First 4 Stanzas of MY VERSION of 'The Raven' by E. A. Poe

Once upon a bright spring morning, while I pondered about the heat,
Over many a splendid and soothing volume of forgotten sound,
While I nodded, nearly speechless, suddenly there came a knocking.
As of someone gently tapping, tapping at my house all around.
' 'Tis some visitor, ' I whispered, 'tapping at my house all around-
Only this, 'twas all I found.'

Ah, distinctly I remember it was in the sparkling April,
And each separate blooming flower circled the room round.
Eagerly, I wished for more- I had to try to find
A dog of some sort that could hunt- maybe something like a hound-
For the rare and radiant maiden so she could have a hound-
Nothing else that I had found.

And the vibrant, vibrating uncertain rustling of each blue curtain
Thrilled me-filled me with fantastic elation never felt before;
So that now, to still the fast beats of my heart, I stood saying
' 'Tis some visitor trying to come in at my door weighing a pound-
Some late visitor trying to come on at my door weighing a pound-
This it is, it was all I found.'

Presently my soul grew in strength; hesitating for a short time,
'Sir, ' said I, 'or Madam, truly you have great reason for being profound;
But the fact that you are here, and so gently you came knocking
And so faintly did I hear you, tapping at my house all around.
That I knew you would be here' - here I opened the door weighing a pound-
An angel there, with beautiful seraph sound.

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The Raven

[Spoken Track]
[Poe:]
Once upon a midnight dreary
as I pondered, weak and weary
over many a quaint and curious
volume of forgotten lore
while I nodded, nearly napping
suddenly there came a tapping
as of some one gently rapping
rapping at my chamber door
"'Tis some visitor," I muttered
"tapping at my chamber door
only this and nothing more."
Muttering I got up weakly
always I've had trouble sleeping
stumbling upright my mind racing
furtive thoughts flowing once more
I, there hoping for some sunrise
happiness would be a surprise
loneliness no longer a prize
rapping at my chamber door
seeking out the clever bore
lost in dreams forever more
only this and nothing more
Hovering my pulse was racing
stale tobacco my lips tasting
scotch sitting upon my basin
remnants of the night before
came again
infernal tapping on the door
in my mind jabbing
is it in or outside rapping
calling out to me once more
the fit and fury of Lenore
nameless here forever more
And the silken sad uncertain
rustling of the purple curtain
thrilled me, filled me
with fantastic terrors never felt before
so that now, oh wind, stood breathing
hoping yet to calm my breathing
"'Tis some visitor entreating
entrance at my chamber door
some lost visitor entreating
entrance at my chamber door
this it is, and nothing more."
Deep into the darkness peering
long I stood there
wondering fearing
doubting dreaming fantasies
no mortal dared to dream before
but the silence was unbroken
and the stillness gave no token
and the only word there spoken
was the whispered name, "Lenore

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Edgar Allan Poe

The Raven

Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore--
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
"'Tis some visiter," I muttered, "tapping at my chamber door--
Only this and nothing more."

Ah, distinctly I remember it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow;--vainly I had sought to borrow
From my books surcease of sorrow--sorrow for the lost Lenore--
For the rare and radiant maiden whom the angels name Lenore--
Nameless here for evermore.

And the silken sad uncertain rustling of each purple curtain
Thrilled me--filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating
"'Tis some visiter entreating entrance at my chamber door--
Some late visiter entreating entrance at my chamber door;
This it is and nothing more."

Presently my soul grew stronger; hesitating then no longer,
"Sir," said I, "or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you"--here I opened wide the door--
Darkness there and nothing more.

Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortals ever dared to dream before;
But the silence was unbroken, and the stillness gave no token,
And the only word there spoken was the whispered word, "Lenore?"
This I whispered, and an echo murmured back the word, "Lenore!"--
Merely this and nothing more.

Back into the chamber turning, all my sour within me burning,
Soon again I heard a tapping something louder than before.
"Surely," said I, "surely that is something at my window lattice;
Let me see, then, what thereat is and this mystery explore--
Let my heart be still a moment and this mystery explore;--
'Tis the wind and nothing more.

Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately Raven of the saintly days of yore.
Not the least obeisance made he; not a minute stopped or stayed he,
But, with mien of lord or lady, perched above my chamber door--
Perched upon a bust of Pallas just above my chamber door--
Perched, and sat, and nothing more.

Then the ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
"Though thy crest be shorn and shaven, thou," I said, "art sure no craven,
Ghastly grim and ancient Raven wandering from the Nightly shore--
Tell me what thy lordly name is on the Night's Plutonian shore!"
Quoth the Raven, "Nevermore."

Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning--little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blessed with seeing bird above his chamber door--
Bird or beast upon the sculptured bust above his chamber door,
With such name as "Nevermore."

But the Raven, sitting lonely on that placid bust, spoke only
That one word, as if its soul in that one word he did outpour
Nothing farther then he uttered; not a feather then he fluttered--
Till I scarcely more than muttered: "Other friends have flown before--
On the morrow he will leave me, as my Hopes have flown before."
Then the bird said "Nevermore."

Startled at the stillness broken by reply so aptly spoken,
"Doubtless," said I, "what it utters is its only stock and store,
Caught from some unhappy master whom unmerciful Disaster
Followed fast and followed faster till his songs one burden bore--
Till the dirges of his Hope that melancholy burden bore
Of 'Never--nevermore.'"

But the Raven still beguiling all my sad soul into smiling,
Straight I wheeled a cushioned seat in front of bird and bust and door;
Then, upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yore--
What this grim, ungainly, ghastly, gaunt, and ominous bird of yore
Meant in croaking "Nevermore."

This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom's core;
This and more I sat divining, with my head at ease reclining
On the cushion's velvet lining that the lamp-light gloated o'er,
But whose velvet violet lining with the lamp-light gloating o'er
She shall press, ah, nevermore!

Then, methought, the air grew denser, perfumed from an unseen censer
Swung by Seraphim whose foot-falls tinkled on the tufted floor.
"Wretch," I cried, "thy God hath lent thee--by these angels he hath sent thee
Respite--respite and nepenthe from thy memories of Lenore!
Quaff, oh quaff this kind nepenthe and forget this lost Lenore!"
Quoth the Raven, "Nevermore."

"Prophet!" said I, "thing of evil!--prophet still, if bird or devil!--
Whether Tempter sent, or whether tempest tossed thee here ashore,
Desolate, yet all undaunted, on this desert land enchanted--
On this home by Horror haunted--tell me truly, I implore--
Is there--is there balm in Gilead?--tell me--tell me, I implore!"
Quoth the Raven, "Nevermore."

"Prophet!" said I, "thing of evil!--prophet still, if bird or devil!
By that Heaven that bends above us--by that God we both adore--
Tell this soul with sorrow laden if, within the distant Aidenn,
It shall clasp a sainted maiden whom the angels name Lenore--
Clasp a rare and radiant maiden whom the angels name Lenore."
Quoth the Raven, "Nevermore."

"Be that word our sign of parting, bird or fiend!" I shrieked, upstarting--
"Get thee back into the tempest and the Night's Plutonian shore!
Leave no black plume as a token of that lie thy soul has spoken!
Leave my loneliness unbroken!--quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!"
Quoth the Raven, "Nevermore."

And the Raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon's that is dreaming
And the lamp-light o'er him streaming throws his shadows on the floor;
And my soul from out that shadow that lies floating on the floor
Shall be lifted--nevermore!

poem by Edgar Allan PoeReport problemRelated quotes
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Some One

Some one came knocking
At my wee, small door;
Someone came knocking;
I'm sure-sure-sure;
I listened, I opened,
I looked to left and right,
But nought there was a stirring
In the still dark night;
Only the busy beetle
Tap-tapping in the wall,
Only from the forest
The screech-owl's call,
Only the cricket whistling
While the dewdrops fall,
So I know not who came knocking,
At all, at all, at all.

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The Abandoned House And The Man Who Drags His Shoes To Make The Necessary Sound

when you arrive in the house
(the house that both of you built 17 years ago)
no one is there
not even the three white dogs

you have accepted this face of loneliness
without a mouth

it is its nature now
gentle in silence

there is nothing to talk about with someone else
when someone else is far away and seemingly taking all the hearts out

the door and the hinges have to keep things for themselves
for in truth, those who left the stairs
they still love

you have the key to the door of the kitchen
and that is where you start the journey towards the living room

you scurry on some little memories
it is like putting some words in your notes
in here and there beyond the margins

but it is not that endless really
for whatever it be
joy or death there's got to be an end
that is the truth of the meaning of
this word

it could be a dead-end
a street of walls
& then actually you are caught
in flagrante
where your only choice
is to go back,
retrace,
remember,
refresh
refrains, refrains
of a
love song

you go back to the room look longingly at the bed
the blankets are dusty and the pillows are stained with so much emptiness
or guilt
scruples
Freudian analysis
Carl Jung's other possibilities
of reconciliation

this is a very soundless world and
every part here is keeping its mouth shut
their layers of concealment are thick
and their canopies of
self-defenses are hard

you feel like this is one kind of a giant shell
and you are inside it
its flesh
all blistering
flesh

you decide to wear your shoes all throughout this scrutiny
this journey into marriage
into childlessness
into what if's

you drag your feet with your shoes on
as though someone is suffering and wanting to die
and you hold the collar
and you hurt the backbone
and in that open window
you imagine that someone may finally
jump like a scared cat

nine lives
thirty-six softest feet

you purposely make a sound with your shoes
tapping and tapping
and tapping
to create those sounds
of the past dances
just to fill an empty room

some thoughts jump out of the window
dressed in euphemisms
as the ceiling creates its own crankiness
its cloudiness

nine cats in you jump out that window
falling softly on the grass below
all thirty-six
dreams

it is nice to see of course
nine unharmed cats like fluffy cotton blown by the wind and gently
softly land on the grass

it is no wonder
why men sometimes invoke the sound of their whistling

indeed it is by this time
very relaxing

poem by Ric S. BastasaReport problemRelated quotes
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Song: Top Dog

Without the luxury or remorse,
of the kennelled cops on horse;
the addict dogs patrol the airport lounge.
I'm an Officer of the Force,
PC Dogie O'Hound, of course,
a taut spring, tight and tensioned, till unwound.

Dogie O'Hound, the cop from the Pound:
I hunts 'em down. I hunts 'em down.
I gets around as Dogie O'Hound,
to sniff out more quarry, pound for pound.

The dog cop is Halle-Boppe,
a comet to a grain.
You'll never stop the dogged cop;
hard-nosed and so well-trained.
The cop dog is top dog,
in the furry food-chain.
The cop dog, full chop dog,
smells guilt in flooding rain.

Dogie O'Hound, the cop from the Pound:
I hunts 'em down. I hunts 'em down.
Dogie O'Hound's no flip-flop, nor bound
by the laws of the jungle. My power's profound!

The cop dog's a hot dog,
whose nose can entertain,
the thick fog and mixed blog,
of false scent as no-brained.
The dog cop is hip-hop;
wild and unrestrained.
The dog cop is tip-top,
black ops and arts arcane.

With a known and honed resource,
my talent alone exhorts,
all lesser breeds to cower, as I confound.
I'm an Officer of the Force,
PC Dogie O'Hound, of course.
I am a blooded lurcher of renown.

Dogie O'Hound, the cop from the Pound:
I hunts 'em down. I hunts 'em down.
Dogie O'Hound, the new hero is crowned,
who harries and worries, and hunts 'em down.

poem by David SmithWhiteReport problemRelated quotes
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Something Plain

something so plain is as obvious as
both of you
very well understand
there is that tinge of
little pains
but on a stormy day like this
both of you
have no time yet to speak about it

you wait
when the day is clear when the storm is over
it is plain and obvious and both of you know
that you really understand it
but you still do not speak about it
like, someone is knocking at your door
and both of you
knows who that visitor is
but you do not open the door
you keep pretending
there is no one in this house
no one
not even the past voices
of children
not even a hand
waving goodbye

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The Love Sonnets Of Proteus. Part III: Gods And False Gods: LIX

THE HAUNTED HOUSE
How loud the storm blew all that bitter night!
The loosened ivy tapping on the pane
Woke me and woke, again and yet again,
Till I was full awake and sat upright.
I listened to the noises of the night,
And presently I heard, disguised yet plain,
A footstep on the stair which mounted light
Towards me, and my heart outbeat the rain.
I knew that it was you. I knew it even
Before the door, which by design ajar
Waited your coming, had disclosed my fate.
I felt a wind upon my face from heaven.
I felt the presence of a life. My hair
Was touched as by a spirit. Insensate
I drew you to my bosom. Ah, too late!
I clutched the darkness. There was nothing there.

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Matsuo Basho

But for a woodpecker

But for a woodpecker
tapping at a post, no sound
at all in the house

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Don't Let Me In

I hear you found a brand new friend
Well if I try to take you back again
If I decide to make amends
Don't let me in
You know, I'd like to be inside
But don't you listen when you hear me cry
Not even just to say goodbye
Don't let me in
I say no no no no, oh no
Don't let me in
I say no no no no, oh no
Don't let me in
Don't let me in
I never wanna do you harm
Don't pay no head to all my false alarm
If I should come with pleading arms
Don't let me in
You hear it knocking on your door
You pound another heart you can't ignore
But soon it isn't there no more
[Chorus]
[Solo]
[Chorus (3x)]

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Not A Dry Eye In The House

Not a dry eye in the house
After loves curtain comes down
Listen and youll hear the sound
Hear the sound of a heart breaking
I can still see you standing there
Midnight wind blowing through your hair
Kisses sweet in the salty air
When love was forever
Turn the page and we fade to blue
The scene has changed now Im without you
Walked away when the act was through
And the dream was over
It was almost like a movie - the way you said goodbye
You must have a lot of time rehearsing each and every line
Now theres not a dry eye in the house
After loves curtain comes down
Listen and youll hear the sound
Hear the sound of a heart breaking
Not a smile left on my face
The endings just too sad to take
And theres not a dry eye
Not a dry eye in the house
The greatest story was you and me
Had it all we had everything, but now the
Storys done its just history
The last act is over
You every line had the sweetest sound
Your every touch turned my world around
But the light came up and my world crashed down
End of show - its over
It was almost like a movie
Those nights we touched the stars
Time stood still for you and i
Now its sad enough to make you cry
Now theres not a dry eye in the house
After loves curtain comes down
Listen and youll hear the sound
Hear the sound of a heart breaking
Not a smile left on my face
The endings just too sad to take
And theres not a dry eye
Not a dry eye in the house
Act one - the storys just begun
Act two - I fell in love with you
Act three - knew it was meant to be
Act four - you dont love me no more
And theres not a dry eye in the house
After loves curtain comes down
Listen and youll hear the sound
Hear the sound of a heart breaking
Not a smile left on my face
The endings just too sad to take
And theres not a dry eye
Not a dry eye
Not a dry eye in the house
After loves curtain comes down
Listen and youll hear the sound
Hear the sound of a heart breaking
Not a dry eye in the house (3x)

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The House Beside The Road

The house beside the road,
Where people lived
And children played,
Is empty now
And falling down.

The echos of happy feet
Are heard now,
Tapping to the sound
Of Poppy's fiddle,
But the house beside the road
Is empty.

When a gentle voice
Is heard in the house,
It's only a singing breeze
Sifting itself through
The cracks in the roof of
The house beside the road.

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The Babbling Brook

clearest water flows gently
along and over my naked feet
the touch of its almost tacit sound
deafening beauty for a calming mind
thousands of tiny goosebumps
showing the numerous surprising shivers
trying to make sense

the softest sofa of fresh leaves and little twigs
spread a narcotic palette of autumn perfumes
coloring the signals of my soul

a generous friendly fire of chestnuts and acorns
compose a beat and feel of rhythm of the forests
tapping on my shoulder and head
changing every breath that I take
while softly knocking
at future's door

©Ellie Daphne van Stralen 2012

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Astonishing Forest

Where the house filled with living
The house continuously giving
Where the house filled with nature
The house filled with adventure
Anything can survive
With the nature it provides
Where the house filled with grass
The house filled with hedges, bushes and plants
Canopy trees be it rain or shine
Will be there for you at any time
Where the green house filled with fresh air
Will shelter you in the heavy rain
O the house of beauty
O the house of sound
So much variety is yet to be found

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Musical Feet

My shuffling feet, shuffle forward,
Tapping out a rhythm of a beat.
Taking time to get it right.
Hand tapping thigh,
The pace not a race.
Body vibrates, booming Bass,
Hairs prickle the neck,
Touches roots of the soul.

© 2012

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Shes Knocking At My Door

Music :rudolf schenker
Lyrics:klaus meine
Shes knocking at my door
That little angel knows the score
Shes knocking at my door
But I wont let her out no more
I want a piece of that pie
Shes driving me completely wild
Shes giving me a private dance
Shes playing with my confidence
The way shes coming down the stairs
Makes me surrender just right there
This girl is out of this world
Heaven must be a place on earth
Shes knocking at my door
That little angel knows the score
Shes knocking at my door
But I wont let her out no more
Shes like a shot of adrenaline
She made me fly with broken wings
With nothing but the radio on
Her body is the song I want
Shes knocking at my door
That little angel knows the score
Shes knocking at my door
But I wont let her out no more
The light is on but no ones home tonight
We lock the door, we turn the key
And throw it right outside
Come on and set me free
If you had candy once before
For you keep coming back for more
Shes got the sweetest touch of all
The longest legs that I recall
Before she leaves she turns around
The elevator takes her down
She says oh well the city rocks
I go to sleep but then it knocks
Shes knocking at my door
That little angel knows the score
Shes knocking at my door
But I wont let her out no more
...

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Door To Door

All us angels wearing studs
Yeah, plastic mouth melts in the sun
Oo, running colors everyone
Cause were all in prison having fun
Oh, perfect pictures hang around
Well, delusions swing you up and down
Well fall out windows climb up trees
Im lookin for tranquillity
Hmm, got your, o locks and chains
Well, still gonna blow your brains out
Those locks and chains
No, nah, never felt like a dream like you before
(ahh,ahh, ahh, ahh)
Even knocking door to door
Oo yeah, I never felt like a dream like you before
(ahh,ahh, ahh, ahh)
Even knocking door to door
Oo, yeah you got your herds of people choosing arms
Gonna keep us all in mass alarm
Oh, murder movies make your day
Ah, ah, living in the usa
Cracked up people on the edge
They got no heroes got no bread
Oh, get the jitters get the shakes
Lookin like (? ) the final take
Ooh, well locks and chains
Gonna protect you
Well locks and chains
Dont feel no more
Never felt a dream like you before
(ahh,ahh, ahh, ahh)
Even knocking door to door
Oh, never felt a dream like you before
(ahh,ahh, ahh, ahh)
Even knocking door to door
Ha- shh, oo
Yeah locks and chains
Well gonna blow your brains out?
Yeah locks and chains
Cant feel no more
Never felt a dream like you before
(ahh, ahh, ahh, ahh)
Even knocking door to door
Uh well I never felt a dream like you before
(ahh, ahh, ahh, ahh)
Oo, even knocking door to door
Oh, livin in a dream is all the same
Ah, yeah livin in a dream is a-all the same
Oh never felt a dream like you before
(ahh, ahh, ahh, ahh)
Even knocking door to door (door)
Door to door

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The Old Woman On The Road

why does the old woman
walk on the road
in her hand
a cane or a baton
softly and gently
tapping on the stone
as caressing
slowly and slowly
prone to her destiny
where are her children
where are her grand children
does she sees
enough to look
noone knows
lonely
as a desolate tree
when did they leave her
may be she is goı ng
to the desolate house she used to haunt
she lived with her husband
goı n g to water the flowers
in their garden
but her husband is dead
though she she quarrelled regularly
when he was alı ve
she misses him desperate
why did they leave her
alone
on the road
roads are dangerous
traffı ccı ng the cars
why does this old woman walk
with a cane or a baton
in handslowly..softly...gently
tapping on stone
her looks are even hopeful
never bored of lı fe
on this hour
on this time
why does the old woman
walk on the road
has she escaped from an asylum
or booted from it
ı t is evident
she does not see clearly
she looks like my poor auntie
how old women
look like each other
where are her children
where are her grand children
where are her beloved neighbours
a crow crows in the distant
in a desolate tree
does loneliness walks wth so diffı culty
and so bitter
how soon we have forgotten our elder
may god bewaring everyhing ever
hope god forget them never......

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My Pesky Pecker

Each morning I'm awakened
by my annoying little friend.
As long as he has wood
he will be at it once again.
'Woody' has been with me now
for days beyond recall.
A Persistent little Pecker,
the little bugger gives his all.
For a month now he's been tapping
on the tree outside my den.
On weekends its annoying
cause I like to sleep till Ten.
I so wish someone would eat him,
perhaps the neighbor's cat,
and end his constant tapping
by putting paid to that.

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The Home-Coming

This was our house. To this we came
Lighted by love with torch aflame,
And in this chamber, door locked fast,
I held you to my heart at last.

This was our house. In this we knew
The worst that Time and Fate can do.
You left the room bare, wide the door;
You did not love me any more.

Where once the kind warm curtain hung
The spider's ghostly cloth is flung;
The beetle and the woodlouse creep
Where once I loved your lovely sleep.

Yet so the vanished spell endures,
That this, our house, still, still is yours.
Here, spite of all these years apart,
I still can hold you to my heart!

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William Cowper

The Colubriad

Close by the threshold of a door nailed fast
Three kittens sat; each kitten looked aghast;
I passing swift and inattentive by,
At the three kittens cast a careless eye,
Not much concerned to know what they did there,
Not deeming kittens worth a poet's care.
But presently a loud and furious hiss
Caused me to stop and to exclaim, 'What's this?'
When lo! upon the threshold met my view,
With head erect, and eyes of fiery hue,
A viper, long as Count de Grasse's quoue.
Forth from his head his forked tongue he throws,
Darting it full against a kitten's nose,
Who having never seen, in field or house,
The like, sat still and silent as a mouse;
Only projecting with attention due,
Her whiskered face, she asked him, 'Who are you?'
On to the hall went I, with pace not slow,
But swift as lightning, for a long Dutch hoe,
With which well armed I hastened to the spot,
To find the viper, -- but I found him not;
And turning up the leaves, and shrubs around,
Formed only, that he was not to be found.
But still the kittens, sitting as before,
Sat watching close the bottom of the door.
'I hope,' said I, 'the villain I would kill
Has slipped between the door and the door sill;
And if I make despatch and follow hard,
No doubt but I shall find him in the yard;
For long ere now it should have been rehearsed,
'Twas in the garden that I found him first.
Even there I found him, there the full-grown cat
His head, with velvet paw, did gently pat,
As curious as the kittens erst had been
To learn what this phenomenon might mean,
Filled with heroic ardour at the sight,
And fearing every moment he would bite,
And rob our household of our only cat
That was of age to combat with a rat,
With outstretched hoe I slew him at the door,
And taught him Never To Come There No More.

poem by William CowperReport problemRelated quotes
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