The Code—Heroics
There were three in the meadow by the brook,
Gathering up windrows, piling haycocks up,
With an eye always lifted toward the west,
Where an irregular, sun-bordered cloud
Darkly advanced with a perpetual dagger
Flickering across its bosom. Suddenly
One helper, thrusting pitchfork in the ground,
Marched himself off the field and home. One stayed.
The town-bred farmer failed to understand.
What was there wrong?
Something you said just now.
What did I say?
About our taking pains.
To cock the hay?—because it's going to shower?
I said that nearly half an hour ago.
I said it to myself as much as you.
You didn't know. But James is one big fool.
He thought you meant to find fault with his work.
That's what the average farmer would have meant.
James had to take his time to chew it over
Before he acted; he's just got round to act.
He is a fool if that's the way he takes me.
Don't let it bother you. You've found out something.
The hand that knows his business won't be told
To do work faster or better—those two things.
I'm as particular as anyone:
Most likely I'd have served you just the same:
But I know you don't understand our ways.
You were just talking what was in your mind,
What was in all our minds, and you weren't hinting.
Tell you a story of what happened once.
I was up here in Salem, at a man's
Named Sanders, with a gang of four or five,
Doing the haying. No one liked the boss.
He was one of the kind sports call a spider,
All wiry arms and legs that spread out wavy
From a humped body nigh as big as a biscuit.
But work!—that man could work, especially
If by so doing he could get more work
Out of his hired help. I'm not denying
He was hard on himself: I couldn't find
That he kept any hours—not for himself.
Day-light and lantern-light were one to him:
I've heard him pounding in the barn all night.
But what he liked was someone to encourage.
Them that he couldn't lead he'd get behind
And drive, the way you can, you know, in mowing
Keep at their heels and threaten to mow their legs off.
I'd seen about enough of his bulling tricks—
We call that bulling. I'd been watching him.
So when he paired off with me in the hayfield
To load the load, thinks I, look out for trouble!
I built the load and topped it off; old Sanders
Combed it down with the rake and said, 'O. K.'
Everything went right till we reached the barn
With a big take to empty in a bay.
You understand that meant the easy job
For the man up on top of throwing down
The hay and rolling it off wholesale,
Where, on a mow, it would have been slow lifting.
You wouldn't think a fellow 'd need much urging
Under those circumstances, would you now?
But the old fool seizes his fork in both hands,
And looking up bewhiskered out of the pit,
Shouts like an army captain, 'Let her come!'
Thinks I, d'ye mean it? 'What was that you said?'
I asked out loud so's there'd be no mistake.
'Did you say, let her come?' 'Yes, let her come.'
He said it over, but he said it softer.
Never you say a thing like that to a man,
Not if he values what he is. God, I'd as soon
Murdered him as left out his middle name.
I'd built the load and knew just where to find it.
Two or three forkfuls I picked lightly round for
Like meditating, and then I just dug in
And dumped the rackful on him in ten lots.
I looked over the side once in the dust
And caught sight of him treading-water-like,
Keeping his head above. 'Damn ye,' I says,
'That gets ye!' He squeaked like a squeezed rat.
That was the last I saw or heard of him.
I cleaned the rack and drove out to cool off.
As I sat mopping the hayseed from my neck,
And sort of waiting to be asked about it,
One of the boys sings out, 'Where's the old man?'
'I left him in the barn,—under the hay.
If you want him you can go and dig him out.'
They realized from the way I swobbed my neck
More than was needed, something must be up.
They headed for the barn I stayed where I was.
They told me afterward: First they forked hay,
A lot of it, out into the barn floor.
Nothing! They listened for him. Not a rustle!
I guess they thought I'd spiked him in the temple
Before I buried him, else I couldn't have managed.
They excavated more. 'Go keep his wife
Out of the barn.'
Some one looked in a window;
And curse me, if he wasn't in the kitchen,
Slumped way down in a chair, with both his feet
Stuck in the oven, the hottest day that summer.
He looked so mad in back, and so disgusted
There was no one that dared to stir him up
Or let him know that he was being looked at.
Apparently I hadn't buried him
(I may have knocked him down), but just my trying
To bury him had hurt his dignity.
He had gone to the house so's not to face me.
He kept away from us all afternoon.
We tended to his hay. We saw him out
After a while picking peas in the garden:
He couldn't keep away from doing something.
Weren't you relieved to find he wasn't dead?
No!—and yet I can't say: it's hard to tell.
I went about to kill him fair enough.
You took an awkward way. Did he discharge you?
Discharge me? No! He knew I did just right.
poem by Robert Frost
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Related quotes
What Is A Barn?
A barn is many things-
A barn is a fun place
To run, romp, and play.
It is also a place of refuge,
On hot or stormy days.
A barn is a storage place
For all your tools, grain, and hay.
It is also a place to unwind,
When you have had a tough day.
A barn becomes God's sanctuary,
When you begin to pray
It is also a place of work,
When work is needing done.
A barn is a place
Where freindships can be made
It is also a place
Where new life is born.
A barn is a place
To try with all your might
And finally when its doors are closed,
'Tis safety from the night.
A barn is a place for horses,
And it is a place for cows
A barn is also a hayloft,
Full of little meows
A barn is the Inn
Where our Savior was born
God, our Savior,
Christ, our Lord.
A barn is a work place,
A barn is a play place
A barn is a great place
A barn is a training ring...
A barn is..
Well, when it comes right
Down to it,
A barn is everything!
poem by Macy Dvirnak
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The Birth
he was born on a dark lonely night
and not a soul was in sight.
his mother was driving home
on that starry night, when she started
to feel the contractions.
she knew right then that she would
have to take action.
she pulled alongside that old country road
and her stomach she did hold
.
when she felt that waterbag bust
and in GOD she put her trust.
she asked the LORD what she should do
for she knew not what to do.
she heard a voice so soft and gentle
that told her to stay calm.
for this was a special child
that would be born this night
and that everything was going
to be allright.
she pushed the front seat back
as far as it would go
and took off her clothing so
that she could see.
the pains became so severe
and a head did appear.
she pushed with all her might
so that this child could be free.
for this was the way
it was meant to be.
as the child started to come out
from her lungs came a shout.
this child came out with such ease
and she felt a gentle breeze
as if it was a whisper upon her face
and she knew it was through GODS grace.
with a penknife she cut the cord.
and cleaned him up the best she could.
she wrapped him within her coat
and put the heater on
and drove back to a distant farm.
when she got to the farm
and banged upon the door.
when no one answered
she knealt down on the floor.
again she called upon the LORD
and asked what she should do.
he told her to look towads the barn
for there was a light as bright as day
and the farmer was baling hay.
as she got to the barn door
she collapsed in sheer exhaustion.
when she finally opened up her eyes
on the hay she did lay.
and beside her lay her child.
and the farmer told her she was
out for quite a while.
but the ambulance was on the way
and that he could not move her
in fear of jeopardizing her life
and that she was cleaned up
by his lovely wife.
now the farmers wife was
a religious woman
who believed that nothing
happens by chance.
and at this child she did glance.
she said that he had an aura
of light above his head
just like the bible which she had read.
she looked at this childs mother
and asked her this:
'is this coincidence or is this
a sign from above
that he would be in a barn
like christ was in the manger?
she recalled that gentle voice and
what it had said.
that a special child would be born on this night.
now you tell me.
was she wrong, or was she right?
poem by Louis Rams
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The Barn at Willoughby's Farm
I have this recurring nightmare where
I'm wandering round a farm,
It's out in the middle of nowhere, just
A milking shed and a barn,
An ancient tractor sits by the house
But the blinds are pulled and drawn,
And it seems that the farmer left this place
Before Jacinth was born.
But ever I see her stand and wave
As she climbed aboard the bus,
Off for a life of adventure, not
Stuck here, like one of us,
She'd always wanted the country life
Away from the city's swell,
The day that she waved goodbye to us
Was my first real glimpse of hell!
‘Once I've settled, I'll write, ' she said,
‘Or else, there's always the phone;
I'll try to ring on a Friday night
When I'll catch you all at home! '
But she didn't ring, and she didn't write
And a month went by so soon,
She'd left in the middle of March, at night,
And then it was almost June!
I called on out to the agency
The office was next to the zoo,
She said they'd found her a pretty farm
That wanted a Jillaroo,
She'd cook and clean for the family,
And then work out on the farm,
Herding the lowing milkers in
To the milking shed by the barn.
The woman flicked through the client file
In a search for Jacinth's name,
She said, ‘That's strange, I've re-arranged
This file, but just the same,
I have no recollection of this
Girl, whatever she's called,
It could be another agency…'
But I thought the woman stalled!
I went to call at the depot where
The buses were parked at night,
I looked up the owner driver that
I'd seen when Jacinth took flight,
‘I don't remember the girl, ' he said,
‘But March was a fair way back,
She probably went to Willoughby's Farm
On the Strzelecki track.'
My heart sank into my boots at that,
I'd heard of that barren track,
There wasn't a working farm out there
Just bush and the bleak outback,
I packed up the old Toyota Ute
With a jerry can or two,
And headed on up to the Flinders
As I thought she'd want me to.
They hadn't seen her in Lyndhurst
What was left of the old ghost town,
I drove on up to Farina where
The buildings were falling down,
Then by the track on a tyre that sat
At the edge, on a pile of sand,
‘Five miles to Willoughby's Farm', the scrawl
Was writ in a shaky hand.
The farm was ruined and derelict,
The milking shed and the barn,
The tractor sat in a pile of rust
By the house of the ancient farm,
The roof had gone, had fallen in
But the barn was still intact,
And covered in dust by the old barn door
Was Jacinth's haversack.
I pushed the door and it opened up
With a creak of ages past,
I thought of the sweat on the farmer's brow
As he turned away, at the last,
But there in dry, brown dust of the floor
Was a slight but recent mound,
And a shovel leant by the cattle pen
As I fell on my knees, to the ground!
I have this recurring nightmare where
I'm wandering round a farm,
It's out in the middle of nowhere, just
A milking shed and a barn,
And the tears stream in this dreadful dream
To remember the pain and hurt;
With one last look at the haversack,
The shovel bit into the dirt!
15 August,2012
poem by David Lewis Paget
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One Afternnon that Summer.
Despite the fact
that other local kids
were in the hay barn playing
Jane stood at the barn doors
looking in apprehensively
and you stood beside her
waiting for her to move in
or say something
but she just stood looking in
are we allowed in to play?
she asked
sure as long as we don't
cause damage to the hay bales
you replied
and she sniffed the air
and moved in
and looked around
the huge barn
with its semi dark
and smells of hay
and captured sun
and warmth
the other kids played
but took no notice
of Jane or you
as you entered
closed the doors
and moved around
the hay strewn floor
haven't you been
in a hay barn before?
you asked looking
at her bright summer dress
and white socks and sandals
yes years ago
she said
as she paused
at the edge
of the nearest hay bale
and sat down
and you sat beside her
in the semi dark
with sunlight making
small light through cracks
and holes in the walls
I don't like mice and rats
she said
and I saw one once
in another barn
and it frightened me
you sat in silence
for a few moments
taking in the air and smells
and then the other kids
ran off out side
into the sunlight
talking of playing
down by the pond
and catching things
you sat still
until their voices died off
and then she said
why have you
brought me in here?
you looked at her eyes
in the dull light
and her lips moving
with their small speech
to be alone with you
without prying eyes
you said
oh I see
she replied
and stood up
and climbed upwards
on the hay bales
with you following
behind her
seeing her sway
as she moved
her hands pulling
her upwards
her legs taking each step
onto a hay bale carefully
then having reach
high up in the barn
she sat down
and you sat beside her
if my father saw me here
he'd think things
Jane said
and she looked at you
with her large eyes
what things? you asked
watching her lay back
with her hands
behind her head
I don't know
he never said
she muttered
as she lay there
she lifted a leg
and her dress
slipped downwards
revealing a glimpse
of naked thigh
that's parents for you
you uttered
never saying
what they think
or saying things
but don't explain
you lay down
beside her
on the hay
as outside the barn
the soft sound
of pitter patter
on the roof
of sudden rain.
poem by Terry Collett
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The Death of the Hired Man
Mary sat musing on the lamp-flame at the table
Waiting for Warren. When she heard his step,
She ran on tip-toe down the darkened passage
To meet him in the doorway with the news
And put him on his guard. "Silas is back."
She pushed him outward with her through the door
And shut it after her. "Be kind," she said.
She took the market things from Warren's arms
And set them on the porch, then drew him down
To sit beside her on the wooden steps.
"When was I ever anything but kind to him?
But I'll not have the fellow back," he said.
"I told him so last haying, didn't I?
'If he left then,' I said, 'that ended it.'
What good is he? Who else will harbour him
At his age for the little he can do?
What help he is there's no depending on.
Off he goes always when I need him most.
'He thinks he ought to earn a little pay,
Enough at least to buy tobacco with,
So he won't have to beg and be beholden.'
'All right,' I say, 'I can't afford to pay
Any fixed wages, though I wish I could.'
'Someone else can.' 'Then someone else will have to.'
I shouldn't mind his bettering himself
If that was what it was. You can be certain,
When he begins like that, there's someone at him
Trying to coax him off with pocket-money,--
In haying time, when any help is scarce.
In winter he comes back to us. I'm done."
"Sh! not so loud: he'll hear you," Mary said.
"I want him to: he'll have to soon or late."
"He's worn out. He's asleep beside the stove.
When I came up from Rowe's I found him here,
Huddled against the barn-door fast asleep,
A miserable sight, and frightening, too--
You needn't smile--I didn't recognise him--
I wasn't looking for him--and he's changed.
Wait till you see."
"Where did you say he'd been?"
"He didn't say. I dragged him to the house,
And gave him tea and tried to make him smoke.
I tried to make him talk about his travels.
Nothing would do: he just kept nodding off."
"What did he say? Did he say anything?"
"But little."
"Anything? Mary, confess
He said he'd come to ditch the meadow for me."
"Warren!"
" ;But did he? I just want to know."
"Of course he did. What would you have him say?
Surely you wouldn't grudge the poor old man
Some humble way to save his self-respect.
He added, if you really care to know,
He meant to clear the upper pasture, too.
That sounds like something you have heard before?
Warren, I wish you could have heard the way
He jumbled everything. I stopped to look
Two or three times--he made me feel so queer--
To see if he was talking in his sleep.
He ran on Harold Wilson--you remember--
The boy you had in haying four years since.
He's finished school, and teaching in his college.
Silas declares you'll have to get him back.
He says they two will make a team for work:
Between them they will lay this farm as smooth!
The way he mixed that in with other things.
He thinks young Wilson a likely lad, though daft
On education--you know how they fought
All through July under the blazing sun,
Silas up on the cart to build the load,
Harold along beside to pitch it on."
"Yes, I took care to keep well out of earshot."
"Well, those days trouble Silas like a dream.
You wouldn't think they would. How some things linger!
Harold's young college boy's assurance piqued him.
After so many years he still keeps finding
Good arguments he sees he might have used.
I sympathise. I know just how it feels
To think of the right thing to say too late.
Harold's associated in his mind with Latin.
He asked me what I thought of Harold's saying
He studied Latin like the violin
Because he liked it--that an argument!
He said he couldn't make the boy believe
He could find water with a hazel prong--
Which showed how much good school had ever done him.
He wanted to go over that. But most of all
He thinks if he could have another chance
To teach him how to build a load of hay----"
"I know, that's Silas' one accomplishment.
He bundles every forkful in its place,
And tags and numbers it for future reference,
So he can find and easily dislodge it
In the unloading. Silas does that well.
He takes it out in bunches like big birds' nests.
You never see him standing on the hay
He's trying to lift, straining to lift himself."
"He thinks if he could teach him that, he'd be
Some good perhaps to someone in the world.
He hates to see a boy the fool of books.
Poor Silas, so concerned for other folk,
And nothing to look backward to with pride,
And nothing to look forward to with hope,
So now and never any different."
Part of a moon was falling down the west,
Dragging the whole sky with it to the hills.
Its light poured softly in her lap. She saw
And spread her apron to it. She put out her hand
Among the harp-like morning-glory strings,
Taut with the dew from garden bed to eaves,
As if she played unheard the tenderness
That wrought on him beside her in the night.
"Warren," she said, "he has come home to die:
You needn't be afraid he'll leave you this time."
"Home," he mocked gently.
"Yes, what else but home?
It all depends on what you mean by home.
Of course he's nothing to us, any more
Than was the hound that came a stranger to us
Out of the woods, worn out upon the trail."
"Home is the place where, when you have to go there,
They have to take you in."
"I should have called it
Something you somehow haven't to deserve."
Warren leaned out and took a step or two,
Picked up a little stick, and brought it back
And broke it in his hand and tossed it by.
"Silas has better claim on us you think
Than on his brother? Thirteen little miles
As the road winds would bring him to his door.
Silas has walked that far no doubt to-day.
Why didn't he go there? His brother's rich,
A somebody--director in the bank."
"He never told us that."
"We know it though."
"I think his brother ought to help, of course.
I'll see to that if there is need. He ought of right
To take him in, and might be willing to--
He may be better than appearances.
But have some pity on Silas. Do you think
If he'd had any pride in claiming kin
Or anything he looked for from his brother,
He'd keep so still about him all this time?"
"I wonder what's between them."
"I can tell you.
Silas is what he is--we wouldn't mind him--
But just the kind that kinsfolk can't abide.
He never did a thing so very bad.
He don't know why he isn't quite as good
As anyone. He won't be made ashamed
To please his brother, worthless though he is."
"I can't think Si ever hurt anyone."
"No, but he hurt my heart the way he lay
And rolled his old head on that sharp-edged chair-back.
He wouldn't let me put him on the lounge.
You must go in and see what you can do.
I made the bed up for him there to-night.
You'll be surprised at him--how much he's broken.
His working days are done; I'm sure of it."
"I'd not be in a hurry to say that."
"I haven't been. Go, look, see for yourself.
But, Warren, please remember how it is:
He's come to help you ditch the meadow.
He has a plan. You mustn't laugh at him.
He may not speak of it, and then he may.
I'll sit and see if that small sailing cloud
Will hit or miss the moon."
It hit the moon.
Then there were three there, making a dim row,
The moon, the little silver cloud, and she.
Warren returned--too soon, it seemed to her,
Slipped to her side, caught up her hand and waited.
"Warren," she questioned.
"Dead," was all he answered.
poem by Robert Frost
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The Barn and the Down
t stood in the sunset sky
Like the straight-backed down,
Many a time - the barn
At the edge of town,
So huge and dark that it seemed
It was the hill
Till the gable's precipice proved
It impossible.
Then the great down in the west
Grew into sight,
A barn stored full to the ridge
With black of night;
And the barn fell to a barn
Or even less
Before critical eyes and its own
Late mightiness.
But far down and near barn and I
Since then have smiled,
Having seen my new cautiousness
By itself beguiled
To disdain what seemed the barn
Till a few steps changed
It past all doubt to the down;
So the barn was avenged.
poem by Edward Thomas
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The Fear
A lantern light from deeper in the barn
Shone on a man and woman in the door
And threw their lurching shadows on a house
Near by, all dark in every glossy window.
A horse's hoof pawed once the hollow floor,
And the back of the gig they stood beside
Moved in a little. The man grasped a wheel,
The woman spoke out sharply, 'Whoa, stand still!'
'I saw it just as plain as a white plate,'
She said, 'as the light on the dashboard ran
Along the bushes at the roadside-a man's face.
You must have seen it too.'
'I didn't see it.
Are you sure--'
'Yes, I'm sure!'
'-it was a face?'
'Joel, I'll have to look. I can't go in,
I can't, and leave a thing like that unsettled.
Doors locked and curtains drawn will make no difference.
I always have felt strange when we came home
To the dark house after so long an absence,
And the key rattled loudly into place
Seemed to warn someone to be getting out
At one door as we entered at another.
What if I'm right, and someone all the time-
Don't hold my arm!'
'I say it's someone passing.'
'You speak as if this were a travelled road.
You forget where we are. What is beyond
That he'd be going to or coming from
At such an hour of night, and on foot too.
What was he standing still for in the bushes?'
'It's not so very late-it's only dark.
There's more in it than you're inclined to say.
Did he look like--?'
'He looked like anyone.
I'll never rest to-night unless I know.
Give me the lantern.'
'You don't want the lantern.'
She pushed past him and got it for herself.
'You're not to come,' she said. 'This is my business.
If the time's come to face it, I'm the one
To put it the right way. He'd never dare-
Listen! He kicked a stone. Hear that, hear that!
He's coming towards us. Joel, go in-please.
Hark!-I don't hear him now. But please go in.'
'In the first place you can't make me believe it's--'
'It is-or someone else he's sent to watch.
And now's the time to have it out with him
While we know definitely where he is.
Let him get off and he'll be everywhere
Around us, looking out of trees and bushes
Till I sha'n't dare to set a foot outdoors.
And I can't stand it. Joel, let me go!'
'But it's nonsense to think he'd care enough.'
'You mean you couldn't understand his caring.
Oh, but you see he hadn't had enough-
Joel, I won't-I won't-I promise you.
We mustn't say hard things. You mustn't either.'
'I'll be the one, if anybody goes!
But you give him the advantage with this light.
What couldn't he do to us standing here!
And if to see was what he wanted, why
He has seen all there was to see and gone.'
He appeared to forget to keep his hold,
But advanced with her as she crossed the grass.
'What do you want?' she cried to all the dark.
She stretched up tall to overlook the light
That hung in both hands hot against her skirt.
'There's no one; so you're wrong,' he said.
'There is.-
What do you want?' she cried, and then herself
Was startled when an answer really came.
'Nothing.' It came from well along the road.
She reached a hand to Joel for support:
The smell of scorching woollen made her faint.
'What are you doing round this house at night?'
'Nothing.' A pause: there seemed no more to say.
And then the voice again: 'You seem afraid.
I saw by the way you whipped up the horse.
I'll just come forward in the lantern light
And let you see.'
'Yes, do.-Joel, go back!'
She stood her ground against the noisy steps
That came on, but her body rocked a little.
'You see,' the voice said.
'Oh.' She looked and looked.
'You don't see-I've a child here by the hand.'
'What's a child doing at this time of night--?'
'Out walking. Every child should have the memory
Of at least one long-after-bedtime walk.
What, son?'
'Then I should think you'd try to find
Somewhere to walk--'
'The highway as it happens-
We're stopping for the fortnight down at Dean's.'
'But if that's all-Joel-you realize-
You won't think anything. You understand?
You understand that we have to be careful.
This is a very, very lonely place.
Joel!' She spoke as if she couldn't turn.
The swinging lantern lengthened to the ground,
It touched, it struck it, clattered and went out.
poem by Robert Frost
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Looking for Encouragement in ICU
He's gone
I never saw him go
Surprised that he fell
I thought he would get up
At first he looked like he'd be OK
He was upset that he'd slipped
Confused that the legs hadn't held
The strength that steadied
The foot and braced the legs
Held at the smoker in 1932
When three solid lefts
Couldn't take him down
Held when the Hammond trim saw kicked
Held on the wet rocks of Redwood Creek
When the salmon jumped and were on
Held splitting a second cord of wood
While after loading the first
I thought I needed a break
Now when he needed it most
They didn't hold they gave
Yet he somehow still held on
Over the ledge I could see him there
He was pulling himself up
Or at least I wanted him to
I tried to talk to him
I got his attention
He silently shook his head
The same as when we hunted
When I thought I had a clear shot
And he knew I didn't
He always challenged me
No matter what I did
To be a better shot
'We're not out here to wound
Chase down a revine then
Drag bloodshoot venison through the brush.
We're out here to put meat on the table.'
He also knew when to fish
And where the quail hid
He always encouraged me
To know what I was doing
Before I did it
'Its real important you learn
The difference between your ass
And a hole in the ground.'
Was his way
Of putting it
I knew what he meant
Shaking his head I recognized his signal
I still wanted to help even though
I couldn't have gotten to him anyway
Then he stopped trying
The strength and gruffness were gone
I was mad at him
For the tears in his eyes
For not trying
For knowing more than me
He knew there was no way up
The others calling to him
Were of no use
I knew then what he wanted
To push away from the side
To be over and done with it
He was caught tangled held back
He couldn't even let go
When he wanted to
I looked and he was there
I couldn't help
I didn't want to watch
I looked again
He was gone
I never saw him go
poem by Tom J. Mariani
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The Light By The Barn
The light by the barn that shines all night
pales at dawn when a little breeze comes.
A little breeze comes breathing the fields
from their sleep and waking the slow windmill.
The slow windmill sings the long day
about anguish and loss to the chickens at work.
The little breeze follows the slow windmill
and the chickens at work till the sun goes down--
Then the light by the barn again.
poem by William Stafford
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The Great Fire of Ingersoll
Written at the time of the disaster.
'Twas on a pleasant eve in May.
Just as the sun shed its last ray,
The bell it rang, citizens to warn,
For lo ! a fire appears in barn.
An ancient barn near hotel stood,
The joining buildings all were wood ;
This barn a relic of the past,
There farmers' horses were made fast.
Our once fair town is now in woe,
And we have had our Chicago ;
But soon a nobler town will rise,
For Ingersoll's all enterprise.
For water far town need not seek,
As there is river and the creek
Just find the means it to apply
And then all fires must quickly die.
poem by James McIntyre
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The Barn
They should never have built a barn there, at all -
Drip, drip, drip! - under that elm tree,
Though when it was young. Now it is old
But good, not like the barn and me.
To-morrow they cut it down. They will leave
The barn, as I shall be left, maybe.
What holds it up? 'Twould not pay to pull down.
Well, this place has no other antiquity.
No abbey or castle looks so old
As this that Job Knight built in '54,
Built to keep corn for rats and men.
Now there's fowls in the roof, pigs on the floor.
What thatch survives is dung for the grass,
The best grass on the farm. A pity the roof
Will not bear a mower to mow it. But
Only fowls have foothold enough.
Starlings used to sit there with bubbling throats
Making a spiky beard as they chattered
And whistled and kissed, with heads in air,
Till they thought of something else that mattered.
But now they cannot find a place,
Among all those holes, for a nest any more.
It's the turn of lesser things, I suppose.
Once I fancied 'twas starlings they built it for.
poem by Edward Thomas
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Kissing Carol Ann
Back in 1957
kissing Carol Ann
behind the barn
in the middle of
a windswept field
of Goldenrod
with a sudden deer
watching was
something special,
let me tell you.
Back then, bobby sox
and big barrettes
and ponytails
were everywhere.
Like many farmers,
Carol Ann's father
had a console radio
in the living room,
and every Saturday night
the family would gather 'round
with bowls of ice cream
and listen to the Grand Ole Opry.
It was beamed 'all the way'
from Nashville I was told
more than once since
I was from Chicago
and sometimes wore a tie
so how could I know.
On my first visit,
I asked Carol Ann
if the Grand Ole Opry was
the Mormon Tabernacle Choir
of country music and she said
not to say that to her father.
She suggested I just tap
my foot to the music
and let him watch me.
Otherwise I'd best be
quiet and say 'Yup, '
'Nope' or 'Maybe'
if asked any questions
which she didn't think
would happen.
No need to say
much more, she said,
and after a few visits,
I understood why.
Over time, I learned
to tap my foot pretty good
to the music because
when I'd come to visit,
her father would insist
I have a bowl of ice cream
with the family.
I liked the ice cream
but not so much
the Grand Ole Opry.
I'd been weaned
on Sinatra in the city.
Big difference,
let me tell you.
But back in 1957
kissing Carol Ann
behind the barn
was something special
since we couldn't do
much more until
I found employment.
Only then, her father said,
could we get married.
I found no jobs
in town, however,
for a bespectacled man
with degrees in English.
Still, I always found
the weekend drives
from Chicago worth
the gas my Rambler drank
because kissing Carol Ann
brought a bit of heaven
down behind that barn,
especially on summer nights
when fireflies were
the only stars we saw
when our eyes
popped open.
It was like
the Fourth of July
with tiny sparklers
twinkling everywhere.
Now,55 years later,
Carol Ann sometimes mentions
fireflies at dusk as we
dance behind the cows
to coax them into the barn
for the night.
I'm still not too good
with cows despite
my John Deere cap,
plaid shirt and overalls
which proves, she says,
that all that kissing
behind the barn in 1957
took the boy out of the city
but not the city out of the boy.
'Hee Haw' is all I ever
say in response because
I know why I'm there.
It's to keep tapping
the cows on the rump
till we get them
back in the barn
so we can go back
in the house
and start with
a kiss and later on
come back downstairs
for two big bowls
of ice cream.
poem by Donal Mahoney
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Back In Time
Last night; I went back in time
To see my wife if we never had met
I saw my ways, and my upcoming days
And my soul, was full of regret.
She wasn't there, but was in my prayer
As I surveyed the new life that I lived
And I walked alone, in my empty home
As my love for her I couldn't give.
I looked for her, and she couldn't be found
Last night when I went back in time,
So I searched her world, left nothing unfurled
But for her, nothing about her could I find.
So without me she took another path
Because then we had never met
But I stayed on that road, until I died old
Because no other woman in my heart would I let.
Then I had my thought when I awoke from my dream
And my woman she couldn't be found
So I closed my eyes and I sat down to cry
As my world was flipped upside down.
I remember now that she had left me
To be in the arms of another man
She was my love my life, my woman my wife
Now she's holding another mans heart and hand.
Why she left me; GOD will only know
But the love I felt once will never be mine,
I did nothing wrong, just loved her to strong,
Now again I wish, to go back in time.
Randy L. McClave
poem by Randy McClave
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Who Stole Our Outhouse? (Fun Poem, But True)
Several drunken revellers were walking home late Saturday night
When they passed McDougal’s farm and they spied a sight
There behind the farmhouse was an old wooden shack
The outhouse stood tall and noble out back
One had a good idea for a jolly spoof
‘Lets lift the outhouse and put it the up on the roof.’
‘But which roof, there are several there? ’
The others looked and grinned ear to ear
‘Lets stick it on the barn, there is a ladder over there.’
So at two o’clock in the morning they went to work full of glee
But they had to be as quiet as could be
Tipping the outhouse on its side
They carried it to the barn
Then got the ladders from along side the farm house
They leant them against the wooden wall
Then pushed and pulled the outhouse to the roof
Placing it on the top, watched it dangle there
Someone found some wood
To wedge under it, to secure it there.
The drunken revellers made their retreat
They hide behind a hedge, and as they were beat
They fell asleep there before the fun began
McDougal awoke at five that morning
Out to the outhouse he went for a sit
He always said it helped with his concentration
Half asleep he wandered out to the back
Out to the little old wooden shack
As he went to open the door
He suddenly realised the outhouse wasn’t there anymore
‘EE Gads! ! ’ He shouted as he had nowhere to sit
He ran to tell his wife the lovely Mabel-Pitt
‘Someone has stolen our little old wooden shack
The one we love to sit in out back.’
Mabel-Pitt put on her dressing gown
And came down to the door
‘McDougal what are you shouting for? ’
‘Someone has stolen our outhouse and left us with only the pit.’
‘You mean our double seated place where we love to sit? ’
‘Yes my dear, it is really gone,
all that is left is a hole in the ground.’
‘There is no alternative McDougal, dear.’
‘What is that my honey beer? ’
‘You’ll have to sit behind the hedge.’
Unbeknown the revellers were fast asleep there.
As McDougal started to walk to the hedge
He spotted the shadow from the barn
There seemed to be something wrong there
Turning he gasped at the sight
There on the roof the outhouse stood out against the morning light
‘I have found it my Mabel-Pitt. It is up there.’
Pointing his finger skyward in the air.
‘Where? ’ she asked running in her dressing gown.
Then looked around and gave such a frown.
‘We can’t go up there for a sit,
there isn’t anything under it, not even a pit.’
poem by David Harris
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The Stranger (story)
(story 03/14/11)
I saw a man coming down the road
Head held high, eyes were strong.
He stopped and asked of me
If he could have a bite to eat.
His clothes were all torn and tattered
I asked him what was the matter.
He looked at me and his eyes turned down
His face changed from a smile to a frown.
Hard times I have come across
I was let go by my boss
He said the times was making him downsize
And he had to let go of people to survive.
Everyone was doing the same
People losing their jobs was quite a shame.
Being a farmer who had hard times too
I knew exactly what he was going thru.
So I invited him inside to sit for a spell
For traveling these roads could really be hell.
He was given some soup to take
the chill out of his bones
And was told by the farmer that he wasn’t alone.
He was then given some dinner to eat
To this man it was quite a treat.
The farmer told him he could bathe and
stay the night - and if he wanted to leave
He could leave at first light.
He laid out some pajamas for him to wear
Even gave him some clean underwear.
The bed in the spare room was “ oh so nice”
And he slept peacefully throughout the night.
When he awoke there was breakfast on the table
Coffee, ham and eggs, and cream cheese on a bagel.
After having breakfast he felt like a new man
He looked for the farmer to shake his hand.
He thanked the farmer and asked him his name
He pointed to a wooden nameplate which said:
J. CHRISTHISSON- but some call me J.C.
He then told him he put a fresh set of clothes
On his backpack, turned around and didn’t look back.
So he put on his new clothes and out the door he went
Thinking that this man was heaven sent.
As he walked a mile down the road
He felt guilty that he didn’t thank him properly
For being so kind to a man in need.
He ran back to the farm house and knocked at the door
To be greeted by someone he had never saw.
“I am looking for the farmer who owns this place! ”
That would be me! What can I do for you?
He said: no! that can not be! It was a younger
Man, not as elderly with a beard and shoulder length hair.
He gave me dinner and invited me in, let me bathe
And to have a good nights sleep, then gave
Me these clothes and breakfast to eat.
I don’t see how here you could have stayed
When my wife and I were in another county far away.
But there has been stories going around
About someone helping people when their luck was down.
As he said that - the strangers back pack fell
to the ground, and he heard a clatter.
The man looked at him and asked what was the matter.
He opened his backpack and a wooden name plate fell to the ground
And broke in three- when he looked he could not believe what he saw.
The three parts said: J.CHRIST-HIS-SON
And a cross and rosary laid alongside with a note with one word.
HOPE
Now who could this man have been?
poem by Louis Rams
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A farmer travelling with his load Picked up a horseshoe on the road, And nailed if fast to his barn door, That luck might down upon him pour; That every blessing known in life Might crown his homestead and his wife, And never any kind of harm Descend upon his growing farm.
quote by James Thomas Fields
Submitted by Lucian Velea
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A Servant To Servants
I didn't make you know how glad I was
To have you come and camp here on our land.
I promised myself to get down some day
And see the way you lived, but I don't know!
With a houseful of hungry men to feed
I guess you'd find.... It seems to me
I can't express my feelings any more
Than I can raise my voice or want to lift
My hand (oh, I can lift it when I have to).
Did ever you feel so? I hope you never.
It's got so I don't even know for sure
Whether I am glad, sorry, or anything.
There's nothing but a voice-like left inside
That seems to tell me how I ought to feel,
And would feel if I wasn't all gone wrong.
You take the lake. I look and look at it.
I see it's a fair, pretty sheet of water.
I stand and make myself repeat out loud
The advantages it has, so long and narrow,
Like a deep piece of some old running river
Cut short off at both ends. It lies five miles
Straight away through the mountain notch
From the sink window where I wash the plates,
And all our storms come up toward the house,
Drawing the slow waves whiter and whiter and whiter.
It took my mind off doughnuts and soda biscuit
To step outdoors and take the water dazzle
A sunny morning, or take the rising wind
About my face and body and through my wrapper,
When a storm threatened from the Dragon's Den,
And a cold chill shivered across the lake.
I see it's a fair, pretty sheet of water,
Our Willoughby! How did you hear of it?
I expect, though, everyone's heard of it.
In a book about ferns? Listen to that!
You let things more like feathers regulate
Your going and coming. And you like it here?
I can see how you might. But I don't know!
It would be different if more people came,
For then there would be business. As it is,
The cottages Len built, sometimes we rent them,
Sometimes we don't. We've a good piece of shore
That ought to be worth something, and may yet.
But I don't count on it as much as Len.
He looks on the bright side of everything,
Including me. He thinks I'll be all right
With doctoring. But it's not medicine--
Lowe is the only doctor's dared to say so--
It's rest I want--there, I have said it out--
From cooking meals for hungry hired men
And washing dishes after them--from doing
Things over and over that just won't stay done.
By good rights I ought not to have so much
Put on me, but there seems no other way.
Len says one steady pull more ought to do it.
He says the best way out is always through.
And I agree to that, or in so far
As that I can see no way out but through--
Leastways for me--and then they'll be convinced.
It's not that Len don't want the best for me.
It was his plan our moving over in
Beside the lake from where that day I showed you
We used to live--ten miles from anywhere.
We didn't change without some sacrifice,
But Len went at it to make up the loss.
His work's a man's, of course, from sun to sun,
But he works when he works as hard as I do--
Though there's small profit in comparisons.
(Women and men will make them all the same.)
But work ain't all. Len undertakes too much.
He's into everything in town. This year
It's highways, and he's got too many men
Around him to look after that make waste.
They take advantage of him shamefully,
And proud, too, of themselves for doing so.
We have four here to board, great good-for-nothings,
Sprawling about the kitchen with their talk
While I fry their bacon. Much they care!
No more put out in what they do or say
Than if I wasn't in the room at all.
Coming and going all the time, they are:
I don't learn what their names are, let alone
Their characters, or whether they are safe
To have inside the house with doors unlocked.
I'm not afraid of them, though, if they're not
Afraid of me. There's two can play at that.
I have my fancies: it runs in the family.
My father's brother wasn't right. They kept him
Locked up for years back there at the old farm.
I've been away once--yes, I've been away.
The State Asylum. I was prejudiced;
I wouldn't have sent anyone of mine there;
You know the old idea--the only asylum
Was the poorhouse, and those who could afford,
Rather than send their folks to such a place,
Kept them at home; and it does seem more human.
But it's not so: the place is the asylum.
There they have every means proper to do with,
And you aren't darkening other people's lives--
Worse than no good to them, and they no good
To you in your condition; you can't know
Affection or the want of it in that state.
I've heard too much of the old-fashioned way.
My father's brother, he went mad quite young.
Some thought he had been bitten by a dog,
Because his violence took on the form
Of carrying his pillow in his teeth;
But it's more likely he was crossed in love,
Or so the story goes. It was some girl.
Anyway all he talked about was love.
They soon saw he would do someone a mischief
If he wa'n't kept strict watch of, and it ended
In father's building him a sort of cage,
Or room within a room, of hickory poles,
Like stanchions in the barn, from floor to ceiling,--
A narrow passage all the way around.
Anything they put in for furniture
He'd tear to pieces, even a bed to lie on.
So they made the place comfortable with straw,
Like a beast's stall, to ease their consciences.
Of course they had to feed him without dishes.
They tried to keep him clothed, but he paraded
With his clothes on his arm--all of his clothes.
Cruel--it sounds. I 'spose they did the best
They knew. And just when he was at the height,
Father and mother married, and mother came,
A bride, to help take care of such a creature,
And accommodate her young life to his.
That was what marrying father meant to her.
She had to lie and hear love things made dreadful
By his shouts in the night. He'd shout and shout
Until the strength was shouted out of him,
And his voice died down slowly from exhaustion.
He'd pull his bars apart like bow and bow-string,
And let them go and make them twang until
His hands had worn them smooth as any ox-bow.
And then he'd crow as if he thought that child's play--
The only fun he had. I've heard them say, though,
They found a way to put a stop to it.
He was before my time--I never saw him;
But the pen stayed exactly as it was
There in the upper chamber in the ell,
A sort of catch-all full of attic clutter.
I often think of the smooth hickory bars.
It got so I would say--you know, half fooling--
"It's time I took my turn upstairs in jail"--
Just as you will till it becomes a habit.
No wonder I was glad to get away.
Mind you, I waited till Len said the word.
I didn't want the blame if things went wrong.
I was glad though, no end, when we moved out,
And I looked to be happy, and I was,
As I said, for a while--but I don't know!
Somehow the change wore out like a prescription.
And there's more to it than just window-views
And living by a lake. I'm past such help--
Unless Len took the notion, which he won't,
And I won't ask him--it's not sure enough.
I 'spose I've got to go the road I'm going:
Other folks have to, and why shouldn't I?
I almost think if I could do like you,
Drop everything and live out on the ground--
But it might be, come night, I shouldn't like it,
Or a long rain. I should soon get enough,
And be glad of a good roof overhead.
I've lain awake thinking of you, I'll warrant,
More than you have yourself, some of these nights.
The wonder was the tents weren't snatched away
From over you as you lay in your beds.
I haven't courage for a risk like that.
Bless you, of course, you're keeping me from work,
But the thing of it is, I need to be kept.
There's work enough to do--there's always that;
But behind's behind. The worst that you can do
Is set me back a little more behind.
I sha'n't catch up in this world, anyway.
I'd rather you'd not go unless you must.
poem by Robert Frost
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All Night Long
The way I see the world,
It's all a loney road,
A road that I've been on,
For too long, so I'm told,
She was on the search,
On this loney road of mine,
But I was hidden deep,
And me, she could not find,
-chorus-
But she walked all night long, all night long, but couldn't find me
And she walked all night long, all night long, but couldn't find me
I heard her call my name,
As I lifted my head,
'My search is now complete,
Please come with me, ' she said,
'The second time around,
Is easier, you'll see,
Before I looked for you,
I had to search for, me',
-chorus-
But I walked all night long, all night long, but couldn't find me
And I walked all night long, all night long, but couldn't find me
And as we left the road,
I took a look around,
I thought I'd see myself,
But I was no where to be found,
-chorus-
But we walked all night long, all night long, but couldn't find me
And we walked all night long, all night long, but couldn't find me
poem by Lee McVicar
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Morning and Memories
She had managed to get out
and met you by the pond
where you had been waiting
and the morning air was fresh
and the birds were in song
and the flowers around the pond
were colourful
and she sat beside you
and said
Had to sneak out
the back way
before my mother
gave me chores
and anyway
it's too nice a day
to be stuck indoors
and she looked at you
and smiled her bright smile
and you said
Glad you came
don't like being here
unless you're with me
it reminds me of you
this place
us being here together
and she said
Remember that time
we were here
and the rain came down
and we got drenched
and had to run to the barn
and shelter
and we were warm
and looked at each other
and then she stopped
and looked at the pond
and at the ducks there
and the bright morning sky
and you said
Yes that was a time to remember
and do you remember
that mouse that ran over your leg
and you screamed
and it echoed
around the barn
as if you were being murdered
and she laughed
and put her head
on your shoulder
and said
I can't help it
if mice frighten me
and you sensed her head
against you
and wanted that moment
like all moments with her
never to end
but some how
to always to be there
memories and moments
and feelings
and the ducks
and the smell
of the morning air
always to be in my mind
and always to be there.
poem by Terry Collett
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Casebook Of Oliver Cyriax - Case 1# The Burning Bush (Part 1)
I knocked on his front door
half expecting a weary face
when it opened to greet me.
Instead, Oliver smiled
with a small twinkle in his eyes.
He guided me through to his study,
cluttered in the corners with artefacts
kept as souvenirs from previous cases.
He gestured me to have a seat,
then lifted his briar pipe off the mantle piece,
lit it and then made himself comfortable
in the armchair by the fire.
He looked at me through a cloud of smoke
that billowed from his pipe.
Now Mr Rogers I guess you have read in the newspapers
about the Burning Bush at Little Pebblebury.
Some think it is a religious phenomenon,
while others say it is a warning
and that we should all take heed.
Upon reading the story,
I decided to investigate the Burning Bush myself.
I telephone The Saintly Sovereign Inn at Little Pebblebury
enquiring about a room for the week.
They told me they had one left
because of the interest in their Burning Bush.
I said I would take it
and would travel down that very day.
I arrived at the village
just as the sun was beginning to set.
After settling in my room,
I came down the bar for a meal.
I got to talking to one of the locals
and was quite surprised to learn
that there had been several other ghost fires,
in and around the village the last couple of years.
The first was about two years ago
on a farm about two miles from the village.
It started about dusk as the farmer
was bringing his cattle in from the fields for the night.
As he got closer, he noticed a light
in the barn where he stored his winter hay.
At first, he though his wife
might have left a lamp lit in there,
but as he got closer, he could see the flames.
Leaving the animals in the field,
he ran into the farmhouse
and yelled to his wife to telephone the fire brigade.
He shouted that there was a fire in the barn.
The farmer grabbed a wooden pail
and rushed back out the door.
He dipped it in the animal drinking trough,
scooping out as much water he could get,
then rushed into the barn
and threw the water on the flames.
Back and forward, he ran
with as much water as he could carry.
The more water he threw on it,
the less the fire seemed to go out.
The fire brigade arrived and aimed their hoses
on the flames to douse them out.
Still the fire raged on.
Nothing it seemed could douse the flames.
Deep into the night they battled it,
then just before the dawn a
nd as suddenly as it appeared the fire disappeared.
Everyone by this time was exhausted;
still an investigation had to be made
to ensure there were no smouldering ambers that would start to blaze.
As they entered,
they found that none of the barn interior,
nor any of the hay was burnt or scorched in anyway.
It was as if there was never a fire there at all,
yet dozens of people had seen it and fought it.
Oliver stopped for a moment to rekindle his pipe.
To be continued…
poem by David Harris
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