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I Have Run My Heart Aground

I have run my heart aground
like the keel of the moon on the coral
and the memory of women I once loved
hurts me today
like blowback from the furnaces of autumn
that went out years ago.

It's easier to train a dove than a crow
and I was a reluctant dragon
trying not to roil the water in my wake.

Doubting that forgiveness is ever real,
I give it and ask it
and discharge us all
from the degenerating orbits
of all the radiant photons that reversed their spin
to take one long last look at us
as we unspooled like glaciers
at each others' feet.

Eventually we're all just flavours of space.
And you have to open your hand to hang on,
and learn to live with a heart that tolls
like a bell or an oyster
after its pearl has been plundered
and look upon dark, intimate things without a voice.

I have dug deeper than my own bones to get at the truth
as if I were an abandoned civilization
with nothing left standing
but a succession of meaningless gates
that no one waits by anymore to meet me.

I have added my skull like the moon to the darkness
to appeal more deeply to the nightside of life
that she might reveal
why she always hides me under the bed
when I knock on her door from the outside,
hoping she'll unlock herself like a coffin
and raise the dead.

I may be a starmap blowing down a road on the moon,
but there's no wind, no one to walk it,
no arrival, no departure
no threshold before me, and none behind.

In the light of the silent ferocity
of a black star longing in the distance for contact,
I have intensely held certain, lethal questions
up to my throat like a phase of the moon
and held myself hostage to the answers
until I fell in love with my torment
and all these ransom notes turned into poems.

It's a quaint myth of origin,
and even a delusion is some kind of direction,
and who's to say the stars
aren't in need of correction themselves?
And it isn't as if one mirage
were more sufficient than another,
it's just that we long for the unattainable through them
like kites that have run out of atmosphere,
and the lie that heals is truer than the one that doesn't.

So we insisted on being in love
as wave after wave
we tried to bridge continents
to keep our hearts from flatlining.

What a riot of sorrow and sex and poetry
swung us like bells when we walked
out of our bomb-proof cathedrals
into the intimate dangers of our own lyrical intensities,
gouging the eyes out of the constellations we rolled like dice
against the writing on the wall.

Love's a big, sloppy sky
that smothers you like fog on the ocean
when it collapses like a parachute
at the end of a sustained fall.

Everyone lets go of their demons
like kites in a hurricane,
like blossoms from an orchard,
like flakes of ancient flint
as the heart naps its arrowhead of ice
in the shadows of the sacred night fire
that exhumes the phoenix from the flesh.

Looking back, I am humbled by the memory
of how much I couldn't see
through a painted window
while the moon waited for rain among the willows,
but sooner or later you make peace
with everyone you can't be
and sign a truce with everyone you are
and drown your sword in your own blood
like a holy war you can't win
and keep trying to embody wisdom until you disappear
like a homeless bird in the clarity,
so perfectly isolated by everything you've ever loved
even the sky you fly through
can't fit itself like skin
around the enormity of the tear
that hordes its most intimate fire
like a flame thrust into the darkness of an afterlife
where the eras and the headstones,
the faces under the bedstones,
thaw like lockets of ice.

poem by Patrick White
Submitted by Poetry Lover
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Sometimes The Heart Buries Its Sorrow

Sometimes the heart buries its sorrow
like a bell or an hourglass beside the road
as if it came upon a dead bird it couldn't name
and returned it to the earth like unread mail.
There's no gate where I'm going, the air
will tremble a bit and that'll be it. Maybe
a firefly or two, to liven things up,
but no sign of lightning tearing its hair out.

I shall evaporate like a dream someone
couldn't remember having, and what seems
so crucially significant now shall disappear,
disperse, dissipate like smoke from of a fire
and all that will remain of this passionate burning
will be an odd fragrance among the stars
that doesn't arrest the attention of the bees.

And these things of my mother that she gave to me,
Blood, flesh, bone, breath and my love of poetry
and compassion for the world you need to write it,
deeply involved in an unrestricted love affair,
will be scattered like urns on the wind as if
my ashes had no respect for their individuality.
The waterclock ended in a desert of mirages,
not the afterlife of an embryo off to a good start.

The death of an art, the extinction of a species,
not the fall of a sparrow anyone notices,
and I'm not even saying they should if they don't
anymore than they feel the loss of a skin cell.
Some people prefer umbrellas to wild flowers.
Icons of the moon without the dragon.
A mouthful of fire to the taste of water.
Tigers in a zoo, to the dangers of an open door.
It's wrong to make love, music, poetry, colour,
compulsory, anymore than you can demand a friend.
Got to give time and space to the black swan
of a nugget of coal to realize it's a motherlode
of diamonds born out of its progressive dissolution.

Translucent effusions of insight into
a speculative nothing, a flying carpet of wavelengths
unravelling on the loom of the moon,
just because the stars have left their genes
on a helical stairwell of flypaper like a chromosome,
doesn't mean you're a replicant of eternity,
or to see the onceness of life in everything
it's becoming without consulting you
is some kind of exemption you can seek for yourself.
Enlightenment isn't a ticket to pass, it's
not to see the beauty of the chains in the bliss of delusion.
Not to make choirs out of your Maenadic desires.
When have you ever not done this, when
have you ever not realized you were the summum bonum
of your own conspicuous consumption?
But who asks you to die before you're dead
to sabotage your artistic pursuit of happiness
whether you achieve it or not? The absurdity
of the search is enough in itself to make it profound.
Enlightenment ploughs you back into the ground
you came from like grass on the moon
and as a bigger fool that I could ever hope to be
once said: if the cold doesn't go through your bones once
how can there be apricot blossoms in the spring?

poem by Patrick White
Submitted by Poetry Lover
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Something Deeper Than Stars

Something deeper than tears to weep for you.
I weep blood. I weep the silence
on the backstairs with the screen door
that bangs like the sound of one hand clapping
all through the night at the slightest gust of wind
as if a constellation were trying
to strike up a insightful conversation
with a wet match, the sceptre of a spent blossom.
I need a moon deeper than water to drown in.
I need to dance the pain away
in a sword dance of serpents
that know how to carry a tune
like a well fledged arrow, a beautiful toxin,
straight to the heart of the mysterious apple
that's sitting on top of my head like a prophetic skull.
No flower can say. Not any number of song sparrows
returning to the budding tree in spring,
no green leaf of an innocent tongue,
not even this dry leaf of mine in autumn
writing lyrics on the wind no one can read,
not even among ghosts, can find a voice
that isn't already the dead language
of an absence that can't be adorned
by a seance of words.
I light no candles. I summon no gods.
No pretence of knowing where you've gone.
No black hole that's as empty as
your ring on the table, no halo
that ever fell as far from heaven.
Good-bye's too optimistic and farewell's
the rudder of a grave on the rocks.
And if I were to raise the paper sail
of another poem like the waxing phase
of the funereal moonboat
that carried you away,
I'd make it black. I'd raise it
like the shroud of a black magician
that can make things disappear,
like an eclipse at half mast
and patch it with the skull and crossbones
of a different phase of the moon on the dark side.
I wouldn't return your personal belongings
back to the morning like starlings and doves.
But there aren't enough sacred syllables
swimming like moonlit fish
in the watershed of the silence
to open this fountainmouth of grief
like an aviary of flightless birds.
Nor would I risk having you remember me,
and turn around like a false start,
supposing you can still recall anything at all,
like a light you left on in the hall
the night you left home for good.
You were magic while you were here to work it.
You were the black nun of an enlightened cult of one.
You were the black mass of the sun at midnight
and the blood sister of the moon
that nicked your finger
on both her crescent thorns at once
so one was the cure to the other's wound
like the eyes of a cat, the fangs of a snake.
Given how close to the moon you were
it didn't come as a surprise
when you started writing me loveletters
inscribed in bone as if you'd just invented
a whole new language out of your claws
to make love to a poet in the nude when the moon
didn't lay its silver sword down between us
to keep us a threshold apart from our fingertips.
And it wasn't long before the elixir began to work
and I lost count of the number
of consensual metaphors I had for your lips,
similitudes for the night skies
that surrounded your eyes in a delirium of stars
that revelled in the crazy wisdom
of their mystically inspired atmospheres.
As just as beautiful as they were,
so were they irresistibly dangerous.
How many light years now
have I poured this memory of them
like a love potion over my roots
and waited for you to bloom in my bloodstream
like stars and blossoms streaming
through the heartwood of an ageing tree
that has as many dead branches on it as it does leaves,
and like an orchard anticipating moonrise,
knew you weren't coming anymore,
and the night bird had no one to sing for?
But, hey, I'm still a better seance
than I am an exorcism and if you can hear me
calling the faithful to prayer
in all directions at once like a paper airplane
the boy in me has sent out to search for you
like a loveletter in a hurricane of razor wire,
dripping with clusters of blood
the size of hemorrhaging grapes,
fireflies caught in a spider-web
of starless constellations that aren't a sign
of anything except I miss you worst at night.
If you could sense the tremor
in even the slightest wavelength of light
I'm trying to shine on the darkness to find you,
I'd write you a holy book of sacred silence
inspired by the shadows in my blood
that overtake me like strangers from behind
with an urgent message not to return home
to what isn't there anymore.
I'd sit out here all night by myself
beside the black waters of this night creek
unravelling like a ribbon in mourning,
that's been talking to itself
as it walks in its sleep on the water,
and I would beseech the stars with my eyes
to let me know if they've seen you,
and in my heart I would entreat them
with the solo of a wounded wolf
raising its head up in a wild prayer
to catch a trace of you on the chilly night air,
to give me a starmap to when and where
I can see you face to face again
and touch your eyelids in your sleep
like crocuses coming up through the snow.
Like moonrise in the apple blow of the storm
that scattered us to winds like all these poems
I've tried to write for you ever since
as if you were still somewhere nearby
like another pair of eyes
in my pain and my solitude
watching from the woods
the stars, the water, the moon,
under the stones in the river
that mark your grave and name
above the flowing of this endless epitaph
of leaves and blossoms and poems
as if you alone could still read them,
like the comings and goings,
of waterbirds on the moon,
the first draft of words on the wind,
maple leaves and keys on the mindstream,
and still understand what I was trying to mean.

poem by Patrick White
Submitted by Poetry Lover
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The Blonde Shock

The blonde shock of wild sea grass from New Brunswick.
At first I thought it was your hair.
And tiny beads of iridescent peacock seeds
as small as the myriad hopes of a poppy
she'll come again
that fell out of the envelope
into my coffee
as a muse of patchouli oil
inspired the air like an Egyptian temple
tending to the rites of Isis
when the moon's in the nymph phase
of her ancient seduction.
And a drawing of a rainbow phoenix
in the form of a flower
and a money-order for five hundred dollars
to paint violet horns
on the black inverted star
with its plinths open like legs
giving birth to helical vines and snakes.
A symbolic tattoo
that means you
that will hang like a flag from your spine
down your back
as a sign of whose country it is
should anyone ever get lost.
You're right.
You can't draw butterflies.
But your darkness intrigues.
Your light is true to its star.
Space bends around you like water.
And there's not a chained tree
in the whole of your wilderness.
The gates of your rivers are open and free
as the salmon who jump them
conjured out of the sea
by the siren who sings to them
like a journey of things to come
at the end of the long way home.
Love breathes life into death
and even on the fly
love is the prime circumstance of now.
And I feel the gold of your harvest in every seed.
And there's no scarecrow with a sword
trying to defeat the ploughshare
it was born from
like the moon as it moves
like a white horse
through a wounded valley
looking for its lost rider
somewhere out there like the wind.
I've been blinded by squalls of stars before
the sphinx blew in my face
and I have felt my eyes
evaporate in the blazing
of certain fireflies
who could read the braille of my face
like elegant fingertips of light
deciphering the writing on the wall.
And I've lived through it all like space
whether I was a celestial snakepit of passion
with a mouse for a heart
or I was blowing kisses
like the petals of bruised flowers
into the grave of an enlightened starfish
passing by in a deathcart.
And sometimes the geni gets his wish
by rubbing the lamp on the inside
and asking the night to need him
like water needs a fish
like fire needs a tree
like air needs a bird
like earth an unpoached elephant.
I'm not a species bent on martyrdom
to any cause lesser than the love
I aspire to
and I won't burn my eyes
on insincere candles at a black mass
or the votive fires of delusional crucifixions
that yearn without conviction
for a better infancy in their afterlife.
Things have been tough
but I still go to bed at night
with the door wide open
as hope to folly
to catch a thief
that might put the moon back
she stole from my window
like the coin from my mouth
I had hoped would pay for my passage.
And I've been given up
like the sea gives up its dead
like the ghosts of old cliches
to the voice of a new medium
and I've discovered
that love isn't the forensic history
of a mystery that can be cracked by the truth.
It's apocalyptic lightyears beyond both
like a prophecy
uttered in the secrecy of your solitude
that can only be overheard
with your eyes.
And there is no age in it
no youth that leaves the stage
a wiser happier skeleton
no shrines to spring
no pyres of autumn.
It isn't the beginning or end of anything
that wanders in a world of forms
like a road with all the answers
to questions it never stops to ask.
Love isn't a lost cause
looking for someone to take a risk.
And it isn't the silence
it isn't the singing
it isn't the longing
to be pulled out like the lucky straw
in a random draw among exiles
to decide who should go first.
It isn't a thumb in a plum pie.
It isn't the kiss that lifted the curse.
Or a lifeboat on the moon
that overturns like a blessing
that only makes matters worse.
And it would be unforgivably spacious of me
though I have loved long and intensely
to say what love is
when it wings its own immensity
like a nightbird of blood
that sheds its hood
to fly among the stars
like a fire feathering its own solitude.
But if I were to say anything
I would say
love might be a mighty sword
drawn from a dark ore
tempered in secret waters on the moon
enfolded like time in space
like a worldly loveletter
in a cosmic envelope
with a return address by the sea
that keeps faith with its prey
by giving its word to life
it's not the expedience of the slayer
or the obedience of the slain
not the exaltation of joy in death
or the mystic terror there is in birth
that calls the lightning down
to make the weathervane crow at midnight:
I have tasted the light on my tongue
like the tine of a new direction.
A dragon sheds it skin
like the ashes of a spent fire.
And the serpents of desire
dance to the flutes
of a lyrical resurrection
like words that take
their meaning from us
when love's the native language,
the grammar, the muse, the voice, the silence
the playfully profound way the picture-music
hides like a Rosetta stone
that doesn't want to be found
like a key to the meaning of everything
when we're what it's trying to say.

poem by Patrick White
Submitted by Poetry Lover
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The Women I Have Loved

The women I have loved,
the taste of old fires in my mouth,
wild orchids
that summoned me
with their fragrance in the night
to mystery, ecstasy, danger and agony,
betrayal and loss,
intensities hotter than stars
that could thaw space like glass
in the coldest, deepest abyss of their beauty.

Seizures of flesh, potions of pain,
delirium of black poppies, eclipses, cloaks,
the sweet doom of paradise
in the effulgent bells of their hips
and their skin always
a starmap back to the earth, luminous braille
only the eyes in my fingertips could read.

Each was a way of breathing
in water, in fire, in stone, on the moon,
an atmosphere that clung to me
like the smell of an autumn night in their hair,
an era of seeing
that rooted like lightning
in the starmud of my poems.

Some were the windows of a palatial awareness
that astonished my heart like a peasant
and others, the rocks that crashed through it.
I tuned all my mirrors
to the high notes
of the most beautiful stars
in each of their constellations;
and the ones I loved best
were the windows
that could see both sides of God
and you could taste it in their eyes.

No doubt I was ruinous
in ways that it's taken years
of deep solitude and suffering
to clarify, the ore
wasn't always worth the metal within,
the volcanic rage of my baffled aspirations,
the urge to express, release, affirm, excel,
the way I parted women I loved like seas
in my quest for the promised land
and the way they closed up on me like pharoah,
like a flower that doesn't want to look at the night
and lowers its lonely eye,
like coffin lids
that were once the petals of a mystic rose.

Who knows who was buried
on those sexual slopes
that overlooked the motif of the river
wandering easily
through the vistas of the valley,
or how the story truly ended
that went on writing itself
as it does today
long after we were villages,
tiny necropoli, perfectly preserved,
and wholly usurped
like utensils by the afterlife
of the erupting mountain
that put an end
to the interminable funeral orations
that unrolled us like thunder in hell.

We slashed heaven
with the bloody razor of the moon
like the vicious legates of a papal threat
to spiritually salt the holy ground
we were rooted in
like lava, blood, and lightning.

I am still a confusion
of wounded dreams,
and when I look at the moon,
the bruises, the dead seas,
I am devastated again and again
by a ghostly sorrow
that returns to my heart
like a dove to a dark bell
that once knew the morning with another.

The truth is slurred by time,
and the confessions we made to the sky,
gusts of shame and contrition,
tiny burnt-out match-heads
that once flared into big fires,
slagging their depletion
like ore in the rain,
were abysmally true to the moment,
as we felt the ground beneath our feet
sinking like a continent.

We may have drowned like Atlantis
but how many decades since
have we lain here
like a thousand other toppled shipwrecks
offering the hilts of our masts
sheathed in coral
and the bunting of weeds
to the sea that slowly accepts our surrender?

All the beauty of that seeing,
the laughter in bed,
the aloof eternity in the form of the woman
at the end of the garden,
seen through the kitchen window forever
as if I had never made love to her,
pulling weeds from among the asters,
forever true, forever
preternaturally true,
the mystery that transfixes
and devours me yet.

I have not laid my dream down
like the head of a child
on the pillow of a stony heart.
I have not looked upon the stars
that shone over us those long walks into each other
as if we were two banks of the same river
and we were still a wonder
and a temptation to each other,
two wings of the same gate
hopelessly opening.

I am still summoned against my will
to those dread nights we went out in each other
like down-turned torches,
and the bouquets of the daylilies,
those truces of fire and water
we burned beside,
turned into congested refugee camps
that plunged into civil war with their own reflections.

All along this road
where I carry my life
like the shoes in my hand
there is broken glass,
shattered goblets of the moon
we once drank from together,
shards of the suicidal chandeliers
we once danced under
like the tails of the unnamed comets
that followed us like paparazzi
as if we were the prophecy.

Vampires once cloaked like assassins
in the darkness of the light,
they still come for blood,
pleading in the shadows like beggars for alms,
and I am often aghast at my own compassion,
feeling the quick tendrils
of their tongues flickering in my heart
that my blood still feeds these candles in eclipse.

Perhaps there is more spontaneity
in the darkness
than there is in the light,
but I have not let my mouth
turn into an open wound,
or wielded the cold flame of my tongue
like a dagger of fire that could only be put out
in the blood of another.

Leeches and lilies
are born in the same pond
and I have not denounced one
at the expense of the other,
but have stood before both in silent awe,
trying to overhear any whisper
of what these things might mean
that they should still sweeten and startle
my deepening ignorance
like the shadows and stars
that leap out of their own darkness and light
to ambush and detain us with love and life
all along these lonely, vivid roads
that walk us like the wind
that moves me now to remember
the generosity of loss that is love,
and the flaring of the dust that we once were,
this frenzy of dust, this urgent dance of the dust
that will forever be
like the wind, like love,
like fire and life, like the nights
that bent down over me while I slept
and kissed me good-bye,
the journey whirling in the arms of its own destination.

poem by Patrick White
Submitted by Poetry Lover
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A Thousand Years From Now

A thousand years from now
who will remember me
once I've disappeared from this windowpane,
a vapour of breath with awareness,
a nebular stain on the clarity
that will wash its hands of me
like a scar of water that has clung too long?

I'm not trying to embalm
the elegiac content of these obvious sunsets in words,
and it's hard to shake honey out of these mordant bells
that lie like duplicitous lifeboats to the gullible compasses and maps
that keep crashing like doves that don't have the wingspan
to come back with news of land
to this museum of DNA, two of every kind,
I keep scuttling like an ark on the top of every wave.

And what is a grave if not an abandoned embassy
that didn't have time to shred its dreaded secret?
And sometimes, when the emptiness and the silence
are beyond bearing,
I hold myself up like a passport at the panicked gates
that have made me an exile and a wounded threshold in my own home
and clamour like a continent
to be repatriated anywhere
that isn't a country whose borders are stretched out like refugee lines.

But it's a foolish wish.
And if there's a dragon to slay,
I realize it's only more shadows and swordplay,
and I think of the return of the rain lifted from the sea
and how the sea never feels anything is missing,
and everything is passage without arrival or departure
and how the arrow never leaves the hand of a good archer.

It's human nature to understand,
a sacred mode of disobedience
to look into the eyes of our worst fears
even if it's just to flare like a star without rescue
and scream out in light a moment against its own extinction.
But who or what or nothing is ever there to listen
as we go out like flies and stars in a toilet bowl?

And a love of laws is not the law of love
and there have been so many dragons
left out of the chrysales of their questions like answers
that the heart is not sustained by the impersonal blessing
of ubiquitous entropy in a long, lab coat
as the spirit longs for transformations
a star and a night beyond itself
that might astonish a human
with something enduringly human
like a next breath that can't be smudged by death
or something drastic in the dust that remembers us
when we were stars
that thawed through the windowpane
as if we were looking through the lenses of our own eyes
to discover everything we live is how we die
and we're always a plight and a plea away from knowing why.

Imagine, one night, looking up at the sky
and there were no death to raise the moon
like a calendar above your neck,
and everything you saw around you,
crows, kites, keys,
last year's pine cones on this year's trees,
were not denuded of their mystic specificity
in this mortal profusion of origins
that ends where it begins. Imagine,
one morning, not getting up from the dream
to pan the mindstream for the nugget of a skull
that might be gold, and the luster of the radiance
never grows old like the taste of the moon in your mouth.

Wouldn't this onceness then be eternal,
and what I'm saying now, indelible
as the space that prompts the stars to shine?
Learning wisdom is learning the universe
as if it were your own face, on the inside,
and you were its only eyes,
disappearing from view so that all that remains is you.

Birth, a breathing in; death, a breathing out,
before the first and after the last, this pulse and suspiration,
muses around the wellspring, witches around the cauldron,
planets fluttering like moths
at the windows of the constellations. Like the moon
I pass my hand over like an eclipse as if it were my own skull,
I have been creatively maintained from the start by my own expiration.
Are there no orchards in the hearts of old women?
Are there no graves in the eyes of a child?

poem by Patrick White
Submitted by Poetry Lover
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When Someone Loves You And You're No One

for Kristine Marie

When someone loves you and you're no one,
what happens then? What do you have to give
that they aren't already in full possession of?
The many I have loved have become one woman.
And this is an orchid that blooms in fire at night.
And this is the dove that returns from earth
with a wing like a broken arrow and asks to be healed.

When someone loves you and you're no one,
what happens then? This picture-music flowing
like a carillon of bliss and despair through
my body, heart, mind as if they were all
poured like dragon iron into the casting of the same bell
that yesterday raised like a sword to kill it back into life?
And this is a doorway you can stand in forever
as if you were greeting someone who never comes.
And this is that butterfly among wildflowers
that flutters about like a symbol of the mind
as if it didn't know whose loveletter it is yet.

When someone loves you and you're no one,
what happens then? Do you give them your emptiness?
Do you wrap space around them when they're cold
like a star-studded shawl you asked the night to weave
for someone very special into astrology?
Or do you minutely examine the mystic specifics
of your life as you've known it up to now
and from somewhere in some dark room
way back of the heart, feel the urge to apologize
to the stars for how much their light's been through
for so little? The star labours, and candles are brought forth.
And this is the delirium of a window the moon drinks from.
And this is that jewel of a tear that didn't
make a big splash on the rock like other tears
and by that you know it's a diamond in disguise.

When someone loves you and you're no one,
what happens then? Does the air as now revel
like autumn in a gleeful chaos of images and insights
the wind unravels like leaves in a tantric realm of crazy wisdom?
Do you see a woman coming through a gate
as if she'd lived her whole life among roses and razor-blades?
And she's not asking for rapture, but you're beginning to feel
there's a peony of a supernova in the house of Cancer
waiting to express itself in the beauty of the way
it relinquishes itself like the moon to the waters of earth.
And this is that mysterious spell that beguiles
the expert hunter into baiting his trap with his own heart
hoping it's irresistible to the fox he wants to take it.
And this is that dawn of a new day that arises like
a strange exorcism of everything that's ever possessed you before
as you greet every ghost in passing off the lake
the same as you've always done, the waterbirds.

When someone loves you and you're no one,
what then? You stare as I do at Venus in the sunset
and write long poems that tunnel through mountains
like work trains full of precious ores that glow in the dark
more intensely as it approaches like a lantern from a long way off?
Or is it just another firefly at the end of my nose
casting galactic shadows across the time and space
it takes to behold them in the furthest reaches of my mind?

I sense a gentleness I haven't known before.
I see a beauty that's as easing to the eyes as moonrise.
And the seeds of words that haven't passed between us yet
are already beginning to open their eyelids and flower.
And there's a soft gray blue sky with a scattering of ashes
to honour the dead and give the wind its due
I can see spilling out of the urn of your heart
to make room for the phoenix I am about to give you
as if it were child's play, when I'm with you,
wholly absorbed like light into bread, to rise from the dead
and feel hunger again, to drink from the fountain mouths
of fire again, and desire and long as I once did
and imbibe the wines of life as if I'd never existed before
without cutting my tongue on the taste
or succumbing to the inconceivable as if everything
that followed thereafter were the afterlife of the inevitable.
And this is the era in which you know
you've already tied your blood like a scarlet ribbon
around a gift no one can determine the value of
if she opens it in wonder, haste and love.
And this is the moment you dread the joy of
when death tastes as sweet as birth in the mouth of life
and autumn lives out of the suitcase of all its memoirs
like the blossoms of a manuscript that has come to bear fruit.

I saw you and you were a gazelle at the easel,
painting the moon like a beauty mark on the forehead
of a sacred slave girl dancing naked in the light that released her
like a butterfly in the jaws of a dragon she could awake with a whisper.
I saw you in a gust of stars, and felt the wings and dust devils
sprouting out of my heels to let me ride the thermals of my heart again
as if the long, dark, strange, radiant journey I'd already come
were merely a hair of the way I had yet to go like the sole copy
of a love poem I had committed to the wind so hopelessly
such a long time ago when my solitude could play
the rosey-fingered sea like a musical instrument
that could make the waves sing like mermaids
without a plectrum or a pick or a ship, as long
as there was desire in your fingertips and urgency in your art.

When someone loves you and you're no one,
what then? Let them be everything to you even
if there's no you to be anything to. Pour your emptiness
into hers and fill the cup up to the edge of the moon
and let it spill over with light as if it had a leak in it
bigger than a record harvest in the horn of the moon at full.
I've cut star wheat in a virgin's hand
in a total eclipse of my senses
and touched flesh as if it were fresh bread
cooling on the windowsill of a hungry man
who can taste the light in it like letters from a child hood
far enough away from home to learn to love it again
with a second innocence more indelible than the first.

As for me and my treehouse with open windows,
I shall welcome a songbird on the cusp of Leo
to every branch and rafter of it, or if need be
at sea on the moon, in the event of a storm,
a lifeboat fashioned out of my own bones
to hang on to like the eye of peace in the skull of the dragon
who looks at you and reads you like fireflies on a starchart
delineating a new constellation out of homeless space and time
and a habitable myth of origin for two exiles in love
among the sacred groves of the rootless trees.

With you I have not come to revere the pain and longing
of hungry ghosts hanging on to every blade of grass
like a flag at half mast in a high wind.
I have come to appeal any destiny
that doesn't bear the seal and signage of your heart.
Nor will I ever surrender any sword to your waters
that wasn't first tempered in the translucent fire of diamonds
that feel like a fool of cool water running down your skin
like a spring thaw of the crystal chandeliers
that melted down their spear points into rain,
that dipped their swords in wax
and trimmed the wicks into fuses
and lit them up like Roman candles
such that my eyes and my heart
are still flowering wildly with you in these starfields.

poem by Patrick White
Submitted by Poetry Lover
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Enlightenment Isn't Lumpy

Enlightenment isn't lumpy
even if sometimes you've got your heart
stuck in your throat
like a bird in a chimney
warming up like a phoenix
to go the way of the sumac leaves
and the ghosts of smoke
on the pyres of the sky burials
of the Canada geese.
Just because November
can't feel its pulse
and the garden snakes are nesting
like a sloppy knot of wavelengths
deep in the cold heartwood
of a rootless tree that can feel
the brutal chill of serpent fire
running up its spine like a lightning rod
doesn't mean enlightenment's a placebo
you have to keep away from the kids.
It's real enough to be unattainable
without disrespecting the integrity
of the picture plane.
It hides out in the open
where no one ever thinks to look.
The simpler it gets
the bigger the book you need to write
in order to conclude ambiguously
you do and you don't not understand it.
Say not two
and all is well.
And mean it deeper than you can say it
so that pain doesn't adulterate the child
that's trying to transcend it
by hanging on to the lifelines
of his fire-proof constellations
like the kites of distant stars burning in the wind.
Enlightenment doesn't care
if you've lost your integrity.
Your absence of self-respect
for someone who isn't there
is a rare opportunity
to uphold the dignity
of stars and rivers and trees.
Enlightenment's just the blossom.
It's not the fruit
of what there is yet to be.
The smell of autumn
in a windfall of apples
cradled like small planets in your arms.
Enlightenment isn't salvation from pain.
It's an invitation to forsake yourself
in the name of nothing you can explain.
The blossom let's go to make room for the fruit.
The perfumes of the spring give way
to the aromas of decay.
But they're both sweet
because there's nothing about either of them
that's everlasting.
It may be an old root.
But it blossoms in the spring.
It may be a dead branch
but the nightbird stops to sing.
And the full moon shines
like a skull full of signs
above its dark abundance.
Enlightenment isn't out of the reach of anyone
because it's got infinitely long arms
and puts the stars at your fingertips
and says play what you want
as long as it's something
we all can dance to
on our way to the grave
like fireflies in the wake of a thunderstorm.
Enlightenment doesn't take life too seriously
even when it makes a tantrum
of its elemental innocence
and goes supernova.
Deep in the nuclear core of its heart
it's creatively playful on a cosmic scale.
The darkest inspiration
of its genius for making
an art of its existence
is life.
Simple and beautiful
as the laughter of children
collecting sea shells on the moon.
Even when you're severely lost
enlightenment doesn't hand you a flashlight
and say go look for your mind
like the holy grail in a sacred wood.
It deepens your solitude.
It blows the candle out
until you emerge like a star
from the profusion of your own darkness
and stand in the doorway
of your own shining
amazed by what you can see
when enlightenment isn't blinding.

poem by Patrick White
Submitted by Poetry Lover
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Your Eyes For Awhile

Your eyes for awhile
were the only eyes
I could see through
to catch a glimpse of god;
were windows into my own soul
that I could look through from the outside
without throwing the moon
through my reflection like a stone
in the hand of an angry boy.
And it was always as true
as the way your heart grew
that you could love strangers
easier than I do even now
after all these years of learning how
to talk to mirrors in their own language.
And you were not one woman
but all women forever
when I saw you once
bending down like the dusk
to touch the last of the flowers
as if you would never see them again.
As serene as the evening
there was no labour in your beauty
and I swear when I saw you that night
I felt as if I were the whole world watching
time put a finger to its lips
and pour its fountain
into the flow of your body
as if it were the sum of all passage.
And though I was your friend in all things
every evening since
the candle went out
in the lantern of a lost tomorrow
I have walked out into abandoned fields alone
and asked the saddest questions
of the most distant stars
knowing there is not enough light sometimes
even in the eyes of God
to be a companion of our sorrows.
And the questions grow longer
as the darkness deepens
the echo of my longing
in a well as dry as my skull
and closes its gates like scars.
And then those nights come
like a life or a day
or even just this moment
when I stop asking
why human suffering
is always indescribably true
and joyful as an irreproachable buffoon
sword-dancing alone with the moon
who writes me dangerous loveletters
as if she were the Lady of the Lake
receiving me back
like a funeral ship
into this mysterium of you,
I can almost believe that you know
even though the night mocks the crow
that pines for mercy
and turns its lightless face toward you
as if it could still feel
the warmth of the sun at midnight
in your eyes again
like the afterlife of light
playing with fireflies in the abyss
now that the summer constellations have gone down;
that somehow you must know
like a guitar
on the far side of a room
where someone is singing
as if they had their ear
to the womb
of your irrevocable absence
that binds me to you with every breath
I take for two
as if I had learned to live on death
to keep you alive in me
where you still flow through the seasons
on the nightstreams of my blood
like blossoms and leaves and stars
and the moon leaves no scars on the water;
must know. Or a demon’s a kinder face
to bestow on the darkness
than a black hole without eyes,
though it’s taken many, long, painful years
for the night to share the light with its jewels again
and as many schools as there are fools to fill them
that even just one
of those slightly compassionate smiles
you would send across the room
to cool the furnace of my heart
with the lightness of one snowflake,
one feather
gracing a change in the weather,
knew more about love
as a raindropp knows the sea
than all of us
who have been washed up
on this cold, lonely shore together
thinking we may have been saved
for something more
than this tidal longing
to brave the sea again
and even if doomed to drown
as I have learned
from this shale of pain
that has carbon-dated the eras
of my missing you
like a life that didn’t
flash before my eyes
as I went down for good with everything,
to thank-you, o, yes,
with nothing but love and light in my heart
and your face in the eye of my solitude
as I stand before the sea in gratitude
to thank-you
as you well knew one day I could
for the generosity of the wound
that has run like my life
down these eyes
these windows
this page
these empty mirrors
of autumn rain
that have wept for years without you
just to see you again
for one moment more
than the time I have left
to know that I never will.

poem by Patrick White
Submitted by Poetry Lover
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Stranger In The Leaving

Stranger in the leaving
than you were before you came.
Is it not always so
when people separate?
Lovers who knew each other intimately for years
close their gates to each other
and say each others' name
as if they weren't philosopher's stones anymore.
And the base metal outweighs the gold that comes of it.
Alone with the alone
in the abyss of the absolutes
what was vivid and vital
turns numb as glass
and what was mystically specific about the other
is no longer a shrine that holds the secret name of God.
Stranger in the leaving
than you were before you came.
You leave with some of my memes
as I leave with some of yours
and we are both no doubt slightly changed for good
by the reciprocity of the encounter
like hydrogen and oxygen make water.
Though now it's all tears frozen on the moon.
Good-bye my lovely
I shall miss your eyes and your skin
and the thrill of your dangerous heart.
I will miss your wounded mouth
I tried to heal with messianic kisses
that never walked on anything but the earth.
And there's no blame
you couldn't fit my lunar month
into your solar calendar.
We had everything in common except time
and our faults were as compatible as our virtues.
I will miss the rumours of alien life in the wavelengths of your hair.
I shall miss losing myself like a firefly
in the wishing wells of your eyes
even if now my own seem more
like impact craters in the prophetic skull of the moon
when I consider what's leaving like an atmosphere from this mindscape.
And I shall always remember
that your heart was as generous as your breasts
and whenever we made love
how the earthly was the envy of the spiritual fact.
You didn't want anyone to know you were gentle.
Not even me.
But I could see through that mask
eyebrow to eyebrow with you
as if we both were intent on showing the same face to the earth
like the crescent fangs of a Georgia moon that said
don't step on me
because we were afraid.
More than enough to have you in the nude
I wasn't a glutton for your nakedness
that demanded you take your illusions off
to prove you loved me.
It would have been an irreverence
beyond the aspirations of heresy
to witness you renewing your virginity
like the new moon bathing in a sea of shadows.
I never tried to pry the petals of the flowers open
before they were ready to bloom.
I was never the ant
that told the peony what to do.
I never tried to look under the closed eyelids of the rose
to see what it was dreaming.
Though I'm not into voodoo
I never desecrated
the bird shrines
of your involuntary taboos.
But now I look in your eyes
and see that yesterday
is less vivid than tomorrow
though neither of them has happened yet.
The new moon is all potential
The full moon all used up.
There are effigies of potential
standing like scarecrows
in late autumn cornfields
and paragons of actuality
who love to star in constellations
that make them out to be the hero.
I try to stay
and I end up going.
I try to go
and the earth moves underfoot.
The root feels the death of its flower
as the autumn stars turn into frost
and burn its petals like old loveletters
to the immensities that didn't have time to read them.
The harmonies of life
are distinguished from the harmonies of death
by a single breath
taken in
and turned out
into the vast expanses of where it came from in the first place.
And the spirit that isn't shy of its own lucidity
knows that everything it illuminates
whether by day or by night
has the lifespan of light
and light is the brainchild of the darkness.
So even when the lights go out
like people and candles
and us
the shadows go on blooming
and even when the stars
are a gust of ghosts at our heels
the dust is rich
with the memory of all the roads
that once got lost in us
trying to find their way back home
like blood and fire and spirit
as if their final destination
were always the place they started from.
And if in the lightyears ahead
you should ever wonder if I remember you
be deeply assured
I shall remember you
as if every footstep I took
were a threshold of this homelessness
I am brave enough to cross without you.
And I shall thank you for this courage
inspired by the muse of your absence
and the feel of my blood Doppler-shift toward
long meditative wavelengths of red
that stream from the intensity
of the wounded white-hot blue of a renewed beginning.
You can't teach a bird to fly in a cage
or snakes to bite other people.
But when I first met you
it was as if the serpent-fire at the base of my spinal cord
that was running to keep its thoughts aloft like kites
suddenly had wings
and all my dirt-bag myths
that crawled on the earth among the lowest
were elevated into constellations
that burned like dragons among the chandeliers.
And when the muses of life well up in me like water
as they will
and ask me back
for all the tears they've shed on the sorrow
of the way things had to be
between you and me
for them and us
to happen the way we did
I will show them the eternal flame
of the nightwaterlily
blooming in the clear fire
of its lonely lucidity
not even the rain
the dragon brings
can aspire to put out.
I will show them the sun.
I will show them the moon.
And I'll say
you see?
That's us forever.
That swan in the heart of a phoenix.
And they will be well-pleased with the beauty of the lies
I use to shadow the truth with compassionate alibis
for why the flowers fall.
Sometimes it's the bird that swims through stone
and the snake that flys
in a profusion of fire and water
shadow and form
darkness and light
intensity and death
madness and wisdom.
Sometimes you meet someone
and you realize
this fallible flesh just as it is
is the deepest longing of the spirit fulfilled
like light in a perishable garden.
That there are no flaming swords
in the hands of the angels
at the wounded gates of our exile
trying to keep anything in or out.
Stranger in the leaving
than you were before you came.
The knowledge we have of each other
might want to keep things the same
but like all living things
in this garden of creation
the only way to sustain our innocence
is change.

poem by Patrick White
Submitted by Poetry Lover
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Not Even The Light

Not even the light of the stars
shining like the keys to the ancient love-letters
bound among the secret jewels
of the queen of heaven
penetrates me as deeply as you do.

The planet wheels into the night
bearing its burden of humans
murdering each other
to enforce one state of ignorance
upon another
as the rabid bees
strafe the demented flowers
on the far side of the world
for enriching their radioactive pollen,
convinced in their madness
more honey than blood will flow from the wound.

I walk by myself
along the brittle banks of a frozen stream
among the detonations of the cattails
waiting like Napoleonic cannoneers
to stoke the charge of the next volley.

The snow in the sunset
is stained a spectral apricot
that disappears like breath on a cold window
and the sky is vast with my insignificance.
Two or three decades of life left,
if I'm lucky,
and though I have tried to use my time
to leave a gift for someone I will never meet,
long ago I realized
there is no way of assessing
what they will find
after the coffin closes like an eyelid
on this long, dark, radiant brevity
that once shone like the moon
in the ores of my blood.

Like the wandering of this rivulet
my heart has always been
a pilgrim without a shrine
and the direction of prayer has encompassed all
like a man getting up off his knees
and walking through an open door
to drink from the cup of his lover
in the shadows of the autumn willow
that sways like kite-tails
from the flights of fire
she ignites among the stars
that gather in the dark like strangers
before their own ghosts.

What the wind
has torn away from me like apple-bloom,
like poems, like smoke and leaf, like skies,
like tears and blood and faith
it has replaced
with these deeper revelations of you
that hang like a windfall of scarlet bells
from the branch of a dead tree in winter.

The wine of your life and light
has matured in the ferocious crucibles of the sun
and you have been poured out
like the passion of a sword
to cleave the stone of my heart
with these truant rivers of wounded silver
that flow through me like blood.

A young breeze
tries to hone the edge of its blade
on the rising moon
as a black ribbon of water
runs like a snake of oil
between the enclosing jaws
and cataracts of ice,
tiny wavelets scaling its skin
scintillant with the small commotions of stars overhead.
The bush wolves
have been nosing for muskrat
and you can almost taste the steam
rising from hot meat on the air.

I squeak like a pulley through the virgin snow,
following the banks of my own meandering,
owing nothing of myself to anyone,
wholly my own solitude,
as I pass through the gates
of the enclosing darkness
trying to enter the abyss and the mystery
of what I have lived so precariously
over the last sixty-three years,
what it means, if anything,
to be a human among these paper birches
on an island in the stream,
looking up at the intimate unattainability
of the stars,
knowing you are growing old,
that death is more populous with friends
than life, that love
has sloughed you so many times
like a viper's skin,
like the phases of the moon,
like a shrine of smoke and ashes,
that the phoenix hesitates
to robe itself in the full glory
of its former plumes of fire.

My mother will die soon.
I must say it,
voice it in my blood
to be able to bear it
and my children are clouds in the world
that no longer look for their reflections
in the eyes of the lake they arose from
as if they were merely breathed out.

And how in any god's name
can a man define the absence
he has grown to be,
except he standardize his own spinal cord
as the only measure of loss
he has to go by?
And even after
all the millennia of my walking,
standing up,
I'm still only six feet closer to the stars
though my mind can embody all of space
in a solitary thought.

And the deep, inner silence
in the empty throne-room of my heart
where even the most profound events of my life
are seen to be ultimately no more
than the antics of a jester
playing with shadows,
turns out after all to be
just another mode of weeping.

It takes a lifetime
for a dropp of water
to gather the courage to fall
from the tip of a blade of stargrass,
and the tongue has tears
the eyes know nothing of.
I admire the cool crimson
on the brushes of the ground willow
as they try to catch my likeness
on the ice-primed canvas of the snow,
but suggest
to portray me as I lived
they need to be loaded with blood not paint.

Like the moon
I have worn the same blossom
as a face
for years now
and I still don't know the fruit
that ripens beneath it;
whether my life has sweetened
in orchards of light,
or black dwarf of the forbidden apple
on a dead tree,
I taste like a full eclipse.

And what could it change even if I did know?
When the diaspora of my starseed
breaks bread
at a harvest of thorns;
who is the host
and who is the guest
and who asks for a menu?

And no matter how far from home
the journey takes him,
whether down a dead-end alley
or further than the stars
was there ever a man
who didn't walk to his own funeral
like a bell
looking for any beginning
that might not be lost in the end?
Or does the snake
that takes its tail in its mouth
as a gesture of eternity
eventually end up swallowing
its own head
like this stream before me
making its way to the sea?

I stepped across a star sill
through a vertical door into life
and in the leaving of it
I shall knock from the inside
on a door that's horizontal
to continue my descent toward earth
down a ladder of thresholds;
and what began so earnestly
among family and friends and lovers
will be concluded by a stranger
who will wear my name like a gravestone.

But here among the tangle
of these fallen trees, their roots
fleshed out
and washed like a corpse
by the water and the snow,
Venus peers through the fingers
of the branches above
where two crows have paired
like quotation marks
around the hearsay of the night
though I am left speechless
by the random beauty of the scene,
as if my voice had been released like a bird
into its own most intimate, inward vision
and that vision were everywhere you like the sky
it disappears into like I do
everytime my heart is opened
like one of the lockets of time
and I stare into your eyes
and the universe stares back
as you breathe out the night with all of its stars
and then I breathe you in
just as a golden feather of the moon
lands without a ripple
or unravelling wake
on the mirror of these lonely, black waters
I have followed deep into the darkness
like the urgent secret of my own lifestream,
and I know it's you. I know it's you.

poem by Patrick White
Submitted by Poetry Lover
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As If Beyond Death

As if beyond death today,
as if I lay already under the eyelid of the moon,
the echo of my heart
pumping shadows
through my perfectly preserved corpse
in a silence that's never known the wind,
a fallen wharf without arrivals or departures,
and sad enough not to care why,
blood on the dolphin in the black tide
that pours me out of the horseshoe of the bay
like a road from its boot,
wipes me like the pollen and dust of dark matter
off the windowsills of the constellations,
my unknown mass crucial
to the cosmic contractions
that might give birth to the world again,
and I'm here alone in the high field
drowning in the twilight with the wildflowers
and the sky a last exhalation of the blue-green luster
that flirts with the mystic violet
on a homing crow's head
as the shadows assemble the wings
of a total eclipse
and a new dragon is born of the pain
that shrieks like lightning in the mouth of the abyss,
a torn animal
peeled out of its own skin like an eye
to add its darkness to the furnace of the black rose
that roars in the night
to blood the hungry mirror
with the thorns and talons of clarity,
to feed the wound of its existence
its existence.
And when I walk to the end of myself
through the golden rod and waist-high asters,
the seed of the stars that sleep with the daughters of men,
some of the flowers close up like fists and kisses
and others grasp themselves like a key
to a door that the whole universe can walk through,
and there are strange birds
flying from the eyes
in the rising skull of the moon
that sing like the pyres of cremated guitars
that died like trees in their solitude
and even the gates are weeping like wild dogs.
And there's a wind, intelligent, dark
the ghost of an ancient serpent
horned without ears,
an ocean of mind that exceeds itself like a wave
that howls like a secret it can't tell itself,
like a root blind to its own flowers,
that wants to lead my voice away in chains,
that wants my tongue to try
like a leaf in the updraft of a fire storm
to scream its agony out in the night
so that even the furthest star shudders
with the horror of its final liberation
like an arrow through the throat of a caged hawk.

poem by Patrick White
Submitted by Poetry Lover
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Mad or Enlightened

Mad or enlightened the same, the universe
is an embryo of darkness born in upon itself, everywhere
its own womb breaking into the pulse of stars within stars,
and everywhere, the shining before the light, the dark mirror
showing the light its own face for the first time,
how in an eventually that is always now
it would attain flowers and eyes along the way
and become the skin of the rain as it falls to earth in April.
If I change to fire, these letters burn, blow away as ash
on the tongue of the wind; if water, then the stars put themselves out
in their own weeping like candles drowning in tears.
Every step of the journey around ourselves
is another world, another garden to plant the seed-names
we’ve shaken from autumns in other realms
and carried around like sacred jewels
we forgot in the corners of our pockets and hearts. Believe it;
when I am all stars; you are all the listening darkness
I pour myself into like a drunkard into a bottomless glass
and you raise me to your lips and drink yourself up
until you’re blinded into clarity
by all the open cages of the light.
Why lie in your own coffin, night after starless night,
if you’re not empowered by your long obedience?
Better to open your eyes on the other side
of your horizontal door, better to come knocking from the outside,
deluded vertically, than suffer this poverty of blood within
the hushed precincts of your skyless realm,
the skull-bone basilicas of your private Vaticans and law libraries.
When it wakes up in the morning
there’s no book-dust in the eyes of the light.
Before you now, in your endless beginning, the dream
you thought you had rubbed from your eyes, you
waking up like a key inside the heart of the dream.
There’s nothing you can’t unlock, even
gardens on the moon or the ancient futures of past lives
death only pruned back with shears to bloom again
in the efflorescence of your eyes, early dawns in the new arraying.
Who you are flows into who you are, all one river of seeing,
dizzy and composed in its own running, all
your own eddies and currents, swamps and white-water,
auroral maids of the mist when you fall in separate drops,
weeping’s just a waterfall, and frenzied tides of being
when you crash ashore out of your own wholeness into buddhas and bums.
In the fire, everyone’s crazy with passion and intelligence,
everyone’s smashed on the wine of an unknown guest
trying to be remembered by his friends.
What visions abound in the orchards of the blessing,
What hearts are torn out and thrown upon the fire
like planets called home by the longing of the sun? We are the white shadows
of the someone else who is walking up ahead
like the moon on the path of its own reflection.
Catch up to yourself and drown in the luminosity of your own being.
Who needs a map to the road they’re walking
or sages pointing all along the way, grey as barnboard signs,
or luminaries at night
pointing to the darkness. The pivot of the worlds points to itself.
True north is not a direction. Haven’t you guessed by now; the stars
all circle you like stormbirds drawn to a lighthouse on the coast of heaven,
too in love with your light to heed your warning about
the deep dragon grief that opens the mouth of the wound
that killed it into life, a one-edged sword of light
in the hands of a holy assassin darker than the silence
of the sun at midnight. If you listen with your eyes,
you can hear in that mournful emptiness
God calling out to God, lover and beloved,
through the echoless valley, across the waveless sea,
yours the name on the prow of the ship that breaks through the veils of the storm,
and yours the name of the storm. You are the bird
that answers the green bough; the lightning in the rigging.
You are the sigh of the silence
and the mystic pen in the hand of the saying.
Whatever worlds you dress for, fields and flowers,
or stars and hourglass elsewhere zones, you are the body of being,
and yours the gowns and robes of creation you draw from the abyss
like clothes from a private closet, dignified in your scriptures,
intimate in your jewels. And everywhere you coyly let yourself fall
like earrings of rain, scarves of fire, fragrances of light,
and watch to see who of the many lovers that are you
bends down like the sky to pick them up at your feet
and return them to you like the first crescent of the moon
rising like an eyelid out of sleep
to greet itself reflected in your face.

poem by Patrick White
Submitted by Poetry Lover
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Lighting It Up And Blowing It Out

Lighting it up and blowing it out
I try to make my way through the dark
by beginning at the end
as if the coming and the going
were the same door
or good-bye were the first thing
you would say to a friend.
I approach things like a night stream
as if my death were already achieved
and behind me.
And all the atoms of my being
dancing like frenzied gnats
in the sunset glow of a last eye-beam
are certifiably primordial
and any one of them
when they lose it in the light
could begin a world.
And what can you say more of a life
that dreams of what it is
than it's the taste of the same wine
in many different cups?
And as any fox knows
the grape is always sweetest
when you can taste it with your eyes.
Though why foxes eat grapes is anyone's guess
but life makes itself up as it goes
like music in a fish's earlobes.
It feathers its themes in fire and light
and goes up in smoke
like the ghost of a tree
looking for habitable planets among the stars.
New wounds with innocent root-room for old scars.
Chalking the cue to bank the long shot
you're trying to spin off into
the deep, dark pockets
of your game-winning afterlife.
And I don't believe in much anymore
though that hasn't stopped me from crying
like a slow window trying to keep
the stars from leaking out of me
as if there were a black hole
somewhere in my heart
waiting for an iris to make it an eye
whose seeing might be a new way of healing
what can't be healed.
Once here. Here forever.
But whether we're the eternal children of forever
or just another breath on the night air
that doesn't even know we live,
even death is just another way of killing time here.
When everywhere's the center of everything else,
the centre holds,
things don't fall apart.
They disappear.
And that's the mystic art
of knowing how to make the most out of existence
by offering no resistance
to the rocks in your own mindstream
that part the waters like the thoughts
of an exile in the promised land
who can't go back the way she came.
The river can't step into the same you twice.
And in every direction
your eyes have ever burned like stars
you can see the dark jewel of your own life
from the inside
before it breaks into light.
Sometimes I'm the lonely sign
on the only path to nowhere
and others I'm positively amniotic
with the schools of my blue lucidity
the albino dolphins of the moon leap through
without a chance of changing their colour.
A flower of prophetic blood bleaches my skull.
I swallow the snakefire of my last eclipse
like a lump of coal
I'm trying to turn into a diamond
that doesn't burn
and never sloughs its skin.
Reality isn't a religion or a science,
or the back and front of a mirror
that doesn't know whose eyes its looking through.
Religion: how many angels can dance on the head of a pin?
Science: how many pins can dance on the head of an angel?
Totem poles on a telephone booth where no one ever picks up.
Voodoo dolls that hex the cause of their effects.
The apple bloom on the tree of knowledge
lets go of its flightless wings
and follows the wind
like the eyelids of unfeathered angels
who opened their eyes like flawless fruit
as they fell toward paradise
without a parachute of smokey virtue
or the scale of a snake for a vice.
Emergence into the open
like a hidden secret revealed
is the engine of evolution
that empowers the dark matter
of this incorporeal starmud
to arise like the high note of a bird
that's flown beyond the night in its voice
like light beyond its myth of origin.
And the peduncle is lost in the ensuing phylum
as a madman is lost in the scream
that woke up the asylum,
or a god is lost in his own creation.
And the mountains listen
to the holy voices
in the valleys of their shadows
they deepen as they arise
like the guests of an echoless calling
to greet the unknown host.
It's what the moon feels
when she fondles her locket of water
and memories pull at her heartstrings
like tides on earth
and music is the way she recalls
the sirens that used to sing
like the brides of empty lifeboats
that prayed like smashed guitars
for the night to sow the seedless sea with stars.
And in every fish that swims through fire
like the sacred response of life
to the longing in its own desire
she knows they got their wish.
Fireflies in the ashes of the phoenix tree.
And the eggs of cosmic words
like serpents in a bird's nest
learning to fly like dragons
that have just swallowed the moon.
And it's one thing to pull the sword from the stone
but it's a greater power than magic and proof
with no urge to rule
that summons the butterfly from its cocoon
by giving the fool who inches toward the truth
along the green branch toward the apple-bloom
that already tastes like the forbidden fruit
of some radical insight
the whole orchard in a pair of wings
and more than enough night and light on its palette
to start a revolution in seeing among the flowers
who still labour in the chains of their roots
to turn their earthbound lucidities into stars
who might look back for a change
with eyes that have gathered like water out of the shining
and taste the light in the honey
that kissed their eyelids into gold
long before the night was old
and it wasn't enough just to see them.
When you opened your eyes
in the burning clarity of your lone vision
before this matrix of space and time
gave birth to the world
you were free to be whatever you could see.
That's when the light first spoke to you
in the mother-tongue of your seeing
and your voice broke
like a secret name in the mirror
that didn't know who you were
and the moon on nightwater
the thief at the window
your breath like stars on the cold, night air
summoned the whole of being
in every particulate shard
and radiant plinth of the mirror
to drive your shining into the shadows
so myriad things can appear as they are.
Many eyes open. Night. An eclipse. One star.
And the darkness an anti-romantic
in love with the moon from afar.

poem by Patrick White
Submitted by Poetry Lover
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Under the same moon.

Under the same moon. (poem/storyline)

Separated by Miles,
True love strengthens by distance,
Two hands longing to be held,
Two hearts -Beating as one,

Two pairs of eyes,
See beyond the world,
The sky...Is not the sky,
The moon...Is not the moon,
The stars...Are not the stars,

But a gateway,
A runaway,
To being together,

Bonding as one,
both stare onto the clearing of the moon,
They see each other in the sky,
They stare upon it,
They feel, they realize
Their not alone, But standing face to face,
To find love under the moonlight,
Distance relives but shares the same sky,
The towns people are silent and asleep,
Only two names, one boy, one girl-
Exist as the waxing gibbous turns full,

Seconds pass by fast,
Her hand touches his heart,
His hand touches hers,
A sudden movement,
They are holding each other,
Locking hands and eyes,
Every night they visit the same moon,
Just to be with each other,
The morning slowly breaks the dark,
the sun takes over the moon,

Til' this day the moon has never gone,
But is hiding to come again every night,
to bring two together,

Years past,
the moon still never gone,
what was once a little boy, and once a little girl,
grow older,
They're skin wrinkles,
eye sight fades,
strength dims,
bones weaken,
But now together-
two look in each others eyes,
searching for the past,
for now and old woman,
and an old man,
Still holding each others hand.

That night they both go to heaven,
Together,

But as the moon shall come again,
there they will stand,
Together,
As a little boy and girl.

Holding each other,
under the same moon.

poem by Danie Babcock
Submitted by Poetry Lover
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Something Said Softly

Something said softly in the night
like a tendril on a windowsill
tasting the moon, a whisper, a word
that walked in the light without
abandoning its shadow,
a phrase with wet wings
dreaming itself out of its chrysalis
not knowing whether it's a leaf or a dragonfly
until the whole tree wakes up beside it,
something sought but rarely said
saturated with the meaningless life of meaning
that could touch space like flesh
and make it feel the thrill of new eyes
running down its arm like tears.
And it's not that I want
to unsay the night or God
to define myself as a human,
and it's of little moment to me,
seed on the wind,
what worlds are born of my words,
what ends, what begins,
what comes of what I cannot say,
but I want to say something
with the savour of time in it
that's worth living for a little more each day
like a small tree rooted like a thought
in a crevasse of eternity,
greening the moon.
Late at night, in the darkness,
while the silence is off preserving something,
and all I can hear is your breath
off in the distance like an ocean,
I want to unpack my vagrant heart
like a patched guitar-case,
a grave-robber in a pyramid,
and attune my afterlife
to the key of this one
in such a way
I can play like a new star in Orion
to all the sad, beautiful fireflies of the moment
that hover over us like living constellations of our own
not bound to any paradigm of light
that can only be touched by a mountain of stone.
I want to paint something
that feels like the flower
that just brushed against your hand,
I want to be inspired by the mystic blue of midnight
like window glass fired in the kiln of a star
that has looked upon the suffering of humans for so long,
their atrocities and deprivations,
their terrors and wrecked joys,
compassion has turned it into an eye so clear
you can sip water from it like tears
that taste of the history of blood and wine
that danced alone like a vine at its own wedding
with a bride of rain that unveiled herself
like falling chandeliers.
Unfailingly, absurdly, obsessively human
in the shadow of thundering magnitudes
that feel like the extinctions of gods
that time has wheeled out
to the enormity of the gravepit
that limes every abyss of the heart
with the stars of a new universe,
I want to add one candle to the shining
in a folly of insight so illuminating
even the earliest galaxies
forever entering the darkness
on the threshold of their first shedding
could see it, something
so profoundly vernal and intimate
even I can believe in it.

poem by Patrick White
Submitted by Poetry Lover
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The Serpent

The serpent sits enthroned
at the top of its own stairwell,
helically reposing in its own empyrean
like an August hawk
coiling up its own thermals;
its fangs, a stargate
to an unknown afterlife, emancipation,
and the jewel of its head,
the first stone thrown,
a small planet without
the eyelid of a sky,
a nugget of mystic uranium,
looped in a turban of orbits,
a sacred arrowhead
that flys from itself like a bow
drawn back long before the wind
knew its first feather.
Lethal healer,
the sword that kills is the sword that saves.

This morning,
the drubbing of the rain on a tin roof,
the hiss of traffic
flaring like matches down the sleek asphalt,
if I were to say
I want the emotional life of space,
I don't know if I'd mean it,
but I'm so weary
of being this slow crisis of a bird
mesmerized by the swaying eyes
of the black lightning
that has caught me in the net
it weaves of my own nerves,
I want to douse my heart
in the next providential tide of tears
like a torch I put out in the night
to see better in the dark.

I asked for wings
and my spine was adorned with fire.
I asked for water
and I'm a fish on the wind.
and now this desert I hoped to remain,
a craze of sand,
has grown teeth
and is overgrazing the starfields like pyramids.

I don't think
I will ever recover
from the wound I received
like the hidden twin of the moon,
trying to love the world, myself, women, people.
Every word was a road, a pulse, an eye,
a dropp of blood
I could ride to the end of and beyond
into the implacable subtlety
of my own empty, ageless temples
where even the silence isn't ghost enough
to conjure a medium
to jar the table as a sign,
and death is buried in its own vacuity
like an embryo in a mask without eyes.

I was bound by my own boundlessness,
my nerves, wicks in the abyss
that enhanced the darkness
by cleaving me like a tree
vision after vision,
another world
with every blink of the eye
that wiped the mirror clean of me like an ax
until I understood
that even the most enlightened watersheds of wisdom
are just a smear of perception
on the least dropp of that splendor
I went looking for like a cloud
saturated with the ancient seas of the moon
that was covered by my own looking.

I lay at the bottom
of my oceanic odyssey,
trying not to sink,
but I wanted to give something back
for what I felt I had received;
not an ethic or a metaphysic,
but a spontaneous action of the blood
that remembers it was once a rose.
I wanted to return spring like a water-key to the moon;
I wanted to harvest the shadows
of my own non-existence
and break bread
with the famine of ghosts
that came like royalty to beg food from their servant,
blind doors standing on the thresholds of awareness
asking me to address myself
to the terrible openness
of their unanswerable need.

I have eaten my own ashes
in the furnace of every star
I have ever looked upon.
I have drowned in the wells
of the faceless, fathomless mirrors,
and every woman I have ever drunk from
was a grail with an enigmatic black pearl in it
lustrous as the moon in eclipse.

O promises of bliss
that tuned the webs of the spiders
like a guitarist with perfect pitch
to the frequency of my spinal cord
that I might entangle a star
in the silk of my conceiving;
that I might seize a firefly
in the fangs of my thought
and taste the honey of the lantern
that lit my dark corner
in the era of the moment.

O sweetest of lies to ripen with longing
like the eyes of a child in the darkness
far from home.
I was trying to find a road
that fit my walking like shoes on a mountain;
I was trying to walk on water with mystic crutches;
I was looking for an arrow
dipped in the blood of a serpent with wings,
set aflame by a demonic star
and feathered by spiritual fire
to restring me like a bow
severed like the branch of a sacred grove
by the oracular blade of the moon.

I was too deeply sheathed in the truth
to appreciate the arcane sagacity of my lies.
I stood like a shadow in the burning doorway of my own fire
and looked deeply into the night
to answer my own knocking
like the echo of a stranger in the darkness,
walking away from someone who didn't know
how to greet himself.

I was a tree crucified on a man,
a vandal in the shrine of the moment,
bleeding like stained-glass,
a rosary of vertebrae and skulls
reconstructed in the future museum of now
I played myself into like a funeral plan.

Now everywhere the wind is a pilgrim,
I leave my heart like a shrine
I will never return to.
And the sadness, and the solitude
and the vastness of my insignificance
is the shadow of a bird on a cloud.
The only way to perfect my defeat
was to sit at the feet of my most cherished delusion
like a rootless flower watching over a coffin,
then rise like the wind
from the rubbish of the shedding,
the loneliest pillar and sole cornerstone of the sky.

Now my apish profundities
no longer crack fleas of light like stars
I picked out of God's burning beard
with the forceps of the moon.
Now I am infested with constellations.
I no longer turn the pages of the waterlilies
like the holy books of an inspired swamp.
I no longer seep down to the river
to drink from the moon
like a serpent at the water's edge
and watch the panicked angels jumping
from the reflection of an uncrossed bridge
that collapsed like a covenant with hell.
I no longer shred my heart
like a secret document
in an abandoned embassy of swans
looking for asylum further south,
tormented by the unattainability
of a woman's beauty,
looking for sanctuary
in the ashes of a black sail
that flared like a poppy with passion
at every gust of desire
that silvered the trembling grass
with sidereal aspirations.

Why bother to laminate your lovers, your legends?
Let them go like autumn leaves and smoke,
the last breath you took
before you were interred
like a scream in the larynx of a deaf-mute,
a foreign currency you couldn't spend at home.
Naked is the only way to dress for the rain,
but it doesn't matter which
from the wardrobe of all your many lies
you wear to the fire that waits for you
like a fledgling waits for its plumage.

And this is a long river
and this is a long day and a night
and maybe only the silence is listening
to what the stars are preaching
from the pulpits of the flowers,
and this that says me now
is just the promo for the intensive care ward
of a new religion
the founders are always the first to betray;
but when I truly let go
it was my falling
that taught me to patch my shoes with the sky.

And have you come this far,
passed through this many gates
for wisdom, compassion, freedom,
wandered aimlessly until you could not tell
the stars from the sand,
the journey from the arrival,
suffered worse than all the things you cannot say
until you forgot what you were looking for
in the first place, until
you despised what you craved the most?

I don't remember how long I slept
before my dreaming woke me up
and I realized
no fool could defame my solitude
and that life
was only the story of a scar
looking for the knife that inflicted it
like a shadow
in the forsaken valleys
of the mountains of the moon.

Looking for a pearl of light
I had to plunge into a darkness
deeper than anything
my eyes had ever given birth to before.
I had to swallow the key before I could open the door.

poem by Patrick White
Submitted by Poetry Lover
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Nightbird On A Winter Branch

Nightbird on a winter branch.
Dark blossom of the new moon,
Last kiss on the eyelids of the dead
As the snow falls like apple bloom.

I see you’ve left the door ajar:
The backdoor of an eclipse
To let the first crescent of the light out.
The sacred syllable of the mistfits

Lost in the silence and the solitude
You raise like heretical mystics into songs
That only you alone can sing
So that each in their homelessness belongs

To the false dawn of the same secret
They weep over like empty lockets
That stole the moon from their windows
As they burned at the stake, rockets

Martyred in the fire of the holy books
That inspire them deeper into exile
This late at night far from anywhere
Distance is measured by the mile

And not the wingspan of the light-years
It’s taken me to write this.
Like a bird that flew out of the darkness,
That left no trace of the witness

As it blew a kiss of sudden insight.
A word in passing from the dead
About who’s behind the death mask
Of the snow that’s covering my head

Like the polar ice cap of a planet
With the prophetic wisdom of a skull.
Life in the birthmark of the new.
Death in the harvest of the moon at full.

Emptiness devoid of all light.
The first sign of renewal in the urn
Of a nightbird on a winter branch.
Diamonds of ice and insight that burn

Like coal in the eyes of a snow man
With the passion of a phoenix born
A star in the cold furnace of the sky.
Where every passage is a rite of return

That hides its brightest jewels
blossoming like enlightenment on the wing
In the dark ore of a nightbird
When a deathmask opens its mouth to sing.

poem by Patrick White
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In Faith

When the soft sweet wind o' the south went by,
I dwelt in the light of a dark brown eye;
And out where the robin sang his song,
We lived and loved, while the days were long.

In the sweet, sweet eves, when the moon swung high,
We wandered under the starry sky;
Or sat in the porch, and the moon looked through
The latticed wall where the roses grew.

My lips, that hd no lover's kiss,
You taught the art, till they trilled in bliss;
And the moon, and the stars, and the roses knew
That the heart you won was pure and true.

But true hearts weary men, maybe,
For you grew weary of love, and me.
Over the porch the dead vines hang,
And a mourning dove sobs where the robin sang.

In a warmer clime does another sigh
Under the light of your dark brown eye?
Did you follow the soft sweet wing o' the south,
And are you kissing a redder mouth?

Lips may be redder, and eyes more bright;
The face may be fairer you see to-night;
But never, love, while the stars shall shine,
Will you find a heart that is truer than mine.

Sometime, perhaps, when south winds blow,
You will think of a love you used to know;
Sometime, perhaps, when a robin sings,
Your heart will go back to olden things.

Sometime you will weary of this world's arts,
Of deceit and change and hollow hearts,
And, wearying, sigh for the 'used to be, '
And your feet will turn to the porch, and me.

I shall watch for you here when days grow long;
I shall list for your step through the robin's song;
I shall sit in the porch where the moon looks through,
And a vacant chair will wait - for you.

You may stray, and forget, and rove afar,
But my changeless love, like the polar star,
Will draw you at length o'er land and sea -
And I know you will yet come back to me.

The years may come, and the years may go,
But sometime again, when south winds blow,
When roses bloom, and the moon swings high,
I shall live in he light of your dark brown eye.

poem by Ella Wheeler Wilcox
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It' A Gesture Of The Heart

It's a gesture of the heart
that no one can explain
that lays its words down like cool herbs
gathered on the moon
to silver someone else's pain.
We lie down in the same wound
like two stones in the same river
that might make it to the other side
without drowning in the stream
and I speak to you of shores you can reach if you try
and you add yourself like a dropp of water to a shoreless sea, and cry.

And for a moment you are the devastated solitude
of a runaway in the rain
who can't abide the stranger she's become
as a lipstick butterfly emerges
from the shell-casing chrysalis of your rage
and you put your lips on like wings.
You're a princess with a white flag
approaching the ashes of a dragon
who sleeps in his own fires
to wake him up from his dream of water
and negotiate a rescue now
if only I'll concede to show you how.

You want me to respect you because you're dangerous.
You want to ensnare me
in the white voodoo you're practising
on the dark side of the moon,
you believe in my eyes
and want me to see something
you've never shown anyone before
because a window's as good as a door to a thief
and you know we have neither in this homelessness
that shelters our grief like dark matter in space
or the far side of a face
we refuse to acknowledge is ours.

I can feel your powers
chafing their scales in the snakepit
like straitjackets they're urgently trying to slough off
like the old skins of a hand-me-down moon
that don't quite fit the new one right.
One fang, stars; the other, a starless night,
you know how to open things with a smile
and strike like a gate
should anyone walk between your crescents
like a terrorist with carry-on luggage
who doesn't dream he's been detected
as you recoil like a theme to make your point.

It would be easier to tinker with the genes
of the ancient ancestors of a life before sin
than not to want to sleep with you
like a thorn under the skin of your rose,
than not to want to be your bay for the night
and tell you everything's going to be all right
and mean it and drown the world like a torch or a dragon
in the intimacy of our most urgent delusions.

And even if I didn't put a match to the candles
they would still ignite
and a black sun would rise at midnight
and let the stars and flowers decide for themselves
whether they wanted to open in its light or not,
and for awhile, deep underground,
there'd be laughter in a coffin
as we posted dirty notes on our headstones
like shocking love poems
that just rolled off the tip of our tongues
like drops of water charged with stars and snakefire
humming down our spines
like the deathbed hymns of the hydro lines
when they break the news to God.

poem by Patrick White
Submitted by Poetry Lover
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The Light Doesn't Talk To The Flowers Anymore

The light doesn't talk to the flowers anymore
the way it used to. I can feel a lot of shadows touching my face
as if it were written in braille. Acid in the rain.
Tears of dry ice in the housewell. Weathervanes
knocking at the door to get out of the storms
they used to revel in, and the storms themselves,
no kamikazes riding a divine wind against the Mongols,
at best, a mango-flavoured tempest in a Japanese teapot.
And even Zen can't put an edge on the full moon
to cut through everything like a harvest being threshed.

No songs from the birds that used to wake me up in the morning,
only these spiders weaving their smokey laryngeal webs
like a voice that got stuck in the throat of a chimney
when it forgot, when you sing from the heart,
you don't need a medium or a seance. Not even an art
that's interested in what you're saying unless
you're obeying a grammar of headstones that don't know
what you're talking about until it's not worth
bringing up anymore in anybody's language
whether the metaphors are living or not. Words in a bonebox.
Locks and bars on our eyes. Dumb-bells stuck through our tongues
like someone was doing voodoo on the leaves
or the baton of a drum major in a parade
that's never going to come, afraid to leave home on its own.

Since I was a boy in the late Cretaceous,
I've always wondered about the timing
of the asteroids and comets and why
they had such an impact upon the dinosaurs.
But I hear they were already on their way to extinction
because of the earth's own volcanic activity,
and, at worst, the asteroid just accelerated
the flywheel of birth and death a bit.
Bad spin on an antiquated myth of origin.
Better luck next time, but right now the mammals
have evolved so far beyond that they're destroying themselves
in a long, slow nuclear winter of attrition
that's putting a pillow over everybody's face
like the cloud cover of a screening myth with an air force
that buffers the light with our own ashes
and much prefers smouldering to ignition.

What did Berryman say in a letter to Wang Wei,
centuries after the fact, just before he jumped from a bridge
into an ice-covered river with the Pulitzer Prize in his hands? -
O to talk to you in a freedom from ten thousand things.
Be dust myself pretty soon. Not now. Or words to that effect.
But just the same, it's hard to get into the skull
of the man anymore without the flame of a candle or a dragon
to see where you're going in case you nudge an atom the wrong way
and bring on another astronomical catastrophe inadvertently.
Minefield covered in snow like a pioneer cemetery
buried on the hilltop of an avalanche with a view of the valley below.
Dangerous, too, to move among the stars freely
like a rogue planet without a starmap, causing perturbations
in the orbits of the shepherd moons on an exploratory flyby
to see if there's any kind of intelligent life you can identify with.

The nights are getting darker. The stars are moving further apart.
Sooner or later everything tends toward empty space
until there isn't even any room left in it for itself.
And nothing ever dawns upon you there but endless entropy
and time comes to a sudden halt where spaces runs out
and the bones of the fossilized stars are left like empty chairs
in a dark auditorium with bad acoustics.

I'll write it on the wind now, while I have the chance.
I'll write it like a fire in smoke at a ghost dance.
I'll write it in blood and tears and rivers and stars.
I'll write it in scars and wounds as deep as roses.
I'll write it on the skins of the snakes that I've shed
like serpent fire running up the lunar thread of my spinal cord
like a lightning rod tattooing the clouds of unknowing
with the insights of fireflies into the mysterious darkness of life,
who know that one glimpse is enough of a Big Bang
to satisfy even the blind who go looking for their eyes
with their eyes like a windfall in a thunderstorm of picture-music
though they're still hanging on to the same old lifeline
like an umbilical cord between the backdoor and the barn
in blizzard of stars and butterflies. I'll write it in light.

I'll write it on the eyelids of eclipses and occultations alike.
I'll write it on the foreheads of the mute rocks
in runic striations of glaciers retreating north in tears,
I'll write it on my bones before I'm buried under the hearthstones
with a big rock on my chest like an asteroid
rolled over a cave to make sure I'll never rise again
like Jesus and Muhammad said I would if I was good,
or Ali Baba and the forty thieves muttering their shibboleths
on the thresholds of an artificial paradise, in case I wasn't.

Now is the light. Now is the loving and the living.
Now is the hour for the hidden nightbirds to raise their voices
in the sacred groves of the moon to celebrate
the brevity of their own longing for the unattainable
blossoming on the dead branch of their aspiration.

There's only so much time, and then, in a moment or two, forever.
The heart sings awhile like a red-winged black bird on a green bough.
And then the eyeless silence of the stars
who have looked down upon nothing for 14.3 billion lightyears
and watched the fireflies dancing to the music
of their own tiny hearts, lockets of light, of insight,
that open like seeds and eyes sown into the abyss
to let all winged things, and even star-nosed moles can fly,
out of the cages of their earthbound solitude like dragons
taken down like occult books from their hardwood shelves,
with the wingspan of constellations singing in the night to themselves.

poem by Patrick White
Submitted by Poetry Lover
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