Sonet VI
As in the hostel by the bridge I sate,
Nailed with indifference fondly deemed complete,
And (O strange chance, more sorrowful than sweet)
The counterfeit of her that was my fate,
Dressed in like vesture, graceful and sedate,
Went quietly up the vacant village street,
The still small sound of her most dainty feet
Shook, like a trumpet blast, my soul's estate.
Instant revolt ran riot through my brain,
And all night long, thereafter, hour by hour,
The pageant of dead love before my eyes
Went proudly; and old hopes, broke loose again
From the restraint of wisely temperate power,
With ineffectual ardour sought to rise.
poem by Robert Louis Stevenson
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Rising Power
Dog day, its tuesday
Hope that girl shell come today
Hard life, its a city life
Sweat keeps pourin down
I got my feet up, like to love
Through the dawn till Ive blown
All I wants her lovin now
I love the way she move around
Need no excuse
To let it all hang loose
My bodys for abuse
Chorus:
Rising power, well raise the night
Rising power
Rising power, well wake the dead
Rising power
(you got it)
Love life, up all night
Darkest hour at the dead of night
Seen her walkin down the street
The kind of woman that brings on heat
Love her dusk till dawn
Come the morning, she was gone
Took me all to my surprise
Money gone, left high and dry
Need no excuse
To let it all hang loose
My bodys for abuse
Chorus
(gonna end up torn to shreds)
Dont need no excuse
My bodys for abuse
Chorus
Rise, rise
Im gonna rise
Rising power
The power rise from you
song performed by by AC-DC
Submitted by Lucian Velea
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Ninety Miles An Hour (Down A Dead End Street)
I took you home from a party and we kissed in fun
A few stolen kisses and no harm was done
Instead of stopping when we could we went right on
Till suddenly we found that the brakes were gone.
You belong to someone else, and I do too
It's just crazy bein' here with you
As a bad motorcycle with the devil in the seat
Going ninety miles an hour down a dead end street
Ninety miles an hour down a dead end street.
I didn't want to want you, but now I have no choice
It's too late to listen to that warning voice
All I hear is thunder of two hearts beat
Going ninety miles an hour down a dead end street
Ninety miles an hour down a dead end street.
You're not free to belong to me
And you know I could never be your own
Your lips on mine are like a sweet, sweet wine
But we're heading for a wall of stone.
Warning signs are flashing ev'ry where, but we pay no heed
'Stead of slowing down the place, we keep a pickin' up speed
Disaster's getting closer ev'ry time we meet
Going ninety miles an hour down a dead end street
Yeah, ninety miles an hour down a dead end street
Well, ninety miles an hour down a dead end street.
song performed by by Bob Dylan
Submitted by Lucian Velea
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Ninety Miles An Hour
ninety miles an hour
Words by h blair & d. robertson
Sung by bob dylan
I took you home from a party and we kissed in fun
A few stolen kisses and no harm was done
Instead of stopping when we could we went right on
Till suddenly we found that the brakes were gone.
You belong to someone else, and i do too
It's just crazy bein' here with you
As a bad motorcycle with the devil in the seat
Going ninety miles an hour down a dead end street
Ninety miles an hour down a dead end street.
I didn't want to want you, but now i have no choice
It's too late to listen to that warning voice
All i hear is thunder of two hearts beat
Going ninety miles an hour down a dead end street
Ninety miles an hour down a dead end street.
You're not free to belong to me
And you know i could never be your own
Your lips on mine are like a sweet, sweet wine
But we're heading for a wall of stone.
Warning signs are flashing ev'ry where, but we pay no heed
'stead of slowing down the place, we keep a pickin' up speed
Disaster's getting closer ev'ry time we meet
Going ninety miles an hour down a dead end street
Yeah, ninety miles an hour down a dead end street
Well, ninety miles an hour down a dead end street.
song performed by by Bob Dylan
Submitted by Lucian Velea
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Pantoum on Nature's Patience
Surviving all to seize the hour;
A firm reward: a solitary flower.
With pinch of time to propagate -
Of seed and chance, it must await.
A firm reward: a solitary flower,
But motionless, the dainty tower.
Of seed and chance, it must await
And not by dreams or wishing fate.
But motionless, the dainty tower -
Completion lies in gusty power,
And not by dreams or wishing fate.
Unmindful patience; whither date?
Completion lies in gusty power
To cast its genes by seed in shower.
Unmindful patience; whither date? -
To dance in wind, from taut and straight.
The bantam form remains sedate.
With pinch of time to propagate:
An airy blow it must devour,
Surviving all to seize the hour.
poem by Mark R Slaughter (2009)
Submitted by Poetry Lover
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Mind Power
Dont use your fist, use your brain
Dont use your fist, use your brain
Dont use your fist, use your brain
Dont use your fist, use your brain
Mind power, every hour, any minute, every day
Mind power, every hour, any minute, every day
So when you walk through the door
Is this the bottom word
The fortress of violence will fall
When the tide will turn
Dont use your fist, use your brain
Dont use your fist, use your brain
Dont use your fist, use your brain
Dont use your fist, use your brain
Mind power, every hour, any minute, every day
Mind power, every hour, any minute, every day
Is there a place you belong
When there is no love
The light that shines is so strong
When you come out of the dark
Yeah
Were living in a violent world
It makes our heart just freeze
Lets melt the ice with heart and soul
To heal a world that bleeds
(to heal a world that bleeds)
Dont use your fist, use your brain
Dont use your fist, use your brain
Dont use your fist, use your brain
Dont use your fist, use your brain
Mind power, every hour, any minute, every day
Mind power, every hour, any minute, every day
Mind power, every hour, any minute, every day
Mind power, every hour, any minute, every day
So when you walk through the door
Is this the bottom word
The fortress of violence will fall
When the tide will turn
So when you walk through the door
You can make it too
The fortress of violence will fall
If you want it to
Dont use your fist, use your brain
Dont use your fist, use your brain
Dont use your fist, use your brain
Dont use your fist, use your brain
Mind power, every hour, any minute, every day
Mind power, every hour, any minute, every day
Mind power, every hour, any minute, every day
Mind power, every hour, any minute, every day
Mind power, every hour, any minute, every day
Mind power, every hour, any minute, every day
Mind power
song performed by by Scorpions
Submitted by Lucian Velea
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I Now, O Friend, Whom Noiselessly The Snows
I NOW, O friend, whom noiselessly the snows
Settle around, and whose small chamber grows
Dusk as the sloping window takes its load:
* * * * *
The kindly hill, as to complete our hap,
Has ta'en us in the shelter of her lap;
Well sheltered in our slender grove of trees
And ring of walls, we sit between her knees;
A disused quarry, paved with rose plots, hung
With clematis, the barren womb whence sprung
The crow-stepped house itself, that now far seen
Stands, like a bather, to the neck in green.
A disused quarry, furnished with a seat
Sacred to pipes and meditation meet
For such a sunny and retired nook.
There in the clear, warm mornings many a book
Has vied with the fair prospect of the hills
That, vale on vale, rough brae on brae, upfills
Halfway to the zenith all the vacant sky
To keep my loose attention. . . .
Horace has sat with me whole mornings through:
And Montaigne gossiped, fairly false and true;
And chattering Pepys, and a few beside
That suit the easy vein, the quiet tide,
The calm and certain stay of garden-life,
Far sunk from all the thunderous roar of strife.
There is about the small secluded place
A garnish of old times; a certain grace
Of pensive memories lays about the braes:
The old chestnuts gossip tales of bygone days.
Here, where some wandering preacher, blest Lazil,
Perhaps, or Peden, on the middle hill
Had made his secret church, in rain or snow,
He cheers the chosen residue from woe.
All night the doors stood open, come who might,
The hounded kebbock mat the mud all night.
Nor are there wanting later tales; of how
Prince Charlie's Highlanders . . .
* * * * *
I have had talents, too. In life's first hour
God crowned with benefits my childish head.
Flower after flower, I plucked them; flower by flower
Cast them behind me, ruined, withered, dead.
Full many a shining godhead disappeared.
From the bright rank that once adorned her brow
The old child's Olympus
* * * * *
Gone are the fair old dreams, and one by one,
As, one by one, the means to reach them went,
As, one by one, the stars in riot and disgrace,
I squandered what . . .
There shut the door, alas! on many a hope
Too many;
My face is set to the autumnal slope,
Where the loud winds shall . . .
There shut the door, alas! on many a hope,
And yet some hopes remain that shall decide
My rest of years and down the autumnal slope.
* * * * *
Gone are the quiet twilight dreams that I
Loved, as all men have loved them; gone!
I have great dreams, and still they stir my soul on high -
Dreams of the knight's stout heart and tempered will.
Not in Elysian lands they take their way;
Not as of yore across the gay champaign,
Towards some dream city, towered . . .
and my . . .
The path winds forth before me, sweet and plain,
Not now; but though beneath a stone-grey sky
November's russet woodlands toss and wail,
Still the white road goes thro' them, still may I,
Strong in new purpose, God, may still prevail.
* * * * *
I and my like, improvident sailors!
* * * * *
At whose light fall awaking, all my heart
Grew populous with gracious, favoured thought,
And all night long thereafter, hour by hour,
The pageant of dead love before my eyes
Went proudly, and old hopes with downcast head
Followed like Kings, subdued in Rome's imperial hour,
Followed the car; and I . . .
poem by Robert Louis Stevenson
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The Mirabeau bridge
Under the Mirabeau bridge flows the Seine
And all our loves
Why does it make so plain
That any joy must always follow pain
Let the night come the hour sound clear
The days all pass I’m still here
Our hands intertwined let’s stay face to face
While far below
The bridge of our arms strays
The languid wave of each endless gaze
Let the night come the hour sound clear
The days all pass I’m still here
Our love drifts away like these waters flow
Love drifts away
And our lives are so slow
With Hope more violent than we could know
Let the night come the hour sound clear
The days all pass I’m still here.
The days and weeks pass in a ceaseless train
But no past time
Or past love comes again
Under the Mirabeau bridge flows the Seine
Let the night come the hour sound clear
The days all pass I’m still here.
poem by Guillaume Apollinaire
Submitted by Veronica Serbanoiu
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Hour Of Gold
(Emmylou Harris)
I have seen your soul turn black
And then retreat
To that dark place where no one else may follow
I waited here for your returning
To roll your cigarette
And wash your bloodied feet
You have heard the silent running
Of my dreams
Broke me from the grip of grief and fever
With the sound of your voice speaking my name
And a kiss
That I will feel forever
In the hour of gold, the hour of lead
WG did forge our wedding bed
On a hard and holy road
We lay down our head
In tha hour of gold, the hour oi lead
I have watched you riding on
The wall of death
And when il finally breaks you and you fall
I will tear this dress of muslin that you gave me
To bind the fatal wound
And catch your last sweet breath
In the hour of gold, the hour of lead
We did forge our wedding bed
On a hard and holy road
We lay down our head
In the hour of gold, the hour of lead
But the world will be my witness when
They excavate my heart
And find the image of your face
Imprinted there like some Shroud of Turin
That neither time Nor tundra could erase
In the hour of gold, the hour of lead
We did forge our wedding bed
On a hard and holy road
We lay down our head
In the hour of gold, the hour of lead
song performed by by Emmylou Harris
Submitted by Lucian Velea
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Love Can Build A Bridge
I'd gladly walk across the desert
With no shoes upon my feet
To share with you the last bite
Of bread I had to eat
I'd would swim out to save you
In your sea of broken dreams
When all your hopes are sinking
Let me show you what love means
Love can build a bridge
Between your heart and mine
Love can build a bridge
Don't you think it's time?
Don't you think it's time?
I would whisper love so loudly
Every heart could understand
That love and only love
Can join the tribes of man
I would give my heart's desire
So that you might see
The first step is to realize
That it all begins with you and me
Love can build a bridge
Between your heart and mine
Love can build a bridge
Don't you think it's time?
Don't you think it's time?
When we stand together
It's our finest hour
We can do anything, anything
Anything, anything
Keep believin' in the power
Love can build a bridge
Between your heart and mine
Love can build a bridge
Don't you think it's time?
Don't you think it's time?
Love and only love
Love and only love
song performed by by Cher
Submitted by Lucian Velea
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The Ballerina
The frightened ballerina,
standing on her toes
stood behind the curtain
in a dainty pose.
Having practiced faithfully
hour after hour,
inside her heart was pounding.
Outside her muscled power
overcame her fear.
The overture now playing,
each note was in her ear.
And as the curtain opened
it took away her fear.
The stage, the lights
became her love.
Each pirouette and leap
took her way above
into a different sphere.
The audience, mesmerized,
intent on every motion,
appreciation on their faces
showed deep emotion.
And as the music ended
she took her final bow.
No longer was
she frightened,
in fact emboldened now.
She knew why she was here.
To dance, to dance
at every given chance.
To hear the applause
and hear them call her name.
And so the ballerina
standing on her toes
so graceful and dainty
is awed as she does hear.
'Bravo, bravo,
bravo, my dear.'
poem by Edwina Reizer
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Stella Maris
Why is it I remember yet
You, of all women one has met
In random wayfare, as one meets
The chance romances of the streets,
The Juliet of a night? I know
Your heart holds many a Romeo.
And I, who call to mind your face
In so serene a pausing-place,
Where the bright pure expanse of sea,
The shadowy shore's austerity,
Seems a reproach to you and me,
I too have sought on many a breast
The ecstasy of love's unrest,
I too have had my dreams, and met
(Ah me!) how many a Juliet.
Why is it, then, that I recall
You, neither first nor last of all?
For, surely as I see tonight
The glancing of the lighthouse light,
Against the sky, across the bay,
As turn by turn it falls my way,
So surely do I see your eyes
Out of the empty night arise,
Child, you arise and smile to me
Out of the night, out of the sea,
The Nereid of a moment there,
And is it seaweed in your hair?
O lost and wrecked, how long ago,
Out of the drownèd past, I know,
You come to call me, come to claim
My share of your delicious shame.
Child, I remember, and can tell,
One night we loved each other well;
And one night's love, at least or most,
Is not so small a thing to boast.
You were adorable, and I
Adored you to infinity,
That nuptial night too briefly borne
To the oblivion of morn.
Oh, no oblivion! for I feel
Your lips deliriously steal
Along my neck and fasten there;
I feel the perfume of your hair,
And your soft breast that heaves and dips,
Desiring my desirous lips,
And that ineffable delight
When souls turn bodies, and unite
In the intolerable, the whole
Rapture of the embodied soul.
That joy was ours, we passed it by;
You have forgotten me, and I
Remember you thus strangely, won
An instant from oblivion.
And I, remembering, would declare
That joy, not shame, is ours to share,
Joy that we had the will and power,
In spite of fate, to snatch one hour,
Out of vague nights, and days at strife,
So infinitely full of life.
And 'tis for this I see you rise,
A wraith, with starlight in your eyes,
Here, where the drowsy-minded mood
Is one with Nature's solitude;
For this, for this, you come to me
Out of the night, out of the sea.
poem by Arthur Symons
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Love And Knowledge
THOUGH you and I so long have been so near--
Have felt each other's heart-beats hour by hour,
Have watered, plucked, and trampled passion's flower,
Have known so many days so very dear--
Yet still through every hour of every year
We have sought to win and failed to win the dower
Of perfect insight, and to gain the power
To see what we are, and not what we appear.
Yet you desire such knowledge--would possess,
You say, completion of love; if that were won
--Ah! by it might not haply be undone
The little measure of joy we knew before?
Though we should swear we loved each other more,
How surely we should love each other less!
poem by Edith Nesbit
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John Farrell
The pen falls from his nerveless hand,
The light is fading from his eyes,
The brain that nobly served his land
Darkens and dies.
No, never dies! From hour to hour
The burning thought is living still;
Onward it speeds with gath’ring power
To strengthen and fulfil.
Build him no mockery of stone,
Nor shame him with your idle praise;
He liveth in his work alone
Through all our days.
Sleep, heart of gold, ’twas not in vain
You loved the struggling and the poor
And taught in sweet yet strenuous strain
To battle and endure.
The lust of wealth, the pride of place,
Were not a light to guide thy feet,
But larger hopes and wider space
For hearts to beat.
O, brother, dead! Thus, one by one,
Our broken swords remain to tell
The fight is o’er, the work is done,
Sleep! “It is well.”
poem by George Essex Evans
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Dead End Street
Theres a crack up in the ceiling,
And the kitchen sink is leaking.
Out of work and got no money,
A sunday joint of bread and honey.
What are we living for?
Two-roomed apartment on the second floor.
No money coming in,
The rent collectors knocking, trying to get in.
We are strictly second class,
We dont understand,
(dead end!)
Why we should be on dead end street.
(dead end!)
People are living on dead end street.
(dead end!)
Gonna die on dead end street.
Dead end street (yeah)
Dead end street (yeah)
On a cold and frosty morning,
Wipe my eyes and stop me yawning.
And my feet are nearly frozen,
Boil the tea and put some toast on.
What are we living for?
Two-roomed apartment on the second floor.
No chance to emigrate,
Im deep in debt and now its much too late.
We both want to work so hard,
We cant get the chance,
(dead end!)
People live on dead end street.
(dead end!)
People are dying on dead end street.
(dead end!)
Gonna die on dead end street.
Dead end street (yeah)
Dead end street (yeah)
(dead end!)
People live on dead end street.
(dead end!)
People are dying on dead end street.
(dead end!)
Gonna die on dead end street.
Dead end street (yeah)
Dead end street (yeah)
Dead end street (yeah)
Head to my feet (yeah)
Dead end street (yeah)
Dead end street (yeah)
Dead end street (yeah)
Hows it feel? (yeah)
Hows it feel? (yeah)
Dead end street (yeah)
Dead end street (yeah)
song performed by by Kinks
Submitted by Lucian Velea
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The Garden Wall
Can you meet me in the evening
behind the garden wall
where the roses grow with scent so sweet
and the misty air does fall?
I will meet you there with open arms
and there we'll hear the song
that plays for lovers everywhere
with the musk of the rose so strong.
I shall wait quite still for your approach
and let my heart be stirred.
I'll anticipate your arrival
as the night creatures all are heard.
As the frogs do croak and the owl does hoot
they do not understand
how I long to see you once again
and take you by the hand.
Ah! to be in love is ecstasy
and to be without is pain.
So meet me behind the garden wall
and allow me to remain
alert for the sound of your footsteps
so softly in the grass.
One small hour is all I ask of thee,
so quickly shall it pass.
But that one small hour will content me
for I'll know that you still care.
And when that hour has passed on by
with the scent of the roses still there
I shall pick one for you, ripe from the vine
and place it in your hair.
And I'll remember how you looked at me
and the hour we did share.
poem by Edwina Reizer
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The Vain Spell
THE house sleeps dark and the moon wakes white,
The fields are alight with dew;
'Oh, will you not come to me, Love, to-night?
I have waited the whole night through,
For I knew,
O Heart of my heart, I knew by my heart,
That the night of all nights is this,
When elm shall crack and lead shall part,
When moulds shall sunder and shot bolts start
To let you through to my kiss.'
So spake she alone in the lonely house.
She had wrapped her round with the spell,
She called the call, she vowed the vow,
And the heart she had pledged knew well
That this was the night, the only night,
When the moulds might be wrenched apart,
When the living and dead, in the dead of the night,
Might clasp once more, in the grave's despite,
For the price of a living heart.
But out in the grave the corpse lay white
And the grave clothes were wet with dew;
'Oh, will you not come to me, Love, to-night,
I have waited the whole night through,
For I knew
That I dared not leave my grave for an hour
Since the hour of all hours is near,
When you shall come to the hollow bower,
In a cast of the wind, in a waft of the Power,
To the heart that to-night beats here!'
The moon grows pale and the house sleeps still
Ah, God! do the dead forget?
The grave is white and the bed is chill,
But a guest may be coming yet.
But the hour has come and the hour has gone
That never will come again;
Love's only chance is over and done,
And the quick and the dead are twain, not one,
And the price has been paid in vain.
poem by Edith Nesbit
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Earthbound Soul
This spirit roams the vacant corridors,
searching for something that’s uppermost,
in his mind.
Disturbing the air, causing a chilly
atmosphere, strange, eerie, a ghost
of humankind.
Continuously on his quest, he has
haunted these aisles for centuries,
decades and years.
He cannot leave this sphere until he has
solved all his trials and laid to rest
his wretched fears.
Earthbound soul, no respite ever, nowhere
to go until released from torment
and despair.
How long will he have to wander hour
after hour, with discontent, in an
endless nightmare.
This spirit roams the vacant corridors,
in pursuit of another. He’s
a despiser.
Battle without end, perpetual
exploration. The other is no
compromiser.
Possessed, this apparition, floating about,
no sound, just a silent
aura of unease.
Will he still be suspended in his
no man’s land, unable to move on.
Abhorrer in crises.
poem by Ernestine Northover
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Sun-Dial, In The Churchyard Of Bremhill
So passes silent o'er the dead thy shade,
Brief Time; and hour by hour, and day by day,
The pleasing pictures of the present fade,
And like a summer vapour steal away!
And have not they, who here forgotten lie
(Say, hoary chronicler of ages past!)
Once marked thy shadow with delighted eye,
Nor thought it fled, how certain, and how fast!
Since thou hast stood, and thus thy vigil kept,
Noting each hour, o'er mouldering stones beneath;
The pastor and his flock alike have slept,
And dust to dust proclaimed the stride of death.
Another race succeeds, and counts the hour,
Careless alike; the hour still seems to smile,
As hope, and youth, and life, were in our power;
So smiling and so perishing the while.
I heard the village bells, with gladsome sound,
When to these scenes a stranger I drew near,
Proclaim the tidings to the village round,
While memory wept upon the good man's bier.
Even so, when I am dead, shall the same bells
Ring merrily, when my brief days are gone;
While still the lapse of time thy shadow tells,
And strangers gaze upon my humble stone!
Enough, if we may wait in calm content,
The hour that bears us to the silent sod;
Blameless improve the time that heaven has lent,
And leave the issue to thy will, O God!
poem by William Lisle Bowles
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One Morning
Because that I am weak, my love, and ill,
I cannot follow the impatient feet
Of my desire, but sit and watch the beat
Of the unpitying pendulum fulfill
The hour appointed for the air to thrill
And brighten at your coming. O my sweet,
The tale of moments is at last complete
The tryst is broken on the gusty hill!
O lady, faithful-footed, loyal-eyed,
The long leagues silence me; yet doubt me not;
Think rather that the clock and sun have lied
And all too early, you have sought the spot.
For lo! despair has darkened all the light,
And till I see your face it still is night.
poem by Ambrose Bierce
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This Is Our Hour
A word for you,
A word for me;
The hour of the legend-to-be.
The moment is here,
The moment is now;
We will not lay down.
Tis time to take the stage,
To light our world,
Have our flags unfurl.
Dress for the battle!
Strap on your armour,
For this is our hour!
Instant in season,
Ready day and night.
Ready to carry the fight.
Never asleep, always awake,
Starting in defence,
Finishing in offense.
In the homes and schools,
Parks, capital, and beaches
Will we fill the breaches.
Though weak yet strong;
Though dead yet alive;
Through Jesus we survive.
Even when wounded,
We will our sword swing.
We will never give in.
With our last breath,
Will we push down walls.
We will see giants fall.
We will see mountains move.
We will see the dawn of light.
Upon strength upon might!
For we are called by Jesus:
Jesus Christ our only king.
And so let us sing:
This is our hour!
Rise up ye men of valour!
This is our hour!
Follow the King's example.
Though faced with tribulation,
Will we find elation.
To the weary eye
Comes a fiery gleam,
As we now scream:
This is our hour!
This will be our hour,
This is our hour!
poem by Joses Tirtabudi
Submitted by Poetry Lover
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