When Lightning Fries Your Hard Drive
When lightning fries your hard drive
and you're trying to weave a flying carpet
out of snakey wavelengths that took
millions of light years before you were born
to get here. So you feel you're doomed
to live the eternal recurrence of the past.
Don't forget about me. I'll be your friend.
I'll be your all night window. I'll be
the third eye of your hurricane.
The occult template of your moonrise mirage.
I'll be the antidote to your travelling nightmare
and we'll stay up all night, drinking coffee
and smoking chain letter cigarettes
as we watch the moon through the window
painting her toe nails above the bank.
And if you want to hear wise and profound things,
poetically put in response to the dichotomic genius
of your own spiritual dilemmas,
or just let your hair down like Medusa
and kick back at a black mass of lost wisdom,
I'll be your friend. Your Wizard of Oz.
I'll liberate cages and cages of morning doves
and arise to the occasion in hot flashes of insight
like fire from the ashes of the Library of Alexandria.
I'll put my stones and swords away for awhile
and blow on a forge of stars that stay cool
as nocturnal waterlilies blooming along the banks
of the Fall River in early autumn.
I'll be your Merlin. And I won't teach you
the one forbidden thing
I don't want you to know.
You can just look at things. Or not.
Like alla prima mindscapes I'm painting impromptu
in picture-music on the lyrical night air.
But if all you want to do is bring over some poems,
I'll listen like Seti to the first verifiable signs
of extraterrestrial life. I'll listen like a hacker
that's just broken into an encrypted web-site
through a black hole into the next universe.
Your choice. Or we could just sit there
nibbling on the silence like fish
that have surfaced to feed on the moonlight.
But if you're feeling a little sanity deficient these days,
I'll talk to you about the extreme chaos
of conditioned consciousness in such aromatic words
you'll think a thousand hummingbirds
were swarming the towers of your hollyhocks
like ruby-throated endomorphs and opioids
that just found the sweet spot on your neural receptors.
And by the end of my mystic lucubrations, believe me,
you won't be drinking black cool aid in Jonestown
or stand there frozen in time, your knees
buckled like Stonehenge trembling
like a calendar girl before a total eclipse
at the winter solstice you don't think you're ever
going to get over like a beginning
that just can't get past itself.
I'll paint you naked and blue
firewalking on stars like a Pictish tattoo.
We'll take a moonboat out for a test run
and I can be the sail and the rudder
and you can be the wheel of the zodiac
and we'll sail around omnidirectionally
among enlightened islands in the mindstream
and we won't run aground on the reefs of syntax
like a dead language looking for a loveletter from anyone.
And I'll whisper things you should have heard
in the logic of metaphoric dream grammars
long before the light left, like a Druid
in an old growth forest mentoring a night bird.
And when lightning fries your hard drive
like an ancient oak in July on a Thursday
I'll be your friend. I'll make all those
taboos and curses pinned to your skin
like eclipses in a scenic calendar
fall away like leaves
Or we could stay where we are and shine
in the depths of our own bioluminescence
like the new moons of two black pearls
that would rather keep their prophecies to themselves.
poem by Patrick White
Submitted by Poetry Lover
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Related quotes
Never Wanted To Work That Hard To Be Beautiful
Never wanted to work that hard to be beautiful
inside or out, be the rare fossil of a mirror
in the red velvet drawer of a jewellery tower
that slides out like a tiny coffin in a morgue.
Not out to prove that waterlilies have the bones
of astral hummingbirds. Love flowers,
but not in cults. Love the moon enough
not to make a religion of it, life enough
not to resist what it's trying to put me through
whether I'm howling in pain, set afire,
or mystically exalted by vital bliss
or about to scatter my ashes from any of the bridges
that arc like grey rainbows of partially kept truces
with the lies of the lines in between.
Sometimes I'm mining mini black holes
inside the solar system looking for
new motherlodes of metaphor inside
the eye sockets of a skull crawling with Aztecs
like red army ants attending to their gods,
or go panning for stars well beyond the heliosphere
the way I used to catch fireflies as a boy
just to watch them glow a moment and let them go
like an intimate insight into what I still don't know
but never failed to be enlightened by upon their release.
People outside my open window, laughing, talking,
setting up giddy long shots like sexual moves
on a hot summer night with a beer in its hand,
and the drunk demotic of a little English on the cue,
and alarmed car horns throbbing like ear aches in park,
and it's all so intriguingly silly it's got to be human
and I wonder if a thousand years from now will think
this is what we had to be like. And as soon as I
glimpse that, the whole scene is deepened by time
in the eyes behind a veil of eternity I lifted
while I was alive to see that everything here is indelible.
There's a perpetuity in our apparent randomness
in the passing of the moment, that spontaneously
preserves us for greater things than we can imagine
like the Conservation of Data Principle
that holds good even in the singular depths
of a black hole listening like a poet through an open window.
A smudge of life on my poem, but I don't mind
the fingerprints at all. What's a star without planets?
What's a shepherd ushering moons toward
the high blue grasslands without a black sheep
that wanders off by itself once and awhile
to check out other things along the way?
My poems pick things up in their flowing
like rivers pick up leaves and tributaries
and small flotillas of blossoms in the spring,
the occult alphabets of calligraphic oil snakes,
and mingles them all into the picture-music
of the mindstream, the motifs of a symphony,
or the themes of a play, that picks things up
and puts them down again like the moonrise
of a rock on a beach. Few of life's harmonies
are symmetrically balanced crystallographers.
Nights when I look into the eyes of the stars
and even the lenses of my telescope break into tears.
You can take life out of it like a fly in the toilet bowl,
a bumble bee in a jar, a star out of your eye
a spider on a long-handled broom, or the crumb
of a leftover dream from the night before,
or you can leave it in if it wants to come along for the ride.
I've heard for so long from people who say they know
that everything is one, I don't worry about disconnections.
It's the fallible continuity of life that sings
like a nightbird from the dead branch and green alike
most beautifully to me, the way the light and the rain
and love when it's real, make unions of disparate things
that depend upon each other for life like metaphors.
I revel in the crazy wisdom of the oxymoronic contradictions
that bond me to the universe like the small volcanoes
of the ground wasps that erupt between the fault lines
along the continental plates of the sidewalks
and apprentice me to landscaping with lava on the moon.
The circle's wounded deeper into its roundness
once it's broken by a branch, the stillness more profound
for the stone that's dropped into it. Love, when it's new,
trued by separation. The earth itself, an alloy
of the elemental table. To be truly original creatively
is to seek the low place like the sea and let
everything run down into you like myriad streams
that are neither many nor one, pure nor polluted,
and out of that mingling which is the whole of you,
raise them like weather from the bells of the flowers
to the robes of snow on the mountain tops
and know that with every cloud, every raindrop, storm,
every bolt of lightning, and all the life thereby engendered
is you returning like a shape shifter to your own depths
and everything comes along for the ride as if
they were always on your side, like your eyes are.
poem by Patrick White
Submitted by Poetry Lover
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These Days, This Late At Night
These days, this late at night, I'm usually a lone wolf sage
high above the timberline in a sanctuary of solitude
that occasionally breaks the silence
with the elegaic echo of the anquished shriek of a hawk
wheeling in the abyss like the stars overhead
feeling as if its flightfeathers just caught fire
and for a few brief moments no longer
than the wingspan of a wavelength
it was shining like them and there were jewels
like a woman's eyes cracking the rock
of a heart that's been more of an asteroid
than habitable planet with a few ancestral skulls of its own
for moons and a creative atmosphere where the clouds
can move mountains to tears with the beauty
of what can bloom spontaneously out of nothing
like wildflowers strewn all over the starfields
as if they were expecting someone to come
of the things we really feel are worth crying for.
These days, this time of night, I delight
in looking for the most beautiful nocturnal metaphors
I can compare to you inside and out and beyond both
like a spirit of female serpent fire that haunts me
into paying tribute to her like a muse
who's beginning to possess me like the sea does
when the moon swims out to practise witchcraft
on a lonely island retreat that sings to itself at night.
Even from here, I can hear the song being carried
across the light years like the dove of a deep lament
she keeps like the wind in a locket the size
of the noose around her neck, and the flying carpet
under her feet all that's between her
and firewalking on stars like a burning kite
someone let go of like the umbilical cord
of a lifeboat that had come unmoored in a lunar storm.
Maybe I'm just fossil hunting on the moon
I've been howling at all these years
over the bone pits of dark wisdom I've dug up
on the far side of a black mirror
that doesn't insult your seeing with a night light.
But I swear sometimes when I think of you,
what lies like an archives in the riverbeds
of the sedimentary starmud you put back down
like a book you've read eras of time before,
and look out the window like a door
where you don't have to leave your body
on the threshold like shoes at the edge of the sea
when you walk into your own depths up over your head
to see if your eyes can still swim
with the dolphins and the stars and the flying fish
you left in your wake like a locust plague of urgent telegrams.
I know we're still more strangers to each other
than intimates, that there maybe watersheds
we have in common, and maybe it's still too early
for the fountains to come into blossom yet
as the last stars of the season become
the chandeliers of the morning stars of the next
like dusky candles going out in the blue light of the dawn.
And maybe there are ladders of fire to paradise
trembling like crutches on the edge of a shaky precipice
trying to climb higher than its cloud cover
to break into light like the Pleiades
just above the moon and Jupiter on a good seeing night,
but these days, this late at night, I've been inhaling
a lyrical lantern of oxygen and breathing out stars
like the circumpolar constellation of a healing dragon
pole-dancing with the caduceus of the celestial axis of the earth.
I'm laired with the unmarrowed riddles of bones of my own
I'm trying to read like the yarrow sticks
of a bird skeleton with rose-arbour wings
to see if the light I sense approaching out of the dark
is a mirage of fireflies disguised as a lightning bolt
or the soul mate of a rogue planet
that wants to ghost dance around the third eye
of a first magnitude star that doesn't have any idea
of what I'm doing up here, nor how far
a whisper of light away can seem
to a man fully awake these days, this late at night,
writing in the shadows cast by the candelabra
of a homeless zodiac off the beaten path
like the first draft a waking dream
sleepwalking beside me like the dakini
of a star struck maniac lifting the veils
of the inconceivable like the paint rags
of the night vision shining in the eyes behind them
that even in the dark make everything seem
so incredibly counter-intuitive and lucidly beautiful
I'd be truly out of my mind, like a crystal cranium
that's lost touch with its own translucency
if I didn't find it wholly believable
down to the last mystic detail my enlightened lunacy
howling like a wolf seer at the rising of a new moon
out of a valley where I can hear the distant barking
of the seeing-eye dog that follows Orion around
like a traffic light for the blind compared
to the way you light me up like the Pleiades
whenever I'm trying to get a parallactic fix
on your radiance dancing like a cult of fireflies
on the event horizons of my prophetic skull.
poem by Patrick White
Submitted by Poetry Lover
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Beginning To See The Light
(reed)
Well Im beginning to see the light.
Well Im beginning to see the light.
Some people work very hard,
But still they never get it right.
Well Im beginning to see the light.
Well Im beginning to see the light.
Now Im beginning to see the light.
Wine in the morning
And some breakfast at night.
Well Im beginning to see the light.
Here we go again
Playing the fool again.
Here we go again
Acting hard again.
Well Im beginning to see the light.
Well Im beginning to see the light.
Now Im beginning to see the light.
Well Im beginning to see the light.
Im beginning to see the light.
I wore my teeth in my hands
So I could mess the hair of the night
Well Im beginning to see the light.
Hey Im beginning to see the light.
I met myself in a dream
And I just wanna tell you - everything was alright
Im beginning to see the light.
Here comes two of you,
Which one will you chose?
One is black, one is blue.
Dont look just what to do.
Well Im beginning to see the light.
Well Im beginning to see the light.
Now Im beginning to see the light.
Well Im beginning to see the light.
Well Im beginning to see the light.
Some people work very hard
But still they never get it right
Well Im beginning to see the light.
There are problems in these times
But none of them are mine
Baby, Im beginning to see the light.
Here we go again,
I thought that you were my friend.
Here we go again,
I thought that you were my friend.
How does it feel to be loved?
How does it feel to be loved?
song performed by by Velvet Underground
Submitted by Lucian Velea
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Fade to Black
Do you think of me
or am I just a forgotten memory
like the others before
when you look back
do I cross your mind
this love you made so blind
or does it just fade to black
Should I still feel this way
like it was only yesterday
I watched you walk away
As I travel down
this empty highway
I fade to black
Tell me was he hard to find
or did it just come so easy
the first time he made you smile
Do you look at him
to see me standing there
do you just not care anymore
as you watch another day
fade to black
As I drive another lonely mile
farther from you on this dusty road
do you ever miss me at all
baby, just for a little while
while you watch the night fall
in that big open sky
do you ever cry
or just fade to black
So many nights pass us by
still my arms are empty
while he's holding you tight
loving you til the morning light
my love rolls down a one way track
yeah, I look back
you're nowhere to be found
I try to turn around
I fade to black
Do you think of me
girl, how you lost your best friend
or do you try to pretend
I was just a beginning to an end
as you fade to black
(spiritwind-2006)
poem by Spiritwind Wood
Submitted by Poetry Lover
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Winthrop
When we get back to winthrop
A few miles from the airport
On a plastic chair
On a deck where my friends live
I watch the taking off airplanes
I watch the ocean waves crashing
With all of this movement somethings got to give
Down at the high tide
Passed down through the family
The fishermen gather to complain about the catch
They talk about time
They talk about tides
The pull of the moon and the coffee deep night black
And I listen to them
And I listen to you
And for everyone there is something never coming back
But for all that weve been through
For all that weve promised
Your wayward direction seems insensible
Words fall off like breathless fish
All flopping and scattered
And hearts picked over deemed dispensible
Down at the high tide
Were there for our last meal
The broken loaves are still enough for all
And we talk about time
And we talk about tides
Under the moon with the deep night coffee black
I hear the dim roar of the last flight out
And for someone there is someone never coming back
We talk about time
We talk about tides
Under the moon and the deep night coffee black
I hear the dim roar of the last flight out
And for someone there is someone never coming back
song performed by by Indigo Girls
Submitted by Lucian Velea
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It's Writing Me
It’s writing me.
I’m not writing it.
It’s got nothing to do with obedience
and there’s no chance of betraying it
even now that I’m three thousand miles
and forty light years away
and all the fireflies and lightning bolts
in my mystic cloud of unknowing
have turned into a frenzy of fanatical killer bees.
I’m swarmed by anxieties like mental space junk
and snakey wavelengths of yesterday
still trying to shed the sky like sunburnt skin.
Like the mythic names of old lovers
tattooed on our foreheads and firearms forever
and the obsolete starmaps in braille
that we followed like the magi
across this friendless desert of stars
as the signage of something divine.
And it isn’t the ironic sublimity
of the implacable circumstances of fate
that dictate whether the gate to the garden
is shut to me or not
that I fear the most
but the caprice of cornerstones
that turn into quicksand just to preserve the past.
I’ve grown more ruthless with my memories
over the past four decades.
I splash acid in the eyes
of those who are learning to read me like a book.
Others I send into exile
for trying to desecrate the image I have of me.
They write long sad poems
on the shores of the Black Sea in winter
and they’re never coming home again.
There’s more Tristes than Amores in the depth of my pain.
The rest I keep like lighthouses and lightning rods
to remind me what it was once like
when schools of silver fish swam
like poplar leaves when the wind
turns them all in the same direction at once
through warm water on the moon
and I had an atmosphere I could rely on.
Now some days I open my third eye
to the lucidity of the morning
as if it were a security camera
that took the picture of the thief
that stole the moon from my window last night.
But here you come again this morning
despite my priestly efforts
to exorcise your ghost
like an oxymoronic fragrance
of Parisian perfume and whale vomit
or as you would say expurgated ambergris
wearing that violet orchid of a blouse
and those tight black leather pants
that used to drive me so crazy
to see what could bloom
in the shadow of an outhouse
like waterlilies in a reeking swamp.
You’re leaning over a cedar rail fence
rotten with moss and lunar lichen
up to your hourglass waist line
in the sidereal surf of New England asters
and you’re feeding three black horses
gleaming like anthracite with sweat
and one with a star
in the middle of its forehead
that made me think
of the Great Square of Pegasus at the time,
a stranger’s apples from the palm of your hand.
And the wild gypsy mane of your own black hair
in the full glare of the sunlight
that bloodies the flyaway strands
like a hairdo of oracular serpents
wounded by the Bronze Age.
I saw the innocent face of Eve
under the mask of the Medusa
and I don’t believe even now
that I try every other day not to
I could have ever loved you more
than I did in that moment.
The delusions and the deceptions
have long ago been swept off the stairs
of the whirling castle of Arianrhod
in Corona Borealis
like stars that gave up their fixed places
to blossom awhile and fall
by the janitors who came after us.
And the gnostic gospels of the autumn leaves
we used to read together
when the weather got cold
have been buried in urns
deep in desert caves
like the holy books of persecuted outcasts
that had an epiphanous way of looking at things
that are hard to explain.
Very few things are things of beauty
and even fewer joys forever
but it’s ungracious to mourn
that it happens to be the way it is
but even so even so
as Basho would say.
Attachment too is a Buddha activity
and we mourn the flowers passing away.
And the rivers and the stars carry forth into themselves
like light and water and passion.
How little of what we said and did
means much now?
Two actors that have gone on to other plays.
A carnival of hearts on a road tour
with a big finale on closing night in the grave.
I remember you with much more discretion now
than I used to.
Things grow dark and clear in the winter.
The cold night air prunes your lungs with lunar scalpels
and though there’s less heat in them
than there is in the summer when
the stars burn through the thinner veils of the willows
with greater insight
than they did when they shone above us.
It would have been facile and insincere
to have been embittered by the biased juries
that prosecute a broken heart
trying to apply the law to love.
And for the most part I didn’t let
what was tender and enduring about us then
turn into hard evidence
and throw live rabbits into a snake pit
hoping to appeal the sentence.
I’ve done my time standing up
with my mouth shut
and left the snakes and the rabbits
to fend for themselves
as you and I did
when the final judgement came down.
And the truth will out
I still remember you as a window
I once looked through
into the creative genius of God
when she comes down to earth
in all her radiance
to see what charms the sons of men
what lights them up
like new stars in the Pleiades
and blows them out like black dwarfs
that collapse under their own gravity
after the last ray of light
finishes shredding the secret documents
that would have incriminated us
for once having been in love
and escapes its abandoned embassy
in the Great Nebula of Orion.
And even as a muse
as this poem attests
you arise occasionally
into my field of vision
from era to era
like the ghost of a constellation
or a bird in transit across the moon
or the smoking root fires
of stars that haven’t quite gone out.
And I see in you now
as I did way back then
all aspects of lunar women
reflected in these briefly beautiful moments
that seem like notes of frozen music
at a nexus of the temporal and eternal
like jewels in the eye of a diamond cutter
who’s always grateful
for the long red wavelengths of inspiration
that come to him like retroactive love letters
as expansive with farewell
as the widening wakes of the past
but who knows a lot more about shining
than he did way back then
when the light was more obvious
than it is now.
I will always see the mystery of woman
like an ancient wine
brewed from a blood red eclipse of grapes
that ripened in the sun at midnight
on the dark side of the moon
and as every man is bound to drink
from the cup the moon offers him
I drink.
I drink down to the very last dropp of night
in my crystal skull.
And I can still taste the delirium
of lightning and fireflies
all the stars and jewels and chandeliers
all the eerie flavours of your translucency
that once shuddered through me like spears of light.
I drink the wine
as I would have taken the apple years ago
from the open palm of your hand
like any one of those three black horses
and one with a star in the middle of its forehead
you were coaxing to approach you
over a cedar rail fence in the Garden of Eden.
And though it’s sad and beautiful and dangerous
to remember why we were exiled from the ode
I’ve come to see that broken taboos
are just the eggshells of hidden blessings
that take to their wings
like the silhouettes
of waterbirds in the moonlight.
And I’m a better poet now that I live on my own
with all these afterlives for company
who whisper in my ear
like the rustling of autumn calendars
let things go
let things go
like a windfall of storm-shaken apples.
And I have.
I’ve learned to let things go
like blossoms and leaves and starmaps
that used to glow in the dark
inside my head as I slept
dreaming up schemes for my enlightenment.
I take a deep delight
in the winds of transformation
that feather my dinosaurs into dragons.
I can still feel the rapture and the ecstasy
laced like silver threads of lightning
in the disappointment and despair
of watching the changes
without knowing where I’m going
this far from home
and all my starmaps obsolete.
But I’ve still got a great eye
for the mood swings of colour and light
and the subtle spiritual tones
in the emotional life of the night.
And the beauty I saw incarnated in you that day
like an epiphany that wouldn’t be denied a body
has only rooted more deeply
in my memory over the years
and grown like wild grape vines
with musically inclined tendrils
like the wine of an old theme song
so inevitably ripe with joy and sorrow
it refuses to be watered down
from the original miracle
no matter how many tears have been shed
since we left the wedding.
And it’s strange how memories
can arise more like revelations
and prophecies of yesterday
like time-delayed inspirations
when you’re living on your own.
In art and life and love
they’ve taught me
time and time again
how emotions frozen with pain
that calved icebergs like glaciers
into the shipping lanes
of the mindstream
can thaw ice-age mirrors into tears
when they lose a grip on themselves like snow.
That the reasons to stay
are no less relevant than the reasons
to go off into the unknown.
That it doesn’t matter
whether you wash your hands at home
of the things you’ve touched
and in turn have touched you
or take a bath in the stars
to wash off the ghosts that cling
to your skin and hair
like the dust of the road.
We’re all swimming
in the same water clock
against the flow of the stream
like spawning salmon
summoned out of the great sea
of urgent awareness
back to where we were born.
We’re called to love and death
sex and extinction
at the same time.
And one is not to be revered
any less than the other.
Summer’s flawless.
And so’s the winter.
But more than anything else
looking back over
the event horizons
of the people and things I’ve known
reflecting on the timing
of my content
like seasons of my own
nine times out of ten
I know when
to leave perfection
well enough alone.
poem by Patrick White
Submitted by Poetry Lover
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The Lament Of The Last Train Whistle
The lament of the last train whistle
has disappeared into the distance
mournfully looking for its lost child.
October night in the woods
around an old fire pit of prophetic skulls
blowing ghosts of smoke in my face
that bring me to tears, a neolithic calendar
of all the old and new moons that have passed.
So many, so much, that used to matter
doesn't anymore. Dream figures
that shed their skins like the longer wavelengths
of watersnakes in an infra-red mindscape
of serpent fire dying like the sun
that can tell the hour by the taste of its ashes.
I throw more well-dried thresholds on the fire
like branches that used to be green with the tears
of sweeter departures and arrivals over the years.
All the light's jumped from orbitals
of the tree rings that sag like bags
under the eyes knotted like islands
in the heartwood of their xylem and phloem.
Here where the river parts like long hair
on the skull of a stone, I sit like a demon
in a sacred place, clarified, alert, and alone
as any nocturnal animal in the woods.
The chalkdust of my bones trying
to connect the stars to their constellations
snagged in the trees like the rags of spiderwebs
on the blackboard of a starmap as wide as the sky
and deep as the subconscious of the Burgess Shale.
It's not a betrayal to let go of your faith
when you had none in the first place
and you don't need a parachute on the edge of space
to plunge from paradise, or a weather balloon
of a bad Christian poet to shepherd Dante
like a moon out of hell. Be yourself,
especially when nobody's watching
except that same drone in the sky
that occasionally flashes a flake of silver off
its stone cold third eye to flint your awareness
that it's still there in the cosmic background
like a witness to your dreams and schemes
for a luxuriously appointed life of enlightenment.
Be yourself. The direct copulative imperative
that has supplanted the light as the first word
out of the mouth of creation. Be yourself.
And then let there be light by the side of a good fire
to let you see who that is as acutely
as you can see in the dark who that is not.
The migration of the Canada geese might seem
a broken rosary of new moons calling out
the names of God to you, and one unknown,
or silhouetted against the moon they might
suggest the afterbirth attached to a cut umbilical cord
and your heart might feel reborn somewhere
in the autumn of your life, a child of the fire,
a flower in the full bloom of its solitude
dancing with its own mercurial apparition
on the waters of life in the mindstream
always out of season enough to lag behind
so it can tell the time by the widening gaps in its passage
as it's waiting for the night to catch up to its own shining
like a thief of fire unchained from the rock
that broke the glass window of its transfixed seeing
with a meteor in the hands of an enlightened delinquent.
Or you might read the falling leaves as occult lifelines
on a Tarot deck of overlapping lifespans
like the scales of a dragon playing solitaire
beside the small inferno of a signal fire to the stars,
to let them know you're coming faster
than the time it takes for a thought to make it
all the way to death and back to birth again
as if you were pinging your emotions
like stray wavelengths from the oceans of your awareness
off the horns of the moon the way
you used to skip rocks out over the sea as a boy
to see how long they would keep on going
like a waterclock of stone before they sank
like the flying fish of the hard, cold facts of life back into
the numinous depths of your collective unknowing
where the stars aren't fixed to anything that isn't
flowing along with them like the wind on the mindstream
or a small fire catching its breath in the silence and the solitude
of so much radiance, before it's on its way again for good.
poem by Patrick White
Submitted by Poetry Lover
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The Darkness Ate The Day
I left the light behind and the darkness ate the day,
I stay in the shadows of the night with little regret to say,
The dark is warm like a subtle flame, even the light was never the same
I should be ashamed to say this aloud, but it's easier to say how I am proud
Proud to let the light stay away, proud that the darkness ate the day
For there is little light to fight back, a world that's nothing but black
Black sun, black moon, black night, black day, all the world's that's black will stay,
Stay the way of the night, always straining to destroy the
Light
poem by No Reason To Care
Submitted by Poetry Lover
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Something Deeper Than Stars
Something deeper than tears to weep for you.
I weep blood. I weep the silence
on the backstairs with the screen door
that bangs like the sound of one hand clapping
all through the night at the slightest gust of wind
as if a constellation were trying
to strike up a insightful conversation
with a wet match, the sceptre of a spent blossom.
I need a moon deeper than water to drown in.
I need to dance the pain away
in a sword dance of serpents
that know how to carry a tune
like a well fledged arrow, a beautiful toxin,
straight to the heart of the mysterious apple
that's sitting on top of my head like a prophetic skull.
No flower can say. Not any number of song sparrows
returning to the budding tree in spring,
no green leaf of an innocent tongue,
not even this dry leaf of mine in autumn
writing lyrics on the wind no one can read,
not even among ghosts, can find a voice
that isn't already the dead language
of an absence that can't be adorned
by a seance of words.
I light no candles. I summon no gods.
No pretence of knowing where you've gone.
No black hole that's as empty as
your ring on the table, no halo
that ever fell as far from heaven.
Good-bye's too optimistic and farewell's
the rudder of a grave on the rocks.
And if I were to raise the paper sail
of another poem like the waxing phase
of the funereal moonboat
that carried you away,
I'd make it black. I'd raise it
like the shroud of a black magician
that can make things disappear,
like an eclipse at half mast
and patch it with the skull and crossbones
of a different phase of the moon on the dark side.
I wouldn't return your personal belongings
back to the morning like starlings and doves.
But there aren't enough sacred syllables
swimming like moonlit fish
in the watershed of the silence
to open this fountainmouth of grief
like an aviary of flightless birds.
Nor would I risk having you remember me,
and turn around like a false start,
supposing you can still recall anything at all,
like a light you left on in the hall
the night you left home for good.
You were magic while you were here to work it.
You were the black nun of an enlightened cult of one.
You were the black mass of the sun at midnight
and the blood sister of the moon
that nicked your finger
on both her crescent thorns at once
so one was the cure to the other's wound
like the eyes of a cat, the fangs of a snake.
Given how close to the moon you were
it didn't come as a surprise
when you started writing me loveletters
inscribed in bone as if you'd just invented
a whole new language out of your claws
to make love to a poet in the nude when the moon
didn't lay its silver sword down between us
to keep us a threshold apart from our fingertips.
And it wasn't long before the elixir began to work
and I lost count of the number
of consensual metaphors I had for your lips,
similitudes for the night skies
that surrounded your eyes in a delirium of stars
that revelled in the crazy wisdom
of their mystically inspired atmospheres.
As just as beautiful as they were,
so were they irresistibly dangerous.
How many light years now
have I poured this memory of them
like a love potion over my roots
and waited for you to bloom in my bloodstream
like stars and blossoms streaming
through the heartwood of an ageing tree
that has as many dead branches on it as it does leaves,
and like an orchard anticipating moonrise,
knew you weren't coming anymore,
and the night bird had no one to sing for?
But, hey, I'm still a better seance
than I am an exorcism and if you can hear me
calling the faithful to prayer
in all directions at once like a paper airplane
the boy in me has sent out to search for you
like a loveletter in a hurricane of razor wire,
dripping with clusters of blood
the size of hemorrhaging grapes,
fireflies caught in a spider-web
of starless constellations that aren't a sign
of anything except I miss you worst at night.
If you could sense the tremor
in even the slightest wavelength of light
I'm trying to shine on the darkness to find you,
I'd write you a holy book of sacred silence
inspired by the shadows in my blood
that overtake me like strangers from behind
with an urgent message not to return home
to what isn't there anymore.
I'd sit out here all night by myself
beside the black waters of this night creek
unravelling like a ribbon in mourning,
that's been talking to itself
as it walks in its sleep on the water,
and I would beseech the stars with my eyes
to let me know if they've seen you,
and in my heart I would entreat them
with the solo of a wounded wolf
raising its head up in a wild prayer
to catch a trace of you on the chilly night air,
to give me a starmap to when and where
I can see you face to face again
and touch your eyelids in your sleep
like crocuses coming up through the snow.
Like moonrise in the apple blow of the storm
that scattered us to winds like all these poems
I've tried to write for you ever since
as if you were still somewhere nearby
like another pair of eyes
in my pain and my solitude
watching from the woods
the stars, the water, the moon,
under the stones in the river
that mark your grave and name
above the flowing of this endless epitaph
of leaves and blossoms and poems
as if you alone could still read them,
like the comings and goings,
of waterbirds on the moon,
the first draft of words on the wind,
maple leaves and keys on the mindstream,
and still understand what I was trying to mean.
poem by Patrick White
Submitted by Poetry Lover
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Burn
don't look don't look" the shadows breathe
Whispering me away from you
"don't wake at night to watch her sleep
You know that you will always lose
This trembling
Adored
Tousled bird mad girl... "
But every night i burn
But every night i call your name
Every night i burn
Every night i fall again
"oh don't talk of love" the shadows purr
Murmuring me away from you
"don't talk of worlds that never were
The end is all that's ever true
There's nothing you can ever say
Nothing you can ever do... "
Still every night i burn
Every night i scream your name
Every night i burn
Every night the dream's the same
Every night i burn
Waiting for my only friend
Every night i burn
Waiting for the world to end
"just paint your face" the shadows smile
Slipping me away from you
"oh it doesn't matter how you hide
Find you if we're wanting to
So slide back down and close your eyes
Sleep a while
You must be tired... "
But every night i burn
Every night i call your name
Every night i burn
Every night i fall again
Every night i burn
Scream the animal scream
Every night i burn
Dream the crow black dream
Dream the crow black dream...
song performed by by Cure
Submitted by Lucian Velea
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The Night In The Wounded Mirror
The night in the wounded mirror
is only a childhood away from my face
and there's always a shattered window
between me and my starless shining,
and a dead bird upturned on the sill
as if the sky, too, had its quota of roadkill.
Looking back from all these
lightyears and constellations away,
on the black day I was born under an eclipse
like a flower clenched into a fist,
an eye without an iris darker than a shark's,
I suspect there was a lot more suffering back then
than I was able to live my way through,
estranged in the corner of a kitchen
that was a feeding frenzy of knives.
I still can't leave one out on the counter
without fearing it's just another punctuation mark,
the claw of a comma in a long sentence of blood.
At best, it's the silver scar of the moon
that slashed me open like a well-honed loveletter
that wasn't meant for me.
And I still don't know how to approach
the child I was, the child I still am
time-travelling through himself like a glacier
as if he could put a stop to evolution
or survive his extinction
by keeping to himself like ice.
I look upon his solitude and silence,
the unaccusing indictment of his face,
like a cold, brass plaque
commemorating the unidentifiable victims
of an atrocity that can't be understood.
He's still seven and I'm looping through sixty
like the spine of a calendar
shedding me like autumn,
a picture of turning leaves on every page,
until there's no way of telling what age we are
in this season out of time,
and I want to love him, I want
to say things that could heal us both like water
before I take him with me into my grave,
but I don't truly know how,
and there are secret vows of violation
that are taken without a mouth
and assassins of intimacy in the shadows
and children sleeping in snakepits
who make up their own bedtime stories
and dream of things that can't be told to anyone
who hasn't been devoured in their ancient infancy
by the furious innocence of the sea.
Dark-hearted jewel
of a child in the night,
older than light
who has made more of me
than I can make of him,
when I weep for what he knows
and will not say, what am I,
what are these words
in the inky shacks of the trees
but the lengthening shadow
of the darkness that pours out of him like blood,
or duct-tape like moonlight
over the mouth of a scream?
And if I come back now
like the legend I have made of his sorrow
to gather him up in my arms
like a harvest under a full moon,
and if I sit with him all night
without saying anything
here on this skull of a rock
until each of us is the memory of the other,
could it make anything better,
would it take the thorn of the moon
out of the eye of the dragon
that sheds its skin like childhood skies,
not knowing where things end, things begin?
poem by Patrick White
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I Sit At My Window
I sit at my window
trying to translate the Kufic script
of the shadows of the trees on the snow,
smoking the invisible ink of the light
over the flame of my mind
to clarify my seeing
by realizing there is no deep or shallow
in the fathomless depths of I am,
nothing hidden, nothing revealed.
And it's not so much that I am in the presence of the world,
but that the presence, the world, is me,
and if I go looking for it,
only my fingerprints will be found
like these violet shadows dusted by the snow
under my multitudinous mugshot in the mirror.
So I open my mind and my eye, my heart and my hand
and let things arise as they will,
knowing that even this is a blunder
that advances my tardy illumination by another eclipse.
This morning blue is the taste of the sky
and I am alive again at my desk
to wonder who or what or why I might be
this wondering spontaneity
circling like a bird in the abyss,
feathered by feeling and thought
for a tree or a meaning to perch in
that hasn't already been struck
by the lightning of my homeless insight.
Indwelling energy in the turmoil of a terrible silence,
I am an ambassador of water to an unknown star
that foils my blood with light the closer I approach
and I don't know what the message is
or who it's from, but every time I deliver it,
my head comes off like the moon.
At some point you have to give up looking
to go on seeing, you must
come to a full stop
if you want to liberate the pen
that indicts you like an assassin
with his ear to the wall.
So I go by night, unheeded and alone,
a constellation of my own
that doesn't read the braille of itself
reflected like direction in the starchart on the lake,
cored like eyes into the dice of my bones,
or mummified by a legend in a straitjacket
interred in the long-standing consensus of a guess,
knowing I would only be following my own footprints
like the shadows of these words
that flow from the trees in the snow.
And there are squirrels that leap from branch to branch
of these arboreal letters like commas
that don't know where they go
and wrens that perch like quotation marks
around things that can never be said
that everyone claims they know
as they call out their name
like the echoless vocabulary
of a febrile grammar in a mad dream
as if their whole life were ingathered into one last scream
that might shatter the mirror of the way things inevitably seem.
I listen to the world and hear in each person and form
the mindstream moving through the night
like the voice of a mystic alphabet
returning to the sea
with news of itself
whispered into its own ear.
And if sometimes the stars think
my seeing goes too far,
my seeking exceeds the bounds of the light,
as it turns planets like doorknobs
to open new rooms in a dark mansion
that stands like an abandoned cornerstone of the night on a hill
waiting for me to return like a lost threshold,
or the faceless side of the moon to a window,
then let me here and now confess to my own denial
and knock on the door of the next false address
to see if I can find who wrote
this loveletter that slashes me open like a smile
and reads me out loud to the stars on the wind
as if I were the last flare from an empty lifeboat.
poem by Patrick White
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Stillness Of The Night
Midnight on the hill I heard the thunder fill
The stillness of the night
It hit me like a slap, youre never comin back
From the stillness of the night
It was never black or white, neither wrong or right
Like the shadow of a full moons light
I knew wed lost the track, when I heard the lightning crack
The stillness of the night
Chorus
In the stillness of the night
Thats when well make it right
We can stop the thunder till the light
In the stillness of the night
I know you think you hear, those voices in your ear
In the stillness of the night
But Ive tried to make it clear theres nothing left to fear
Just the stillness of the night
And if you listen hard you might find the reason for your fright
Just the wind is high tonight
And the danger we must face is the anger of this race
In the stillness of the night
Chorus
song performed by by Reo Speedwagon
Submitted by Lucian Velea
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Sometimes The Intimacy Of The Silence
Sometimes the intimacy of the silence
can grow so profoundly intense
it seems impersonal. Or the heat of life
burn like the dry ice of the holy ghost
as you shudder with spiritual chills in the cold.
And when you see things whole in and of themselves
it's always as if you were looking through a broken window.
Truly fulfilled, you realize everything you're missing.
The more you explore the mystery of what you're doing
just walking around on the earth, aware
of your awareness, the more of a stranger
you seem to yourself, decultified of your identity.
The birches are glowing in skin tight moonlight
and there are sixties hash burns in their white leotards
and the leaves are falling and the river's flowing
and the Canada geese are sowing themselves
in the wake of the plough of the moon
like black and white sunflowers seeds further south again
and my heart is saturated with autumn's sad sugars
like a mournful apple at the pathos of their passage
as if time had abandoned everything and all
the solitary soul can do is harvest the loss like a human
with a romantic sense of irony as we dance
on the graves of the dead to celebrate
the bright vacancy, dark abundance of our starmud
occluding and enlightening our solitude
until you're enthralled to conclude, the darker the night,
the brighter the light. And appearances are only deceptive
to those who haven't broken on through to
the other side of the mirroring awareness yet like a hymen
over a virgin black hole that's all iris with no pupil
so all it can ever see are moondogs of exclusion
that begin to look like haloes after awhile.
I'll write an epithalamion on my wedding night with death,
but while I'm alive I like to toy with euphoric elegies
that weep like old rivers in the discrete depths
of their watersheds. I spend hours by myself
watching the spiders of time stringing contellations
like bird nets between the sacred upper branches
of the aspens to catch fish on the fly the way I
wait for insights to start riffing on the blues guitar
in the corner jamming with the silence of itself
like a poignant wildflower blooming unfashionably late.
If you stare intensely enough into the emptiness,
if your focus is searing enough to burn holes in space,
seemingly self-contained things will emerge like particles
you can elaborate in time and space like the fractals
of worlds within worlds engendered by your own seeing.
But turn the light down, turn your eyes away, dissipate
your concentration, everything reverts to the wavelengths
of the flying carpets unwoven on the waning loom of the moon.
Things done. Things undone. Does the water remember
the growth rings of its ripples, does the snake cling
to the loss of its skin, or fire reminisce in its ashes?
Or scars in autumn long for the springtime of their wounds?
Nights like this sensation haunts me like the ghost
of an amputated heart I dedicated to poetry to add my pulse
to a dying art like the blood of a noble enemy who knew
without saying, the only way to keep the calling alive
was to practice an excruciating discipline of heretical infidelity.
And that's why I'm out here alone in the woods,
still trying to think my way out of the bone box of my decline
by taking my mind off things by letting go
of the paradigms and symbols that kept me afloat
like the lifeboats and wandering starmaps
of the habitable planets of the past bobbing
like the prophetic skulls of black walnuts back down
the mindstream to Mitylene in Lesbos
where Orpheus still dreams of singing himself
back up from the detritus of his cosmic dismemberments
like Vega in the lyrical grip of a dreamcatcher
casting spells like a widow's veils on the water
to snare the stars like a fisherman who drowned on the moon.
poem by Patrick White
Submitted by Poetry Lover
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Sit Warmly Here With Me Awhile
Sit warmly here with me awhile
and I will smother you in fireflies
until your aura looks like
a dandelion constellation
or a globular cluster of first magnitude stars.
My scars have exhumed the knives of old wounds.
And though I confide in the void
like an echo returning to its own voice
or a breath to the sacred groves of the lungs at sunset
and superseded my quota of regrets
to make an expandable universe liveable
every firefly of insight's
got the engine of a dragon behind it
and it burns like a dark clarity within me.
Wrap your silence and mystery around me
like a chrysalis or cloak
and let me rest in your indivisibility awhile
until I disappear deep in your eyes
like a nightbird into its longing.
Let me sit around the lonely fire of your heart
as if I were the only house of the zodiac
who comes to you like an illicit love affair
with its lights still on
long after all the others have gone out.
My solitude is bruised by an abyss
that keeps digging deeper into me
and sometimes it feels as if
it's looking for water and a well
and then other times it's a midnight burial
of someone I can only catch a glimpse of
once and a while under a full moon
that looks like an undertaker
through the leafless veils of the weeping willows
digging his own grave
but feels just like a spade hitting my skull
like a strange form of paydirt
buried like the black pearl of the new moon
in a hope chest of star mud.
Take the coin from under my tongue
like the last sacred syllable
of my unconditional humanity
and throw it down this black hole in my heart
like the moon in a wishing well
and embrace me as if I were not dead awhile.
Out of the ashes the smoke and the flames
like two candles under the stars
let's make up myths of origin
where the gods have no names
until the wildflowers that have outgrown
the gates of the Garden of Eden
look back at where they come from
like a long way away
and give them one
like the elders of an Ojibway tribe
decide on the names of the new born
each according to the totem of a dream.
Pull this thorn from my eye
like the eyelash of the last crescent of the moon
and let me see you face to face
without a thousand and one tears between us.
I shall glorify you like a mosque in lapis lazuli
that can no more contain your image
than the day the night
or one constellation
the whole of the Milky Way.
I shall paint your portrait in picture-music
like the moon reflected on the black water gardens
of the Taj Mahal in mystic hues
of nocturnal waterlilies and cobalt blues
to highlight your eyelids when you sleep
and on your lips rose drops of blood
to wake you like a kiss from your dream
when the waterbirds rise from the lake.
Receive me like a sword into your depths
I throw in tribute from a bridge that crosses over
to the other side of myself
as if you were the far shore of my mindstream
come near to sit with me here awhile
and reminisce like water
on the things that have been and passed
as we listen to the tender laughter of the waves.
I will lift up my shirt
and show you the scars of all the holy wars
I've fought with myself like a faithful heretic
who knew he was doomed to lose
and the spots where the spearheads of insight
penetrated my heart like a voodoo doll
baptized in hot whiskey and cold blood
to take a message to the gods
about human suffering
in a language they could understand
wasn't just the echo of their own voices.
Sit with me here awhile like a face beside a mirror
looking out upon the same starfields
without a trace of our own reflections in the view
and I will teach you
the healing powers of a wounded mouth
like the secret grammar of a grail that seeks itself.
poem by Patrick White
Submitted by Poetry Lover
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If I Were To Give You A Black Shawl Of Woven Rivers
If I were to give you a black lace shawl of woven rivers
would you wear it over the moonlit hills
of your bare shoulders like a spell I cast
to keep you as warm as a firefly on a cold night?
Or would you mistake it for a bird net or a spider web
or think I'm fishing in the depths for the black pearl
of a new moon to hold in an old moon's arms?
Or milk your last crescent as an antidote to your charms?
If I were to show you a back road out of hell
as Orpheus did Eurydice, would you look back again
at the long path that came to this and think
you'd rather drink black cool aid in Jonestown
than follow a goated footed sherpa up
into the mountains of the moon that cast their spells
like the shadows of sundials in a flowerless garden?
Would the stars that are flowing between us
suddenly harden into diamonds, would an ice-age
come of a spring thaw, or would you neglect it all
like global warming, or just another butterfly
in the mouth of a dragon that doesn't know when
to keep his shut. Should Merlin fall on the sword
he embedded in rock like iron ore when iron
was still a magical metal, or should he fire up the forge
recast his sword, and crown himself the king of metallurgy?
I'm not rich, but if I were to stand on a streetcorner for you
and play the songs I wrote for you the night before
on a blue guitar I managed to save from the housefire
of a weeping violin that couldn't put it out for love or money,
would you still love me for who I am and was,
or look for a just cause to hand me a suitcase full of ashes
and show me the door like a snowflake
to the furnace of your Fukushima heart
like a crumpled loveletter you read like junkmail
meant to suck you in to a romantic scam for life
without any heavy water to speak of to cool your eyes?
Or would you let me risk my luck up against yours
between the wishbone of your thighs and give me a break?
Tine the tongue of the snake like a tuning fork
that can taste the lightning to come in every chimney spark?
Or if I were to lose, still cherish me for my own sake,
and give me a rain cheque until my lifeboat comes in
like providence on the last high tide of the moon
to sail the skull and crossbones among the angel fleets
like a cheap thrill off the coasts of Atlantis?
Or would you treat me as just another seagull
looking for scraps in the waning wake of moonset
unweaving by night what it wove by day
like Penelope among a hovering flock of unwanted suitors?
I could teach you how to fletch the arrows of love
like hawks that never missed their targets,
or the flightfeathers of skylarks and mourning doves
should you prefer them to the quills of the peacocks
that never fly any higher than the lowest rung of the tree,
a hundred eyes open like hand mirrors on a vanity
but none that can see you as I can like an ageing man
who can find nothing to compare you to yesterday
but a few rogue stars that whispered between the lines
of their unnamed constellations, things that I want
to say to you today out loud as if I had wings
on my heels and a secret crane-bag around my my neck
with an hermetic alphabet that could talk
to your body in tongues like a morning snail
riding its own smear of love like a skyful of mirrors
flowing like unholy rivers through a sacred garden of starmud.
poem by Patrick White
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The Earth Hides Nothing From You
The earth hides nothing from you
when its time comes to be revealed.
Not the bones of the dead, not the green wind
blowing on the young leaves of the maple
to see if it still remembers how to break into flame
or the loaded horse-hair brushes of the flowers
trying to decide what colours to apply first
to the blue-toned underpainting of the sky on their easel.
And this is the essential freedom of information act.
Walking with a thoughtful, cooly blissful, festive spirit
on a windy night by a spring lake trying on stars
like earrings to go with the season like crocuses
realizing, as if you weren't there alone, though you are,
how inestimably unique and precious it seems
just to be aware of this lake in the moonlight
trying to grow waterlilies in her Mars black hair
and one wild iris, because she's obviously French.
And I can tell by the way the eddies and ripples
circle and tendril the sensuous undulance
of her dark depths, and the way she's eyeing me
as I toe my way along the path I'm making up on the go,
she's intrigued and modestly threatened
or she's got other things on her mind
if I'm meant to know, I'll know, in her good time, not mine
because there is no birth or death in the present moment,
it doesn't have a future, it doesn't have a past,
and it flashes by so fast, it hasn't even happened yet
so everything is still and silent and timeless
and yet nothing is hidden, nothing held back.
Everything's shining out like a star
that can't keep what it knows to itself.
And any lingering question
of who you might have been is everywhere
reflected in the universe like a face in a mirror
with no one standing in front of it.
Something deep within and without me seems
to humanize the lake in my mother-tongue
and how astoundingly wonderful just to listen
to the lake's accent when she answers back
in a language I can fully understand is universal,
rich with metaphors and similitudes that are the bloodlines
of everything in existence rooted in a grammar of dark matter
that can be as eloquent as the stars
when it waxes lyrical in spring, its uncontainable heart
overbrimming with joy at the return of the nightbirds.
The great, blue, lunar heron and the solar ray of the osprey
returning after long absence to their nests,
like lost jewels to a ring, eyes to the skull of a blind seer,
high in the Ys of the dead trees that look like harpoons
and dangerous tuning forks and witching wands
out whaling for water, stuck in the flukes of the lake.
Evanescent shape-shifters in the vagrant emptiness
learning to read each other like a star group,
say, the Pleiades, the daughters of Atlas,
the cornerstone of the world it upholds like a starmap
adjusting our eyes, our seeing, our unreasonable being here at all,
to the light and gravity of everything around us
in harmony with a life that's never
at peace with itself creatively
to keep the wild grapevines growing like grails
that everyone seeks like sweetness and light
at the root of the truth of themselves, as soon
they'll be sipping bliss from the towering stars
like ruby-throated hummingbirds from the larkspur.
Be empty as a cracked cup or an eyeless skull
and know what it is to be filled
by a lake that takes the low place so you
can flow into it like a bloodbank into the lifestream
of the spring run off of winter stars thawing in the dark hills
like patchy galaxies of snow that have found a way
to get off their islands by realizing
one wavelength of light
one wavelength of water
one wavelength of thought or insight
one wavelength of love and compassion
one wavelength of a seeker with a mindful heart
is all the flowing of the same night creek
growing into consciousness like a stranger
we come face to face with as it dawns upon us
emerging out of this dream of a self
like a dragonfly from its chrysalis,
like the wet sapphire of an eye
from the dark abundance of the seed
that prophesied that it would be so,
the best way to navigate your way
on this ocean of awareness even if you're shipwrecked
like these dead trees at the bottom of the lake
with herons in your crow's nest
is to take your hand off the wheel and let go.
Let go the way an archer releases a bird from a power line
or the first purple marten of the year
from the blossoming bow of an alder branch
hung with catkins in keeping with the fourth month
of Bran in the Celtic calendar and the letter, Fearn,
in the Druidic way of speaking to trees
to ask for directions through life and death and beyond
as if they'd made a library out of the whole forest
by listening to the wind in an alder copse
in a language the alders understood
they spoke in common with the water stars
of the blind and enlightened alike.
And if there's no one to fall in love with,
or out of, this time of the night starwalk
the circuitous blossoming of your way
deep into a nearby grove sometime,
along the shoreline of the improbable concourse
of the way of things like a wild grapevine
gave up being on the go, for growing,
once it got a taste of its own wine,
and watching the Pleiades like crown jewels
in the burgundy upper branchs of a birch
closer to heaven than you could ever
have imagined you could be,
fall in love with a lake with a French accent
and the soul of a Celtic sybil, and doing
what the moon does with her lunar sword unsheathed
lay your silver tribute down upon her waters.
poem by Patrick White
Submitted by Poetry Lover
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Black Widow
I just love my nightmares
I cant wait to sleep
Enjoying all my dreams
Got no regrets
I can be a flash of lightning
Striking down on rocks
Burning down the law
Getting things I never got
Turning the world
Nothing unheard
One night can be more than a day
Just like a black widow
Like a black widow
I cant stand the dreamers
Scared of things that fly
They just have sweet fantasies
And fade and die
Nightmares - are so good, so good
And they always end just when they should
Nightmares are cool, nightmares are cruel
I love the fun and the thrill
Just like a black widow
Like a black widow
Black widow
Just like a black widow
Here comes the morning
And who can deny
Leaving the dream is so hard
I love my nightmares
I await their return
And this time, Im dressed to kill, dressed to kill
Just like a black widow............
song performed by by U. D. O.
Submitted by Lucian Velea
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Looking For A Little Black Water After The Fury Of The White
Looking for a little black water after the fury of the white.
Dark energy after the light as peace
settles down gently upon me,
the sediment of the eras and rivers of my life.
And this cool night in early autumn,
a woman in a dark cloak and hood
I could almost caress if I could just breathe
a little more deeply than the abyss
I've been dogpaddling in because
there's nowhere else among all these stars
I can swim from the shallow end of myself
into the watersheds of my last drowning.
And there's an unprescribed silence,
a herb of the moon that's salving the wound
of the lunar thorn I just pulled out of my heart
delicately with my teeth. I'm trying
to tune my spinal cord to the guitar string
of the Tay River, so I can resonate in harmony
with the flow of things. Starfire walking
on the water of the mindstream without
the crutch of a miracle to help bear me up.
It's not so much a matter of power or self-discipline
as it is well within the spontaneous capacity
of everyone's emptiness to do so because,
labour exhaustively as we do just to find the path
let alone stay on it, all we've had to do
right from the start, is to let life
give us a narrative of our own we can be true to
as it makes you up going along with it
like a lonely survivor singing to himself in a lifeboat
at the last watch of the night. Arcturus
at the tip of our eyelashes, enmeshed
as it sinks in a western treeline of beached shipwrecks.
Reach out, but don't grasp. Accept and let go.
Scatter your blossoms, even when you're
down on your luck, like ripped up lottery tickets
whether they end up in the gutter
or on an impressionist table cloth somewhere
playing checkers with a patient still life.
I've seen whole Japanese plum trees in blossom
be brushed aside like perfect haikus
by a street sweeper at three in the morning
when no one else was watching but me and Basho.
My blood is saturated by an overdose of stars
and I can feel a light from deep within
rooting in my limbs like nightfall
as my awareness is enhanced
by how much unknown compassion
there is the silence, love in a dark time.
Blue moons on the wild grape vines,
approaching the autumn equinox in Virgo
as if they could read my mind like a purple passage
intoxicated on the wine that can be pressed out of its own decay.
The waterlilies are gone with the fireflies,
and the reupholstered cattails are beginning
to show signs of wear already. And soon
the Canada geese will be flying high overhead
bearing the souls of the dead to new latitudes of seeing
where the starmaps fall from their hands
like the feathers and leaves of being
flowing along with the mindstream
like the wiverns, wavelengths, and water sylphs
playing on the shores of the Milky Way
with as many burning bridges,
as there are flames on the phoenix
in the immolated sumac, as there are eyes
to see across these circuitous waters
to the other side of where we've always been going
alone together with everyone who's ever come aboard.
poem by Patrick White
Submitted by Poetry Lover
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Stay (Faraway So Close!)
Green light, Seven Eleven
You stop in for a pack of cigarettes
You don't smoke, don't even want to
Hey now, check your change
Dressed up like a car crash
Your wheels are turning but you're upside down
You say when he hits you, you don't mind
Because when he hurts you, you feel alive
Hey babe, is that what it is
Red lights, gray morning
You stumble out of a hole in the ground
A vampire or a victim
It depend's on who's around
You used to stay in to watch the adverts
You could lip synch to the talk shows
And if you look, you look through me
And when you talk, you talk at me
And when I touch you, you don't feel a thing
If I could stay...
Then the night would give you up
Stay...and the day would keep its trust
Stay...and the night would be enough
Faraway, so close
Up with the static and the radio
With satelite television
You can go anywhere
Miami, New Orleans
London, Belfast and Berlin
And if you listen I can't call
And if you jump, you just might fall
And if you shout, I'll only hear you
If I could stay...
Then the night would give you up
Stay...then the day would keep its trust
Stay...with the demons you drowned
Stay...with the spirit I found
Stay...and the night would be enough
Three o'clock in the morning
It's quiet and there's no one around
Just the bang and the clatter
As an angel runs to ground
Just the bang
And the clatter
As an angel
Hits the ground
song performed by by U2
Submitted by Lucian Velea
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