Fragments
About my fields, in the broad sun
And blaze of noon, there goeth one,
Barefoot and robed in blue, to scan
With the hard eye of the husbandman
My harvests and my cattle. Her,
When even puts the birds astir
And day has set in the great woods,
We seek, among her garden roods,
With bells and cries in vain: the while
Lamps, plate, and the decanter smile
On the forgotten board. But she,
Deaf, blind, and prone on face and knee,
Forgets time, family, and feast,
And digs like a demented beast.
Tall as a guardsman, pale as the east at dawn,
Who strides in strange apparel on the lawn?
Rails for his breakfast? routs his vassals out
(Like boys escaped from school) with song and shout?
Kind and unkind, his Maker's final freak,
Part we deride the child, part dread the antique!
See where his gang, like frogs, among the dew
Crouch at their duty, an unquiet crew;
Adjust their staring kilts; and their swift eyes
Turn still to him who sits to supervise.
He in the midst, perched on a fallen tree,
Eyes them at labour; and, guitar on knee,
Now ministers alarm, now scatters joy,
Now twangs a halting chord, now tweaks a boy.
Thorough in all, my resolute vizier
Plays both the despot and the volunteer,
Exacts with fines obedience to my laws,
And for his music, too, exacts applause.
The Adorner of the uncomely - those
Amidst whose tall battalions goes
Her pretty person out and in
All day with an endearing din,
Of censure and encouragement;
And when all else is tried in vain
See her sit down and weep again.
She weeps to conquer;
She varies on her grenadiers
From satire up to girlish tears!
Or rather to behold her when
She plies for me the unresting pen,
And when the loud assault of squalls
Resounds upon the roof and walls,
And the low thunder growls and I
Raise my dictating voice on high.
What glory for a boy of ten
Who now must three gigantic men
And two enormous, dapple grey
New Zealand pack-horses array
And lead, and wisely resolute
Our day-long business execute
In the far shore-side town. His soul
Glows in his bosom like a coal;
His innocent eyes glitter again,
And his hand trembles on the rein.
Once he reviews his whole command,
And chivalrously planting hand
On hip - a borrowed attitude -
Rides off downhill into the wood.
I meanwhile in the populous house apart
Sit snugly chambered, and my silent art
Uninterrupted, unremitting ply
Before the dawn, by morning lamplight, by
The glow of smelting noon, and when the sun
Dips past my westering hill and day is done;
So, bending still over my trade of words,
I hear the morning and the evening birds,
The morning and the evening stars behold;
So there apart I sit as once of old
Napier in wizard Merchiston; and my
Brown innocent aides in home and husbandry
Wonder askance. What ails the boss? they ask.
Him, richest of the rich, an endless task
Before the earliest birds or servants stir
Calls and detains him daylong prisoner?
He whose innumerable dollars hewed
This cleft in the boar and devil-haunted wood,
And bade therein, from sun to seas and skies,
His many-windowed, painted palace rise
Red-roofed, blue-walled, a rainbow on the hill,
A wonder in the forest glade: he still,
Unthinkable Aladdin, dawn and dark,
Scribbles and scribbles, like a German clerk.
We see the fact, but tell, O tell us why?
My reverend washman and wise butler cry.
Meanwhile at times the manifold
Imperishable perfumes of the past
And coloured pictures rise on me thick and fast:
And I remember the white rime, the loud
Lamplitten city, shops, and the changing crowd;
And I remember home and the old time,
The winding river, the white moving rhyme,
The autumn robin by the river-side
That pipes in the grey eve.
The old lady (so they say), but I
Admire your young vitality.
Still brisk of foot, still busy and keen
In and about and up and down.
I hear you pass with bustling feet
The long verandahs round, and beat
Your bell, and "Lotu! Lotu!" cry;
Thus calling our queer company,
In morning or in evening dim,
To prayers and the oft mangled hymn.
All day you watch across the sky
The silent, shining cloudlands ply,
That, huge as countries, swift as birds,
Beshade the isles by halves and thirds,
Till each with battlemented crest
Stands anchored in the ensanguined west,
An Alp enchanted. All the day
You hear the exuberant wind at play,
In vast, unbroken voice uplift,
In roaring tree, round whistling clift.
poem by Robert Louis Stevenson
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Frag2
Tall as a guardsman, pale as the east at dawn,
Who strides in strange apparel on the lawn?
Rails for his breakfast? routs his vassals out
(Like boys escaped from school) with song and shout?
Kind and unkind, his Maker's final freak,
Part we deride the child, part dread the antique!
See where his gang, like frogs, among the dew
Crouch at their duty, an unquiet crew;
Adjust their staring kilts; and their swift eyes
Turn still to him who sits to supervise.
He in the midst, perched on a fallen tree,
Eyes them at labour; and, guitar on knee,
Now ministers alarm, now scatters joy,
Now twangs a halting chord, now tweaks a boy.
Thorough in all, my resolute vizier
Plays both the despot and the volunteer,
Exacts with fines obedience to my laws,
And for his music, too, exacts applause.
poem by Robert Louis Stevenson
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Frag1
About my fields, in the broad sun
And blaze of noon, there goeth one,
Barefoot and robed in blue, to scan
With the hard eye of the husbandman
My harvests and my cattle. Her,
When even puts the birds astir
And day has set in the great woods,
We seek, among her garden roods,
With bells and cries in vain: the while
Lamps, plate, and the decanter smile
On the forgotten board. But she,
Deaf, blind, and prone on face and knee,
Forgets time, family, and feast,
And digs like a demented beast.
poem by Robert Louis Stevenson
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A Noon Song
There are songs for the morning and songs for the night,
For sunrise and sunset, the stars and the moon;
But who will give praise to the fulness of light,
And sing us a song of the glory of noon?
Oh, the high noon, the clear noon,
The noon with golden crest;
When the blue sky burns, and the great sun turns
With his face to the way of the west!
How swiftly he rose in the dawn of his strength;
How slowly he crept as the morning wore by;
Ah, steep was the climbing that led him at length
To the height of his throne in the wide summer sky.
Oh, the long toil, the slow toil,
The toil that may not rest,
Till the sun looks down from his journey's crown,
To the wonderful way of the west!
Then a quietness falls over meadow and hill,
The wings of the wind in the forest are furled,
The river runs softly, the birds are all still,
The workers are resting all over the world.
Oh, the good hour, the kind hour,
The hour that calms the breast!
Little inn half-way on the road of the day,
Where it follows the turn to the west!
There's a plentiful feast in the maple-tree shade,
The lilt of a song to an old-fashioned tune,
The talk of a friend, or the kiss of a maid,
To sweeten the cup that we drink to the noon.
Oh, the deep noon, the full noon,
Of all the day the best!
When the blue sky burns, and the great sun turns
To his home by the way of the west.
poem by Henry Van Dyke
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Where Are the Birds of Wenzhou, Bei Bei
‘The skies are empty and grey at dawn,
They’re empty and brown at noon,
Where are the birds of Wenzhou, Bei Bei
Deep in the afternoon?
Even at dusk when the air is still
Or the cool breath heaves from the sea,
I wait for the beat of wings then, Bei Bei
Rushing to comfort me.’
‘The birds were once when the paddy fields
Ran down by the river tides,
When the sky was blue and the air was clean
And the trees reached up to the stars.
The birds were here when the skies were clear
No buildings blocked the view...’
‘But where are the birds of Wenzhou, Bei Bei
Why have they gone from you? ’
‘They left when the smog came rolling in
And the insects died on the ground,
When the grass turned white and the acid rain
Caused all the trees to drown.
They left when the river turned yellow mud
And the fields died under the road,
When men built towers of thirty floors,
They left the town in droves.’
The skies are empty and grey at dawn,
They’re empty and brown at noon.
‘The birds of Wenzhou took their nests
And travelled to old Hangzhou.
They went to live by a wondrous lake
That tales will tell, is blue...’
‘Where are the birds of Wenzhou, Bei Bei...
Have they forsaken you? ’
8 November 2005
poem by David Lewis Paget
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When Someone Says: "Alexandria"
When someone says: "Alexandria,"
I see the white walls of a house,
a small garden row of gillyflowers,
an autumn evening's pale sunlight
and hear the music of distant flutes.
When someone says: "Alexandria,"
I see stars above the hushed city,
drunken sailors in dark quarters,
a dancing girl performing the "wasp,"
and hear tambourines and the noise of fights.
When someone says "Alexandria,"
I see a pale purple sunset above the green sea,
the flickering of furry stars
and the light grey eyes beneath thick brows
that I see even when
no one says: "Alexandria!"
poem by Mikhail Alekseevich Kuzmin
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On The Plains
Half-lost in film of faintest lawn,
A single star in armour white
Upon the dreamy heights of dawn
Guards dim frontier of the night,
Till plumed ray
And golden spray
Have washed its trembling light away.
The sun has peeped above the blue;
His level lances as they pass
Have shot the dew-drops thro' and thro',
And dashed with rubies all the grass,
And silver sound
Of horse-bells round
Floats softly o'er the jewelled ground.
The sunbeam and the wanton wind,
Among the feathery tufts at play,
Sing to the earth: "The night is blind,
But we will kiss your tears away."
With broad'ning glow
And rippling flow
Adown the laughing leagues they go.
The vagrant lark on wayward winds
Is fluttering low, is floating high;
No Northern trill of rapture rings
Tho' the vast temple of the sky;
But not in vain
Thy southern strain,
Thou brown-winged angel of the plain!
Here, where the days are dull and grey,
And youth has stilled his joyous song,
In fancy yet I love to stray
By creek, and plain, and billabong,
To the curlew's call
And the noiseless fall
Of the unshod hoof 'neath the gum-trees tall.
I hear one more the plovers "peet:"
The grey hawk wheels in dizzy height,
And swift beneath my horse's feet
The brown quail rises in his fright,
And the galahs fly
With pink breasts high,
A rosy cloud in a cloudless sky.
Afar I mark the emu's run;
The bustard slow, in motley clad;
And, basking in his bath of sun,
The brown snake on the cattle-pad,
And the reddish black
Of a dingo's back
As he loit'ring slinks on my horse's track.
And now I watch, with slackened rein,
The scattered cattle, hundreds strong,
As slowly moving home again
The lazy vanguard feeds along
To the waters cool
Of the tree-fringed pool
In the distant creek when the noon is full.
Slip girth and let the old horse graze;
The noon grows heavy on the air.
Kindle the tiny camp-fire's blaze,
And neath the shade, as monarch there,
Take thou thine ease:
For hours like these
A king had bartered satrapies!
Here lie and watch, thro' smoke-wreaths cool,
By yon sunk log and floating wrack,
The emporer of the silent pool,
The stately heron, white and black,
Afar from heat,
Upon his beat,
Knee-deep in shallowy retreat.
O mellow air! O sunny light!
O hope and youth that pass away!
Inscribe in letters of delight
Upon each heart one golden day -
To be there set
When we forget
There is a joy in living yet!
poem by George Essex Evans
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Diana
What are you looking for at night
When moon is shining in the springs
And where the birds in warble fight
Flapping enchanted their wings?
Can't you perceive this nice array
Of leaves that whisper in the glade
And kiss each other and they play
In the refreshing forest's shade?
And like in mirrors moving fast
You want to watch a funny game,
In waters that have come and passed,
While your big eyes remain the same?
The spring has filled the woods again
Reviving everything, in truth,
However, all your thoughts are vain,
Like Endymion's, that fair youth.
Why do you want to be alone
With the low voice of secret source?
To hear the leaves by the wind blown
And sleep on grass, dark green and coarse?
And from that light reaching the glade,
From the cold waves, from shadow's charms,
To rise a fairy, a dear maid,
With big blue eyes and naked arms?
Oh! Now the boughs are bent with care
By little arms, so snowy white,
By a sweet face with yellow hair
On a tall body, slim, upright.
A golden bow makes her complete
And going hunting with much grace
On the innumerable leaves
She barely left a tiny trace.
poem by Mihai Eminescu, translated by Octavian Cocoş
Submitted by Octavian Cocoş
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The Dawn
All the wild waves rock'd in shadow,
And the world was dim and grey,
Dark and silent, hush'd and breathless,
Waiting calmly for the day.
And the golden light came stealing
O'er the mountain-tops at last—
Flooding vale and wood and upland,—
It was morning—night was past.
There they lay—the silvery waters,
Fruitful forests, glade and lawn,—
All in beauty, new-created
By the angel of the dawn.
* * * * *
So my spirit slept in twilight;—
All was quiet, grey, and still,
Till the dawn of Love came stealing,
Over Hope's snow-crested hill.
Then the dim world woke in glory,
And the iris-dyes grew bright
On the waves and woods and valleys,
In a morning flood of light.
Ah! the vineyards and the gardens!—
Ah! the treasures, rich and rare,
Full of endless life and beauty,
Which that dawn created there!
poem by Ada Cambridge
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Maiden-Song
Long ago and long ago,
And long ago still,
There dwelt three merry maidens
Upon a distant hill.
One was tall Megan,
And one was dainty May,
But one was fair Margaret,
More fair than I can say,
Long ago and long ago.
When Megan plucked the thorny rose,
And when May pulled the brier,
Half the birds would swoop to see,
Half the beasts draw nigher;
Half the fishes of the streams
Would dart up to admire:
But when Margaret plucked a flag-flower,
Or poppy hot aflame,
All the beasts and all the birds
And all the fishes came
To her hand more soft than snow.
Strawberry leaves and May-dew
In brisk morning air,
Strawberry leaves and May-dew
Make maidens fair.
'I go for strawberry leaves,'
Megan said one day:
'Fair Margaret can bide at home,
But you come with me, May;
Up the hill and down the hill,
Along the winding way 30
You and I are used to go.'
So these two fair sisters
Went with innocent will
Up the hill and down again,
And round the homestead hill:
While the fairest sat at home,
Margaret like a queen,
Like a blush-rose, like the moon
In her heavenly sheen,
Fragrant-breathed as milky cow
Or field of blossoming bean,
Graceful as an ivy bough
Born to cling and lean;
Thus she sat to sing and sew.
When she raised her lustrous eyes
A beast peeped at the door;
When she downward cast her eyes
A fish gasped on the floor;
When she turned away her eyes
A bird perched on the sill,
Warbling out its heart of love,
Warbling warbling still,
With pathetic pleadings low.
Light-foot May with Megan
Sought the choicest spot,
Clothed with thyme-alternate grass:
Then, while day waxed hot,
Sat at ease to play and rest,
A gracious rest and play;
The loveliest maidens near or far,
When Margaret was away,
Who sat at home to sing and sew.
Sun-glow flushed their comely cheeks,
Wind-play tossed their hair,
Creeping things among the grass
Stroked them here and there;
Megan piped a merry note,
A fitful wayward lay,
While shrill as bird on topmost twig
Piped merry May;
Honey-smooth the double flow.
Sped a herdsman from the vale,
Mounting like a flame,
All on fire to hear and see,
With floating locks he came.
Looked neither north nor south,
Neither east nor west,
But sat him down at Megan's feet
As love-bird on his nest,
And wooed her with a silent awe,
With trouble not expressed;
She sang the tears into his eyes,
The heart out of his breast:
So he loved her, listening so.
She sang the heart out of his breast,
The words out of his tongue;
Hand and foot and pulse he paused
Till her song was sung.
Then he spoke up from his place
Simple words and true:
'Scanty goods have I to give,
Scanty skill to woo;
But I have a will to work,
And a heart for you:
Bid me stay or bid me go.'
Then Megan mused within herself:
'Better be first with him,
Than dwell where fairer Margaret sits,
Who shines my brightness dim,
For ever second where she sits,
However fair I be:
I will be lady of his love,
And he shall worship me;
I will be lady of his herds
And stoop to his degree,
At home where kids and fatlings grow.'
Sped a shepherd from the height
Headlong down to look,
(White lambs followed, lured by love
Of their shepherd's crook):
He turned neither east nor west,
Neither north nor south,
But knelt right down to May, for love
Of her sweet-singing mouth;
Forgot his flocks, his panting flocks
In parching hill-side drouth;
Forgot himself for weal or woe.
Trilled her song and swelled her song
With maiden coy caprice
In a labyrinth of throbs,
Pauses, cadences;
Clear-noted as a dropping brook,
Soft-noted like the bees,
Wild-noted as the shivering wind
Forlorn through forest trees:
Love-noted like the wood-pigeon
Who hides herself for love,
Yet cannot keep her secret safe,
But coos and coos thereof:
Thus the notes rang loud or low.
He hung breathless on her breath;
Speechless, who listened well;
Could not speak or think or wish
Till silence broke the spell.
Then he spoke, and spread his hands,
Pointing here and there:
'See my sheep and see the lambs,
Twin lambs which they bare.
All myself I offer you,
All my flocks and care,
Your sweet song hath moved me so.'
In her fluttered heart young May
Mused a dubious while:
'If he loves me as he says'--
Her lips curved with a smile:
'Where Margaret shines like the sun
I shine but like a moon;
If sister Megan makes her choice
I can make mine as soon;
At cockcrow we were sister-maids,
We may be brides at noon.'
Said Megan, 'Yes;' May said not 'No.'
Fair Margaret stayed alone at home,
Awhile she sang her song,
Awhile sat silent, then she thought:
'My sisters loiter long.'
That sultry noon had waned away,
Shadows had waxen great:
'Surely,' she thought within herself,
'My sisters loiter late.'
She rose, and peered out at the door,
With patient heart to wait,
And heard a distant nightingale
Complaining of its mate;
Then down the garden slope she walked,
Down to the garden gate,
Leaned on the rail and waited so.
The slope was lightened by her eyes
Like summer lightning fair,
Like rising of the haloed moon
Lightened her glimmering hair,
While her face lightened like the sun
Whose dawn is rosy white.
Thus crowned with maiden majesty
She peered into the night,
Looked up the hill and down the hill,
To left hand and to right,
Flashing like fire-flies to and fro.
Waiting thus in weariness
She marked the nightingale
Telling, if any one would heed,
Its old complaining tale.
Then lifted she her voice and sang,
Answering the bird:
Then lifted she her voice and sang,
Such notes were never heard
From any bird when Spring's in blow.
The king of all that country
Coursing far, coursing near,
Curbed his amber-bitted steed,
Coursed amain to hear;
All his princes in his train,
Squire, and knight, and peer,
With his crown upon his head,
His sceptre in his hand,
Down he fell at Margaret's knees
Lord king of all that land,
To her highness bending low.
Every beast and bird and fish
Came mustering to the sound,
Every man and every maid
From miles of country round:
Megan on her herdsman's arm,
With her shepherd May,
Flocks and herds trooped at their heels
Along the hill-side way;
No foot too feeble for the ascent,
Not any head too grey;
Some were swift and none were slow.
So Margaret sang her sisters home
In their marriage mirth;
Sang free birds out of the sky,
Beasts along the earth,
Sang up fishes of the deep--
All breathing things that move
Sang from far and sang from near
To her lovely love;
Sang together friend and foe;
Sang a golden-bearded king
Straightway to her feet,
Sang him silent where he knelt
In eager anguish sweet.
But when the clear voice died away,
When longest echoes died,
He stood up like a royal man
And claimed her for his bride.
So three maids were wooed and won
In a brief May-tide,
Long ago and long ago.
poem by Christina Georgina Rossetti
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The Further Bank
I long to go over there to the further bank of the river.
Where those boats are tied to the bamboo poles in a line;
Where men cross over in their boats in the morning with
ploughs on their shoulders to till their far-away fields;
Where the cowherds make their lowing cattle swim across to the
riverside pasture;
Whence they all come back home in the evening, leaving the
jackals to howl in the island overgrown with weeds.
Mother, if you don't mind, I should like to become the boatman
of the ferry when I am grown up.
They say there are strange pools hidden behind that high bank.
Where flocks of wild ducks come when the rains are over, and
thick reeds grow round the margins where water-birds lay their
eggs;
Where snipes with their dancing tails stamp their tiny
footprints upon the clean soft mud;
Where in the evening the tall grasses crested with while
flowers invite the moonbeam to float upon their waves.
Mother, if you don't mind, I should like to become the boatman
of the ferryboat when I am grown up.
I shall cross and cross back from bank to bank, and all the
boys and girls of the village will wonder at me while they are
bathing.
When the sun climbs the mid sky and morning wears on to noon,
I shall come running to you, saying, "Mother, I am hungry."
When the day is done and the shadows cower under the trees,
I shall come back in the dust.
I shall never go away from you into the town to work like
father.
Mother, if you don't mind, I should like to become the boatman
of the ferryboat when I am grown up.
poem by Rabindranath Tagore
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An Old Colonist's Reverie
Dustily over the highway pipes the loud nor'-wester at morn,
Wind and the rising sun, and waving tussock and corn;
It brings to me days gone by when first in my ears it rang,
The wind is the voice of my home, and I think of the songs it sang
When, fresh from the desk and ledger, I crossed the long leagues of sea --
"The old worn world is gone and the new bright world is free."
The wide, wild pastures of old are fading and passing away,
All over the plain are the homes of the men who have come to stay --
I sigh for the good old days in the station whare again;
But the good new days are better -- I would not be heard to complain;
It is only the wind that cries with tears in its voice to me
Of the dead men low in the mould who came with me over the sea.
Some of them down in the city under the marble are laid,
Some on the bare hillside in the mound by the lone tree shade,
And some in the forest deeps of the west in their silence lie,
With the dark pine curtain above shutting out the blue of the sky.
And many have passed from my sight, whither I never shall know,
Swept away in the rushing river or caught in the mountain snow;
All the old hands are gone who came with me over the sea,
But the land that we made our own is the same bright land to me.
There are dreams in the gold of the kowhai, and when ratas are breaking
in bloom
I can hear the rich murmur of voices in the deeps of the fern-shadowed gloom.
Old memory may bring me her treasures from the land of the blossoms of May,
But to me the hill daisies are dearer and the gorse on the river bed grey;
While the mists on the high hilltops curling, the dawn-haunted
haze of the sea,
To my fancy are bridal veils lifting from the face of the land of the free.
The speargrass and cabbage trees yonder, the honey-belled flax in its bloom,
The dark of the bush on the sidings, the snow-crested mountains that loom
Golden and grey in the sunlight, far up in the cloud-fringed blue,
Are the threads with old memory weaving and the line of my life
running through;
And the wind of the morning calling has ever a song for me
Of hope for the land of the dawning in the golden years to be.
poem by David McKee Wright
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Wahonomin
GREAT mother! from the depths of forest wilds,
From mountain pass and burning sunset plain,
We, thine unlettered children of the woods,
Upraise to thee the everlasting hymn
Of nature, language of the skies and seas,
5
Voice of the birds and sighing of the pine
In wintry wastes. We know none other tongue,
Nor the smooth speech that, like the shining leaves,
Hides the rough stems beneath. We bring our song,
Wood-fragrant, rough, yet autumn-streaked with love,
10
And lay it as a tribute at thy feet.
But should it vex thee thus to hear us sing,
Sad in the universal joy that crowns
This year of years, and shouldst thou deem our voice
But death-cry of the ages that are past,
15
Bear with us—say, "My children of the woods,
In language learnt from bird and wood and stream,
From changing moons and stars and misty lakes,
Pour forth their love, and lay it at my feet;
The voice is wild and strange, untuned to ear
20
Of majesty, ill-timed to fevered pulse
Of this young age, and meteor-souls that flash
New paths upon night's dome; yet will I hear
This singing of my children ere they die."
Great mother! thou art wise, they say, and good,
25
And reignest like the moon in autumn skies,
The world about thy feet. We have not seen
Thy face, nor the wild seas of life that surge
Around thy throne; but we have stood by falls,
Deep-shadowed in the silence of the woods,
30
And heard the water-thunders, and have said,
Thus is the voice of men about our Queen.
What is the red man but the forest stream,
The cry of screech-owl in the desert wilds?
This flood that overflows the hills and plains
35
Is not for us. Back, Westward, Northward, ay,
Up to eternal winter 'neath the stars,
Our path must be in silence, till the snows
And sun and wind have bleached our children's bones.
The red must go; the axe and plough and plane
40
Are not for him. We perish with the pine,
We vanish in the silence of the woods;
Our footsteps, like the war-trail in the snow,
Grow fainter while the new spring buds with life.
Great mother! the white faces came with words
45
Of love and hope, and pointed to the skies,
And in the sunrise splendour set the throne
Of the Great Spirit, and upon the cross
Showed us His Son, and asked a throne for Him.
Their speech was music; but in camp at night
50
We brooded o'er the matter round the fire,
The shadowy pines about us, and the stars,
Set in the silent heavens, looking down.
We brooded o'er the matter days and years,
For thus each thought and thus each spake in words:
55
"We children of the woods have lived and died
In these our forests, since the first moon tipped
Their thousand lakes and rivers with her beams,
Pale silver in the fading sky of even.
Our fathers' faces kindled in the glow
60
Of setting suns; they read the starlit sky;
They heard the Spirit's breathing on the storm,
And on the quaking earth they felt His tread;
But never yet the story of His Son
Was wafted to them from the sighing woods,
65
Or bird or stream. Our fathers' God is ours;
And as for these new words, we watch and wait."
Great mother! we have waited days and years,
Thro' spring and summer—summer, autumn, spring;
Brooding in silence, for anon we dreamed
70
A bird's voice in our hearts half sung, "'Tis true."
We listened and we watched the pale face come,
When, lo! new gods came with them—gods of iron
And fire, that shook the forests as they rushed,
Filling with thunder and loud screeching, plains,
75
Mountains, and woods, and dimming with their breath
The shining skies. These new gods, who were they,
That came devouring all, and blackening earth
And sky with smoke and thunder? We knew not,
But fled in terror further from the face
80
Of these white children and their gods of iron;
We heard no more their story of the Son,
And words of love. Their own lives were not love,
But war concealed and fire beneath the ash.
Thus ever now the burden of our speech—
85
We perish with the pine tree and the bird,
We vanish in the silence of the woods,
The white man's hunting-ground, it is not ours;
We care not for his gods of iron and fire;
Our home is in the trackless wilds, the depths
90
Of mountain solitudes, by starlit lakes,
By noise of waters in the unchanging woods.
Great mother! we have wondered that thy sons,
Thy pale sons, should have left thy side and come
To these wild plains, and sought the haunts of bears
95
And red men. Why their battle with the woods?
Whither they go upon their gods of iron,
Out of the golden sunrise to the mists
Of purple evening in the setting west?
Their lives have scarce as many moons as ours,
100
Nor happier are. We know not what they seek;
For death's cold finger chills their fevered life,
As in the wilds he stills the meanest worm,
And death flies with them over all their paths,
And waits them in the heart of wildest waste;
105
They cannot break his power. Forgive these thoughts
If, as they rise like mists, they dim the gold
That zones thy brow. They came to us at night,
As we have sat in council round the fire;
They seemed the echo of the sighing pines
110
Far in our soul. One evening rose a chief,
White-headed, bowed with years, one hand on staff,
One on death's arm, preparing for the way.
"My sons," he said, "these people are not wise.
We bide our time, and they will pass away;
115
Then shall the red man come like bird in spring,
And build the broken camp, and hunt and fish
In his old woods. These people pass away;
Then shall the red man come like bird in spring,
And build the broken camp, and hunt and fish
120
In his old woods. These people pass away;
For I have thought through many nights and days,
And wondered what they seek; and now I know,
And knowing, say these people are not wise.
They found these plains beneath the burning west,
125
And westward, ever westward, still they press,
Seeking the shining meadows of the land
Where the sun sleeps, and, folded 'neath his wings,
The happy spirits breathe eternal day.
But I have lived thro' five score changing years,
130
And I have talked with wintry-headed chiefs,
And I have heard that kingdom is not reached
Thro' woods and plains, but by the bridge of death.
This people is not wise; we bide our time."
Great mother! they have told us that the snows
135
Of fifty winters sleep about thy throne,
And buds of spring now blossom with sweet breath
Beneath thy tread. They tell us of the sea,
And other lands, where other children dwell;
Of mighty cities and the gleam of gold,
140
Of empires wider than the shining plains
Viewed from giant hill, that lift thy throne above
The clouded mountain-tops. They tell us, too,
Of wonders in the home of man; of gods
Of iron and fire made servants, and of fire
145
Snatched from the clouds to flash man's swiftest thought;
But these are not for us. The forest flower
Droops in the haunts of man; it needs the sky,
And smokeless air, and glances of the sun
Thro' rustling leaves. We perish with the woods;
150
The plains are all before thee. Send thy sons
To plant and build, and drive their flashing gods,
Startling the forests, till, like ocean's bounds,
Thine empire rolls in splendour from wide east
To widest west, broad fields of gold for thee
155
And thy white children; but our spirits wait
Amid the silent ages, and we pass
To where our fathers dwell, by silent streams,
And hunt in trackless wilds through cloudless days.
The wheels of thy great empire, as it moves
160
From east to west, from south to icy north,
Crush us to earth. We perish with the woods.
Great mother; if the changing moons have brought
Thee nearer to the darksome bridge that spans
The gulf between this and the eternal day,
165
If thy path and thy children's be the same,
And thy feet follow where thy fathers went,
Perchance thy soul upon earth's utmost verge,
The eternal sky about thee, and the deeps
Unfathomable beyond—perchance thy soul,
170
Grown weary with the fever of thy life,
May yearn for song of bird, and sighing pine,
And silent meditation of the woods;
Perchance, when, looking back from infinite skies
To restless man, thy soul, too, echoes, "Why?"
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"Where?" and "Whither?" and thy heart may love
This death-song of thy children, ere they pass
With birds and forests to the silent land.
Perchance the white face told us what was true,
And love and hope wait by the throne of God.
180
The ruffled lake gives out but broken gleams
Of the clear stars above; so, restless life
May be the troubled reflex of the skies.
The world rolls onward, ever on and on,
Through clouded vast and moans of dying years,
185
Into the depths of sunset; but the light
Blinds our dim eyes, we cannot see the goal.
The spirit of the world is not for us;
We perish with the pine tree and the bird;
We bow our heads in silence. We must die.
poem by Frederick George Scott
Submitted by Poetry Lover
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A' Old Played-Out Song
It's the curiousest thing in creation,
Whenever I hear that old song,
'Do They Miss Me at Home?' I'm so bothered,
My life seems as short as it's long!--
Far ever'thing 'pears like adzackly
It 'peared, in the years past and gone,--
When I started out sparkin', at twenty,
And had my first neckercher on!
Though I'm wrinkelder, older and grayer
Right now than my parents was then,
You strike up that song, 'Do They Miss Me?'
And I'm jest a youngster again!--
I'm a-standin' back there in the furries
A-wishin' far evening to come,
And a-whisperin' over and over
Them words, 'Do They Miss Me at Home?'
You see, Marthy Ellen she sung it
The first time I heerd it; and so,
As she was my very first sweetheart,
It reminds of her, don't you know,--
How her face ust to look, in the twilight,
As I tuck her to spellin'; and she
Kep' a-hummin' that song 'tel I ast her,
Pine-blank, ef she ever missed me!
I can shet my eyes now, as you sing it,
And hear her low answerin' words,
And then the glad chirp of the crickets
As clear as the twitter of birds;
And the dust in the road is like velvet,
And the ragweed, and fennel, and grass
Is as sweet as the scent of the lilies
Of Eden of old, as we pass.
'Do They Miss Me at Home?' Sing it lower--
And softer--and sweet as the breeze
That powdered our path with the snowy
White bloom of the old locus'-trees!
Let the whippoorwills he'p you to sing it,
And the echoes 'way over the hill,
'Tel the moon boolges out, in a chorus
Of stars, and our voices is still.
But, oh! 'They's a chord in the music
That's missed when _her_ voice is away!'
Though I listen from midnight 'tel morning,
And dawn, 'tel the dusk of the day;
And I grope through the dark, lookin' up'ards
And on through the heavenly dome,
With my longin' soul singin' and sobbin'
The words, 'Do They Miss Me at Home?'
poem by James Whitcomb Riley
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To Minnie
The red room with the giant bed
Where none but elders laid their head;
The little room where you and I
Did for awhile together lie
And, simple, suitor, I your hand
In decent marriage did demand;
The great day nursery, best of all,
With pictures pasted on the wall
And leaves upon the blind--
A pleasant room wherein to wake
And hear the leafy garden shake
And rustle in the wind--
And pleasant there to lie in bed
And see the pictures overhead--
The wars about Sebastopol,
The grinning guns along the wall,
The daring escalade,
The plunging ships, the bleating sheep,
The happy children ankle-deep
And laughing as they wade:
All these are vanished clean away,
And the old manse is changed to-day;
It wears an altered face
And shields a stranger race.
The river, on from mill to mill,
Flows past our childhood's garden still;
But ah! we children never more
Shall watch it from the water-door!
Below the yew--it still is there--
Our phantom voices haunt the air
As we were still at play,
And I can hear them call and say:
"How far is it to Babylon?"
Ah, far enough, my dear,
Far, far enough from here--
Smiling and kind, you grace a shelf
Too high for me to reach myself.
Reach down a hand, my dear, and take
These rhymes for old acquaintance' sake!
Yet you have farther gone!
"Can I get there by candlelight?"
So goes the old refrain.
I do not know--perchance you might--
But only, children, hear it right,
Ah, never to return again!
The eternal dawn, beyond a doubt,
Shall break on hill and plain,
And put all stars and candles out
Ere we be young again.
To you in distant India, these
I send across the seas,
Nor count it far across.
For which of us forget
The Indian cabinets,
The bones of antelope, the wings of albatross,
The pied and painted birds and beans,
The junks and bangles, beads and screens,
The gods and sacred bells,
And the load-humming, twisted shells!
The level of the parlour floor
Was honest, homely, Scottish shore;
But when we climbed upon a chair,
Behold the gorgeous East was there!
Be this a fable; and behold
Me in the parlour as of old,
And Minnie just above me set
In the quaint Indian cabinet!
poem by Robert Louis Stevenson
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A Child's Fancy
"Hush, hush! Speak softly, Mother dear,
So that the daisies may not hear;
For when the stars begin to peep,
The pretty daisies go to sleep.
"See, Mother, round us on the lawn,
With soft white lashes closely drawn,
They've shut their eyes so golden-gay,
That looked up through the long, long day.
"But now they're tired of all the fun--
Of bees and birds, of wind and sun
Playing their game at hide-and-seek;--
Then very softly let us speak."
A myriad stars above the child
Looked down from heaven and sweetly smiled;
But not a star in all the skies
Beamed on him with his Mother's eyes.
She stroked his curly chestnut head,
And whispering very softly, said,
"I'd quite forgotten they might hear;
Thank you for that reminder, dear.
poem by Mathilde Blind
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Gunnar's Howe Above The House At Lithend
Ye who have come o’er the sea
to behold this grey minster of lands,
Whose floor is the tomb of time past,
and whose walls by the toil of dead hands
Show pictures amidst of the ruin
of deeds that have overpast death,
Stay by this tomb in a tomb
to ask of who lieth beneath.
Ah! the world changeth too soon,
that ye stand there with unbated breath,
As I name him that Gunnar of old,
who erst in the haymaking tide
Felt all the land fragrant and fresh,
as amidst of the edges he died.
Too swiftly fame fadeth away,
if ye tremble not lest once again
The grey mound should open and show him
glad-eyed without grudging or pain.
Little labour methinks to behold him
but the tale-teller laboured in vain.
Little labour for ears that may hearken
to hear his death-conquering song,
Till the heart swells to think of the gladness
undying that overcame wrong.
O young is the world yet meseemeth
and the hope of it flourishing green,
When the words of a man unremembered
so bridge all the days that have been,
As we look round about on the land
that these nine hundred years he hath seen.
Dusk is abroad on the grass
of this valley amidst of the hill:
Dusk that shall never be dark
till the dawn hard on midnight shall fill
The trench under Eyiafell’s snow,
and the grey plain the sea meeteth grey.
White, high aloft hangs the moon
that no dark night shall brighten ere day,
For here day and night toileth the summer
lest deedless his time pass away.
poem by William Morris
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Neverending Song (The Song Of A mournful Heart)
Hear the child’s song,
As he sings his mournful cry to the skies above his head.
The only music in his words is the rain drops on the roof.
He watches with tears flowing down his cheeks,
He watches the wind blow the branches that scape against the walls.
Hear his song as he longs for a loving touch,
A mother’s hug.
In his own silent afterlife he watches,
As the world carries on around him.
His arms wrapped tight around his legs,
His hair uncut and knotted,
As tears stain his cheeks with salt water so rich,
Hear his silent song as he sings to those few who see him,
In his solitary windowsill in the house that was once his home he sits and Sings.
Nothing mattering to him but that that has past,
Nothing breaking his everlasting chorus,
But be careful do not listen for to long or his sorrow shall become your own,
You shall fall into rhythm with his voice,
And you will not leave,
But stay and melt into the stars that he rests his feet apon.
His prison will become your sanctuary,
His tomb, your grave,
His song, shall be your own form of reality.
In the dark stairwell you will stay with him.
Watching the endless lightnight lighting the sky,
The endless thunder the keeping time with the wind which is the music to his song.
You will fade to nothing at his feet, and he won’t even pause.
He will continue his cry to the god he once knew,
Crying for salvation for forgiveness, for the one thing that he can never have again.
And his tears will flow on running down his face to his tattered clothing,
His eyes ever fixed on the dark sky outside that expresses his pain, his agony,
His heart still in a ody somewhere, never to beat the beat of life again,
And still he will sing his mournful cry.
Listen to the child’s cry, but don’t stay long,
Or you will become the rain that beats down on the fortress around him,
Your own sorrowful tears that you shed for him, shall become the music,
To the child’s mournful cry.
poem by Bethany Maxwell
Submitted by Poetry Lover
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Cuchulain's Fight with the Sea
A man came slowly from the setting sun,
To Emer, raddling raiment in her dun,
And said, "I am that swineherd whom you bid
Go watch the road between the wood and tide,
But now I have no need to watch it more."
Then Emer cast the web upon the floor,
And raising arms all raddled with the dye,
Parted her lips with a loud sudden cry.
That swineherd stared upon her face and said,
"No man alive, no man among the dead,
Has won the gold his cars of battle bring."
"But if your master comes home triumphing
Why must you blench and shake from foot to crown?"
Thereon he shook the more and cast him down
Upon the web-heaped floor, and cried his word:
"With him is one sweet-throated like a bird."
"You dare me to my face," and thereupon
She smote with raddled fist, and where her son
Herded the cattle came with stumbling feet,
And cried with angry voice, "It is not meet
To idle life away, a common herd."
"I have long waited, mother, for that word:
But wherefore now?"
"There is a man to die;
You have the heaviest arm under the sky."
"Whether under its daylight or its stars
My father stands amid his battle-cars."
"But you have grown to be the taller man."
"Yet somewhere under starlight or the sun
My father stands."
"Aged, worn out with wars
On foot. on horseback or in battle-cars."
"I only ask what way my journey lies,
For He who made you bitter made you wise."
"The Red Branch camp in a great company
Between wood's rim and the horses of the sea.
Go there, and light a camp-fire at wood's rim;
But tell your name and lineage to him
Whose blade compels, and wait till they have found
Some feasting man that the same oath has bound."
Among those feasting men Cuchulain dwelt,
And his young sweetheart close beside him knelt,
Stared on the mournful wonder of his eyes,
Even as Spring upon the ancient skies,
And pondered on the glory of his days;
And all around the harp-string told his praise,
And Conchubar, the Red Branch king of kings,
With his own fingers touched the brazen strings.
At last Cuchulain spake, "Some man has made
His evening fire amid the leafy shade.
I have often heard him singing to and fro,
I have often heard the sweet sound of his bow.
Seek out what man he is."
One went and came.
"He bade me let all know he gives his name
At the sword-point, and waits till we have found
Some feasting man that the same oath has bound."
Cuchulain cried, "I am the only man
Of all this host so bound from childhood on!"
After short fighting in the leafy shade,
He spake to the young man, 'Is there no maid
Who loves you, no white arms to wrap you round,
Or do you long for the dim sleepy ground,
That you have come and dared me to my face?"
"The dooms of men are in God's hidden place,"
"Your head a while seemed like a woman's head
That I loved once."
Again the fighting sped,
But now the war-rage in Cuchulain woke,
And through that new blade's guard the old blade broke,
And pierced him.
"Speak before your breath is done."
"Cuchulain I, mighty Cuchulain's son."
"I put you from your pain. I can no more."
While day its burden on to evening bore,
With head bowed on his knees Cuchulain stayed;
Then Conchubar sent that sweet-throated maid,
And she, to win him, his grey hair caressed;
In vain her arms, in vain her soft white breast.
Then Conchubar, the subtlest of all men,
Ranking his Druids round him ten by ten,
Spake thus: "Cuchulain will dwell there and brood
For three days more in dreadful quietude,
And then arise, and raving slay us all.
Chaunt in his ear delusions magical,
That he may fight the horses of the sea."
The Druids took them to their mystery,
And chaunted for three days.
Cuchulain stirred,
Stared on the horses of the sea, and heard
The cars of battle and his own name cried;
And fought with the invulnerable tide.
poem by William Butler Yeats
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Testify
Come a little closer it's a feeling that I can't deny
I was weak, but I never thought I'd speak about the darker side
Is that a ten? I could repent on the side of the road
But, I kept on going yeah I headed for another load
I get up from the ground in the middle of the morning
Up from the ground in the middle of the evening
Up from the ground in the middle of the night
Oh, I testify
I was laid upon the grave by a preacher's hand I cannot lie
And, I forsake many vows I made to be with you tonight
Could you be the salvation cause I never felt like this before
And, could you lend me your hand because I'm falling back on the floor
I get up from the ground in the middle of the morning
Up from the ground in the middle of the evening
Up from the ground in the middle of the night
Oh, I testify
On a road outside of nowhere, in the middle of the night
Well I guess I hit rock bottom and the dawn was not in sight
And a Tempest made of fire, onset the sky aglow
And a sweet young thing called out my name
And this is how it goes, she says...
Choir:
"Go boy, can you hear them?
Are you falling through the cracks in your eyes?"
"Go boy, can you hear them?
Are you falling through the cracks in your eyes?"
"Go boy, can you hear them?
Are you falling through the cracks in your eyes?"
Meatloaf: And I got down on my knees
Choir :"Go boy, can you hear them?
Are you falling through the cracks in your eyes?"
"Go boy, can you hear them?
Are you falling through the cracks in your eyes?"
Meatloaf (over the top of the choirs last two repititions):
I get up from the ground in the middle of the morning
Up from the ground in the middle of the evening
Up from the ground and I'm falling back down
Up from the ground and I testify
I get up from the ground in the middle of the morning
Up from the ground in the middle of the evening
Up from the ground and I'm falling back down
Up from the ground and I testify
Meatloaf & Choir:
Up from the ground in the middle of the morning
Up from the ground in the middle of the evening
Up from the ground and I'm falling back down
Up from the ground and I testify
Up from the ground in the middle of the morning
Up from the ground in the middle of the evening
Up from the ground and I'm falling back down
Up from the ground and I testify
Meatloaf:
Every cut that heals reveals a scar that you can never hope to hide
All the pain that you restrain keeps building up deep inside
If you think you're above it then it's you my friend that I implore
You've got to talk before you run
See the night before the dawn
Before you pull yourself off the floor
I get up from the ground in the middle of the morning
Up from the ground in the middle of the evening
Up from the ground in the middle of the night
Oh, I testify
Choir Singer: Up from the ground yeah, I testify
Meatloaf & Choir:
Up from the ground in the middle of the morning
Up from the ground in the middle of the evening
Up from the ground and I'm falling back down
Up from the ground and I testify
Up from the ground in the middle of the morning
Up from the ground in the middle of the evening
Up from the ground in the middle of the night
Oh, I testify
Up from the ground in the middle of the morning
Up from the ground in the middle of the evening
Up from the ground in the middle of the night
Oh, I testify
Up from the ground in the middle of the morning
Up from the ground in the middle of the evening
Up from the ground in the middle of the night
Oh, I testify
song performed by by Meat Loaf
Submitted by Lucian Velea
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Knowing time in ancient time
‘Get up! be ready! time for prayer.'
Today, clock alarm chants to ears.
When Tessa's grandma was twelve years old,
her grandma counted age, the springs rolled.
Heavenly bodies sun, moon and stars
used to tell time to her forefathers.
When planets will set and when will rise
naturally guessed time they were so wise.
Day divided, morning, noon, evening
dusk, mid-night, dawn; the nights.
Shadows displayed; noon, fore or after
stick stuck in ground evolved sundial.
Doodle-doo said dawn is going to break
chirping birds yelled get up from the bed.
(C) S. D. Tiwari
poem by S.D. Tiwari
Submitted by Poetry Lover
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