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Feel Lost Sometimes

Feel lost sometimes, abandoned, a loser
that's been fighting a guerrilla rear guard action against myself.
Light years of shining and I feel reduced
to these colours and words crawling across thresholds
that recede like inconceivable farewells into the past.
No human touch, but three goldfish named after
the Greek city states of Athens, Thebes and Sparta,
in an expanding solitude that's all womb, and no embryo
however the stars swim through the Milky Way upstream
like salmon to the creative wisdom of their sacred spawning pools.
We're all sharing the same aquarium like a life support system,
a lifeboat that knows it's a shoreless life
so it's highly unrealistic to expect to be washed up anywhere
except on the moon, there's always the moon,
where the mad go berserk in the shadows of its tides.

There's a pettiness about my wounds, though
several go deep, that makes me feel like a creep sometimes
when I consider that I'm alive enough
not to have been finished off by them
and God knows what I owe for the wisdom
that's accrued to me like a shipwreck on the bottom
that's being used as an artificial coral reef.
Sometimes I feel my heart's being swallowed alive
like the virtues of a noble enemy
or a frog in a fetid bog of waterlilies
crawling with snakes like the radioactive wavelengths
of black lightning experimenting with flesh and blood.

Every poem I write, another sail, another horizon
I'm going off the edge of like the flat earth of a lily pad
down a black hole with more dimensions than it can fathom.
Even in spring, autumn's always approaching
like some orthodoxy of decay with a silver stake,
a thorn of the moon, to hammer into the heart of the scarecrow
that got mistaken for some kind of vampire
after standing guard over the harvest so long
through all kinds of tempests and turmoils
even the crows admired him safely from shelter
like a street drunk in the tent of an all weather overcoat
from the wardrobe of a Salvation Army bin
with straw padded shoulders that made him look
as if he'd been crucified like a sacred clown just for the fun of it.

I preserve my self-pity like fireflies I've put up for the winter
in a canning jar where they're all dogpaddling for their life
in a red tide of pectin running like a bloodstream in the light.
And I send my imagination out like a dragon on reconnaissance
to search out what everyone else is missing
so I can plot this airlift of self-healing metaphors more accurately
than the dandelion seeds I've been sending out lately
like parachutes candling in the manes of the lions of the sun
to ease their suffering as if I couldn't be whole again until they were
even in the way we all fall to earth, some on good,
some on bad soil like Icarus scattered on the wind,
and some like me, into the uncharted seas of awareness
like a rogue star sent into exile by an albatross
that makes it impossible to tell from one day to the next
whether it's a blessing or a curse, or it's me that's hexed
the way life seems to advance as you get older retrogressively.

poem by Patrick White
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I See You In The Eyes Of The Rain

I see you in the eyes of the rain
and in the broken aspirations of the swallow
that hit the windowpane dead on.
Fire that no longer burns.
Water that no longer drowns.
Earth that no longer receives.
A gust of air that no one breathes.

I see you in the tender, green tendrils
of the wild grapevines clinging to life
like the last plank of a shipwrecked lifeboat
washed up on the shore of the moon.
The most bitter farewells are those
compelled by understanding
to cry a little in the open doorway
and leave as if there were nothing more to say.

Words lightyears beyond communication.
Metaphors like burning bridges
that never quite make it to the other side.
And o how gentle an eclipse comes
to a lover's coltish eyes
when it's time to say good-bye
and if you're a bad man, it's revenge,
and if you're good, it's a sacrifice.

Good-bye, get out, be gone,
I'll live on in my palace of lonely windows
like a man with class in an hourglass
and I'll write faceless songs
to the passage of time as autumn approaches.

Leave me now to the pain
I must wrestle with alone
like an angel in my way
that knows I don't have what it takes
to pull up stakes like a heretic
before I burn for the mistakes I made
on your invigilated test of love.

Once I feel like a loser again
I know I'm at home with myself
and I can feel the clouds laughing in tears
as I get around like rain.
I loved your body like a wishing well.
You loved my brain like an occult spell.

Three afterlives of a star, once you left me
holding the medicine bag of your absence,
I named a desolate street after you
like some kind of municipal gift
to the run down ghetto of a sub-prime heart.

My pain is consoled by my art
like a weather vane is comforted by the weather.
I ghost write the lyrics of the storm.
I incite riots against the norm.
I blood my poems like spearheads
in a wound that never scars the moon.

I shall be the nightwatchman
who makes the rounds of the zodiac
inspecting doors and windows
that are steadfastly closed to him
like lilies in the festering gene pools
of the idle rich in their bridal tents
spawning into money like goldfish.

I shall be an eagle at the extremity
of my wingspan and soar over the smoke
of burning cities like a cinder of freedom
in the eye of a failed revolution
and I will not lament my own extinction
when my starmud settles like a constellation
into the hearsay of bloodshot mirrors.

I will linger in precipitous heights
then shriek like the paper airplane of a poem
down on some bumptious homing pigeon
that was promised a comfortable flight
from here to there, until it was
snatched from the air like a pillow fight.

I will do this because I can feel the glee
of my talons sinking into hypocrisy
like the three crescents of the moon
with an eyrie full of skeletal snakes
that look like a pit full of twisted combs
without any meat on their bones.

Liars convince. Communicators convey.
It isn't what I say. It's the way I say it
that makes all the difference to the meaning
that tones me like a moody chameleon
resonating with a tuning fork of colour
that flickers like a photo-op of lightning
trying to get a glimpse of itself in the mirror.

And then I'm an illiterate divinity student
with a heart as big as an orphanage
full of baffled pilgrims that have lost their way
crutching through the labyrinths of the divine
on a cross that walks them to the end of the line
like the rapture of an apocalyptic anti-climax.

I talk to God about you and she talks back
like a comprehensive alibi for the way things are.
She's got a scar as big as the smile
on the dark side of her face she keeps
turned away from me like an embarassed moon
she doesn't want to reveal to anyone.
But I can see it in the rear view mirror
of my infernal lucidity leading me away from her
like an atomic Sufi reversing my spin
in the charged particle field of my happy sin.

I walk on the wild side in cowboy boots
in a truce with the shadows of Zen
that says a great general may establish peace
but that doesn't mean he gets to enjoy it.
And I'm resigned to the sternness of my discipline
like salt to the earth, like a sail to the wind,
like a ferocious heart to a gentle mind.

poem by Patrick White
Submitted by Poetry Lover
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My Back Aching Like The Sky Goddess Nut Doing Yoga

My back aching like the sky goddess Nut doing yoga
over a sidereal painting that's burning like a bridge.
I've been many kinds of fool before, some just silly, some profound
but this is the work of a sacred clown hemorrhaging in the heavens
like the supernova of a pot of gold at the end of a ragged rainbow
still shining through the remnants of a colourful wardrobe.
I've been accelerating into space driven by a muse
of dark energy with an expansive heart. Time stops
as I exceed the speed of light across a threshold of starclusters
flowering in my wake like New England asters
with cadmium yellow suns with auras of orange coronas
glowing in their eyes. The apartment is silent
except for the trickling of the water pump in the aquarium
and a dance arrangement of goldfish that are swimming
in synchronicity with my thoughts and feelings
as if the heart of a human can speak through many voices
like the wind through the harps of the trees,
like the angels that descend among the daughters of men
when they're feathered in their beds at night like black swans,
or stars rooted in their own decay like waterlilies
that just don't know when to quit making beauty
out of the muddy deltas of their creative bloodlines.

She's firewalking in her sleep by now I hope, watching
a documentary of how the universe works in another city.
I'm flipping through the pages of the rooftops of Perth
outside my window like a weirdly bound heritage history book,
trying not to get any paint from my fingers on the view of the stars overhead.
Arcturus in Bootes still flying its kite in the west.
I need some rest. I've been bleeding like a cut rose
on the blades of the moon all day, and I feel threshed,
a cylinder of hay left out in the open starfields
for the black horse she told me to put in my last painting
to show something grazing under the full moon
like an eclipse that just discovered it had life on it
lyrically at peace with the siloes of light in the distance.
Even when love is cosmically oriented, God
how it loves to focus on the mystic details of everything
right down to the eyelashes of the ruby throated hummingbirds
hovering in a Pleiades of first magnitude larkspur.

Sometimes I feel like the fossil of a dreamcatcher
in the Burgess Shale, but right now, my third eye's wholly open
and I'm casting silver nets I've woven out of
my axons, blood vessels, nerve ganglia,
lunar fuses of serpent fire coiled around my spinal cord
like a helical riff of a bass run on a burning guitar
I'm holding like a metaphor for the body of a woman in my arms.

When I told you I was a sacred clown. I didn't invent it.
I meant it. I feel it. I can dance for ghosts at a seance.
I can dance for rain and war. I can paint my face blue
with moonlight and wode, and dance for peace, dance for fire,
dance for someone like you to step out of the darkness
as if someone had shaped a jewel out of the northern lights
and I was looking at it from the inside out through your eyes
on a a night of the new moon that isn't on any calendars
that are going to hang doom over my my voodoo heart
because there's never been a curse from the mouth of a Druid or Mayan
that could stand up to the courage that it takes
to receive a blessing without worrying what mistakes
inspiration might make when your muse is as flawless
as imagination obedient to the laws of her own myth of origin
and your art elucidates the crazy wisdom of your folly
like a discipline that isn't for the petty or sane at heart.

The stargates just don't open for those who are still in their right mind.
Just as the maple key to your entry, isn't about
what you leave out like a sin of omission that's culpably blind,
but what you leave innocently behind you
like mountain streams, and morning snails,
and the long uncombed comatose trails of sleepwalking comets
plunging from their dark haloes like Icarus
into a sun that only shines at midnight
like a candle on a windowsill calling out
like a poet for a new medium that's lightyears beyond words
to the first of the autumn stars purring like a cat in her dreams
when she hears the holy nightbird just before the dawn
knowing Regulus and Spica and all the stars of my art
won't pale in the lotus of the heart like real jewels in the eyes
of a sacred clown whenever he looks for her
shining in the ascendent of Leo long after
the Lyre, and the Swan, and the Eagle have all gone down
and all these poems I write on the wings of Luna moths,
enraptured by the sphinx of her radiance, are irrevocably skybound.

poem by Patrick White
Submitted by Poetry Lover
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Like the moon Like me

Like the moon and the star
staying there in silence
A star falls is a single tear
the moon turns into shadows
Hidding from my fear
red moon brights the sky
The rage in me is releases
the moon goes away
when the sunlight comes out
pushing my worries away.
when the star gets closer to the moon
I make new friends.
When the stars fade away from the moon
I lose my friends.
when the clouds block my light
I feel useless and betrayed.
I hide from everything.
As the moon stays in the sky
I stay alive.
When the moon are in peices
My life has ended

Like the Moon
Like me
We are the same
in this suffering world

poem by Sarah Frank
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Even When The Road Is Missing

Even when the road is missing
like the absence of God, or a woman I love,
I praise that emptiness for the freedom it accords me
to create a way of my own like a river of stars
and for the universe it's left me
like a travelling companion I couldn't improve upon.

The gate shut, the door closed, the window locked,
I slip a key to a poem under the welcome mat
and say my house is your house anytime you call
and then go get drunk with the moon down by the lake.

And after awhile we're laughing at ourselves,
rolling in the leaves like the groundswell
of two happy vagrants with homeless hearts
making off with our lives for free as if
we'd just pulled off some cosmic B and E.
without leaving any sign of culpability behind,
except for the joy of our felicitous crime.

And when my moonboat's in port for repairs
like bedsheets in a backyard fleet of laundry on the line,
I don't mind being land locked for awhile.
I just take a walk along the shore of the lake
and gather moonlit feathers
from the scales of the waves
that have evolved from raptors into swans,
and binding them together
like Daedalus did for Icarus,
take a joy ride into the sun at midnight
not really caring too much about whether
I'm at zenith or nadir as long
as I'm transiting something akin to a threshold.

The sun can hold Venus on a short leash,
and me on the chain of my spine
like a barnyard dog barking at wolves
trying to tempt it deeper into the night
but the last crescent of the moon
will cut right through them both
like the umbilical cords of a new life
where we can both roam free
like rogue planets from star to star.

Empty-handed and full-hearted I come by day
to a low place looking for fire
from the daylilies with a bucket and an urn,
because I'm so tired of what I've had to do
to stay alive for the past fifty years as a serf of poetry
to keep it a calling, instead of a career,
and suffer the consequences of not attending to it
as a business that makes a profit off the stars,
but by night I'm a starling of creosote in a chimney
singing my heart out as if I wanted to eat it
because it has all the virtues of a noble enemy
and there's no poetry or protein in the junkfood of fame,
though I think that might be a trifle ingenuous.

Impoverished Druid, you lean on a crutch for a tree,
as a flying buttress to your sacred folly,
and running out of time to avoid
a head-on collision with eternity
all your devotions the ghosts of yesterday,
you kick the stool from out under your feet
and garotte yourself from the bough of an oak,
like the berry of a single moon of mistletoe
and the last crescent of a golden sickle just out of reach
of the harvest season of the King of the Waxing Year.

Poor heart, what a battered shoe
of a vital organ you've become, a bone box
for the sacred skeletons of hummingbirds and elephants,
a Burgess Shale for the creative fossils and footprints
we both had to evolve through to come to this
inconceivable moment without a time scale
to measure how far it is from then to now
like the last leap of faith of the waterclock of life
into the abyss without a bucket for a safety net
or any deep assurance of even having a bottom anymore
to fall out of the ongoing over the edge of a precipice
as if even the rivers of Eden sometimes
had to seek release from it all and fall
even without a parachute to candle
like an exclamation mark all the way down,
a descent into hell creatively much to be preferred
than stagnating in paradise with nothing but apples to eat.

But still you know you won't do it, given
the number of times now I've come running
with a chair and a rope to let you down
out of the window of a burning building
not knowing whether we were committing suicide
or I was running to your rescue as I always have.

Your daring has always said feathers and falling
has always taken wing like Pegasus before,
and what a wild strange radiant white water ride it's been
across the high unbounded starfields of the shining
with Vega and Deneb goading us on
ever further like spurs of Spanish silver
just you and me, my blood brother, together
in the vastness of a mutual solitude.

My God, when I think of the flights we've taken.
When I think of the things we've seen,
and the orchards of sorrow that found more bliss
in the fruit than they did in the blossom.
And what did we ever write about all those stars
that didn't declare how impossibly illiterate we are
compared to the lyrics of light and time and wonder
they've been singing all these lightyears
since I first opened my eyes to why I'm conceivably here,
though here can be anywhere by now like a bird
that loses its bearing under the stars everytime
it tries to get a fix on where it's going like a photon
jumping orbitals like tree rings in a flash of insight.
When you're light, when you're foolhardily alive
you don't need to pay heed to where you're going
because there isn't a single stage, place, or phase
that isn't the destination of what you're shining up at.

And I never thought the day would ever come
when sadness would sweeten into wisdom enough
to take pity on the mirrors like the eyes under our lifemasks
when we went down to the river to drink
our own reflections like faces from the lifeboat of our hands,
like a rain of mercy far out at sea far from the sight of land,
when we first began to understand how clarity like unity
can be broken down into little pieces of sand
that reflect the whole universe as readily
in their mystic particularity
as the stars and the sun and the moon do
when they lay their swords and feathers
and flying carpets like wavelengths of light
down in tribute to our third eye weeping its way to the sea.

And you were surprised, admit it, weren't you,
to find so many white horses like you running ashore,
mustangs from the waves, to check out the new guy's wings.
And me standing there like an avalanche of winged heels
wondering why I didn't make as big a splash
and if all we walked away with was a detailed starmap
who could say the journey really wasn't worth it?
Let the shore-huggers do what they want with it
to find their way around in the dark like fireflies.
Leave it to them. We were ever explorers
from the beginningless beginning to the endless end,
and we'll rise up again on a gust of stars
caught up like a dust-devil at the crossroads of earth
and ascend on a thermal of the sun, the stairwell
of a star-studded chromosome that could
take a coil of flypaper and turn it into a poem.

poem by Patrick White
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The Two Moon Junction

I want to be there in the ‘Two Moon Junction’ For Ever.
Where these two moons are competing with each other.

The First Moon which we see in the sky was as usually illuminating and his golden moon light enhancing the feel of romantic weather further more.

Where as the other moon was seated along with me in the garden of flowers, which had blossomed in the mid night assuming the double moon light as Sunrise.

The Moon on the Earth is my love, Laughing with me, Fighting with me, teasing me with her looks and talks and promising her presence in my life at good and bad times. Assuring me that life is so beautiful when the trio is together, She me and the full moon in sky.

I want to be there in the “Two Moon Junction” ‘Forever’ and ever.

poem by IndraNeel SatyaNaga
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Looking For A Little Black Water After The Fury Of The White

Looking for a little black water after the fury of the white.
Dark energy after the light as peace
settles down gently upon me,
the sediment of the eras and rivers of my life.
And this cool night in early autumn,
a woman in a dark cloak and hood
I could almost caress if I could just breathe
a little more deeply than the abyss
I've been dogpaddling in because
there's nowhere else among all these stars
I can swim from the shallow end of myself
into the watersheds of my last drowning.

And there's an unprescribed silence,
a herb of the moon that's salving the wound
of the lunar thorn I just pulled out of my heart
delicately with my teeth. I'm trying
to tune my spinal cord to the guitar string
of the Tay River, so I can resonate in harmony
with the flow of things. Starfire walking
on the water of the mindstream without
the crutch of a miracle to help bear me up.

It's not so much a matter of power or self-discipline
as it is well within the spontaneous capacity
of everyone's emptiness to do so because,
labour exhaustively as we do just to find the path
let alone stay on it, all we've had to do
right from the start, is to let life
give us a narrative of our own we can be true to
as it makes you up going along with it
like a lonely survivor singing to himself in a lifeboat
at the last watch of the night. Arcturus
at the tip of our eyelashes, enmeshed
as it sinks in a western treeline of beached shipwrecks.

Reach out, but don't grasp. Accept and let go.
Scatter your blossoms, even when you're
down on your luck, like ripped up lottery tickets
whether they end up in the gutter
or on an impressionist table cloth somewhere
playing checkers with a patient still life.
I've seen whole Japanese plum trees in blossom
be brushed aside like perfect haikus
by a street sweeper at three in the morning
when no one else was watching but me and Basho.

My blood is saturated by an overdose of stars
and I can feel a light from deep within
rooting in my limbs like nightfall
as my awareness is enhanced
by how much unknown compassion
there is the silence, love in a dark time.
Blue moons on the wild grape vines,
approaching the autumn equinox in Virgo
as if they could read my mind like a purple passage
intoxicated on the wine that can be pressed out of its own decay.

The waterlilies are gone with the fireflies,
and the reupholstered cattails are beginning
to show signs of wear already. And soon
the Canada geese will be flying high overhead
bearing the souls of the dead to new latitudes of seeing
where the starmaps fall from their hands
like the feathers and leaves of being
flowing along with the mindstream
like the wiverns, wavelengths, and water sylphs
playing on the shores of the Milky Way
with as many burning bridges,
as there are flames on the phoenix
in the immolated sumac, as there are eyes
to see across these circuitous waters
to the other side of where we've always been going
alone together with everyone who's ever come aboard.

poem by Patrick White
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And Should I Recall Whose Eyes

And should I recall whose eyes made the stars most beautiful,
and set the mindstream that flowed though us aflame with fireflies
a moment there and gone and come again like light
in the keyholes of the feral cats that prowled the graveyardshift
wholly to the top of the broom-swept path up Heartbreak Hill,
where the bones of the seven hanged men lay buried
in the duff of our childhood legends, a shadow and a name,
trying love on shyly like new clothes in the shadows of the pines,
where we lay down with the dead on beds of rusty compass needles,
out of sight of the windows of the town, how could I not feel,
here alone now by the Tay, thousands of miles away,
and more years later than it takes to walk a burning bridge,
waiting for the flower moon to appear above the horizon,
the waterclock in the nightbird's song of longing?

And if I were to say what it was like to be touched by her
when she was brave with hunger and my body
all loaves and fishs in the innocence of her hands
and her breasts and lips magic mushrooms without the flies
that swarmed the garbage cans in the back-alleys below,
and though it was not wise to begin a new life
on the last night of the past we were ending together,
like a bell and a cannon that had been melted down
from the same dark ore of a life we were cut out of
like a wound in a loveletter we left unsigned for one another,
because good-bye was harder to write than just to let things go,
what words could I use that weren't already
denuded of their shining like a windfall
of black dwarfs on the windowsills of time,
and the stars that night that clung to the sky
like bubbles in the evanescence of glass
or the grass to our flesh, all washed off now
as if they were grime, the quiet patina of time
gilding the dust like rainbows on the wings of flies?

And the wind asks, and the water sylphs want to know
and the wild willows are holding their breath like a veil
and the Tay is pulling a curtain of water aside in its wake
to hear about another stranger the earth swallowed
like a sacred syllable in the mouth of a snake
that envied the waterbirds their wavelengths and wings,
and though the skeletal birch and prophetic skulls
in the riverbed plead like the end of a dream
for one more lullaby in the ghost story of the moonrise,
I show them the black pearl of my heart
lustrous as hard coal to burn again in the furnace of dawn
on the dark side of the moon in partial eclipse
as I weep like a dragon for the secrets I keep
like myths of origin in the urns of things that are gone
like the irrevocable flightfeathers of the words and waterbirds
under the lost petals of fire that bloom in the eyes of the flower moon.

poem by Patrick White
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By The Light I Have Been Given To Go By

By the light I have been given to go by,
I can see how homeless the journey truly is.
How provisional the shrines along the way like milestones
we stop to paint like the inside of our skulls
or the caves we first dwelled in with our dead
buried under fire and the numinosity of our picture music
impregnating the womb walls of a space made sacred by fear.
The darkness bears my secrets, and in the torchlight,
in carbon and red ochre, a diary of shamans
gored by defecating rhinos speared to death.

I have imagined my way into an understanding
that is a rite of passage into a space that is
a vast abyss of intelligence, a nothingness
that speaks through an intuitive grammar of things
as if a galaxy, a star, stone, tree, raindropp were each a thought,
a sign, a word, the syntax of a growing paradigm
of creative awareness that we're completely alone
and lost at sea like fish on the moon crawling out of its tides
as if nothing bound us, not even detachment,
nor a god that exists as a confession of the way we do,
nor any medium we work in as reflection of our presence
labouring away at an unattainable world that won't exist
until we do, and it's 7 to 5 against anyone making it that far.

But what a joy to emerge out of our own nothingness
like a secret we're letting ourselves in on,
making it up as we go along like a deportable myth of origin
we can adapt to our infinite beginnings
because for starters, it has none of its own.
We were born to express ourselves like apple trees.
We were born to see and be happy marvelling at the event.
To enjoy longing for things we were never missing
and be guided by wise men we never listen to
back to a silence that has nothing to say for itself
that we didn't already know in the first place.
Everywhere is the threshold of the return journey.
Life is either an exile, or it stays at home like a follower.
Bless the enlightened apostates of the dangerous religion
that desecrates the mind by worshipping it.
Why make a chain out of your umbilical cord
and get your head wrapped around it like a noose
because you forgot meaning was an art
and not a way to take yourself way too seriously to heart?
Why go to war with your own mind
just to administer to the needs of the suffering
when you can paint a god in blood and ashes
and decultify yourself with the creative freedom
of your imagination deconstructing the fable of your belief
that it's the being, not the becoming, that endures.
And you can do this without even knowing how to draw.
A starmap doesn't shine. A blue print doesn't open a door.
If you ask a crutch to do your walking for you,
it's going to throw you away like a miracle
at the top of the stairs of Notre Dame de Coeur.
Better to be the sacred whore of a thousand profligate gods
than the unrepentant nun of one who shuts the world out,
like art for art's sake, to revel in her own extinction
in a mystical connubium with an unregenerate imagination.

You can burn your gates and cages in a wild field if you like
for not being able to keep the flowers in, or keep the wind
from rioting with the leaves way past curfew,
but there was never any risk of being granted what you ask
because life is the unpredictable moon rise
that deepens the calendars with a renewed humility
towards the extraordinary mutability of time.
What have you ever been that baffled your imagination?
It isn't reason that inspires us to become a stranger tomorrow
to the self we knew today. Genuine faith isn't
an artificial life support system to keep something alive
that should have been allowed to die quietly away yesterday.
Millions upon millions of facts like a graveyard of skeleton keys
to a door we can't find open within ourselves
as if we'd just stepped through it to be here where we live
deciphering the shapes of the clouds as if we lived in code.

Hide your secret deep enough if you want it to be known.
Walk alone as far as you can until you can't
if you want the world to walk the rest of the way with you.
The white demon that knows heaven and hell experientially
mentors the senses in the spiritual subtleties of the black angel
that comes like the new moon of a third eye
to help the exegetes of light see further into the dark
by blowing their candles out like flowers.
All seekers are roads looking for a map to follow.
Preludes after the fact, that set out to look for their own endings.
Be a star. And keep your afterlife behind you
like the shadow of the last form you cast upon the earth.
Be an eye that doesn't leave any room between the moon
and it's reflection so that the substance of life is seeing
not that you're a distinct and separate entity
that cosmically identifies with your exclusion
but that you're wholly within easy reach of everything
that depends upon you for its existence. Just as every leaf
you let fall in the autumn like an adage of wisdom
about how you can know the world by its fruits
first came to the tree like a smile to your face
when you realized your imagination was
the inconceivable dynamic of a creative state of grace.

poem by Patrick White
Submitted by Poetry Lover
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Enlightenment Isn't Lumpy

Enlightenment isn't lumpy
even if sometimes you've got your heart
stuck in your throat
like a bird in a chimney
warming up like a phoenix
to go the way of the sumac leaves
and the ghosts of smoke
on the pyres of the sky burials
of the Canada geese.
Just because November
can't feel its pulse
and the garden snakes are nesting
like a sloppy knot of wavelengths
deep in the cold heartwood
of a rootless tree that can feel
the brutal chill of serpent fire
running up its spine like a lightning rod
doesn't mean enlightenment's a placebo
you have to keep away from the kids.
It's real enough to be unattainable
without disrespecting the integrity
of the picture plane.
It hides out in the open
where no one ever thinks to look.
The simpler it gets
the bigger the book you need to write
in order to conclude ambiguously
you do and you don't not understand it.
Say not two
and all is well.
And mean it deeper than you can say it
so that pain doesn't adulterate the child
that's trying to transcend it
by hanging on to the lifelines
of his fire-proof constellations
like the kites of distant stars burning in the wind.
Enlightenment doesn't care
if you've lost your integrity.
Your absence of self-respect
for someone who isn't there
is a rare opportunity
to uphold the dignity
of stars and rivers and trees.
Enlightenment's just the blossom.
It's not the fruit
of what there is yet to be.
The smell of autumn
in a windfall of apples
cradled like small planets in your arms.
Enlightenment isn't salvation from pain.
It's an invitation to forsake yourself
in the name of nothing you can explain.
The blossom let's go to make room for the fruit.
The perfumes of the spring give way
to the aromas of decay.
But they're both sweet
because there's nothing about either of them
that's everlasting.
It may be an old root.
But it blossoms in the spring.
It may be a dead branch
but the nightbird stops to sing.
And the full moon shines
like a skull full of signs
above its dark abundance.
Enlightenment isn't out of the reach of anyone
because it's got infinitely long arms
and puts the stars at your fingertips
and says play what you want
as long as it's something
we all can dance to
on our way to the grave
like fireflies in the wake of a thunderstorm.
Enlightenment doesn't take life too seriously
even when it makes a tantrum
of its elemental innocence
and goes supernova.
Deep in the nuclear core of its heart
it's creatively playful on a cosmic scale.
The darkest inspiration
of its genius for making
an art of its existence
is life.
Simple and beautiful
as the laughter of children
collecting sea shells on the moon.
Even when you're severely lost
enlightenment doesn't hand you a flashlight
and say go look for your mind
like the holy grail in a sacred wood.
It deepens your solitude.
It blows the candle out
until you emerge like a star
from the profusion of your own darkness
and stand in the doorway
of your own shining
amazed by what you can see
when enlightenment isn't blinding.

poem by Patrick White
Submitted by Poetry Lover
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Looking At Stars From Spy Rock

Looking at stars from Spy Rock
on top of Foley Mountain,
Westport glowing like an alloy
of red algae and fireflies down below
around the sacred pools of small mouth bass
raised from fingerlings
to lure the fishermen of Hazelton Pennsylvania
to this pioneer pantry of wildlife up north.
I can remember you naming them out loud
like Santa Claus’ reindeer.
Deneb, Vega, Al Tair.
And I tried hard to look
but I couldn’t take my eyes off of you.
And I’m up here again by myself many years later
and there are two ghosts on the wind
casting their shadows on the Milky Way
two black holes in time
that took it all in
then disappeared.
We didn’t separate.
We just evaporated into thin air
and I can hear the flowers saying
in their small damaged voices
I’d rather die than put up with this time of year.
Semi-hibernating raccoons
and the occasional brown bear
looking for a last snack before sleep
before snow
before the flame of life
is turned down so low
it’s merely a candle living off
the lifespan of its own fat
just long enough to keep the dream
of what bears dream about alive
until hunger drives them out of their caves
twelve thousand years later
into a world they can no longer recognize
as the one that dressed up in their hides and their skulls
and spit-painted on their cave walls
and appealed to their power not to kill it outright
as it begged forgiveness for its trespass.
Bear magic on Foley Mountain.
Ursa Major in starlight.
And for awhile I thought you might be
my circumpolar girlfriend
and I could be your mystic star map.
You had the right ascension as me
but the wrong declination
and like everything else
that’s ever led me out of the wilderness
like the only direction left to go in
you rose and set over my event horizon
and what had been the fixed stars of my eyes and heart
wandered off like fireflies and chimney sparks
into a darkness I could only imagine
enhances your shining somewhere
like a warm breath of life and light
hovering in the cold night air
as mine is exorcised here.
We breathe the stars in
and then we breathe them out
and it’s been going on like this
for thousands of light years.
Three more nights
and the moon will catch up to Jupiter.
You said you couldn’t be famous
standing in my shadow
but what you didn’t realize at the time
I was the shadow of your shining
whenever you approached the earth
like Venus on a moonless night.
But how remote it all seems now.
Encounters of the human kind
reverting like the unploughed fields around here
to something intimately alien and wild.
We embodied all these stars once.
We stood here on this mountain once together
and breathed these vacant interstellar spaces in
as if we could hold all of space and time
like a single dropp of insight
into the circuitous blossoming
of our riverine hearts
and oceanic minds.
And what myth of spring fish
could fathom our depths
though it jump like Pisces into the boat?
Up here in my eagle-eyed eyrie
do these receding hills at my feet
remember anything as vividly as I do
as the sound of your voice when you spoke
and the mountain came down prophetically
like an avalanche of stone tablets
across the ups and downs
of the road that led us up here
to look into the empty beyond
as far as the light
we were given given to go by
whether it be the hundred billion stars
of Messier thirty-one
two million light-years away
like the sister galaxy you are to me tonight
just this smudge of light at eleven o’clock
above the middle star
of the constellation Andromeda
or a firefly in the spider mount of a parabolic mirror.
Sometimes you can notice things more clearly
that you can see head on at the time
out of the corner of your eye
as you look away from your line of sight
astronomical units of light later.
I have come back to those moments
from so long ago
like time with an expanded field of vision
of wildflowers dying all over the mountain
like cornflowers in the grave of a Neanderthal
incarnadined by red ochre
though none were ever buried here
we still share this common ground of death
or Indian tobacco at the eastern gates of theburial hut
of an Algonquin who once stood here as I did
and gazed upon the moon in wonder
estranged by the wound of the rapture
just moments before he disappeared for good
into the bone-box of his having been here once
to amaze his solitude with precipitous stars
looking up from the godless pulpit of Spy Rock.
The cedars sway in the wind
like children learning to swim beside a pool
ploughing the air with their arms.
And the shadows tremble
like the waters of life
inside the heartwood of a rootless tree
the moon ripples with forgotten springs
that once made the fish jump at fireflies
wavelengths out of reach of their eyes.
Sight is a kind of love.
As above so below
like the palindrome of the moon goddess Anna
in the Arabic jana
the English heaven
and the Greek ouranos
Romanized into Uranus analeptically.
O what a brutal exchange.
All that life and light and love
all those stars
all that seeing
just to exhume a few dead metaphors
and breathe a little life into them
as if you were giving
mouth to mouth
heart to heart
spirit to spirit
resuscitation to words
that once saw their whole life flash before them
before they drowned
up to their necks and out of their depths in stars.

poem by Patrick White
Submitted by Poetry Lover
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I look Into People's Faces

I look into people's faces
and I see the same wound
under many different scars.

I look into their hearts
like a stranger at night
through a passing window
and I see how suffering through
the agonies of life
has ripened some
with sweetness and compassion
and others are already
rotten before they fall.

I look into people's eyes
and some are vast starlit skies
and some are the iota subscripts
of scholarly fireflies
that footnote the constellations
at the bottom of the page
with details off the beaten path
of their MLA mainstream cosmic thesis.

And some are like moons
with parenthetical crescents
with nothing in between
both sides of their smile
that isn't a cynical aside
about the lost innocence
of a phase they've already gone through.

And some stare back like eclipses
that have pulled the blinds down
over their eyes
like sunglasses disguised
by a witness protection program
but you just know
they're oilslicks
on the Sea of Shadows
as they were in the womb
and in the Gulf of Mexico
the black blood
of an incorporated miscarriage
that hemorrhaged like the pot of gold
at the end of the oleaginous rainbow.

I look into people's souls
and I see how afraid
they must be of life
to hide out in the open
like an ocean
that hasn't kept faith
with its own depths
and tries to pretend it's
as airy and light as the sky.

The birds are flying through the roots.
The fish are swimming in the treetops.

I see judas-goats chained
to the stakes of their ego-Is
like sacrificial tiger bait
devoted to their cunning.

I see the anti-muses
that shadow Mt. Helicon
like black holes
in the death valleys
of human imagination.
And I wonder how they ever got here.

What bend in space
led them to this twisted place
like a forsaken road
they keep taking
like a wormhole through time
into the womb
of a stillborn universe
where the moonlight
burns their embryos
on pyres of lime
beside the dry creekbeds
of nameless rivers going nowhere?

Along their flowerless banks
I see the rib-cages of dead snakes
that went witching for water
with tongues and tines
of Kundalini lightning
that ran up their spines
like time through a waterclock
and the hulls of empty lifeboats
that died in the desert
at the bottom of the mirage
they drowned in
hoping to find themselves
among those who survived
by learning to swim through sand
like fish in an hourglass aquarium.

I'd rather walk on stars
reflected in the shattered mirrors
of my last self-image
than repay
the generosity of my solitude
with mass ingratitude.

I listen to people's voices
and they all seem like the same echo
with many different mouths.

I've tried to respect
the mystic specificity
of the thousands of fierce individuals
I've met over the years
but the more I've learned
about myself and others
the more I see the same mind
in many different skulls.
The same genius of inspired water
that poured an ocean
of sentient awareness
into everyone of our cells.

Union differentiates.
Separation binds.
I look into people's faces
however young or old they are
and I see infinite spaces
moonlighting as time
on the nightshift of the stars.

I see horror and compassion.
I see butterflies sipping
the nectar of diamonds
like honey in the promised land
and maggots born in excrement
thriving on offal
like the janitors of the dead
because everything grows best
in the soil it was born into
like karma in the fortune-cookies
of wombs and eggs and cocoons.

I look into people's eyes
like sad stars
through the generous end
of the telescope
that brings the far near
like impact craters
and I see how some people
cling to the memory of themselves
like underground seas
in frozen lockets
of water on the moon.

I look into people's secret shrines
they build like birds
in the eye of the storm
looking for salvation.
And I can hear
the echo of their prayers
bouncing back off hydrogen clouds
like a nineteen twenties radio show
thousands of lightyears away
as if they just said them yesterday
and the universe as usual
threw the words back in their face
like the cosmic background hiss
of snowflakes on a furnace
going out like stars.

I've seen the innocence of fireflies
making halos
and the blood-rose weaving thorns
around the massive blackholes of death
as if they were merely
a pinprick in a voodoo doll
that got into white magic by mistake.

I've looked into
the nuclear blaze of madness
like an A bomb with shades on
and seen the flash and shadow
of embryo silhouettes
spit out like cave paintings
on the firewalls of the fusion wombs
that give birth to the heavier elements
it takes to survive.

But the water's not mad
just because the moon's a lunatic.
The mirror might seem
just as angry as you are
but it doesn't feel a thing.

Learning wisdom is learning space.

It doesn't eat flowers
and the weeds don't sting.
It takes everything it embraces to heart
and nothing's left out
from the very beginning.
Like the whole of the moon and the sky
in every eye of water
that's ever looked into me
and seen that everyone
is the heart of a mystery
whose lucidity
is their only true identity.

It's our seeing
that makes the flowers open
and the stars shine.
It's our hearing that gives
the wind something
meaningful to say
and the grass something
to whisper about.
Whatever you touch
walks in your skin from thereon.
Whatever you taste
be it roses and nettles
or sulphur and wine
or the sour-sweet radiance
of the stars on your tongue
you're the flavour of the day
in everything.

It's your nose
that gives the burning leaves
in the urns of autumn
the spectral fragrance
of chrysanthemums
that are barely holding on.

And it's your mind.
Your heart.
Your blood.
Your body.
Your imagination.
Your intuition.
Your wisdom.
Your ignorance.
Your darkness.
Your light.
Your spirit
enlightened or deluded
whatever you think or feel
is abundantly missing
or dream you're waking up to
that makes the world real
in every mystically specific detail
of who you are.

Who else?
I look into myself
as far as the stars
at the edge of my seeing
fourteen point five billion lightyears away
and I can see how much time and space
how many species of life
generation after generation
have been born to give birth and die.

All the roses swept
from the stairs
of our hopeless tomorrows
because they were a tribute to love
meant for someone else.

All the spontaneous joys
that cast their long random shadows
like occasional fireflies of insight
across the lunar mindscape
of this afterlife of sorrows
where every church is the gravestone
of an unsuspecting god.

I look into my own seeing
like light upon light
in the vast expanse
of an unknowable night
and I'm cosmically astonished
by how many worlds within worlds
eyes within eyes
minds within minds
lives within lives it takes
to make a single habitable human being
meaning everyone of us sacred fools
fit as a genius
for the crazy wisdom
of a creative life
in a self-inspired universe.

poem by Patrick White
Submitted by Poetry Lover
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Tenderly The Evening Descends Into A Dark Bliss

Tenderly the evening descends into a dark bliss
and lays its poultice like a cool leaf against my forehead
and draws the fever of the day out of the night.
I ease back on my elbows like an easel down by the river.
When I'm burnt, I make a blister
and cushion myself with water,
a more useful approach to tears.
The mosquitoes swarm like insistent circumstances
that thin my blood, but a soft wind
is blowing them away from Pearl Harbour.
The long blue grass yields as easily to a man as a deer.
I want the stars near enough to overhear what they're whispering.
Still amazing to me I can embrace all of them with a thought
as if they were my idea in the first place
and feel humbled and exalted at the same time
by the sublimity of their radiance and the strangeness of my own.
The river sustains its clarity by wandering.

Single male in the autumn of life, I've let go of so much
the only thing left to let go of is the letting go itself.
I've forgone the commotion of inducing myself into creation.
Things will fall out by themselves. Playfulness
return to surrealistic perversity
to explain the shape of the universe
and fools like me counter-intuit the crazy wisdom
of squandering their lives on voices in the distance
leading them on deeper into the subtleties of a poetic narcosis
that haunts them like the face
of a beautiful woman they once knew.
Don't we all belong to a nobility of longing, even though
we don't live up to it, and start to grasp and scratch
like dead branches screeching across
an intransigent windowpane on a stormy night
that let's us look at the fire, but doesn't let us in?
Where do you go with your serious spirit
when you've been rejected by your solitude?
Do you know the secret art of being enhanced
by the qualities of anything you're not attached to,
without killing off the desire for what you're missing?
Live with gratitude for the abyss in your heart
it's impossible to fill like a grave
that took more out of you than it put back in.

You can be adorned by your failures.
You can be humiliated by your victories.
Coming and going, your path can be strewn
with roses or thorns. You could be walking on stars.
You could be lying down beside a river at night like I am
savouring a sorrow you like the poetic taste of,
because it includes everything within it
like the skin of the dew and the moon as the source of life.
Even sweeter than a rainbow body of light
or an atmosphere with ocean to match,
this last touch of clinging before you evaporate
into the mystery of everything you're leaving behind.
No more than you can pour water out of the universe
through a black hole, can your mindstream be poured by time
into the uncomprehending darkness of the black mirror
you're looking for an image in tonight
in the eyes of all these stars shining down upon us,
knowing our starmud is just as old as their light
and we're not wandering orphans lost in their shadows.
We're firewalking on water like stars in the shapes
of self-immolating swans, two parts flammable
from the start, and one of oxygen like a toxin
we depend upon for life like an alien export we adapted to.
Same with death. Until you include it in the nucleus,
inviting your enemy in to feast behind the gates
that laboured like water to keep life in the seas,
you're vulnerable to the delusion of your own exclusion
like the face of an exile in your mirroring awareness.

Don't underestimate the creative potential
of the dark genius of death to come up
with new paradigms of seeing and being
that make us feel we lived our whole lives
confined and blind in the coffin of a seed
that stored a harvest of what we've reaped in a silo.
Out of the dead ore of the moon
pours the white gold of wheat
like metal from a stone in a starfield
that yields more life than can be lost
in the living of it. Without a sword. Without a ploughshare.
Isn't it in the nature of our evanescence to move
like light and water and wind from urn to urn
of one sky burial to the next at sea and then the earth
like a water clock that runs so urgently
from full to an emptiness that has to keep expanding
like the human heart just to contain it
so when the cup's broken like a skull
you can drink the whole of the sea and the sky
in every single dropp of your mindstream
and the stars will still be climbing your roots
up to the flowers within that bloom every year
like a deepening insight at zenith into
the dark generosity of becoming something
even beyond the scope of death to imagine extinct.

poem by Patrick White
Submitted by Poetry Lover
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Unbuckle Your Heart

Unbuckle your heart, undo the luggage strap.
Wash the smell of old lovers out of your laundry.
Sow the dreams you've carved from your skull
like dice in sacred ground
and let's see what springs up.
There's the bathtub you can renew
your virginity in, and there's a corner
you can stand your bass guitar in
like an Irishman at his wake in a coffin.
And there's the garden for that persona
you took on the road like a scarecrow
for a travelling companion with a limp.
All the flowers taste of hummingbirds.
And it's ok the raccoons come for the corn
like second storey cat burglars in the night.
They never take more than they need
and in a world of greed, that's integrity.
I always leave a smile ajar to let them in.

But with you, my heart's an open doorway
the moon's standing in, and my blood's
a transfusion of black roses into the occult.
My eyes, a rare conjunction of fireflies
that won't happen again for another hundred years.
Doom can spend all the time it wants
messing with its calendars to co-ordinate
the apocalypse in all zodiacs at once
so the year of the rat and the year of the swan
don't synchronize their prophets to the dawn
like waterclocks who think things are
just going to go on and on as they always have
like imperially inclined aqueducts without a rupture.

Eclipse, millennial poseur, you're a lyric of carbon
that makes the diamonds flow like tears
to realize there's galaxies of white sweet clover
more to you than appears under the cloud cover
of a hundred billion stars burning into the silver nitrates
of the photographic plates I take of you
in the humbled mountains of my all night observatories.
And even at this distance, alone in the cold company
of these one-eyed telescopes, I'm tempted
to cross your event horizons into your black holes
and see what worlds might come of us
on the other side. Throw caution to the wind
like a rodeo clown and take the ride
as if you were not too wise or wild for tenderness.

Even when you hurt I've seen how you wear
the corona of the sun so lightly in full eclipse
all the haloes shining by a reflected glory
seem mere brassy moon dogs by comparison.
Out of fury you insist upon your originality
like a gamma ray burst in the path of the earth
as you weave your interlocutory wavelengths
into the flying carpets and labyrinths
of an alien cartographer mapping out the stars
with your third eye open to the loneliness of beauty
and how everyone's threatened by an intelligent orchid.

I imagine sometimes you're almost as unloveable as I am
when I'm at my best, when I've been accurately blessed,
not too much, more or less, beyond my aspirations
and I see at the speed of light how time stops,
and my mass and volume become as infinite
as my body and mind, and everything
is perfectly inconceivable in a fallible eternity
that's adapted to us like the medium of a mystery
in a graveyard of dead metaphors we keep giving
new meaning to as if we were all randomly immortal.

Are you the supple bubble of effervescence
in a tsunami of sorrow that could keep my spirits up,
or a methane moon waiting for an airlift of oxygen
to light you up. You're too incandescent
to shine like a brown star, too imaginatively immense
to be a black dwarf. Are you the omnipresence of a particle
or the oracular wavelength of an apostate saint
when no one's looking but me and you
through your holy books to see if what we said
came true or not? If we kept our word
to the innovative absurdity of it all in peace and war
or threw the moon through the window
like an alarm clock that didn't go off in time
to save the earth? I know you're not
the existential bricklayer of the paradoxically sublime
outside the gates of Babylon, nor the whore within.
I've seen you wing your way from one planet to the next
trying to thread your lifelines into a nest
that wasn't a begging bowl in the hands of tree
that came on like a slumlord in a ghetto of birds.
There are no aviaries for the hopelessly free.
But could you live with me in this homelessness
like a tent in the wind that scours Mars for survivors
of the last expedition of seeds that tried to bloom here?
I'd build you a palace of black water that eclipsed
the beauty of the Taj Mahal and plant stars
all around it that would fountain into waterlilies
and we'd be so full of moonlight and solitude
in the silence of each other's eyes, the darkness
couldn't help but envy us the danger of the enterprise.

poem by Patrick White
Submitted by Poetry Lover
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Sharing Same Moon Makes Our Love Eternal

I am sitting at my window watching,
It's night, moon is glowing like a queen of sky,
I know you are too far away to feel me,
But in same time we are sharing the same moon.

How many words i wish i tell you,
How much i want that you to hold my hand,
And rest my head on your shoulder,
Comforting my crying eyes with your tender kiss.

I am looking to the moon, i feel so lonely,
You are too far away to feel my pain,
I know you think of me in moonlight,
When looking at the moon we share our dream.

Is nothing else to compare in my life,
As your eyes shinning to me like stars in the darkness,
I have the feeling you belong to me,
Sharing same moon makes our love eternal.

poem by Cristina Teodor
Submitted by Poetry Lover
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I Could Look At It With Sweeter Eyes

I could look at it with sweeter eyes.
The way boys and cowards romanticize war.
I could emphasize the honeysuckle and fireflies.
I could say that's not a noose in my hand, it's an ankh.
I could run an extortion racket of jukebox mirrors
and have them placed in all the best cafes
so when you put a quarter moon in
they reflect anything you ask them to.
You've got a beautiful face. Man
are you smart. Yes, you're the son of Zeus
and I'm the oracle of Amun at Siwa.

And every occasion I can with integrity
I try to. I praise the larkspur.
I'm exhilarated by the waterlilies
that have almost come to mean
as much to me as the stars on a summer night.
I rejoice in extraordinarily ordinary events
between people, I don't expect to experience again
the way he walks beside her like a green crutch
coming into bloom and leafing like a loveletter
trying to be a strong tree she can lean on,
and so much is so crucial to a blessed few
or a father walking down the street,
listening to his daughter as if she were the Buddha
or middle C and he had to keep his eighty-eights straight.

Born a cellular optimist or too stupid to be a cynic,
though there are days I live like a dog,
and I know that denying this suggestive reality
is to summon its affirmation as if
something in the context of life heard you
and though you're never certain, out to prove you wrong.
And likewise endorsing it, invites its denial.

This is the middle extreme and it should be lived
immensely with intensity like a Sufi gyroscope
in dynamic equilibrium with your wingspan
whether you're homing to a sacred grove for the night
and your heart is a bell of shadows
or you're one of the good sugars of life
fulfilled by the dawn where all the birds
sound like one harmony, but if you listen a little harder,
they're all out of tune with each other,
this one a bass run and that an arpeggio
on a water flute that can hold a note like a dropp of dew
on the tongue of a blade of stargrass when it wants to.
When the long wavelengths of its tears
aren't breaking ashore like a menagerie of glass horses.

My mystic guestimate is. In the dark beyond
the blazing memes that have yet to light a candle to the stars,
love silvers the harvest of the heart in moonlight
and comes by day with a golden scythe to thresh it,
and an understanding that puts its trust in the future of life
like a windfall of apples swarmed by wasps like a train
that had jumped its tracks, or dozens of whales
were beached overnight and crushed their lungs
under their own weight, though that wasn't as buoyant
as the previous metaphor, nevertheless it's not
an injudicious verisimilitude for what I'm getting at.

If your passion for anything is ferocious enough
sooner or later you're going to meet a nemetic dragon
though I'm sure that's just a dream cloak
for projecting my anxieties onto a blaze
of cold-blooded reptiles with inflammable wings,
and you're going to look deeply into the fangs of its eyes
as if you had to go through this ordeal
to suffer for what you love to prove you're real.
Today I lived like one long mouthless scream.
I could have kicked stars in someone's face.

Too much of a black farce to be the credible dream
of the air corridor I'm trying to sustain
like a black hole to the other side of the hourglass
that's timing all this like a heartbeat of picture-music.
Now I'm writing poetry beside an aquarium
at two in the morning with three goldfish
hovering in their sleep beside me like hummingbirds
gone back to the sea as we all do eventually.
And it feels good to see the likeness in disparate things
and bring them together like the moon on the mindstream,
maple fire dancing to the rhythm of northern water,
and though it's impossible to assess the worth
of what I'm doing as a poet in the twenty-first century
I can feel the compassion of a crazy wisdom
in every feather of light that falls to earth like Icarus.

poem by Patrick White
Submitted by Poetry Lover
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There's A Black Lotus In My Heart

There's a black lotus in my heart, black hole
of enlightenment, black waterstar, sacred eclipse.
Nothing worth attaining that isn't unattainable.
And all the gates are upside down and backwards.
Albino starmaps with black dots shining
on the other side of the mirror, zodiacs
of black matter looping back on themselves
like solar auroras of the sun that rises at midnight.
I don't know what all this means. I may have gone
too far into exile and actually managed to get
to the dark side of the moon. Or I'm a warehouse
of shadows at noon that have lost track of the time
like blind sundials that feel they're being followed.

The light illuminates, but I bloom nocturnally.
I've got the burn marks of stars all over my skin.
I work on the nightshift at the foundry of a constellation
busy pouring itself out like iron and oxygen, blood and air,
forged out the afterlives of hydrogen I've gathered over the years.
A fire-womb engendering one you fill with water.
Fire the midwife of its own daughter. I'm envious
of creative immolations I know I'll never attain.
Though my left brain is in full communication with the right
and I'm a full moon of the bright vacancy, dark abundance
of both sides, and the harvest is ripe, I'm always
a star ahead of my light, so I don't end up
like a dead school furnace in the basement
writing my memoirs like a manuscript of ashes in an urn.

Deconstruct me wholly down to my last atom
and I promise you, if that's all I've got to work with
like one stem cell to another at the beginning
of a matrix of causes and conditions into which
we'll be placed by a Hox gene assessing the chi
of which direction our eyes should face, and how many
degrees of separation there should be between our ears,
I promise you, I'll still burn with the fireflies
and the supernovas like a blind prophet
who saw two wavelengths copulating like snakes
and has been tied at this stake of of a spine,
an oracular heretic of both sexes in synchrony
like the hybrid of a phoenix and a waterbird
burning in visionary serpent fire ever since
for the sake of a muse that always comes
in the nick of time like rain on the moon to my rescue.

When it's night in the diamond of my third eye
is the light not more mystically enhanced by the darkness,
more mystically specific than the white wash of the sun?
The moon is the mitochondrian that tempers
the toxicity of the light so the nucleus of the solar system
can blaze with alien oxygen meteorically across the night.
The black mirror, brighter than the white,
shows you your reflection on the inside
where you're arrayed like a faceless world
that's given up trying to second guess
who's the unerring witness under the lifemask
of the surreal cosmology that doesn't recognize
it's not a self, at first glance, and that all physics
is the psychology of ridding yourself of the delusion
you can, even if you're riding a flying carpet
out into this desert of stars to sweep the constellations away
like mirages that have been throwing bad meat
down your holy wells like sacred crocodiles.

Ignite even so much as a matchbook at this distance
or turn on a flashlight to see what's in the dark
as if you were looking for your mind with your mind on the light
even though it's as abundantly clear as your eyes it's night out,
and the billions of stars in the next closest galaxy,
Messier 31, at eleven o'clock above the middle star
in Andromeda on the rocks, and two million light years
of enlightenment will gently recede back into the cosmic hiss
and disappear from your field of view subliminally
knowing, because the timing's yours, you're a daylily
covering your insight with the petals of your own hands
because you don't know how to open them sidereally yet
from the outside in, where your darkness shines
and the night you turn your face away from
like the bright side of the moon blinds you
by a reflected glory to the radiance of the origins
of your own vision, deep within, where it all begins
emanating stars of the darkness of your own eyes.

poem by Patrick White
Submitted by Poetry Lover
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Full Moon And The Mournful Thunder Of A Train

Full moon and the mournful thunder of a train
passing through town. Venus, Jupiter, Mercury
long gone down for the rest of the night.
Orion a pale imitation of itself in the west.
Mars near Regulus, the little king with the heart of the lion,
and Saturn off to the east. Like water returned
to the river it came from, everything immersed
in the fluidity of silence
swimming through the trees
as if virgins were older than fish at the spring equinox.

A habit of wandering when no one else is around
walks me out of town like some unknown journey
stringing my feet along with a line
and two minutes with a lunar hook dangling
in the effluvial plains of the moon's volcanic seas
as if I needed to be played into it by the sacred syllables
of ancient starmaps talking in tongues like oceans of awareness
into the ears of the seashells who can repeat
every word they say to themselves in secret.

All I've done most of my life is write and paint
spring, summer, winter, fall, four seasons,
and a writer not only adds another dimension
to the state of affairs, but constitutes
a fifth season of his own as well, a sphere
of thin-skinned spirit that covers the earth
like an invisible aurora of imagination,
the third eye of a wobbling satellite
lost in space with spiritual vertigo
like the black sheep of a shepherd moon. Five
seasons in all, but the fifth includes the other four
like a mood ring on a chameleon in front of a mirror.

And the rest of my life in between
exotic flame-outs and catastrophic inspirations
has been about running back home to my life
like an ambulance, a squad car, or a fire truck,
and, yes, even the occasional water bomber
to put a root fire out before it broke into blossom
and spread like daylilies to the rest of the neighbourhood.

Just as I can't help looking extemporally at
the extraordinarily ordinary dandelions sometimes
and thinking they must have been born middle-aged
because they all look like yellow G-7 type bachelor suns
that have rubber-stamped themselves all over the place.
Dandelion wine, but I wonder if anyone of them
ever longed to be born a red head, looked
at the gypsy poppies like blood at the side of the road,
wearing too much black mascara, and wished somehow
they could be just as uniquely scarlet and carefree.

And in the night, out in the woods on my own
without a light or a fire for a companion
you're never alone with, I think, o yes,
a poppy or a dandelion would be good right about now
and I make them a mental substitute through
intense creative visualization and though
I'll sit out here spiritually naked all night
somehow by the morning I've melted a block of ice
like a Tibetan monk in the Himalayas
who was trying to focus on stars.

So when I take these long starwalks
through the desolation of stark and delicate things,
and their ferociously bold slow-hand insistence
on returning the way they came like fruits
ye shall know them by, back to the wild apple trees,
I'm not just walking among solid things
that overemphasize their reality at the expense
of realizing their full potential as an event of metaphors
that can shapeshift musically into anything they want to be
from dandelions with short haircuts
to poppies with the manes of solar flares.

My life is being conducted by a symphony of fiddleheads
at a seance of violins. I look at the desiccated milkweed pods
and I don't see a coffin or a brittle fortune-cookie of a womb
that's gone to seed, but the eyelids of visionaries
who gave up everything to the seeing they had to give
like millions of little ghostly white parachutes of moonlight
landing like prophetic time-capsules from the flowers
who refused to go blind, even after jumping from paradise,
and emptier than a widow's mailbox
still stare blankly up at the stars
with their mouths open in utter amazement
trying to remember all their children's names and myths of origins
shawled over their shoulders like the Milky Way
as if that were some kind of cold comfort
for a lifetime of absurdly trying to rinse
the shadows out of the light with their tears.

poem by Patrick White
Submitted by Poetry Lover
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On the Face of the Moon

I feel your pain running deep,
By the light of the moon I see you weep,
Lost and lonely in a crowd,
You shout your thoughts out loud,
Is there nothing sacred on earth?
Is there no love without dirt?

Your heart is on the moon,
Craters filled with gloom,
To whom will you turn,
Loves ashes fill the urn,

Why, oh why, did I forget?
This is no time for regret,
I should have taken more time,
Your pain is greater than mine,
It's never too late, love can be great!
Love lost, need not be your fate!

Your heart is on the moon,
Craters filled with gloom,
To whom will you turn,
Loves ashes fill the urn,

They never meant to cause you pain,
Love lets them live their game,
We watch and learn about life,
There is no need for strife,
I'll wait for you on the face of the moon,
Stars shining bright, lift the gloom,

Your heart in the clouds,
Far from the crowds,
Eyes bright as stars,
Life might be better on Mars?

April 2012

poem by David Andre' Klopper
Submitted by Poetry Lover
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Your Eyes For Awhile

Your eyes for awhile
were the only eyes
I could see through
to catch a glimpse of god;
were windows into my own soul
that I could look through from the outside
without throwing the moon
through my reflection like a stone
in the hand of an angry boy.
And it was always as true
as the way your heart grew
that you could love strangers
easier than I do even now
after all these years of learning how
to talk to mirrors in their own language.
And you were not one woman
but all women forever
when I saw you once
bending down like the dusk
to touch the last of the flowers
as if you would never see them again.
As serene as the evening
there was no labour in your beauty
and I swear when I saw you that night
I felt as if I were the whole world watching
time put a finger to its lips
and pour its fountain
into the flow of your body
as if it were the sum of all passage.
And though I was your friend in all things
every evening since
the candle went out
in the lantern of a lost tomorrow
I have walked out into abandoned fields alone
and asked the saddest questions
of the most distant stars
knowing there is not enough light sometimes
even in the eyes of God
to be a companion of our sorrows.
And the questions grow longer
as the darkness deepens
the echo of my longing
in a well as dry as my skull
and closes its gates like scars.
And then those nights come
like a life or a day
or even just this moment
when I stop asking
why human suffering
is always indescribably true
and joyful as an irreproachable buffoon
sword-dancing alone with the moon
who writes me dangerous loveletters
as if she were the Lady of the Lake
receiving me back
like a funeral ship
into this mysterium of you,
I can almost believe that you know
even though the night mocks the crow
that pines for mercy
and turns its lightless face toward you
as if it could still feel
the warmth of the sun at midnight
in your eyes again
like the afterlife of light
playing with fireflies in the abyss
now that the summer constellations have gone down;
that somehow you must know
like a guitar
on the far side of a room
where someone is singing
as if they had their ear
to the womb
of your irrevocable absence
that binds me to you with every breath
I take for two
as if I had learned to live on death
to keep you alive in me
where you still flow through the seasons
on the nightstreams of my blood
like blossoms and leaves and stars
and the moon leaves no scars on the water;
must know. Or a demon’s a kinder face
to bestow on the darkness
than a black hole without eyes,
though it’s taken many, long, painful years
for the night to share the light with its jewels again
and as many schools as there are fools to fill them
that even just one
of those slightly compassionate smiles
you would send across the room
to cool the furnace of my heart
with the lightness of one snowflake,
one feather
gracing a change in the weather,
knew more about love
as a raindropp knows the sea
than all of us
who have been washed up
on this cold, lonely shore together
thinking we may have been saved
for something more
than this tidal longing
to brave the sea again
and even if doomed to drown
as I have learned
from this shale of pain
that has carbon-dated the eras
of my missing you
like a life that didn’t
flash before my eyes
as I went down for good with everything,
to thank-you, o, yes,
with nothing but love and light in my heart
and your face in the eye of my solitude
as I stand before the sea in gratitude
to thank-you
as you well knew one day I could
for the generosity of the wound
that has run like my life
down these eyes
these windows
this page
these empty mirrors
of autumn rain
that have wept for years without you
just to see you again
for one moment more
than the time I have left
to know that I never will.

poem by Patrick White
Submitted by Poetry Lover
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One Light Burning

(sambora, foster, morolda)
All alone in the dark
No walls no windows
Trying hard to define
Heaven from hell
Standing out in the rain
With just one shadow
Nothing to see or believe
Beyond myself
See my life going by
Each moment I am alive
I keep reaching out, holding on, hoping
Somewhere in my life
Theres one light burning
I feel it like my heart beating inside
Somewhere in my life
Theres one light burning
All alone with my fears
No words are spoken
A story yet to be told
Locked in my mind
Hope is somewhere ahead
Shining brightly
But the past is always following close behind
See my life going by, each moment I am alive
I keep reaching out, holding on, hoping
Somewhere in my life
Theres one light burning
I feel it like my heart beating inside
Somewhere in my life
Theres one light burning
Somewhere in my life
Theres one light burning
I feel it like my heart beating inside
Somewhere in my life
Theres one light burning
Leading the way, leading the way

song performed by by Bon Jovi
Submitted by Lucian Velea
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