The Moon Isn't Renewing Her Virginity
The moon isn't renewing her virginity
in the snakepits of the hypocrites
faking the wavelengths of their radiance
like the black dwarf of an imploding commune
that flared out like graverobbers in the dark
desecrating a cemetery of rainbows.
I've watched the silver shovel of your tongue
go through all phases of the moon, from full
to new, as if you were laying your Tarot cards
out on the table for an autopsy on the Hanged Man.
This one's suspended by one leg with a real rope
around his neck. You're decked out in dreamcatchers
and spider silk like the butterfly bling of a pimp.
What are you selling? Peace, love, and happiness
at the expense of all else? You chirp you love everyone
but you've never loved people enough to learn
how to hate them honestly. There heretics burn
but you're attuned to harmony like a snaketongue
of black lightning is to a tuning fork or a lyre
to the laryngeal cords of a cheesecutter.
You're a wedding cake full of worms. You're
a wishbone with one hip lower than the other
like the short end of the stick, a black capped chickadee
on the lowest rung of the crutch. You emanate.
You radiate. You resonate. You alert
your sleeping brother like a fire alarm
to the god waking up within him, but you exclude,
you forget, you reject the real shamans
dancing in the shadows of their solitude with a limp.
If you cram any more beauty into your eyes
soon you'll be able to open a jewellery store.
God knows how you can love the silver
and hate the ore that poured itself out
like wine for you as if it were bleeding to death
like wild grapes going sour in your mouth.
There's more salvation in drinking
from your own skull, than sipping
like a hummingbird from someone else's grail.
You're just baling a moonboat with a black sail
and a bucket the bottom hasn't fallen out of yet.
Dew blooming on the tips of the tongues
of the stargrass, yes, but you can't conceive
of the watershed of the abyss it was drawn from.
Your moondogs don't snarl enough to guard
the farmyard from the predators that surround you.
You're water gilding Dachau with a silver lining
whenever you look at a black cloud pluming
into the night sky like a fumarole
of mystically unique people going up in smoke
and white wash the dark side of things
desecrating their suffering by remarking
how wonderful it is their ashes kiss your eyelids
like gentle snowflakes of human flesh and bone.
Your third eye's got a cinder in it like a stake
driven into the iris of a Cyclops. You denigrate
the black ops that rescued the rest of the flock
from the cave, like a shepherd moon
that's never known an eclipse it didn't resent.
The blood and dirt under the fingernails of the moon
aren't the terraced gardens of an Incan ruin.
If you're looking for a needle in a haystack
of sunbeams make sure you don't stick it in the eye
of that voodoo doll you carry around with you
like the strawdog of a scarecrow at a harvest ritual
that's eventually going to go up in heretical flames
like Joan of Arc, the witch, not the saint,
once her white magic grew irrationally ineffectual.
Most people look for the light to see in the dark.
Rinse the night from your mirroring consciousness
and you throw the stars out with the womb water
of Aquarius. In the urn of what's left, not
the translucency of self-cleaning jewels
as if your eyes were constantly buffing
their own windows with vinegar
and yesterday's newspaper full of atrocities
that wipe the filth like sunspots off your shining
like a patina of print on the faces of the chimney sweepers
scraping the creosote and shovelling the ashes
of the fireflies out of the furnace. Not enlightenment.
But the putrefied residue in the alembic of a bad alchemist,
trying to mine gold from lead like a thief of honey
from an ant heap of spectacles, and gleaming ingots of teeth.
poem by Patrick White
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There's A Black Lotus In My Heart
There's a black lotus in my heart, black hole
of enlightenment, black waterstar, sacred eclipse.
Nothing worth attaining that isn't unattainable.
And all the gates are upside down and backwards.
Albino starmaps with black dots shining
on the other side of the mirror, zodiacs
of black matter looping back on themselves
like solar auroras of the sun that rises at midnight.
I don't know what all this means. I may have gone
too far into exile and actually managed to get
to the dark side of the moon. Or I'm a warehouse
of shadows at noon that have lost track of the time
like blind sundials that feel they're being followed.
The light illuminates, but I bloom nocturnally.
I've got the burn marks of stars all over my skin.
I work on the nightshift at the foundry of a constellation
busy pouring itself out like iron and oxygen, blood and air,
forged out the afterlives of hydrogen I've gathered over the years.
A fire-womb engendering one you fill with water.
Fire the midwife of its own daughter. I'm envious
of creative immolations I know I'll never attain.
Though my left brain is in full communication with the right
and I'm a full moon of the bright vacancy, dark abundance
of both sides, and the harvest is ripe, I'm always
a star ahead of my light, so I don't end up
like a dead school furnace in the basement
writing my memoirs like a manuscript of ashes in an urn.
Deconstruct me wholly down to my last atom
and I promise you, if that's all I've got to work with
like one stem cell to another at the beginning
of a matrix of causes and conditions into which
we'll be placed by a Hox gene assessing the chi
of which direction our eyes should face, and how many
degrees of separation there should be between our ears,
I promise you, I'll still burn with the fireflies
and the supernovas like a blind prophet
who saw two wavelengths copulating like snakes
and has been tied at this stake of of a spine,
an oracular heretic of both sexes in synchrony
like the hybrid of a phoenix and a waterbird
burning in visionary serpent fire ever since
for the sake of a muse that always comes
in the nick of time like rain on the moon to my rescue.
When it's night in the diamond of my third eye
is the light not more mystically enhanced by the darkness,
more mystically specific than the white wash of the sun?
The moon is the mitochondrian that tempers
the toxicity of the light so the nucleus of the solar system
can blaze with alien oxygen meteorically across the night.
The black mirror, brighter than the white,
shows you your reflection on the inside
where you're arrayed like a faceless world
that's given up trying to second guess
who's the unerring witness under the lifemask
of the surreal cosmology that doesn't recognize
it's not a self, at first glance, and that all physics
is the psychology of ridding yourself of the delusion
you can, even if you're riding a flying carpet
out into this desert of stars to sweep the constellations away
like mirages that have been throwing bad meat
down your holy wells like sacred crocodiles.
Ignite even so much as a matchbook at this distance
or turn on a flashlight to see what's in the dark
as if you were looking for your mind with your mind on the light
even though it's as abundantly clear as your eyes it's night out,
and the billions of stars in the next closest galaxy,
Messier 31, at eleven o'clock above the middle star
in Andromeda on the rocks, and two million light years
of enlightenment will gently recede back into the cosmic hiss
and disappear from your field of view subliminally
knowing, because the timing's yours, you're a daylily
covering your insight with the petals of your own hands
because you don't know how to open them sidereally yet
from the outside in, where your darkness shines
and the night you turn your face away from
like the bright side of the moon blinds you
by a reflected glory to the radiance of the origins
of your own vision, deep within, where it all begins
emanating stars of the darkness of your own eyes.
poem by Patrick White
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Incantation
A white well
In a black cave;
A bright shell
In a dark wave.
A white rose
Black brambles hood;
Smooth bright snows
In a dark wood.
A flung white glove
In a dark fight;
A white dove
On a wild black night.
A white door
In a dark lane;
A bright core
To bitter black pain.
A white hand
Waved from dark walls;
In a burnt black land
Bright waterfalls.
A bright spark
Where black ashes are;
In the smothering dark
One white star.
poem by Elinor Morton Wylie
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Struggle with Darkness
The sun set and it was being dark,
A pitch dark night had fallen,
No light was there nor any spark,
A star shone at all of sudden,
And found all his friends sleeping,
He went and tried them awake,
One of them got up from his sleeping,
And asked why he made him awake.
Asked him making the earth light,
Cause there had fallen a dark night,
But, his reply was then shown,
'What can be done, O friend! Alone?
Without the moon we are what?
Against the darkness can't be fought,
Let's go to awake our moon
The earth may it light up soon.'
They both reached the moon and found,
The moon was lying on the ground,
And appeared, she was not fine,
Cause she had drunk the evil wine,
Unfair gifts had she been given,
For shining not in dark night,
Forgot she, her duty at all of sudden,
And let the inhabitents of earth fight.
The moon ordered them to go and sleep,
'What's the use for them weep?
We'll be given gifts for this deed,
And on duty we find nothing indeed.
'Second' of both agreed with the moon,
He went and slept very soon,
'First' was worried, but nothing spake,
And he put himself at stake.
He went respectively to each stars and;
Requested them to get up and shine,
Initially they were afraid being mixed in sand,
At last they all accepted his wine,
All of them when began to shine,
Like the ornaments of the sky,
The moon felt a tasteless wine,
On herself she was shy.
Getting up, the moon begged sorry to all,
And she shone at full of her might,
Lighten up was every mount, forest and wall,
And became silver the whole sight.
This revolution if on the earth befall,
No country would be worried but delight,
Be alive, no of your leaders can thee enthrall,
But know the deference between Black and White.
25/02/07
poem by Mohammad Muzzammil
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And Should I Recall Whose Eyes
And should I recall whose eyes made the stars most beautiful,
and set the mindstream that flowed though us aflame with fireflies
a moment there and gone and come again like light
in the keyholes of the feral cats that prowled the graveyardshift
wholly to the top of the broom-swept path up Heartbreak Hill,
where the bones of the seven hanged men lay buried
in the duff of our childhood legends, a shadow and a name,
trying love on shyly like new clothes in the shadows of the pines,
where we lay down with the dead on beds of rusty compass needles,
out of sight of the windows of the town, how could I not feel,
here alone now by the Tay, thousands of miles away,
and more years later than it takes to walk a burning bridge,
waiting for the flower moon to appear above the horizon,
the waterclock in the nightbird's song of longing?
And if I were to say what it was like to be touched by her
when she was brave with hunger and my body
all loaves and fishs in the innocence of her hands
and her breasts and lips magic mushrooms without the flies
that swarmed the garbage cans in the back-alleys below,
and though it was not wise to begin a new life
on the last night of the past we were ending together,
like a bell and a cannon that had been melted down
from the same dark ore of a life we were cut out of
like a wound in a loveletter we left unsigned for one another,
because good-bye was harder to write than just to let things go,
what words could I use that weren't already
denuded of their shining like a windfall
of black dwarfs on the windowsills of time,
and the stars that night that clung to the sky
like bubbles in the evanescence of glass
or the grass to our flesh, all washed off now
as if they were grime, the quiet patina of time
gilding the dust like rainbows on the wings of flies?
And the wind asks, and the water sylphs want to know
and the wild willows are holding their breath like a veil
and the Tay is pulling a curtain of water aside in its wake
to hear about another stranger the earth swallowed
like a sacred syllable in the mouth of a snake
that envied the waterbirds their wavelengths and wings,
and though the skeletal birch and prophetic skulls
in the riverbed plead like the end of a dream
for one more lullaby in the ghost story of the moonrise,
I show them the black pearl of my heart
lustrous as hard coal to burn again in the furnace of dawn
on the dark side of the moon in partial eclipse
as I weep like a dragon for the secrets I keep
like myths of origin in the urns of things that are gone
like the irrevocable flightfeathers of the words and waterbirds
under the lost petals of fire that bloom in the eyes of the flower moon.
poem by Patrick White
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The children in black
The children in black
Where did their childhoods go
Trailing water behind
How did they become this cynical
They write words of hate
Tears of joy is no longer a term for them
How can they be so small
But hate so much
The children in black
The children in black
What happened to happiness
Are they that controlled
That everything can effect them
Don't they have the right to laugh
Why are their eyes this guarded
Does everything have to be that formal
What happened to innocence
Did it go away with the faith
The children in black
The children in black
I can see the bitterness
Can't you see the ugly truth
Bitter minds already got their minds trained
So why are children so dark
Is there that much pain
The children in black
The children in black
What happened to be open minded
Did it close like a door
Only opening for a few
Is this society that negative
That they can't see the light
What happened to love
Loving parents and friends
It must have went away
The children in black
The children in black
Their hate scares me
Their eyes make me grimace
With thier hate they can stop the world
But how is that possible when they are so young
Are their minds that easy to twist
The children in black
The children in black
I hope they will soon see the light
I don't know if it's normal to be afraid
But that's what I feel
Why do most people find it easier to be sad
Do they realize it's not
The children aren't children anymore
They're miny adults trying to impress
Why don't people realize this
Are they that oblivious
Maybe if people opened their eyes we could do something
But until then...
The children in black
poem by Lillie Ellis
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Want to Be Brilliant, Want To Shine Like A Black Star
Want to be brilliant, want to shine like a black star.
Trying to bend space with my mind. Trying to stop time
with my heart. Counting moments like beads on a rosary
of skulls, or shepherd moons on an abacus of gravity.
Though I know they're not all strung out like that.
Asteroids on a wavelength of light, or a spinal cord.
Or maybe I'm just trying to bead a guitar string
with a great black hole, or is it a lunar pearl,
in the center of a lyrical abyss? Workaday world
in a small town, who spends their time like this?
Not fortunate enough to have been born a carpenter,
I'm a mystically surrealistic, poetic astrophyicist
trying to come up with a new grammar for the stars
so all they have to do to express their shining,
is say, Metaphor, and as it is in the abyss, so it is everywhere.
Because I miss you like the main clause of my relativity.
The focal point of all my wavelengths. You're the radiant
and I'm the Martian meteor shower that's dying
to bring the gift of life to the Antarctic like the Leonids
did in the first place as I look at my face in the mirror
and think it's time for a change of species. Sometimes
it's crucial to sustain a few pathetic fallacies about yourself
so when you're under the moonweather of an estranged planet
and a black star breaks through the clouds like the anti-matter
of a waterlily, so do you. Funny how the flowers close their eyes
because none of them wants to miss the eclipse.
One of them said we're all looking through a glass darkly
but I don't see any soot on their petals,
and none of the telescopes are wearing shades.
I like to keep things clear in the light of the void.
I've come along way from the coal mines of space
to shine through your diamond so you can feel
a different kind of translucency that's eleven parts cheap thrill
in all the dimensions I can see you in, and one,
not even you, has discovered yet, that's the orphan of an exile
singing to himself to people the dark in a desert of stars
like a gnostic gospel in the mouth of a cave
to keep the evil jinn and bad spirits away
from the watersheds of my wishing wells
where the angels gather to mingle with the demons like water
they've just turned into wine. As for the other eighty-nine
realms of seeing and being what you see, they're shrines
I've devoted to you, swearing in blood and devotion
on the sidereal plinth of my sword, as I dedicate
all my prophetic skulls from the dark side of the moon
where the crows are wiser about lunar things than the doves,
to the enhancement of your radiance, your love and your art,
by deepening the dark, with a full heart, with things to harvest
that will make the abyss seem like a silo of stars you can break like bread.
poem by Patrick White
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If I Were To Give You A Black Shawl Of Woven Rivers
If I were to give you a black lace shawl of woven rivers
would you wear it over the moonlit hills
of your bare shoulders like a spell I cast
to keep you as warm as a firefly on a cold night?
Or would you mistake it for a bird net or a spider web
or think I'm fishing in the depths for the black pearl
of a new moon to hold in an old moon's arms?
Or milk your last crescent as an antidote to your charms?
If I were to show you a back road out of hell
as Orpheus did Eurydice, would you look back again
at the long path that came to this and think
you'd rather drink black cool aid in Jonestown
than follow a goated footed sherpa up
into the mountains of the moon that cast their spells
like the shadows of sundials in a flowerless garden?
Would the stars that are flowing between us
suddenly harden into diamonds, would an ice-age
come of a spring thaw, or would you neglect it all
like global warming, or just another butterfly
in the mouth of a dragon that doesn't know when
to keep his shut. Should Merlin fall on the sword
he embedded in rock like iron ore when iron
was still a magical metal, or should he fire up the forge
recast his sword, and crown himself the king of metallurgy?
I'm not rich, but if I were to stand on a streetcorner for you
and play the songs I wrote for you the night before
on a blue guitar I managed to save from the housefire
of a weeping violin that couldn't put it out for love or money,
would you still love me for who I am and was,
or look for a just cause to hand me a suitcase full of ashes
and show me the door like a snowflake
to the furnace of your Fukushima heart
like a crumpled loveletter you read like junkmail
meant to suck you in to a romantic scam for life
without any heavy water to speak of to cool your eyes?
Or would you let me risk my luck up against yours
between the wishbone of your thighs and give me a break?
Tine the tongue of the snake like a tuning fork
that can taste the lightning to come in every chimney spark?
Or if I were to lose, still cherish me for my own sake,
and give me a rain cheque until my lifeboat comes in
like providence on the last high tide of the moon
to sail the skull and crossbones among the angel fleets
like a cheap thrill off the coasts of Atlantis?
Or would you treat me as just another seagull
looking for scraps in the waning wake of moonset
unweaving by night what it wove by day
like Penelope among a hovering flock of unwanted suitors?
I could teach you how to fletch the arrows of love
like hawks that never missed their targets,
or the flightfeathers of skylarks and mourning doves
should you prefer them to the quills of the peacocks
that never fly any higher than the lowest rung of the tree,
a hundred eyes open like hand mirrors on a vanity
but none that can see you as I can like an ageing man
who can find nothing to compare you to yesterday
but a few rogue stars that whispered between the lines
of their unnamed constellations, things that I want
to say to you today out loud as if I had wings
on my heels and a secret crane-bag around my my neck
with an hermetic alphabet that could talk
to your body in tongues like a morning snail
riding its own smear of love like a skyful of mirrors
flowing like unholy rivers through a sacred garden of starmud.
poem by Patrick White
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The Guardian and BloodRose
BloodRose,
Rose of my love,
My love for Dark moon,
Dark as my heart,
Black as my soul,
And gave me my rose.
The rose of blood,
With petals soft and black,
Never as a rose so beautiful,
Grown not in light,
But under a dark moon lit sky.
Guardian,
Yes a guardian of BloodRose,
With teeth long and sharp,
Claws hard as diamonds,
Scales as dark as night.
My dear sweet guardian,
Guardian black as my heart,
Fire in your eyes,
Shadows in your soul,
A dragon of the dark moon.
A single rose,
With petals so fare,
As dark as my heart,
I now hold in my hand,
The rose of blood.
You are my darkness,
Fear of this love,
This love for you,
Love for darkness,
The cold shadows in my heart
That makes me yearn for you.
Now as you lay dying,
I hold a single rose,
The rose you gave me,
And as I hold it tight,
The thorns slice my hand,
Covered with blood,
My blood.
I have one fear,
The fear of death,
Symbol of my lost love,
Rose as dark as me,
Laying in a pool of blood,
Blood from me.
As I lay dying,
I remember my name,
BloodRose,
I am the rose of blood,
And I died of my own creation.
A creation of perfect beauty,
Petals dark black,
Thorns like small daggers,
Grown from my love,
My love for a dragon,
A dragon as dark as my heart.
Even in my death,
I think of you,
And the rose you gave me,
The rose that killed me,
The Rose of Blood.
poem by Nicolette Gonzalez
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I Have Become My Own Season
I have become my own season
living through these renewable eras of you
that come and go
like the fragrances of passing stars
that sometimes stop by the gate
to talk about the garden blooming late.
Some flowers wait for the moon to open,
to throw their arms around space
as if they could encompass everything
in the brief embrace of their petals,
and their seeing is one eye under multiple eyelids
as they burn like jewels in the night
to keep it all shining and bright.
But I've worn out the elbows
of my insatiable longing
on the windowsills of a different insight.
Saddened by the distance, the time, the circumstances,
delinquent desires still hanging out their shingles
like green apples on a dead branch in winter,
withering like the inconsolable eyes of old men
who have died like sons
and now must die like fathers,
mine is the darker radiance
of the faint halo of light
around a black hole
that summons everything
down into it like the sea
sitting below its own salt
at a stranger's table.
You can't look into
the black mirrors in my house
with your eyes open
because they only reflect
what's on the back of your eyelids
where the only light is your own
and you are the road
and the lantern you go by
and everything you feel and think and imagine
is your own true face without skin
not the gate between outside and in.
How could I ever recognize you
in these dark spaces
if it weren't for the trees
and the stars and the moon
and the night stream that runs through me
like a lifeline on the palm of my hand
down from the mountains
in a rush of diamonds and gold
that pour out like the pent-up emotions
of a sword that's just been pulled from a stone?
And how hugely alone the night is
when you love someone as they are
and you realize without effort
that if you hold them a moment in their transience
you hold them like a star in a locket of water
that tastes like the past.
There are people
like treebound barrels of rain
and then there are people like me
who leak out of their lives
like radioactive water
that couldn't pool the pain
long enough to stop the meltdown
long enough to cool the brain,
long enough to let it kill me.
Now in the darkness
seeded with the dust of black dwarfs
trying to clench a fist of coal into diamonds
my auroras are weeping neon dew
like a cheap enlightenment
all over the watercolours of dawn.
And I'm wondering
what kind of an afterlife is this
that I might have foregone
if I were indifferent
to how my solitude deranges me
like a lost continent
wandering through its own mindscapes
like an extinguished star
that wants to make up
just for one luminous moment
a constellation of its own
that doesn't wait upon anyone's eyes
for the themes of its seeing.
And though the skies have changed
like the slides of childhood dreams
with every blink of an eyelid
whenever night approaches me
and asks to sit by my fire
and let the flames and the smoke
of our past lives
speak for the both of us
I look up to give my eyes
like two drops of water
back to their oceanic immensities
and it's always unattainably you
that is shining
like a woman in the window
of a secret house of the zodiac
far off the beaten path
that leads everywhere like a firefly.
And your stars speak to me
as if my flesh were light again
and my heart
that bumps its way through the dark
already a lamp beyond
the Lazarus of wax
that's buried in his own lucidities
like a candle I left for dead.
poem by Patrick White
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Nightbird On A Winter Branch
Nightbird on a winter branch.
Dark blossom of the new moon,
Last kiss on the eyelids of the dead
As the snow falls like apple bloom.
I see you’ve left the door ajar:
The backdoor of an eclipse
To let the first crescent of the light out.
The sacred syllable of the mistfits
Lost in the silence and the solitude
You raise like heretical mystics into songs
That only you alone can sing
So that each in their homelessness belongs
To the false dawn of the same secret
They weep over like empty lockets
That stole the moon from their windows
As they burned at the stake, rockets
Martyred in the fire of the holy books
That inspire them deeper into exile
This late at night far from anywhere
Distance is measured by the mile
And not the wingspan of the light-years
It’s taken me to write this.
Like a bird that flew out of the darkness,
That left no trace of the witness
As it blew a kiss of sudden insight.
A word in passing from the dead
About who’s behind the death mask
Of the snow that’s covering my head
Like the polar ice cap of a planet
With the prophetic wisdom of a skull.
Life in the birthmark of the new.
Death in the harvest of the moon at full.
Emptiness devoid of all light.
The first sign of renewal in the urn
Of a nightbird on a winter branch.
Diamonds of ice and insight that burn
Like coal in the eyes of a snow man
With the passion of a phoenix born
A star in the cold furnace of the sky.
Where every passage is a rite of return
That hides its brightest jewels
blossoming like enlightenment on the wing
In the dark ore of a nightbird
When a deathmask opens its mouth to sing.
poem by Patrick White
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Sit Warmly Here With Me Awhile
Sit warmly here with me awhile
and I will smother you in fireflies
until your aura looks like
a dandelion constellation
or a globular cluster of first magnitude stars.
My scars have exhumed the knives of old wounds.
And though I confide in the void
like an echo returning to its own voice
or a breath to the sacred groves of the lungs at sunset
and superseded my quota of regrets
to make an expandable universe liveable
every firefly of insight's
got the engine of a dragon behind it
and it burns like a dark clarity within me.
Wrap your silence and mystery around me
like a chrysalis or cloak
and let me rest in your indivisibility awhile
until I disappear deep in your eyes
like a nightbird into its longing.
Let me sit around the lonely fire of your heart
as if I were the only house of the zodiac
who comes to you like an illicit love affair
with its lights still on
long after all the others have gone out.
My solitude is bruised by an abyss
that keeps digging deeper into me
and sometimes it feels as if
it's looking for water and a well
and then other times it's a midnight burial
of someone I can only catch a glimpse of
once and a while under a full moon
that looks like an undertaker
through the leafless veils of the weeping willows
digging his own grave
but feels just like a spade hitting my skull
like a strange form of paydirt
buried like the black pearl of the new moon
in a hope chest of star mud.
Take the coin from under my tongue
like the last sacred syllable
of my unconditional humanity
and throw it down this black hole in my heart
like the moon in a wishing well
and embrace me as if I were not dead awhile.
Out of the ashes the smoke and the flames
like two candles under the stars
let's make up myths of origin
where the gods have no names
until the wildflowers that have outgrown
the gates of the Garden of Eden
look back at where they come from
like a long way away
and give them one
like the elders of an Ojibway tribe
decide on the names of the new born
each according to the totem of a dream.
Pull this thorn from my eye
like the eyelash of the last crescent of the moon
and let me see you face to face
without a thousand and one tears between us.
I shall glorify you like a mosque in lapis lazuli
that can no more contain your image
than the day the night
or one constellation
the whole of the Milky Way.
I shall paint your portrait in picture-music
like the moon reflected on the black water gardens
of the Taj Mahal in mystic hues
of nocturnal waterlilies and cobalt blues
to highlight your eyelids when you sleep
and on your lips rose drops of blood
to wake you like a kiss from your dream
when the waterbirds rise from the lake.
Receive me like a sword into your depths
I throw in tribute from a bridge that crosses over
to the other side of myself
as if you were the far shore of my mindstream
come near to sit with me here awhile
and reminisce like water
on the things that have been and passed
as we listen to the tender laughter of the waves.
I will lift up my shirt
and show you the scars of all the holy wars
I've fought with myself like a faithful heretic
who knew he was doomed to lose
and the spots where the spearheads of insight
penetrated my heart like a voodoo doll
baptized in hot whiskey and cold blood
to take a message to the gods
about human suffering
in a language they could understand
wasn't just the echo of their own voices.
Sit with me here awhile like a face beside a mirror
looking out upon the same starfields
without a trace of our own reflections in the view
and I will teach you
the healing powers of a wounded mouth
like the secret grammar of a grail that seeks itself.
poem by Patrick White
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Death Was Pure
When moon will wash my doors
I will come out in night
to find you in dark
and lose you in light.
Does it resonate with you
O my truth
O my pain
time has moved back.
My love whitens the shadow
of a black rose in the nakedness of waking.
Do not want to disappoint the sun
and enter into a grain.
I am the stillness and I am
the noise. Motherless I am born
in black water
of immaculate death.
poem by Satish Verma
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The Night In The Wounded Mirror
The night in the wounded mirror
is only a childhood away from my face
and there's always a shattered window
between me and my starless shining,
and a dead bird upturned on the sill
as if the sky, too, had its quota of roadkill.
Looking back from all these
lightyears and constellations away,
on the black day I was born under an eclipse
like a flower clenched into a fist,
an eye without an iris darker than a shark's,
I suspect there was a lot more suffering back then
than I was able to live my way through,
estranged in the corner of a kitchen
that was a feeding frenzy of knives.
I still can't leave one out on the counter
without fearing it's just another punctuation mark,
the claw of a comma in a long sentence of blood.
At best, it's the silver scar of the moon
that slashed me open like a well-honed loveletter
that wasn't meant for me.
And I still don't know how to approach
the child I was, the child I still am
time-travelling through himself like a glacier
as if he could put a stop to evolution
or survive his extinction
by keeping to himself like ice.
I look upon his solitude and silence,
the unaccusing indictment of his face,
like a cold, brass plaque
commemorating the unidentifiable victims
of an atrocity that can't be understood.
He's still seven and I'm looping through sixty
like the spine of a calendar
shedding me like autumn,
a picture of turning leaves on every page,
until there's no way of telling what age we are
in this season out of time,
and I want to love him, I want
to say things that could heal us both like water
before I take him with me into my grave,
but I don't truly know how,
and there are secret vows of violation
that are taken without a mouth
and assassins of intimacy in the shadows
and children sleeping in snakepits
who make up their own bedtime stories
and dream of things that can't be told to anyone
who hasn't been devoured in their ancient infancy
by the furious innocence of the sea.
Dark-hearted jewel
of a child in the night,
older than light
who has made more of me
than I can make of him,
when I weep for what he knows
and will not say, what am I,
what are these words
in the inky shacks of the trees
but the lengthening shadow
of the darkness that pours out of him like blood,
or duct-tape like moonlight
over the mouth of a scream?
And if I come back now
like the legend I have made of his sorrow
to gather him up in my arms
like a harvest under a full moon,
and if I sit with him all night
without saying anything
here on this skull of a rock
until each of us is the memory of the other,
could it make anything better,
would it take the thorn of the moon
out of the eye of the dragon
that sheds its skin like childhood skies,
not knowing where things end, things begin?
poem by Patrick White
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Death of Dusk
The sun resigns,
bleeds out the vestiges –
remnants of the day.
Exsanguination edges into twilight:
red-brown hangs;
upwards darkens:
blue-brown,
blue-black,
death-black,
disquiet – furtive,
like ghoul-ridden fog.
A sombre moon assumes its role,
gushing silver-white lymph upon the muted scape –
a prequel of supernatural undertones
to chill the scene,
ice the spine,
kill the brain –
we have unnerved the very firmament.
But now a shadow closing down the globe:
dinosaurian cloud shrouds the moon glaze,
claims the late hour –
declared in a dying crow caw.
I, the hidden owl
– nemesis of claustrophobic minds –
awake! for mammal flesh –
fresh, jerking out its warmth in dance of death.
Rock-still I perch in sculptured oneness
with my crooked night-tree,
emanating nocturnal allure.
Together we scowl
together we play the dark
upon the land and sky
and mind
while you lie as dead in your box.
Copyright © Mark R Slaughter 2010
dark dark dark dark night dark dark dark dark night
dark dark dark dark night
dark dark dark dark night dark dark
dark dark dark dark night dark dark dark dark night
dark dark dark dark night dark dark
dark dark dark dark night
dark dark dark dark night dark dark dark dark night
poem by Mark R Slaughter
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The Black Angus Bull
Out there in the paddock I hear the black bull
He never stops bellowing when the moon is full
I wonder does the moon effect him in some strange way
For I've never heard him bellow in the light of the day
The full moon does effect people 'tis said
It has an unsettling effect in the head
And if a mental weakness in humans the full moon can find
Why not it too effect the animal kind
He has his herd of cows with him yet I do wonder why
He bellows all night when the moon's in the sky
During the hours of day he is always so quiet
And I've never heard him bellow on a dark night
But he never stops bellowing when the moon is full
Out there in the paddock the black angus bull.
poem by Francis Duggan
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A Superstition About A Black Butterfly
if it is a brown butterfly that flutters inside
the house
we have reasons to be glad
for it means money
if it is a black butterfly we better prepare
for it means death
sorrow, lament
last night the moon was full and it was floating
on the clouds
the sky was so dark the distant star in contrast
flickers like a firefly full of life
i have seen Venus, the neighboring planet
i keep the joy of light
there came a black butterfly
inside the room passing through the window
while you were sleeping
the light of the moon was all over you
i have seen death
it is inside me this love fading like a faint light
like that most distant star
losing the essence of its light
poem by Ric S. Bastasa
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Black and White
Black and White By Dilantha Gunawardana
A story in black and white
Black and white;
Black in white; perhaps black on white;
White embedded in black;
Black around white, sprinkle or a speckle even a trickle;
Shadows on the porch on an eerie white night;
A piano keyboard, intertwined in ebony and white;
A checker or a droughts board or lofty chess pieces;
Black stallions and white mares;
All galloping in the pursuit of unending happiness;
A flow of nimbus with a speckle of cumulus;
Showers of blessings, black rain and even snow and hale;
The smog that kisses the snow flake clouds;
Chimneys and embers inside snowy winter bungalows;
We begin in ashes, black residual ashes;
Connected to a white umbilical cord;
We are born white, virgins in every sphere of life;
Then we learn of the agony of the ebony;
Even the bright light of white, even white water that softens our stance;
Criss-cross, diagonal, straight or in jumps in the many paths of life;
Life, a game of chess, as we sprinkle our lives with black and white;
And in the end, we are left with nothing but black and white;
A powdered white peau against the back dropp of a charcoal black suit
In an ebony coffin, with white shimmering handles
Then we burn in to ashes, residual embers
Ashes to ashes, powder of our existence
Black and white;
Our true essence of life.
poem by Dilantha Gunawardana
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Aura
The air was dark
The moon was dark
The night was dark
The cloud was dark
The heat was dark
The stars were black
The birds were black
The eyes were black
The shadows were black
The planes were black
A sound of night
The hearts of night
A chase at night
A fall at night
No help at night
The night is night
Where is my sight
I have no sight
Your light was sight
No light no sight
No one in sight
The dark in sight
Don't call my name
What's my name
They call my name
That's not my name
Who said its my name
I have no name
You took my same
It was our same
She was our same
She's now your same
Its all the same
I'm not the same
Judas and my hand
You took my hand
'I do' my hand
You kissed my hand
You broke my hand
You fell my hand
A tear in sand
A heart in sand
A body in sand
Alone in sand
A dust in sand
At home in sand.
poem by Jenim Dibie
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It' A Gesture Of The Heart
It's a gesture of the heart
that no one can explain
that lays its words down like cool herbs
gathered on the moon
to silver someone else's pain.
We lie down in the same wound
like two stones in the same river
that might make it to the other side
without drowning in the stream
and I speak to you of shores you can reach if you try
and you add yourself like a dropp of water to a shoreless sea, and cry.
And for a moment you are the devastated solitude
of a runaway in the rain
who can't abide the stranger she's become
as a lipstick butterfly emerges
from the shell-casing chrysalis of your rage
and you put your lips on like wings.
You're a princess with a white flag
approaching the ashes of a dragon
who sleeps in his own fires
to wake him up from his dream of water
and negotiate a rescue now
if only I'll concede to show you how.
You want me to respect you because you're dangerous.
You want to ensnare me
in the white voodoo you're practising
on the dark side of the moon,
you believe in my eyes
and want me to see something
you've never shown anyone before
because a window's as good as a door to a thief
and you know we have neither in this homelessness
that shelters our grief like dark matter in space
or the far side of a face
we refuse to acknowledge is ours.
I can feel your powers
chafing their scales in the snakepit
like straitjackets they're urgently trying to slough off
like the old skins of a hand-me-down moon
that don't quite fit the new one right.
One fang, stars; the other, a starless night,
you know how to open things with a smile
and strike like a gate
should anyone walk between your crescents
like a terrorist with carry-on luggage
who doesn't dream he's been detected
as you recoil like a theme to make your point.
It would be easier to tinker with the genes
of the ancient ancestors of a life before sin
than not to want to sleep with you
like a thorn under the skin of your rose,
than not to want to be your bay for the night
and tell you everything's going to be all right
and mean it and drown the world like a torch or a dragon
in the intimacy of our most urgent delusions.
And even if I didn't put a match to the candles
they would still ignite
and a black sun would rise at midnight
and let the stars and flowers decide for themselves
whether they wanted to open in its light or not,
and for awhile, deep underground,
there'd be laughter in a coffin
as we posted dirty notes on our headstones
like shocking love poems
that just rolled off the tip of our tongues
like drops of water charged with stars and snakefire
humming down our spines
like the deathbed hymns of the hydro lines
when they break the news to God.
poem by Patrick White
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Out Here Alone
Out here alone so late at night
with all these spectacular stars
burning through the clean glass
of the freezing winter air
I can almost hear them thinking
behind the myths of the cover stories
they've told for years
dark truths about life and light
it would be madness in a man to understand.
Don't try to stuff the impersonal secret
of the universe
into your sentimental heart.
How could you ever fit its likeness
into a locket
and finger it lovingly as your own?
Out here alone so late
even if you have come
like a thief in the night
to steal from the light
when nobody's home
there are no cracks no facets no gaps
no backdoors, unlocked windows
or emergency exits,
no stairwells or entrances
in these jewels of insight
that can feel your eyes falling upon them
like rain running down a mirror
that shuts you out
like someone in the bathroom crying
for reasons that are light-years beyond you.
However deep and sincere your tears are
they're still only dry wells
in that vast ocean of awareness,
black snowflakes
on the roaring furnace of the abyss
and if you reach out with affection
hoping to make things better
by embracing it all
you're still only tendering a kiss
to the gaping jaws of your own lipless skull.
There's a silence older than space
in the bottomless heart of things
that makes intelligence seem
the unlikeliest of exaggerations
a human could ever mean
holding his mind up like a lamp to the stars
as if he could find his own way back by his own light
without the dream that themes his mindstream with creation.
But as foolish and futile as it is to surmise
or try to get a leg up on the wise
I don't think the darkness
is the negative space
around the troubled face that appeared
after all the dots were connected
like rising constellations
in a child's colouring book.
And I don't think there are gods
squatting like frogs
on the lotus of the world
making us up as they go along
like wheels and roads
to the grunts and groans
of an axial mating song
anyone could mistake for a joke.
And I don't think the stars
believe the things we say about them
or even remotely feel the mystic dread
of what it is to be a human
looking up at their shining
out of deeper darknesses within
where no direction can be given to the lost like eyes
that would never find their own way home again
were it not for the stars and fireflies that mislead us
from one illumination to the next
by giving the finger to the braille of the text
that would school a gust of stardust into us
like God gave life to Adam
and Eve gave life to God
long before there were any laws to blind them
like Satanic lightning bolts
uprooting their eyes like rain from the clouds
to put those fires out.
I look up at the stars
with the eyes of an exile
through the diaspora of my breath
and I want to think them all to death
like the people and things I've left behind me
when it was time to go my own way
anywhere into the darkness inside me
to see if I could shine a light upon myself
that didn't blind me to the fact
neither in the beginning
nor in the end
was I there to witness the act
that made a certainty as good as a doubt
to the great indifference
that wasn't trying to find me
like a needle of light in the heart of a haystack.
I look up at the stars
like a scarecrow in winter
trying to put its pants on
one leg after another
like a man
with nothing but time to burn
scattering his ashes among the stars
urn after urn
skull after skull
of the heretics and mystics
that were martyred by his scar-crossed heart
in the name of nothing real.
I don't know what they feel
but I look up at the stars
like a black rose
of blood and starmud
in the last death throes
of self-immolation
and see in my own image
what I've always had
in common with creation.
poem by Patrick White
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