Patrick White

If You Could See

If you could see into the nature of a single thought,
what it really is, though you think you know already,
if you could for one moment as old as the world
stop casting all these handshadows on the moon
as if they were the birds and bedrock of your intelligence,
as if the waves hauled the sea around in chains,
as if the leaves were a language without roots,
you would stop reading yourself like a prophecy in your own bones,
and be brought to your knees like a bull
penetrated by the seven swords of insight
and realize the unwitnessed clarity of the emptiness
that suggested you to you out of its dark abundance
is also the bright vacancy of this world that keeps you company.
All these intimate secrets of yourself
you keep posting to the sky like stars
or the single shoes and milkcartons of the missing
when you go looking for yourself like knowledge
in the eyeless spirit's lost and found;
why don't you, just for once and ever,
treat yourself to a season of your own, and shed them;
open your fist like a tree and let them go into the big O of omega,
hold yourself up like a candle to a black hole
and see what's deep inside
when the world's turned inside out
like a gallery at night without pictures?
If you listen, if you learn to listen deeply
with your eyes and your blood
with the intensity and focus of a hunting cat,
you can hear the crazy keys to freedom
jingling everywhere like flowers jailed by the rain
or the sun held for ransom in the siloes of the brain
the moon ploughs and seeds with thoughts of shining.
Once you stop looking for continuity in the emptiness
you'll come to realize that emptiness
is the fountain-mouth of its own theme
and it's the dream not the dreamer that's in play
when a fish suddenly jumps like a thought
and there are ripples on the moon.
Who comes like an explorer without a flag
before an undiscovered sea of light
and stands before it like a spoon?
Raise the well of your darkest night up to your lips
and drink it drier than the eyes
of the lover who gave up crying over you
once she opened up like the mouth of a river
and entrusted herself like an aimless thought to the sea.
Hold yourself up like the Hubble
to the vastness of the darkness and the shining
to the largesse of the night in its open-handed radiance,
to the imageless wisdom of the mother you don't know
who abides in your seeing like a compassionate shadow
and the intangible mystery of the mother of forms that you do,
and drink yourself down to the last star
to ever lay eyes upon you.

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Well Take The Night

Roy orbison/will jennings/j.d.souther
Baby its hard sometimes to wake and face this life everyday.
Sometimes its bad enough to stop and through the good all away.
Tonight lets put the world aside and let go toghether.
The night is one place we can hide in each others arms.
Dream on forever.
Come on baby,and well take the night.
While the stars are willing and the moon is right.
Dreams are shining in a magic light.
Come with me,oh well take the night.
You and me,oh well take the night.
Baby, well take the night.
Look up and let the night unfold.
Hold on to the feeling.
Reach out and let it touch your soul.
And give in to love,love is believing.
Come on baby,and well take the night.
While the stars are willing and the moon is right.
Dreams are shining in a magic light.
Come with me,oh well take the night.
You and me,oh well take the night.
If everystar should fall.
And tomorrow lose all meaning.
We would still have had it all.
Its locked away inside our hearts.
There for the dreaming.
Come on baby,and well tale the night.
While the stars are willing and the moon is bright.
Dreams are shining in the magic light.
Come with me,oh well take the night.
You and me, oh well take the night.
Come on baby, and well take the night.
While the stars are willing and the moon is bright.
Dream are shining in a magic light.
Come with me, oh well take the night.
You and me,yeah well take the night.

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Patrick White

I Have Become My Own Season

I have become my own season
living through these renewable eras of you
that come and go
like the fragrances of passing stars
that sometimes stop by the gate
to talk about the garden blooming late.
Some flowers wait for the moon to open,
to throw their arms around space
as if they could encompass everything
in the brief embrace of their petals,
and their seeing is one eye under multiple eyelids
as they burn like jewels in the night
to keep it all shining and bright.
But I've worn out the elbows
of my insatiable longing
on the windowsills of a different insight.
Saddened by the distance, the time, the circumstances,
delinquent desires still hanging out their shingles
like green apples on a dead branch in winter,
withering like the inconsolable eyes of old men
who have died like sons
and now must die like fathers,
mine is the darker radiance
of the faint halo of light
around a black hole
that summons everything
down into it like the sea
sitting below its own salt
at a stranger's table.
You can't look into
the black mirrors in my house
with your eyes open
because they only reflect
what's on the back of your eyelids
where the only light is your own
and you are the road
and the lantern you go by
and everything you feel and think and imagine
is your own true face without skin
not the gate between outside and in.
How could I ever recognize you
in these dark spaces
if it weren't for the trees
and the stars and the moon
and the night stream that runs through me
like a lifeline on the palm of my hand
down from the mountains
in a rush of diamonds and gold
that pour out like the pent-up emotions
of a sword that's just been pulled from a stone?
And how hugely alone the night is
when you love someone as they are
and you realize without effort
that if you hold them a moment in their transience
you hold them like a star in a locket of water
that tastes like the past.
There are people
like treebound barrels of rain
and then there are people like me
who leak out of their lives
like radioactive water
that couldn't pool the pain
long enough to stop the meltdown
long enough to cool the brain,
long enough to let it kill me.
Now in the darkness
seeded with the dust of black dwarfs
trying to clench a fist of coal into diamonds
my auroras are weeping neon dew
like a cheap enlightenment
all over the watercolours of dawn.
And I'm wondering
what kind of an afterlife is this
that I might have foregone
if I were indifferent
to how my solitude deranges me
like a lost continent
wandering through its own mindscapes
like an extinguished star
that wants to make up
just for one luminous moment
a constellation of its own
that doesn't wait upon anyone's eyes
for the themes of its seeing.
And though the skies have changed
like the slides of childhood dreams
with every blink of an eyelid
whenever night approaches me
and asks to sit by my fire
and let the flames and the smoke
of our past lives
speak for the both of us
I look up to give my eyes
like two drops of water
back to their oceanic immensities
and it's always unattainably you
that is shining
like a woman in the window
of a secret house of the zodiac
far off the beaten path
that leads everywhere like a firefly.
And your stars speak to me
as if my flesh were light again
and my heart
that bumps its way through the dark
already a lamp beyond
the Lazarus of wax
that's buried in his own lucidities
like a candle I left for dead.

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Patrick White

What I Would Say

What I would say to you if you were near,
if this definitive namelessness that walks me down to the river
to add my tears to the flowing, to sit on my rock
and stare at my self in reverse on a throne of water
enrobed in my star-dazzled solitude, setting fire
to poems I never wanted to own,
every burning lily of paper floating away
like another crown I've set free
from this domain of air and shadows
to seek its own regency, its own unknowable moment of shining,
weren't the eyeless oblivion that engendered us both.
I would say to you in the pyres and the petals
of these wild wounded swans, in the black down and ash
of these exorcised ghosts, in the dream wakes
of these poems that confess their love to the flames
with every exhalation, with every feather of smoke
gone to smudge the sky of the stars that brought them here
in the form of a man, I would say,
it was always the hive of your silence
that was the fairest likeness of you, the bluest honey
rarer than night, I've ever tasted.
And I'd try not to talk too much,
letting the fish jump for the two of us,
and the winged serpents of the luminosity slip away
like things not said into the water
and I'd draw you in under the bough of my arm
that was never much of a yoke
as if you were the fruit of an astounded tree,
and hold you a long time in the vastness
before I turned to kiss you for everything
and fall down back into the silver grass
to make love to you on the moon.
And you in my arms again, your cheek on my chest
your leg across mine, my hand, a wing of tender caresses,
I would mingle blood and starlight
with the wine of your body and being
like a chalice lying empty by the river
that has brought us both to drink from one another
like the deer that will come out later from the grove
to drink from their own reflections. And gestures of life and death
would flutter through me like the red-winged blackbirds
among the sceptres of the cattails,
and I'd want to thank and accuse the incomprehensible sky
for this night of being human long enough
to understand its brevity is its beauty
and its brevity goes on forever like you and I,
burnt poems, wounded swans, lovers, indelibly.

Life is suggested to us, never proclaimed,
like the course of the river, as the limbs of the fallen oak
look as if they're trying to swim, and one poem
more enduring than the rest,
floats downstream under a frozen elbow
raised to take the next stroke,
and with a final flare as it comes to the end of itself
levitates up into the air and disappears like a buddha
into the absolute perfect emptiness of an enlightenment
that grasps at nothing. Form
is emptiness; emptiness is form, and the poem
had a good death I suppose as a lifeboat in flames,
and though you're not with me now,
we've never been apart, as the shadow of an unknown bird
lands on the water, and then another,
and I think of them as you and I
arriving somewhere together out of the sky and the night
and the bright vacancy
between the sidereal knots
in the nets of the constellations, to drift among the stars awhile
weary of flying, two poems back from the dead.

And I wonder what love is, knowing
love is I wonder what love is,
as the fireflies flash their assent,
and the cars pass in the distance on highbeam,
and the frogs spring away from their flints. And I come here
as much for the island that spreads the stream
into the water legs of a woman
like the orchid of her sex, as to be alone with myself
like a wharf deeply saddened by a thousand farewells,
to launch my fleet of poems
like the blossoms of the abandoned orchard on the far bank.
I like being a child alone on the shores of things,
turning the stones over, lost like a fragrance
among the whispering flowers, ruling my loneliness like a stick.
And I've always asked questions no one could answer,
awed by the fact of being here at all
under stars I can name like personal friends, but here,
everything's got a mouth of its own to answer,
and the answers seem more timeless for being left unsaid.

And I'm never as old by these waters
as I am anywhere else, and the dusty apricot of the moon
you told me to watch as you would
is always so much more on this undulant black mirror
than a window will ever be able to say to a man at a desk.
There's a birch and three willows
and the third of the three is you
dipping your hair in the water
as if your roots weren't enough for the glass.
And it's no surprise to know you know how
to drink the whole river in a single gulp
and swallow a whole star with your eyes
in a single glimmer
the way a solitary dropp of water
at the tip of the tongue of the stargrass
entirely fits the entire skin of the sky
because I already know how you can consume the whole of me
from the night song in the flight of the bird in my voice
and from a single hair of your head,
or the eyelash on your cheek
that is all that separates us now,
from the ashes on the last breath of a single burning poem.
I can be here with you as I have always been
on the other side of death
where everything in creation
above and below this river of night,
from the furthest galaxy
to the dragonfly on my right
is expanding like a lily of fire into us,
as if we were the emptiness that receives the light.
So it's easy to know where it's all going,
releasing these little fire-boats on the stream,
raising themselves up like the breathless flowers of a dream
rooted in the infinite depths of the knowing,
it's always, like birds and stars and fish in the flowing,
been going to us.

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Patrick White

In You

In you I come to the end of roads,
and an alphabet of burning wings
falls from an indigo sky
like meteors trying to write
the unsayable in a slash of light,
in a language of luminous scars
the night beatifies with mystic knowledge
that wants to name you
so deeply in thresholds and stars
the charged silence
is giving birth to an indelible mouth,
a doorway of blood,
an ancient grammar of fire
the wind puts on like a robe
to scry the darkness for a voice
that could fill the goblets
of the moon's dead seas
with the wine of a radiant wound,
so much within me
already the tongue of a bell
that can taste you like blackberries.
The whole of you
in every single dropp of your eyes,
you are the black swan
of the eclipse that rares its reflection in water,
the dark orchid in the shadow of the dragon
that sways like a bell in the night,
even your absence a shape of cherishing,
a harvest of shadows beyond the light
of the lamp that burns for you.
Within the deepest abyss of myself
where the heart stands alone
like a single black pillar
in the twilight wasteland of the world,
a mysterious temple to the ultimacy
of having been here once
to suffer the passage of form and time,
everything a gesture of space
that thaws back into itself,
I have written your name
in the hourglass of my blood
like a whisper of secret ink
that once voiced the light to be
and shook the stars like wheat
out of its blind abundance
and will be remembered forever
as the first intimacy of the sea,
and there is the rumour
of a dream in the air,
the fragrance of an approach,
that out of an ocean of light
the tide will embody a woman
like the shore of an island
littered with fingertips and kisses
enmeshed like galaxies and starfish
in the exhalation of her veils
and our lips will meet like archers,
and our bodies will sing like arrows
sunk like orchards through the heart
and long after the last flame of life is shed,
the night will silence the birds
in the groves where we bled like poppies
to open the gates of the mystery
like keys and rain, or the rosary of black pearls
that chants its prayers to the night
like the slow alarm of autumn geese
in the eyes of a human face.
I try to say what can't be said,
pouring my spirit
into the wineskin of every word,
but my heart is a larger apple
than the bough of my voice can bear,
and the silence
that would erect temples everywhere like flowers
spun from the auroral silks of my soul
and perfume the air with the pollen of sacred fireflies,
every emotion a priest with a shaven head
to honour the moon
climbing the stairwell within me
of a million horizons at once
in every breathless step,
falls away behind me like the wake of a sinking ship
that lowers me into my coffin like a lifeboat
or a message in a bottle
that pleads like wine with the emptiness
for an alphabet that isn't in arrears to time
to say you to the night
in a lightning breath of life beyond
these elemental likenesses I carve
from a quarry of stars.
And I know I ask for immortal children
from a human womb,
and wide as my powers are
to exceed the sky with homing birds,
to adorn the dead branch with windows
that dazzle the roots of dawn,
I am the ashes of a black star in daylight,
a stone man with a chain for a tongue
when I try to swim like Atlantis
through the depths of your shining within
and the last word, the last life
to flash across my mind as I drown
again and again like a pulse
in the embrace of your beauty
is always the world as it is
before anything was said.

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Patrick White

What I Would Say To You

What I would say to you if you were near,
if this definitive namelessless that walks me down to the river
to add my tears to the flowing, to sit on my rock
and stare at my self in reverse on a throne of water
enrobed in my star-dazzled solitude, setting fire
to poems I never wanted to own,
every burning lily of paper floating away
like another crown I've set free
from this domain of air and shadows
to seek its own regency, its own unknowable moment of shining,
weren't the eyeless oblivion that engendered us both;
I would say to you in the pyres and the petals
of these wild wounded swans, in the black down and ash
of these exorcised ghosts, in the dream wakes
of these poems that confess their love to the flames
with every exhalation, with every feather of smoke
gone to smudge the sky of the stars that brought them here
in the form of a man, I would say,
it was always the hive of your silence
that was the fairest likeness of you, the bluest honey
rarer than night, I've ever tasted.
And I'd try not to talk too much,
letting the fish jump for the two of us,
and the winged serpents of the luminosity slip away
like things not said into the water
and I'd draw you in under the bough of my arm
that was never much of a yoke
as if you were the fruit of an astounded tree,
and hold you a long time in the vastness
before I turned to kiss you for everything
and fall down back into the silver grass
to make love to you on the moon.
And you in my arms again, your cheek on my chest
your leg across mine, my hand, a wing of tender caresses,
I would mingle blood and starlight
with the wine of your body and being
like a chalice lying empty by the river
that has brought us both to drink from one another
like the deer that will come out later from the grove
to drink from their own reflections. And gestures of life and death
would flutter through me like the red-winged blackbirds
among the scepters of the cattails,
and I'd want to thank and accuse the incomprehensible sky
for this night of being human long enough
to understand its brevity is its beauty
and its brevity goes on forever like you and I,
burnt poems, wounded swans, lovers, indelibly.

Life is suggested to us, never proclaimed,
like the course of the river, as the limbs of the fallen oak
look as if they're trying to swim, and one poem
more enduring than the rest,
floats downstream under a frozen elbow
raised to take the next stroke,
and with a final flare as it comes to the end of itself
levitates up into the air and disappears like a buddha
into the absolute perfect emptiness of an enlightenment
that grasps at nothing. Form
is emptiness; emptiness is form, and the poem
had a good death I suppose as a lifeboat in flames,
and though you're not with me now,
we've never been apart, as the shadow of an unknown bird
lands on the water, and then another,
and I think of them as you and I
arriving somewhere together out of the sky and the night
and the bright vacancy
between the sidereal knots
in the nets of the constellations, to drift among the stars awhile
weary of flying, two poems back from the dead.

And I wonder what love is, knowing
love is I wonder what love is,
as the fireflies flash their assent,
and the cars pass in the distance on highbeam,
and the frogs spring away from their flints. And I come here
as much for the island that spreads the stream
into the waterlegs of a woman
like the orchid of her sex, as to be alone with myself
like a wharf deeply saddened by a thousand farewells,
to launch my fleet of poems
like the blossoms of the abandoned orchard on the far bank.
I like being a child alone on the shores of things,
turning the stones over, lost like a fragrance
among the whispering flowers, ruling my loneliness like a stick, .
and I've always asked questions no one could answer,
awed by the fact of being here at all
under stars I can name like personal friends, but here,
everything's got a mouth of its own to answer,
and the answers seem more timeless for being left unsaid.

And I'm never as old by these waters
as I am anywhere else, and the dusty apricot of the moon
you told me to watch as you would
is always so much more on this undulant black mirror
than a window will ever be able to say to a man at a desk.
There's a birch and three willows
and the third of the three is you
dipping your hair in the water
as if you were trying to root in glass.
And it's no surprise to know you know how
to drink the whole river in a single gulp
and swallow a whole star with your eyes
in a single glimmer
the way a solitary dropp of water
at the tip of the tongue of the stargrass
entirely fits the entire skin of the sky
because I already know how you can consume the whole of me
from the nightsong in the flight of the bird in my voice
and from a single hair of your head,
or the eyelash on your cheek
that is all that separates us now,
from the ashes on the last breath of a single burning poem,
so I can be here with you as I have always been
on the other side of death
where everything in creation
above and below this river of night,
from the furthest galaxy
to the dragonfly on my right
is expanding like a lily of fire into us,
as if we were the emptiness that receives the light.
So it's easy to know where it's all going;
releasing these little fire-boats on the stream,
raising themselves up like the breathless flowers of a dream
rooted in the infinite depths of the knowing,
it's always, like birds and stars and fish
been flowing into us.

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Young Moon

Written by dewey bunnell and gerry beckley, 1994
Found on hourglass and highway.
Fascination with the light in your hair
A celebration, nothing else can compare
An invitation to share my life with you
Stepping forward, reaching out for your hand
Hear the music of the sea on the sand
Like a vision rising out of the blue
Looking like a
Young moon in the heavens
Mother to the stars
Young moon guide us tonight
Elevation to a place high above
The combination, you and me and our love
Determination to spend my life with you
Looking at you face to face with my world
A quiet beauty not like just any girl
Moving slowly from the dark into view
Looking like a
Young moon in the heavens
Mother to the stars
Young moon guide us tonight
We are here in this moment
Shining twice as bright
We are here for you to see
Bright lights, long shadows
Tonight, we can handle
All of the doubts we may hold inside
It is a new day, things are different now
Weve got each other
Well keep looking for that young moon
We are here in this moment
Shining twice as bright
We are here for all to see
Young moon in the heavens
Mother to the stars
Young moon guide us tonight
We are here in this moment
Shining twice as bright ...

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Suffering

a word from you
and then you stop
something choppy somewhere
inside your tongue

i like to listen more from you
cut, i am having a hard time,
what is it with you
that wants to hold me
i stop to listen again
some scratching sounds
from your hair
some gnashing from your teeth
i listen stilll cautiously
there are pauses,
you stretch your arms
trying to reach me
i tap my ears
there is this suppression
of meaning and then you finally open
your eyes
tears are falling

i see
your heart is broken and your
mouth haggles for words
your mind grasps for thoughts
for a love that they always
misunderstand. I see.

blood inside your mouth.

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Patrick White

When You Listen To A Bird

When you listen to a bird
you should hear the whole of the sky
just as when you look at a star
you should be a fountain of eyes.

Because you cannot see,
the darkness is not blind
and your consensus of conventional abnormalities
is not reality, is not the source
of the hidden halo of comets that afflict you,
nor the crazy constellations of the fireflies that bless.

I don't know if I speak for anyone other than myself
but that's enough to reflect the moon in every drop
of this unvoiced delirium
that surpasses enlightenment and lunacy like old shoes
to walk barefoot across the stars
as if they were no more than cool sand in a desert at night
that's never been bound to a road,
though every single grain is the cornerstone of the world.

How unsayably me I must be
that so many thoughts and emotions,
so many vital themes of blood and time,
years that have returned their fields to the wild,
have enshrined my namelessness
in this abandoned palace of shadows
I've pitched together like a chrysalis out of words.

A true muse is a well
that finds its own way to your mouth,
and I accord mine the perfect freedom to be me,
and drink deeply of the night she pours into me,
until neither of us knows who the other is
though we whisper like leaves on the same tree.

What's crucial is not to offer yourself up
like a tourist map to the wind
but to let go. To find out where you're going
not by giving up everything that you know,
but the knowing.
I let my thoughts follow the path
of a snowflake in a blizzard
until they melt like eyes on earth
to show my roots how to flower,
this one a waterlily opening
like a diploma in a swamp,
and that, the devil's paintbrush.
Should it be otherwise?

Can you turn your eyes back like a clock
and unsee the things
that have looked so deeply into you
the skull of an impersonal space
wears the atmospheric intimacy of your face
like the ghost of an unknown planet?

I have felt poppies of blood
hotter than any prophetic furnace
rend my flesh like starving lions
for things I never knew I believed,
for the heart I laid down like a sword on the altar
to the inexplicable gods of the misconceived,
when I realized that not even my homelessness is shelter
and the only country under the flag of my blood
that might have claimed me as its own
has caged me like an undocumentable alien
in a holding cell of bone.

But it's foolish to look for passage
when nothing's in your way,
or seek enlightenment with a candle at midday,
not knowing you're only washing a mirror with shadows
and handing out wicks to the stars.

And what's the sound of one hand clapping?
Be compassionate. Be generous. Be kind.
This is the only way to forgive your mind.

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Patrick White

Gray Rain

Gray rain
but the trees
are teaching the stars how to break into leaves.
Good rain on the good earth.
Autumn's a long passage.
Spring is full of thresholds.
Rainbow bridges in the distance
over urgent streams.
Everything's in a rush to become something.
I thought I knew once
who I was supposed to be
but more and more it eludes me
like a future that's already behind me.
I leave it to the world
to finish what I began
and include myself in the mystery
and try to carry on like a man
who looks at a star he won't follow
through the branches of the burgeoning trees
as the history of who I am
now that I'm not anymore.
The less I am the more there is to be.
And one eye doesn't get in the way of the other as much.
There is just this as it is
and what am I beholding
if I'm not looking upon myself as I am
in common with everything
that's changing all around me
like a mind that can't contain itself
in any fixed mode of being
anymore than the eye
can decide what it's seeing.
Everything is burning with life in the rain
and change is the dangerous bliss
we feel when we cease to exist.
The trees might have fingerprints
graven into their bark
and you might accord them
an identity in the dark
and approve of their names
and let them pass as if you knew who they were
but that doesn't make them
any less of a stranger than you are
or the clouds carry passports.
Praise be to the abundance of oblivion
and the cornucopias of blackholes
in the hearts of the galaxies
that keep wounding themselves into life
by falling on their own swords
like a knife that heals.
By day the light gives.
But at night
it steals.
And the mirror lives
and pours water over the eyes of the blind
and suddenly the stars can see again.
And the grape hyacinth is drunk on blue wine.
And I'm walking on water on the moon
even as the moon walks on my tears
without knowing which ones
flowed from the bells of my sorrows
and which overwhelmed me
like birds in the fountains of joy.
First I am a man.
And then I am a boy.
Spring takes itself for granted.
And autumn comes on with regrets.
But they both know
this is as good as it gets
and nothing's missing
in the mind's lost and found.
It's just the way things get around
when you throw the world back in the water
like a life of your own
you gave up years ago
to be who you are now.
Praise be to the stars
that stop by the gate this late
to chat about gardens
and how to keep
the roots of the roses alive
when the ground hardens.
Even if you're a demon in steep descent
or an angel rising from hell
life has the power of a flower
and the genius of a universe
to turn falling into a calling
like planets and Canada geese.
You can walk out alone
into a wide open field at night like I do
and stand there under the stars
that have been staring at you since childhood
like someone they should keep an eye on
and say: This is me. This is who I am as I am
to the whole twinkling lot of them in self-defence
to uphold the savage dignity of the difference.
You can stand there in the vastness
of that one definitive thought
that goes on forever like a silence older than birds
and feel the sweet release of upending joy
trying to master its new freedom
when space morphs into a mouth for a moment
and says softly
o so softly
in a voice that's been singed by compassion:
No.
You're not.

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Patrick White

The Loneliest, Most Protean Modes Of Madness

The loneliest, most protean modes of madness
rage in my cells like nightmares in isolation
watching the fireflies dance through the bars
as a secret gesture from unknown, sympathetic stars
in a collusion of constellations to keep up with the times
and shuck off their old myths of origin
like the straight jackets of a fixed place,
debate whether the light-bending darkness is chaos or freedom
or the old heirarchies of seraphic emanations of insight
still trickle down like oracular snakes on burning ladders.

Now if I wanted this to mean something
I'd look for a precedent for the shadows that dart like birds
across the tunnel vision of my line of sight
and I'd drink from the same fountain where the leaves
lap their water like books full of experience
and I'd borrow light years from other men's eyes
to verify my seeing may be new, but it's sound.
I don't have any use for knowledge
and that's why it trusts me and let's its hair down
as if there were nothing of any significance to impart
to the diamond-hearted translucency of an engaging madman
whose enlightenment sweats the details
in a fever of crazy wisdom that plays with his mind
like a child on the moon fascinated by the solitude of its intensity.

But you who can hear me in your blood without asking
will recognize me by the accent of light in my voice
and know that I don't walk in the footprints of grammars
that wore down this trail like a carpet that wouldn't fly away
until they got as far as they could vocally could
then turned home for good, as if that were the end of the tail
that began and ended like alpha in the mouth of omega.
But time sweeps eternity away like a waterclock in a deluge,
like chalk on a blackboard, a ferocity of jewels out of the eyes
of bitter ores that couldn't see anything shining in the dark
by their own light like a fish out of the reach of the sun,
that became a lantern unto itself, a revelation
on its own wavelength that illuminated the depths
of a darkness deeper than light years are far
and there's no way to divine a sign in the immaculate darkness
for a teacher or a star. Here where the ladders don't reach
and there are no reflections of a higher clarity
all senses are intensified into one medium of perception
that doesn't individuate the morphology of knowledge forms
your mind holds up like a black mirror to a chaos
of hidden harmonies that depend inexhaustibly upon you
to add your voice to a new species of seeing,
like a mutant gene that's never been heard from before.

Even in a cage, my humanity is what's measureless
about all things if you enter them deep enough to understand
you can't drown in the mirage of your own emptiness
or badger the stars to break their vow of silence
without giving yourself away like a secret
everybody's been keeping to themselves like tears
under their breath, in the wells of their heart,
in the dessicated watersheds of their art
with nowhere to fall but up into the nights within them.
The unattainable aspirations of a madman grasping at fireflies
like the cornerstones of a new palace of stars
that dance like chandeliers in the rain
to the timing of their musical visions in the night.

Among the journeymen who labour for lasting results
I do with great discipline exactly nothing,
masterfully done. And the picture-music is undeniably
perishable. I burn colours in the sun on a pyre of hawkweed
like the works of a dead chameleon evaporating
like a rainbow body that isn't making promises to anyone
you'll ever hear from it again, though mantras
echo through the mountains like the shrieking palettes
of wild birds revoking the ease of the nocturnal silence
with more vivid mixes of the hues in the eyes of crazy wisdom.
I make great leaps of disbelief into the abyss
off the ledge of a lover's precipice into the emptiness
and my heels flower into wings and it feels
as if I'm departing at last like a hermit down a mountain
with a contemporary vision of my own empty immensity.

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Patrick White

Mad or Enlightened

Mad or enlightened the same, the universe
is an embryo of darkness born in upon itself, everywhere
its own womb breaking into the pulse of stars within stars,
and everywhere, the shining before the light, the dark mirror
showing the light its own face for the first time,
how in an eventually that is always now
it would attain flowers and eyes along the way
and become the skin of the rain as it falls to earth in April.
If I change to fire, these letters burn, blow away as ash
on the tongue of the wind; if water, then the stars put themselves out
in their own weeping like candles drowning in tears.
Every step of the journey around ourselves
is another world, another garden to plant the seed-names
we’ve shaken from autumns in other realms
and carried around like sacred jewels
we forgot in the corners of our pockets and hearts. Believe it;
when I am all stars; you are all the listening darkness
I pour myself into like a drunkard into a bottomless glass
and you raise me to your lips and drink yourself up
until you’re blinded into clarity
by all the open cages of the light.
Why lie in your own coffin, night after starless night,
if you’re not empowered by your long obedience?
Better to open your eyes on the other side
of your horizontal door, better to come knocking from the outside,
deluded vertically, than suffer this poverty of blood within
the hushed precincts of your skyless realm,
the skull-bone basilicas of your private Vaticans and law libraries.
When it wakes up in the morning
there’s no book-dust in the eyes of the light.
Before you now, in your endless beginning, the dream
you thought you had rubbed from your eyes, you
waking up like a key inside the heart of the dream.
There’s nothing you can’t unlock, even
gardens on the moon or the ancient futures of past lives
death only pruned back with shears to bloom again
in the efflorescence of your eyes, early dawns in the new arraying.
Who you are flows into who you are, all one river of seeing,
dizzy and composed in its own running, all
your own eddies and currents, swamps and white-water,
auroral maids of the mist when you fall in separate drops,
weeping’s just a waterfall, and frenzied tides of being
when you crash ashore out of your own wholeness into buddhas and bums.
In the fire, everyone’s crazy with passion and intelligence,
everyone’s smashed on the wine of an unknown guest
trying to be remembered by his friends.
What visions abound in the orchards of the blessing,
What hearts are torn out and thrown upon the fire
like planets called home by the longing of the sun? We are the white shadows
of the someone else who is walking up ahead
like the moon on the path of its own reflection.
Catch up to yourself and drown in the luminosity of your own being.
Who needs a map to the road they’re walking
or sages pointing all along the way, grey as barnboard signs,
or luminaries at night
pointing to the darkness. The pivot of the worlds points to itself.
True north is not a direction. Haven’t you guessed by now; the stars
all circle you like stormbirds drawn to a lighthouse on the coast of heaven,
too in love with your light to heed your warning about
the deep dragon grief that opens the mouth of the wound
that killed it into life, a one-edged sword of light
in the hands of a holy assassin darker than the silence
of the sun at midnight. If you listen with your eyes,
you can hear in that mournful emptiness
God calling out to God, lover and beloved,
through the echoless valley, across the waveless sea,
yours the name on the prow of the ship that breaks through the veils of the storm,
and yours the name of the storm. You are the bird
that answers the green bough; the lightning in the rigging.
You are the sigh of the silence
and the mystic pen in the hand of the saying.
Whatever worlds you dress for, fields and flowers,
or stars and hourglass elsewhere zones, you are the body of being,
and yours the gowns and robes of creation you draw from the abyss
like clothes from a private closet, dignified in your scriptures,
intimate in your jewels. And everywhere you coyly let yourself fall
like earrings of rain, scarves of fire, fragrances of light,
and watch to see who of the many lovers that are you
bends down like the sky to pick them up at your feet
and return them to you like the first crescent of the moon
rising like an eyelid out of sleep
to greet itself reflected in your face.

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You Took The Words Right Out My Mouth

It was a hot summer night and the beach was burning
There was a fog crawling over the sand
When I listen to your heart I hear the whole world turning
I see the shooting stars
Falling through your trembling hands
You were licking your lips and your lipstick shining
I was dying just to ask for a taste
We were lying together in a silver lining
By the light of the moon
You know there's not another moment to waste
Not another moment
Not another moment to waste
You hold me so close that my knees grow weak
But my soul is flying high above the ground
I'm trying to speak but no matter what I do
I just can't seem to make any sound
And then you took the words right out of my mouth
Oh-it must have been while you were kissing me
You took the words right out of my mouth
And I swear it's true
I was just about to say I love you
And then you took the words right out of my mouth
Oh-it must have been while you were kissing me
You took the words right out of my mouth
And I swear it's true
I was just about to say I love you
Now my body is shaking like a wave on the water
And I guess that I'm beginning to grin
Oooh, we're finally alone and we can do what we want to
The night is young
And ain't no one gonna know where
No one gonna know where
No one's gonna know where you've been
You were licking your lips and your lipstick shining
I was dying just to ask for a taste
We were lying together in a silver lining
By the light of the moon
You know there's not another moment to waste
Not another moment
Not another moment to waste
And then you took the words right out of my mouth
Oh-it must have been while you were kissing me
You took the words right out of my mouth
And I swear it's true
I was just about to say I love you
And then you took the words right out of my mouth
Oh-it must have been while you were kissing me
You took the words right out of my mouth
And I swear it's true
I was just about to say I love you

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Patrick White

If Only I Could Remember Things For Awhile

If only I could remember things for awhile
as they were before they changed. Savour them.
Let the flavour of the jewel
that's been ripening in my voice
wash through my mouth
like the mystic blaze of a star sapphire
and every word I say be a firefly of insight
that can shed some light on dark matter.

Would that my tears fell fruitfully enough
to feed the world, that one dropp of my blood
after years of preparing the potion, were enough
to immunize a whole planet from affliction.
And what marvels would my eyes not delight
in showing anyone, if they could astonish the blind
like an orbiting telescope that's just had
its cataracts removed
like the reflection of the moon peeled
like an albino eclipse off the black mirror of the lake
only to discover that all this time they groped through the dark
like star-nosed moles, it was their own face that got in the way
of what was shining. If only my hands
knew how to build like the birds
and my bones were strong crossbeams and rafters,
what palaces of light and water and air
would my heart not offer to the homeless
like the growth rings of a maple tree
that threw them the keys like winged samara
and said, move in, its yours. It's built on bedrock
not the quicksand cornerstone of a slum lord.

For the lonely sitting with their cats and their elbows
in half-opened windows, observing
the pigeons and the stars for memorable events,
I would break this long fast of my solitude
like black Slavic peasant bread with strangers
who sat above the salt at the table
as my honoured guests, and ask them, eye to eye,
heart to heart, all ears, as if I were a radio telescope
listening like Seti, if they've heard any news back yet
from Bellatrix or Rigel, and which
of Jupiter's shepherd moons is hiding
a secret affair with life that everyone's dying to know.

It's heart-breaking that we can't all bring our tears to bear
into one cloud weeping over a drought like a dry creekbed
where we're all hibernating in our own starmud
like toads and frogs waiting for flashfloods of the next rain
to underwhelm us like gravestones in a makeshift cemetery.
What would the world be like if we could
walk up a long country road at night far from ourselves
and not have to ask the roadkill for directions in life?
As if we were sure enough where we were going
to risk being followed by the lost like a starcluster of fireflies
within the compass of everyone's bearings, not
out there somewhere like the ghost of a spaced-out lighthouse
but like the porchlight of nearby farm on a summer night
that draws living things out of the dark like the full moon to it,
even if it just be gnats in the air, bats, or Luna moths,
what a seance of life we could be to each other
as if we left the screen door unlatched
for any lunatic of the light on the road this late at night
who might wander in like the seeds of new themes on the wind
to enrich the bright vacancy of our dark abundance
with a starmap to where our buried treasure lies hidden
like diamonds in the ore of the hearthstones of our hearts.

If I could take the whole of my darkness
and enchant its snakepits into the wavelengths
of the light I would have emanate out of me
like the rainbow body of a Tibetan rinpoche
entrusted with the wisdom of the Himalayas
to seek a low place among the stars like a sea
that all things flow down into like the shining images
we retain of ourselves like the reverberations
of experienced luminaries echoing
like seasoned birds to each other
in the valleys and black holes of tears and death below.

Sacred syllables of immortal butterflies
in the orchards of morning and moonrise.
I would shine down upon the abyss of the lovers
like a water star from the bottom up
of all the burning bridges they have yet to cross
like Aldebaran at zenith, or Cygnus at nadir,
to get them to the other side
of what binds them to each other
like water and air, light, earth and fire,
and each moment of my life, every step
I risked anew, I would become the way
that's never taken itself before this deep into the mystery
of what it means to be alive and everywhere
be endangered by the beauty of our own awareness.

Instead of breathing for the dead as long as I can
underwater on the moon, I would invite them
to make a new birthmark in new medium
that calls them back from the night like light
from the scattered ashes of the empty urn of a star
coming together again in a gravitational womb
of their own remains, where everyone achieves
the all consuming illumination of their endless afterlives
by opening the koan of a single flower
in the light of their darkest hour of perennial insight.

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Heart

We giving up on all the emptiness
I fill it up with your sweet love beside me.
Ain't no fun to be a rolling stone inside
You buy the feeling and you pay with tears.
For what it matters you flow with the motion
Then out of nowhere there's a full moon rising
And it's mine.
And every
every moment is the history we make - and more
We got a legacy of understanding
I can love you better
But donY let your -
Heart stop beating in time
Don't take me below the danger level.
Caught up in the middle of a misery -
Don't let me die.
And I warn you if you let your
Heart stop beating in time
Don't make it a fatal combination
I won't ever find another your love no more.
Got to get closer
got to be in sight
You make it heaven to breathe with you woman.
Don't you get lonely in the midnight hour like me?
And there's an angel that I follow on the wind - and more
Within a universe of undiscovered eyes
We found each other
so don't let your -
Heart stop beating
in time
Don't take me below the danger level.
Caught up in the middle of a misery.
Oh baby
don't let it be.
Save my soul
I don't wanna be no chains that hold
Gotta be a wild new world out.
There is a plan
I don't wanna be no one night stand
Gonna be alive for you down.
Here is the love I can hold out in my hand
And you can feel it I'm nothing if you let your -
Heart stop beating in time
. . .
Don't let your heart stop beating in time
. .

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Tell Me Why

That tuesday night, turned 26 and I caught your smile
laid down my life, one kiss would take me through the night
I close my eyes, I feel your touch, I see you smile
it's on my mind, it's just a dream I know, but why?
why I just can't stop wondering you're on my mind
noone tells me why, tell me why
tell me why you filled that emptiness in me
tell me why, tell me why,
tell me why you filled that emptiness in me
just to tell you goodbye
a day down the line, reality's back on my mind
yesterday's behind, the charm of love has died but why
unsatisfied with what we get used to in this life
I laid it aside, looks so pale with open eyes
so I just keep on wondering about what's on my mind
noone tells me why, tell me why
why again you filled that emptiness in me
tell me why, tell me why,
why again you filled that emptiness in me
so I tell you goodbye
tell me why, tell me why,
tell me why you filled that emptiness in me
tell me why, tell me why,
tell me why you filled that emptiness in me
tell me why, tell me why,
why again you filled that emptiness in me
so I tell you goodbye

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Patrick White

Weary Of The World Tonight

Weary of the world tonight. Can't stand the lies.
Some drunk loud-mouth out on the street
wants all the girls to know he's there,
My noise is bigger than your noise.
Someone playing a guitar badly in a doorway.
A homeless cat cries, lets out a howl
of torment as if its sinews were being keyed
as tight as guitar strings about to snap.
Out of the window that hasn't said anything yet:
you touch that cat again, slugger,
and I'll be right down with an axe
to give you a gender change. He looks up
startled. But all bullies are cowards
trying to deny it to themselves
while wearing their sister's underpants.

The cat makes a quick getaway
through a dark heritage alleyway.

Supercharged like a fire hydrant full of blood
throbbing through my temples, and demons
I haven't seen in years smiling darkly in the mirrors
my shadow always regretted like left-handed virtues
that got the job done. Demonic compassion,
colder than intelligence, with a deep
poetic sense of of infernal irony
whereas a muse ago in this specious present
I was longing for a small hobby farm
on the dark side of the moon, now
I'm a dragon eating waterlilies down
by the banks of my mindstream
quietly letting go of itself
like an unmoored lifeboat full of emptiness
drifting no where in particular I want to be
except here where I can shed my humanity for awhile
among the living and the dead
who don't care what I am and am not
as long as I'm not a threat to them.

Darkness, my solace, moon, my longing,
Star, warmer than any fire I've ever
sat around to exorcise my ghosts,
you, who've danced like my third eye
with the other two still chained to their irises,
the poetic lucidity that mentored me
in the ways of light and taught me
the creative rapture of the fish
that still swam like flashs of insight
to the surface of my oceanic tears,
I don't know how many light years
either of us have yet to shine or cry over,
but tonight, come down from your unindictable heights
and sit with me like the intimate stranger of a candle
in my eyes, in my soul, in my blood,
be the small flame that trembles in my breath for awhile,
be the sole illumination of my spirit for awhile,
ease my bodymind with the elixir of your radiance
emanating from the inside, and let me
be born again of that fire that burns within me,
purge my starmud of these urns and bones and black dwarfs
that weigh me down like disappointed bells
and feisty mastodons in the tarpits of my heart
that sink deeper the more they struggle to get out.

And I don't even care if you're the last firefly
to transcend my cosmic solitude like a wavelength
of the transmorphic singularity at the beginning of time
that woke the valley up with the roar of a dragon
in that elemental morning of mad genius
that's be the dawn of every moment ever since
in this chiliocosm of energies and forms
flashing out of the mystery of the questions we ask
about the inconceivability of being here to ask them.

No purpose. No meaning. Except the one
we all live vaguely as ourselves like a nebularity
out of which we might precipitate stars
of a different order of shining beyond what we can see.
Sit with me awhile as if we both had the same nature.
And you can look at the world and me through my eyes
and I'll look at you through yours as if I were seeing you
from the inside out, and there were ashes in my heartwood
even before I began to burn, as in yours,
there were the urns of heavy elements even
before they were born of their own afterlife.

Be that moment within me when time breaks into light
and even the shadows, like sunspots, shine
in their own right, and nothing is disturbed,
not even the silence that is intensified when the fish jump
or a dog is barking hills away at what approaches
out of the dark, and the waterbirds in their onceness
might seem to fly away, but have been here from the start.
Fill my life with the unimaginable splendour
of all those nights you've looked down upon the earth
and witnessed the horror and the wildflowers
in the same breath on a cold windowpane in winter
etching the light like an artist with an eye for life
or the praying mantis of a small telescope in the summer
its legs spread like a doe about to drink from her own reflection
or one half of a collapsed bridge to the other side
of everywhere at once. I don't ask for bliss or enlightenment.
Just show me how you make the shadows luminous again.
Even on a starless night, how to mourn like the eyeless rain
even as it renews the leaves and roots of the constellations
of the wild asters with their violet plinths and yellow suns
burning fiercely as a distant relation of your myriad myths of origin.

Do that for me and I'll show you how to intensify
the darkness into a diamond chrysalis of transformation
like a deeper mystic bliss in life, enhanced by the ores of pain,
as your light is by the night, or the flying stickshifts
of the dragonflies put the waterlilies in park for the night
as if they'd just got out of a car by the side of an unknown road,
not to find out where they are, but just
to gape up at the stars in the midst of decay
and let the wonder of it all heal me as it always has
by showing me how to make a cradle out of a grave
or the long, slow art of a human out of a wounded heart.

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Patrick White

I Drag On My Cigarette

I drag on my cigarette
and pull the coffee up to my mouth
as if I were officiating at a sacrament
and it were some holy bell
extolling the black wine of the bean.

I am always more in the morning
than I will be again all day
and the light is creative until precisely noon
and I am at peace in the impersonal intimacy
of flowing along like a star or a man or a leaf
in this great dynamic that never goes anywhere outside itself
like a bloodstream, a mindstream, the nightstream
that flashes in the woods like the eyes of a beautiful woman,
and yet all these worlds within worlds move with it
as fluently as thought and feeling
in a mind that is not divided by decisions
or trying to locate itself like a constellation
on a starmap in the rain,
insanely fitting every dropp
with the axis of a pin
to divine the source of the shining.

And it's always been a mystery to me
how I can be so ignorant and all-seeing simultaneously
but what keeps me alive, breathing, beating, baffled and alert,
a gust of awareness, of wheeling air and images
in a moment of joy and dispersal
where the light touches the dirt like a lover
and the dirt rises,
is this infinite instance
of an inconceivable intelligence so intimately close
the flame leaps from the fire,
and the moon falls from its flower
like the petal of an hour that overslept
and the birds are swimming in the shadow-waters of the trees
like elegant, inexhaustible pens in ink
that leave no trace on the sky of anything
beyond what the mind can think
until it stops turning the days like the pages
of a journal only the wind keeps
like autumn leaves and mindless sages
and learns from the seed-mouth how to sing
of the abundance that flows from its undoing.

Stop trying to prune the rose with its own thorns.
You can't put serpent fire out with water
or grasp a question by the neck
to milk the crescents of the moon for an antidote.
Would you put a bit in the mouth of the wave?
Would you uncoil your cravings like flypaper
to catch a star
then green it through the glass of a canning-jar?
Is the you of what you do
the you of who you are
or deep inside is there a blind jewel
that's waiting for you to turn the light around
and give it eyes
so you can see through yourself
and stop trying to net fish with the moon's reflection?

But if you think the answers will put the matter to rest,
get the world off your chest
like the shadow of the stone twin
that mimicked you into self-consciousness
and stalks you even now unseen
like a dog or the moon or eclipse of the blood
closing the mouths of the lilies that speak for the starmud,
you have not followed the questions
far enough into your life
where you have never been
to understand how little the answers really mean
when the ant moves the mountain
and the grass is green.

I stand in the furnace of the worlds like wax
and know the fury of the fire is everywhere at peace with itself,
and the only holy wars are lonely and creative.
As I am, as I am, as I am,
my singular appeal and pulse,
my homely simulacrum for the event I call me
when I knock like waves on my own door
to ask whose footprints line the shore
and only the moon's face on a threshold of water
rises like the gentile coast of a skull
to say I don't live here anymore.

You can't wash the night off
by taking a bath in an eclipse
and there are darknesses so intensely clear
that colours would only pollute the brutal purity
of the eye that dispossessed them,
poured them out like a delirium of words and wine
that could no longer dumbfound the emptiness
with the enlightened delusion of being forsakenly me.

And to say whatever this is before me now is nothing
is wrong
and to say this darkness myriads into form
and lucidly fills the world with things
is wrong,
and it is not mind or death or dark matter
nor me nor you nor God nor the devil
and yet its utter stillness mountains into mushrooms and fountains
and the whole issue is apparent in every event
like the taste of salt and stars
in the mouth of an open wound.

Is your skull honoured by what it must contain,
is the stone you lay your head upon
appalled by what it props up
when its metals reveal
the swords and crowns
you've poppied with blood,
or is your head still cooling
like mystic bread on a windowsill
like the universe
straight from the ovens of hell
in a purgatorial breeze
your goodness defanged like a whip?

Or maybe you're writing love poems
on the sails of a boney ghost ship
to a lifeboat on the moon
bobbing in a sea of shadows?
Or the leaves at your door
who show up with maps to save you
don't know what autumn is anymore
or how to follow the wind to the far shore
where the straw keeps faith with the grain
and the scarecrow is feathered with fire
and there is no distinction between joy and pain
and the stone dances as fleetly as moonlight
silvers the vein of the garden snail
that smears the slow stream of its going
across my radiant path
like the enlightened thought of a tiny brain?

Have we not already come again and again
to a place we have never existed,
is this not the effusive locus of every moment,
the inceptive finish of every breath we give back
to the sustaining intimacy of the unconceived
who nourish conception with their emptiness
and confide themselves like seeing to the seen
and shape space like water into eyes
deeper than a full eclipse of the moon?

You cannot fathom the strangeness of this moment you are,
you cannot assess the span of your being with wings
or appeal to a god like a bloodstream
you can pour yourself back into like wine
seeking tomorrow's delirium with yesterday's vine,
when the whole of creation is the merest suggestion of you
out to the furthest star
that puts itself out like a torch
in its own reflection of who you are.

You don't have to study your eyes to see
or cultivate your features like a holy book to be.
Because there is no intention in the emptiness
there is no karma to redress
and nothing to bind or separate
and no witness to affirm or deny
and nothing to diminish or enlarge
and no wisdom in the waterlily
nor ignorance in the swamp,
and the clouds let go
and the chains lay hold
and the lead doesn't taste of gold
but the union doesn't differentiate
among its exquisite distinctions
and the old woman is not old
and the cripples run
and the road outpaces the racers
like a long finish line
and there are no fractures when everything is whole
and no god when everything is.

poem by Patrick WhiteReport problemRelated quotes
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Heard Somebody Cry

(I thought I heard somebody cry--
I though I heard somebody cry)
I went to see what I could find
Like flowers in the dead of night
Like shadows in the moonlight--
I though I heard somebody cry
A choir with a single voice--a picnic on a cliff
Antenna like an insect--to pick up all your thoughts
Chorus
It isnt true
I am not the ghost
Without a soul . . . come
Listen to my heart
You feel the beat . . . stop
Listen to the sound
Of moving feet . . . walk
Through the halls at night
When Im asleep
I dont believe . . .i dont believe
The shoe is on the other foot--the glove is on the fist
The first is like a cannonball--but it feels like a kiss
I got a bed thats real soft--in a room thats always sad
I thought I heard a window sigh--
I though I heard somebody cry
Chorus
A choir with a single voice--a picnic on a cliff
Antenna like an insect--to pick up all your thoughts
I sip the running water--like rivers from your eyes
I thought I heard somebody cry--somebody might be lost
I thought I heard somebody cry--somebody might be lost
I thought I heard somebody cry--i thought Id go and see
I thought I heard somebody cry--somebody might be me

song performed by by Oingo BoingoReport problemRelated quotes
Submitted by Lucian Velea
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That Old Moon

That old moon keeps shining down
Upon this troubled world;
Generations come and go
And a new flag is unfurled,
That stands for peace, democracy
And all that kind of thing:
It doesn't stop the warfare,
It doesn't stop the murdering.

So if you've ever worried
About that man up in the moon,
If you've ever thought he's lonely,
It could be you thought too soon.
Because splendid isolation
Doesn't seem so bad a thing
When you think of all the trouble
Other people seem to bring...

poem by Gil TeeReport problemRelated quotes
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Sweetie, Moon and The Sun Moving Strangely!

Sweetie, Moon and the Sun moving strangely!
Since I travelled far away working for a living
Busy when the hot Sun rushed through the day
I failed to pick flowers for sweet Sweetie
Sun gave the night to the cool moon
But the moon is too slow in the sky
Slow when thoughts go to my sweet Sweetie.

Tonight I want to sleep so that I don't notice the darkness
Dark outside and dark inside my heart
Because sweet Sweetie's presence would have brightened it
But I see emptiness of sleep in darkness
Not filled by my books and work
Sleep is fleeting like snowflakes, untouchable
As my heart desires my sweet Sweetie

How lovely is sweet Sweetie when asleep?
I pray that the moon will push the night
That the sun runs slowly during the day when I am busy
That the moon moves faster at night to lessen desire
Desire for her welcome hug and kiss
When sweet Sweetie comes to her place in my arms
The Sun and Moon should stop in bliss!

poem by Nyota YasulweReport problemRelated quotes
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