Patrick White

The Western Light

The western light
comes right in through my windows
and glows in a golden haze on the dirty panes.
It slashs geometric shadows on my landscapes
like some mad abstractionist
who took them way too personally.
And all they said
was moon tree star light stone flower river sun
as if that were enough of a vocabulary
to say the whole of creation
quietly under your breath
like a secret that’s shared by everyone.
Guess I’m not enough of an ideologue
to comb the swamp for my own skeleton
like the ancestor of modern art.
I’ve gazed too long and hard
at the waterlilies in the Fall River
as if I were meditating on koans
that effortlessly open by themselves
not to waste my mind on anything
that didn’t include my heart
like a work in progress
like a river on its way to the ocean.
Dark soon.
The night sheds petals of insight
like moonlight making waves
on the shoreless seas of enhanced awareness
where I stand like a human candle
with my little standard of flame
trying to light up the universe
so I can see what I am in the depths
of my own eyes.
If I’m the tragicomic clown of my own catastrophe
or if there’s something more profound
going on around me
than time and light
glancing off the mindstream
like birds against the delusive skies
that lie like the windows of insight
until you break through them
like the sun at midnight
shining its light
on a conspiracy of mirrors
against the moon.
I must have been mad before I was born
to see things the way I do now.
Everything is inconceivably probable somehow
like a fortune-cookie
that’s had its tongue cut out
for telling lies to the emperor
or the lack of a sign
for the thirteenth house of the misbegotten
in the neighbourhood watch of the zodiac.
Even when you lose your purpose in life
like a passport in a borderless country
you can still hang on to your identity
like a willess work engendered out of nothing.
You can still firewalk the ghost road of smoke
like stars under the feet of the dead
or follow your own breath
like a dancer that no one is leading.
It’s a surprise when you first come to see
that the greatest liberty of all isn’t death
but to cry as if you were bleeding
from a wound
so much sharper and deeper
than the poignancy of the knife that opened it
like a posthumous loveletter from the gods
you feel
reading your own fate
in the silence between their voices
as if forever hereafter
you could only be killed into life
and that every rafter of delusion
you ever sought shelter under
were the overturned hull of an empty lifeboat.
Sometimes I look at my life
like one of the splendid ambiguities
of a subtly nuanced godsend.
I try to befriend the way I feel
like the generous host
of a dangerous stranger
too cold and aloof
to introduce himself
as my shadow
my eclipse
my potential assassin.
I have tried to stay true to the lies
that led to the myth of my lucidity
like a mirage in a desperate desert of stars
I could drown in like an island
up to to the neck of an hourglass
in tidal waves of quicksand
laying my life down
like the foundation stone
of an inverted pyramid
that yearns for the state of mind
he enjoyed before life
more than that that won’t come after.
I have refused to put the torch out in its own reflection.
I have not tried to uproot
the beauty of the waterlilies
opening their eyes like stars
from the decay and the lies
and the scars that sustain them.
I have put to good use
the dysfunction of delusion
to make a credible raft
to get me to the other side
of this river of shadows
swollen like a flashflood
in a lunar seabed.
I have danced with ghosts
like a lonely shaman
around the unappeasable fires
of desire and death
entreating the nightsky
to rain on my flowerless roots
and sweeten the severity
of the dragon’s eyes
with tears.
I have lived in such a way
to actualize the nameless reality
of a few common words
like love and understanding
I’ve kept alight like fireflies on the wind
and cherished them
as if the seeds of insight
were the perennial beginning
of enlightened orchards
that taste like the fruit of compassion.
I have lived in such a way
like a thief of keys
to relieve the locks
on the nightwatch
of their tunnel vision
that it’s not safe
to give my new address
to my old mailbox.
But even in a black out
I have not kept the light out
by plastering my windows with starmaps
or gone underground
like a blind star-nosed mole
that put its eyes out
to share something
in common with the dead
who would never have dreamed
they would all end up sleeping with their mothers.
I open them to receive the sun.
I close them to remember the stars
I’ve been dancing under
for lightyears
against the gathering storm
like a poor man’s chandeliers.
I have celebrated my defiance
of hitching a winged horse
to a hearse
by expressing the joy I take
in the revolutionary spontaneity
of my unself-reliance.
But of all the things
I’ve ever outgrown
or overthrown
like a sword from a bridge
I gave back to the sacred waters of life
the last to fall
was the ghostship in the mirage
of the image I had of me.
I poured myself out
like imaginary water
from a fountainmouth
in a real drought
to green the secret Edens
at the sacred crossroads
of the four rivers
that might come of it
as if X marked the spot
where I was standing
as the best place to start a garden
on the waterwheel of the mindstreams
that radiated out of its stillness like spokes.
Sometimes you end up stealing fire
when all along
you thought you were meant
to invent the wheel
or make up a new language
out of the echoes of dolphins
breaking into birdsong
as if they had turned in their feet
to go back to the sea
but had not forgotten
that their fins
could fly as easily
as the wings they once wore on their heels.
Many rivers flow into the one sea
and the sea returns to transcendence
back the way it came
without stepping into the same mindstream twice.
And I prefer to think
that the same thing is true of the multiverse.
Everything that shines in the night
or in the mind
down to the smallest spark of insight
locked like a firefly
in a lighthouse of ice
on the same omnidirectional course.
And true north
just the magnetic attraction
of a voodoo doll
in a haystack of needles
trying to get a bearing on things
like the right ascension
and correct declination
of a lost soul
summoned like a deranged galaxy
to the singularity
at the bottom of a blackhole
to exchange the light it goes by
by upgrading its eyesight
to search for itself in the night
on the higher frequencies
of X-ray vision
on board an experimental satellite.
And yet for all the myriad universes
that bubble up in hyperspace
like the last breath of the drowning
I have refused to live
like a diving bell in a wishing well
trying to understand
why nothing came true but the coins.
If you’ve never resolved anything in your whole life
maybe you were meant
to keep the mystery alive.
The medium is not the message
when the message is the mystery.
A meaningful medium
is nothing but meaningless words.
The sky doesn’t intend to say birds.
The water doesn’t mean fish
anymore than an infinite number of other things.
Nothing lives like a machine
for something as small as a purpose.
You don’t have to live like a lens
to keep the sun in focus.
And maybe one of the greatest blessings
of being on the nightshift
is that when the universe is out of work
it has no use for us.
We’re free to be when and whatever we want.
Or thoroughly protean.
Or nothing at all.
A full eclipse of the clock on the wall
or a chromatically aberrant nightlight
like a colour crazy star
low on the horizon of the hall.
As for me and my house
I’ve lost track of the number of times
I’ve brought my starmud to enlightenment
like a horse you can lead to water
but you can’t make drink.
The words crawl.
The words swim.
The words take to their wings
like eagles and dragonflies
and startled waterbirds.
Half a sliced pear
looks like a short-necked Spanish guitar.
Looking for the meaning of this
isn’t the same
as listening to the music.

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Patrick White

I Stand Where The Listening Begins

I stand where the listening begins
as if my voice were just another one of the echoes
and my tongue were the tip of an edgy precipice
that doesn't dare make a move
over an immeasurable abyss of eyes
that nobody belongs to.
This is a seeing that's older than the stars
that were born of it
like a mirror is born of the shining.
Like a body is born of the mind
and takes on the shape of a universe
as an expressionist gesture of classical reserve.
In the great ocean of being before it turned into everyone
our eyes weren't beaded like two drops of water
strung through our nose
like a statement we were trying to make.
They were waves.
Waves of water.
Waves of light.
Waves of thought and feeling.
They were waterbirds that came and went
without leaving.
They were meteorological events
in the emotional life of the sea
when it played alone with itself like weather.
We didn't evolve hands to prove we had a grip on things.
We didn't evolve brains to prove we were intelligent.
We're not nuggets of insight
panned from the mindstream
that runs down the world mountain
in a rush of gold.
I stand where I can hear the night
breathing like a shadow in its own darkness
and whatever I am not
is as real as whatever I am.
And my sorrows dropp away
like the black fruit of ruined bells
and my joys know a freedom
no holy war ever deserved.
Here my death answers to my life
and not the other way around.
My beginnings are not justified by my ends
and my solitude is so wholly itself
it embraces everything
as if it were space
and time were its only friend.
This is a poetic state.
A dynamic mode of creative annihilation.
This is a phoenix blooming in its own fire.
This is life.
This is the universe full of bright ideas
that come to it like stars in the darkness.
This is the white mare of the full moon in the high field
with the gates open
like wings growing out of her shoulders.
This is a space that is so spontaneously immediate
that you receive the reply
long before you've even asked the question.
It doesn't take thousands of thoughtyears
for the light to get here.
A flower blooms.
A star comes out.
It's as simple as that.
You lift one veil of the mystery like an eyelid.
Nothing has a history.
The old man remembers nothing.
The old woman forgets her name.
Once they were seabeds of meaning.
Now they're just water.
And everything is ok with that.
People go grey
and turn into clouds in the mountains
just to catch the last of the light
and give their lives some colour.
And then it's night again
and the dancing chandeliers of the stars
that are burning like legends
to make a name and a myth for themselves
fall like constellations to earth
and shatter like the rainbows of youth.
Every dawn has a taste of the sunset in it.
What's the end of anything
if not the dark side of its beginnings?
I am the fool of a freedom
that lets things be whatever they want to be
deep within the heavy fruit of a compassionate heart
that ripens in its own lucidity.
There are worms.
There are birds.
There's a green star in the apple core.
My skin is the chameleon of the sun going down.
I know how to swim through stone and water.
There are fish in my treetops
and birds in my roots
and when I drown
it's the sun in the sea
and nothing ever really goes out.
Everytime I open my mouth to sing
this is where the muse
puts a finger to her lips
to teach me what I'm talking about.
I'm a star when I write.
First I let go of the light.
And then the children point fingers at me
and say in mutual recognition
of the stories they make up on the go
there you are
just as we foretold.
It's the same way with water
when it's lost in a desert of sand and stars.
Sometimes it takes a mirage to find your way home.
Death gapes like the jawbone of a mummy
and writes like a pyramid
as if it wanted to make all things last forever.
But when life picks up the pen
around the fires of the stars
to whisper into its own ear
things that only solitude
can suggest to the night
its poems are always tents on the move.
The moon sailing paper lifeboats down a river
like waterlilies
blooming in the pale flames
of their lunar immolations
as if each were a white phoenix
rising above its own ashes and smoke
like someone dreaming of swans.

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Patrick White

Lighting It Up And Blowing It Out

Lighting it up and blowing it out
I try to make my way through the dark
by beginning at the end
as if the coming and the going
were the same door
or good-bye were the first thing
you would say to a friend.
I approach things like a night stream
as if my death were already achieved
and behind me.
And all the atoms of my being
dancing like frenzied gnats
in the sunset glow of a last eye-beam
are certifiably primordial
and any one of them
when they lose it in the light
could begin a world.
And what can you say more of a life
that dreams of what it is
than it's the taste of the same wine
in many different cups?
And as any fox knows
the grape is always sweetest
when you can taste it with your eyes.
Though why foxes eat grapes is anyone's guess
but life makes itself up as it goes
like music in a fish's earlobes.
It feathers its themes in fire and light
and goes up in smoke
like the ghost of a tree
looking for habitable planets among the stars.
New wounds with innocent root-room for old scars.
Chalking the cue to bank the long shot
you're trying to spin off into
the deep, dark pockets
of your game-winning afterlife.
And I don't believe in much anymore
though that hasn't stopped me from crying
like a slow window trying to keep
the stars from leaking out of me
as if there were a black hole
somewhere in my heart
waiting for an iris to make it an eye
whose seeing might be a new way of healing
what can't be healed.
Once here. Here forever.
But whether we're the eternal children of forever
or just another breath on the night air
that doesn't even know we live,
even death is just another way of killing time here.
When everywhere's the center of everything else,
the centre holds,
things don't fall apart.
They disappear.
And that's the mystic art
of knowing how to make the most out of existence
by offering no resistance
to the rocks in your own mindstream
that part the waters like the thoughts
of an exile in the promised land
who can't go back the way she came.
The river can't step into the same you twice.
And in every direction
your eyes have ever burned like stars
you can see the dark jewel of your own life
from the inside
before it breaks into light.
Sometimes I'm the lonely sign
on the only path to nowhere
and others I'm positively amniotic
with the schools of my blue lucidity
the albino dolphins of the moon leap through
without a chance of changing their colour.
A flower of prophetic blood bleaches my skull.
I swallow the snakefire of my last eclipse
like a lump of coal
I'm trying to turn into a diamond
that doesn't burn
and never sloughs its skin.
Reality isn't a religion or a science,
or the back and front of a mirror
that doesn't know whose eyes its looking through.
Religion: how many angels can dance on the head of a pin?
Science: how many pins can dance on the head of an angel?
Totem poles on a telephone booth where no one ever picks up.
Voodoo dolls that hex the cause of their effects.
The apple bloom on the tree of knowledge
lets go of its flightless wings
and follows the wind
like the eyelids of unfeathered angels
who opened their eyes like flawless fruit
as they fell toward paradise
without a parachute of smokey virtue
or the scale of a snake for a vice.
Emergence into the open
like a hidden secret revealed
is the engine of evolution
that empowers the dark matter
of this incorporeal starmud
to arise like the high note of a bird
that's flown beyond the night in its voice
like light beyond its myth of origin.
And the peduncle is lost in the ensuing phylum
as a madman is lost in the scream
that woke up the asylum,
or a god is lost in his own creation.
And the mountains listen
to the holy voices
in the valleys of their shadows
they deepen as they arise
like the guests of an echoless calling
to greet the unknown host.
It's what the moon feels
when she fondles her locket of water
and memories pull at her heartstrings
like tides on earth
and music is the way she recalls
the sirens that used to sing
like the brides of empty lifeboats
that prayed like smashed guitars
for the night to sow the seedless sea with stars.
And in every fish that swims through fire
like the sacred response of life
to the longing in its own desire
she knows they got their wish.
Fireflies in the ashes of the phoenix tree.
And the eggs of cosmic words
like serpents in a bird's nest
learning to fly like dragons
that have just swallowed the moon.
And it's one thing to pull the sword from the stone
but it's a greater power than magic and proof
with no urge to rule
that summons the butterfly from its cocoon
by giving the fool who inches toward the truth
along the green branch toward the apple-bloom
that already tastes like the forbidden fruit
of some radical insight
the whole orchard in a pair of wings
and more than enough night and light on its palette
to start a revolution in seeing among the flowers
who still labour in the chains of their roots
to turn their earthbound lucidities into stars
who might look back for a change
with eyes that have gathered like water out of the shining
and taste the light in the honey
that kissed their eyelids into gold
long before the night was old
and it wasn't enough just to see them.
When you opened your eyes
in the burning clarity of your lone vision
before this matrix of space and time
gave birth to the world
you were free to be whatever you could see.
That's when the light first spoke to you
in the mother-tongue of your seeing
and your voice broke
like a secret name in the mirror
that didn't know who you were
and the moon on nightwater
the thief at the window
your breath like stars on the cold, night air
summoned the whole of being
in every particulate shard
and radiant plinth of the mirror
to drive your shining into the shadows
so myriad things can appear as they are.
Many eyes open. Night. An eclipse. One star.
And the darkness an anti-romantic
in love with the moon from afar.

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Patrick White

Things Might Be Drifting Away

Things might be drifting away
like an empty lifeboat
with nothing left to save
but the memory of moonlight
on the rush of a wave of the heart
that rose and fell
like a bell of insight on the night watch
that said all's well all's well for the night.
And so it was for a while.

Time might seem
that it's overstaying its welcome
and you've become the estranged guest
of a bad dream
in your own bed
in the thirteenth house of the zodiac
where the dispossessed
shack up with the misbegotten
and the ghosts of everything you've forgotten
don't give you any rest
until all that you've cursed
out of anger and need
has been immensely forgiven and blessed.
And perhaps it appears
you've been the rogue star
of a sign in long exile
far away from now
and that might account
for your misplaced trust in mirrors
and your lack of confidence in star maps.

Happiness just happens
like good luck and grace
and the creative inspiration
to rejoice in your time and place here
as if the purpose of your voice
were always to praise
even on the darkest of days
when the only thing
that shone in your eyes
weren't the stars you kept
locked away in your tears
like the face paint of clowns
or the crown jewels of the Pleiades
but a bitter farce of black holes
in the veils of the mirage
that eclipsed your enlightenment
with a starless night
it's impossible to get beyond.
And so it may well be
for those who've been
as far gone for as long you have.

But even the blind are shining
though they can't see it
and the deaf are still singing
though they can't hear it
and the dead are still living
though they can't feel it.
And those who have given up seeking
still find what they were looking for
like a loveletter with a return address
and an open door that recognizes them
like the prodigal threshold
of a homeless human
about to cross one more
like the last step of a long journey
that lost its way back in all directions
like the radiance of a star in space and time
that never took its eye off the past.

We cherish the flowers of summer that bloom last
more poignantly than those of the spring
because we feel our own hour of farewell
in the progress of their passing.
The sadness of an earthly excellence
fulfilled and surpassed
we see in the shedding of the aster's petals
and in the lowering of the wild rose's eyelids
and in the lengthening of the black walnut's shadows
that move like cool water
across the dry grass of a late afternoon
signs of the same night approaching us.
And we know it will be dusk soon.

We'll look up at the blue moon in late October
and whether the silos are full or empty
wonder if every harvest
wears the same death mask we do
with the smile of a scythe on its face
or if the goddess of the grain
bears true witness to
the perennial innocence of death
in the way she enhances
the white spectre of the first frost
to shock the garden down to its roots
with the same koan she uses
to enlighten the dew on the stargrass.

And you might dread the coming excruciations
of the scarecrow immolated on the pyre
of its own substance
like the short straw of flesh
that once sustained it
lost in a draw with death.
And come to scorn your heart like an urn
filled with ashes in the aftermath
of the same fire that once filled it
so full of desire to bloom
it could no more contain itself
than a seed can keep a secret from the spring.

You could see it that way.
And who among those clinging
like a blue atmosphere
to this homeless grain of dust
in the vastness of these sidereal immensities
within and without
that animate us like starmud
to join in this dance of life and death
like a legacy of shining
that can't be washed out of our eyes
though tears have fallen for lightyears
on the root fires of what we've loved and lost.
Who among these
could say you were wrong?

Because no river's flowing
the wrong way to the sea
in this reunion of arrivals and departures
at the stations of our afterlives
on this wheel of birth and death.
We're all going to make it back
to where we came from
one way or another.
Some like rain.
Some like ice.
Some like snow.
Some like the lingering ghost
of morning mist on the lake
that's gone before noon
and some like water on the moon.
The flowing of the river
summoned by the sea
to the source of its coming and going
is the calling of life everywhere
to transcend itself
by passing into the unknown
like the available dimension of a future
that's no further beyond us
than the past is
in the light of distant stars.

The sword doesn't wound itself.
Fire doesn't burn itself.
Water doesn't drown in itself.
And life doesn't bleed out of itself
like the dream of a fortune-telling poppy
or a water clock that's run itself to ground.

The eye isn't the seeing.
The ear isn't the hearing.
The tongue isn't the tasting.
The skin isn't the touching.
The voice isn't the saying.
The brain isn't the thinking.
The heart isn't the feeling
anymore than life
is the carrying in
and death is the bearing out.
The darkness isn't a lack of light
and the light isn't the absence of night.
Death is unborn.
Life is unperishing.
Formless in a world of forms.
Two wavelengths of the same awareness.

You say you can see night gathering
under the door you're afraid to answer
long before anyone knocks
and though you dream by your own light
you don't know who's casting the shadows.
Is sorrow any younger in the heart of a child
than it is in the memory of an old man?
Joy any less vivid in the eyes of an old woman
attending to the flowers in her garden
than it is in a girl having tea with her dolls?
Is this day not as new to the widow
as it is to the newly-wed?
Experience is the capstone and dunce-cap
of the sum of destructions
that made us who we are today.
And in life it's the brilliance of our failures
that throws more light on the dark matter
of the issue before us
than all the star power
of the blazing successes
that blind us to our own shining.

You step out of a backlit doorway
into the dark
and slowly the darkness grows
the eyes you need to see the stars.
And maybe death is like that.
Nothing to look at but black
until we blow the candle out
that's been misleading us all the way.
Maybe that's why the jaws of skulls
are always caught gaping at something
that's more than they can say.
But look at the expressions on their faces.
Maybe their eyes
are too overwhelmed by what they're seeing
to want to get in the way.
You could see it like that.
You could see it through the eyes of the rain.
You can taste it on the tongue of a candle flame.
You can read it from right to left
in the Kufic script of the wind.
You can hear it in what the stars are whispering
through the keyholes in the pyramids.
You can feel it all around you
like bubbles of skin and air.
Like empty rooms with atmosphere.
As many ways and roads and rivers as there are
that flow into it down the world mountain
back to the sea
back to the same undifferentiated watershed
of these myriads of mystic specificity
and who could number them all
as many as the stars
or all the grains of sand
of all the deserts and beaches on earth
as many as the dead of every kind who've come and gone
all that blood mind passion dream and imagination
all those tears all that despair lucidity and apprehension
love and familial affection
all that waste and hatred and emotional sewage
dissolved wholly back into the sea
like a watercolour left out in the rain
like a name written on water
by a poet who died young
in a foreign language far away from home
just as birth arrays the universe before us
and says make of it what you can
so death approaches no less a peer of life
than we are in our relationship with all things
and offers us
the same great creative opportunity life does.
Green bough.
Dead branch.
Sunset.
Moon rise.
The hidden night bird alights
on either alike
and folding its wings
like gates and books
and the eyelids of those who dream
at the beginning and end
of a long dark radiant journey,
sings.

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Seeds Of Fire In A Nightsky

Seeds of fire in a nightsky root like flowers
in the ashes of my eyes I scattered on the wind
like the dust of stars I followed even into oblivion
to remain faithful to the life of the light
whatever transformations within me grew
into the starless darkness of the unknown heart
I've carried in my chest for years like the empty shrine
of a dead lantern to the last firefly to go out.

And this is a seeing without the eyes of the stranger
I no longer recognize as who I thought I was
when I could read the constellations like the Linear B
of the lost civilization that was elaborated out of me
to perish in the mountainous silence of what was abandoned
when I burned my starmaps and entered chaos
like the blackhole of the singularity
that could rejuvenate me out of nothing like a grail
I was seeking at the bottom of the deepest grave
I ever descended into, a spider at the end of its silk,
or a caterpillar like the distant rumour of a butterfly
on a tranformational pilgrimage to an unknown shrine
that crawled with it all the way back to the beginning
of the radical innocence of an radiant world,
before time overran it with arrivals and departures
as if it never meant anything in the first place
to aspire to the light in the hope of a deeper intimacy with life.

And in this darkness, there is no letting go,
or hanging on to what cannot be grasped by understanding
until you realize that understanding only ever finds itself
and the vastness of what's expanding before it
into the unknown, is not a journey with a destination
or a threshold that can be crossed into illumination
like a voice meditating in the silence of its mother-tongue.
I was looking for the light by the light
I was given to go by when the wind blew it out
like a candle I no longer needed
to make my way deeper into this homeless darkness
that does not cast a shadow of time on enlightened extinction.

How can you divine what isn't missing within yourself?
The seeker dies by the side of the road
like a cry for help in the dangerous distance
pleading to be rescued by its own echo, and it comes
but not in a language of its own, not
as the event of anything that could have been anticipated,
not as something you can bring back with you
like the taste of water to the lips of a delirious mirage
to prove there's a reality beyond delusion
where everyone drinks from the same well
the muses of wisdom summon them to without a mouth.

As unsentimental as an overnight frost on the garden,
the larkspur rimed by billions of cold stars,
as if my seeing condensed out of the air
and every insight were a sign of farewell to the mystery
that urged me to risk everything like a tribute
to the divinity of nothing that had seized upon my heart
like a sacred clown faithful to the folly of experience.
Like the footprints of space and time that stretched behind him
for lightyears like the forced smile and phony tear
of the painted lifemask that convinced him he was not dead
to the ordeals of the journey he was leading nowhere
but to where he was every moment of the way
trusting in the crazy wisdom of the laughter
that regaled him every step of the way
like the cornerstone of the absurdity
that kept looking for new hills of prophetic skulls
to roll over like dice in a bone-box.
To wander like a rogue planet on an aberrant wavelength
of dark matter that doesn't express itself like moonlight
talking to itself like the open-mouthed seed syllables
of the waterlilies at night on the Fall river
writing love poems back to the stars that inspired them.

You want to overhear what the universe
is whispering to itself like a madman in his sleep
in the unbreachable silence of a fathomless dream
of random atoms engendering the forms of awareness
like a grammar of chaos out of its own unattainability
trying to make some sense of what it's saying,
an asylum of paradigms that undermines it own existence
in the arraying of a conditioned universe?
You have to learn to learn to hear it in a language
no one has ever spoken before you, as if
you'd never heard your own voice before
from somewhere deep within you saying
let it be as the stars broke into light
like the distant echo of an unknown wonder
that perceives the source of its own extinction
in the birth of everything, in the slightest conception
of the inconceivable rooting in its own ashes on the wind.

We all listen to the eloquence of things we don't understand
like a secret we're forbidden to tell anyone,
that keeps giving us away death after death,
birth after birth to our imperceptible selves.
Imagination seeds the mind of our uninhibited potential
to flower into worlds where the fruit comes before the blossom
as the harvest precedes the seed, or the darkness
wakes the nightbird up to its longing for love and light
and all our deaths are already achieved behind us
long before anyone was born to suffer them.
And yet we suffer them like a truce with the absurdity of the act
that establishes peace like a third-eye
in the middle of a hurricane that gives meaning
to the dark abundance of our extinction gathering into light
by sacrificing our emptiness like gods to our own creations
over and over and over again, as we surrender to ourselves
like candles returning themselves like fire
to the the light that inspired them
like water to the river it was taken from.

The distance of the journey of life is a wingspan
that cannot be estimated in shadows.
And though you master all the meanings in the world
and learn to love their subtleties like the taste
of mystic wine, or enlightened tea,
you're still the guest that's never met its host face to face
because everything you say is always behind you
like the light of a star whose immediate life
is always ahead of it hidden in the darkness like a jewel
that has yet to know the light of a direct encounter.
If you want to see deeply into the shining
you have to grow your own eyes to accommodate
the perennial insight into the restive vision at hand.
And you must learn to live without knowing
what it is you've come to understand
about the ashes of the dragons in the afterlives of the stars.

Don't let the scars intimidate the innocence of your wounds
as if you could never be hurt again by what
you cherished the most in your search to find yourself
in the absence of anything you could be attached to.
Look at the fireflies emerging from the valley fog
of a passing storm like a shapeshifting constellation
dancing at its own wake like a blissed-out drunk at a funeral.
You can taste the whole history of life
like a wandering myth of origin in every sip of water
flavoured with the reflection of things that changed along the way.
Don't mourn the transformations that enabled you to stay awhile
like snow on the mountaintops, dew on the tongues
of the new leaves of the apple-tree that emerge
like the sacred syllables of lovepoems
to the unknown windfalls of the mystery they facilitate
out of the urgency of their own becoming.

Here, where we speak for awhile, in the diction of things
arranged in the mystic grammars and paradigms
of our own likeness reflected like starmaps
to the shining that ripened our eyes from within
as if the whole world were turned inside out
and you had to descend into yourself to see the stars
like an arrangement of chaos expressed in metaphors,
the liars speak clearly in the language of other men's mouths
that can be easily understood, as the tongue-tied sages
blunder like an ineffable silence into the deepening mystery
of the creative eloquence of the unsayable things
that life speaks through them like the facts of a dream
that trues their wisdom to the disparate harmonies
of the illuminated chaos deep within the heart of life
that keeps contradicting itself like a pulse among the dead.

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Tenderly The Evening Descends Into A Dark Bliss

Tenderly the evening descends into a dark bliss
and lays its poultice like a cool leaf against my forehead
and draws the fever of the day out of the night.
I ease back on my elbows like an easel down by the river.
When I'm burnt, I make a blister
and cushion myself with water,
a more useful approach to tears.
The mosquitoes swarm like insistent circumstances
that thin my blood, but a soft wind
is blowing them away from Pearl Harbour.
The long blue grass yields as easily to a man as a deer.
I want the stars near enough to overhear what they're whispering.
Still amazing to me I can embrace all of them with a thought
as if they were my idea in the first place
and feel humbled and exalted at the same time
by the sublimity of their radiance and the strangeness of my own.
The river sustains its clarity by wandering.

Single male in the autumn of life, I've let go of so much
the only thing left to let go of is the letting go itself.
I've forgone the commotion of inducing myself into creation.
Things will fall out by themselves. Playfulness
return to surrealistic perversity
to explain the shape of the universe
and fools like me counter-intuit the crazy wisdom
of squandering their lives on voices in the distance
leading them on deeper into the subtleties of a poetic narcosis
that haunts them like the face
of a beautiful woman they once knew.
Don't we all belong to a nobility of longing, even though
we don't live up to it, and start to grasp and scratch
like dead branches screeching across
an intransigent windowpane on a stormy night
that let's us look at the fire, but doesn't let us in?
Where do you go with your serious spirit
when you've been rejected by your solitude?
Do you know the secret art of being enhanced
by the qualities of anything you're not attached to,
without killing off the desire for what you're missing?
Live with gratitude for the abyss in your heart
it's impossible to fill like a grave
that took more out of you than it put back in.

You can be adorned by your failures.
You can be humiliated by your victories.
Coming and going, your path can be strewn
with roses or thorns. You could be walking on stars.
You could be lying down beside a river at night like I am
savouring a sorrow you like the poetic taste of,
because it includes everything within it
like the skin of the dew and the moon as the source of life.
Even sweeter than a rainbow body of light
or an atmosphere with ocean to match,
this last touch of clinging before you evaporate
into the mystery of everything you're leaving behind.
No more than you can pour water out of the universe
through a black hole, can your mindstream be poured by time
into the uncomprehending darkness of the black mirror
you're looking for an image in tonight
in the eyes of all these stars shining down upon us,
knowing our starmud is just as old as their light
and we're not wandering orphans lost in their shadows.
We're firewalking on water like stars in the shapes
of self-immolating swans, two parts flammable
from the start, and one of oxygen like a toxin
we depend upon for life like an alien export we adapted to.
Same with death. Until you include it in the nucleus,
inviting your enemy in to feast behind the gates
that laboured like water to keep life in the seas,
you're vulnerable to the delusion of your own exclusion
like the face of an exile in your mirroring awareness.

Don't underestimate the creative potential
of the dark genius of death to come up
with new paradigms of seeing and being
that make us feel we lived our whole lives
confined and blind in the coffin of a seed
that stored a harvest of what we've reaped in a silo.
Out of the dead ore of the moon
pours the white gold of wheat
like metal from a stone in a starfield
that yields more life than can be lost
in the living of it. Without a sword. Without a ploughshare.
Isn't it in the nature of our evanescence to move
like light and water and wind from urn to urn
of one sky burial to the next at sea and then the earth
like a water clock that runs so urgently
from full to an emptiness that has to keep expanding
like the human heart just to contain it
so when the cup's broken like a skull
you can drink the whole of the sea and the sky
in every single dropp of your mindstream
and the stars will still be climbing your roots
up to the flowers within that bloom every year
like a deepening insight at zenith into
the dark generosity of becoming something
even beyond the scope of death to imagine extinct.

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Every Morning Of The Moment, A New Creation

Every morning of the moment, a new creation,
the distillation of the dreams of the night before
when the moon was as fertile as the dew we were born from.
I start out each day with a new face. By nightfall
it's just another phase of the same old ageless deathmask,
heavier than a bell that's been talking through my mouth
for more light years than I've got tears to measure in mirrors.
That's usually when I start thinking like a potato about stars.
Blood sugars in my mindstream ripening me like a vision
I'll only ever get to see backstage like a forlorn clown
trying to hang on to his faith in laughter.

You can pursue happiness, but it will only
run from you like the light, or you can cover your eyes
and try to avoid it for fear of losing it like the last time,
but when you turn around, it's right behind you,
flirting with your shadow. Better to let it come and go
of its own accord, like a waterbird in a moonrise
reflected on a lake. Then when you speak of things
you increasingly know less about the more
you're intimate with them, your voice isn't
a bird net trying to cage words on the fly
but an aviary as open as the sky when
Cygnus and Aquila are up, and the Lyre's
a larynx for the asking. And you're free
to sing your heart out as if no one were listening
but you and the trees and the stars you hit like high-notes.

Or shriek like a rabbit seized by the coydogs
if you run out of lucky feet and that's what comes up
like snake eyes. Lap the experience out of the bone
until there's nothing left to eat but your appetite itself
and among the myriad flavours of life you've exhausted
that will taste the sweetest of all to that emptiness
that harvests the world like a blue moon that's never full.
Is the moon not the equal of its waxing and waning alike?
Is it trying to enlighten its dark side?
When the candle goes out, does the light have any trouble
handling it? Fear returns to what it knows the best.
It hugs the shore like a tidal pool beside the sea,
a dead starfish or two it can get its arms around
like a worm's-eye view of the galaxy, and the shell
of a red sunset in the morning on the carapace
of a crab that left its hovel for a house in
a more upwardly mobile zodiac. Sometimes
it comes down to that. Quantum level gravity.
A gravitational eye with myopia that bends the light
like a stick in the water, a mirage of sand in an hourglass
that's afraid of being swept out to sea
with nothing to hold onto but the lifeboat
of a shucked clam Venus just stepped out of onto land
to have sex in a new medium like an artist
who's just switched from water colours to oils.

You've got to accept the down times as all part
of the same wavelength you've been riding
like a snake scaled in white caps of light
that break on shore in a turmoil of kelp.
The cosmos doesn't need to be put in order
and chaos doesn't need any help. Listen to your sorrows.
Summon them to a seance of yourself
and apologize to their ghosts for not having the voice
to let them speak through you about
learning to swim with the stars further out of your depths
than you've ever been before. First you drown
in the fathomless immensities of even the smallest detail,
and then you bubble back up to the surface
of a multiverse with an oceanic awareness
of what's been hiding under every eyelid of a wave
like a overturned lifeboat that's waking up
to the fact that everything floats like the moon
in the reflection of its own mindstream.
And whatever sail you spot coming up over
your event horizon, whatever constellation
or black hole you take for a sign of salvation
or salvage, it first had to sink
before it could rise to the rescue.

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If Only I Could Remember Things For Awhile

If only I could remember things for awhile
as they were before they changed. Savour them.
Let the flavour of the jewel
that's been ripening in my voice
wash through my mouth
like the mystic blaze of a star sapphire
and every word I say be a firefly of insight
that can shed some light on dark matter.

Would that my tears fell fruitfully enough
to feed the world, that one dropp of my blood
after years of preparing the potion, were enough
to immunize a whole planet from affliction.
And what marvels would my eyes not delight
in showing anyone, if they could astonish the blind
like an orbiting telescope that's just had
its cataracts removed
like the reflection of the moon peeled
like an albino eclipse off the black mirror of the lake
only to discover that all this time they groped through the dark
like star-nosed moles, it was their own face that got in the way
of what was shining. If only my hands
knew how to build like the birds
and my bones were strong crossbeams and rafters,
what palaces of light and water and air
would my heart not offer to the homeless
like the growth rings of a maple tree
that threw them the keys like winged samara
and said, move in, its yours. It's built on bedrock
not the quicksand cornerstone of a slum lord.

For the lonely sitting with their cats and their elbows
in half-opened windows, observing
the pigeons and the stars for memorable events,
I would break this long fast of my solitude
like black Slavic peasant bread with strangers
who sat above the salt at the table
as my honoured guests, and ask them, eye to eye,
heart to heart, all ears, as if I were a radio telescope
listening like Seti, if they've heard any news back yet
from Bellatrix or Rigel, and which
of Jupiter's shepherd moons is hiding
a secret affair with life that everyone's dying to know.

It's heart-breaking that we can't all bring our tears to bear
into one cloud weeping over a drought like a dry creekbed
where we're all hibernating in our own starmud
like toads and frogs waiting for flashfloods of the next rain
to underwhelm us like gravestones in a makeshift cemetery.
What would the world be like if we could
walk up a long country road at night far from ourselves
and not have to ask the roadkill for directions in life?
As if we were sure enough where we were going
to risk being followed by the lost like a starcluster of fireflies
within the compass of everyone's bearings, not
out there somewhere like the ghost of a spaced-out lighthouse
but like the porchlight of nearby farm on a summer night
that draws living things out of the dark like the full moon to it,
even if it just be gnats in the air, bats, or Luna moths,
what a seance of life we could be to each other
as if we left the screen door unlatched
for any lunatic of the light on the road this late at night
who might wander in like the seeds of new themes on the wind
to enrich the bright vacancy of our dark abundance
with a starmap to where our buried treasure lies hidden
like diamonds in the ore of the hearthstones of our hearts.

If I could take the whole of my darkness
and enchant its snakepits into the wavelengths
of the light I would have emanate out of me
like the rainbow body of a Tibetan rinpoche
entrusted with the wisdom of the Himalayas
to seek a low place among the stars like a sea
that all things flow down into like the shining images
we retain of ourselves like the reverberations
of experienced luminaries echoing
like seasoned birds to each other
in the valleys and black holes of tears and death below.

Sacred syllables of immortal butterflies
in the orchards of morning and moonrise.
I would shine down upon the abyss of the lovers
like a water star from the bottom up
of all the burning bridges they have yet to cross
like Aldebaran at zenith, or Cygnus at nadir,
to get them to the other side
of what binds them to each other
like water and air, light, earth and fire,
and each moment of my life, every step
I risked anew, I would become the way
that's never taken itself before this deep into the mystery
of what it means to be alive and everywhere
be endangered by the beauty of our own awareness.

Instead of breathing for the dead as long as I can
underwater on the moon, I would invite them
to make a new birthmark in new medium
that calls them back from the night like light
from the scattered ashes of the empty urn of a star
coming together again in a gravitational womb
of their own remains, where everyone achieves
the all consuming illumination of their endless afterlives
by opening the koan of a single flower
in the light of their darkest hour of perennial insight.

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Isn't It Obvious

Isn't it obvious by now
matter is the language
of the spirit
that expresses itself
as flowers and trees
and you and me
just as we are.

Matter is the mother-tongue
the alphabet
the periodic table of elements
of what can't be said about God
without resorting to signs
like water and oxygen.
The runes of the mountains.
The purple passages of the sea.
And the moon who couldn't find
anything beautiful in her bleakness
long before Samuel Beckett.

Out of an almost perfect vacuum
out of nothing
out of space
its thirteen atoms of hydrogen
per cubic centimetre
like magic beans
a longing for existence arises
spontaneously out of the abyss
as if it just remembered the name
of something that came back to it
like a lost thought
and happily blurted it out like the Big Bang.

God mind the abyss nothingness
the cosmic id
call it what you want
they're all just waves of the same sea
iridescent bubbles rising out of the depths
like independent cells with shapeshifting nuclei
or the membranous worlds in hyperspace
that start with a kiss
and end with a face in the window
staring out into the same old darkness
like a syllable of dust
in awe of the silver-tongued stars.

Mind does its best
to take a good guess
but it doesn't really matter
if you're right or wrong
because everything's
been clear and true all along.
The point is.
There's no point to this.

You just break into song
like a bird that can't help itself.
You gather everything into yourself
like a blackhole
with a creative affinity for stars
and a key turns deep inside you
and suddenly you're walking
through an infinite number of doors all at once
that have freed you from yourself
like a replicating cell.
Water looking at itself
with eyes of water.

Mind looking for mind with mind.
The snake trying to swallow its own head
as a sign from infinity
that it's going to take forever.
Illusions of light
burning like jewels
in the mirror of rain
rooted in the starmud
of the human brain
that thinks if it elaborates enough laws
it can hold the universe to account
for the cause of its behaviour.

Oceans roll off its tongue
like drops of water
from a blade of grass
and things keep on happening
like galaxies and starfish.

Be the bright vacancy
that shines out of your dark abundance
like a waterlily putting a white spin
on the death and decay of the swamp
that aspired to it
like the Buddha watching Venus in the dawn
or a magnanimous loveletter
as long as autumn
at the end of a mean affair
that sweeps it like stars and leaves
off the helical stairways to heaven forever
like the memory of mutant genes.

Be the eleven that comes of seven
and dot the dice with the starmaps
of the chance constellations
that rolled your way
like a genome
without asking for your advice.

If you were really down on your luck
you wouldn't be here to know it
so why not risk it all
like a universe in the beginning
in one throw against
the wall in a dark back alley
that's been breaking banks
and bringing the house down ever since
like an incommensurable decimal
that escaped the confines
of a whole number
that couldn't restrain it like a straitjacket?

Add yourself to things like zero
and amplify their effect
like a deep canyon foretells
the echo of things to come
that are well beyond your voice.
You don't need to choose
when there's nothing you can't refuse.
There's nothing to win or lose.

Time may well be
the adolescence of eternity
that puts cracks in its vinegar
and wrinkles its wine
but who wouldn't rather play
than work at being who they are?

Honour the wound with a scar
that's worthy of what you have suffered
to express yourself as you are
like a firefly in a palace of light
with a deep insight
into the black mirrors of dark matter
that multiply your afterlives like stars
in the eyes of the windows
in the house of life
that were broken from the inside out.

Astound your own vision
with the kind of crazy wisdom
that knows the crown of the universe
doubles as the dunce-cap of a cosmic egg
and say what you have to say
to add yourself to the conversation
like a bridge to the few bars of picture-music
that look and sound just like you
when you refused to crush
the head of the serpent under your heel
like the end of the long interminable road you were on
to salvation.

And you were amazed
when it struck you
like an elixir of life
emerging from the eclipse
of a dark venom
you didn't get up off the ground
like St. Paul who had been Saul of Tarsus.

And you weren't the Tiresias of either sex.
There was no blind catharsis.
But your heels sprouted wings
that mastered the wind like words
and the snake flew away like a dragon
with a lot in common with birds.

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If The Night Were To Remember Me

If the night were to remember me
among all these shadows of lucidity,
for the firefly I burned to become,
for the corpse of the candle I am,

By the scars on the window I swear
By these constellations on my arm
I'm still learning to wear
as if I deserved them,

I always kept faith with the wonder;
even if I took the river
and left the road I was on
to go the rest of the way alone

as if it were better off without me
and fire on the water in fall
enraptured by the mystery
I was nothing at all

but the shadows of objects in a mirror
that taught me how to disappear,
a phoenix among the waterbirds,
a breathless secret in a gust of words.

Even the diamonds grow old.
And the light that shines through them.
And the eye that stares and beholds
the message that answers the medium

like the future ghost of tomorrow
of why joy thrives on sorrow
and our deathmasks hide our happiness
where we'd never think to guess

here arrayed before us
this unseen paradise
everywhere just as it is
in all its wretched blessedness.

I've looked for grace in the curse.
I've eaten the afterbirth of the worst
Taken sanctuary in the shadows
of abandoned embassy windows

keeping an eye on me in the dark.
Smothered in the ghost dust of stars
trying to make a fresh start
I've exchanged old wounds for new scars

just to blow on the fire a bit
to gratify the heretic
his penchant for martyrdom
and mine for creative delirium.

Ask me why and I'd say
that was my nature back then.
I didn't know any other way
to avoid being Zen about Zen.

Now I don't give a damn.
A true human is not human.
Better to avoid both
as pirated copies of the same truth.

Let go, give up, bye bye,
or cling to the dream in the doorway,
and nothing is purged or clarified.
Words are born with nothing to say.

Insight doesn't condition chaos.
Seeking a way out of the cosmos
is just another way of finding
a new way to stay that's binding.

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Things I Must Say To You The Crystal Said

Things I must say to you the crystal said.
Jewels I must turn in the light.
Things I have gathered
like wild herbs from the starfields
to make a cool poultice of the moon
to draw the pain out of the wound
like a child that got turned around
when she was born
on the nightside of her blue eyes
to colour outside the lines of her constellation
like one of the original watersheds of Aquarius
that didn't take to the bottle and spoon of lesser wells
that warily sip from themselves
as if they were testing for poison,
but poured herself out
in an elation of so many lifelines
so many rivers vital with beginnings
the world mountain discovered her
like gold in the stone
gold in the mindstream
gold in the ore of its bones
gold that shone even in the darkest of valleys
wherever she flowed
like the white moon
when it wants to be mistaken for a swan
and sheds her eyelids like the petals of a waterlily
that's gone, gone, gone beyond herself
like a waterbird into the undetectable mystery of things
that lifts us up from our own reflections
and calls us to exceed ourselves
by flying beyond our own wings
past the last lake at the end of the universe
we could bask in like a keyhole
in the third eye of an unrelenting sky.

There. That's a breathful.
A dust-devil in a gust of stars.
A precipitous river of my own.
But I like listening to the green mountains
talk about things that are perennially true
that no one ever believes.
There's inspiration in the fires
that inspires their leaves
to burn like old myths
and poems that went up in flames
true to the muse of autumn
that has forgotten their names.

And I'm listening to this little world mountain
this dolmen of a crystal you gave me
this palace of mirrors
that sits above my desk
and tells me things about you
only an older spirit than the road I'm on could know.
It whispers to me at night
like a fragrance of light
from the unseen flowers
behind your eyes
flowing down from the high fields
and unscalable facets
of the mystic mountain you live upon
planting trees.
Abruptly enlightened medieval Rinzai Zen masters
did the same
in the mountains of Japan
as if they were rooting their pupils
like worlds within worlds
within a grain of sand
like the cornerstone of it all.

Trees are the future memories
of a prophetic skull
that stays true to its ancestors
like pines in the fall.
Anyone who plants a tree
raises a temple to the wisdom of birds
who will speak to you
in the native tongue of a new language
in voices older than words.
Anyone who plants a tree
attains what lives beyond them like an afterlife
that's always rooted in now
and even the dead branch
that holds the autumn crow in the rain
when things are bleak with the passage of things
will turn into a strong rafter in the house of life
and the moon will add its blossom to it
and the sun its butterfly
and everything that grows
will greet you as a child of its own.
And life will hold you up
like a candle
like a Douglas fir
like a star
like the tiered pagoda
of a pine-cone
like a mirror
like a bird
like a quiet smile
in the sweetest of solitudes
and well-pleased with what you've sown
hang you like a thousand shining chandeliers of rain
in the sacred groves of the Pleiades
to show you what has grown over the years
from the labours you undertook
from the tears you shed
to green the wounded mountain back to health
by adding your life to its life
is you returning
like a prodigal daughter of water
to the mystic springs
of your own starcrazy source.

Ride the wave.
Ride the snake.
Ride the wind.
Ride the fire.
Ride your own eyebeam
like a sword that delivers
the boon of life
like the first word
of a new universe
that's just heard its name called
like an endless beginning.

You are comet. You are wheat. You are starwheat.
You're a comet in the starwheat
making crop circles.
Aquarius.
Aquarians can take their skin off
and put it on again like water
and pour themselves out forever
like the sea in every dropp
so when the tide returns
it's never empty-handed.
I see a naked watersnake
swimming through the moonlight
like the path of something perpetually true
and inconceivably beautiful
as if time itself had learned to move like that
and every ripple was an era
widening its wingspan in its wake.
Hic sunt dracones.
That's how dragons learned to fly.
The highest and the lowest all in one.
The snake in the claws of the eagle.
Wisdom in the lawlessness of insight.
God.
You.
Me.
The Mysterium.

For those who haven't opened
the eyes in their blood yet
to see the bloodflowers
the bloodstars
talking to each other
like variations of the same light
these visions are the lost dream grammar
of an ancient madness
you can't recover from like a fever.
But to those who know the fireflies
are lamps on the road
the stars are not useless
and everywhere is the clarity and passage
of a river that forever arrives.

And I can see the wounded child
who's brave about her pain
but feels like a ladder in the rain
no one will hold for her
to climb down like the moon from her window.
And those that should have been waiting down below
to catch her if she falls
have scattered like stars
on the insides of her eyelids when she blinks.
Abandonment is that hollow shell
you find washed up somewhere on a beach
and raise to your ear
to hear the sea far off
like a life that's going on without you.
Even the sea can't fill that cup.
Only another emptiness
could feel at home
in the homelessness of that space.
Abandonment is getting up every morning
and putting your face on inside out
and thinking of it as some kind of good luck
you're on the other side of the universe
all on your own.
And though you howl like a wolf on the wind
the moon still cannot hear you.
That's how longing is born
in the fires of separation;
that's how the universe is called
every moment out of the nothingness
like someone to love,
and the deeper and darker the emptiness
the higher and brighter the mountain.
The watershed holds the fountain up
like a bouquet to the rain.
Emptiness doesn't stand like a god
in the shadow of an unknown definition.
It's the selflessness of everything that is.
Unborn it lives without distinction in the heart of things.
Unperishing it dies for everyone
without leaving anyone out.

When insight blossoms
like the moon
on a dead branch
compassion's the fruit
that's always in reach.
Life doesn't practise
what the heartless teach.

This morning
I'm sitting at the feet
of your little crystal buddha
enthroned in full lotus position
as he turns my heart in the light
like a jewel in the eye of a diamond-cutter.
And the sky is generous with tears
as it clarifies the windows of perception
with eyes as old and wise
as the sun at midnight.
And every thought I have of you is a fierce peace.
And every feeling a black mirror
deeper than white
that has extinguished my face
like one of last night's stars
in the bliss of a greater illumination.
The mystic specificity of my mind
pales like the moon
in a blinding abyss
of no-minded indistinction.
And the stars that shone down on nothing for so long
like an indecipherable language
are now looking up at you
like the fountainmouth
high above the treeline
in the mountains
of an Aquarian understanding
of what they've always meant to say.
There are no echoes in the voices of love.
No avalanche of Rosetta Stones.
No scoffing crows.
No genuflections of the dove.
There are no shadows hiding like daggers
under the cloaks of day
to get even at noon
for things that happened at midnight.
Love is a feather
from a passing bird in flight
life puts into the scales
and the earth turns eastward toward the light
and death takes its finger off the measure
of life's most cherished treasure.

And now the buddha turns into
two lovers sitting upright
face to face
in a lotus embrace
of enlightened connubium
in a coincidence of the contradictories
as if two were not the extinction of one.
And when desire opens its flames like petals
and blooms like a phoenix
there are no strangers in the fire.
And love doesn't burn its feet
by making a firewalk
of the nameless constellation
rising from the dark innocence
of its sweet dreamless sleep
like the thirteenth house of the zodiac
with two people home from everywhere
with myths of their own
like Venus and Mars
turning the lights on and off
like lovers and stars
while the neighbours stare in amazement
through closed windows and locked doors
at the bright vacancy of the rumours
the dark abundance of the night
that knows all we are and do
and will and have done
is true to the overproof joy I take
in this lyric of a jewel in the light.
It turns me like your eyes
turning the key in the dark gate
of a mystic moonrise
where fate elaborates the worlds
like pearls from grains of sand
and time refires its last hour
like a master glass blower
to make more space
for stars in the desert at night
by breathing on the flames
that feather the ashes of the moths
in the urns of our names
with the wings
of a dragon
the wings of a phoenix
the wings of a sphinx in the rain
planting trees on the slopes of a pyramid
to watch the dead mountain grow green again
and know all the secret paths down into its afterlife
like a river running through the wilderness
or this theme of stars on the mindstream
beguiled by the mystic wiles
of a cougar caught in the moonlight
like a jewel in the eye of a dreamcatcher.
Or the seasoned seer in a mirror like me
enraptured by the anarchic fireflies
beading themselves
like the mandalic stars
of a new constellation
only the enlightened can see
enflamed like a prophecy
empowered by love
to rise in the night of your name.

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Patrick White

What's To Keep You From Dancing?

What's to keep you from dancing if you've got nothing to live for?
Dance naked in your tears. Cry through your laughter.
Plunge into a black hole and come out the other side,
renewed, a virgin, no more feathers and tar pits.
No more dead petals in a dry fountain. Absurd, isn't it?
When you begin to compare skulls with the moon,
not at all what you imagined you would see, not even
the prevailing consensus of delusion that passes for reality,
this neo-primordial soup of logos and memes
we're all swimming in like fish in radioactive water.
This pre-Cambrian efoliation of multitudinous sentience
re-inventing cuneiform to write it all down in the Burgess Shale
three hundred million years from now, fossil by fossil
and one among myriads, the lucky lottery ticket
of a fish with a spinal cord that will lead eventually
back to the saddest excuses in the world for the likes of us.

I've stood on bridges late at night by myself
watching the waters flow as if my mindstream
were going on without me, and the pain were too much
even for a poet to sublimate his way out of,
and I've lived my way to the end of a labyrinth of cul de sacs
and wearied of their chronic recurrence like a water wheel
at an abandoned mill that used to gamble on a river boat
things would stay afloat long enough to make shore
before the ship goes down. The crucial point here
is not to live with regrets as if you had something personally
to do with all of it. There's no starmap
for the burrs of the sorrows that smoulder
like brown constellations in the slums of an inflammable zodiac.

You diminish your arrogance at the expense of your humility
that's grown as gigantic as God, when you think
you know enough about the unknowable to fix the blame
as if you'd just come up with a new alibi for you and the world.
Could be a curse. Could be a blessing. Could be
an improbable concourse of unforeseen events
that's been chain-reacting well before
the infinite beginnings of the multiverse.

You cut your skin with razors as if you were
playing tic tac toe on your thighs, hoping someone
would come along like an antidote and suck the poison out.
But life isn't sweet when you've learned
to weep through your fangs. Go ask the moon.
There's no holy crusade going on as if the rose
aroused its petals to go to war against the infidelity of its thorns.
Even the predators, in their own way, are the children of their prey.
The longer the fangs. The sharper the talons. The harder the armour.
Ever seen what an owl can do to a snake? Yes,
things can be bad, but not necessarily for your sake.

They can be good, too, but if you think it's for you,
you're going to end up telling lies about suffering in your sleep
like a flashflood in a dry creekbed trying to wake the frogs
that have burrowed deep into the starmud for the duration
by singing to themselves in the rain as if they'd just had a revelation
it's wet on the moon again. I'd could give you any one
of a thousand interpretations of your eyes. I could
turn your sacred snake's tongue where the rivers part
into a green witching wand twitching over the watersheds
of mystic lightning. I could scry the self-sacrifice of your next breath
like the smoke of a distant fire on an autumn hillside
and try to explain the fireflies as the popular demotic
of the proto-nostratic of the stars and how that relates
to the scars on your leg. Befuddle you into a salvation
that would last at least a couple of decades before
you could ever find your way back by your own lights
to where you were going with the rain before I met you.

You're not wrong. You're not right. I could say that and mean it
as easily as a principled astrolabe looks upon a starless night
and doesn't try to see what isn't there. It isn't dark.
It isn't bright out. It's clear all the way to the next star
if you don't bind yourself to a mental atmosphere
where the mind suffers at the hands of its own weather
like a child that thinks it needs to be taught to wake up
from its own nightmare when, in fact, once things
begin to bottom out it's as over as a bubble rising to the top.

Pop! No more delusion, no more enlightenment.
No more mirages taking charge of the wellsprings
in the desert of stars in ruins around Jericho
as the wind shapes the sands in an hourglass
like a potter or a sculptor into a sea of eyes
that can actually flow like tears of glass in the heat
you can drink from like a dragon on the moon
just before it begins to rain. And the grasslands awaken
of their own accord. And everywhere guitar-shaped gazelles
are getting up on their own four legs like amputees
that haven't forgotten how to dance to the elegant thunder
of their own leopard skin drums. And the rain
comes back to your drought-stricken eyes again
and runs like rivulets and the unravelled threads of your lifelines
through the starmud gullies of your brain breaking
into waterlilies of insight on the banks of your mindstream
tempering the broken swords of moonlight
that are offered to it in tribute, not surrender,
because there is no war, into alloys of reality and dream,
delusion, enlightenment, imagination and awakening
no one before you has ever fallen upon like a dancer
who was cut to the quick by a life she's not been out of step with
by not so much as one angstrom of a wavelength of a firefly
for all the billions of lightyears along the way
you've been leading a pilgrimage of shadows deeper into the night
like a calendar of shepherd moons
you've been slashing like a sundial on your legs
moments away from the shrine of broken promises
you intend to keep like a vow you made to yourself
sleepwalking your way across the corals of your grief in bare feet
as if sooner or later you could tread all that blood into wine.

Put your dancing shoes on. Crystal slippers. Moonboots. Winged heels.
Stop carving your body like a deathmask you can wear in the world
like an alphabet with omega as its only child.
Why lie down on the grave of that morose saint of clowns
you prayed to deliver you from yourself like the spade
you were using to dig your own ditch on the moon
for the mass assassination of the innocent and obscene?
I'm a poet. And to me you're as beautiful inside and out
as a blank piece of paper after the first snow
has had a taste of moonlight and softly glows in the dark.
Not Joan of Arc singing at the stake of her own serpent-fire
feathering her body in flames, in boas of smoke to cover up
the glyphs of the bird tracks on the secret loveletter
she's been writing to herself in the flesh to really mean
what she says when she says I want to live, I want to love,
I want to give and receive the way I breathe without
meaning anything by it. I want to see, because I have
brave eyes, deeply into the light, into the dark, the mystery
of a life that keeps on going without knowing where it ends.

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Patrick White

I've Stopped Mistaking My Life

I’ve stopped mistaking my life
for evidence I exist.
I’ve stopped watering
palm-trees in a mirage.
I’m leaking out of myself
like sand through a crack
in a wounded hourglass.
I’ve stopped doing my time
standing up
and approach things more
like a circle
that’s been squared
by a reclusive hypotenuse.
I’ve stopped asking
how many legs are on a snake
or what does it mean
when things don’t mean anything.
For all the auditions I held
I never did find a stand-in
for the meaning of meaning.
I can hear crutches breaking
like dead branches
from the tree of knowledge
that rails like an ice-storm in hell
there’s no light for its chandeliers.
How many voices are in a secret?
How many theories in a thought?
How many lovers had to die
to keep one feeling alive?
I deserted the circus of high ideals.
I unfeathered my heels
and stopped trying to invent
new alphabets that would read like birds
before the first snow.
When you’re everywhere
there’s nowhere left to go.
I stopped telling time to its face
what hour it was and wasn’t
and started listening to it
as if it had nothing to say.
I stopped asking space for i.d.
and it stopped showing me
an old picture of me
with one eye.
A voice spoke
out of the purposeless undoing of the fire
and everything went up like smoke
trying to get a little higher.
I wasn’t on a mission
to save the souls of the trees
like native peoples
by converting them
to doors and ladders.
I swept through steeples
like a forest-fire
And the judgment came down:
Nothing matters.
And I knew I was free
to take liberties with the abyss.
And everywhere I rode
a flying carpet of karma
through the infinite darkness
unspooling like a wavelength of light
I made up my own myths
about the stars that were passing
clandestine lovenotes through my eyes
as if they were doves
sent out to look for me like land.
But I had a hell of a flood
of my own going on
and took wing for Atlantis.
I’ve given up trying to walk on water
but I can go for miles on quicksand.
Stars are another matter.
A firewalk you take alone.
I live in a house
where the windows
are lightyears across
and a black hole
is my last known address
surrounded by trees
that keep opening my mail
like leaves of their own
to see who signed
what the light confessed
when it wanted to get
the night off its chest.
Tell me your sorrows.
Tell me your fears.
Tell me your hopes and passions
and I’ll listen like a universe
to its own afterbirth
like a flawed soul
listens with compassion to the rain.
Illusory cures for illusory diseases
perhaps
detailed maps
of rivers that never flowed.
But I take a deep breath
and put my shoulder to the wind like a bell
that’s taken on a heavy load
like a backhoe in heaven
excavating graves
to see if anything
can truly save us from ourselves.
I come up like the full moon
of a mushroom in the night
and I wait for elves
to enthrone me like a footstool
under everybody’s feet
as the last of the hanging judges
takes his seat.
But I know like a man
who wrestles with angels
how to grow stronger with every defeat.
I am no longer defined by things
that don’t know the limits
of what I’m becoming
now that I’ve dropped off my body and mind
like a demon jumping from paradise
without a parachute.
And this is the anti-papal decretal
of the fallible man
they stone with churches on earth
for showing up blessed like a human
who took the shape of the world
from the inside out
not the outside in.
This way lies redemption.
That way, too.
Fire’s not a heresy
that’s committed to its flames
anymore than autumn consumes
the heartwood of its orthodoxies
when it burns the trees.
Desire doesn’t cut the tongue
out of the mouth of love
for saying the secret name of God
as if it weren’t junkmail
on the threshold
of the old neighbourhood
the cornerstones of sounder reasons
had torn down like a slum
to make room
for better things to come.
There are still scarlet geraniums
blooming in red brick clay pots
on the windowsills of longing
that haven’t lost their faith
like leaves yet
one day they’ll return to the garden.
And baby boys born
like heartsongs with hards on
that are not the cliches
of impish cherubs
in a painting of original sin
but angels holding burning swords
at the gates of the mothers
they’ve been driven out of
to guard the way in.
It’s deeply ontological.
But if things didn’t happen this way
how could you ever find
your own way back
to that shortcut you took
like time off at the beginning?
And haven’t you noticed yet
how the universe keeps showing up
a star too late for the end of things
making up excuses along the way
like a touring playhouse on wheels
rehearsing what to say
for the long delay
in catching up to itself like a thief?
You can tell a lot about a man
by what he steals.
You can tell a lot about a world
by the way your life feels
when there’s no one around
to make a sound
as you fall like a tree in the forest.
How many koans need to be cracked
like skulls full of insight
before you get the gist of the joke
that everything you see
is whole and perfect and broke.
Hell and heaven
are only the first two stairs
on this fire-escape
the stars have lowered to earth.
And then there’s a bridge to the other side
of a river that’s given up looking
for its lost shores
to put an end to its weeping.
And I don’t know who she is yet
but beyond that
there’s a woman on her knees
crying like one of life’s immensities
for her dead baby
as she washes its blood off the floors
with her hair
for safe-keeping.

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Patrick White

You Never Became A Memory

You never became a memory.
You remain as you are in my life.
A living compassionate presence.
I have forgotten more of me
than I ever could of you.
Whenever I want to see beyond the light
I see through your eyes
everything you wanted to show me
that was not petty or tragic or cruel.
I was a profound fool
but you taught me how
to add my darkness to the night
to enhance the shining.
And even now
when things aren't flowering well
I still reach out for you by deepening my roots.
As if I could touch your face again
like a muse of water
lost in her own reflection.
As if I could ignite the same fires again
that blossomed on the dead branch
of the witching wand
that inspired the stars
who thought they had seen everything
to marvel at their own perfection in you.
Inspiratrix of the blue waterstars
that burned like chandeliers
among the constellations of the lilies
pluming themselves like swans
in the feathers of the moon,
how I long to be eclipsed and enlightened again
like a chameleon reflecting the mood of your beauty
as I did before these windows came
like glass-eyed calendars between us
to prove that time isn't space. It's pain.
And change is an absolute
that doesn't like its relatives.
My angel misses you.
My demon misses you
so badly at times
I can't look into the abyss for long
without impeaching my mind
for its awareness of an emptiness
that aches like an existential absurdity
to be put out of its misery
for being born blind deaf and dumb
about whose wind on the waters is rocking
the cradles and crucibles of creation.
The Medusa holds her tits out
like snakepits and grails
and I never know which one to drink from
or if the poison and the antidote
are just the opposite fangs of the moon
as it grows through its waxing and waning
as if a physician found a way
of healing herself
by sloughing her wounds like skin.
The mindstream weaves its way at night
like a garden snake
through myriad blades of grass
like the shuttle of a loom
that doesn't know what theme of life
unspools in the flowing.
And my eyes miss you like light.
I'm a lighthouse on the shore of a dead sea
trying to walk on water like the moon
as the waves chip away at me
like shale flakes off the cold stone
that edges slowly through my heart like a thorn.
And it may make a king of me
to draw the sword out of the stone
but that doesn't close the wound
of having first to fall upon it
to vacate my throne with honour.
If life is the truth
then lying is the only way
to describe death to a god
who doesn't understand it.
What's a church without gravestones?
Aspiration without an expiry date?
And so many different kinds of death
not enough generations of humans
have been born yet to know them all.
Death tries to trivialize the relative
as if the things I miss most about you
had never been.
But your mindwaters are mingled with mine inextricably
like the shoreless starstreams of space
panning for planets in our flowing
we might live on
and have our being and our breath
unblighted by loss. Separation. Death.
And there is no more of the sadness
I used to see in your eyes
as if they were my own
that I still see everywhere in the eyes of all living things
when I know as you would have had me know
as clearly as you did
that even though the neverness
of implacable circumstances and lost last chances
may have separated us like the threads of the rope
you used to climb up to heaven before me
like one who took the short-cut
and one who took the long way home through these starfields
taking his painful time
like the unfulfilled hope of a child
he's not alone when he opens his eyes
like a dream within a dream
that looks but can't find him,
you can polish the missing into a mirror
and wait like a fox by a black hole for things to appear
that will never be the same again
or you can open your tears like windows
and let out the birds of pain
that I have kept as close to me
as the whisper of your voice
in this cold, dark chimney
telling me to let you go as I do now
to rejoice on the dead branch and the green bough
like the flower and flame
of what became of us.
We cannot be the song or the singer
for very long
as our voices dim like candles in the darkness
that have given it all away.
And as you used to say
as if it would always be today without you
and all we have given is all we could keep of each other
like water returned to the river
we raised to our lips to taste
the sad, last drops
of these eyeless elixirs of the moon
that linger like vapours
in the empty goblets of the morning glory,
and I need to believe you more than I do
in this neverness of now
that has come before me without a beyond
or a word from all that has irrevocably gone.
Yes. But the singing. That goes on.

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Jumped Out Of Nothing

Jumped out of nothing. The fish did. Golden.
A flake of the moon. When I wasn't looking.
Into a lifeboat cupping something precious in its hands.

The mind an old junkyard that's been collecting windows too long.
So many points of view. So many glass eyes
looking for the stuffed animals they belong to.

Death after knowledge. The silence that follows the music
after the bird has flown. Is the abyss death's rebuke
of life's dangerous proposal to let us look through the keyhole

at what's going on in the uninhabitable room next door?
To dream a little in the interim between two enormities
abstracted from the need of our perishing to persist

aeonic light years beyond anything we can imagine?
The golden fish jumps into the boat like an unsought insight.
No hook in it. And you can tell by the scales of light it emanates

it's risen from the starless darkness of its own depths
like moonrise out of the encyclopedic corals
of accumulated knowledge that's found a place for everything

like a polyp on a library shelf, calcium in a cave
shaping itself into temples from the top down.
Stalagmites and stalactites of cathedrals inspired by water

to enshrine themselves in form as an aid to the blind.
Though things along the way might change
does the journey stay the same ad infinitum?

Did you amount to everything you dreamed you might be,
or were there more stairs to climb than doors to enter,
more walls than windows in the way you saw things?

I've seen the most sublime things humbled by their own insignificance.
And I think I've heard God more than once
weeping at the stern of a sinking ship for a turn of events

she couldn't do anything about once they were set in motion.
And I've listened to people my whole life
talking in their sleep about how to put a rudder on a dream

as if there were a focus and a direction for life to flow in
like a solid, particulate thing instead of the wandering wavelength
of this exiled mirage of water that it appears to be

depending on the mood of the chameleonic mirror you're looking into.
The donkey looks into the well and the well looks back at the donkey.
It couldn't be any clearer than that. Tat tvam asi. But, then, again

why muddy the mirror by dropping the penny of the moon
down a wishing-well that never gets what it wants
and ask for something you've never really been missing?

I learned in my mother's kitchen long before I went to school
that just because you can ask a question doesn't mean
you have a right to expect an answer that satisfies you.

And even when you do receive an answer unexpectedly
it will be the quality of the question that determines its nature.
The single petal of a candle flame the size of the fire of life in your heart

like the apple-bloom of a thousand orchards in the Okanagan
thrives on the winds of change that blow it out and away
like a butterfly from the open palm of your hand

wise enough to know a hand is not just for grasping
and let it go like a mind of its own without knowing where.
Indirection is an indeterminate voyage of discovery,

a star's way of probing the darkness radiantly
without knowing how the light's going to be bent ahead of time.
Destination is a postcard from the edge of nowhere.

If you want to see anything worth looking at
while you're still alive enough to know it like your own name
don't adjust your eyes to the size of the window

you're looking through like the keyhole of an orbitting telescope
but the spaciousness of your own mind like a sky
no starburst of bird, word, or thought has flown to the end of yet

Whether they're bearing the souls of the dead south or west
like early transmigratory hearses yoked to a brace of angels or not.
Life still greens the tree with meaning even in the wordless dead of winter.

And who hasn't been, from time to time, a thriving neighbourhood
that left town to seek its fortune buried in its own back yard
only to return empty-handed to watch its homelessness being torn down?

Those who see themselves as strangers in the doorways of their own houses of life
are those who ask the most questions about who that is
that threatens them the most from the inside out,

that offer escalating ransoms to their own shadows to let them go unharmed
the longer the silence refuses to identify itself like an answer
to the incomprehensible questions about what they're doing here

like rivers weeping over what's going to become of them
or the sun worrying about opening the wrong flowers
like somebody else's mail without a return address

though all flowers like stars are loveletters addressed to everyone alike,
and it's not hard to recognize a river in captivity by its handwriting
or the jewels of the dead from the eyes of the living by the accent the light

they speak in through the medium of a mother-tongue that slurs the distinction
between a seance and an exorcism once we realize we've been summoned
to the comings and goings of every breath, every step, every

mistake we make with our lives like a revealing insight into who lies
under these deathmasks we wear like crocuses in the spring
under the unpaginated duff of last autumn's petals and leaves.

The way life carries on, it feels to me, is no different
in the heart of the incomprehensible mystery
than the wind that sweeps us away like death

the stars off the stairs in one and the same breath that blew them there
to ensure our continuity is always within reach of attaining
like a river that at all times and everywhere is in touch with itself.

Like a waterclock. Or a goldfish in the deserts of an hourglass
swimming through mirages on the moon that launches
our lifeboats and coffins alike on the same undifferentiated ocean of insight

that washed us ashore in the first place like islands in the night
that have more in common with the stars that at first glance
we might think we do in the vastness of the spirit's lost and found.

But of this I am bold enough to remain uncertain of my bearings indefinitely.

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Some People Go Looking For Happiness

Some people go looking for happiness.
Some prefer power or beauty wealth and fame.
Some crave intensity.
Some seek peace.
Some search for food and shelter.
Some want to die with a good name.
Everybody takes their lead from the way they came.
And everyone says they're looking for love
though no one knows what it looks like.
They try to fit their thoughts to their words
like skin they can touch
that doesn't scar like the moon
or shed like a petal too delicate for the senses
but most just end up trying
to mummify the mindstream
by laying thousands of years of starmaps
down on troubled waters
like autumn leaves
that don't know where they're going.
Eventually everything's swept away
in the undertow of a dark ocean
that only smells sweet from a distance.
And longing shifts like infra-red into the blackness.
And bones on the moon are the only signs
that life once perished here.
Orphic skulls whose jaws dropped
like gates before their own gaping prophecies.
Time flows like a non-existent future into us
and it fills us with a hunger
for everything we've lost
or feel somehow was always missing.
One of the cardinal features of the emptiness
we are conceived again and again out of
is there's nothing behind its face
you can fix like an identity to space.
For fourteen billion years
the universe has been nothing
but one long beginning without end
making everything up as it goes along
out of nothing
like a man whistling down a long road
far from home
late at night
to let anything that might be listening in the darkness
know he's there
so nothing can take him by surprise.
And every step he takes
he steps across a threshold like a star
just coming into being
whose light goes off in all directions
looking for blind water it can turn into eyes.
Bosons hadrons leptons neutrinos wimps and quarks
the deeper you look into the matter
the more you realize
out to the furthest galaxy and beyond
seeing is being
and being is all fireflies.
And every one of them
is true north of nowhere.
Some people follow their own beginnings
like laws into the future
hoping to become someone else
that doesn't recognize them anymore
for who they were.
The peduncle's lost in the ensuing phylum.
Their future's rich
but their past is always poor.
The planet doesn't spin on its axis for them.
It's hinged like a door
that only opens one way
though it's a two-faced god
that begins them like last year.
But the leaves of autumn
aren't the laundered money of spring
because if our fulfilment
weren't already behind us
we wouldn't be here
trying to true the last to the first
of an unfinished multiverse
like the best to the worst
as if red were the past of blue.
Stop thinking birth is the past of death
or spring is the future of winter
as if they weren't the same breath
and one breath of life weren't enough
to keep the fireflies glowing in your ashes for eternity
and everywhere you look
you will flower like a vine
that divines its way to the wine
by ripening the grapes of gratitude.
You will understand
for all that you have grasped
and brought to fruition
your most exalted aspiration
is a heap of dead branches in the spring
burning like leaves of fire
still reaching out for the sun
and you will hear the mind-mirror whisper to itself
like the wind on far off waters
Narcissus is drowning in his own reflection
like the flashback of a life he left unlived
but everything is immersed in me
like a mind
like a sea in a fish that ran aground
on the uncharted landfalls of its own teaching.
And the wine will flower in your mouth like a grail
that's given up preaching
and finally found its own voice
like a bird returning to a tree at nightfall
to call out in its solitude
to the stars as they appear
we are here we are here we are here
where we belong
at peace with everything we're missing
everything we long for
everything we are and are becoming
that overtakes us like music from within
transforming the silence into song
the water into wine
small beings into a big space
looking into the passing face
of everything's that's mortal about us
with our eyes fixed upon the divine
not to see it in any one place
but with the presence of mind
to be wholly and impurely not that not this
without anywhere a trace of ultimacy
in this world that we take for a sign
we are here we are here we are here
and things are as they are
not as they must be.
Nothing got here legally.
What's the expanding universe
if not a refugee in its own country
somehow exiled from itself for reasons
only it can express?
Citizen Universe
show me your papers
your paintings your poems
show me how you dance on your own
show me how you put your children to sleep
show me how you bar an F chord
show me what you weep for
what you delight in
what you esteem
what you despise
what you ignore
what darkness of yours
feeds that inferno of stars above you
burning its constellations like passports
that aren't going anywhere
show me the black mirror
that says you don't belong here
like some misplaced night of the full moon
not marked on any calendar
show me the law of being human
that says this little piggy has one
and this little piggy has none
show me where it's written
the guest shall turn strangers away
from his host's generosity
like a dog at the door
that bares its teeth at the table
show me the home-made honey
of your wisdom
show me the dead lamps
of the apocalyptic fireflies
that designed your chaotic cosmology
by plagiarizing the light
to prove the stars
don't reserve
a space in the universe
for any insight of yours.
Nothing got here legally.
No one followed a coyote or a law
to cross the border
into this insurgency of being
no one checked the colour of your eyes
or profiled the light
to see if they were fit for seeing.
You don't need a constitution
to verify your liberty.
Well before you were born
you were free and ever shall be
to belong here as we all do
to pursue what makes us
sad mad bad or happy
the way we all got here
the way we all get through
the way we're all alone here together
with one another as we are with you
as we are with her and him and me
as we are with everything
as we are with ourselves
when we don't know who we're becoming
when we don't know the stranger on the bridge
watching the water flow
that's waiting to greet us on the other side
in the only way the unblighted heart of reality
we're all looking for
like blood on a grail-quest for our humanity
accepts the darkness that seeks us out
like a miraculous elixir of insight
so the kingdom won't fail
so the garden doesn't ask us
for a green card to know and grow
in the only way we truly belong here
in the only way we know how to be
so the lifeboat we're all in
like the same boundless mind
is always as full
as it is empty
so no one gets left out at sea
like a wave that couldn't be saved
and no one gets in
who doesn't know how to swim
the way we all got here
and continue to be
all these thresholds of the sea
that steps across us
even as we move like waves
breaking discipline with our own continuum
creatively.
Just to be here.
Just to crawl up on the shore of a new medium
like a refugee planting flowers
we brought from home
hoping we'll still be here
to watch them bloom.

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Patrick White

I look Into People's Faces

I look into people's faces
and I see the same wound
under many different scars.

I look into their hearts
like a stranger at night
through a passing window
and I see how suffering through
the agonies of life
has ripened some
with sweetness and compassion
and others are already
rotten before they fall.

I look into people's eyes
and some are vast starlit skies
and some are the iota subscripts
of scholarly fireflies
that footnote the constellations
at the bottom of the page
with details off the beaten path
of their MLA mainstream cosmic thesis.

And some are like moons
with parenthetical crescents
with nothing in between
both sides of their smile
that isn't a cynical aside
about the lost innocence
of a phase they've already gone through.

And some stare back like eclipses
that have pulled the blinds down
over their eyes
like sunglasses disguised
by a witness protection program
but you just know
they're oilslicks
on the Sea of Shadows
as they were in the womb
and in the Gulf of Mexico
the black blood
of an incorporated miscarriage
that hemorrhaged like the pot of gold
at the end of the oleaginous rainbow.

I look into people's souls
and I see how afraid
they must be of life
to hide out in the open
like an ocean
that hasn't kept faith
with its own depths
and tries to pretend it's
as airy and light as the sky.

The birds are flying through the roots.
The fish are swimming in the treetops.

I see judas-goats chained
to the stakes of their ego-Is
like sacrificial tiger bait
devoted to their cunning.

I see the anti-muses
that shadow Mt. Helicon
like black holes
in the death valleys
of human imagination.
And I wonder how they ever got here.

What bend in space
led them to this twisted place
like a forsaken road
they keep taking
like a wormhole through time
into the womb
of a stillborn universe
where the moonlight
burns their embryos
on pyres of lime
beside the dry creekbeds
of nameless rivers going nowhere?

Along their flowerless banks
I see the rib-cages of dead snakes
that went witching for water
with tongues and tines
of Kundalini lightning
that ran up their spines
like time through a waterclock
and the hulls of empty lifeboats
that died in the desert
at the bottom of the mirage
they drowned in
hoping to find themselves
among those who survived
by learning to swim through sand
like fish in an hourglass aquarium.

I'd rather walk on stars
reflected in the shattered mirrors
of my last self-image
than repay
the generosity of my solitude
with mass ingratitude.

I listen to people's voices
and they all seem like the same echo
with many different mouths.

I've tried to respect
the mystic specificity
of the thousands of fierce individuals
I've met over the years
but the more I've learned
about myself and others
the more I see the same mind
in many different skulls.
The same genius of inspired water
that poured an ocean
of sentient awareness
into everyone of our cells.

Union differentiates.
Separation binds.
I look into people's faces
however young or old they are
and I see infinite spaces
moonlighting as time
on the nightshift of the stars.

I see horror and compassion.
I see butterflies sipping
the nectar of diamonds
like honey in the promised land
and maggots born in excrement
thriving on offal
like the janitors of the dead
because everything grows best
in the soil it was born into
like karma in the fortune-cookies
of wombs and eggs and cocoons.

I look into people's eyes
like sad stars
through the generous end
of the telescope
that brings the far near
like impact craters
and I see how some people
cling to the memory of themselves
like underground seas
in frozen lockets
of water on the moon.

I look into people's secret shrines
they build like birds
in the eye of the storm
looking for salvation.
And I can hear
the echo of their prayers
bouncing back off hydrogen clouds
like a nineteen twenties radio show
thousands of lightyears away
as if they just said them yesterday
and the universe as usual
threw the words back in their face
like the cosmic background hiss
of snowflakes on a furnace
going out like stars.

I've seen the innocence of fireflies
making halos
and the blood-rose weaving thorns
around the massive blackholes of death
as if they were merely
a pinprick in a voodoo doll
that got into white magic by mistake.

I've looked into
the nuclear blaze of madness
like an A bomb with shades on
and seen the flash and shadow
of embryo silhouettes
spit out like cave paintings
on the firewalls of the fusion wombs
that give birth to the heavier elements
it takes to survive.

But the water's not mad
just because the moon's a lunatic.
The mirror might seem
just as angry as you are
but it doesn't feel a thing.

Learning wisdom is learning space.

It doesn't eat flowers
and the weeds don't sting.
It takes everything it embraces to heart
and nothing's left out
from the very beginning.
Like the whole of the moon and the sky
in every eye of water
that's ever looked into me
and seen that everyone
is the heart of a mystery
whose lucidity
is their only true identity.

It's our seeing
that makes the flowers open
and the stars shine.
It's our hearing that gives
the wind something
meaningful to say
and the grass something
to whisper about.
Whatever you touch
walks in your skin from thereon.
Whatever you taste
be it roses and nettles
or sulphur and wine
or the sour-sweet radiance
of the stars on your tongue
you're the flavour of the day
in everything.

It's your nose
that gives the burning leaves
in the urns of autumn
the spectral fragrance
of chrysanthemums
that are barely holding on.

And it's your mind.
Your heart.
Your blood.
Your body.
Your imagination.
Your intuition.
Your wisdom.
Your ignorance.
Your darkness.
Your light.
Your spirit
enlightened or deluded
whatever you think or feel
is abundantly missing
or dream you're waking up to
that makes the world real
in every mystically specific detail
of who you are.

Who else?
I look into myself
as far as the stars
at the edge of my seeing
fourteen point five billion lightyears away
and I can see how much time and space
how many species of life
generation after generation
have been born to give birth and die.

All the roses swept
from the stairs
of our hopeless tomorrows
because they were a tribute to love
meant for someone else.

All the spontaneous joys
that cast their long random shadows
like occasional fireflies of insight
across the lunar mindscape
of this afterlife of sorrows
where every church is the gravestone
of an unsuspecting god.

I look into my own seeing
like light upon light
in the vast expanse
of an unknowable night
and I'm cosmically astonished
by how many worlds within worlds
eyes within eyes
minds within minds
lives within lives it takes
to make a single habitable human being
meaning everyone of us sacred fools
fit as a genius
for the crazy wisdom
of a creative life
in a self-inspired universe.

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Patrick White

My Secret Place

My secret place down by the Tay River.
I deer-bed down among the autumn grasses
and last of the New England asters
half-lotus in cowboy boots
with a clear view of the stars
dancing on the water.
The waterlilies have perished.
Jupiter.
And the moon at last crescent.
No one knows I'm here but me.
I've never come here with another.
A place where I talk to the universe alone
as if it existed
more personally
than the mere immensity
of a cosmic intelligence
super-saturating time and space.
Belief's a bad habit of mine
and sometimes I want to be deceived
into believing someone's listening
even when I know they aren't
and that the worst always happens for the best
even though I know it doesn't.
The sky's a windowpane I can fly through
without breaking my neck on delusions
and the moon feels like
a cool poultice on a hot wound.
I watch a spider repair its dreamcatcher
and say good luck.
And the stars don't really give a damn
how they shine deep in my dark inner spaces.
Everything is so perfectly entranced with being itself
I wonder what it is about a human
that has to take time out like me
to reconsider what I'm doing here
wandering around on the earth
without any certain purpose
other than the ones I make up like poems
to spin bedtime stories out of my nightmares.
A birch leans out over the water
like a woman washing her hair in the river
and I sense there's an inevitability about a tree
that isn't like me.
I can't find a fixed reality
to be in harmony with.
I have no doubt the rocks along the shore
are getting it right
but with me consciousness is a light
that contradicts its own clarity
the moment it reveals itself.
There is no path to follow
no way to flow
no aspiration to fulfill
that isn't pure folly.
Or just another way of running out of myself
like sand in an hourglass
piling up pyramids
until I've exhausted myself like Sisyphus
rolling stones uphill.
And then I'm overturned like an empty shotglass
to begin again
or just sit here by the river like an amphibian
and let the universe do what it wants to my brain
without assuming it wants to do anything
or that the damage hasn't already been done.
A new way to be partially whole!
Flesh and blood with a mineral soul!
Prophetic tents full of snakeoil salesmen.
But I've never been tempted
by things I couldn't give my heart to
and the curse of spiritual valium
is the same as it is on earth.
The withdrawal is as dangerous
as following the addiction
all the way through
to the emergency ward in heaven
that handed out the prescription in the first place.
It isn't the soul of a butterfly I see
when I look the money-maggots in the mouth.
I'm not praying for an afterlife that's worthy of me
as if anyone knew what that amounts to.
What would you suggest
for an agony of snakes in a bag of skin
that's got nine holes in it?
The tears I've wept for the world
have all turned into serpents.
The tears I've wept for myself
watered the roots of a mirage
in a desert where the stars
burn your eyes like sand
and turn your blood to glass.
I wonder if the birch knows
what's passing it by.
If the river is its mindstream.
And then it comes to me
like a message in a bottle.
Maybe my sole purpose on earth is passage.
Maybe I'm just time looking for a reason for itself
to go on like a season that's known by the way it changes
by always being estranged from itself.
Maybe I'm the more-than-me I can't conceive of.
Maybe all these things seem
self-possessed in their tranquility
because I'm a mess.
Maybe my being as screwed-up as I am
helps get them through it
and all my pain and turbulence
all my preposterous longings
to be well-meaning and beautiful
all the black elixirs of the ruthless mystery
I've drunk from my own skull
held up to the gods
like the begging bowl of the moon
when it's full
just to see if the darkness tastes of light
the way a lump of coal
foreshadows diamonds to come
after aeons of excruciating transformations
and if there's more room for chaos on a calendar
than there is space in the scheme of things for thought.
But there I go again.
You see what I mean?
Fish jumping out of the stream at the stars
that lure them up out of their depths
like low-flying insects
to take one great leap into a new medium
out of themselves
like an arrow through the back of a bulls-eye of ripples
it didn't know it was aiming at.
But things are getting too elaborate
and at this rate I'll soon be speaking in voices
like some right-brained polyglot in a rapture of saying
going on like the Rosetta Stone
as if I weren't sitting here alone
like the misbegotten seventh son of zero
trying to come to terms
with a formless reality
I keep stubbing my heart on.
Mahaprajnaparamita.
Great wisdom for the further shore.
Gone! Gone! Gone!
Altogether gone beyond.
Isn't that what the Buddha said
in his secret place
when he went out of his head
trying to stare the world in the face
and all he could see was Venus in the dawn?
Desire and its afterbirth
at the beginning of nothing at all?
An insight into what's unearthly about the eternal
or just the way the light's bent by an atmosphere?
To those who can't let go of things
and to those who cling to letting go
impermanence is suffering
and the only way to cure that
is to pour yourself out upon the earth
like the bitter cup of the moon
when she's had enough of herself
and find peace
in the sweet potential of your emptiness
to be filled up again.
To sit here in a secret place
like I do
tangled in my human roots
with waterlilies on my brain
strung out all the way from earth to Venus
like a chain of thought
severed in the distant past
we had resolved would never come between us.
Where is the peace?
Where does that flower bloom
that's rooted in blood and starmud
if not in the solitude of a human heart
that's wandered this far from home
along the shores of its longing to return?
Why does my heart argue
against the will of the world
like a salmon swimming upstream
on the down slope of a cosmic mountain?
I'm not trying to scheme my way out of
my dream of this
like someone who turns his back on his eyes.
I'm sick of lies.
I'm sick of universal truths.
I'm sick of how blithely everything obliges death
with every second breath.
I'm sick of the grailquest.
I'm sick of the hypocritical crusades.
I'm sick of Aztecs and Christians
with the blood of gods and children on their lips.
I'm sick of atheists who claim it's lipstick.
The lightbulb in the well on the moon
to keep the water from freezing up
has gone out
and I'm sick of the way things don't flow anymore
like a tide in a sea of shadows
like the road of ghosts
through the cold dark vacant interstellar spaces
of an enlightened lunatic with a creative abyss for a heart.
I'm sick of the bitter black ghost bread of my art
that tastes like the futility of burnt paper.
I'm sick of trying to understand
what isn't understandable
about my own and human nature.
I'm sick of all these long incommensurable interminable questions
I've walked all the way to the end of time and again
only to return with an ambiguous answer
that's rarely communicable through form.
In all humility
take the low place like the sea
and the sewage of the world runs down into me.
Take the high like the open sky
and the mountain turns into a mudslide.
The best is to be here right now as I am
with all my dilemmas answers contradictions
insights questions and aspirations,
all the paradoxical sorrows that have come
of my physical assurance that life is joy
and ultimate unity is bliss
without the oxymorons
and love's a deeper insight into life than death
if only by a breath
and though why we're here in the first place
is anyone's good guess
intelligence is not the anti-Christ of chaos
but the genius of dark matter becoming aware of itself
like a hidden secret that wished to be known.
What is dark will appear light
if you surround it with something darker
like a star shining in daylight
no one notices
until the night reveals it
like a wolf that lies down with the lamb.
And the best is to be wholly here right now as I am.

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In You

In you I come to the end of roads,
and an alphabet of burning wings
falls from an indigo sky
like meteors trying to write
the unsayable in a slash of light,
in a language of luminous scars
the night beatifies with mystic knowledge
that wants to name you
so deeply in thresholds and stars
the charged silence
is giving birth to an indelible mouth,
a doorway of blood,
an ancient grammar of fire
the wind puts on like a robe
to scry the darkness for a voice
that could fill the goblets
of the moon's dead seas
with the wine of a radiant wound,
so much within me
already the tongue of a bell
that can taste you like blackberries.
The whole of you
in every single dropp of your eyes,
you are the black swan
of the eclipse that rares its reflection in water,
the dark orchid in the shadow of the dragon
that sways like a bell in the night,
even your absence a shape of cherishing,
a harvest of shadows beyond the light
of the lamp that burns for you.
Within the deepest abyss of myself
where the heart stands alone
like a single black pillar
in the twilight wasteland of the world,
a mysterious temple to the ultimacy
of having been here once
to suffer the passage of form and time,
everything a gesture of space
that thaws back into itself,
I have written your name
in the hourglass of my blood
like a whisper of secret ink
that once voiced the light to be
and shook the stars like wheat
out of its blind abundance
and will be remembered forever
as the first intimacy of the sea,
and there is the rumour
of a dream in the air,
the fragrance of an approach,
that out of an ocean of light
the tide will embody a woman
like the shore of an island
littered with fingertips and kisses
enmeshed like galaxies and starfish
in the exhalation of her veils
and our lips will meet like archers,
and our bodies will sing like arrows
sunk like orchards through the heart
and long after the last flame of life is shed,
the night will silence the birds
in the groves where we bled like poppies
to open the gates of the mystery
like keys and rain, or the rosary of black pearls
that chants its prayers to the night
like the slow alarm of autumn geese
in the eyes of a human face.
I try to say what can't be said,
pouring my spirit
into the wineskin of every word,
but my heart is a larger apple
than the bough of my voice can bear,
and the silence
that would erect temples everywhere like flowers
spun from the auroral silks of my soul
and perfume the air with the pollen of sacred fireflies,
every emotion a priest with a shaven head
to honour the moon
climbing the stairwell within me
of a million horizons at once
in every breathless step,
falls away behind me like the wake of a sinking ship
that lowers me into my coffin like a lifeboat
or a message in a bottle
that pleads like wine with the emptiness
for an alphabet that isn't in arrears to time
to say you to the night
in a lightning breath of life beyond
these elemental likenesses I carve
from a quarry of stars.
And I know I ask for immortal children
from a human womb,
and wide as my powers are
to exceed the sky with homing birds,
to adorn the dead branch with windows
that dazzle the roots of dawn,
I am the ashes of a black star in daylight,
a stone man with a chain for a tongue
when I try to swim like Atlantis
through the depths of your shining within
and the last word, the last life
to flash across my mind as I drown
again and again like a pulse
in the embrace of your beauty
is always the world as it is
before anything was said.

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Sit Warmly Here With Me Awhile

Sit warmly here with me awhile
and I will smother you in fireflies
until your aura looks like
a dandelion constellation
or a globular cluster of first magnitude stars.
My scars have exhumed the knives of old wounds.
And though I confide in the void
like an echo returning to its own voice
or a breath to the sacred groves of the lungs at sunset
and superseded my quota of regrets
to make an expandable universe liveable
every firefly of insight's
got the engine of a dragon behind it
and it burns like a dark clarity within me.
Wrap your silence and mystery around me
like a chrysalis or cloak
and let me rest in your indivisibility awhile
until I disappear deep in your eyes
like a nightbird into its longing.
Let me sit around the lonely fire of your heart
as if I were the only house of the zodiac
who comes to you like an illicit love affair
with its lights still on
long after all the others have gone out.
My solitude is bruised by an abyss
that keeps digging deeper into me
and sometimes it feels as if
it's looking for water and a well
and then other times it's a midnight burial
of someone I can only catch a glimpse of
once and a while under a full moon
that looks like an undertaker
through the leafless veils of the weeping willows
digging his own grave
but feels just like a spade hitting my skull
like a strange form of paydirt
buried like the black pearl of the new moon
in a hope chest of star mud.
Take the coin from under my tongue
like the last sacred syllable
of my unconditional humanity
and throw it down this black hole in my heart
like the moon in a wishing well
and embrace me as if I were not dead awhile.
Out of the ashes the smoke and the flames
like two candles under the stars
let's make up myths of origin
where the gods have no names
until the wildflowers that have outgrown
the gates of the Garden of Eden
look back at where they come from
like a long way away
and give them one
like the elders of an Ojibway tribe
decide on the names of the new born
each according to the totem of a dream.
Pull this thorn from my eye
like the eyelash of the last crescent of the moon
and let me see you face to face
without a thousand and one tears between us.
I shall glorify you like a mosque in lapis lazuli
that can no more contain your image
than the day the night
or one constellation
the whole of the Milky Way.
I shall paint your portrait in picture-music
like the moon reflected on the black water gardens
of the Taj Mahal in mystic hues
of nocturnal waterlilies and cobalt blues
to highlight your eyelids when you sleep
and on your lips rose drops of blood
to wake you like a kiss from your dream
when the waterbirds rise from the lake.
Receive me like a sword into your depths
I throw in tribute from a bridge that crosses over
to the other side of myself
as if you were the far shore of my mindstream
come near to sit with me here awhile
and reminisce like water
on the things that have been and passed
as we listen to the tender laughter of the waves.
I will lift up my shirt
and show you the scars of all the holy wars
I've fought with myself like a faithful heretic
who knew he was doomed to lose
and the spots where the spearheads of insight
penetrated my heart like a voodoo doll
baptized in hot whiskey and cold blood
to take a message to the gods
about human suffering
in a language they could understand
wasn't just the echo of their own voices.
Sit with me here awhile like a face beside a mirror
looking out upon the same starfields
without a trace of our own reflections in the view
and I will teach you
the healing powers of a wounded mouth
like the secret grammar of a grail that seeks itself.

poem by Patrick WhiteReport problemRelated quotes
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Patrick White

I'm Flying Under The Light

I'm flying under the light to avoid detection.
There. That's the first line. A cornerstone.
Maybe water, granite or quicksand
but the cosmic glain
is cracked open like a skull
to extract the message from the fortune-cookie.
The second line comes easier
though it hasn't come yet.
I'm waiting like a crematorium at the end of my cigarette.
Yes. Hot coffins for cool people.
Like it. Where's the rest?
A mirror looks into my face
and sees the enlightened folly of creation
is not the work of a clown.
Forgive the little arrogant flag of flame
I've been trying to raise
out of a nation of ashes
like an arsonist with noble aspirations.
I've looked up at too many stars over the years
not to see beyond my next breath
like a cloud of unknowing,
a road of ghosts,
into the sweeping clarity
of the silence and the darkness
that have unmarrowed me like a bone
to grow new organs of light, new senses,
new eyes and hearts and minds
that are free of the ferocities of night
that consume them death by death
in unextinguishable fire.
It's a mode of compassion
I can't get off my chest,
my way of venting with tears in my eyes
when I consider what becomes of us
who stood here once in the high starfields
alone in an opening between the groves
and gave our eyes back to the sky like water
that tasted of too much suffering
to be sweetened like an apple by grief
or provide us with a vision of relief
that floats better
than all these lifeboats of belief
we've overturned.
Time's refugees,
even in the donated tents of these bones,
flapping like skin in a desert wind,
only our homelessness is our own.
Like stars and dirt and leaves
we're swept off the stairs
across thresholds, out the door
and into the dustpans of our own eyes
whenever we think about putting down roots
and waking up beside our own boots
like bodies that walked all the way with us
to a known address and a bed
we didn't share with the dead.
Even when the moon is full and beautiful
I can hear the clacking castanets
of the crabs and the pebbles
rounded like skulls in the tides
of the untold myriads
that have come and gone like the sea.
To be so much and then nothing,
to be washed clean of everything you cherish
to watch the dyes run like blood and paint
or arsonists from autumn leaves
when your mind has lucked out
like a watercolour in the rain
and your brain unspools like mud.
Sometimes I think my awareness
is no more than the smear
of an incidental rainbow
on a distended bubble
whose inflation always
snaps back on itself in tears.
I prick myself on the thorn of a star
and let my eyes pop into vaster skies
and almost convince myself
that our bodies are crushed like grapes
to deepen the abyss of the wines
that bleed us into oblivion.
Or life is a dream without a dreamer,
fireflies in a well without an echo,
a magician so overcome by his own spell
there are doves flying out of his nostrils
and fish building nests in his brain like a tree
and yet he still can't conceive
of what he pulled out of his hat.
And fulfilment may well be the enlightened flower
of the ignorant roots of desire
like the truth in the mouth of a liar
but I'm not assuming I'm a vegetable
and who knows,
when you put it all together
from the earth and the light and the rain
into one brain
I might be nothing more
than just another kind of weather
trying to take shelter
in this makeshift eye of the storm.
But do you see what I mean?
There's no more continuity in being blind
than there is in looking into the face of God
and seeing the worlds within worlds
that seep like feelings into her thoughts
as if one world without a witness weren't enough.
Words stumble here like physics
before its singularity
and are left like bodies and shoes
on the myriad thresholds of hyperspace
where the worlds pour into each other
like a waterclock of salmon
returning to the source of it all
like the pulse of the sea to the call
of the voiceless bell that gives birth
to all the unimaginable generations of time
that have wounded the faceless mirrors of eternity
by breaking the silence and serenity
of the well that would not answer
by dropping in like eyes
that disappear in waves
washing out their own reflections.
Sometimes it seems as if
there are only two kinds of people in the world:
those that are going and those that have gone.
Where did they go?
Where are they coming from?
Are we the only strangers on the road
and our inhospitable purpose, this passing?
When she leaned on the windowsill
and cradled her head in her hands
to watch the summer clouds
her arms were cormorants of light
and she wore the window awry like a crown.
And the old Japanese man
with hair whiter than moonlight
who used to apologize to the weeds
he uprooted all morning long
in the whisper of a language
only he could understand
for making a distinction.
Where have they gone
where eyes can go and see and come back
across the threshold of their extinction,
mile zero of a road that leads
everywhere all at once
like any point in the infinite space
of the expanding universe?
Why must we leave
the mystic particulars of our lives
like shoes and bodies and names
at the opening door of our bootless generalities?
These fingertips were kissed by a mother
who strung them tenderly
like ten little birds
ten little arrows
to the lips of her bow.
Now that they've flown
can anyone follow
the light into the unknown
or lift their reflections from the waters,
their shadows from the gound
like breadcrumbs and fingertips
to say where they've gone
or even more impossibly
find out where we are now
so they can find their way back to us?
Or is all that we ever were and will be
irrevocably lost
like the root in the flower
that passes it by
on its way into the open
where its eyelids fall away?
When I fall away from myself
like a dropp of water
from the tongue of a leaf,
an unspoken word, a tear,
like rain on an autumn headstone
will the stone ripple
like the rings of a tree
to let you know
that the great sea of life
still jumps like a fish within me
to break through the immaculate
silence of the pond,
its undulant membrane of light,
like spring in the morning,
like a pulse of light beyond
the dark side of the mirror
that has never seen the moon,
that absorbs everything
like a cloak, or an oilslick,
an eclipse, a black hole
where things never appear,
to let you know I'm here. I'm here
where I have always been
where the joy of life transcends
its own thresholds of meaning
by parting its own waters
like the wake of a night passage
or the curtains of an open window
or a woman who opens her legs like a compass,
suffering her own felicity
to give birth to the shoreless sea,
dropp by drop,
you and me
each moment we live
where death hasn't laid down its threshold
and birth can't get through its own gate
because the concepts have left no living ancestry
in this empty world of now
where we live, where we
have always lived,
our elbows on the horizon
like two moons on a windowsill,
wondering, longing, dreaming,
a breath, a veil, a mist
as we evaporate
like visions off the lakes of our eyes
into the great abyss of our unknowing
like a nightstream that lives
blindly belonging
to what's going on, inexhaustibly.

poem by Patrick WhiteReport problemRelated quotes
Submitted by Poetry Lover
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