
I Should Lie In The Sun And Melt Into The Grass
I should lie in the sun and melt into the grass.
I listen to the bikers throttling up like chain-saws.
I sit here urgently trying not to pollute time.
A poem's got one foot on shore and one in the boat.
Let Atlantis rise or sink as it will. I can wait.
Even when it's calm, my heart is an idling storm
and every third thought is a voodoo doll
as it sees itself on the inside
behind the eyelid of a visionary eclipse.
Nothing to worry about. I'm not going to put
the eyes of the telescope out for looking at Lady Godiva.
Look at me tracking myself all over this paper,
mouse and bird letters in the snow at the base of a juniper.
How human it is to forgo yourself for a future that doesn't exist.
God, I wish there were more fireflies in my life than street signs.
Do you see the lack of meaning in how things are understood?
Thought will get you as far as a frog on a lily pad
but once you get there it's easy to see it's the lily that shines
in a whole other realm of language
that everyone understands but no one can speak.
I watch the honeysuckle burn the gate I came through.
I note the blue eye shadow of the damselfly
applying herself like a cosmetic pencil to the heavy petals
of the wild roses tangled in the fallen birch.
What a shock it would be if I were to take off my lifemask
and you were to discover me infinitely closer to you
like a dimension you hadn't detected in your awareness
than the light is to what you see when
you're sitting up in bed alone in the dark at three in the morning.
What a world, hey? What do you make of it?
The marvel and the horror and the mystery
and the way destiny manifestly unrolls like a lottery
for every living thing on a planet that occasionally plays
Russian roulette with the asteroids, and our tiny part in it all,
this mere speck of nothingness that can embody
in its formless spaces within, the superclustering of galaxies?
And the pain and the anger and the sorrow and the fear
and the way things change and disappear
as you look for the forms of your expectations everywhere
and everything's either an approximation or consolation
of what you can see so clearly, it burns the air?
I should lie down in the sun and melt into the grass,
but forgotten among buildings here, I am unbound
and not even the dead are as free as I am right now.
The whole universe is one big solid insight
where inanimate things are just another mode of motion
sitting in the room like Latin, dogpaddling in space and time,
and I'm tucked under your eyelids like a loveletter
you weren't expecting in a language that could read you
like any one of the seventy-two scholars of the Septuagint.
I've been listening to you for lightyears like leaves
listen for the wind and the rain and the moonlight
and what you have felt about being alive
to say hello and sing farewell, has been my feeling,
and when you have wept at the intransigence of angels
and the generosity of their expansive interventions,
I have been humbled by the eyes of my own exaltations.
And my feet swept out from under me
like an undertow of shadows on the moon.
Sister Lunacy, who can stand in the light
of these intensities and immensities for long
this vertigo of stars and skulls, bells and scars
without reeling in the delirium of simply being here
to witness them as if they somehow depended on us
to embody them in our hearts and minds and voids
as if they were no different from us than we were,
all waves of awareness the wind blows up on the ocean.
The imagination transforms everything in to us.
The stars reek of the eyes that have gazed up at them
like pyres and telescopes and censers, it's
in the hair of a comet like the smell of a lover,
it's what makes the meteorites as kissable
as the head of a snake to the lips of a gentle enemy.
Sister Lunacy, my heartfelt muse, my dark-side dakini,
what have you been dancing for all these years?
Have you been pearldiving among the castanets
for a moonrise in the mouth of a seashell
that could sing to you like the ocean you're lost upon?
You're the station every seeker gets to
on a pilgrimage he doesn't know he's taking
where he damns the consequences and blessings alike
and enters into the spiritual life as a rebel of compassion
as he addresses himself to what's arrayed before him
as if there were only one voice between himself and another
like a bridge that flows, like a star
that doesn't drown in your eye like a firefly.
And if there were anything I could ever say I was
it would have to be this just as it is, this
endlessness I keep being poured out into
as if my heart were the only waterclock I could live by
and disembodied space the only medium
that could accommodate my shapeshifting adaptations
like goldfish coming to the surface to feed on the stars.
Sister Lunacy, the moon reaches down to the roots of the river reeds
and the catfish thrive among the wild rice in the shallows,
and eyes in the darkness high overhead, as if
someone shattered a mirror into a billion bits of awareness
see you standing on your barren precipice
and long to know what it is you're thinking.
In order to understand you must become the thing itself.
You must abdicate your own presence to be
remotely at peace with the world, it's a strawdog anyway,
and it burns too fast to be much of a lighthouse.
And o my darkness, there are so many skins you have yet to shed
like the moon trying on a wardrobe of water
laying her gown across the lake like an early frost of sequins.
I shall come to you at first as a premonition
as lightly as a cloud touches the mountain, an aberrant insight,
a synchronistic intuition of our simultaneity,
and in your breath my breath shall be an atmosphere
and in your eye my eye shall lavish the most intimate of stars,
and in your blood my blood shall be the poppy and the rose.
Sister Lunacy, even after the house has burnt to the ground
my passion stands like a blackened doorway in the rain
and though I look at you through a broken window,
the moon is whole, and the sky is not torn or bruised.
poem by Patrick White

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Sometimes Think
Sometimes think I'm always
a life too late
to catch up to my own
walking away weary of waiting for me.
Or I'm a star too far ahead of my own shining
and that's why it's always dark.
I know the agony
in the stones of an abandoned bridge
that shoulders the world for nothing,
upholds nothing but its own mass
and waits for things to pass.
And even when I fall into the river
to flow along with my own mindstream
without consulting the leaves like maps
I still can't get the moon off my back.
Look at all these orchards
littered along my banks
from the tent of a single blossom.
And there are nights
when I can smell snake on the wind
as if everything were about to happen again
and I still haven't milked the fangs of the moon
for an antidote to the pain
or put out the third eye
of the irrational surveillance camera
that oversees the sorrows of the insane
when it's full.
I like my perfections whole enough
to include what is not
and if I am immoderately empty
it's so I can make space for the world
like the blood-sea of the rose
that flows out of nothing
into tides that shed their waves
like the eyelids, brides and petals
of a human heart.
My breath is silver.
My breath is gold
I've mined from the mystic mountain
that got in my way
whenever I tried to cross
the valley threshold.
I had to evaporate to rise to the top;
I had to get myself together like a cloud
to transform my own delusions
into a glimpse of the other side
that didn't take a scapegoat for a guide.
Now space is my only familiar
and the being behind the face
of who I was a moment ago
is just another snake in the furnace
of this star that sheds my skin like fire.
Streams of insight
that are not predicated like mirages
on deserts of thought
trying to spin themselves
into mirrors and silks of glass
like a new religion
sweeping the world like sand
advance the gardens
of the water-givers underground
who teach the flowers how to bloom
and drown like stars
in the infinite opening of their eyes.
And I've mauled the nets of the constellations
like a man in the morning
walking through a high field
radiant with spiderwebs
and if there's anything
left hanging in the wardrobe
that used to house my masks and cloaks
they're veils I've torn from the light
to better see into my darkness.
I'm still looking
but nothing has appeared yet
and no sleight of mind
that's ever mastered me
has ever taught me how
to realize the inconceivable
except in the proportions of a human
whose mere existence is utterly unbelievable
whenever I turn the light around
and discover the dispersing stars
I have followed so long and far
into the unborn darkness where I begin
shining within.
poem by Patrick White

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Things Might Be Drifting Away
Things might be drifting away
like an empty lifeboat
with nothing left to save
but the memory of moonlight
on the rush of a wave of the heart
that rose and fell
like a bell of insight on the night watch
that said all's well all's well for the night.
And so it was for a while.
Time might seem
that it's overstaying its welcome
and you've become the estranged guest
of a bad dream
in your own bed
in the thirteenth house of the zodiac
where the dispossessed
shack up with the misbegotten
and the ghosts of everything you've forgotten
don't give you any rest
until all that you've cursed
out of anger and need
has been immensely forgiven and blessed.
And perhaps it appears
you've been the rogue star
of a sign in long exile
far away from now
and that might account
for your misplaced trust in mirrors
and your lack of confidence in star maps.
Happiness just happens
like good luck and grace
and the creative inspiration
to rejoice in your time and place here
as if the purpose of your voice
were always to praise
even on the darkest of days
when the only thing
that shone in your eyes
weren't the stars you kept
locked away in your tears
like the face paint of clowns
or the crown jewels of the Pleiades
but a bitter farce of black holes
in the veils of the mirage
that eclipsed your enlightenment
with a starless night
it's impossible to get beyond.
And so it may well be
for those who've been
as far gone for as long you have.
But even the blind are shining
though they can't see it
and the deaf are still singing
though they can't hear it
and the dead are still living
though they can't feel it.
And those who have given up seeking
still find what they were looking for
like a loveletter with a return address
and an open door that recognizes them
like the prodigal threshold
of a homeless human
about to cross one more
like the last step of a long journey
that lost its way back in all directions
like the radiance of a star in space and time
that never took its eye off the past.
We cherish the flowers of summer that bloom last
more poignantly than those of the spring
because we feel our own hour of farewell
in the progress of their passing.
The sadness of an earthly excellence
fulfilled and surpassed
we see in the shedding of the aster's petals
and in the lowering of the wild rose's eyelids
and in the lengthening of the black walnut's shadows
that move like cool water
across the dry grass of a late afternoon
signs of the same night approaching us.
And we know it will be dusk soon.
We'll look up at the blue moon in late October
and whether the silos are full or empty
wonder if every harvest
wears the same death mask we do
with the smile of a scythe on its face
or if the goddess of the grain
bears true witness to
the perennial innocence of death
in the way she enhances
the white spectre of the first frost
to shock the garden down to its roots
with the same koan she uses
to enlighten the dew on the stargrass.
And you might dread the coming excruciations
of the scarecrow immolated on the pyre
of its own substance
like the short straw of flesh
that once sustained it
lost in a draw with death.
And come to scorn your heart like an urn
filled with ashes in the aftermath
of the same fire that once filled it
so full of desire to bloom
it could no more contain itself
than a seed can keep a secret from the spring.
You could see it that way.
And who among those clinging
like a blue atmosphere
to this homeless grain of dust
in the vastness of these sidereal immensities
within and without
that animate us like starmud
to join in this dance of life and death
like a legacy of shining
that can't be washed out of our eyes
though tears have fallen for lightyears
on the root fires of what we've loved and lost.
Who among these
could say you were wrong?
Because no river's flowing
the wrong way to the sea
in this reunion of arrivals and departures
at the stations of our afterlives
on this wheel of birth and death.
We're all going to make it back
to where we came from
one way or another.
Some like rain.
Some like ice.
Some like snow.
Some like the lingering ghost
of morning mist on the lake
that's gone before noon
and some like water on the moon.
The flowing of the river
summoned by the sea
to the source of its coming and going
is the calling of life everywhere
to transcend itself
by passing into the unknown
like the available dimension of a future
that's no further beyond us
than the past is
in the light of distant stars.
The sword doesn't wound itself.
Fire doesn't burn itself.
Water doesn't drown in itself.
And life doesn't bleed out of itself
like the dream of a fortune-telling poppy
or a water clock that's run itself to ground.
The eye isn't the seeing.
The ear isn't the hearing.
The tongue isn't the tasting.
The skin isn't the touching.
The voice isn't the saying.
The brain isn't the thinking.
The heart isn't the feeling
anymore than life
is the carrying in
and death is the bearing out.
The darkness isn't a lack of light
and the light isn't the absence of night.
Death is unborn.
Life is unperishing.
Formless in a world of forms.
Two wavelengths of the same awareness.
You say you can see night gathering
under the door you're afraid to answer
long before anyone knocks
and though you dream by your own light
you don't know who's casting the shadows.
Is sorrow any younger in the heart of a child
than it is in the memory of an old man?
Joy any less vivid in the eyes of an old woman
attending to the flowers in her garden
than it is in a girl having tea with her dolls?
Is this day not as new to the widow
as it is to the newly-wed?
Experience is the capstone and dunce-cap
of the sum of destructions
that made us who we are today.
And in life it's the brilliance of our failures
that throws more light on the dark matter
of the issue before us
than all the star power
of the blazing successes
that blind us to our own shining.
You step out of a backlit doorway
into the dark
and slowly the darkness grows
the eyes you need to see the stars.
And maybe death is like that.
Nothing to look at but black
until we blow the candle out
that's been misleading us all the way.
Maybe that's why the jaws of skulls
are always caught gaping at something
that's more than they can say.
But look at the expressions on their faces.
Maybe their eyes
are too overwhelmed by what they're seeing
to want to get in the way.
You could see it like that.
You could see it through the eyes of the rain.
You can taste it on the tongue of a candle flame.
You can read it from right to left
in the Kufic script of the wind.
You can hear it in what the stars are whispering
through the keyholes in the pyramids.
You can feel it all around you
like bubbles of skin and air.
Like empty rooms with atmosphere.
As many ways and roads and rivers as there are
that flow into it down the world mountain
back to the sea
back to the same undifferentiated watershed
of these myriads of mystic specificity
and who could number them all
as many as the stars
or all the grains of sand
of all the deserts and beaches on earth
as many as the dead of every kind who've come and gone
all that blood mind passion dream and imagination
all those tears all that despair lucidity and apprehension
love and familial affection
all that waste and hatred and emotional sewage
dissolved wholly back into the sea
like a watercolour left out in the rain
like a name written on water
by a poet who died young
in a foreign language far away from home
just as birth arrays the universe before us
and says make of it what you can
so death approaches no less a peer of life
than we are in our relationship with all things
and offers us
the same great creative opportunity life does.
Green bough.
Dead branch.
Sunset.
Moon rise.
The hidden night bird alights
on either alike
and folding its wings
like gates and books
and the eyelids of those who dream
at the beginning and end
of a long dark radiant journey,
sings.
poem by Patrick White

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Every Morning Of The Moment, A New Creation
Every morning of the moment, a new creation,
the distillation of the dreams of the night before
when the moon was as fertile as the dew we were born from.
I start out each day with a new face. By nightfall
it's just another phase of the same old ageless deathmask,
heavier than a bell that's been talking through my mouth
for more light years than I've got tears to measure in mirrors.
That's usually when I start thinking like a potato about stars.
Blood sugars in my mindstream ripening me like a vision
I'll only ever get to see backstage like a forlorn clown
trying to hang on to his faith in laughter.
You can pursue happiness, but it will only
run from you like the light, or you can cover your eyes
and try to avoid it for fear of losing it like the last time,
but when you turn around, it's right behind you,
flirting with your shadow. Better to let it come and go
of its own accord, like a waterbird in a moonrise
reflected on a lake. Then when you speak of things
you increasingly know less about the more
you're intimate with them, your voice isn't
a bird net trying to cage words on the fly
but an aviary as open as the sky when
Cygnus and Aquila are up, and the Lyre's
a larynx for the asking. And you're free
to sing your heart out as if no one were listening
but you and the trees and the stars you hit like high-notes.
Or shriek like a rabbit seized by the coydogs
if you run out of lucky feet and that's what comes up
like snake eyes. Lap the experience out of the bone
until there's nothing left to eat but your appetite itself
and among the myriad flavours of life you've exhausted
that will taste the sweetest of all to that emptiness
that harvests the world like a blue moon that's never full.
Is the moon not the equal of its waxing and waning alike?
Is it trying to enlighten its dark side?
When the candle goes out, does the light have any trouble
handling it? Fear returns to what it knows the best.
It hugs the shore like a tidal pool beside the sea,
a dead starfish or two it can get its arms around
like a worm's-eye view of the galaxy, and the shell
of a red sunset in the morning on the carapace
of a crab that left its hovel for a house in
a more upwardly mobile zodiac. Sometimes
it comes down to that. Quantum level gravity.
A gravitational eye with myopia that bends the light
like a stick in the water, a mirage of sand in an hourglass
that's afraid of being swept out to sea
with nothing to hold onto but the lifeboat
of a shucked clam Venus just stepped out of onto land
to have sex in a new medium like an artist
who's just switched from water colours to oils.
You've got to accept the down times as all part
of the same wavelength you've been riding
like a snake scaled in white caps of light
that break on shore in a turmoil of kelp.
The cosmos doesn't need to be put in order
and chaos doesn't need any help. Listen to your sorrows.
Summon them to a seance of yourself
and apologize to their ghosts for not having the voice
to let them speak through you about
learning to swim with the stars further out of your depths
than you've ever been before. First you drown
in the fathomless immensities of even the smallest detail,
and then you bubble back up to the surface
of a multiverse with an oceanic awareness
of what's been hiding under every eyelid of a wave
like a overturned lifeboat that's waking up
to the fact that everything floats like the moon
in the reflection of its own mindstream.
And whatever sail you spot coming up over
your event horizon, whatever constellation
or black hole you take for a sign of salvation
or salvage, it first had to sink
before it could rise to the rescue.
poem by Patrick White

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If You Were A Thought And I Were An Emotion
If you were a thought and I were an emotion
time would still be at cross-purposes with space
and we'd still be sitting here
dangling our bare feet like two kids
over the edge of the abyss
when we go fishing for stars
not really caring if we catch anything
as we throw them back in with our blessings.
You can taste the jewels the light's been through
sometimes when you close your eyes
and the revealed and the revealing
are just the water and fish of a feeling
idling in the shadows and reeds of the mindstream.
There's a way of being lost within yourself that's starbound.
And there's a way of being found
where people scatter flowers before you
all the way to a hole in the ground
you're expected to fill like someone else's shoes.
You can lie under a gravestone
like a man behind a desk with his name on it
who's been practising for years
to lie very very still
in case he wakes the others up in the snakepit.
Or you can keep the music on
all through the long uneventful night
and feel things that have nothing to do with you
like stray bits of your neighbour's dreams on the internet.
Or you can put a finger up to your lips and counsel silence.
Three approaches. Three gates. No difference.
Everyone enters the same garden
as if Eden were a cemetery in slow motion
but that old angel with the flaming sword at the gate
burnt out like a candle a long time ago
and the serpent's a tour guide for fanatical purists
who can't get out of the closets of hell
and the apple of knowledge
finally took a bite out of itself
and has been falling down crazy drunk
with the cranky wasps of autumn ever since.
Wonder's the passive sister of interactive madness
and twice as alluring in her self-restraint
than Rasputin in a burlap sack in the river.
Wonder sails off the coasts of the clouds like the moon
and doesn't lay a claim to what she discovers.
She can see and be seen
but she doesn't put a name on it.
She doesn't need to turn the leaf over
like an unopened loveletter
to know what the tree means
because it's always been her lover.
So if you were a thought and I were an emotion
would you be the brainwave
that rides the night ocean
of my passion at the flood
or would you be into me
like water into mud
like insight into a ripening lamp
about to fall toward paradise again
to see what I've been missing?
If you were a thought and I were an emotion
and we were to hold hands like a bridge
on both sides of the mindstream
would the bridge flow as the water does
or would you think of the two of us
you were the more solid
and I was less real?
Looking upon me from all angles
like a sphere that fills the room
like a habitable planet
with a dead moon in its arms
its only daughter
all ashes and shadows and frozen water
and nowhere to bury her skull in the earth
tell me the truth.
If you were a thought and I were an emotion
if you were land and I were an ocean
because thoughts have legs
and feelings have fins
(or is it scales and feathers?)
if we could bring her back to life
like the weather
and mend her battered body
would it be better to think than feel?
Would the solid turn into the real?
Would she wake up like a koan
with the answer to cancer
and the sound of one hand clapping
high-five the lightning with thunderous compassion
until it rained on the moon?
Would she heal?
If you were a thought and I were an emotion
would all the petals of your loves me loves me nots
you scatter like thoughts on the wind
feel like one whole flower again
that blossoms in the heart
and roots in the brain?
Illusory cures for illusory diseases
would beauty be enough to bluff the pain?
poem by Patrick White

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Sister Lunacy
SISTER LUNACY
Shall we dance, shall we spin and wheel, hesitate, advance,
stall and recover, whirl like maple keys, and blow
the ashes of the starmaps we burned like passports
out of the palms of our hands to shine like dandelions
on an eye to eye level with the light they bloom in?
Sister Lunacy, I watch you uprooting your garden usefully
and shaking the stars out of the clumps of grass
as if you caught Medusa smuggling diamonds in her hair,
and I say such is woman when she forgets to be aware of herself,
and the goddess comes down to earth with dirty fingernails,
a gazelle in rubber boots. And no flower of the field,
no planet in the sunset, no eyelash of the moon over a barn
quite adorns the twilight the way her numinosity does.
And I want to take her by the hand like a binary star system
and circle one another like two hawks in the sky
until the night cools and the loons pack up their keyboards
and the stars work the graveshift on into the early hours
of the forthcoming dawn as if the end of all their labour
were extinction in a deluge of light
that doesn't recognize any of them by name. Shall we dance,
shall we let the picture-music carry us away
like a word that hasn't hurt us in a long time,
shall we gather wild rice in the holds of our birch bark canoes
as if we were threshing jewels on the shallow end of the lake,
or do you just want to walk the Road of Ghosts with me awhile
and see what blooms along the way, sunflowers and waterlilies
opening up like observatories and prophetic skulls
with a penchant for looking at things the same way?
Sister Lunacy, be kind to the mandalas and paradigms
I bring you like dreamcatchers woven of spinal cords
like tree rings of heartwood, ripples of rain, the net of Indra
where you mark one jewel and they're all marked.
Or as Jesus said, insomuch as you do it unto one of these,
you do it unto me, and everyone thought he was special.
As if he owned gravity and everyone had shares.
It's a radical act to come like a sweetness to ripen
the heart of a human that's stayed green too long.
Just as you and I know madness is the quickest way
of never getting it wrong and if you're going to argue
do it in song, don't exorcise the answer
out of the person who possesses it and bid it be gone.
You can't post a bond against a ghost.
Myriad guests of the mind, but seldom a host to speak of.
And Sister Lunacy you speak as if you were letting
a thousand voices all at the same time use you
as if they had no other mother tongue of their own,
and somehow it comes across as what you had to say.
So I'm asking you now. Do you want to dance,
do you want to bend space the way a body moves,
reshape the universe in its own image, abberate
a few wavelengths into falling out of synch like damp hair licks?
And I'd remember to remember that only horses sweat
and read your aura by the glow of the hot dew on your face.
After the last lifemask comes off, nothing but space.
Nothing but imaginative room to move as if there were nowhere
we needed to go and we didn't feel bad about it.
We just went off into the ongoing like everything else
that's looping and coiling its way through time,
a fragility of the air, caterpillars swaying in the wind
at the end of a fishing line tied to the allure of a butterfly.
Don't be fooled by the vertebrae, everyone's flying kites
at the end of a long spine when the air revs up.
You can see them tangled in the powerlines of their ancestors.
Sky burials without altars. Road kill. Cheap cremations.
The whole panoply of the tragically absurd.
But here, sister, here volcanoes still strew
islands in their wake and the birds keep arriving with seeds
and coconuts still wash ashore like prophetic skulls
you're free to believe or not, and the air tastes like emeralds.
Here you could mentor the stars in their myths of origin
as you made them up to honour some quirk in your character
and they began to speak of you as their dark mother.
And nobody need know what you mean when you spoke to me
about those things that encroached on your silence inside.
I know how to listen for dissonant sounds in the night.
I can hear the falling of a single eyelash of light
when the moon goes out, the footfall of a spider on the stairs.
Sister Lunacy, should I take your hand, shall we dance
to the picture-music that overtakes us unawares,
you with your dark tears, and mine so far in arrears?
PATRICK WHITE
poem by Patrick White

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Living On The Cutting Edge Of The Lunar Waste
Living on the cutting edge of the lunar waste
I made of my last moonrise. A truce
with underwhelming circumstances for awhile,
no apparent pitfalls on a Saturday night in Perth,
too cold for snakes, and the leaves playing their cards
close to earth and the air a knife at your throat,
I can remember when I tried harder to exist,
and it's still a holy war every day just to subsist
and not let it scar your spirit into being cauterized
like a bad tattoo of the moon you had effaced,
but tonight I seek the ease of a solitude older than humans
down in the wetlands of the Tay River just off
Sunset Boulevard before you cross the first bridge.
Waist high in the broken antennae of the brittle grass
yellow as the fossils in a graveyard
of green praying mantes, decultified romantics,
I pad the skull of rock I usually sit on like a prophetic throne
with the old manuscripts of fallen maple leaves,
recalling lines from poems like lyrical snippets of chromosomes
I'd written many years ago to adapt my heart
to the changes it had to go through to recast
the cannon it was into the life of a shapeshifting bell
with the pulse of a nightbird lamenting the dead
instead of a twenty-one gun salute like a firing squad
aimed at the stars. Death is the saddest loss of discipline
the spirit will ever be called upon to master in order to survive.
It was sitting here one night, staring into the eye socket
bored into the albino nugget of a crow's skull,
the boney harps of its wings torn off their hinges
like gates that weren't strong enough to keep something out,
as the black flight feathers of a long eclipse slowly passed
across my eyes, that I realized, dead or alive,
existence is an interactive creative medium that doesn't care
whether you live it like a seance or an exorcism
and there are untold ages of the shining left
even in the oldest ashes of a star strewn on the path
of these long nocturnal firewalks through the mind
and that hello and farewell were the two wings
of the same waterbird, beating in unison
that empowered it to fly like a phoenix of imagination
out of an aviary of urns of its past lives
that might not sing for awhile but never lose their voice.
Cultivate the kind of spirit that can sing to you in the silence
when you're down, about the beauty of just being here
to live it, though you don't want to hear it,
you want to drown in your sorrow like a bell
but somehow the sound of life cuts through you
like a lunar blade with a growing edge
through wounded water and you can't help but wonder
what your ghost would give just to be here again
if only one more time, to resonate with the pain
like a back up singer to the universe,
who knows all the loneliest lyrics by heart
like a waterbird out on the river late at night.
If only to hit one perfect note of sadness, one tine
of separation and suffering like a phantom waterlily
adding its shining to the light like the art
of knowing how to paint starmaps on your tears
indelibly on water for light years to come
to let people know you were once here,
you listened as they will by the side
of this river of life to the same songs, hurt and alone,
as they must if they want to step out of the chorus
and sing solo through their tears in their own voice
before they're gone to a hundred billion stars
that are listening to the same echo
being whispered in their ears like the fires of life
carried away by the desire to live on
like the empty lifeboat of a song full of moonlight
drifting down river to an ocean of awareness
where the gateways of the crow are refeathered
like the exit and entrance of an eclipse of wings
still keeping time to the picture-music that shines
like a new moonrise in the voice of a mindstream that sings
its way through the woods at night alone like a wild grape vine
sustaining the tears of its spiritual high notes until they turn
into the euphoric lunacy of a poetic wine aged in an earthly urn.
poem by Patrick White

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Out Of So Much
Out of so much experience
so little to signify it
in a language
extraterrestrial life could understand
about our relationship with gravity
and what's crudely human about being a human
we don't even have in common with ourselves.
Out of so much sorrow
so many tears shed
like oceans of wounded salt
like bruised orchids of blood
like the lightyears between windows
living next door to each other
there is so much vastness between us
in an expanding universe
in the way we reach out to each other
like the stars in wavelengths of farewell
toward the red end of the spectrum.
Out of so much radiance
so much shining
not even the ash of anything
to show for it
when the last ghost has left town
with leaving so much
as a loveletter of smoke
propped up against the mirror.
Out of so much that was seen once only for good
and for a moment understood
until we started thinking about it
my eyes taste of what they've seen
like iron apples ripening in the rain
no one can take a bite out of
to improve their education
by learning how to bury the dead
because most of what I've seen
is pain without insight
pain without eyes
like impact craters in the skull of the moon.
A war of windows in a world without vision
without stars
without dawn and moonrise.
Viral eyes that abhor stained-glass
as much as they do the godless clarity
of the most advanced telescopes
playing Russian roulette with the stars
to prove the Big Bang was cosmic suicide
and we're here like living proof of the afterlife
of its bad karma
like a hunting religion in an agrarian society.
Out of so much mystic specificity
so little sense of earthly union
in the fractious sameness
that tries to blame everyone else
for why things are falling apart
as fast as they're coming together.
Five petals open.
And no flower blooms.
The sun rides a victory chariot through Rome.
The moon a deathcart through a slum.
But the stars know
how much the night keeps to itself.
How much it can't say
when the silence clears the sky of birds.
How much there is to express
that leaves even the dead speechless.
Out of so much verbiage
so many words
so many opinions
stuck like bats in burrs
just beyond the porchlight.
Out of so much hatred of life
out of so much hatred
of light and water
air earth and fire
compressed like a fist of coal
around the blood diamonds of the ideologues
who write political suicide notes
for whole nations by proxy
who don't know how to bleed for themselves
or convince the dead
they died for someone else.
Out of so many words
so many civilizations
from the Tower of Babel
to the New York Metropolitan
with its polyglot fire alarms
warning Alexander
about the approach of Caesar
and his love of books.
Out of so many voices
that spoke like trees in the wind
or out of burning bushes
and the light of the stars
or the thunder that follows the revelation
that it's raining on a lifeless Mars.
Out of so much clamour and noise of insight.
Out of so many whispers of stars
and rumours of waves
held up to both our shell-shocked ears
like skulls of oceanic awarenessness
that found us washed up on a beach somewhere
after some serious weather.
Out of so many poems and paintings and heartfelt polygraphs.
Out of so much confessing.
Out of so many speechs.
So many prayers and blessings
So many dead languages that carried their mother-tongue
like mitochondria in the DNA of their mouths
down through the generations
so that every living word
contains the corpse of a metaphor
like a mummy under a pyramid
or Lazarus catching his breath
to be interviewed
about a life after death
that looked exactly like his
when he woke up to this all over again
with nothing much to say about anything.
Out of so many with so much to say
how few are listening
as if their lies depended on it.
poem by Patrick White

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I Stand Where The Listening Begins
I stand where the listening begins
as if my voice were just another one of the echoes
and my tongue were the tip of an edgy precipice
that doesn't dare make a move
over an immeasurable abyss of eyes
that nobody belongs to.
This is a seeing that's older than the stars
that were born of it
like a mirror is born of the shining.
Like a body is born of the mind
and takes on the shape of a universe
as an expressionist gesture of classical reserve.
In the great ocean of being before it turned into everyone
our eyes weren't beaded like two drops of water
strung through our nose
like a statement we were trying to make.
They were waves.
Waves of water.
Waves of light.
Waves of thought and feeling.
They were waterbirds that came and went
without leaving.
They were meteorological events
in the emotional life of the sea
when it played alone with itself like weather.
We didn't evolve hands to prove we had a grip on things.
We didn't evolve brains to prove we were intelligent.
We're not nuggets of insight
panned from the mindstream
that runs down the world mountain
in a rush of gold.
I stand where I can hear the night
breathing like a shadow in its own darkness
and whatever I am not
is as real as whatever I am.
And my sorrows dropp away
like the black fruit of ruined bells
and my joys know a freedom
no holy war ever deserved.
Here my death answers to my life
and not the other way around.
My beginnings are not justified by my ends
and my solitude is so wholly itself
it embraces everything
as if it were space
and time were its only friend.
This is a poetic state.
A dynamic mode of creative annihilation.
This is a phoenix blooming in its own fire.
This is life.
This is the universe full of bright ideas
that come to it like stars in the darkness.
This is the white mare of the full moon in the high field
with the gates open
like wings growing out of her shoulders.
This is a space that is so spontaneously immediate
that you receive the reply
long before you've even asked the question.
It doesn't take thousands of thoughtyears
for the light to get here.
A flower blooms.
A star comes out.
It's as simple as that.
You lift one veil of the mystery like an eyelid.
Nothing has a history.
The old man remembers nothing.
The old woman forgets her name.
Once they were seabeds of meaning.
Now they're just water.
And everything is ok with that.
People go grey
and turn into clouds in the mountains
just to catch the last of the light
and give their lives some colour.
And then it's night again
and the dancing chandeliers of the stars
that are burning like legends
to make a name and a myth for themselves
fall like constellations to earth
and shatter like the rainbows of youth.
Every dawn has a taste of the sunset in it.
What's the end of anything
if not the dark side of its beginnings?
I am the fool of a freedom
that lets things be whatever they want to be
deep within the heavy fruit of a compassionate heart
that ripens in its own lucidity.
There are worms.
There are birds.
There's a green star in the apple core.
My skin is the chameleon of the sun going down.
I know how to swim through stone and water.
There are fish in my treetops
and birds in my roots
and when I drown
it's the sun in the sea
and nothing ever really goes out.
Everytime I open my mouth to sing
this is where the muse
puts a finger to her lips
to teach me what I'm talking about.
I'm a star when I write.
First I let go of the light.
And then the children point fingers at me
and say in mutual recognition
of the stories they make up on the go
there you are
just as we foretold.
It's the same way with water
when it's lost in a desert of sand and stars.
Sometimes it takes a mirage to find your way home.
Death gapes like the jawbone of a mummy
and writes like a pyramid
as if it wanted to make all things last forever.
But when life picks up the pen
around the fires of the stars
to whisper into its own ear
things that only solitude
can suggest to the night
its poems are always tents on the move.
The moon sailing paper lifeboats down a river
like waterlilies
blooming in the pale flames
of their lunar immolations
as if each were a white phoenix
rising above its own ashes and smoke
like someone dreaming of swans.
poem by Patrick White

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I look Into People's Faces
I look into people's faces
and I see the same wound
under many different scars.
I look into their hearts
like a stranger at night
through a passing window
and I see how suffering through
the agonies of life
has ripened some
with sweetness and compassion
and others are already
rotten before they fall.
I look into people's eyes
and some are vast starlit skies
and some are the iota subscripts
of scholarly fireflies
that footnote the constellations
at the bottom of the page
with details off the beaten path
of their MLA mainstream cosmic thesis.
And some are like moons
with parenthetical crescents
with nothing in between
both sides of their smile
that isn't a cynical aside
about the lost innocence
of a phase they've already gone through.
And some stare back like eclipses
that have pulled the blinds down
over their eyes
like sunglasses disguised
by a witness protection program
but you just know
they're oilslicks
on the Sea of Shadows
as they were in the womb
and in the Gulf of Mexico
the black blood
of an incorporated miscarriage
that hemorrhaged like the pot of gold
at the end of the oleaginous rainbow.
I look into people's souls
and I see how afraid
they must be of life
to hide out in the open
like an ocean
that hasn't kept faith
with its own depths
and tries to pretend it's
as airy and light as the sky.
The birds are flying through the roots.
The fish are swimming in the treetops.
I see judas-goats chained
to the stakes of their ego-Is
like sacrificial tiger bait
devoted to their cunning.
I see the anti-muses
that shadow Mt. Helicon
like black holes
in the death valleys
of human imagination.
And I wonder how they ever got here.
What bend in space
led them to this twisted place
like a forsaken road
they keep taking
like a wormhole through time
into the womb
of a stillborn universe
where the moonlight
burns their embryos
on pyres of lime
beside the dry creekbeds
of nameless rivers going nowhere?
Along their flowerless banks
I see the rib-cages of dead snakes
that went witching for water
with tongues and tines
of Kundalini lightning
that ran up their spines
like time through a waterclock
and the hulls of empty lifeboats
that died in the desert
at the bottom of the mirage
they drowned in
hoping to find themselves
among those who survived
by learning to swim through sand
like fish in an hourglass aquarium.
I'd rather walk on stars
reflected in the shattered mirrors
of my last self-image
than repay
the generosity of my solitude
with mass ingratitude.
I listen to people's voices
and they all seem like the same echo
with many different mouths.
I've tried to respect
the mystic specificity
of the thousands of fierce individuals
I've met over the years
but the more I've learned
about myself and others
the more I see the same mind
in many different skulls.
The same genius of inspired water
that poured an ocean
of sentient awareness
into everyone of our cells.
Union differentiates.
Separation binds.
I look into people's faces
however young or old they are
and I see infinite spaces
moonlighting as time
on the nightshift of the stars.
I see horror and compassion.
I see butterflies sipping
the nectar of diamonds
like honey in the promised land
and maggots born in excrement
thriving on offal
like the janitors of the dead
because everything grows best
in the soil it was born into
like karma in the fortune-cookies
of wombs and eggs and cocoons.
I look into people's eyes
like sad stars
through the generous end
of the telescope
that brings the far near
like impact craters
and I see how some people
cling to the memory of themselves
like underground seas
in frozen lockets
of water on the moon.
I look into people's secret shrines
they build like birds
in the eye of the storm
looking for salvation.
And I can hear
the echo of their prayers
bouncing back off hydrogen clouds
like a nineteen twenties radio show
thousands of lightyears away
as if they just said them yesterday
and the universe as usual
threw the words back in their face
like the cosmic background hiss
of snowflakes on a furnace
going out like stars.
I've seen the innocence of fireflies
making halos
and the blood-rose weaving thorns
around the massive blackholes of death
as if they were merely
a pinprick in a voodoo doll
that got into white magic by mistake.
I've looked into
the nuclear blaze of madness
like an A bomb with shades on
and seen the flash and shadow
of embryo silhouettes
spit out like cave paintings
on the firewalls of the fusion wombs
that give birth to the heavier elements
it takes to survive.
But the water's not mad
just because the moon's a lunatic.
The mirror might seem
just as angry as you are
but it doesn't feel a thing.
Learning wisdom is learning space.
It doesn't eat flowers
and the weeds don't sting.
It takes everything it embraces to heart
and nothing's left out
from the very beginning.
Like the whole of the moon and the sky
in every eye of water
that's ever looked into me
and seen that everyone
is the heart of a mystery
whose lucidity
is their only true identity.
It's our seeing
that makes the flowers open
and the stars shine.
It's our hearing that gives
the wind something
meaningful to say
and the grass something
to whisper about.
Whatever you touch
walks in your skin from thereon.
Whatever you taste
be it roses and nettles
or sulphur and wine
or the sour-sweet radiance
of the stars on your tongue
you're the flavour of the day
in everything.
It's your nose
that gives the burning leaves
in the urns of autumn
the spectral fragrance
of chrysanthemums
that are barely holding on.
And it's your mind.
Your heart.
Your blood.
Your body.
Your imagination.
Your intuition.
Your wisdom.
Your ignorance.
Your darkness.
Your light.
Your spirit
enlightened or deluded
whatever you think or feel
is abundantly missing
or dream you're waking up to
that makes the world real
in every mystically specific detail
of who you are.
Who else?
I look into myself
as far as the stars
at the edge of my seeing
fourteen point five billion lightyears away
and I can see how much time and space
how many species of life
generation after generation
have been born to give birth and die.
All the roses swept
from the stairs
of our hopeless tomorrows
because they were a tribute to love
meant for someone else.
All the spontaneous joys
that cast their long random shadows
like occasional fireflies of insight
across the lunar mindscape
of this afterlife of sorrows
where every church is the gravestone
of an unsuspecting god.
I look into my own seeing
like light upon light
in the vast expanse
of an unknowable night
and I'm cosmically astonished
by how many worlds within worlds
eyes within eyes
minds within minds
lives within lives it takes
to make a single habitable human being
meaning everyone of us sacred fools
fit as a genius
for the crazy wisdom
of a creative life
in a self-inspired universe.
poem by Patrick White

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Amazing As The Stars In The Darkness My Eyes
Amazing as the stars in the darkness, my eyes,
though I've never seen them directly, only
as a reflection I take at its word they're blue.
And when I look a little deeper, there's
no part of me that isn't eventually invisible.
Everything's like that, the seer and the seen,
so wholly absorbed in each other,
there's no sign of either of them, just the seeing,
the heart and its feeling, the mind and its thought,
the flower and the eye, crocus, turk's cap, tiger lily, lilac
all one spontaneous happening without distinction,
one infinitely collaborative creative event flashing
out of the dark resources of the plenum-void
to give it a name for the sake of rendering experience
communicable through a delirium of form.
If you've ever walked by a mirror and the mirror's disappeared,
mercury into mercury, water into water, fire into fire,
a mother into her child, an unsuccessful lover into his longing,
that's something like it. You're everything
and in that everything you're nothing, you're selfless
to the point of not even knowing what that means anymore
except it's of no significance whatsoever. There's just
this star flashing out of a night it's surrounded by,
just these dark hills where the dead buried themselves
as they did their children, as they had lived, secretly
under the leaves that covered their gravestones,
lichens, moss, growing hundreds of wild columbine
on a modest rock of ages with the sensibilities of a butterfly.
If you stand by a gate that doesn't latch by itself anymore,
and the garden's been left to its own inner resources,
because no one lives there any longer, as, perhaps, even you once did,
o in a dream, how long ago was that? And watch the moon rise,
as if the healer and the wound were remembering
an old love affair that's gone well beyond the inseparable
because there never was a time, a prelude to seeing,
they were ever apart. You'll understand passing
as a perpetually new approach to things, you'll see birth in why
the flowers fall, and death, in why they rise again.
The simultaneity of the life and death of all things.
How present you are in the midst of your longing.
How clear in the absence of everything you're missing.
I've spent much of my life preparing gardens for planting.
Shaking out roots, rocking fields. Wondering
whose house of life the bones I dig up once belonged to,
cornerstones and rafters in arrears
to the temples they once upheld to themselves.
And come nightfall, my work finished for the day,
I've paused and looked to see if I could identify
through the trees, the whole of a constellation
from a single star. As if gazing in wonder at it
in the mutual solitude and hugeness
of the unknown immmensities that surround us both,
and bind us to a weary body and a still heart
leaning on a shovel in a garden, as if the silence
could look up or down, either way, were made sacred
by the poignancy of a momentary insight
that penetrated both our hearts as if time and space
were mere bubbles of awareness in a dream.
And in a differentiated union of not-two,
I saw myself shining through the eyes of a star
as it laboured over what flowers it intended to grow.
Without a thought or a feeling I could call my own
I was a desert of stars without a mirage
to keep up appearances. I was a single point of light
with infinite distances in it, and even the word, one,
had gaps in it I learned to jump like a star.
And I saw with the certainty of water, that
when one was a wave, the other was an ocean
and separation was simply the blindfold we put on
at midnight in front of an imaginary firing squad,
as if our whole life depended upon it, to watch
the stars shoot flowers at the sun like blanks
I seeded the garden with like constellations
breaking ground through the tree tops like Vega in Lyra.
Astro-flowers. The Pleiades approaching
the larkspur like bees. Honey in a new hive.
Light years of perceptions in a garden of starmud
encompassing strangers only an insight away from home.
It's an immensely intimate universe. Go out.
Get down on your knees in the soil. Plant flowers.
And when you go in look at your hands, at the stars
shining under your fingernails as a sign
of some honest cosmic work well done.
poem by Patrick White

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Undevoted, Free, And Wild
Undevoted, free, and wild,
no one to answer to, no one to answer for,
the urns shattered, and the ashes scattered,
and the fire liberated to perfect its own combustion
and the stars without anyone to walk home,
and the solitude silent, dark, and deep, cool
as the bliss of a wine-cellar talking in its sleep,
I have grown mad in the heat of the purple sun.
I have spoken from the mouths of the caves in the desert
and not expected the echo of my own voice
to return to me like a pilgrim stashing a gnostic gospel
deep in the sand, without realizing
how much closer to the stars dirt is than I am.
When you're no one but the wind in disguise
you don' need to be humble, you don't need to wise,
nothing to trust, and no one to rely on,
you can watch the dead at night
streaming toward Orion
like a blue-white ribbon of light
undoing the gift wrappings off the bodies and eyes
of people who can see and be again.
And you know it comes to everyone
like a nebular orchid with a fragrance of stars,
that the Sahara will green and bloom again
and the wind sing hymns to the grass
and the gazelles sport their elegant legs,
adolescents in the spring brush,
running like violins succulent with beginnings,
and it doesn't matter you're alone out here
listening to the ashes of a mirage
make up legends to tell the fire
about its ancestors buried on the moon anonymously
and how their blood once stained the earth
like a scarlet letter even the stars couldn't wash off.
The mystic anti-hero of my own dragon myth
I exalt in my isolation like a shriek of revolution
and overthrow myself like a book in the flames
to keep something I don't understand alive in me
as if I had to keep on dying to sustain myself
and the distinction between one and the other were lost upon life.
It's a touch, it's a feel, it's a hole in veil
with one eye looking out at me to see
if I've intensified the dark enough to break into stars,
if I can unravel my heart like smoke like water like fire
and perfectly disappear into the atmosphere of my dispersal
without a shudder of farewell to the masks I wore like scales.
Not to be constrained by even so much as
the single thread of a straitjacket, the husk
of an abandoned sanctuary left to the imagination
of the hermetic flowers to do with as they wish.
I shriek freedom across the heavens like the death cry
of a hawk waking the valley up in the morning.
I whisper to the water things the wind was never meant to hear.
So faithful to my calling, I lead those who come, away from me,
as if it were the perennial custom of the universe
to meet like this for a moment in time and space
and then disperse into the darkness alone like a unlit candle.
I'm a riot of fools in the sublimity of the presence within me
that elates the crazy wisdom of my spontaneous ignitions
and schools the black lightning of its absence
in the folly of trying to enclose my spirit in gates
like a candle in the niche of a tempestuous vision.
Yeeeeeeessssss, I scream into the face of nothing
like the efoliant scripture of my confession and protest
that life doesn't need an alibi to live and die by,
no extraneous, no outer, no other, no object, no subject
no flying buttress to act as a bridge
over a flowing river of Gothic stone,
no strong tree standing on its own to cut down
and carve into a crutch, no cork to keep the ocean out,
no bucket to bail the moonlight out of the lifeboat,
no jade Buddha to make your supplications to,
no footprints on the water Jesus walked,
no cave in Ramadan to receive the angel of light,
no Kabbalah to baffle your way through the night,
no Schmidt-Cassegrain reflecting telescopes
on clock driven equatorial mounts geared to the heavens
to thread the golden needle of the mystery
without any knots in your spinal cord,
to penetrate the vulva of the sea like a sacred shell
that once gathered armies on a burning hillside
to contest their revelations with the tongues of swords.
I shall tell you, my brother, I shall hasten to you my sister
like moonlight through your window, I shall not
hold back from you the least shadow of the furthest star
releasing its dark wisdom like the black doves
of its own excruciating ashes glowing like the pain
of horrendous transformations into light.
I shall not bring you the skins of the dragons I've shed
but inspire you with a fire you've never been burned by before,
a spiritual immolation into a godhead without a metaphor
to guide you by, a torch you can't drown in your tears,
a long firewalk down to a river of stars,
and there you shall cross on a burning life raft
of the bones you've been carrying around for lightyears like a body.
And it's a heresy of silence to say, but there
you shall you shall lie down in the nocturnal emptiness
in the long blue seagrass of the moon
and empower out of your own creative abundance
whatever worlds your longing inspires you to embrace
to amuse the bright vacancy of eternity with time, like love,
and the dark abundance of unperishing potential
with space, like wisdom, and the clear light of the void
and the unspeakable absence of any other voice
to ruin the silence with the bliss and sorrow of seeking
the mystic night you found within you longing like a bird
for the stillness to write it like a lyric of the wind,
a passage of blood through the labyrinth of the heart,
a shadow against the moonrise of a compassionate awareness
there's a divinity that sings like a human
in the heart of everything that breaks its long fast of nothing
with praise and celebration, with fire and light and rain
with the firstt sacred syllables to touch the lips
of the black rose charred in the heart of the dragon, like poetry.
poem by Patrick White

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When I'm Alone
When I'm alone
I want to be with someone,
and when I am with someone,
I'm twice as alone.
My unhappiness
is a snake-pit
I dangle my heart over
like a mouse by the tail
and when joy does show up,
a butterfly with resplendent wings,
it slowly adapts its palette
to the slag and soot and oilslicks
of the black orchard
shedding its petals everywhere
like micro-eclipses in hell.
And all the poems
I gathered like asters
from the autumn starfields,
all these skies that opened above me
as I walked down a long road alone
in darkness and light,
obedient to the wind and the shadows
that whispered move on, move on
beyond the journey and the arrival,
are merely a leaf,
a tattoo on the back
of a serpent of water
sliding downstream
like rain like mind in search of a course
that isn't the cracked map
of last year's desiccated creek bed.
My body is scarred, my heart
a voodoo doll
pierced by a thousand fangs
as it burns like a bee
in a rose of heretical fire
for refusing to turn my honey into venom
or conform to any magic but its own.
And there is no heaven
to appeal to as a last resort.
I endure what I endure
for the dignity
of my indefensible humanity,
knowing the pain
that sometimes turns my nerves
into stand-ins for the lightning
that keeps crackling my cosmic egg
like the paint of my last masterpiece,
also schools my blood like the wine
I pour out joyously
into the empty goblet of the mystery
whenever I host the moon.
Life is neither fair nor unfair
and the seeing, a vision, a poem
is always a bird
born and breaking free of your eyes
opening like a threshold
like a flower
like a crack of lightning,
like the world that hangs,
a veil of water,
from the ends of your eyelashes now.
Love is great, love is much, maybe all,
and the being here incomparable,
and the mystery always
whispering in a field beyond its own compass,
and the wind that tastes of birds,
and the light that tastes of flowers,
and the fountains of darkness
where God washes the stars off her face,
will always urge the extinguished branch
of an astonished pen
to blossom into a poet.
Are the dead any less creative
than the living?
If they don't come from anywhere
how can you ask where they go?
If everything is the unborn energy
of a dancing god
with worlds in her blood
how can even a blade of grass perish?
This world, this life,
this ungraspable now of awareness
is the passion of a goddess, not a passing thought.
Beyond this riot of blessing and anathema,
this racket of loss and acquisition,
of birth and murder,
there is a silence
deeper than the space
between breaths,
an abyss without longing
that knows you from within
as the fire knows the flame,
or a woman,
the haste of her lover.
If you think you know something,
cast the thought down
as you would a venomous serpent
or let it strike;
even the poisons
can unspool you like wine
in this delirium of life.
And isn't it more than could have been asked for
just to be here
under a sky
spun finer than the silk of diamonds,
breathing the stars in and out
like trees?
I have been silently and eloquently
stupefied by the wonder
all my life;
and urgently moved to explore
the great ocean of awareness
that intrigued me to experience myself
as the world,
I put to sea with a leaf for a sail.
We must become
more intimate with our vastness, learn
to listen to the whisper
that has always been us
in our own depths.
We have depleted our preludes of awe,
the spirit slags in the pit mines
of our complacent arrogance.
Our own creations
amaze and lull us away
from the sustaining abundance
of what was given spontaneously.
What do we know?
Why water?
Why stars?
Who is it that asks the question?
The fluid continuum of the mystery
is a waterclock
and every receptacle, an era.
And science can advance the shadows of life,
but the answers eventually fall like leaves
and no one knows how to account
for the stars that root in the duff.
What each of us sees
when we see deeper than blood
over the course of a lifetime
are the eyes of the goddess
when she looks at us.
What we are is our own creation,
curse and blessing alike.
You created heaven.
You created hell.
Experience is just the metal
shaped on the anvil of our hearts
into edges that kill like life,
the plough drawn from the stone,
not the sword,
or blades behind the door
that wound like serpents.
You can enlighten or eclipse
the iron in the ore
by pouring it
into a heart or a bullet.
You can make a nail
and build a house
or crucify a teacher.
poem by Patrick White

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Coming Out Of A Blue Funk
Coming out of a blue funk, this seal,
under a sky thickening like sheet ice all day
has found an airhole it can breathe through for awhile.
Been wondering about my life. What
it's been doing to me for the last fifty years
for the sake of poetry, for the sake
of pursuing an earthly excellence
though it hardly matters why anymore.
I used to have an answer on the tip of my tongue
when I was young and thought more
with my mouth than my heart. Less so now.
Time, death, suffering, love and the devil,
certain intense realms of creative bliss
attuned to the dark harmonies of hidden roots
that flow back like the delta of a river
to the watershed of a single dropp of water
that got it in its head to do something big with its life
and turn something trivial into the sublime.
Did not the sun and the moon, the whole of the sky,
fit it like skin? And that was just the outside.
It would take more than light years to measure
the wingspan of the abysmal spaces within.
Even time would run out of itself
before it got to the end of anything.
My life in art has been like keeping a fire alight outside
in a rainstorm of tears. To see clearly
through windows that thawed in the heat
of looking through them with the compassionate ferocity
of a crystal skull poured out of a terraforming meteor impact
like a prophetic lump of coal, a diamond in the rough,
that refused to burn in the furnace to prove it had the right stuff
to shine like a star, no one could follow, on its way to somewhere else.
Not a sign post. Just a sign. Your eyes
once you see it, are never going to be the same again.
You won't look at a starcluster like the Pleiades
as if you were waiting for the traffic lights to change.
You'll take your three and a half pounds of brainy starmud,
like a meteoritic kissing stone, a falling star,
and run it through a diamond tipped bandsaw
and discover the jewel of life that's been glowing
in the core of the ore since time immemorial
like a dna molecule wasted on space
that transforms the medium and the messenger
into a voice, free of content, that's the whole of the message.
I walked out to this dark, deserted place, redolent
with the duff and detritus of life, the flotsam and jetsam,
where the half life of the rate of decay of my insights
into your heart, eludes being used as an atomic clock
to determine the agelessness of either of us.
I came out to look at the stars but I've been startled
by the photonic discharges of your bioluminescent fireflies
ever since I started looking up like a starmap to make sure things
were where they were supposed to be. One moment
you get in my eyes like the sandstorm of a mandalic power painting,
a masterpiece of the wind, and the next,
I can feel the intransigence of your vulnerability
dyeing your hair like a comet to attract the attention
of the sun at midnight looking for asylum from a black hole
where it's third eye used to be.
You're a mermaid on the rocks of Andromeda singing to a telescope
to look up to see how far its got to sink in an ocean of stars
before it hits bottom like a shipwrecked moonrise
gone pearl diving for habitable planets
that can say I love you and mean it like an atmosphere
it's not going to lose again. Only in the Braille
of the scars on your heart so far, but I can read your pain
like the glyphs of an Aztec temple
I'm still clearing from the jungle of my indirections,
that recorded in imported stone how many times
it's been torn out to please the gods with a kidnapped sacrifice
worthy of the priestcraft in the sacred abattoirs
of modern drug cartels when you're too susceptible
to feeling too much, the same as me, when I'm thinking mythically
about what I've endured to be acceptable in my own eyes
that might shine across these aloof distances like a star into yours
that lights you up from the inside like an intimate familiar
whispering into your ear like a dream grammar of sacred syllables
that have liberated themselves from the syntax of the stars
just to speak subliminally in the same sign language as you
like the chaos of fireflies I see in the black mirror of my mindstream
bending space like the surface of a lake at night
where you can hear the echo of a loon ululating
like the wavelength of a mysterious love song
among these dark hills shapeshifting in the moonlight
toward you like a mirage of picture-music
emerging as something real in this wilderness of transformation
like a new constellation of fireflies I want to overhear with your heart.
poem by Patrick White

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To Be Alive Here
To be alive here
is to suffer the godspear of light
that enflames your breath with life
through the heart, the night
of its knapped shale
embedded in every part
like a mystic jewel in a wound that never heals
or a hidden nightbird in the far fields
when only the stars are listening.
To be alive here is to know
your only here and now
is to be alive.
Born into the lifeboat,
who needs to be rescued?
Is the fish afraid of drowning,
does a bird implore the sky;
is there not enough room in your eyes for stars?
Images, thought, symbols, feelings, words,
we live behind billboards illuminated
by artificial daffodils of light,
and walk our own midways alone
from tent to tent of sensation,
from mutant perversity to mystic elation,
blind in the blazing: come in, come in,
to the darkness under a flap of your skin.
How much has not changed for how long
inside the cocoon that diapers your reluctance
not to hump out of yourself with wings,
not to jewel the maggot with stars,
not to let the swamp hold up its waterlily,
not in overcoming or advancement,
not a white diploma of moonlit skin,
but a symbol and a celebration of what became of you
elaborating the world generation after generation
until, not enough just to see it,
your eyes immersed in the sea like rain
that has known the roots of the flowers
and opened the golden mouths of the grain
and washed the stars out of the hair of the fool,
and rinsed the age like a bloodstain off the stage,
you can finally be it.
You are empty.
Blood unspools like a thread
drawn out like a river unravelling the oceans of you
that used to lap these flesh bound shores
and flaunt this palace of bone on loan
from an absentee owner.
There is no face under your name
that isn't looking away from itself
like light from the sun.
Utterly subjectivized, the imagination
reverses its spin
and things come undone,
and the skies that have dropped like petals from their eyes
to see without seeing the unseeable
are neither many nor one
nor the ineffable sum of the unbeable
because all things have already been achieved
and the world returned like water to the mindstream
it was taken from
like a snake that startles the stillness
before it flows away into the silence
or the light of a star that shines within
that doesn't trouble the day.
But to live here in irrefutable bliss
you mustn't confess to anyone
you were born knowing this.
To live here truly is to live
as if you had never existed,
though there are lifetimes behind you
like footprints on the road of ghosts
to say where you've been,
and every breathless glimpse is the eye
of someone you've never seen.
Here is the everywhere of is
and there is no shadow of another,
no map of blood to follow you like a pilgrim,
no sister, no father, no mother, no brother
you could possibly mean
to the photo-album of an ageing gene
that doesn't remember you
except as someone who was passing through
who didn't know what things could lead to
when the stranger in the dangerous valley
took the highroad out of the mountains like an echo.
To be alive here
is to suffer one day, and dance the next,
to pass by rooms within yourself you never open
like tiny lockets of rain you weep alone in the shadows,
among so many furious stars,
trying to seed the pain with flowers
or patch new skin, a cool herb of light
over the burnt face of the moon like waterlilies
so the black mirrors will reverse themselves in the night
and turn your eyes away
from the things you can't shatter with looking.
To be alive here
is to know you are dying,
the whole breath of the moment in every death
baling like overwhelmed boats to stop your crying.
Where do we go? Does anyone know?
Are we cinders and crows in the eyes of this shoreless sea
that watches us like a dream
no one can wake up from alive,
is this disproportionate night the jewel in the hive
that eclipses this rapture of honey
with more space than the flowers and stars can face?
Is a dead thing the king of its own skull-throne
or a toy of the ants lugging dismembered butterflies through its eyes
like sails crushed in the ice of a northwest passage
to be reassembled like moonboats on the other side?
We are islands and waves
and we close our eyes like the sea
in the imageless depths of our own inconceivability.
We are humans, worlds within worlds, and each
with a light of their own to know them by.
We are stars circling the lighthouse of our own knowing
like words off the coast of consciousness
that all mean, like birds, the same boundless sea
that slowly wound its aeons up like alarm clocks
to set us off like an insurgency of thought.
We are humans, bells and hells of blood and water that walk
upright like lightning rods wired to a brain
that the sea panned like a nugget of light
freaked with night, from the ore of a lunar vein
and everywhere we fall upon our own roots
and wash our own skulls clean of ourselves
like rain that was once alive
to raise them again like the moon to our lips, and thrive.
Long-winded brevity; brief longevity,
to be alive here is to be constantly giving
without knowing what your true gifts are,
like rain and rocks or the light of a star,
because even to share
is to set us apart divisively,
to break the plough like a wishbone.
There's silver in the voice of the rock when it speaks of change
and though the rain doesn't really know what it seeks to be
it gives itself everywhere inexhaustibly like a hinge
to the turning of everything,
and how could the night have guessed
the enlightened fury of a star
under the scars of its own elements
would lead to us in all our radiant intelligence
like something it got off its chest?
To be alive here is to know
that a single dropp of water is enough
for the moon to swim in her own seas again,
and there are tides in the windowpane she transits
flashing with life, tiny glass fish
that make a turmoil of devotion
by seeding the ocean with eyes.
To be alive here is to know the wise
know less than you on both sides of the mirror
that lies in pieces at their feet like waves
that have learned to hold their tongues.
To be alive here
is to read a book on transcendence
while you're sitting in the sun,
to ask why the moon is crying
when you've already drowned in her tears.
Is it holy? Is it joy? Is it real?
And look at the way it takes the whole of itself
from beginning without end to end without beginning
to make a single eye, all the measureless aeons of the myriads
that stand behind and before the seeing
timing the shutter-release
like someone taking their own picture,
running to get in the shot
before the flash goes off like light in the abyss
to illuminate the billions upon billions of faces
shed like apple-bloom in the orchard
from the radiant tree of its rootless being.
What is this without antecedent
I so urgently need to know
that I have poured the stars into me
and the starlessness of long, autumnal nights
and slept like the eyes of the rain in the roses of hell,
and grown black pearls out of a grain of dirt
like new moons in the mouth of a funeral bell
and hurt and hurt and hurt until
I could not tell who or what
was suffering me in and out of existence
like a dream in a fire that burnt without consuming,
my eyes in space twisted like melting windowpanes,
and darkness running down the blade of my solitude
like a night dew of black blood on the tongue of the moon
as I shook in my chains like an avalanche
imprisoned in the heart of a mountain
where I wept like a metal in the cold abyss
of a horror without eyes or a name
that is everywhere this
that keeps killing me into bliss
by striking me like fire from a rock,
like the rainbow from its lock,
like a sword from the stone of the moon.
The universe pours itself out like a fountain
into its own inexhaustible mouth
like a drunk with a jewel in a bottle in a brown paper bag
up against the writing on the wall
in a dangerously infinite back alley
where Peter pretends to love Sally.
In each and every part it gives and takes
the whole of itself like a gift, like an ocean,
like an ocean breaking into eyes,
or the squirrel in the bluebells,
or me sitting here with the trees, waiting for leaves.
And everything is so eloquently
this effusion of transformation
as if fire were a music all its own
and in every flame and face,
thread, star, thorn, leaf, flower and voice,
in every feather and wave of awareness,
in every thought, feeling, and delusion,
and in what is beyond what we think,
the whole of the tapestry, the whole of the sky, the sea, the vision,
the mystic specificity of the indefinable,
the creative urgency of the uncreate
dropping worlds like pebbles in a pond
where every ripple opens its horizons like an eye
and even the rings of the tree are a slow pulse,
and the waterbirds shed their jewels in moonlight
and beyond beyond into the immaculate darkness of the thriving night
is the way their wings beat, the heart flows,
a star reaches out to touch the skin of a grape,
or a wave greets an island in a new language,
or a god drowns in himself so again and again and again
he can review his whole life flashing before his eyes
through every one of us,
through the rose and the bloodstain,
through the doorway and the window and the dream,
through everything that seems and unseems itself
like roads of light that move like snakes in the water,
like the holy paths of the unnamed ones
who return like memories of coal converted to diamonds
dancing with fools in the translucent bliss of their clarity.
One existence. Many. None. Three waves of light.
The sea. The sun. I am manifested
by everything I've ever been
like the running of a river
without beginning or end,
not old water behind, and new ahead,
but the whole universe, my watershed,
I am drawn from the well in this bucket of a body
enflamed by this fierce urgency of stars,
inextinguishable fire on the water,
growing eyes like ambassadors
from everything I am
to the empty throne
of the infinite bloodline
that delivers me like a message to me,
worlds within worlds like the sea in a bottle
bobbing at my feet.
And everything is always teaching;
every tree runs a school, every star
is a private tutor, every flower
a sage in a brothel, this harlot of blood
the wine of an unknown church,
and every bone in my body
the rung of a descending saint.
And what do they inexhaustibly teach
if not the youness of you to you,
if not the dark abundance
of your formlessness through forms
as if the world, and all that are in it
were your native language
and you were the ancient future of everything,
and every seed, a betrothal; and every flower, a bride?
Why suffer like a refugee at the gate
of your own estate
by refusing to let yourself in
through the open doors of the trees;
With eyes that are wider than space
where can you hide from your own being,
or wash the seeing from your face?
Does ubiquity look for a place to stand,
a place to call its own, a seat at the table,
when everywhere it's the homeless host
of these world-bearing guests who bow like trees
on the branching thresholds of a boundless feast?
In the furthest fields of yourself
you are the star, and the flower, and the seeing,
and it's the namelessness of everything
that grows a mouth without saying like a word
that gathered overnight on the tongue of a leaf
that can taste you like the nascent stars of an old belief;
you have shone so long alone in the dark
to be alive here in every inseparable part.
poem by Patrick White

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I Sit At My Window
I sit at my window
trying to translate the Kufic script
of the shadows of the trees on the snow,
smoking the invisible ink of the light
over the flame of my mind
to clarify my seeing
by realizing there is no deep or shallow
in the fathomless depths of I am,
nothing hidden, nothing revealed.
And it's not so much that I am in the presence of the world,
but that the presence, the world, is me,
and if I go looking for it,
only my fingerprints will be found
like these violet shadows dusted by the snow
under my multitudinous mugshot in the mirror.
So I open my mind and my eye, my heart and my hand
and let things arise as they will,
knowing that even this is a blunder
that advances my tardy illumination by another eclipse.
This morning blue is the taste of the sky
and I am alive again at my desk
to wonder who or what or why I might be
this wondering spontaneity
circling like a bird in the abyss,
feathered by feeling and thought
for a tree or a meaning to perch in
that hasn't already been struck
by the lightning of my homeless insight.
Indwelling energy in the turmoil of a terrible silence,
I am an ambassador of water to an unknown star
that foils my blood with light the closer I approach
and I don't know what the message is
or who it's from, but every time I deliver it,
my head comes off like the moon.
At some point you have to give up looking
to go on seeing, you must
come to a full stop
if you want to liberate the pen
that indicts you like an assassin
with his ear to the wall.
So I go by night, unheeded and alone,
a constellation of my own
that doesn't read the braille of itself
reflected like direction in the starchart on the lake,
cored like eyes into the dice of my bones,
or mummified by a legend in a straitjacket
interred in the long-standing consensus of a guess,
knowing I would only be following my own footprints
like the shadows of these words
that flow from the trees in the snow.
And there are squirrels that leap from branch to branch
of these arboreal letters like commas
that don't know where they go
and wrens that perch like quotation marks
around things that can never be said
that everyone claims they know
as they call out their name
like the echoless vocabulary
of a febrile grammar in a mad dream
as if their whole life were ingathered into one last scream
that might shatter the mirror of the way things inevitably seem.
I listen to the world and hear in each person and form
the mindstream moving through the night
like the voice of a mystic alphabet
returning to the sea
with news of itself
whispered into its own ear.
And if sometimes the stars think
my seeing goes too far,
my seeking exceeds the bounds of the light,
as it turns planets like doorknobs
to open new rooms in a dark mansion
that stands like an abandoned cornerstone of the night on a hill
waiting for me to return like a lost threshold,
or the faceless side of the moon to a window,
then let me here and now confess to my own denial
and knock on the door of the next false address
to see if I can find who wrote
this loveletter that slashes me open like a smile
and reads me out loud to the stars on the wind
as if I were the last flare from an empty lifeboat.
poem by Patrick White

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The Practical Uses Of Poetry
Not to be practical, not
to mean, be, do,
no more than the wind
to insist upon itself, to
move like the wind,
like a disembodied intelligence
over the mindfields
practicing the twin disciplines
of light and rain,
scattering the mystic pollen
of intuitive seeds
that bloom like roseate fire
in the shadowless gardens of the abyss
arranging the cosmos like a wild bouquet
in the blood vase of the human heart.
To remind us
we're not fireflies or stars
stuck on a chromosome
of intellectual flypaper,
a buzzing that will stop,
but a passion of native iron
in the arms of alien oxygen,
urged into creative consummation
by carbon.
Free as water, free as God
the night she put the universe on
like make-up
to attend to the beginning of everything
with a cosmic efflorescence of fireworks,
to speak for the stones, the stars, the trees,
to say them into being,
to say us, to whisper us
into the enormity of her solitude,
the inconceivability of her darkness,
a secret she couldn't keep anymore.
Experience is a child playing,
not function, not a job, not a career.
What's practical about singing alone
because the mysterious nightbird
has come like a blossom of joy
to the bough of the tree in winter?
Or must dancing have a use,
music be enchained to the stone ear of utility?
Bleeding isn't very practical either
but how would you ever know
you were a rose scarred by your own thorns
if you didn't?
Sooner renounce the sweetness
of the star-flavoured summer night air
or teach the wind a compass and a map,
the sky to consult a control tower
than try to grind the stars of poetry
with a stone and an ox
into a function and a fee.
The wages of poetry are always a gift
that takes the recipient by surprise
with the beauty of its subtlety
and a coin as true as the moon.
Who asks to be paid
to dance alone with God?
And even the abyss
has provided you with a world
like a passport to anywhere you want to go.
Among the birds and the leaves
flowing along with this pilgrimage of stars
to shrines that are older than knowing,
if the sun or the moon
should open your voice like a flower
in the deep woods
to hear you singing in the light,
and you are urged into poetry
through a gate as open as the cosmos,
and you discover colours have echoes
and the notes of your song
are a palette of gardens,
and everything you paint with your picture-music
is the portrait of someone you're becoming
until you look like everyone
from the inside out,
every passion
the longing of a planet
to burn with life,
and the deepest watershed of your humanity
is itself
the fountain
where the goddess drinks from her own reflection,
and you understand
that the word in the morning
is the word at the end of the day,
and that the life that adorns your body within
is the wine of the worlds
in a cup of clay
encrusted with stars
and you are the delirium the dream seeks,
the lightning and lucidity of the dark sage
your roots consult like a storm,
would you then look upon the first crescent of the moon
and try to fix it to a plough,
would you look forever
into the wells of now
like the eyes of a lover
who combs out the tresses of the willow like the wind
as if he played the whole of the night
on the blue guitar of your heart,
would you renounce the music as impractical?
To walk through this world aware,
with a spear of moonlight through your heart
like a poet, to feel
everything a human can feel
and have the courage and the art
to sing
the joys and sorrows,
the gardens and intimate hells alike
with compassion and understanding,
even when you often don't understand
because the shadow of the world
eclipses your eyes,
or the windows are saturated with pain,
to be able to do that, to be that
is beyond assessing
because there is no intention to life
or the running of the river
or the unspooling of a poem
that conceives of its seeing as progress.
What the eye writes
on these pages of percipient sky
that bring the world to a focus in us
is not a reality in advance
of the dream that shadows it.
poem by Patrick White

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In You
In you I come to the end of roads,
and an alphabet of burning wings
falls from an indigo sky
like meteors trying to write
the unsayable in a slash of light,
in a language of luminous scars
the night beatifies with mystic knowledge
that wants to name you
so deeply in thresholds and stars
the charged silence
is giving birth to an indelible mouth,
a doorway of blood,
an ancient grammar of fire
the wind puts on like a robe
to scry the darkness for a voice
that could fill the goblets
of the moon's dead seas
with the wine of a radiant wound,
so much within me
already the tongue of a bell
that can taste you like blackberries.
The whole of you
in every single dropp of your eyes,
you are the black swan
of the eclipse that rares its reflection in water,
the dark orchid in the shadow of the dragon
that sways like a bell in the night,
even your absence a shape of cherishing,
a harvest of shadows beyond the light
of the lamp that burns for you.
Within the deepest abyss of myself
where the heart stands alone
like a single black pillar
in the twilight wasteland of the world,
a mysterious temple to the ultimacy
of having been here once
to suffer the passage of form and time,
everything a gesture of space
that thaws back into itself,
I have written your name
in the hourglass of my blood
like a whisper of secret ink
that once voiced the light to be
and shook the stars like wheat
out of its blind abundance
and will be remembered forever
as the first intimacy of the sea,
and there is the rumour
of a dream in the air,
the fragrance of an approach,
that out of an ocean of light
the tide will embody a woman
like the shore of an island
littered with fingertips and kisses
enmeshed like galaxies and starfish
in the exhalation of her veils
and our lips will meet like archers,
and our bodies will sing like arrows
sunk like orchards through the heart
and long after the last flame of life is shed,
the night will silence the birds
in the groves where we bled like poppies
to open the gates of the mystery
like keys and rain, or the rosary of black pearls
that chants its prayers to the night
like the slow alarm of autumn geese
in the eyes of a human face.
I try to say what can't be said,
pouring my spirit
into the wineskin of every word,
but my heart is a larger apple
than the bough of my voice can bear,
and the silence
that would erect temples everywhere like flowers
spun from the auroral silks of my soul
and perfume the air with the pollen of sacred fireflies,
every emotion a priest with a shaven head
to honour the moon
climbing the stairwell within me
of a million horizons at once
in every breathless step,
falls away behind me like the wake of a sinking ship
that lowers me into my coffin like a lifeboat
or a message in a bottle
that pleads like wine with the emptiness
for an alphabet that isn't in arrears to time
to say you to the night
in a lightning breath of life beyond
these elemental likenesses I carve
from a quarry of stars.
And I know I ask for immortal children
from a human womb,
and wide as my powers are
to exceed the sky with homing birds,
to adorn the dead branch with windows
that dazzle the roots of dawn,
I am the ashes of a black star in daylight,
a stone man with a chain for a tongue
when I try to swim like Atlantis
through the depths of your shining within
and the last word, the last life
to flash across my mind as I drown
again and again like a pulse
in the embrace of your beauty
is always the world as it is
before anything was said.
poem by Patrick White

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I Don't Think The Wind Sings For Me Alone
I don't think the wind sings for me alone
even in this isolated space where it
silvers the leaves of the Russian olives
like musical scales. Or every thought and emotion,
every image, symbol, or insight
shares the same myth of origin that I do.
Nor all the words that I call my native language
weren't rooted first in someone else's garden.
As the air I breathe was, as the light that has entered
through many more eyes than mine. What I hear
doesn't belong to me, nor what I see,
my private vision. But when I don't grasp
at clouds and water, everything is my reflection
looking back at me as if there were no one there.
I disappear. And I feel my presence everywhere
as real as the sceptres of Queen Anne's Lace
growing old in the moonlight, or the blue fury
of the wild irises burning in their own fires
like the Pleiades. Who can understand
the circuitous wanderings of the mindstream
white water rafting its own axons in an empty lifeboat
when even the questions you raise about it are not your own?
I may well be that, but tonight, I'm not personally involved.
Things occur like spiritual events. The rat snake
strikes the frog, the shadow flash of a bird
transits the moon. Arcturus descends
before the Summer Triangle with the easy grace
of a light that doesn't realize it's being observed intensely.
And I wonder if we're actualizing each other
in some interdependently original way
that it knows as little about as I do.
Or the dead birch tree that's standing by both of us,
naked in its bones as a fan of coral.
Silly man, now you know how a fly
up against a window feels. Or how a mirror
that's deeper than either your eyes
or the light can see into, keeps its appeal.
Been wondering most of my life
in an aloof but wary mode of gratitude
about the great symphony of love and light and light,
like someone who's been hurt by someone they cherish
without knowing why. And whether to laugh or weep
at the absurd tragicomedies that keep appearing
like vulnerable mushrooms in my sleep.
But tonight, tonight, all I want to hear
is the whisper of a dropp of water running down the sluice
of a blade of stargrass. The eerie rustling of the leaves
as if the trees had something to say to me
about my presence among them that leaves me
half again as estranged as when I first came here
to enjoy a freedom that isn't just a matter of changing gates.
Sad man, but tonight I dance with thousands of waterlilies
under the chandeliers of the stars, in three four time,
as if I just remembered how to waltz with the bride
and bow to a flower like a lunar violin. My heart
doesn't look for its reflection in the fire pit
where I burnt all my life masks like straw dogs
when the sacred ritual was over. I denuded myself
basking in the clear light of the void, until
there was no one left, not even me, to notice.
poem by Patrick White

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All That I Could Wish For You
All that I could wish for you or anyone else
is more than I could attain for myself.
So far from home for so long
as if home were the alibi
that put the distance between me and a lie
I got sick of telling myself
to feel I belonged somewhere to some people
who might look up from the compass
of what they’re doing once and awhile
into the thirty-six years of my absence
and care that I’m not there anymore.
So I wish you a door that opens
before you need to knock.
And a thief in a window you leave unlocked
so he can steal your heart like sterling silver
and pawn it off as moonlight.
I suspect most people are way too clever
to ever be loved the way they want to be
and I’m not saying that I’ve never been graced
by the mystery
of waking up beside someone I loved
dreaming next to me
about things I know nothing of
because love keeps its deepest secrets to itself
like water on the moon
but I wish you the purest of fountains
from the sweetest wellsprings of life
that don’t look upon the reflections of the clouds
or the leaves and birds that come to sip from its glass
as just another mouthful of polluted words
indelible as headlines
disposable as trash.
My light’s been bent
by a lot of black holes and gravitational eyes
in the five billion light years it’s taken to get here
like a past I almost forgot I had
and I’m not saying that’s bad
though it’s relatively slow
compared to the speed of thought
that overtook it like a hawk
coming down on a morning dove.
But I wish you the immensity of a clear night sky
it will take you forever to disappear in
because of all the things
you can learn to say good-bye to in this world
the hardest farewell to master is love.
I’ve always been grateful
for the gifts I’ve been given
and endeavoured like any other B.C. salmon
to make a gift of a gift
by swimming upstream
like a waterclock doubling back on its way to the sea.
Like the retrograde motion of Mars
there may be loops and nooses and garottes in my orbit
and small raw pieces of my heart I used
to bait the trapline
to catch and skin the fishers
that kept killing my cats when I lived on a farm
not very far from here
without meaning any harm to the wildlife
that accepted me as one of their own
and like I did them
left me alone.
Except for the fishers.
So I wish you a free passage through life
where every breath you take
adds another inch of feather to the wind
like a mindstream flowing into an older river of stars
with wild irises blooming along its banks
like blue flames of hydrogen
that stick their tongues in each others’ ears
as if they had something to say to one another
like lovers and celestial spheres
and oceans in a seashell
not well-intentioned highways lined with roadkill
like the primrose path to hell that most of us take
like a short cut back to a worse mistake
than the one we made to get here.
Most of my life
I’ve felt like a fluke of the truth
that was able to win out against
the astronomical odds
of my small chances of having the courage
to stand up for it like a strong voice
in a lottery of echoes
but fortunately I’ve always been
self-destructive enough
to risk everything in the name of nothing
I’ve ever seen
but sensed was near and clear to me
like a warm spring rain on a dirty window pane
like the gardens of ice
that grew out of my breath
like the tendrils of ferns unfurling
like the treble clefs of blue violins
in a sad exiled place
where the truth was music to my ears
that fell like the sound of rain from home on my roots
but felt like all the shattered chandeliers and broken mirrors
had gone into diaspora.
A crystal nacht of jackboots
refused to see the whole
reflected in every part of me as in them
like the yellow star
of the myriad-eyed conspiracy theory
that out shone the black hole they wanted to bury it in
like something you could catch
and put in your pocket
and save for a rainy day
like a ghetto or a bank to bail you out
whenever they got so fanatically deep into themselves
everything they felt
everything they had to say
was a debt to someone
they couldn’t possibly repay
even if they could turn
the bad luck of their swastikas the other way
like the prayer wheel of a poisonous flower
like hate mail disguised as a loveletter
even the wind and the light refused to answer.
So I wish you the mindscape and spirituality
of a generous country with a big sky
where the constellations have no nationality
other than free access to the great sea of awareness beyond
that reflects all the colours of the colour blind stars
and makes them feel they’ve made it home
as soon as their light arrives
like honey bees without borders
to open the flowers
like the passports of Japanese plum blossoms
that travel without i.d. anywhere they want
like the billions upon billions of fingerprints
that never lie about our common humanity
to anyone who needs to ask
who we all belong to
if it isn’t each other
and where we all come from
if it wasn’t from the same dark mother.
Poetry has been the most ardent folly of my crazy wisdom
for as long as I’ve known how to weep and wonder
in joy and sorrow
at the mystery and the horror
of what’s arrayed before us here
with such immensity
even time feels small in its presence.
Keats once said load every rift with ore
and so I have
but the greatest discipline of my calling
the gravest risk
the royal quatternio of Orphic alchemy
in the hands of a master shapeshifter
in the smile of a sacred clown
has been to approach the shining
without turning gold into a base metal.
To taste the water without fouling the well I drew it from.
To look at the stars without getting in their eyes.
To pursue an earthly excellence
that expressed the human divinity
that was born of suffering in everyone
without giving offense to the transcendentalists
who like to keep their gods unattainable
because I could see its immanence
was a lot closer to them
than they were to it.
I could see it in the hunch-back baglady
sorting through a garbage can at four in the morning
for the hidden jewel she was sure to find
if she looked deep enough.
I could see it in myself from time to time
when my mind strayed like a white horse
with an odd-shaped birthmark
in the middle of its forehead
because it wasn’t born lucky enough to be a logo
into the star fields of my reclusive neighbour
like the constellation Pegasus
through a gap in a fallen fence
and she was there to lead it back like a muse
along the Road of Ghosts
and you could tell by the smile on her face
that she’d always met me this way
and that there was nothing supernatural
in what she wasn’t trying to hide.
I can see it in you like light in a lamp
that isn’t cagey enough to keep a dove in
even if it wanted to
and it’s as clear as fireflies on a starless night
that it can’t and it won’t and it doesn’t.
So I wish for you a long love affair
with a passion you can’t marry.
A calling that doesn’t have your name on it
because it doesn’t belong to anyone
but loves the sound of your voice in the stairwell
whether you’re coming or going
and the picture-music you set it to
like morning glory on the moon
to let life speak through you in dead earnest
as if you were wholly possessed by the play
of the hero’s entrance
and the villain’s exit
though you know they’re both taking
a standing ovation in the same doorway.
I wish you the sublimity of a single blade of grass
and a darkness as profound as the shadow of an ant
and a heart like a bell of sorrows so sweet and deep
even in a single tear
it’s way out of its depths.
And in the evening just before the stars come out
and Venus is following
the last crescent of the moon
down in the west
having wandered as far as it dares from the sun
I wish you a soul so expansive and radiant with light
all the nights to come can’t help making
enlightened gestures of glee
toward the court jesters
who illuminate your crown with laughter
like waterlilies that shine up at everyone
out of their dark wisdom
and their artistic genius for working with water
like a Zen master amusing himself
with paper boats that float
like the moon on the mindstream
knowing there’s nowhere to go
nothing to do
no one to be
and no one to set free.
Because the people all know
there’s never been a river
that doesn’t lead to the sea
or a hand or a brush or a pen
following its own cursive script
like the holy book of a lost art
that isn’t written in blood
but makes itself up as it flows along
like a spiral galaxy without a star map
all the way to the heart.
And once the lightning’s rooted in your mind
and blossoms like fireflies
in a garden of insight
I wish you never a thought
whatever the mode of expression
whatever the fashion
whatever the theme
the scheme
the dream
that doesn’t tend like all lucidity
to sweeten the fruits of compassion.
poem by Patrick White

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Some People Go Looking For Happiness
Some people go looking for happiness.
Some prefer power or beauty wealth and fame.
Some crave intensity.
Some seek peace.
Some search for food and shelter.
Some want to die with a good name.
Everybody takes their lead from the way they came.
And everyone says they're looking for love
though no one knows what it looks like.
They try to fit their thoughts to their words
like skin they can touch
that doesn't scar like the moon
or shed like a petal too delicate for the senses
but most just end up trying
to mummify the mindstream
by laying thousands of years of starmaps
down on troubled waters
like autumn leaves
that don't know where they're going.
Eventually everything's swept away
in the undertow of a dark ocean
that only smells sweet from a distance.
And longing shifts like infra-red into the blackness.
And bones on the moon are the only signs
that life once perished here.
Orphic skulls whose jaws dropped
like gates before their own gaping prophecies.
Time flows like a non-existent future into us
and it fills us with a hunger
for everything we've lost
or feel somehow was always missing.
One of the cardinal features of the emptiness
we are conceived again and again out of
is there's nothing behind its face
you can fix like an identity to space.
For fourteen billion years
the universe has been nothing
but one long beginning without end
making everything up as it goes along
out of nothing
like a man whistling down a long road
far from home
late at night
to let anything that might be listening in the darkness
know he's there
so nothing can take him by surprise.
And every step he takes
he steps across a threshold like a star
just coming into being
whose light goes off in all directions
looking for blind water it can turn into eyes.
Bosons hadrons leptons neutrinos wimps and quarks
the deeper you look into the matter
the more you realize
out to the furthest galaxy and beyond
seeing is being
and being is all fireflies.
And every one of them
is true north of nowhere.
Some people follow their own beginnings
like laws into the future
hoping to become someone else
that doesn't recognize them anymore
for who they were.
The peduncle's lost in the ensuing phylum.
Their future's rich
but their past is always poor.
The planet doesn't spin on its axis for them.
It's hinged like a door
that only opens one way
though it's a two-faced god
that begins them like last year.
But the leaves of autumn
aren't the laundered money of spring
because if our fulfilment
weren't already behind us
we wouldn't be here
trying to true the last to the first
of an unfinished multiverse
like the best to the worst
as if red were the past of blue.
Stop thinking birth is the past of death
or spring is the future of winter
as if they weren't the same breath
and one breath of life weren't enough
to keep the fireflies glowing in your ashes for eternity
and everywhere you look
you will flower like a vine
that divines its way to the wine
by ripening the grapes of gratitude.
You will understand
for all that you have grasped
and brought to fruition
your most exalted aspiration
is a heap of dead branches in the spring
burning like leaves of fire
still reaching out for the sun
and you will hear the mind-mirror whisper to itself
like the wind on far off waters
Narcissus is drowning in his own reflection
like the flashback of a life he left unlived
but everything is immersed in me
like a mind
like a sea in a fish that ran aground
on the uncharted landfalls of its own teaching.
And the wine will flower in your mouth like a grail
that's given up preaching
and finally found its own voice
like a bird returning to a tree at nightfall
to call out in its solitude
to the stars as they appear
we are here we are here we are here
where we belong
at peace with everything we're missing
everything we long for
everything we are and are becoming
that overtakes us like music from within
transforming the silence into song
the water into wine
small beings into a big space
looking into the passing face
of everything's that's mortal about us
with our eyes fixed upon the divine
not to see it in any one place
but with the presence of mind
to be wholly and impurely not that not this
without anywhere a trace of ultimacy
in this world that we take for a sign
we are here we are here we are here
and things are as they are
not as they must be.
Nothing got here legally.
What's the expanding universe
if not a refugee in its own country
somehow exiled from itself for reasons
only it can express?
Citizen Universe
show me your papers
your paintings your poems
show me how you dance on your own
show me how you put your children to sleep
show me how you bar an F chord
show me what you weep for
what you delight in
what you esteem
what you despise
what you ignore
what darkness of yours
feeds that inferno of stars above you
burning its constellations like passports
that aren't going anywhere
show me the black mirror
that says you don't belong here
like some misplaced night of the full moon
not marked on any calendar
show me the law of being human
that says this little piggy has one
and this little piggy has none
show me where it's written
the guest shall turn strangers away
from his host's generosity
like a dog at the door
that bares its teeth at the table
show me the home-made honey
of your wisdom
show me the dead lamps
of the apocalyptic fireflies
that designed your chaotic cosmology
by plagiarizing the light
to prove the stars
don't reserve
a space in the universe
for any insight of yours.
Nothing got here legally.
No one followed a coyote or a law
to cross the border
into this insurgency of being
no one checked the colour of your eyes
or profiled the light
to see if they were fit for seeing.
You don't need a constitution
to verify your liberty.
Well before you were born
you were free and ever shall be
to belong here as we all do
to pursue what makes us
sad mad bad or happy
the way we all got here
the way we all get through
the way we're all alone here together
with one another as we are with you
as we are with her and him and me
as we are with everything
as we are with ourselves
when we don't know who we're becoming
when we don't know the stranger on the bridge
watching the water flow
that's waiting to greet us on the other side
in the only way the unblighted heart of reality
we're all looking for
like blood on a grail-quest for our humanity
accepts the darkness that seeks us out
like a miraculous elixir of insight
so the kingdom won't fail
so the garden doesn't ask us
for a green card to know and grow
in the only way we truly belong here
in the only way we know how to be
so the lifeboat we're all in
like the same boundless mind
is always as full
as it is empty
so no one gets left out at sea
like a wave that couldn't be saved
and no one gets in
who doesn't know how to swim
the way we all got here
and continue to be
all these thresholds of the sea
that steps across us
even as we move like waves
breaking discipline with our own continuum
creatively.
Just to be here.
Just to crawl up on the shore of a new medium
like a refugee planting flowers
we brought from home
hoping we'll still be here
to watch them bloom.
poem by Patrick White

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