just an old man with his hat
“He accompanied your great grandfather when he sick until his death. This picture is taken in a burial of your great grandfather.”
His grandfather stares at little Robbie
“Now, are you disappointed? ”
He is not one of his grandfathers, one of his great uncles, one of his old families
He is just an old man with his hat
Little Robbie shakes his head, “No, I am not.”
Though he is not one of his grandfathers, one of his great uncles, one of his old families
Though he is just an old man with his hat
“But I still want to meet him, I want to know about him, and I want to play with him! ”
And then he could be one of his grandfathers, one of his great uncles, one of his old families
poem by Maria Sudibyo
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Wile Watching the Black and White TV
Your old man
came into the lounge
where you were watching
black and white TV
and your mother was standing
talking to an uncle
it's the baker
your old man said
he wants his £50
what £50?
your mother asked
the £50 I owe him
well pay him
your mother said
I can't
I don't have it
you watched
the cowboy film
with half interest
you took a glance
at the debtor
well tell him
you'll pay him
next week
your mother said
I told him that
last week
your old man said
what did you want
to borrow £50
from the baker for?
your mother asked
her cheeks getting flushed
to buy my new suit
what new suit?
the one I'm having made
you noticed
your old man's
moustache flicker
and he stroked it
as he did
when cornered
your mother
breathed heavy
and you looked
at the uncle
ok
the uncle said
here's the £50
go pay him
what you owe
to get him off your back
but you better pay me back
or I'll bust your head
sure I will
your old man said
going out of the room
clutching the money
in his palm
your mother sighed
and the uncle
put away his wallet
into an inside pocket
and you saw that one
of the cowboys
on the black and white
TV screen
had been shot
and died
the other looked angry
and ugly
and mean.
poem by Terry Collett
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I'm My Own Grandpa
It was many many years ago when I was twenty-three,
I was married to a widow, she's as pretty as can be.
This widow had a grown-up daughter who had hair of red,
my father fell in lover with her, and soon these two were wed.
I'm my own grandpa, I'm my own grandpa.
It sounds silly, I know, but it really is so, oh
I'm my own grandpa.
This made my dad my son-in-law and changed my very life:
My daughter was my mother 'cause she was my father's wife.
And then to complicate the matter, though it brought me joy,
I soon became the father of a bouncing baby boy.
This bouncing baby then became a brother-in-law to dad,
and so became my uncle, though it made me very sad,
for if he was my uncle then he also was the brother
of the widow's grown-up daughter, who, of course, was my step-mother.
I'm my own grandpa, I'm my own grandpa.
It sounds silly, I know, but it really is so, oh
I'm my own grandpa.
Father's wife then had a son who kept them on the run.
And he became my grandchild, for he was my daughter's son.
My wife is now my mother's mother, and it makes me blue,
because although she is my wife, she's my grandmother, too.
Now if my wife is my grandmother, then I am her grandchild.
And every time I think of it, it nearly drives me wild.
For now I have become the strangest case you ever saw.
Husband of my grandmother, I am my own grandpa.
I'm my own grandpa, I'm my own grandpa.
It sounds silly, I know, but it really is so, oh
I'm my own grandpa.
poem by Sheldon Allan Silverstein
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Uncle Toad Said
Uncle toad sittin by the old south gate
Waitin them boys they bin stayin out late
Uncle toad thinks theyre way out of line
Maybe they think he is past his prime
Uncle toad said better straighten up right
When uncle toad spoke it was not a pretty sight
Uncle toad lived in the wood out back
Lived in the shade of a utility shack
He looked in at the big brick housr
At the girls as quiet as a mouse
Uncle toad said you had best get it right
When uncle toad spoke it was not a pretty sight
Uncle toad tucked in the compost pile
Out by the back door look at him smile
He said kid stop drinkin that brew
Plan while ya can or the jokes on you
Uncle toad said better straighten up right
When uncle toad spoke it was not a pretty sight
Uncle toad sittin by the swimmin pool
Sits in the sun when the weather turns cool
Sits in the sun when the girls walk by
Maybe they think hes a little bit sly
Uncle toad said you had best get it right
When uncle toad spoke it was not a pretty sight
Uncle toad sittin by the cool mill race
All day long with a grin on his face
He said boys you had better not try
Kissin em girls cause I wont stand by
Uncle toad sittin by the wrought iron fence
Lookin at the moon like it dont make sense
We say toad heres lookin at you
Hopin you get your wish too
Sway to the left, sway to the right
When uncle toad spoke it was not a pretty sight
song performed by by Gordon Lightfoot
Submitted by Lucian Velea
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To Aunt Rose
Aunt Rose—now—might I see you
with your thin face and buck tooth smile and pain
of rheumatism—and a long black heavy shoe
for your bony left leg
limping down the long hall in Newark on the running carpet
past the black grand piano
in the day room
where the parties were
and I sang Spanish loyalist songs
in a high squeaky voice
(hysterical) the committee listening
while you limped around the room
collected the money—
Aunt Honey, Uncle Sam, a stranger with a cloth arm
in his pocket
and huge young bald head
of Abraham Lincoln Brigade
—your long sad face
your tears of sexual frustration
(what smothered sobs and bony hips
under the pillows of Osborne Terrace)
—the time I stood on the toilet seat naked
and you powdered my thighs with calamine
against the poison ivy—my tender
and shamed first black curled hairs
what were you thinking in secret heart then
knowing me a man already—
and I an ignorant girl of family silence on the thin pedestal
of my legs in the bathroom—Museum of Newark.
Aunt Rose
Hitler is dead, Hitler is in Eternity; Hitler is with
Tamburlane and Emily Brontë
Though I see you walking still, a ghost on Osborne Terrace
down the long dark hall to the front door
limping a little with a pinched smile
in what must have been a silken
flower dress
welcoming my father, the Poet, on his visit to Newark
—see you arriving in the living room
dancing on your crippled leg
and clapping hands his book
had been accepted by Liveright
Hitler is dead and Liveright’s gone out of business
The Attic of the Past and Everlasting Minute are out of print
Uncle Harry sold his last silk stocking
Claire quit interpretive dancing school
Buba sits a wrinkled monument in Old
Ladies Home blinking at new babies
last time I saw you was the hospital
pale skull protruding under ashen skin
blue veined unconscious girl
in an oxygen tent
the war in Spain has ended long ago
Aunt Rose
poem by Allen Ginsberg
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Question Me Now, My Children
Question Me Now, My children
Ask questions of me, my children
For time has a way…
Of slipping through fingers
Like reapers through hay
Your heritage is a treasure
That one day you’ll have need
Questions in need of answers
And no answers to heed
Was your great grandfather
A brown-eyed lad
Was your great grandmother
Perhaps a little bit mad
Ask about your ancestry
So interesting and rich
Was great aunt Sarah just an ol’ maid…
Or was she really a witch
How did they live the course of their day
And how the difference from yours
You live in a city, in a modern way
Perhaps they lived in the moors
How did your father meet your mother
What was their courtship like
And did grandmaw, elope with grandpaw
Did cousin Jenny marry up with uncle Mike
Did great-great grandmaw come from Ireland
Was her name “Whalen” changed from “Whelan”
By careless and lazy immigration officials
At a bustling and confusing, Ellis Island
Did these people bite their fingernails
Have a wart on their nose
Have children die prematurely
Enjoy happiness, suffer woe
Question me now, my children
For I get older, soon will come my time to go
And ‘twill be too late and ‘sadly twill be your fate
Of your rich heritage to ne’er know
Ask questions of me, my children
Before time takes me to task
Else when and what you wish to know
There will no one to ask
poem by David Whalen
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Early Morning Poetry
a gray cat so gentle
sleeping beside my easy chair
soft wind enters the window
from the far mountain
the white silky curtains
by the window
sway to the direction of the wind
a red rose blooms on the side
of the limestone wall
horse grazing on the grassy plain
a white dog runs toward a wooden gate
a car stops on the yard near the veranda of this old house
a brother from far announces his arrival
hot coffee and pancakes on the table
fumes of white rice and smoke from the grilled fish
faint classical Mozart music plays on the cassette
light from the sun penetrating the screen of the dining window
a black and white family picture on top of the family piano
grandpa on his military uniform as mother carries father on her arms
memories flood the room and words keep creeping like worms
i want to say that there are no termites on this house but that would be a lie.
poem by Ric S. Bastasa
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Blockhouses had been erected right over the country
Blockhouses had been erected right over the country,
farms had been entered and burnt to the ground,
Livestock and animals had been slaughtered
and women and children were rounded up
and interned into death camps.
Young boys
were set against white walls
and firing squads
was set against them
and a super power
clenched its fist around this country
and stood gigantic
against every Boer farmer.
l’Envoi
That time will be forever black
in history
with the misdeeds of the British
that is well known
and the ruination of a nation, arousing from it
where women and children perished as targets
at the commands of Horatio Herbert Kitchener.
[Note: My own great grandmother died in a British concentration camp and my great grandfather was sent by the British to St. Helena as a prisoner of war and as a result of this, my grandfather(Gert Strydom) grew up in a orphanage.]
poem by Gert Strydom
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You Were The First That I Wanted
Mommy,
I don't like the way that man is looking at us.
'Wave to him, baby...
That's your daddy.'
But I thought you said,
Uncle Barry was my daddy.
'Uncle Barry is your sister's daddy.'
Then 'who' is Uncle Moe, mommy?
'Uncle Moe, ?
Is my daddy, baby.'
But wouldn't that make him,
My grandfather?
That's what you told Billy!
'But Billy is the baby, honey?
And him being the youngest...
I needed to have at least 'one' child of mine,
Not as dysfunctional as the others.'
What does that mean?
'You will know that soon enough! '
But I thought I was your baby, mommy?
'You ARE?
You will always be my baby, honey.
You were the first that I wanted.'
Oh?
Oh...
Okay!
And I wanted your sister and brother too.
But not like the way I wanted you!
Oh?
Oh...
Okay!
poem by Lawrence S. Pertillar
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Uncle Fred and The Sand Dance
Your Uncle Fred
on Christmas Eve
at Gran's house
when you were a kid
did the sand dance
wearing an old fashion
man's striped nightgown
and a red fez
(he got that in Egypt
during WW2
Gran said)
and brown
open toed sandals
and Uncle Ed
turned the handle
of the windup gramophone
where an old
78rpm record
was playing
and there were
glasses of sherry
being consumed
and cigarettes being smoked
and you sat watching
clapping your hands
and Gran would get up
afterwards
and do her Can-Can
like she used to
as she young woman
on the stage
and Granddad sat there
quiet saying nothing
looking at
the people gathered
sipping his sherry
watching his wife
lifting her legs
her white fuzzy hair
going to and fro
as she moved
and you wanted
to have some sherry
but your mother said
no you have lemonade
little boys
don't have sherry
so you sat
with your lemonade
watching Uncle Fred
and his dance
and the music coming
from the old gramophone
and the smell of sherry
and beer and cigarette smoke
and Uncle telling the adults
one of his old army jokes.
poem by Terry Collett
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Widows
My mother's playing cards with my aunt,
Spite and Malice, the family pastime, the game
my grandmother taught all her daughters.
Midsummer: too hot to go out.
Today, my aunt's ahead; she's getting the good cards.
My mother's dragging, having trouble with her concentration.
She can't get used to her own bed this summer.
She had no trouble last summer,
getting used to the floor. She learned to sleep there
to be near my father.
He was dying; he got a special bed.
My aunt doesn't give an inch, doesn't make
allowance for my mother's weariness.
It's how they were raised: you show respect by fighting.
To let up insults the opponent.
Each player has one pile to the left, five cards in the hand.
It's good to stay inside on days like this,
to stay where it's cool.
And this is better than other games, better than solitaire.
My grandmother thought ahead; she prepared her daughters.
They have cards; they have each other.
They don't need any more companionship.
All afternoon the game goes on but the sun doesn't move.
It just keeps beating down, turning the grass yellow.
That's how it must seem to my mother.
And then, suddenly, something is over.
My aunt's been at it longer; maybe that's why she's playing better.
Her cards evaporate: that's what you want, that's the object: in the end,
the one who has nothing wins.
poem by Louise Gluck
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Like Horny Men
Don’t let the chickens out
Uncle said
close the gate
we don’t want
the foxes getting in
and tearing them
to pieces
because they will you know
they’ll go in for the kill
but maybe only go off
with one
and you stared
at the chickens
running around
as Uncle went
into the henhouse
to collect eggs
amongst the straw
and hay and feathers
you want to come in
and find the eggs with me?
Uncle called
and you followed him
into the henhouse
and smelt the henny stink
and shit and closeness
of hay and straw
getting up your nose
and Uncle held up an egg
and said
be careful how you hold them
don’t want any broken ones
and you searched
amongst hay and straw
and feathers and picked out
a warm egg between
your little boy finger and thumb
as if it were some gem
pulled from a pile of dung
and you held it up
to the light coming through
the henhouse window
like some offering
to the gods
a fertility symbol
you knew nothing
about then
the ways
of wild women
and horny men.
poem by Terry Collett
Submitted by Poetry Lover
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Uncle's Shave.
Uncle’s Shave.
You used to watch Uncle
shave in front of the small mirror
propped on the edge
of the kitchen sink,
his face lathered
in white soap,
his cutthroat razor
held just a short distance
from his skin
by his right hand,
as the other hand
held the skin taut
in preparation
of the razor’s slide.
You stood behind
fascinated,
your young eyes
searching the mirror’s world
of Uncle’s face
and the performers start.
Uncle watched you
in the mirror,
his lips breaking
into a small smile,
the razor held
just above his ear,
his eyes staring above
the shaving foam,
taking in
your fascinated gaze,
the open mouth,
your hands copying
Uncle’s motion
in pretend shave.
Uncle drew the razor down
his cheek in slow motion,
the face becoming visible
as the soap gave way,
the hand dipping
the razor in water
to rid of foam,
to begin again,
more soap removed,
more skin revealed.
You copied Uncle,
but not so skilled.
poem by Terry Collett
Submitted by Poetry Lover
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Me & My Uncle
me and my uncle went a'riden down
From colorado west texas bound
We stopped over in santa fe
The part of being about half way.
Besides it was the hottest part of the day.
We led our ponies into a stall.
Went to a bar, boys.
Bought drinks for all.
Two days in the saddle, my body hurt,
And being summer, took off my shirt,
And tried to wash off some of that dusty dirt.
West texas cowboys, all over town,
With gold and silver, their loaded down.
Just in for round up
You know it seemed a shame
And so my uncle starts a friendly game
Hollow jack, the winner takes the game.
But from the beginning my uncle started to win.
Them texas cowboys they was mad as sin.
Some said he's cheatin'
Ah, but that can't be, because my uncle, well, he's as honest as me.
I'm about as honest as a denver man can be.
One of them cowboys, you know he started to draw.
I grabbed a bottle, slapped him on the jaw.
I had to shoot another now he won't grow old
In the confusion my uncle grabbed the gold.
We hightailed it down to mexico,
Mexico, went down to mexico.
God bless cowboys
God bless gold
God bless my uncle, god rest his soul
He taught me well, boys
He taught me all i know
Taught me so that i grabbed the gold
Left him lying there by the side of the road.
song performed by by John Denver
Submitted by Lucian Velea
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Grandfather Clock
The old grandfather clock stood in the hall
It kept time for us all
Through winter, spring, summer, fall
When I was young I would say
The big hand is on five today
and that's how I told time that way
As I progressed in age
Time was read in the correct usage
And time became more of a gauge
Time to go to school and learn
Time to work for what you earn
Time to leave no stone unturned
Time for weddings dresses worn
Time for children to be born
Time for graduation gowns adorned
Time for me, time for you
Time to see things through
Time for living and dieing too
The old grandfather clock still keeps time
Counting the hours that life is prime
So make the most or be left behind
What is a Grandfather?
What is a Grandfather?
A Friend, a confidant, and a mentor
That is what a Grandfather is.
Call him Grandfather, Grandpa, or even Pappy.
Just a thought of him and your heart is happy
A kindly face and snow-white hair
In his gentle eyes there is no disappointment
There is no despair
A whisper, a smile and secrets to share
A bond that is beyond compare
Fishing poles and bedtime stories.
Dressing as Santa, or even the Easter bunny
Hidden pockets full of money
JPM 1/21/2008