En.Citatepedia^®.ro

The Sunset

There late was One within whose subtle being,
As light and wind within some delicate cloud
That fades amid the blue noon's burning sky,
Genius and death contended. None may know
The sweetness of the joy which made his breath
Fail, like the trances of the summer air,
When, with the Lady of his love, who then
First knew the unreserve of mingled being,
He walked along the pathway of a field
Which to the east a hoar wood shadowed o'er,
But to the west was open to the sky.
There now the sun had sunk, but lines of gold
Hung on the ashen clouds, and on the points
Of the far level grass and nodding flowers
And the old dandelion's hoary beard,
And, mingled with the shades of twilight, lay
On the brown massy woods -- and in the east
The broad and burning moon lingeringly rose
Between the black trunks of the crowded trees,
While the faint stars were gathering overhead--
'Is it not strange, Isabel,' said the youth,
'I never saw the sun? We will walk here
To-morrow; thou shalt look on it with me.'

That night the youth and lady mingled lay
In love and sleep--but when the morning came
The lady found her lover dead and cold.
Let none believe that God in mercy gave
That stroke. The lady died not, nor grew wild,
But year by year lived on--in truth I think
Her gentleness and patience and sad smiles,
And that she did not die, but lived to tend
Her agèd father, were a kind of madness,
If madness 'tis to be unlike the world.
For but to see her were to read the tale
Woven by some subtlest bard, to make hard hearts
Dissolve away in wisdom-working grief;--
Her eyes were black and lustreless and wan:
Her eyelashes were worn away with tears,
Her lips and cheeks were like things dead--so pale;
Her hands were thin, and through their wandering veins
And weak articulations might be seen
Day's ruddy light. The tomb of thy dead self
Which one vexed ghost inhabits, night and day,
Is all, lost child, that now remains of thee!

'Inheritor of more than earth can give,
Passionless calm and silence unreproved,
Whether the dead find, oh, not sleep! but rest,
And are the uncomplaining things they seem,
Or live, or drop in the deep sea of Love;
Oh, that like thine, mine epitaph were-- Peace!'
This was the only moan she ever made.

poem by Percy Bysshe Shelley
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The Complaint of Lisa

There is no woman living who draws breath
So sad as I, though all things sadden her.
There is not one upon life's weariest way
Who is weary as I am weary of all but death.
Toward whom I look as looks the sunflower
All day with all his whole soul toward the sun;
While in the sun's sight I make moan all day,
And all night on my sleepless maiden bed.
Weep and call out on death, O Love, and thee,
That thou or he would take me to the dead.
And know not what thing evil I have done
That life should lay such heavy hand on me.

Alas! Love, what is this thou wouldst with me?
What honor shalt thou have to quench my breath,
Or what shall my heart broken profit thee?
O Love, O great god Love, what have I done,
That thou shouldst hunger so after my death?
My heart is harmless as my life's first day:
Seek out some false fair woman, and plague her
Till her tears even as my tears fill her bed:
I am the least flower in thy flowery way,
But till my time be come that I be dead,
Let me live out my flower-time in the sun,
Though my leaves shut before the sunflower.

O Love, Love, Love, the kingly sunflower!
Shall he the sun hath looked on look on me,
That live down here in shade, out of the sun,
Here living in the sorrow and shadow of death?
Shall he that feeds his heart full of the day
Care to give mine eyes light, or my lips breath?
Because she loves him, shall my lord love her
Who is as a worm in my lord's kingly way?
I shall not see him or know him alive or dead;
But thou, I know thee, O Love, and pray to thee
That in brief while my brief life-days be done,
And the worm quickly make my marriage-bed.

For underground there is no sleepless bed.
But here since I beheld my sunflower
These eyes have slept not, seeing all night and day
His sunlike eyes, and face fronting the sun.
Wherefore, if anywhere be any death,
I fain would find and fold him fast to me,
That I may sleep with the world's eldest dead,
With her that died seven centuries since, and her
That went last night down the night-wandering way.
For this is sleep indeed, when labor is done,
Without love, without dreams, and without breath,
And without thought, O name unnamed! of thee.

Ah! but, forgetting all things, shall I thee?
Wilt thou not be as now about my bed
There underground as here before the sun?
Shall not thy vision vex me alive and dead,
Thy moving vision without form or breath?
I read long since the bitter tale of her
Who read the tale of Launcelot on a day,
And died, and had no quiet after death,
But was moved ever along a weary way,
Lost with her love in the underworld; ah me,
O my king, O my lordly sunflower,
Would God to me, too, such a thing were done!

But if such sweet and bitter things be done,
Then, flying from life, I shall not fly from thee.
For in that living world without a sun
Thy vision will lay hold upon me dead,
And meet and mock me, and mar my peace in death.
Yet if being wroth, God had such pity on her,
Who was a sinner and foolish in her day,
That even in hell they twain should breathe one breath,
Why should he not in some wise pity me?
So if I sleep not in my soft strait bed,
I may look up and see my sunflower
As he the sun, in some divine strange way.

O poor my heart, well knowest thou in what way
This sore sweet evil unto us was done.
For on a holy and a heavy day
I was arisen out of my still small bed
To see the knights tilt, and one said to me
"The king;" and seeing him, somewhat stopped my breath;
And if the girl spake more, I heard her not,
For only I saw what I shall see when dead,
A kingly flower of knights, a sunflower,
That shone against the sunlight like the sun,
And like a fire, O heart, consuming thee,
The fire of love that lights the pyre of death.

Howbeit I shall not die an evil death
Who have loved in such a sad and sinless way,
That this my love, lord, was no shame to thee.
So when mine eyes are shut against the sun,
O my soul's sun, O the world's sunflower,
Thou nor no man will quite despise me dead.
And dying I pray with all my low last breath
That thy whole life may be as was that day,
That feast-day that made trothplight death and me,
Giving the world light of thy great deeds done;
And that fair face brightening thy bridal bed,
That God be good as God hath been to her.

That all things goodly and glad remain with her,
All things that make glad life and goodly death;
That as a bee sucks from a sunflower
Honey, when summer draws delighted breath,
Her soul may drink of thy soul in like way,
And love make life a fruitful marriage-bed
Where day may bring forth fruits of joy to day
And night to night till days and nights be dead.
And as she gives light of her love to thee,
Give thou to her the old glory of days long done;
And either give some heat of light to me,
To warm me where I sleep without the sun.

O sunflower make drunken with the sun,
O knight whose lady's heart draws thine to her,
Great king, glad lover, I have a word to thee.
There is a weed lives out of the sun's way,
Hid from the heat deep in the meadow's bed,
That swoons and whitens at the wind's least breath,
A flower star-shaped, that all a summer day
Will gaze her soul out on the sunflower
For very love till twilight finds her dead.
But the great sunflower heeds not her poor death,
Knows not when all her loving life is done;
And so much knows my lord the king of me.

Ay, all day long he has no eye for me;
With golden eye following the golden sun
From rose-colored to purple-pillowed bed,
From birthplace to the flame-lit place of death,
From eastern end to western of his way,
So mine eye follows thee, my sunflower,
So the white star-flower turns and yearns to thee,
The sick weak weed, not well alive or dead,
Trod under foot if any pass by her,
Pale, without color of summer or summer breath
In the shrunk shuddering petals, that have done
No work but love, and die before the day.

But thou, to-day, to-morrow, and every day,
Be glad and great, O love whose love slays me.
Thy fervent flower made fruitful from the sun
Shall drop its golden seed in the world's way,
That all men thereof nourished shall praise thee
For grain and flower and fruit of works well done;
Till thy shed seed, O shining sunflower,
Bring forth such growth of the world's garden-bed
As like the sun shall outlive age and death.
And yet I would thine heart had heed of her
Who loves thee alive; but not till she be dead.
Come, Love, then, quickly, and take her utmost breath.

Song, speak for me who am dumb as are the dead;
From my sad bed of tears I send forth thee,
To fly all day from sun's birth to sun's death
Down the sun's way after the flying sun,
For love of her that gave thee wings and breath
Ere day be done, to seek the sunflower.

poem by Algernon Charles Swinburne
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All Souls

I

A THIN moon faints in the sky o'erhead,
And dumb in the churchyard lie the dead.
Walk we not, Sweet, by garden ways,
Where the late rose hangs and the phlox delays,
But forth of the gate and down the road,
Past the church and the yews, to their dim abode.
For it's turn of the year and All Souls' night,
When the dead can hear and the dead have sight.

II

Fear not that sound like wind in the trees:
It is only their call that comes on the breeze;
Fear not the shudder that seems to pass:
It is only the tread of their feet on the grass;
Fear not the drip of the bough as you stoop:
It is only the touch of their hands that grope -
For the year's on the turn, and it's All Souls' night,
When the dead can yearn and the dead can smite.

III

And where should a man bring his sweet to woo
But here, where such hundreds were lovers too?
Where lie the dead lips that thirst to kiss,
The empty hands that their fellows miss,
Where the maid and her lover, from sere to green,
Sleep bed by bed, with the worm between?
For it's turn of the year and All Souls' night,
When the dead can hear and the dead have sight.

IV

And now that they rise and walk in the cold,
Let us warm their blood and give youth to the old.
Let them see us and hear us, and say: 'Ah, thus
In the prime of the year it went with us!'
Till their lips drawn close, and so long unkist,
Forget they are mist that mingles with mist!
For the year's on the turn, and it's All Souls' night,
When the dead can burn and the dead can smite.

V

Till they say, as they hear us - poor dead, poor dead! -
'Just an hour of this, and our age-long bed -
Just a thrill of the old remembered pains
To kindle a flame in our frozen veins,
Just a touch, and a sight, and a floating apart,
As the chill of dawn strikes each phantom heart -
For it's turn of the year and All Souls' night,
When the dead can hear, and the dead have sight.'

VI

And where should the living feel alive
But here in this wan white humming hive,
As the moon wastes down, and the dawn turns cold,
And one by one they creep back to the fold?
And where should a man hold his mate and say:
'One more, one more, ere we go their way'?
For the year's on the turn, and it's All Souls' night,
When the living can learn by the churchyard light.

VII

And how should we break faith who have seen
Those dead lips plight with the mist between,
And how forget, who have seen how soon
They lie thus chambered and cold to the moon?
How scorn, how hate, how strive, we too,
Who must do so soon as those others do?
For it's All Souls' night, and break of the day,
And behold, with the light the dead are away. . . .

poem by Edith Wharton
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My Lady in Her White Silk Shawl

My lady in her white silk shawl
Is like a lily dim,
Within the twilight of the room
Enthroned and kind and prim.

My lady! Pale gold is her hair.
Until she smiles her face
Is pale with far Hellenic moods,
With thoughts that find no place

In our harsh village of the West
Wherein she lives of late,
She's distant as far-hidden stars,
And cold — (almost!) — as fate.

But when she smiles she's here again
Rosy with comrade-cheer,
Puritan Bacchante made
To laugh around the year.

The merry gentle moon herself,
Heart-stirring too, like her,
Wakening wild and innocent love
In every worshipper.

poem by Vachel Lindsay
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The Lady Wore Black

On a lonely walk this morning
A light mist in the air
Dark clouds laughing at me in silence
Casting shadows through my hair
In the distance I saw a woman
Dressed in black with eyes of grey
She wore her pain like a shackled spirit
Eternal life was her debt to pay
The lady wore black
Its the sign of the prisoners lives
The lady wore black
See the years through the tears in her eyes
The lady wore black
Her mystic power calls to me
The lady wore black
Her love can set me free
The wind song whispered a warning
Telling me to beware
Of the quiet shadowed woman
And of the sadness I would share
We sat together for sometime together in silence
Never speaking in words
Of all her thoughts she spoke with her eyes
And I listened remembering all I heard
The lady wore black
Its the sign of the prisoners lives
The lady wore black
See the years through the tears in her eyes
The lady wore black
Her mystic power calls to me
The lady wore black
Her love can set me free
The words she spoke were of forgotten lives
And of all knowledge gained
Memries I had and didnt know why
With a smile she explained
I should have listened to the winds cold warning
And walked the other way
I touched her soul and now I bear her sentence
But for her love Ill gladly pay
The lady wore black
Its the sign of the prisoners lives
The lady wore black
See the years through the tears in her eyes
The lady wore black
Her mystic power calls to me
The lady wore black
Her love can set me free

song performed by by Queensryche
Submitted by Lucian Velea
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Hope Dieth: Hope Liveth

Strong are thine arms, O love, & strong
Thine heart to live, and love, and long;
But thou art wed to grief and wrong:
Live, then, and long, though hope be dead!
Live on, & labour thro’ the years!
Make pictures through the mist of tears,
Of unforgotten happy fears,
That crossed the time ere hope was dead.
Draw near the place where once we stood
Amid delight’s swift-rushing flood,
And we and all the world seemed good
Nor needed hope now cold and dead.
Dream in the dawn I come to thee
Weeping for things that may not be!
Dream that thou layest lips on me!
Wake, wake to clasp hope’s body dead!
Count o’er and o’er, and one by one
The minutes of the happy sun
That while agone on kissed lips shone,
Count on, rest not, for hope is dead.
Weep, though no hair’s breadth thou shalt move
The living Earth, the heaven above
By all the bitterness of love!
Weep and cease not, now hope is dead!
Sighs rest thee not, tears bring no ease,
Life hath no joy, and Death no peace:
The years change not, though they decrease,
For hope is dead, for hope is dead.
Speak, love, I listen: far away
I bless the tremulous lips, that say,
“Mock not the afternoon of day,
Mock not the tide when hope is dead!”
I bless thee, O my love, who say’st:
“Mock not the thistle-cumbered waste;
I hold Love’s hand, and make no haste
Down the long way, now hope is dead.
With other names do we name pain,
The long years wear our hearts in vain.
Mock not our loss grown into gain,
Mock not our lost hope lying dead.
Our eyes gaze for no morning-star,
No glimmer of the dawn afar;
Full silent wayfarers we are
Since ere the noon-tide hope lay dead.
Behold with lack of happiness
The master, Love, our hearts did bless
Lest we should think of him the less:
Love dieth not, though hope is dead!”

poem by William Morris
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The Dead To The Living

Work while it is day: the night cometh, when no man can work.

IN the childhood of April, while purple woods
With the young year's blood in them smiled,
I passed through the lanes and the wakened fields,
And stood by the grave of the child.
And the pain awoke that is never dead
Though it sometimes sleeps, and again
It set its teeth in this heart of mine,
And fastened its claws in my brain:
For it seemed so hard that the little hands
And the little well-loved head
Should be out of reach of my living lips,
And be side by side with the dead--
Not side by side with us who had loved,
But with these who had never seen
The grace of the smile, the gold of the hair,
And the eyes of my baby-queen.
Yet with trees about where the brown birds build,
And with long green grass above,

She lies in the cold sweet breast of earth
Beyond the reach of our love;
Whatever befalls in the coarse loud world,
We know she will never wake.
When I thought of the sorrow she might have known,
I was almost glad for her sake. . . .
Tears might have tired those kiss-closed eyes,
Grief hardened the mouth I kissed;
I was almost glad that my dear was dead
Because of the pain she had missed.
Oh, if I could but have died a child
With a white child-soul like hers,
As pure as the wind-flowers down in the copse,
Where the soul of the spring's self stirs;
Or if I had only done with it all,
And might lie by her side unmoved!
I envied the very clods of earth
Their place near the child I loved!

And my soul rose up in revolt at life,
As I stood dry-eyed by her grave,
When sudden the grass of the churchyard sod
Rolled back like a green smooth wave;
The brown earth looked like the brown sea rocks,
The tombstones were white like spray,
And white like surf were the curling folds
Of the shrouds where the dead men lay;
For each in his place with his quiet face
I saw the dead lie low,
Who had worked and suffered and found life sad,
So many sad years ago.
Unchanged by time I saw them lie
As when first they were laid to rest,
The tired eyes closed, the sad lips still,
And the work-worn hands on the breast.
There were some who had found the green world so grey,
They had left it before their time,
And some were little ones like my dear,
And some had died in their prime;
And some were old, they had had their fill
Of bitter unfruitful hours,
And knew that none of them, none, had known
A flower of a hope like ours!

Through their shut eyelids the dead looked up,
And without a voice they said:
'We lived without hope, without hope we died,
And hopeless we lie here dead;
And death is better than life that draws
Pain in, as it draws in breath,
If life never dreams of a coming day
When life shall not envy death.
Through the dark of our hours and our times we lived,
Uncheered by a single ray
Of such hope as lightens the lives of you
Who are finding life hard to-day;
With our little lanterns of human love
We lighted our dark warm night--
But you in the chill of the dawn are set
With your face to the eastern light.
Freedom is waiting with hands held out
Till you tear the veil from her face--
And when once men have seen the light of her eyes,
And felt her divine embrace,
The light of the world will be risen indeed,
And will shine in the eyes of men,
And those who come after will find life fair,
And their lives worth living then!
Will you strive to the light in your loud rough world,
That these things may come to pass,
Or lie in the shadow beside the child,
And strive to the sun through the grass?'

'My world while I may,' I cried; 'but you
Whose lives were as dark as your grave?'
'We too are a part of the coming light,'
They called through the smooth green wave.
Their white shrouds gleamed as the flood of green
Rolled over and hid them from me--
Hid all but the little hands and the hair,
And the face that I always see.

poem by Edith Nesbit
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The House Of Dust: Part 03: 02: The Screen Maiden

You read—what is it, then that you are reading?
What music moves so silently in your mind?
Your bright hand turns the page.
I watch you from my window, unsuspected:
You move in an alien land, a silent age . . .

. . . The poet—what was his name—? Tokkei—Tokkei—
The poet walked alone in a cold late rain,
And thought his grief was like the crying of sea-birds;
For his lover was dead, he never would love again.

Rain in the dreams of the mind—rain forever—
Rain in the sky of the heart—rain in the willows—
But then he saw this face, this face like flame,
This quiet lady, this portrait by Hiroshigi;
And took it home with him; and with it came

What unexpected changes, subtle as weather!
The dark room, cold as rain,
Grew faintly fragrant, stirred with a stir of April,
Warmed its corners with light again,

And smoke of incense whirled about this portrait,
And the quiet lady there,
So young, so quietly smiling, with calm hands,
Seemed ready to loose her hair,

And smile, and lean from the picture, or say one word,
The word already clear,
Which seemed to rise like light between her eyelids . .
He held his breath to hear,

And smiled for shame, and drank a cup of wine,
And held a candle, and searched her face
Through all the little shadows, to see what secret
Might give so warm a grace . . .

Was it the quiet mouth, restrained a little?
The eyes, half-turned aside?
The jade ring on her wrist, still almost swinging? . . .
The secret was denied,

He chose his favorite pen and drew these verses,
And slept; and as he slept
A dream came into his heart, his lover entered,
And chided him, and wept.

And in the morning, waking, he remembered,
And thought the dream was strange.
Why did his darkened lover rise from the garden?
He turned, and felt a change,

As if a someone hidden smiled and watched him . . .
Yet there was only sunlight there.
Until he saw those young eyes, quietly smiling,
And held his breath to stare,

And could have sworn her cheek had turned—a little . . .
Had slightly turned away . . .
Sunlight dozed on the floor . . . He sat and wondered,
Nor left his room that day.

And that day, and for many days thereafter,
He sat alone, and thought
No lady had ever lived so beautiful
As Hiroshigi wrought . . .

Or if she lived, no matter in what country,
By what far river or hill or lonely sea,
He would look in every face until he found her . . .
There was no other as fair as she.

And before her quiet face he burned soft incense,
And brought her every day
Boughs of the peach, or almond, or snow-white cherry,
And somehow, she seemed to say,

That silent lady, young, and quietly smiling,
That she was happy there;
And sometimes, seeing this, he started to tremble,
And desired to touch her hair,

To lay his palm along her hand, touch faintly
With delicate finger-tips
The ghostly smile that seemed to hover and vanish
Upon her lips . . .

Until he knew he loved this quiet lady;
And night by night a dread
Leered at his dreams, for he knew that Hiroshigi
Was many centuries dead,—

And the lady, too, was dead, and all who knew her . .
Dead, and long turned to dust . . .
The thin moon waxed and waned, and left him paler,
The peach leaves flew in a gust,

And he would surely have died; but there one day
A wise man, white with age,
Stared at the portrait, and said, 'This Hiroshigi
Knew more than archimage,—

Cunningly drew the body, and called the spirit,
Till partly it entered there . . .
Sometimes, at death, it entered the portrait wholly . .
Do all I say with care,

And she you love may come to you when you call her . . . '
So then this ghost, Tokkei,
Ran in the sun, bought wine of a hundred merchants,
And alone at the end of day

Entered the darkening room, and faced the portrait,
And saw the quiet eyes
Gleaming and young in the dusk, and held the wine-cup,
And knelt, and did not rise,

And said, aloud, 'Lo-san, will you drink this wine?'
Said it three times aloud.
And at the third the faint blue smoke of incense
Rose to the walls in a cloud,

And the lips moved faintly, and the eyes, and the calm hands stirred;
And suddenly, with a sigh,
The quiet lady came slowly down from the portrait,
And stood, while worlds went by,

And lifted her young white hands and took the wine cup;
And the poet trembled, and said,
'Lo-san, will you stay forever?'—'Yes, I will stay.'—
'But what when I am dead?'

'When you are dead your spirit will find my spirit,
And then we shall die no more.'
Music came down upon them, and spring returning,
They remembered worlds before,

And years went over the earth, and over the sea,
And lovers were born and spoke and died,
But forever in sunlight went these two immortal,
Tokkei and the quiet bride . . .

poem by Conrad Potter Aiken
Submitted by Poetry Lover
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Adonis

The gods did love Adonis, and for this
He died, ere time had furrowed his young cheek.
For Aphrodité slew him with a kiss.
He sighed one sigh, as though he fain would speak
The name he loved, but that his breath grown weak
Died on his lips. So died the summer breeze;
And all the wood was hushed a minute's space,
Where I stood listening underneath the trees,
Until a wood--chat from her secret place
Chirped in an undertone, ``He is not dead,
Not dead, for lo! the bloom upon his face
Is ruddy as the newly--blossomed rose
Which even yet is woven round his head.
But sleep, more sweet than waking dream, doth close
The laughter of his eyes. He is not dead.''

Alone in that fair wood the livelong day
And through the silent night I watched him near.
But in the morning he was fled away,
When broke the dawn upon me cold and clear.
I looked within the thicket where he lay;
And lo! the sod, which he had pressed in death,
Was white with blossoms, scattered from the may,
Which made the thick air sweet with their sweet breath.
But he was gone; and I went o'er the heath,
Clutching, like one distraught, the dim air grey
With dawning,--for a voice encompassed me,
Crying, ``Fair boy, thy youth was but a span,
Yet did it circle in eternity.
Thy epic was accomplishèd. A man
Fills but the measure of his destiny,
And thine was all complete. Ere age began
To mar the royal palace of thy youth
With upper storeys of less perfect plan,
Death, kindly Death, filled with immortal ruth,
Took back the trowel from the builder's hand,
And wrote his `fecit' on thy work of truth.''

poem by Wilfrid Scawen Blunt
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Mentana : First Anniversary

At the time when the stars are grey,
And the gold of the molten moon
Fades, and the twilight is thinned,
And the sun leaps up, and the wind,
A light rose, not of the day,
A stronger light than of noon.

As the light of a face much loved
Was the face of the light that clomb;
As a mother's whitened with woes
Her adorable head that arose;
As the sound of a God that is moved,
Her voice went forth upon Rome.

At her lips it fluttered and failed
Twice, and sobbed into song,
And sank as a flame sinks under;
Then spake, and the speech was thunder,
And the cheek as he heard it paled
Of the wrongdoer grown grey with the wrong.

"Is it time, is it time appointed,
Angel of time, is it near?
For the spent night aches into day
When the kings shall slay not or pray,
And the high-priest, accursed and anointed,
Sickens to deathward with fear.

"For the bones of my slain are stirred,
And the seed of my earth in her womb
Moves as the heart of a bud
Beating with odorous blood
To the tune of the loud first bird
Burns and yearns into bloom.

"I lay my hand on her bosom,
My hand on the heart of my earth,
And I feel as with shiver and sob
The triumphant heart in her throb,
The dead petals dilate into blossom,
The divine blood beat into birth.

"O my earth, are the springs in thee dry?
O sweet, is thy body a tomb?
Nay, springs out of springs derive,
And summers from summers alive,
And the living from them that die;
No tomb is here, but a womb.

"O manifold womb and divine,
Give me fruit of my children, give!
I have given thee my dew for thy root,
Give thou me for my mouth of thy fruit;
Thine are the dead that are mine,
And mine are thy sons that live.

"O goodly children, O strong
Italian spirits, that wear
My glories as garments about you,
Could time or the world misdoubt you,
Behold, in disproof of the wrong,
The field of the grave-pits there.

"And ye that fell upon sleep,
We have you too with us yet.
Fairer than life or than youth
Is this, to die for the truth:
No death can sink you so deep
As their graves whom their brethren forget.

"Were not your pains as my pains?
As my name are your names not divine?
Was not the light in your eyes
Mine, the light of my skies,
And the sweet shed blood of your veins,
O my beautiful martyrs, mine?

"Of mine earth were your dear limbs made,
Of mine air was your sweet life's breath;
At the breasts of my love ye were fed,
O my children, my chosen, my dead,
At my breasts where again ye are laid,
At the old mother's bosom, in death.

"But ye that live, O their brothers,
Be ye to me as they were;
Give me, my children that live,
What these dead grudged not to give,
Who alive were sons of your mother's,
Whose lips drew breath of your air.

"Till darkness by dawn be cloven,
Let youth's self mourn and abstain;
And love's self find not an hour,
And spring's self wear not a flower,
And Lycoris, with hair unenwoven,
Hail back to the banquet in vain.

"So sooner and surer the glory
That is not with us shall be,
And stronger the hands that smite
The heads of the sons of night,
And the sound throughout earth of our story
Give all men heart to be free."

poem by Algernon Charles Swinburne
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Leda

Do you remember, Leda?

There are those who love, to whom Love brings
Great gladness: such things have not I.
Love looks and has no mercy, brings
Long doom to others. Such was I.
Heart breaking hand upon the lute
Long last made musical by you?
Sharp bird-beak in the swelling fruit,
Or raise the eyelids of these flowers?

I dare not watch that hidden pool,
Nor see the wild bird's sudden wing
Lifting the wide, brown shaken pool,
But round me falls that secret wing,
And in that sharp, perverse, sweet pain
That is half-terror and half-bliss
My withered hands are curled on pain
That were so wide once, after bliss.
And gold is springing in my hair
As my thought spring and flower with it,
Though I sit hid in my grey hair,
Without love or the pain of it.

Yet, oh my Swan, if love have wings,
As the gods tell us, you were love
Who took and broke me with those wings.
I, weak, and being far gone in love
Let blushless things be breathed and done-
Things flowered out now in bitter fruit
That once done are no more undone
Than last year's frost and last year's fruit.

For what has come of love and me
Who knew the first joy that loving is?
Where has love led and beckoned me
But to the end where nothing is?
I have seen my blood beat out again
Red in the hands of all my line,
My sin has swelled and flowered again
Corrupt and fierce through Sparta's line.
Bred through me-bred through delicate hands
And wandering eyes and wanton lips,
Sighing after strange flesh as sighed these lips,

Straying after new sin as strayed these hands.
Mother of Helen! She whose breasts
To new desires unshaped the world;
Above Troy's summit towered these breasts
Helen who wantoned with the world!
Helen is dead (she had love enough
To mock at doom and laugh at shrine)
And Clytemnestra, quiet enough
To-night beneath Apollo's shrine.
And I am left, the source, the spring
Of all their madness. They are dead
While I still sit here, the old spring
That fouled them flows above the dead.

But I have paid. I have borne enough.
I am very old in love and woe.
For all souls these things are enough-
Who have known love are the friends of woe.
There those who love, and who escape,
There are those who love and do not die.
I loved, and there was no escape,
Long since I died and daily die.
And death alone makes hate and love
Friends with each other and with sleep . . .
All's quiet here that once was love,
This that is left belongs to sleep.

poem by Muriel Stuart
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At The Last.

The sky grows white with the moon,
And the sea yearns up to the night
As the soul to an unknown height,
Drawn thence by a starry rune.
Only a lost wind strays,
Like the breath of Passion blown
In the vault of the night unknown;
And the heart in me sobs and says:
'After a while we, too,
Shall rest as the stars above,
When we have no more to do
With the dream of life and love.'
O Time! thy feet that run
Over the hills and waves,
Over the cradles and graves,
From the first to the final sun!
Some day thou too shalt cease —
Some way there'll come to thee
Death's white tranquility,
The boon of an awful peace —
When the latest grief shall flow
With the surge that drifts away,
And the Night shall no more go
In her endless chase of Day.
Then shall the worn heart rest,
Then shall the sad Sea yearn
No more for the Moon's return,
Like a bird on its frozen nest
Dead, with her young ones dead
Under her breast on the bough,
Where nothing can wake them now —
Not the Dawn with its golden tread:
Where Death has been good to all,
Good to the mother and young,
And the dreams are beyond recall,
And the songs have all been sung.
So, at the last, to sleep!
So, at the last, to be
Still as the dead still sea!
Never to wake and weep,
Never to know Love's pain,
Never to yearn on for
What is gone for evermore;
To be as we were again
Ere we came o'er the bourne of birth,
Ere we knew of the fading flowers,
Of love and of life on Earth
And the hearts that were not ours!

poem by Robert Crawford
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Forever

THOSE we love truly never die,
Though year by year the sad memorial wreath,
A ring and flowers, types of life and death,
Are laid upon their graves.

For death the pure life saves,
And life all pure is love; and love can reach
From heaven to earth, and nobler lessons teach
Than those by mortals read.

Well blest is he who has a dear one dead:
A friend he has whose face will never change—
A dear communion that will not grow strange;
The anchor of a love is death.

The blessed sweetness of a loving breath
Will reach our cheek all fresh through weary years.
For her who died long since, ah! waste not tears,
She's thine unto the end.

Thank God for one dead friend,
With face still radiant with the light of truth,
Whose love comes laden with the scent of youth,
Through twenty years of death.

poem by John Boyle O'Reilly
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The Three Bushes

SAID lady once to lover,
'None can rely upon
A love that lacks its proper food;
And if your love were gone
How could you sing those songs of love?
I should be blamed, young man.
O my dear, O my dear.

Have no lit candles in your room,'
That lovely lady said,
'That I at midnight by the clock
May creep into your bed,
For if I saw myself creep in
I think I should drop dead.'
O my dear, O my dear.

'I love a man in secret,
Dear chambermaid,' said she.
'I know that I must drop down dead
If he stop loving me,
Yet what could I but drop down dead
If I lost my chastity?
O my dear, O my dear.

'So you must lie beside him
And let him think me there.
And maybe we are all the same
Where no candles are,
And maybe we are all the same
That stip the body bare.'
O my dear, O my dear.
But no dogs barked, and midnights chimed,
And through the chime she'd say,
'That was a lucky thought of mine,
My lover. looked so gay';
But heaved a sigh if the chambermaid
Looked half asleep all day.
O my dear, O my dear.

'No, not another song,' siid he,
'Because my lady came
A year ago for the first time
At midnight to my room,
And I must lie between the sheets
When the clock begins to chime.'
O my dear, O my d-ear.

'A laughing, crying, sacred song,
A leching song,' they said.
Did ever men hear such a song?
No, but that day they did.
Did ever man ride such a race?
No, not until he rode.
O my dear, O my dear.

But when his horse had put its hoof
Into a rabbit-hole
He dropped upon his head and died.
His lady saw it all
And dropped and died thereon, for she
Loved him with her soul.
O my dear, O my dear.
The chambermaid lived long, and took
Their graves into her charge,
And there two bushes planted
That when they had grown large
Seemed sprung from but a single root
So did their roses merge.
O my dear, O my dear.

When she was old and dying,
The priest came where she was;
She made a full confession.
Long looked he in her face,
And O he was a good man
And understood her case.
O my dear, O my dear.

He bade them take and bury her
Beside her lady's man,
And set a rose-tree on her grave,
And now none living can,
When they have plucked a rose there,
Know where its roots began.
O my dear, O my dear.

poem by William Butler Yeats
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Mercy, my lady! One thing I ask you,

‘Mercy, my lady! One thing I ask you,
As God may bless you, answer me fairly:
When you are dead, and I – for it’s true
After you there can be no life for me –
What of Love, without our company?
For there’s such wisdom and worth in you
And I love so: after us, He’ll not be.’

‘Before God, Thibaut, I judge it true
No one’s death ever killed Love. I see
You mean perhaps to mock me too,
Since you don’t seem wasted much to me.
When we’re dead (Long may our lives be!)
I’m sure Love will suffer a pang or two,
But Love’s worth holds for eternity.’

‘Lady, you mustn’t merely imagine
But know in your heart I love you deeply.
That is why I have put on flesh again,
This joy makes me love myself more dearly:
For God never made a creature so lovely
As you, but it makes me fear that when
We die it will end all Love completely.’

‘Thibaut, silence! No one should begin
A discussion developed so foolishly.
It’s only your means of softening
My heart, when you’ve already beguiled me.
I don’t say I hate you, certainly,
But if Love’s fate’s left for me to sing,
He would still be served honourably.’

‘Lady God grant that you judge aright
And see the ills that you make me suffer:
Since I well know, that if die I might,
Whatever the judgement Love will wither,
If you, Lady, don’t keep him together,
In the place he has always occupied:
To your wisdom aspires no other.’

‘Thibaut, if Love is making you suffer,
For me, don’t regret it, if I love ever,
Mine is a heart that will fail you never.’

poem by Thibaut de Champagne
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Villanelle

We said farewell, my youth and I,
When all fair dreams were gone or going,
And Love’s red lips were cold and dry.
When white blooms fell from tree-tops high—
Our Austral winter’s way of snowing—
We said farewell, my youth and I.

We did not sigh—what use to sigh
When Death passed as a mower mowing,
And Love’s red lips were cold and dry?

But hearing Life’s stream thunder by,
That sang of old through flowers flowing,
We said farewell, my youth and I.

There was no hope in the blue sky,
No music in the low winds blowing,
And Love’s red lips were cold and dry.

My hair is black as yet, then why
So sad! I know not, only knowing
We said farewell, my youth and I.

All are not buried when they die;
Dead souls there are through live eyes showing
When Love’s red lips are cold and dry.

So, seeing where the dead men lie,
Out of their hearts the grave-flowers growing,
We said farewell, my youth and I,
When Love’s red lips were cold and dry.

poem by Victor James Daley
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A Year Or A Day

Seen from the height
Of a thousand miles
The earth looks the same as it did
How is it we can fly faster than day
But we cant find the things we need
Young man said the old man
Let the youth in your heart be at rest
We may all be dead
In a year or a day
When the devil is put to the test
The day of creation
Was our finest hour
Its something we ought to defend
But its been so abused
Since the first day of light
That no glory can come in the end
Young man cried the old man
There is victory in staying alive
And if you care so little
For the world were in
Why and what do you
Want to survive
Cant we try
To let the past go by
With its lessons firmly
Settled in our minds
To our children one by one
And before the darkness comes
Let us leave a world full of light
Of a different kind
In truth they should meet
And with love
Their hearts should beat
And with patience
Solve the problems of our time
It wouldnt be so hard to do
Its only up to me and you
Let us not bequeath
A life that is a crime
Young man cried the old man
Let the youth in your heart be at rest
We may all be dead
In a year or a day
When the devil is put to the test
Young man ...

song performed by by Uriah Heep
Submitted by Lucian Velea
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The Forsaken

The dead are in their silent graves,
And the dew is cold above,
And the living weep and sigh,
Over dust that once was love.
Once I only wept the dead,
But now the living cause my pain:
How couldst thou steal me from my tears,
To leave me to my tears again?
My Mother rests beneath the sod,—
Her rest is calm and very deep:
I wish'd that she could see our loves,—
But now I gladden in her sleep.
Last night unbound my raven locks,
The morning saw them turned to gray,
Once they were black and well beloved,
But thou art changed,—and so are they!
The useless lock I gave thee once,
To gaze upon and think of me,
Was ta'en with smiles,—but this was torn
In sorrow that I send to thee!

poem by Thomas Hood
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Penance

My lover died a century ago,
Her dear heart stricken by my sland'rous breath,
Wherefore the Gods forbade that I should know
The peace of death.

Men pass my grave, and say, "'Twere well to sleep,
Like such an one, amid the uncaring dead!"
How should they know the vigils that I keep,
The tears I shed?

Upon the grave, I count with lifeless breath,
Each night, each year, the flowers that bloom and die,
Deeming the leaves, that fall to dreamless death,
More blest than I.

'Twas just last year -- I heard two lovers pass
So near, I caught the tender words he said:
To-night the rain-drenched breezes sway the grass
Above his head.

That night full envious of his life was I,
That youth and love should stand at his behest;
To-night, I envy him, that he should lie
At utter rest.

poem by John McCrae
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The Magnetic Lady To Her Patient

I.
'Sleep, sleep on! forget thy pain;
My hand is on thy brow,
My spirit on thy brain;
My pity on thy heart, poor friend;
And from my fingers flow
The powers of life, and like a sign,
Seal thee from thine hour of woe;
And brood on thee, but may not blend
With thine.

II.
'Sleep, sleep on! I love thee not;
But when I think that he
Who made and makes my lot
As full of flowers as thine of weeds,
Might have been lost like thee;
And that a hand which was not mine
Might then have charmed his agony
As I another's--my heart bleeds
For thine.

III.
'Sleep, sleep, and with the slumber of
The dead and the unborn
Forget thy life and love;
Forget that thou must wake forever;
Forget the world's dull scorn;
Forget lost health, and the divine
Feelings which died in youth's brief morn;
And forget me, for I can never
Be thine.

IV.
'Like a cloud big with a May shower,
My soul weeps healing rain
On thee, thou withered flower!
It breathes mute music on thy sleep
Its odour calms thy brain!
Its light within thy gloomy breast
Spreads like a second youth again.
By mine thy being is to its deep
Possessed.

V.
'The spell is done. How feel you now?'
'Better—Quite well,' replied
The sleeper.--'What would do
You good when suffering and awake?
What cure your head and side?--'
‘What would cure, that would kill me, Jane:
And as I must on earth abide
Awhile, yet tempt me not to break
My chain.'

poem by Percy Bysshe Shelley
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On Hearing The Princess Royal Sing

In thine abode so high
Where yet one scarce can breathe,
Dear child, most tenderly
A soft song thou dost wreathe.

Thou singest, little girl--
Thy sire, the King is he:
Around thee glories whirl,
But all things sigh in thee.

Thy thought may seek not wings
Of speech; dear love's forbidden;
Thy smiles, those heavenly things,
Being faintly born, are chidden.

Thou feel'st, poor little Bride,
A hand unknown and chill
Clasp thine from out the wide
Deep shade so deathly still.

Thy sad heart, wingless, weak,
Is sunk in this black shade
So deep, thy small hands seek,
Vainly, the pulse God made.

Thou art yet but highness, thou
That shaft be majesty:
Though still on thy fair brow
Some faint dawn-flush may be,

Child, unto armies dear,
Even now we mark heaven's light
Dimmed with the fume and fear
And glory of battle-might.

Thy godfather is he,
Earth's Pope,--he hails thee, child!
Passing, armed men you see
Like unarmed women, mild.

As saint all worship thee;
Thyself even hast the strong
Thrill of divinity
Mingled with thy small song.

Each grand old warrior
Guards thee, submissive, proud;
Mute thunders at thy door
Sleep, that shall wake most loud.

Around thee foams the wild
Bright sea, the lot of kings.
Happier wert thou, my child,
I' the woods a bird that sings!

poem by Victor Hugo
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