Patrick White

At The Crossroads Of Martyrs And Reptiles

At the crossroads of martyrs and reptiles,
annihilation's easy enough. It's carrying on
that's hard. All my emotions are feathered
like crows or osprey, hermit thrush, Canada geese,
and the occasional humming bird but that doesn't mean
they're perched in an aviary, or forgotten
what it was like when they had scales.

I've softened as I've aged. Molars and mountains
worn down like a planet in the tides of time and the stars.
I used to embroider my emotions in blood
on pillowcases full of razorblades that had
as many phases as the moon has thorns,
broken stained-glass windows, the shards
of shattered mirrors. I lived like stolen
radioactive material in a black market
with no flower-stalls, though I was raised
in a city of gardens with hanging baskets
dripping from the lamp posts outside the pawn shop,
with three full moons of leprous white globes
cloned incommensurately down the main street.

I buried my emotions at sea on the run
like depth charges deep within me
where the sharks and submarines cruise
for targets of opportunity. Boom.
But on the surface all you'd hear
in polite company, was this muffled wump
like a boxer connecting a right cross meteorically
with an entire species. And I'd tuck myself in at night
under the chained blankets they use
like straitjackets to discipline dynamite.
I'd dream like a junkyard dog with its head
on its paws in between thieves of one day
winning my colours like a moonrise in a wolfpack.

Ask me what the nights were all about back then
and I'd immediately say black. Intense,
voracious black. Black matter, black holes,
black energy, black dwarfs, black diamonds
on the coal road they took like the wrong path in life.
I'd look at the traffic lights, the colour of lifesavers,
and I'd see three eclipses, two for the way
I looked at things, and one indelibly patched
over my third eye like cataracts on the windows
of a black out in a blitz. Not brutal, not cruel.
But it wasn't often anyone looked at the ore
and saw a jewel. I was a chip off the old block
as my mother used to say referring to my father,
and I'd go away for days at a time feeling
like Charlie Manson in a nuclear winter
for carnivorous losers like Smilodon
in the last ice age who would never know
what it was like to be petted under the chin and purr.

I may have been evil, but I was smart.
And is that man good, who likes you,
and tells you to get away from him to keep
the infection from spreading? Any merit in that?
If the plague rat jumps ship before docking in Genoa?
Who knows why things change the way they do?
Maybe everybody's got a quota of mutations
to go through before the world shapes up like a pear,
the snake sheds its last skin, evolution
gives you a break on a long, lonely highway at night
and the prehensile grip of your thumb gets you a lift
from a stranger with cigarettes the rest of the way.

Even as a cold furnace of a kid full of the ashes
of the tree forts I built from stolen lumber
like eyries where I could shriek on the wind
like an eagle with an arrow in its wing
and nobody could hear me but the wind and the leaves
and at night when they came out like call girls, the stars.
That did the trick, I think. When they weren't
mean and stupid, they were wise as underground cells
of a compassion as tangible as honey on a burn.
I loved to hear the stars roaring like dragons in the abyss
without anyone catching fire for heresy
and then watch them fixing chandeliers of fireflies
to the lobes of their ears in front of the light bulbs
marqueeing the fragrant make-up mirrors
that told them no lies, as if it were raining light out.

You could burn, you could burn, you could burn,
you could burn like a clear blue white star,
pure acetylene hotter than the indigo petals
of the wild irises with their tongues hanging out
like Sirius A in the Big Dog because of the heat.
You could know them all by name and still,
and this is the best part of any art, have no power
over them, even when you knew the secret name
of their god, and kept it to yourself out of gratitude.
Even when they were grasped by the throat like swans
by a john as sometimes happened, it only
went to prove how unattainable everything is
you think you've got a handle on, as they'd
slip through your fingers like water and clouds
and seductive perfumes with the names of romantic novels
billowing like mustard gas in no man's land.

As vivid as the lilac dot of Mercury dancing in the sunset
of a modest telescope that can see light
at the end of the tunnel of death, like a fun ride
in a circus of horrors, I remember looking
through the plumes of smoke from the pulp mill
through a glass darkly on my mother's back porch
just to get a glimpse of Wednesday's planet,
exhilarated to see what Copernicus hadn't,
this tiny seed pearl that never turned its face
away from the sun, intermittently revealed
through a parting of the ways between me
and the black ghosts of an ongoing exorcism.

I began to understand the dark wisdom of shining
isn't so much a matter of what you put out
as what you take in when the light turns you around
like stars and callgirls and says, here, in this black mirror,
take a good look at yourself. What constellation is that?
Black dwarfs on a starmap, or a cabal of fireflies
cauterizing the lightning roots of your myth of origins
like bad wiring on the electric chair of Queen Cassiopeia
shorting out the fuses of the old asterisms
with the creative possibilities of less terminal visions?

Even today, after fifty years of poetry,
I can't look at the Pleiades without feeling
I'm in the boudoir of the sibyls trying to make
a decent man of the boy in me they adopted
as one of their own and taught me how to burn
the darkness out on the pyre of a sky burial
devoted to nightbirds like a dragon that emptied
its furnace of a heart out like the skull cup of an urn
or a coal scuttle pouring its ashes out like diamonds
of Zen costume jewellery from the mended tea pot
of Aquarius on the cold side of the moon
to warm things up a bit like a compassionate heretic
with a cosmic emergency exit at either equinox.
That's when my tears began to thaw like glaciers
on a long inter-reflecting firewalk of waterclocks.

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Patrick White

There's A Black Lotus In My Heart

There's a black lotus in my heart, black hole
of enlightenment, black waterstar, sacred eclipse.
Nothing worth attaining that isn't unattainable.
And all the gates are upside down and backwards.
Albino starmaps with black dots shining
on the other side of the mirror, zodiacs
of black matter looping back on themselves
like solar auroras of the sun that rises at midnight.
I don't know what all this means. I may have gone
too far into exile and actually managed to get
to the dark side of the moon. Or I'm a warehouse
of shadows at noon that have lost track of the time
like blind sundials that feel they're being followed.

The light illuminates, but I bloom nocturnally.
I've got the burn marks of stars all over my skin.
I work on the nightshift at the foundry of a constellation
busy pouring itself out like iron and oxygen, blood and air,
forged out the afterlives of hydrogen I've gathered over the years.
A fire-womb engendering one you fill with water.
Fire the midwife of its own daughter. I'm envious
of creative immolations I know I'll never attain.
Though my left brain is in full communication with the right
and I'm a full moon of the bright vacancy, dark abundance
of both sides, and the harvest is ripe, I'm always
a star ahead of my light, so I don't end up
like a dead school furnace in the basement
writing my memoirs like a manuscript of ashes in an urn.

Deconstruct me wholly down to my last atom
and I promise you, if that's all I've got to work with
like one stem cell to another at the beginning
of a matrix of causes and conditions into which
we'll be placed by a Hox gene assessing the chi
of which direction our eyes should face, and how many
degrees of separation there should be between our ears,
I promise you, I'll still burn with the fireflies
and the supernovas like a blind prophet
who saw two wavelengths copulating like snakes
and has been tied at this stake of of a spine,
an oracular heretic of both sexes in synchrony
like the hybrid of a phoenix and a waterbird
burning in visionary serpent fire ever since
for the sake of a muse that always comes
in the nick of time like rain on the moon to my rescue.

When it's night in the diamond of my third eye
is the light not more mystically enhanced by the darkness,
more mystically specific than the white wash of the sun?
The moon is the mitochondrian that tempers
the toxicity of the light so the nucleus of the solar system
can blaze with alien oxygen meteorically across the night.
The black mirror, brighter than the white,
shows you your reflection on the inside
where you're arrayed like a faceless world
that's given up trying to second guess
who's the unerring witness under the lifemask
of the surreal cosmology that doesn't recognize
it's not a self, at first glance, and that all physics
is the psychology of ridding yourself of the delusion
you can, even if you're riding a flying carpet
out into this desert of stars to sweep the constellations away
like mirages that have been throwing bad meat
down your holy wells like sacred crocodiles.

Ignite even so much as a matchbook at this distance
or turn on a flashlight to see what's in the dark
as if you were looking for your mind with your mind on the light
even though it's as abundantly clear as your eyes it's night out,
and the billions of stars in the next closest galaxy,
Messier 31, at eleven o'clock above the middle star
in Andromeda on the rocks, and two million light years
of enlightenment will gently recede back into the cosmic hiss
and disappear from your field of view subliminally
knowing, because the timing's yours, you're a daylily
covering your insight with the petals of your own hands
because you don't know how to open them sidereally yet
from the outside in, where your darkness shines
and the night you turn your face away from
like the bright side of the moon blinds you
by a reflected glory to the radiance of the origins
of your own vision, deep within, where it all begins
emanating stars of the darkness of your own eyes.

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Patrick White

I Have Become My Own Season

I have become my own season
living through these renewable eras of you
that come and go
like the fragrances of passing stars
that sometimes stop by the gate
to talk about the garden blooming late.
Some flowers wait for the moon to open,
to throw their arms around space
as if they could encompass everything
in the brief embrace of their petals,
and their seeing is one eye under multiple eyelids
as they burn like jewels in the night
to keep it all shining and bright.
But I've worn out the elbows
of my insatiable longing
on the windowsills of a different insight.
Saddened by the distance, the time, the circumstances,
delinquent desires still hanging out their shingles
like green apples on a dead branch in winter,
withering like the inconsolable eyes of old men
who have died like sons
and now must die like fathers,
mine is the darker radiance
of the faint halo of light
around a black hole
that summons everything
down into it like the sea
sitting below its own salt
at a stranger's table.
You can't look into
the black mirrors in my house
with your eyes open
because they only reflect
what's on the back of your eyelids
where the only light is your own
and you are the road
and the lantern you go by
and everything you feel and think and imagine
is your own true face without skin
not the gate between outside and in.
How could I ever recognize you
in these dark spaces
if it weren't for the trees
and the stars and the moon
and the night stream that runs through me
like a lifeline on the palm of my hand
down from the mountains
in a rush of diamonds and gold
that pour out like the pent-up emotions
of a sword that's just been pulled from a stone?
And how hugely alone the night is
when you love someone as they are
and you realize without effort
that if you hold them a moment in their transience
you hold them like a star in a locket of water
that tastes like the past.
There are people
like treebound barrels of rain
and then there are people like me
who leak out of their lives
like radioactive water
that couldn't pool the pain
long enough to stop the meltdown
long enough to cool the brain,
long enough to let it kill me.
Now in the darkness
seeded with the dust of black dwarfs
trying to clench a fist of coal into diamonds
my auroras are weeping neon dew
like a cheap enlightenment
all over the watercolours of dawn.
And I'm wondering
what kind of an afterlife is this
that I might have foregone
if I were indifferent
to how my solitude deranges me
like a lost continent
wandering through its own mindscapes
like an extinguished star
that wants to make up
just for one luminous moment
a constellation of its own
that doesn't wait upon anyone's eyes
for the themes of its seeing.
And though the skies have changed
like the slides of childhood dreams
with every blink of an eyelid
whenever night approaches me
and asks to sit by my fire
and let the flames and the smoke
of our past lives
speak for the both of us
I look up to give my eyes
like two drops of water
back to their oceanic immensities
and it's always unattainably you
that is shining
like a woman in the window
of a secret house of the zodiac
far off the beaten path
that leads everywhere like a firefly.
And your stars speak to me
as if my flesh were light again
and my heart
that bumps its way through the dark
already a lamp beyond
the Lazarus of wax
that's buried in his own lucidities
like a candle I left for dead.

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A Centriolum

Never in those sizzling conflicts
displaying the pink eyes
you were able to reach me.
Was it metagenesis,
forgetting your selfhood?

Fragments of a beast were floating on sea.
Was umblicus of death broken
in the crotch of a mother?
Lay the corn again on my palm
to smoulder in the heat of sun.
Hunger will take revenge now.

Burn, burn my truth, burn!
I was the creator,
and I was destroyer
at the helm of unbuttoning coal.

It was a black, black sky,
where the stars were hesitant to show their
centrioles.

After the sun rises in a black dawn
there will be no shocks.

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Black and White

Black and White By Dilantha Gunawardana

A story in black and white

Black and white;
Black in white; perhaps black on white;
White embedded in black;
Black around white, sprinkle or a speckle even a trickle;
Shadows on the porch on an eerie white night;
A piano keyboard, intertwined in ebony and white;
A checker or a droughts board or lofty chess pieces;
Black stallions and white mares;
All galloping in the pursuit of unending happiness;
A flow of nimbus with a speckle of cumulus;
Showers of blessings, black rain and even snow and hale;
The smog that kisses the snow flake clouds;
Chimneys and embers inside snowy winter bungalows;
We begin in ashes, black residual ashes;
Connected to a white umbilical cord;
We are born white, virgins in every sphere of life;
Then we learn of the agony of the ebony;
Even the bright light of white, even white water that softens our stance;
Criss-cross, diagonal, straight or in jumps in the many paths of life;
Life, a game of chess, as we sprinkle our lives with black and white;
And in the end, we are left with nothing but black and white;
A powdered white peau against the back dropp of a charcoal black suit
In an ebony coffin, with white shimmering handles
Then we burn in to ashes, residual embers
Ashes to ashes, powder of our existence
Black and white;
Our true essence of life.

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Black and White (Stream XV)

I have black thoughts,
It is a black day,
A day when the black dog
Coal black, hovers at my shoulder.
I shoulder the burden.
Deep in the black hole.
Black as a black hearted night.
Negative.
Stark.
Black and white.
I do not call my good days white days.
Why?
Or have white thoughts
On a white day,
When the white dog
Pure white sits upon my shoulder.
Which is unburdened.
Out of the pit,
Luxuriating in the bright white light;
White as the purest snow.
Positive.
For we live in a too white world
Maybe we should have grey days,
And light days.
Why should Black be negative and White poitive?


For me then, today is a grey day.
Maybe tomorrow will be a light day.


Copyright P H Brookes 2012

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Patrick White

And Should I Recall Whose Eyes

And should I recall whose eyes made the stars most beautiful,
and set the mindstream that flowed though us aflame with fireflies
a moment there and gone and come again like light
in the keyholes of the feral cats that prowled the graveyardshift
wholly to the top of the broom-swept path up Heartbreak Hill,
where the bones of the seven hanged men lay buried
in the duff of our childhood legends, a shadow and a name,
trying love on shyly like new clothes in the shadows of the pines,
where we lay down with the dead on beds of rusty compass needles,
out of sight of the windows of the town, how could I not feel,
here alone now by the Tay, thousands of miles away,
and more years later than it takes to walk a burning bridge,
waiting for the flower moon to appear above the horizon,
the waterclock in the nightbird's song of longing?

And if I were to say what it was like to be touched by her
when she was brave with hunger and my body
all loaves and fishs in the innocence of her hands
and her breasts and lips magic mushrooms without the flies
that swarmed the garbage cans in the back-alleys below,
and though it was not wise to begin a new life
on the last night of the past we were ending together,
like a bell and a cannon that had been melted down
from the same dark ore of a life we were cut out of
like a wound in a loveletter we left unsigned for one another,
because good-bye was harder to write than just to let things go,
what words could I use that weren't already
denuded of their shining like a windfall
of black dwarfs on the windowsills of time,
and the stars that night that clung to the sky
like bubbles in the evanescence of glass
or the grass to our flesh, all washed off now
as if they were grime, the quiet patina of time
gilding the dust like rainbows on the wings of flies?

And the wind asks, and the water sylphs want to know
and the wild willows are holding their breath like a veil
and the Tay is pulling a curtain of water aside in its wake
to hear about another stranger the earth swallowed
like a sacred syllable in the mouth of a snake
that envied the waterbirds their wavelengths and wings,
and though the skeletal birch and prophetic skulls
in the riverbed plead like the end of a dream
for one more lullaby in the ghost story of the moonrise,
I show them the black pearl of my heart
lustrous as hard coal to burn again in the furnace of dawn
on the dark side of the moon in partial eclipse
as I weep like a dragon for the secrets I keep
like myths of origin in the urns of things that are gone
like the irrevocable flightfeathers of the words and waterbirds
under the lost petals of fire that bloom in the eyes of the flower moon.

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Burn

don't look don't look" the shadows breathe
Whispering me away from you
"don't wake at night to watch her sleep
You know that you will always lose
This trembling
Adored
Tousled bird mad girl... "
But every night i burn
But every night i call your name
Every night i burn
Every night i fall again
"oh don't talk of love" the shadows purr
Murmuring me away from you
"don't talk of worlds that never were
The end is all that's ever true
There's nothing you can ever say
Nothing you can ever do... "
Still every night i burn
Every night i scream your name
Every night i burn
Every night the dream's the same
Every night i burn
Waiting for my only friend
Every night i burn
Waiting for the world to end
"just paint your face" the shadows smile
Slipping me away from you
"oh it doesn't matter how you hide
Find you if we're wanting to
So slide back down and close your eyes
Sleep a while
You must be tired... "
But every night i burn
Every night i call your name
Every night i burn
Every night i fall again
Every night i burn
Scream the animal scream
Every night i burn
Dream the crow black dream
Dream the crow black dream...

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Patrick White

Out Here Alone

Out here alone so late at night
with all these spectacular stars
burning through the clean glass
of the freezing winter air
I can almost hear them thinking
behind the myths of the cover stories
they've told for years
dark truths about life and light
it would be madness in a man to understand.

Don't try to stuff the impersonal secret
of the universe
into your sentimental heart.
How could you ever fit its likeness
into a locket
and finger it lovingly as your own?

Out here alone so late
even if you have come
like a thief in the night
to steal from the light
when nobody's home
there are no cracks no facets no gaps
no backdoors, unlocked windows
or emergency exits,
no stairwells or entrances
in these jewels of insight
that can feel your eyes falling upon them
like rain running down a mirror
that shuts you out
like someone in the bathroom crying
for reasons that are light-years beyond you.

However deep and sincere your tears are
they're still only dry wells
in that vast ocean of awareness,
black snowflakes
on the roaring furnace of the abyss
and if you reach out with affection
hoping to make things better
by embracing it all
you're still only tendering a kiss
to the gaping jaws of your own lipless skull.

There's a silence older than space
in the bottomless heart of things
that makes intelligence seem
the unlikeliest of exaggerations
a human could ever mean
holding his mind up like a lamp to the stars
as if he could find his own way back by his own light
without the dream that themes his mindstream with creation.

But as foolish and futile as it is to surmise
or try to get a leg up on the wise
I don't think the darkness
is the negative space
around the troubled face that appeared
after all the dots were connected
like rising constellations
in a child's colouring book.

And I don't think there are gods
squatting like frogs
on the lotus of the world
making us up as they go along
like wheels and roads
to the grunts and groans
of an axial mating song
anyone could mistake for a joke.

And I don't think the stars
believe the things we say about them
or even remotely feel the mystic dread
of what it is to be a human
looking up at their shining
out of deeper darknesses within
where no direction can be given to the lost like eyes
that would never find their own way home again
were it not for the stars and fireflies that mislead us
from one illumination to the next
by giving the finger to the braille of the text
that would school a gust of stardust into us
like God gave life to Adam
and Eve gave life to God
long before there were any laws to blind them
like Satanic lightning bolts
uprooting their eyes like rain from the clouds
to put those fires out.

I look up at the stars
with the eyes of an exile
through the diaspora of my breath
and I want to think them all to death
like the people and things I've left behind me
when it was time to go my own way
anywhere into the darkness inside me
to see if I could shine a light upon myself
that didn't blind me to the fact
neither in the beginning
nor in the end
was I there to witness the act
that made a certainty as good as a doubt
to the great indifference
that wasn't trying to find me
like a needle of light in the heart of a haystack.

I look up at the stars
like a scarecrow in winter
trying to put its pants on
one leg after another
like a man
with nothing but time to burn
scattering his ashes among the stars
urn after urn
skull after skull
of the heretics and mystics
that were martyred by his scar-crossed heart
in the name of nothing real.

I don't know what they feel
but I look up at the stars
like a black rose
of blood and starmud
in the last death throes
of self-immolation
and see in my own image
what I've always had
in common with creation.

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Patrick White

The Brighter The Light, The Deeper The Shadow

for Rebekah Garland

The brighter the light, the deeper the shadow.
Shine. And anyone who can see will follow.
Just make sure the stars are real and not tinfoil.
You don't need to know where you're going
to be a good guide when you yourself are the path you're on.
Shine. You're the blue orchid in the Pleiades.
You're the firefly in the skull that kicked in
like a bioluminescent emergency light
when the dead woke up to discover they had no eyes.
You're the last candle dancing to the pulse of the dragon's heart.
You have suffered and lost. Suffered and won.
Suffered and healed like wounded water on the moon.
Shine like a fountainmouth. Shine like a watershed
that can feel the galaxies swimming through it like starfish
whirling like Sufis at the crossroads of a black hole
like the navel of the wheeling world with the singularity
of a hidden jewel in it like the third eye of a lump of coal
shining out like a diamond of the first magnitude.

You can do cartwheels across the sky
as if your legs and arms were spokes.
You can listen for a voice in the abyss of time and silence
until your ears turn into radio telescopes
turning like calla lilies on a jinxed prayer wheel
looking for signs of extraterrestrial rural life
like pendulous Zen pagodas hanging like bird feeders
on the errant limb of a locust tree, waiting for birds.
Shine like a sword of fire outside the gates of your re-entry
from a long return journey of the smokey dove
that wasn't sacrificed, but volunteered
to go see what happened to the crow that was sent out first
to witch for land with an olive branch of lightning in its beak
as a sign of the truce we seek with the rain,
we seek through our tears, we seek like the new moon
wholly reflected in every plinth of our shattered mirrors
of what appeared to be real, until, like hungry ghosts
we tried to grasp it and it slipped through our fingers
like an hourglass full of stars, a rosary of Canada geese,
a slaver's neckchain made of gold like a Celtic torgue.

Shine. I know there's a genie of blue hydrogen in your lamp
and you don't need a nightwatchman to ignite it every night,
though I expect you'd meet up later at a seance,
like the creative medium of a spiritual adept at sensual silence.
But when you do, you fire up hell like a school furnace
as easily as you illuminate paradise with a poppy and a sunflower.
Shine. This is your hour. When it's darkest and it matters the most.
Be a lighthouse off your own shipwrecked coast.
Be the many-petalled matchbook of a flower that blooms in fire
once every seven thousand years, and when the wind
doesn't feed it anything but the milk and bread of ghosts,
I know you've got the ferocious courage
not to blow it out just because you can. Shine
like a wavelength ploughing the dead seas of the moon
like a garden it intends to plant in its wake
that will keep on expanding like the growing edge
of tree rings emanating like cambium from the heartwood
of a cosmic tree that never stops bearing fruit
even when it feels like a Pre-Cambrian tree in a petrified forest
under the Arctic ice of a new polarized ice age.

Don't hide in the weeds and the shadows
of the star you were meant to be at this zenith
of your ascendency whether you're peaking or at nadir.
Shine. And let me see if I can recognize by one star alone
what constellation you're shapeshifting into
like a starmap with flightpaths and insights of her own
through the eye of the hurricane
in the crowns of the black walnut trees
where the nightbirds are waiting as autumn's coming on
for you to show them how to make their own way home.
Be a lamp in the arms of your own journey.
Just as the moon that's apprenticed like a sorceress
to all the phases of your beautiful, crazy wisdom is.

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Black and White and Red

Black and White
And Red I see
Demons they do
Torture me
Black and White
And Red all day
The voices are real
Or so they say
Black and White
And Red abound
I'm lost I call
I'm never found
Black and White
And Red flow out
I scream but you
Don't hear me shout
Black and White
And Red so bright
Exit blood and
Enter light
Black and White
And Red of death
Now I breathe
My final breath

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Patrick White

Want to Be Brilliant, Want To Shine Like A Black Star

Want to be brilliant, want to shine like a black star.
Trying to bend space with my mind. Trying to stop time
with my heart. Counting moments like beads on a rosary
of skulls, or shepherd moons on an abacus of gravity.
Though I know they're not all strung out like that.
Asteroids on a wavelength of light, or a spinal cord.
Or maybe I'm just trying to bead a guitar string
with a great black hole, or is it a lunar pearl,
in the center of a lyrical abyss? Workaday world
in a small town, who spends their time like this?
Not fortunate enough to have been born a carpenter,
I'm a mystically surrealistic, poetic astrophyicist
trying to come up with a new grammar for the stars
so all they have to do to express their shining,
is say, Metaphor, and as it is in the abyss, so it is everywhere.

Because I miss you like the main clause of my relativity.
The focal point of all my wavelengths. You're the radiant
and I'm the Martian meteor shower that's dying
to bring the gift of life to the Antarctic like the Leonids
did in the first place as I look at my face in the mirror
and think it's time for a change of species. Sometimes
it's crucial to sustain a few pathetic fallacies about yourself
so when you're under the moonweather of an estranged planet
and a black star breaks through the clouds like the anti-matter
of a waterlily, so do you. Funny how the flowers close their eyes
because none of them wants to miss the eclipse.
One of them said we're all looking through a glass darkly
but I don't see any soot on their petals,
and none of the telescopes are wearing shades.

I like to keep things clear in the light of the void.
I've come along way from the coal mines of space
to shine through your diamond so you can feel
a different kind of translucency that's eleven parts cheap thrill
in all the dimensions I can see you in, and one,
not even you, has discovered yet, that's the orphan of an exile
singing to himself to people the dark in a desert of stars
like a gnostic gospel in the mouth of a cave
to keep the evil jinn and bad spirits away
from the watersheds of my wishing wells
where the angels gather to mingle with the demons like water
they've just turned into wine. As for the other eighty-nine
realms of seeing and being what you see, they're shrines
I've devoted to you, swearing in blood and devotion
on the sidereal plinth of my sword, as I dedicate
all my prophetic skulls from the dark side of the moon
where the crows are wiser about lunar things than the doves,
to the enhancement of your radiance, your love and your art,
by deepening the dark, with a full heart, with things to harvest
that will make the abyss seem like a silo of stars you can break like bread.

poem by Patrick WhiteReport problemRelated quotes
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Forever

Slowly fading blue
The eastern hollows catch
The dying sun
Night time follows
Silent and black
Mirror pool mirrors
The lonely place
Where I meet you
See your head
In the fading light
And through the dark
Your eyes shine bright
And burn like fire
Burn like fire in Cairo
Burn like fire
Burn like fire in Cairo
Shifting crimson veil
Silken hips slide
Under my hand
Swollen lips whisper my name
And I yearn
You take me in your arms
And start to burn
F.I.R.E.I.N.C.A.I.R.O
Then the heat disappears
And the mirage
Fades away...
F.I.R.E.I.N.C.A.I.R.O
Burn like a fire in Cairo
Burn like a fire
Blaze like a fire in Cairo
Blaze like a fire
Flare with a wonderful light
Like a fire in Cairo
Burn like fire
Burn like
Fire in Cairo

song performed by by CureReport problemRelated quotes
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Patrick White

If Only I Could Remember Things For Awhile

If only I could remember things for awhile
as they were before they changed. Savour them.
Let the flavour of the jewel
that's been ripening in my voice
wash through my mouth
like the mystic blaze of a star sapphire
and every word I say be a firefly of insight
that can shed some light on dark matter.

Would that my tears fell fruitfully enough
to feed the world, that one dropp of my blood
after years of preparing the potion, were enough
to immunize a whole planet from affliction.
And what marvels would my eyes not delight
in showing anyone, if they could astonish the blind
like an orbiting telescope that's just had
its cataracts removed
like the reflection of the moon peeled
like an albino eclipse off the black mirror of the lake
only to discover that all this time they groped through the dark
like star-nosed moles, it was their own face that got in the way
of what was shining. If only my hands
knew how to build like the birds
and my bones were strong crossbeams and rafters,
what palaces of light and water and air
would my heart not offer to the homeless
like the growth rings of a maple tree
that threw them the keys like winged samara
and said, move in, its yours. It's built on bedrock
not the quicksand cornerstone of a slum lord.

For the lonely sitting with their cats and their elbows
in half-opened windows, observing
the pigeons and the stars for memorable events,
I would break this long fast of my solitude
like black Slavic peasant bread with strangers
who sat above the salt at the table
as my honoured guests, and ask them, eye to eye,
heart to heart, all ears, as if I were a radio telescope
listening like Seti, if they've heard any news back yet
from Bellatrix or Rigel, and which
of Jupiter's shepherd moons is hiding
a secret affair with life that everyone's dying to know.

It's heart-breaking that we can't all bring our tears to bear
into one cloud weeping over a drought like a dry creekbed
where we're all hibernating in our own starmud
like toads and frogs waiting for flashfloods of the next rain
to underwhelm us like gravestones in a makeshift cemetery.
What would the world be like if we could
walk up a long country road at night far from ourselves
and not have to ask the roadkill for directions in life?
As if we were sure enough where we were going
to risk being followed by the lost like a starcluster of fireflies
within the compass of everyone's bearings, not
out there somewhere like the ghost of a spaced-out lighthouse
but like the porchlight of nearby farm on a summer night
that draws living things out of the dark like the full moon to it,
even if it just be gnats in the air, bats, or Luna moths,
what a seance of life we could be to each other
as if we left the screen door unlatched
for any lunatic of the light on the road this late at night
who might wander in like the seeds of new themes on the wind
to enrich the bright vacancy of our dark abundance
with a starmap to where our buried treasure lies hidden
like diamonds in the ore of the hearthstones of our hearts.

If I could take the whole of my darkness
and enchant its snakepits into the wavelengths
of the light I would have emanate out of me
like the rainbow body of a Tibetan rinpoche
entrusted with the wisdom of the Himalayas
to seek a low place among the stars like a sea
that all things flow down into like the shining images
we retain of ourselves like the reverberations
of experienced luminaries echoing
like seasoned birds to each other
in the valleys and black holes of tears and death below.

Sacred syllables of immortal butterflies
in the orchards of morning and moonrise.
I would shine down upon the abyss of the lovers
like a water star from the bottom up
of all the burning bridges they have yet to cross
like Aldebaran at zenith, or Cygnus at nadir,
to get them to the other side
of what binds them to each other
like water and air, light, earth and fire,
and each moment of my life, every step
I risked anew, I would become the way
that's never taken itself before this deep into the mystery
of what it means to be alive and everywhere
be endangered by the beauty of our own awareness.

Instead of breathing for the dead as long as I can
underwater on the moon, I would invite them
to make a new birthmark in new medium
that calls them back from the night like light
from the scattered ashes of the empty urn of a star
coming together again in a gravitational womb
of their own remains, where everyone achieves
the all consuming illumination of their endless afterlives
by opening the koan of a single flower
in the light of their darkest hour of perennial insight.

poem by Patrick WhiteReport problemRelated quotes
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Fire In Cairo

Slowly fading blue
The eastern hollows catch
The dying sun
Night-time follows
Silence and black
Mirror pool mirrors
The lonely place
Where i meet you
See your head
In the fading light
And through the dark
Your eyes shine bright
And burn
Like fire
Burn like fire in cairo
Burn like fire
Burn like fire in cairo
Shifting crimson veil
Silken hips slide
Under my hand
Swollen lips whisper
My name
And i yearn
You take me in your arms
And start to burn
F-i-r-e-i-n-c-a-i-r-o
F-i-r-e-i-n-c-a-i-r-o
F-i-r-e-i-n-c-a-i-r-o
Then the heat disappears
And the mirage
Fades away
F-i-r-e-i-n-c-a-i-r-o
F-i-r-e-i-n-c-a-i-r-o
F-i-r-e-i-n-c-a-i-r-o
F-i-r-e-i-n-c-a-i-r-o
F-i-r-e-i-n-c-a-i-r-o
F-i-r-e-i-n-c-a-i-r-o
F-i-r-e-i-n-c-a-i-r-o
F-i-r-e-i-n-c-a-i-r-o
Burn like a fire in cairo
Burn like a
Fire
Blaze like a fire in cairo
Blaze like a
Fire
Flare
Burn like fire
Burn like
Fire in cairo

song performed by by CureReport problemRelated quotes
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A spring evening

Outside the irises flower yellow and purple
and I haven’t seen a red one yet
and there are some pink and white blossoms
on the fruit trees
and the streetlights burn continually
glowing orange-yellow
all day and all night
as if the municipality
does not know how to do things right
and in the fading evening light
the moon is full and white
and the evening star is already shining bright
and a hot breeze sweeps in
through the open windows
and I wonder when the first spring rain
is going to fall
and in the distance I see thunder
crashing down
in blue-white flashes, but the storm
is blown away and again the sky is clear
and the black speckled by stars.

poem by Gert StrydomReport problemRelated quotes
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Black in the Water

there's black in the water
and no one can see it but me
I am the only one to blame
pouring my heart out so carelessly
there's black in the water
though it started out clear
its light turned to darkness
in the course of a year

you put in the promises
broken and never remembered
you added the hurtful words
I so silently surrendered
you discarded your lies
and when you looked back
the water, it spiraled
your mistakes turned it black

there's black in the water
the happiness will sink
but I'm used to the color
so I'm tempted to drink
my pain overcomes me,
that I always knew
but there's black in the water
still invisible to you

poem by Jade LevenReport problemRelated quotes
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Black Mirror

Black Vs White
White Vs black
the mirror is against me
Or am i against the mirror?
we ARE the black Vs white
we are the dawn, battling the night
we are the stars in the evening sky
and we are the blood spilled in the hollow, dark night
we are brother and sister
Relatives yet foes
we will destroy each other
for you can't have one without the other
you look at me
i know your story
we will each scream in pain
and scream for glory
and watching the blood spill down your skin
i clutch your hand as the light dims
in killing you
i have killed myself
we are each others own personal black mirror
and as we fall down to the grave
i look at you as you try to pray
we may both die
but i have won
for the dark always covers the sun.
and as you cry while i clutch your hand
i whisper in your ear, so only you may hear
Dear brother, brother of mine
you are my black mirror
and now it is time.

poem by Kiele KaneReport problemRelated quotes
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Patrick White

Coming Out Of A Blue Funk

Coming out of a blue funk, this seal,
under a sky thickening like sheet ice all day
has found an airhole it can breathe through for awhile.
Been wondering about my life. What
it's been doing to me for the last fifty years
for the sake of poetry, for the sake
of pursuing an earthly excellence
though it hardly matters why anymore.
I used to have an answer on the tip of my tongue
when I was young and thought more
with my mouth than my heart. Less so now.
Time, death, suffering, love and the devil,
certain intense realms of creative bliss
attuned to the dark harmonies of hidden roots
that flow back like the delta of a river
to the watershed of a single dropp of water
that got it in its head to do something big with its life
and turn something trivial into the sublime.
Did not the sun and the moon, the whole of the sky,
fit it like skin? And that was just the outside.
It would take more than light years to measure
the wingspan of the abysmal spaces within.
Even time would run out of itself
before it got to the end of anything.

My life in art has been like keeping a fire alight outside
in a rainstorm of tears. To see clearly
through windows that thawed in the heat
of looking through them with the compassionate ferocity
of a crystal skull poured out of a terraforming meteor impact
like a prophetic lump of coal, a diamond in the rough,
that refused to burn in the furnace to prove it had the right stuff
to shine like a star, no one could follow, on its way to somewhere else.
Not a sign post. Just a sign. Your eyes
once you see it, are never going to be the same again.
You won't look at a starcluster like the Pleiades
as if you were waiting for the traffic lights to change.
You'll take your three and a half pounds of brainy starmud,
like a meteoritic kissing stone, a falling star,
and run it through a diamond tipped bandsaw
and discover the jewel of life that's been glowing
in the core of the ore since time immemorial
like a dna molecule wasted on space
that transforms the medium and the messenger
into a voice, free of content, that's the whole of the message.

I walked out to this dark, deserted place, redolent
with the duff and detritus of life, the flotsam and jetsam,
where the half life of the rate of decay of my insights
into your heart, eludes being used as an atomic clock
to determine the agelessness of either of us.
I came out to look at the stars but I've been startled
by the photonic discharges of your bioluminescent fireflies
ever since I started looking up like a starmap to make sure things
were where they were supposed to be. One moment
you get in my eyes like the sandstorm of a mandalic power painting,
a masterpiece of the wind, and the next,
I can feel the intransigence of your vulnerability
dyeing your hair like a comet to attract the attention
of the sun at midnight looking for asylum from a black hole
where it's third eye used to be.

You're a mermaid on the rocks of Andromeda singing to a telescope
to look up to see how far its got to sink in an ocean of stars
before it hits bottom like a shipwrecked moonrise
gone pearl diving for habitable planets
that can say I love you and mean it like an atmosphere
it's not going to lose again. Only in the Braille
of the scars on your heart so far, but I can read your pain
like the glyphs of an Aztec temple
I'm still clearing from the jungle of my indirections,
that recorded in imported stone how many times
it's been torn out to please the gods with a kidnapped sacrifice
worthy of the priestcraft in the sacred abattoirs
of modern drug cartels when you're too susceptible
to feeling too much, the same as me, when I'm thinking mythically
about what I've endured to be acceptable in my own eyes
that might shine across these aloof distances like a star into yours
that lights you up from the inside like an intimate familiar
whispering into your ear like a dream grammar of sacred syllables
that have liberated themselves from the syntax of the stars
just to speak subliminally in the same sign language as you
like the chaos of fireflies I see in the black mirror of my mindstream
bending space like the surface of a lake at night
where you can hear the echo of a loon ululating
like the wavelength of a mysterious love song
among these dark hills shapeshifting in the moonlight
toward you like a mirage of picture-music
emerging as something real in this wilderness of transformation
like a new constellation of fireflies I want to overhear with your heart.

poem by Patrick WhiteReport problemRelated quotes
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The Darkness Ate The Day

I left the light behind and the darkness ate the day,
I stay in the shadows of the night with little regret to say,
The dark is warm like a subtle flame, even the light was never the same
I should be ashamed to say this aloud, but it's easier to say how I am proud
Proud to let the light stay away, proud that the darkness ate the day
For there is little light to fight back, a world that's nothing but black
Black sun, black moon, black night, black day, all the world's that's black will stay,
Stay the way of the night, always straining to destroy the
Light

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White Skin Black Heart

Yeah, whatcha gonna do now, now that you started?
Whatcha gonna do now, now that its done?
The words got out there, they float around and are coming right back down.
You gonna leave us lying here
Dealing with the consequences of a bad sound
Of a bad sound.
White skin black heart
White skin black heart
Whatcha gonna do now, that its spoken?
These words of a habit, have not faded away.
.................... it clear, conscious gets opened like a wound.
If you cant concieve a better line and better times,
Then let silence bury you, in the end.
When you feel it, when you feel it
Youre condemned.
You see, youve lost your strangle on the freedom road! you
Think ........................of something a long time ago! you
[spewed it out you were so] insecure! it was like ............. on
The toilet floor! youre a [nine seat] drunk, ............... and
You say you want something, .......... you heard the rednecks
Roaring for blood and then they wanted more! life was so small, you
Couldnt get enough. you made a start.
White skin black heart
Dripping,
White skin black heart
White skin black heart
White skin black heart
White skin black heart
Drag your eyes from [aurora] black heart!
White skin black heart
Drag your leg, get outta here [my sight]!
White skin black heart
White skin black heart
White skin black heart
White skin black heart
You didnt have to start
White skin black heart
White skin black heart

song performed by by Midnight OilReport problemRelated quotes
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