Rabindranath Tagore

The Gardener IV: Ah Me

Ah me, why did they build my
house by the road to the market
town?
They moor their laden boats near
my trees.
They come and go and wander at
their will.
I sit and watch them; my time
wears on.
Turn them away I cannot. And
thus my days pass by.
Night and day their steps sound
by my door.
Vainly I cry, "I do not know
you."
Some of them are known to my
fingers, some to my nostrils, the
blood in my veins seems to know
them, and some are known to my
dreams.
Turn them away I cannot. I call
them and say, "Come to my house
whoever chooses. Yes, come."
In the morning the bell rings in the
temple.
They come with their baskets in
their hands.
Their feet are rosy red. The early
light of dawn is on their faces.
Turn them away I cannot. I call
them and I say, "Come to my garden
to gather flowers. Come hither."
In the mid-day the gong sounds
at the palace gate.
I know not why they leave their
work and linger near my hedge.
The flowers in their hair are pale
and faded; the notes are languid in
their flutes.
Turn them away I cannot. I call
them and say, "The shade is cool
under my trees. Come, friends."
At night the crickets chirp in the
woods.
Who is it that comes slowly to my
door and gently knocks?
I vaguely see the face, not a word
is spoken, the stillness of the sky is
all around.
Turn away my silent guest I
cannot. I look at the face through the
dark, and hours of dreams pass by.

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Sonnet V: Nothing But No

Nothing but "No," and "Aye," and "Aye," and "No"?
How falls it out so strangely you reply?
I tell ye, Fair, I'll not be answer'd so,
With this affirming "No," denying "Aye."
I say, "I love," you slightly answer "Aye";
I say, "You love," you pule me out a "No";
I say, "I die," you echo me an "Aye";
"Save me," I cry, you sigh me out a "No";
Must woe and I have nought but "No" and "Aye"?
No I am I, if I no more can have;
Answer no more, with silence make reply,
And let me take myself what I do crave.
Let "No" and "Aye" with I and you be so;
Then answer "No," and "Aye," and "Aye" and "No."

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The ABC

'Twas midnight in the schoolroom
And every desk was shut
When suddenly from the alphabet
Was heard a loud "Tut-Tut!"

Said A to B, "I don't like C;
His manners are a lack.
For all I ever see of C
Is a semi-circular back!"

"I disagree," said D to B,
"I've never found C so.
From where I stand he seems to be
An uncompleted O."

C was vexed, "I'm much perplexed,
You criticise my shape.
I'm made like that, to help spell Cat
And Cow and Cool and Cape."

"He's right" said E; said F, "Whoopee!"
Said G, "'Ip, 'Ip, 'ooray!"
"You're dropping me," roared H to G.
"Don't do it please I pray."

"Out of my way," LL said to K.
"I'll make poor I look ILL."
To stop this stunt J stood in front,
And presto! ILL was JILL.

"U know," said V, "that W
Is twice the age of me.
For as a Roman V is five
I'm half as young as he."

X and Y yawned sleepily,
"Look at the time!" they said.
"Let's all get off to beddy byes."
They did, then "Z-z-z."

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Revolt In The Ranks

I have just spent one-hour-and-a-half
handicapping tomorrow's
card.
when am I going to get at the poems?
well, they'll just have to wait
they'll have to warm their feet in the
anteroom
where they'll sit gossiping about
me.
"this Chinaski, doesn't he realize that
without us he would have long ago
gone mad, been dead?"
"he knows, but he thinks he can keep
us at his beck and call!"
"he's an ingrate!"
"let's give him writer's block!"
"yeah!"
"yeah!& quot;
"yeah!"
the little poems kick up their heels
and laugh.
then the biggest one gets up and
walks toward the door.
"hey, where are you going?" he is
asked.
"somewhere where I am
appreciated."
then, he
and the others
vanish.

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Emily Dickinson

You're right—

234

You're right—"the way is narrow"—
And "difficult the Gate"—
And "few there be"—Correct again—
That "enter in—thereat"—

'Tis Costly—So are purples!
'Tis just the price of Breath—
With but the "Discount" of the Grave—
Termed by the Brokers—"Death"!

And after that—there's Heaven—
The Good Man's—"Dividend"—
And Bad Men—"go to Jail"—
I guess—

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La Fontaine

The Dress-Maker

A CLOISTERED nun had a lover
Dwelling in the neighb'ring town;
Both racked their brains to discover
How they best their love might crown.
The swain to pass the convent-door!--
No easy matter!--Thus they swore,
And wished it light.--I ne'er knew a nun
In such a pass to be outdone:--
In woman's clothes the youth must dress,
And gain admission. I confess
The ruse has oft been tried before,
But it succeeded as of yore.
Together in a close barred cell
The lovers were, and sewed all day,
Nor heeded how time flew away.--
"What's that I hear? Refection bell!
"'Tis time to part. Adieu!--Farewell!--
"How's this?" exclaimed the abbess, "why
"The last at table?"--"Madam, I
"Have had my dress-maker."--"The rent
"On which you've both been so intent
"Is hard to stop, for the whole day
"To sew and mend, you made her stay;
"Much work indeed you've had to do!
"--Madam, 't would last the whole night through,
"When in our task we find enjoyment
"There is no end of the employment."

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Our Captain's Last Words

Where the foremost flag was flying,
Pierce'd by manny a shot and shell,
Where the bravest men were dying,
There our gallant captain fell.
"Boys! you follow now another;
Follow till the foe shall yield;"
Then he whisper'd, "Tell my mother
Stephen died upon the field."
"Mother!"
"Moth er!"
"Stephen died upon the field."

Through the battle they bore him,
But his words were growing wild;
Heeding not the scenes before him,
Stephen was once more a child.
"Ah, she comes! there is no other
Speaks my name with such a joy;
Press me to your bosom, mother,
Call my still your darling joy."
"Mother!"
"Mother !"
"Call my still your darling joy."

Men who were not used to weeping,
Turn'd aside to hide a tear,
When they saw the pallor creeping,
That assured them death was near.
Kindly as he were a brother,
Strangers caught his parting breath,
Laden with the mumur "mother"
Last upon his lips in death.
"Mother!"
"Mother!&qu ot;
Last upon his lips in death.

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Rabindranath Tagore

Clouds and Waves

Mother, the folk who live up in the clouds call out to me-
"We play from the time we wake till the day ends.
We play with the golden dawn, we play with the silver moon."
I ask, "But how am I to get up to you ?"
They answer, "Come to the edge of the earth, lift up your
hands to the sky, and you will be taken up into the clouds."
"My mother is waiting for me at home, "I say, "How can I leave
her and come?"
Then they smile and float away.
But I know a nicer game than that, mother.
I shall be the cloud and you the moon.
I shall cover you with both my hands, and our house-top will
be the blue sky.
The folk who live in the waves call out to me-
"We sing from morning till night; on and on we travel and know
not where we pass."
I ask, "But how am I to join you?"
They tell me, "Come to the edge of the shore and stand with
your eyes tight shut, and you will be carried out upon the waves."
I say, "My mother always wants me at home in the everything-
how can I leave her and go?"
They smile, dance and pass by.
But I know a better game than that.
I will be the waves and you will be a strange shore.
I shall roll on and on and on, and break upon your lap with
laughter.
And no one in the world will know where we both are.

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Rabindranath Tagore

The Gardener XXVI: What Comes From Your Willing Hands

"What comes from your willing
hands I take. I beg for nothing
more."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."
"If there be a stray flower for me
I will wear it in my heart."
"But if there be thorns?"
"I will endure them."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."
"If but once you should raise your
loving eyes to my face it would make
my life sweet beyond death."
"But if there be only cruel
glances?"
"I will keep them piercing my
heart."
"Yes, yes, I know you, modest
mendicant, you ask for all that one
has."

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La Fontaine

Another Imitation Of Anacreon

PRONE, on my couch I calmly slept
Against my wont. A little child
Awoke me as he gently crept
And beat my door. A tempest wild
Was raging-dark and cold the night.
"Have pity on my naked plight,"
He begged, "and ope thy door".--"Thy name?"
I asked admitting him.--"The same
"Anon I'll tell, but first must dry
"My weary limbs, then let me try
"My mois'ened bow."--Despite my fear
The hearth I lit, then drew me near
My guest, and chafed his fingers cold.
"Why fear?" I thought. "Let me be bold
"No Polyphemus he; what harm
"In such a child?--Then I'll be calm!"
The playful boy drew out a dart,
Shook his fair locks, and to my heart
His shaft he launch'd.--"Love is my name,"
He thankless cried, "I hither came
"To tame thee. In thine ardent pain
"Of Cupid think and young Climene."--
"Ah! now I know thee, little scamp,
"Ungrateful, cruel boy! Decamp!"
Cupid a saucy caper cut,
Skipped through the door, and as it shut,
"My bow," he taunting cried, "is sound,
"Thy heart, poor comrade, feels the wound."

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Emily Dickinson

What is—

215

What is—"Paradise"—
Who live there—
Are they "Farmers"—
Do they "hoe"—
Do they know that this is "Amherst"—
And that I—am coming—too—

Do they wear "new shoes"—in "Eden"—
Is it always pleasant—there—
Won't they scold us—when we're homesick—
Or tell God—how cross we are—

You are sure there's such a person
As "a Father"—in the sky—
So if I get lost—there—ever—
Or do what the Nurse calls "die"—
I shan't walk the "Jasper"—barefoot—
Ransomed folks—won't laugh at me—
Maybe—"Eden" a'n't so lonesome
As New England used to be!

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Us Two

Wherever I am, there's always Pooh,
There's always Pooh and Me.
Whatever I do, he wants to do,
"Where are you going today?" says Pooh:
"Well, that's very odd 'cos I was too.
Let's go together," says Pooh, says he.
"Let's go together," says Pooh.

"What's twice eleven?" I said to Pooh.
("Twice what?" said Pooh to Me.)
"I think it ought to be twenty-two."
"Just what I think myself," said Pooh.
"It wasn't an easy sum to do,
But that's what it is," said Pooh, said he.
"That's what it is," said Pooh.

"Let's look for dragons," I said to Pooh.
"Yes, let's," said Pooh to Me.
We crossed the river and found a few-
"Yes, those are dragons all right," said Pooh.
"As soon as I saw their beaks I knew.
That's what they are," said Pooh, said he.
"That's what they are," said Pooh.

"Let's frighten the dragons," I said to Pooh.
"That's right," said Pooh to Me.
"I'm not afraid," I said to Pooh,
And I held his paw and I shouted "Shoo!
Silly old dragons!"- and off they flew.

"I wasn't afraid," said Pooh, said he,
"I'm never afraid with you."

So wherever I am, there's always Pooh,
There's always Pooh and Me.
"What would I do?" I said to Pooh,
"If it wasn't for you," and Pooh said: "True,
It isn't much fun for One, but Two,
Can stick together, says Pooh, says he. "That's how it is," says Pooh.

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In Alexandria, 31 B.C.

From his village near the outskirts of town,
still dust-covered from the journey in,
the peddler arrives. And "Incense!" "Gum!"
"The best olive oil!" "Perfume for your hair!"
he hawks through the streets. But with all the hubbub,
the music, the parades, who can hear him?
The crowd shoves him, drags him along, knocks him around.
And when he asks, now totally confused, "What's going on here?"
someone tosses him too the huge palace lie:
that Antony is winning in Greece.

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Intimacy

I hear people say, "I love my iPhone, "
Or, "I love drinking a Starbucks coffee."
Sometimes: "I love my Versace cologne, "
And also: "I love having this money."
I hear people say, "I love my Walmart, "
Or, "I love the drive-thru at Taco Bell."
"I love my TV. It's state of the art."
"I love the shoes that Nike has to sell."
I hear this: "I love American Idol, "
And, "I love a nice, cold Budweiser."
"I love medicines such as Demerol."
And, "I love my internet provider."
Yet, one thing I don't hear is, "I love you."
Saying that is too intimate to do.

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Emily Dickinson

Arcturus

"Arcturus" is his other name—
I'd rather call him "Star."
It's very mean of Science
To go and interfere!

I slew a worm the other day—
A "Savant" passing by
Murmured "Resurgam"—"Centipede"!
&q uot;Oh Lord—how frail are we"!

I pull a flower from the woods—
A monster with a glass
Computes the stamens in a breath—
And has her in a "class"!

Whereas I took the Butterfly
Aforetime in my hat—
He sits erect in "Cabinets"—
The Clover bells forgot.

What once was "Heaven"
Is "Zenith" now—
Where I proposed to go
When Time's brief masquerade was done
Is mapped and charted too.

What if the poles should frisk about
And stand upon their heads!
I hope I'm ready for "the worst"—
Whatever prank betides!

Perhaps the "Kingdom of Heaven's" changed—
I hope the "Children" there Won't be "new fashioned" when I come—
And laugh at me—and stare—

I hope the Father in the skies
Will lift his little girl—
Old fashioned—naught—everything—
Over the stile of "Pearl."

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Emily Dickinson

Unto Me? I do not know you—

"Unto Me?" I do not know you—
Where may be your House?

"I am Jesus—Late of Judea—
Now—of Paradise"—

Wagons—have you—to convey me?
This is far from Thence—

"Arms of Mine—sufficient Phaeton—
Trust Omnipotence"—

I am spotted—"I am Pardon"—
I am small—"The Least
Is esteemed in Heaven the Chiefest—
Occupy my House"—

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Rabindranath Tagore

The Recall

The night was dark when she went away, and the slept.
The night is dark now, and I call for her, "Come back, my
darling; the world is asleep; and no one would know, if you came
for a moment while stars are gazing at stars."
She went away when the trees were in bud and the spring was
young.
Now the flowers are in high bloom and I call, "Come back, my
darling. The children gather and scatter flowers in reckless sport.
And if you come and take one little blossom no one will miss it."
Those that used to play are playing still, so spendthrift is
life.
I listen to their chatter and call, "Come back, my darling,
for mother's heart is full to the brim with love, and if you come
to snatch only one little kiss from her no one will grudge it."

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As We Teach We Learn

As we teach we learn, each day
And as we learn we see fresh ways,
To forward go, in boundless joy
Our "blueprint" lives to so enjoy.
The circles turn and spirals wend
Through journeys galore without an end.
So open up your soul and eye
To realise that we never die.
We roam Eternal through the sky
With sun and moon and stars, to cry
Their messages of love and peace
We see the light as we complete
Another Universal twirl,
Sometimes as "boy", and sometimes as "girl, "
though all that truly counts you see,
Is that "I" is always ever "Me"

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Henry Van Dyke

Hide and Seek

All the trees are sleeping, all the winds are still,
All the flocks of fleecy clouds have wandered past the hill;
Through the noonday silence, down the woods of June,
Hark, a little hunter's voice comes running with a tune.
"Hide and seek!
"When I speak,
"You must answer me:
"Call again,
"Merry men,
"Coo-ee, coo-ee, coo-ee!"

Now I hear his footsteps, rustling through the grass:
Hidden in my leafy nook, shall I let him pass?
Just a low, soft whistle,--quick the hunter turns,
Leaps upon me laughing, rolls me in the ferns.
"Hold him fast,
"Caught at last!
"Now you're it, you see.
"Hide your eye,
"Till I cry,
"Coo-ee, coo-ee, coo-ee!"


II

Long ago he left me, long and long ago:
Now I wander through the world and seek him high and low;
Hidden safe and happy, in some pleasant place,--
Ah, if I could hear his voice, I soon should find his face.
Far away,
Many a day,
Where can Barney be?
Answer, dear,
Don't you hear?
Coo-ee, coo-ee, coo-ee!

Birds that in the spring-time thrilled his heart with joy,
Flowers he loved to pick for me, mind me of my boy.
Surely he is waiting till my steps come nigh;
Love may hide itself awhile, but love can never die.
Heart, be glad,
The little lad
Will call some day to thee:
"Father dear,
"Heaven is here,
"Coo-ee, coo-ee, coo-ee!"

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There was one I met upon the road

There was one I met upon the road
Who looked at me with kind eyes.
He said, "Show me of your wares."
And this I did,
Holding forth one.
He said, "It is a sin."
Then held I forth another;
He said, "It is a sin."
Then held I forth another;
He said, "It is a sin."
And so to the end;
Always he said, "It is a sin."
And, finally, I cried out,
"But I have none other."
Then did he look at me
With kinder eyes.
"Poor soul!" he said.

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Song

I came to the door of the House of Love
And knocked as the starry night went by;
And my true love cried "Who knocks?" and I said
"It is I."

And Love looked down from a lattice above
Where the roses were dry as the lips of the dead:
"There is not room in the House of Love
For you both," he said.

I plucked a leaf from the porch and crept
Away through a desert of scoffs and scorns
To a lonely place where I prayed and wept
And wove me a crown of thorns.

I came once more to the House of Love
And knocked, ah, softly and wistfully,
And my true love cried "Who knocks?" and I said
"None now but thee."

And the great doors opened wide apart
And a voice rang out from a glory of light,
"Make room, make room for a faithful heart
In the House of Love, to-night."

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