
Are You Sad
for Alysia
Are you sad, mauled like a morning web
by the shadows of things that were said
to make the candle sorry
it couldn’t shine on alone,
the ray of its affection
lavish with the light of a life
that isn’t a star in a vault of bone?
Strangers in the doorway,
love-letters without a home
that knock like footprints in a blizzard
to marrow the telephone
that no one ever answered
with a voice as raw as gold,
are you sad, are you cold,
is there a dolphin and a wound
between the spaces of the secrets
that mend their nets on the moon?
Oceans in the rose of night,
and poppies in the starfields
that burn like distant nebulae
with all the radiant reasons why
the heart is a better swimmer
than a lie with exits of its own
and when we cry it’s always summer
and keys on a chain in the grass
that fall like cherries and chance.
Are you sad, is there a silence
in the eye of the storm that advances
like a bird that is new to the distance
between the green boughs and the dead,
and bells that kneel in a watershed
to appeal the lightning’s chandeliers,
the roots of an unknown flower
or a sword with a severed head?
Are you sad, alone with the alone;
is there a coast on the verge of tears,
and someone bleeding the starfish
and a ghost on a borrowed throne?
poem by Patrick White

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Heal Softly, Lover, Burn Gently
Heal softly, lover, burn gently,
the moon is full on your windowsill,
and the stars haven't gone down
over the eyes of your bells
or made a fool of your tears
over a jest of ashes. You are
the nightbranch that reaches for me
and I'm the bird that returns
to your cherry chandeliers,
the ripe goblets of your fire-plums,
and the stars in the quince of your eyes.
And there are blackberries in your blood
thorns and vines, simmering eclipses
broken gates and lonely doorways
where I'll always come to shine,
where I'll wait like a ghost beyond death
for the eyelids and bridges
in the breath of your wine.
Eternity isn't time enough
to hold the sea I bear you
nor a mountain robed in snow
nor a valley heeding voices in the depths,
more than a wound and a toy
to the love I feel for you.
Heal softly, lover, hear me, see
in this dreamtime of the flesh,
how the lanterns
of the lady slippers glow with honey
that fill the hives with light,
and the doe sleeps softly
in the silver grass that jewels the water,
and the fireflies outlive the brass
of graver monuments than these
that write our names on the moon in shadows.
I say it in bees and bruises and orchids
in apples and eglantine,
in roads and doors and thresholds,
in skulls and scars and sunspots,
in grapes and scarlet runners,
in the slips of the cucumber seeds,
and the lips of the velvet borage
that kiss and overflow the stone,
you're the harp in the throat of time
the spider weaves
to hear the morning play.
No widow of burnt guitars,
no journal of summer
pressed between the pages
of the nightshift shales,
no blood on a chain,
or raven lost in the rags and ribbons
of her own black sails, not
frost on a garden that fails,
or a lock that's lost it keys,
or a rock that grieves for its plundered ores,
you are the candle and the seal
of all my mystic urgencies,
the gentle thief of my confessions
at the circuits and sessions
of a doomed man's last appeal
to die in the bay of your arms,
a dolphin, a bottle, a snail
that craved its way to you.
Heal softly, lover, turn with the herbs
that follow the sun like clocks
and when your day is done
bathe in the dusk with the birds
that fly through the air like autumn,
and scented by the apricots
and peacock blues that pour out of my heart
like the eyes and inks of a prelude,
a painter, a pitcher of words,
rise from your ancient solitude renewed
and dressed by the wind
in your scarves and veils,
in your nets, your shawls and auroras,
in anklets, chokers, loops and chains
in your nebulae and orbits
and the lunar rain of your earrings,
wait for me as I will wait for you
where the nightjar sings
to celebrate his lover's soft approach
with every quill and feather of his wings.
And no world will deceive us,
no flame expire, no radiance cease,
no fracture mar the jubilant fire
that recast its heart in hell
to love you long and well.
poem by Patrick White

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The Brighter The Light, The Deeper The Shadow
for Rebekah Garland
The brighter the light, the deeper the shadow.
Shine. And anyone who can see will follow.
Just make sure the stars are real and not tinfoil.
You don't need to know where you're going
to be a good guide when you yourself are the path you're on.
Shine. You're the blue orchid in the Pleiades.
You're the firefly in the skull that kicked in
like a bioluminescent emergency light
when the dead woke up to discover they had no eyes.
You're the last candle dancing to the pulse of the dragon's heart.
You have suffered and lost. Suffered and won.
Suffered and healed like wounded water on the moon.
Shine like a fountainmouth. Shine like a watershed
that can feel the galaxies swimming through it like starfish
whirling like Sufis at the crossroads of a black hole
like the navel of the wheeling world with the singularity
of a hidden jewel in it like the third eye of a lump of coal
shining out like a diamond of the first magnitude.
You can do cartwheels across the sky
as if your legs and arms were spokes.
You can listen for a voice in the abyss of time and silence
until your ears turn into radio telescopes
turning like calla lilies on a jinxed prayer wheel
looking for signs of extraterrestrial rural life
like pendulous Zen pagodas hanging like bird feeders
on the errant limb of a locust tree, waiting for birds.
Shine like a sword of fire outside the gates of your re-entry
from a long return journey of the smokey dove
that wasn't sacrificed, but volunteered
to go see what happened to the crow that was sent out first
to witch for land with an olive branch of lightning in its beak
as a sign of the truce we seek with the rain,
we seek through our tears, we seek like the new moon
wholly reflected in every plinth of our shattered mirrors
of what appeared to be real, until, like hungry ghosts
we tried to grasp it and it slipped through our fingers
like an hourglass full of stars, a rosary of Canada geese,
a slaver's neckchain made of gold like a Celtic torgue.
Shine. I know there's a genie of blue hydrogen in your lamp
and you don't need a nightwatchman to ignite it every night,
though I expect you'd meet up later at a seance,
like the creative medium of a spiritual adept at sensual silence.
But when you do, you fire up hell like a school furnace
as easily as you illuminate paradise with a poppy and a sunflower.
Shine. This is your hour. When it's darkest and it matters the most.
Be a lighthouse off your own shipwrecked coast.
Be the many-petalled matchbook of a flower that blooms in fire
once every seven thousand years, and when the wind
doesn't feed it anything but the milk and bread of ghosts,
I know you've got the ferocious courage
not to blow it out just because you can. Shine
like a wavelength ploughing the dead seas of the moon
like a garden it intends to plant in its wake
that will keep on expanding like the growing edge
of tree rings emanating like cambium from the heartwood
of a cosmic tree that never stops bearing fruit
even when it feels like a Pre-Cambrian tree in a petrified forest
under the Arctic ice of a new polarized ice age.
Don't hide in the weeds and the shadows
of the star you were meant to be at this zenith
of your ascendency whether you're peaking or at nadir.
Shine. And let me see if I can recognize by one star alone
what constellation you're shapeshifting into
like a starmap with flightpaths and insights of her own
through the eye of the hurricane
in the crowns of the black walnut trees
where the nightbirds are waiting as autumn's coming on
for you to show them how to make their own way home.
Be a lamp in the arms of your own journey.
Just as the moon that's apprenticed like a sorceress
to all the phases of your beautiful, crazy wisdom is.
poem by Patrick White

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Dear Moon Why Are We So Gray?
the skys are black tonight and theres a blue moon above my head
the sky seems sad tonight and now the moon is bleeding red
i look up to the sky
i feel so small
asking it for the answers
but all it ever gives me is silence-all you ever give me is silence
i ask you dear moon 'what's wrong with me y are all my colors gray? '
but u dear moon never answered my question
as the light began transforming night into day
i said 'dear moon why must you be this way? '
and finally you answered much to my delight
u sent a shooting star to chase away the night
and moon u did answer
from your pearch high in the sky
you said to me dearest moon 'i am you and you are i'
so i said 'well y so quite moon? '
and she said 'well y so quite girl? '
and then i had my answer.
everything looks gray in the stars light and you my Love will always be my star.

Were There Stars
Were there stars in your hair that night?
I cannot remember,
so taken with your face
and the mystery and the silence and the sorrow
of the tender bell in your eyes
that could summon ghosts
of yesterday's embodiments to the fire
of any passion that lost itself prophetically
at a rave of shadows among the trees.
You eased out of your wardrobe of rivers
like a snake on the moon
sloughing its skin like the eclipse
of a far more vulnerable shining,
and I couldn't tell if you were
a doe or a lynx
stepping out of the alder groves warily
to lap the moonlight
that flaked the shore
with the silver petals of an undulant rose
older and darker than night blood.
I could feel the danger within you,
the abyss of the early grave
that waited for you like a key
to come in out of the pain
that bled you like a shadow
pouring out of an open wound
that whispered to you like a secret scream
only the dead who owned you could hear.
Your hunger desperately sought salvation
from the eyes
that pleaded with you
to blow yourself out like a candle,
cancel the inevitability of your suffering
with the shudder and sigh of sex.
We lay down naked together
by the willow-stained waters
in that summer of flesh
and sought oblivion from each other
like two compatible cremations
that concealed a ravenous phoenix
ending its fast of fire.
Purified by the depth and darkness
of your intensities,
I burned in you
and felt the flames
of a dangerous angel
who had broken her afterlife like a curfew
flow over me
like dawn at a keyboard of feathers.
Your breasts still come up overnight
like supple mushrooms against my chest
and the moist heat of your mouth
throbbing with flowers like July
as you seized your joy
from the agony of the roots you tormented
to give up their dead
like bruised cherries.
I have never died as fully since
at the insistence
of any woman's appetite
nor known a night so final,
so brutal with time and beauty
as the pendulous moon swung
like an executioner's ax
over the nape of its own reflection
swanning on the waters.
We made love as if
we were both defying
the truth we didn't need to say.
I wanted to plead with you,
I wanted to call out into your emptiness
like a beseeching bird
disappearing into a dark valley,
but my voice ran ahead of its echo like light
and the things I would have asked you
not to do
had already been achieved.
Heroin, your asp,
at the funeral I stood back
beyond the baffled wreaths of flowers
and the ambivalent silence
of the modest gathering that mourned you,
maculate in the shadows
of the Japanese plum tree
we once made love under
and I kissed the rose of your blood
shedding in mine
like a wound
my love was never sword enough to heal
as they closed
and boarded you over like a well.
I spent the night like an empty vase
beside your grave
until the stars that bloomed above you like wildflowers
thawed my tears in the morning light.
I walked out of the cemetery
through the hard harps and spears
of its iron gates
and I have never been back.
The years since have been
chameleonic as a hooker
who plys her art
on the stairs of a temple
even the priests of my lust
are forbidden to enter,
but as you said I would
as you lay with me that night
like a knife beside the sea,
I have returned to you over and over again
like a witching wand
looking for water in hell,
like a cult of one to a lost island
that holds you like a secret
and wept like a candle of honey
in the dark hive of your unanswerable silence,
intoning the names
of an impossible god
on a rosary of black suns
until my heart hangs like a bell
dumb with grief
looking up at the stars
you rinsed like a tide from your hair.
And I lean on the crutch and the crook
of a shepherd's question,
looking everywhere for you
like the wind
sweeping the shadows of fireflies
like the fall of hair from your eyes
that night you tore yourself away from me
like a veil of blood and sorrows
wounded by the terrible light
of the black pearl
that ripened within you like the skull
of a full eclipse.
O my poor, broken angel,
you might have been fat and frumpy by now
if you had lived.
I could have watched your beauty
shed like the moon over the years,
and smile like an island
to remember how lost I was in your tides once,
a constellation of starfish
tumbled like dice in your dark undertow,
trying to shine, god, how
I tried to shine for you, how
I ached to embrace your planet safely
in the mandala of an empowering radiance
that could show you
I was worth living for
if nothing else.
Given the freedom
of the emptiness that engulfed us both,
we could have lived within each other,
we could have evolved our own atmospheres,
appointed our own stars,
written our own myths of origin
on the black pages of that journal of skies
where you scribbled down the events
of your pre-emptive afterlife
as if you wanted to make your ghost indelible.
As it was, the only thing I could do,
was take you in
like the last breath of a summer night
I could never let go of
without following it
like a shadow of you into death.
I haven't wished for much over the years,
and the dreams have come and gone as they will,
and my hair has gone gray
and my eyes are looped like powerlines
and the sad bells of a heavy solitude
that has yoked me to the grindstone of the turning world
to mill the stars like a tide
on the blood wheel of a worn heart.
I finally burned and broke all the weeping mirrors
I consulted like half-assed mediums
to see if I could restore you somehow
to the more intimate shining of that last night
you turned and ran back,
your shoes in your hand,
to make sure your final kiss would endure like a temple.
You pitied the agony of shapeshifting
you knew the black water ahead
was about to go through
as it smashed like goblets and crystal chandeliers
on the roaring skulls of the rocks.
You pitied me because you knew I loved you,
because you knew you were already
a future memory
and I was a prophecy from the past
that had ridden beyond itself like light
to illuminate nothing but your absence
measured in the filaments and lifelines
of eyeless oceans
like a seabird
circling a blind lighthouse on the moon.
poem by Patrick White

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Small, Warm Birds
Small, warm birds of feeling,
a profound tenderness,
something to cherish
in the loneliness of being human
in these vast, cold spaces,
as I read your words
like poppies in my blood again.
What stars could I call upon,
what roses could I ask for their skin,
what darkness charge with radiance,
what ploy of dancing buddhas
could I summon
to let you know
you are all my sky within,
and the assent of my soul in the morning
and the bough of my homing at night,
that there is within me a blind fire,
an invisible flame
that consumes me in the ferocious beauty
of its unseen flowering
even in a flurry of faces
and the business tugging the donkey of the day
braying like a knot in a stream of wood,
and all the objects and forms of the world
are burning mirrors I look into to see
the black pearl of your mystic presence within me,
the irridescent luster of your shining,
how you are a message in a bottle from ultimacy,
and a dark shrine of desire
that can wake the valley dragons
with the fragrance of your eyes on the wind.
I want to kiss your kneecaps;
I want to crush cool mushrooms against your lips
and feel my kisses break like bread,
I want to feel my mouth
blossoming on the nape of your neck
and my breath blowing across the shy wheatfields
of the softest gestures of hair on your skin,
I want to taste the silk
of the inside of your thighs
as if it were the flavour of an intimate paradise,
and approach your breasts like crowns,
and under a full moon
tenderly turn the sacred soil of your sex with my tongue
like a stranger in the doorway
of an infinite longing to make you shudder
like the void into light
with sexual eclipses on the back of your eyelids
that will fill you like a palace of water with stars.
I am the luminosity and shadow
of your green lamp that glows like the sea,
and my voice wants to bleed like black cherries
over the alluvial plain of your stomach
and touch you like a prophet
running his fingertips slowly over the pages of a holy book,
savouring the revelations
that throb like a pulse in space;
and there are storms that want to exhaust themselves
over the blue thresholds of your hills
and root their lightning in your body
like a tree of light, a new map of rivers
for your blood to follow back to me
like the echo of thunder in a well.
And all through the day
with its curbs and functions
I imagine the lilt of your fingers
on the rim of a coffee cup,
the cougar in the glance of your eyes,
the way you put a knife down on the table
like a smile without a script
and what it would be like
to circumnavigate the equator of your waist
with a rosary of kisses
to raise you like a sunken continent
out of your depths
and explore all your tides and passages
with the fervour of a dolphin in a bay of wine.
I want to be tangled like a kite
in the turmoil of your hair,
the night watchman of your dreams,
the one who notices
what no one else looks for,
the stone of the small grave
you sweep with your eyelashes
when the leaves of autumn
lie down with the shadows of spring
and the virgin windows of your tears
that no one has ever looked through
weep like glass over the secret root
of a flower only a child could see.
Beyond reason, gates, words,
where the bridges take off their shoes
to admire their feet in the water
and the waterlilies kiss the thorn
of the star that tore them like skin
and whisper ancient pollens to the night
softer than flour and saffron,
and everything I say to you
isn’t a wound in the light,
a mouthful of shadows,
a bell of water with a fish for a tongue,
fleets of butterflies
learning how to sail the oceans of the rose
like the keels and wings
of love-letters you can read in the dark,
I want to fold you in my arms like the moon
and pan the nocturnal urgencies of your eyes
for a gold rush of fireflies
in the all night boomtowns
of a heart that struck it rich
digging a hole to bury its dead.
poem by Patrick White

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In You
In you I come to the end of roads,
and an alphabet of burning wings
falls from an indigo sky
like meteors trying to write
the unsayable in a slash of light,
in a language of luminous scars
the night beatifies with mystic knowledge
that wants to name you
so deeply in thresholds and stars
the charged silence
is giving birth to an indelible mouth,
a doorway of blood,
an ancient grammar of fire
the wind puts on like a robe
to scry the darkness for a voice
that could fill the goblets
of the moon's dead seas
with the wine of a radiant wound,
so much within me
already the tongue of a bell
that can taste you like blackberries.
The whole of you
in every single dropp of your eyes,
you are the black swan
of the eclipse that rares its reflection in water,
the dark orchid in the shadow of the dragon
that sways like a bell in the night,
even your absence a shape of cherishing,
a harvest of shadows beyond the light
of the lamp that burns for you.
Within the deepest abyss of myself
where the heart stands alone
like a single black pillar
in the twilight wasteland of the world,
a mysterious temple to the ultimacy
of having been here once
to suffer the passage of form and time,
everything a gesture of space
that thaws back into itself,
I have written your name
in the hourglass of my blood
like a whisper of secret ink
that once voiced the light to be
and shook the stars like wheat
out of its blind abundance
and will be remembered forever
as the first intimacy of the sea,
and there is the rumour
of a dream in the air,
the fragrance of an approach,
that out of an ocean of light
the tide will embody a woman
like the shore of an island
littered with fingertips and kisses
enmeshed like galaxies and starfish
in the exhalation of her veils
and our lips will meet like archers,
and our bodies will sing like arrows
sunk like orchards through the heart
and long after the last flame of life is shed,
the night will silence the birds
in the groves where we bled like poppies
to open the gates of the mystery
like keys and rain, or the rosary of black pearls
that chants its prayers to the night
like the slow alarm of autumn geese
in the eyes of a human face.
I try to say what can't be said,
pouring my spirit
into the wineskin of every word,
but my heart is a larger apple
than the bough of my voice can bear,
and the silence
that would erect temples everywhere like flowers
spun from the auroral silks of my soul
and perfume the air with the pollen of sacred fireflies,
every emotion a priest with a shaven head
to honour the moon
climbing the stairwell within me
of a million horizons at once
in every breathless step,
falls away behind me like the wake of a sinking ship
that lowers me into my coffin like a lifeboat
or a message in a bottle
that pleads like wine with the emptiness
for an alphabet that isn't in arrears to time
to say you to the night
in a lightning breath of life beyond
these elemental likenesses I carve
from a quarry of stars.
And I know I ask for immortal children
from a human womb,
and wide as my powers are
to exceed the sky with homing birds,
to adorn the dead branch with windows
that dazzle the roots of dawn,
I am the ashes of a black star in daylight,
a stone man with a chain for a tongue
when I try to swim like Atlantis
through the depths of your shining within
and the last word, the last life
to flash across my mind as I drown
again and again like a pulse
in the embrace of your beauty
is always the world as it is
before anything was said.
poem by Patrick White

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I Am A Dragon
I am a dragon,
but I’ve got cloudy teeth.
You are a vase among jars,
a feather among scales.
Obviously you are the sea
and I am the seabed.
In the darkness you are the shining.
I come to you
like lead to an alchemist,
base metal to gold.
Already I am transformed
by your mirrors of fire.
There is a light, a glow,
invisible but more illuminating,
not of the moon, or sun, or a star,
but of the heart and mind,
the light of life itself
when it’s the only candle in the room
dancing behind its veil of shadows,
and in the least filament
of the down upon your thighs,
there are suffusions of fireflies and galaxies,
mystic lanterns
ripening like apricots
over the open doors of worlds within,
over eyes that bloom like wild asters
rooted in the earthly fields of the heart.
I have been a ghost
trying to say itself into existence;
and my bread and my blood
have been the whisper and breath of you.
Not the mountains, not
the mothering floors of the wheat seas,
not the forests or the hills or the rivers,
not the ladders or roads or miles between us,
nor the seasons of the threshing clock,
have kept us one eyelash apart;
we have been wings to each other;
we have been the secret tides of the rose
in a bay of blood to one another;
we have been the substance of a dream
that lingers like the impression in cool grass
of where the deer slept the night before.
In the flights of winter birds,
on moist winter days,
I have rehearsed endless summers to come,
when the sky whispered your eyes
in bells of sidereal fragrance
into the abyss of my longing for you
and love seemed a petal of light on the wind,
and you were that petal,
and I was that wind.
And though I have stood for eras
on this bridge of night alone
waiting for you like a letter, an afterlife,
a voice of fire in a well urgent with stars
I want to live with you,
we have always embraced, not two,
arrow and bow,
pilgrim and shrine,
release and enlightenment
reflected in these visions
the insistent palettes of the heart
paint on the impassioned waters
of the deepening lifestream.
I have been a storm of blood and stars;
I have drowned in the crypts of my own tears
and learned to breathe through a new medium,
set the crown of my fin on a rose of gills,
and bloom in a mythically enhanced
immensity of sorrows,
and the shadows under my eyes
have mourned for me
like black bells in a tower of thorns,
two horses of night chained to a heart
that dragged itself around like a hearse
looking for a lost grave.
I buried myself in women
who were torn like the satin lining
out of a coffin just
when they were about to give birth.
Their pain always tasted of an afterlife
that danced like lightning on the tip of my tongue
until my blood caught fire
like a rose with a voice of wine.
Black, apostate, madonnas
of body, heart, and mystery,
even the moon a bead of devotion
on a thread of their blood,
a dream vow under the eyelid of an eclipse.
I never knew what to say
that wasn’t a life shy
of an inadequate skeleton
trying to reflesh itself with the ashes
of its last sidereal cremation.
I was born again and again
like a sword drawn out of a stone
to hurl my humanity
like a sparrow
against the windows and eyes of the gods.
They knew I was right
to live the prophecy
written in the book of my wings by the wind,
but their tears fell like glass rice
on the stairwells of the bridal mirrors
that wept like silver serpents
at the heels of the moon
and whatever road I walked,
whatever direction I wandered in
like a drunken river
I passed through my own ribs
like an opening gate
to a sealess exile on the moon,
a lighthouse to the sail of a ghost in a desert.
Events of the spirit,
and the imported executioners
of tormented ecstasies
that made our bodies shudder with oblivion
until even our shadows glowed
like feathers of light
that glutted the abyss we pillowed like stone
to lay our heads down upon and dream,
every emotion,
keyed like a highwire
over the infinite emptiness
of a guitar in the corner of a tomb
eating the dust of a blackboard
that schooled the scrawl of the angels
into the writing on the wall.
How many lovers have perished in me
like the rings and eras of a tree,
and what enormities of childhood it takes
to sweeten a single ruby of fruit,
what tides of blood and light
collapsing like eyelids on the mystic circus
that pulled off miracles
under the sheets and skies and skin
of our lascivious tents:
now I am a dunce in a wizard’s hat,
a cone of light,
the pillar of a fallen shadow,
freeing the wings of wounded birds
from the nets and mesh of the stars.
I am a dragon
with the soul of a bridge to here and now,
a weed on the stairs of an unknown temple
to a god that sweeps me away like ashes
with the broom of my shadow,
and my face is the footprint of the wind
as flowers are the footprints of the light,
and my heart is a pebble
I keep dropping down a well
to listen for an echo from the depths,
for a whisper of fire on the water,
to deliver me like a burning dove
with a leaf of the moon in its beak,
a letter from you,
to say there is a south of the heart
that can thaw this arctic desolation
that overtakes me like an ageless night
as my thoughts fall away
like the flames of descending matches,
like angels and demons
tilted from heaven,
from the plane of their orbital hearts,
toppled like towers and lighthouses
by an urge to kiss their own reflections.
I am a dragon
chained to the nightrain
that inks the roots of the locust tree
with thorns and stars and flowers,
and my blood is a dusky mess of dawns and ancient sunsets.
My heart was scaled like the moon
by the phases of an empty cup,
my eyes were birdless skies
and nothing flew higher
than the feathered shadows of the trees
that roosted in the grass like water,
and there were no tears left
in the wineskin of the heart
withered like a lily that bloomed for a day,
the soft clarion of a bruised trumpet.
Now I think of you
so many nights and miles away,
and I walk like a bridge toward you,
and my wings are spread out
like the pages of ample skies
that have yet to be written on by the stars,
and I must blow on my longing to be with you
like a spoonful of hot diamonds
just to keep the deserts of my thought
from etherealizing the tropics of my blood,
my eyes evaporating like crucial oases
in the heat of these visions
that burn the air
with fountains of fire
in this tavern of mystic passions
where I drink alone to you,
the furnace of my blood
silked like a black poppy
when I reach out,
a tree in winter,
the afterlife of lightning,
to touch your face like the moon.
I have been a lonely crusade of one
fighting for the gravestone of a dead god
enthroned in the leaf-fire of his falling,
lost in his dream like salt in the sea of the world,
stars in the seed of the apple,
a shadow devoted to the cause of the wind.
I am an era of scars
inspired by the talons of the moon
seizing my heart like a rag of meat
in these elevated bone-bowls of birth and death.
I have been a poet among humans,
an indignant warrior of the heart
with an army of seasoned candles
reconnoitering distant fires in the night
that bloomed like the breath
of insurmountable divinities
gathering like birds
in the border hills of the darkness
that always took the form of a luminous woman
bathing naked in a sea of eyeless windows.
Crowned like an apple star
for the brilliance of my defeats,
I fall like a key of crazy sugar,
a mysterious elixir of midnight orchids,
a squall of renegade stars
into the transformative valleys and bays
of your forbidden paradise,
happier than a fireproof heretic in the flames,
singing into the abyss of an unknown god
that has robed my heart like a wounded boat,
a solitary on his island,
in these auroral tides
that play my blood like the pulse
of this keyboard of light
where I drown like a stone messiah
true to the excruciations of his faith
in these delinquent oceans of you.
All my poems, chalk-dust,
all my mystic nightbirds iron weathervanes
bent by the lightning toward earth
like the forlorn hope of a battered metal,
all my paintings a bleeding and bruising of snow,
and the sincerity of the ways I got lost
in this labyrinth of mirrors
unspooling like a thread of blood
from an immortally wounded star,
an agony of human fire
rooted in the voice of the wind like a bird
the abyss of a night without bounds
squanders on the supremacy
of the oldest silence
time ever distilled from the eyes of the dead,
the perjury of a perishing light,
if I did not love your ashes and orchards more,
the way you tear your constellations
on the thorns of the moon
and bleed like black silk
for an innocence that never found its way home.
I can taste the dark prophecies
and oracles of infernal delight
written in scars on the dangerous mushroom
of your nuclear body,
and flow like the silt of stars,
white mountain gold and night honey,
through the hives and deltas
that enshrine the ore of the rose.
I can prolong the dawn like the wishbone of a note
broken like a harp
in the throats of the singing masters of the flesh.
I can blood the night with a fever of poppies
and scoop weeping diamonds
from the black fountain
in the furnace-heart of an electric glacier.
I can wield ecstasy
like a blade of the moon bewitched by its wound.
I can untie the knots and nooses
in the spinal cord of the butterfly
pinned like a calendar of eclipses,
a quarantined blossom,
to a dead branch under a bell of glass
and wire Eden back
to the infernal nerve of the lightning
that severed the afterbirth of the moon
from the dark mother in the garden
like an angel with a slash of fire at the gate.
I know how to make love
like an embassy of shadows
to the most distant longings of a woman in exile.
I can pour the oil of winged serpents
into the lamp
and entice a ghost of snow
to dance naked in the fire.
I can lead the lost cloud
out of the mountains of the key
to the doorway of candles and stars
enshrined in the skulls of seeing.
And even when I turn my back
on the darkest flowers of fire in my roots
to rise up like rain
into the immeasurable wingspan
of these desert clarities
that bead me like a caravan
of nomadic moons,
no more than a breath of light
in a gust of stars,
I’m still only a ladder of thresholds away
from stealing you away
from the refugees and shadows
that crowd your room
like the night sky
through the astounded vowel of an open window.
poem by Patrick White

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Early Works - There’s A Light
The world seems mystic and unreal
as into the night I steal
seeing shadows on the ground
of towering figures all around.
In the distance, there’s a light
of a candle burning bright
as the moon up high
shines through crevices in the sky.
Like a sleeking ghost, I wander
gazing at the shadows I ponder
in the darkness of the mystic night
and feel the call of a beckoning light.
My shadow seem to run and steal
into the mystic and unreal
as the candle lit by my love sends
cascades of light dancing on the stars above.
Date unknown.
poem by David Harris

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Black Fire
Evaporating in a black fire.
Don't want to drink the night from the window again.
Won't be a chain trying to escape itself
when I'm already free,
but what an affront of mirrors to be so diminished
because the lions of fire, the dragons
that flare from the eye of the black sun,
their shadows spanning the heartless abyss
of their ferocious lucidities,
pitched their wings like huge, black tents of night
at the gates of the wide-eyed gazelles of emotion
they could bed freely under the moon,
unspool in the blue grass silvered by the wind,
their eyelids waning like a glass of wine.
In the obvious light of the morning
they will run from lesser hunters
mistaking the truce of nightblood
on the horn of the moon
for a rag of surrender, a gesture of clarity
like a star in a well,
the signet of an ancient moment
when the abyss returns to itself
like the echo of a wounded voice
to heal at the foot of a throne of shadows.
Though I could have stung like a serpent,
I was the wind at your heel once, once
like the wind I would have sowed the path before you
with seeds that would have bloomed like the eyes of the stars,
I would have saturated the air with lachrymose diamonds,
and poured the oil of the only lantern of my afterlife out like rain
so you could have shone like a rainbow at night
and your roots were luminously charged
with vital urges of mystic lightning.
I would have come to you like a flashflood of silver on the moon
and run the labyrinth of dry creekbeds
that scar the lifelines on your palm.
I would have kissed the black rose awake from its dream
of being stoned for a miscreance of the light,
and held the nightsky up to its beauty
like the forbidden side of a mirror
to jewel the eclipse you wear like a face.
I would have lain down beside you
like the shore of an unmapped island beside the sea
and answered every wave of your incoming tide
with a nightbird in the mouth of a bell of blood
that ripened in a watchtower on the moon,
but every kiss was a translucent jellyfish,
the auroral rose of an ambivalent Medusa
rooted in the lethal snakepit,
the toxic electricity of her stoned hair,
the trawling storm of her decapitated tresses
when the truth struck like an unexpected fang of light.
Now you spend your time
trying to tie knots in your spinal cord
like the severed filament of the moon,
trying to wick amputated candles in the darkness
that might help you grope your way
back to your head
like the black hole that became of the star
that went looking for its lost planet
like a blind shepherd startled awake by the howling of wolves
running across the sky in a wilder freedom
above the timberline of your eyelashes,
tinkling in the glass womb of your brittle shining
like the tungsten crumbs of a burnt-out dream.
Even now you don't understand
how you can pour so much of yourself into yourself
like an ingrown hair, your love
merely an idea infatuated with itself
that your eyeshadow festers like a palette of gangrene
and like me the vision won't paint you again
in the vivid constellations and kells of braille
you insisted on reading backwards
in the troubled mirror of your own perversity.
No rose in the shadow of the black Pegasus
born from the blood that pours from the vase of your neck
like a dead bouquet of poppies, no inspiration
in the petrified skulls of your past lovers
scattered like the beads of a broken rosary at your feet
you once fingered carelessly
like the writing on the wall.
poem by Patrick White

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Lost in the Oceans
lost in my oceans of tears
no family, friends nor dears
the sky is a ghost, love is a falling leaves
lost in the oceans of tear
the home is far, and hug is scar
the heart is April, eyes are flaring star
lost in the oceans of tear
where live is fade and love is paid
when friends are dead and words are said
lost in the oceans of tears
yet I found the beauty
when your eyes became snooty
lost in the oceans of tears
where you rose high in the hell
and deep beyond an ell
poem by Mohammed Sabbagh

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Darkness Day
So
Do you believe?
The truth
Of who we are
Everyone must kneel
Everyone must bow
No matter how you feel
In the sacred hour
And the sun don't shine
Cos the moon won't fall
And the sun won't shine
Is there light at all?
Its darkness day
Ghost
I feel it to the bone
Enough
The messages in stone
Now the day has come
Everyone will see
A new age has begun
For eternity
And the sun don't shine
Cos the moon won't fall
And the sun won't shine
Is there light at all?
Its darkness day
song performed by by Asia

Submitted by Lucian Velea
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The Rain's Falling Upwards
The rain's falling upward
and I'm rooted in the clouds.
I'm riffing with the greening of my leaves
without a flute, letting my thoughts grow
like musical serpents each
according to their need.
It's the snake's turn to charm me,
to entangle me in its form
like forbidden fruit
swaying from my highest boughs.
In the chalky, moist grey air
I'm scraping my fingernails
down a blackboard like crows
because my desires are vaguely out of reach
and my mind is a teacher with nothing to teach.
I want nothing more
than the freedom of my own humanity
thumbing its own heart
like a well-read book
or a worn guitar I taught myself to play
when no one else was around
to hear the sound of one hand clapping.
If my mind brings forth an abyss
like a vast womb where there's only room
for my solitude
I'll slip into it
under the reflection of the moon
on the unwitnessed side of my eyelids
without abandoning the boat of my body
and drift like stars across the timeless spaces
of anywhere the light doesn't taste like physics.
Being is Knowing. I don't need a web
to prove I'm a spider
and I don't need a constellation
to shine out like a star
when I'm not being humbled
by the blind insignificance of it all.
Even when I mean bees and earthworms
too often my voice
is an urn full of dead fireflies.
Yesterday's astonishment before the stars
in the open-mouthed fields
comes down today
like chandeliers of mystic trivia
on a scarecrow who lets the birds
in on the joke
that everytime he begins to burn
in his fireless martyrdom
his tears fall like an ice storm
to put him out.
But I don't always want
wisdom oozing out of everything
like the sententious candle
of its own enlightenment
even if I am wounded by the compassion of it.
Sometimes I am content with the futility of things
just as they are.
poem by Patrick White

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Things Might Be Drifting Away
Things might be drifting away
like an empty lifeboat
with nothing left to save
but the memory of moonlight
on the rush of a wave of the heart
that rose and fell
like a bell of insight on the night watch
that said all's well all's well for the night.
And so it was for a while.
Time might seem
that it's overstaying its welcome
and you've become the estranged guest
of a bad dream
in your own bed
in the thirteenth house of the zodiac
where the dispossessed
shack up with the misbegotten
and the ghosts of everything you've forgotten
don't give you any rest
until all that you've cursed
out of anger and need
has been immensely forgiven and blessed.
And perhaps it appears
you've been the rogue star
of a sign in long exile
far away from now
and that might account
for your misplaced trust in mirrors
and your lack of confidence in star maps.
Happiness just happens
like good luck and grace
and the creative inspiration
to rejoice in your time and place here
as if the purpose of your voice
were always to praise
even on the darkest of days
when the only thing
that shone in your eyes
weren't the stars you kept
locked away in your tears
like the face paint of clowns
or the crown jewels of the Pleiades
but a bitter farce of black holes
in the veils of the mirage
that eclipsed your enlightenment
with a starless night
it's impossible to get beyond.
And so it may well be
for those who've been
as far gone for as long you have.
But even the blind are shining
though they can't see it
and the deaf are still singing
though they can't hear it
and the dead are still living
though they can't feel it.
And those who have given up seeking
still find what they were looking for
like a loveletter with a return address
and an open door that recognizes them
like the prodigal threshold
of a homeless human
about to cross one more
like the last step of a long journey
that lost its way back in all directions
like the radiance of a star in space and time
that never took its eye off the past.
We cherish the flowers of summer that bloom last
more poignantly than those of the spring
because we feel our own hour of farewell
in the progress of their passing.
The sadness of an earthly excellence
fulfilled and surpassed
we see in the shedding of the aster's petals
and in the lowering of the wild rose's eyelids
and in the lengthening of the black walnut's shadows
that move like cool water
across the dry grass of a late afternoon
signs of the same night approaching us.
And we know it will be dusk soon.
We'll look up at the blue moon in late October
and whether the silos are full or empty
wonder if every harvest
wears the same death mask we do
with the smile of a scythe on its face
or if the goddess of the grain
bears true witness to
the perennial innocence of death
in the way she enhances
the white spectre of the first frost
to shock the garden down to its roots
with the same koan she uses
to enlighten the dew on the stargrass.
And you might dread the coming excruciations
of the scarecrow immolated on the pyre
of its own substance
like the short straw of flesh
that once sustained it
lost in a draw with death.
And come to scorn your heart like an urn
filled with ashes in the aftermath
of the same fire that once filled it
so full of desire to bloom
it could no more contain itself
than a seed can keep a secret from the spring.
You could see it that way.
And who among those clinging
like a blue atmosphere
to this homeless grain of dust
in the vastness of these sidereal immensities
within and without
that animate us like starmud
to join in this dance of life and death
like a legacy of shining
that can't be washed out of our eyes
though tears have fallen for lightyears
on the root fires of what we've loved and lost.
Who among these
could say you were wrong?
Because no river's flowing
the wrong way to the sea
in this reunion of arrivals and departures
at the stations of our afterlives
on this wheel of birth and death.
We're all going to make it back
to where we came from
one way or another.
Some like rain.
Some like ice.
Some like snow.
Some like the lingering ghost
of morning mist on the lake
that's gone before noon
and some like water on the moon.
The flowing of the river
summoned by the sea
to the source of its coming and going
is the calling of life everywhere
to transcend itself
by passing into the unknown
like the available dimension of a future
that's no further beyond us
than the past is
in the light of distant stars.
The sword doesn't wound itself.
Fire doesn't burn itself.
Water doesn't drown in itself.
And life doesn't bleed out of itself
like the dream of a fortune-telling poppy
or a water clock that's run itself to ground.
The eye isn't the seeing.
The ear isn't the hearing.
The tongue isn't the tasting.
The skin isn't the touching.
The voice isn't the saying.
The brain isn't the thinking.
The heart isn't the feeling
anymore than life
is the carrying in
and death is the bearing out.
The darkness isn't a lack of light
and the light isn't the absence of night.
Death is unborn.
Life is unperishing.
Formless in a world of forms.
Two wavelengths of the same awareness.
You say you can see night gathering
under the door you're afraid to answer
long before anyone knocks
and though you dream by your own light
you don't know who's casting the shadows.
Is sorrow any younger in the heart of a child
than it is in the memory of an old man?
Joy any less vivid in the eyes of an old woman
attending to the flowers in her garden
than it is in a girl having tea with her dolls?
Is this day not as new to the widow
as it is to the newly-wed?
Experience is the capstone and dunce-cap
of the sum of destructions
that made us who we are today.
And in life it's the brilliance of our failures
that throws more light on the dark matter
of the issue before us
than all the star power
of the blazing successes
that blind us to our own shining.
You step out of a backlit doorway
into the dark
and slowly the darkness grows
the eyes you need to see the stars.
And maybe death is like that.
Nothing to look at but black
until we blow the candle out
that's been misleading us all the way.
Maybe that's why the jaws of skulls
are always caught gaping at something
that's more than they can say.
But look at the expressions on their faces.
Maybe their eyes
are too overwhelmed by what they're seeing
to want to get in the way.
You could see it like that.
You could see it through the eyes of the rain.
You can taste it on the tongue of a candle flame.
You can read it from right to left
in the Kufic script of the wind.
You can hear it in what the stars are whispering
through the keyholes in the pyramids.
You can feel it all around you
like bubbles of skin and air.
Like empty rooms with atmosphere.
As many ways and roads and rivers as there are
that flow into it down the world mountain
back to the sea
back to the same undifferentiated watershed
of these myriads of mystic specificity
and who could number them all
as many as the stars
or all the grains of sand
of all the deserts and beaches on earth
as many as the dead of every kind who've come and gone
all that blood mind passion dream and imagination
all those tears all that despair lucidity and apprehension
love and familial affection
all that waste and hatred and emotional sewage
dissolved wholly back into the sea
like a watercolour left out in the rain
like a name written on water
by a poet who died young
in a foreign language far away from home
just as birth arrays the universe before us
and says make of it what you can
so death approaches no less a peer of life
than we are in our relationship with all things
and offers us
the same great creative opportunity life does.
Green bough.
Dead branch.
Sunset.
Moon rise.
The hidden night bird alights
on either alike
and folding its wings
like gates and books
and the eyelids of those who dream
at the beginning and end
of a long dark radiant journey,
sings.
poem by Patrick White

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Autumn Swings Its Bell
Autumn swings its bell like an eyelid over my heart
and in the penumbral umbrellas that bloom
in a garden of eclipses and sundials,
I discuss you with an enlightened ghost
and an ignorant shadow
that have learned to see star to star
in this echoless abyss of silence and solitude.
Within, where the winds scrawl
their spray bombs on the wall,
delighted with their literary delinquency,
I realize what's beginning to look like
the mouthless howl of an ancient agony,
the collapsed bridge
of that which was separated
from the moon's reflection,
an ache deep in the ores of the earth
before it learned to speak of trees and rivers,
before its longing invested the dead branch
with a fugue of nightbirds
trying to write themselves like a dream
into the black candle of the darkness
with a feather of fire.
My heart is hollow, and empty,
a drunk in an oildrum,
and love seems nothing more
than a harvest of eyelashes
and all my works are seeds on the moon.
A kite crash lands in the powerlines.
A phoenix rises from its dearth of ashes.
I want to go deeper into myself,
I don't want to hover like smoke
over my sidereal cremations,
or atomize the particulars
of how time bends like the arms
of my galactic alarm clocks,
or if I deserve to be this lonely,
a lighthouse that went on shining underwater
after the last flood carried me out to sea.
You make things happen in me,
thinking of you, your lapidary tides,
blue species of emotion
are born, evolve, and die
for reasons unknown
in the space between two thoughts;
and there are crazy black spiders in the wine
that tempt me to swallow them
to know how things are connected,
and always an electric dawn
to dazzle the event with black holes
and blind, astronomical photographers.
I feel the tenderness of time and distance from you,
fountains that no one drinks from,
and space all the jewels and palaces of water
that no one owns or lives in
because they are reserved for your progress alone
through these wounded labyrinths of me
following the stars I've laced
in the wake of living your way free of the maze
that will prove to be
the foundation of another kind of temple,
the cornerstone of a vastly more intimate space
than the eclipse that encloses you now
in the bleeding flames of an endangered poppy.
I wish I were wise, I wish
I were young and becoming,
I wish I could engender a planet
out of this cosmic debris
I spew like a supernova across the night,
the exhalation of my spirit from the lamp I go by,
the arraying of the world in every breath.
I wish I were good and always cooling
on a farmhouse windowsill;
I wish I was not so tormented
by the torn skies that hang from the broken window
I hurled my heart through like a stone with a message.
I wish my enlightenment
didn't knock on every door of delusion
hoping to find no one home.
I place the cool kiss of a nocturnal snail on your skin,
and I look at the words and I wonder
if you'll wake with a silver smear on your breast
like the path of the moon on water
and know it was me
or feel the tremor of a forbidden ecstasy in your sleep
I burn a church to the ground like a ram
to honour the altar of your talent,
the passion, pulse, and fire-voice of your poetry
and the midnight shadows of your blue rose
shedding its eyelids like petals, skin and sky.
My words are metal birds, rocks
wishing for wings
so that this avalanche of mountain thunder
might once take flight in the dusk
toward the valley where you wander like a stream
turning over lost echoes
like the links of a chain with a key,
zeroes looping arms with the past
to bind one moment of the infinite
to the wonder of a passion that lasts.
My eyes are heavier
for having seen the light,
saturated with everything they've witnessed,
honey, ink, and blood,
and every tear is a sea closer to the moon,
and every lyrical efflorescence of the dream
is punctured by thorns,
and even the lies of the most subtle mirrors
have grown obvious
as the beast within is saddened
by its cultivated charm,
knowing what hour it is.
Understand me well
in this rogue season of awareness;
where lightning freezes in the flower-realms
and breaks like branches of ice,
where even black is too garish for clarity,
and sometimes even the sea
loses its nerve,
gaping into its own depths,
an asylum of lightless shapeshifters
for a likeness of itself
that isn't perfectly preserved,
the locket-heart of the last fish on the moon,
a Martian meteor in Antarctica,
this gravel walk of asteroids
through the gates and the gardens
of the whole planet I am in every piece,
though I do not glow like fool's gold
in the pan of the night,
and my throne has crumbled like hard bread,
and love seems to die at the first affirmation
like a bird against a late night windowpane,
this goblet of darkness
that stains the lips with an indelible silence;
though I have been deconstructed
by the suspicious sphericity
of my most cherished symmetries,
toppled like a tower of blood and water,
a shattered river
condemned to the beginning of spring,
a continent sunk in the depths of the mirror
barring this handful of nuggets and islands,
I am still immutable diamond
that learned its flowing from the stars,
and what I write to you
is not a thread of light
that holds the kite of your heart
up to the lightning like a key
to prove that your blood is a good conductor,
not the severed fishing line necklace of eyes
scattered like beads and dice
across the usual geometries
and impoverished granaries of the floor,
not the afterbirth of a morphological wine
that left you burnt orchards
as the fruits of the fire that promised
a feast of pears and cherries,
not the disembodied jewels of a ghost
weeping in the doorway of its skull in the night,
but the threshold and theme,
though for the moment you disdain the stairwells
in the hovels and mansions of love,
embittered by the lonely rose of space and matter
that pours the shining out the backdoor
like the lees of harvest stars
in the corner of the eye of an irisless bell
waking you up mutely
from a dream of falling in a morgue,
but the threshold and theme,
the story-line, the mythogem and motif,
the oceanic pulse and spume
of sidereal ferocities and urgent follies
robed like the king of shells
in the bruised purple of symbols
I take like the pulse of a lightning-rod
rooted like blood in me
to know as constantly as space
that I draw my life from you
like a shadow in a garden of blue fire
that courses through the dried creek beds
of these hourglass deserts
like the mystic tents
of a caravan of rain on the moon.
Wells, goblets, bells, or roses,
or thorns gnawing through chains and lifelines
to let the heart drift
like an empty boat from its moorings,
whatever season you assume
like the changing wardrobes
and unassailable affinities of a life
you must improvise as you go along,
I will always be with you
like shadows and leaves
and footprints and stars,
as I am now your next breath
whatever the scarves of fire
that grace your ghost-dance
with the black ribbons of an abysmal freedom
that feels like the halls of an abandoned prison.
I will liberate the key
like a hanged man
from the noose that adorns your neck,
and raise myself like a bell to your lips
and have you drink
the light and stars and flowers again
from the urn, the crown,
the hive of the heart
that sends its eyes out into a far field like bees
on the perfume trail of a summer constellation
to sweeten the light around you
with honey that burns for an emergent queen to find it.
poem by Patrick White

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A Year and a Day
Slow days have passed that make a year,
Slow hours that make a day,
Since I could take my first dear love
And kiss him the old way;
Yet the green leaves touch me on the cheek,
Dear Christ, this month of May.
I lie among the tall green grass
That bends above my head
And covers up my wasted face
And folds me in its bed
Tenderly and lovingly
Like grass above the dead.
Dim phantoms of an unknown ill
Float through my tired brain;
The unformed visions of my life
Pass by in ghostly train;
Some pause to touch me on the cheek,
Some scatter tears like rain.
A shadow falls along the grass
And lingers at my feet;
A new face lies between my hands --
Dear Christ, if I could weep
Tears to shut out the summer leaves
When this new face I greet.
Still it is but the memory
Of something I have seen
In the dreamy summer weather
When the green leaves came between:
The shadow of my dear love’s face --
So far and strange it seems.
The river ever running down
Between its grassy bed,
The voices of a thousand birds
That clang above my head,
Shall bring to me a sadder dream
When this sad dream is dead.
A silence falls upon my heart
And hushes all its pain.
I stretch my hands in the long grass
And fall to sleep again,
There to lie empty of all love
Like beaten corn of grain.
poem by Elizabeth Eleanor Siddal

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Night Of Peace
NIGHT OF PEACE
Night of peace in the midst of trouble, of heavy stones
longing for lighter hearts, and cherries swelling like stars
looking for their lost constellations, mournful train in the distance
tracking the past through dark woods, and the thick, moist air
sweating over its anvils, people everywhere in the hot streets
looking for each other in a trance of water, alcohol, dope,
homing in oblivion, face to face, breathing each other in
as enemy, friend, lover, abused and abuser, rich man, pauper,
all the status of alloys and metals, their hands, gold, their faces
iron and copper, radioactive chatter of leaden half-lifes
trying to empty the loneliness out of their boots like stale wine;
this one drinking sapphires, that, the blood of black diamonds,
and the acids that fall on their own hearts like treacherous rain:
and the pain and the pain and the pain of the horrible masks
pasted together of leeches, newspapers, dead skies, wet leaves,
and the look of the windows, resigned to despair and mannequins,
old wedding cakes, the tels and barrows of a round-headed people in arrears,
I would be down on my knees in tears at altars of bone
if you were not the lantern in the roots of the music, if you
in your distant solitude were not the lily of the way that’s open,
the palace of blood with the frozen chandeliers that once wept like time
in a ballgown, you, the willow and the dancer, and me the shadow that asked you,
trembling with stars that might be ready to marry into life again,
and the mirrors that served the drinks to my courage, confounding
the lines, appointing three mouths ambassadors to the answer,
avatars of lime that sleep in the journals of the skirtless poppies,
and now this, before kisses and signs, your hand in mine
and the black swans back on the living river, entwined
in the flowing scripts and unspooled inks of the knowing
and the suicides back in their boxes with the broken dolls in the attic
and the old angers, the flash re-entries, meteors that smashed the pain
on exhibit in their temples of glass in retributive museums.
Orchids in the rain that bloom beside the rusting knife
like a slash of blood that rosed the silver with sainted veils,
we shall drink the mystery of our faces from grails
that have kept their secrets safe in the hearts of fools
that know how to love what the others can’t see to lose,
this menagerie of scars and chasms that says me into you
in a voice that was always ours under the bridge of broken choirs
where we lived like token fires fluttering in the ashes.
You, fountain, you, starwheat, you, silk and nightshade
with your small bouquets of linked tears learning to seed
your wounds with mirrors that bleed the arrows away
and the sad pilgrims who wrote in reverse on a puppet-stage,
gone like the children who laughed in their own mad faces.
Gone the black bell full of bees that drowned in their honey
and the darkness that swallowed its stone roads to the fair,
and the bruise in the corner nursing her lyrics of hair
and the blind tree that tore off its clothes in the fire
and went up in a blaze of worms, naked, to the stars.
How can the night know your shy defense of the wind,
and these soft events of light that stagger me with bliss
when I say your name in marrow, in silence, in thresholds and lips,
and oceans wash their keyboards up on the shores of my fingertips
and the only thing I know how to play for the eye of an island
is the gusty phosphor of fireflies that burn like notes in the air?
You, love, you, most, you, dove-fire in the walls of my heart,
You the blue shadow on the stairwells of my life and art,
You the sky that binds my voice in a skin of red auroras,
You, child in a wild apple crown, and you, the lynx by the river,
You more than the me when the moon’s a golden sliver,
You the new magic of waking wizards, you, dawn and dispersal,
You this dolphin tide of leaping seas without reversal,
You the tree where all my words are birds asleep in your branches;
And you, and only you, the candle in the shrine of the mystic chances
I take to know your flame on my water, as the stars grow hotter
and like a stream, like a hand, a vine, a man who loves blue,
this night of peace advances toward the gates of the radiance
he longs to step through like a poet enraptured by fate into you.
PATRICK WHITE
poem by Patrick White

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I Sit At My Window
I sit at my window
trying to translate the Kufic script
of the shadows of the trees on the snow,
smoking the invisible ink of the light
over the flame of my mind
to clarify my seeing
by realizing there is no deep or shallow
in the fathomless depths of I am,
nothing hidden, nothing revealed.
And it's not so much that I am in the presence of the world,
but that the presence, the world, is me,
and if I go looking for it,
only my fingerprints will be found
like these violet shadows dusted by the snow
under my multitudinous mugshot in the mirror.
So I open my mind and my eye, my heart and my hand
and let things arise as they will,
knowing that even this is a blunder
that advances my tardy illumination by another eclipse.
This morning blue is the taste of the sky
and I am alive again at my desk
to wonder who or what or why I might be
this wondering spontaneity
circling like a bird in the abyss,
feathered by feeling and thought
for a tree or a meaning to perch in
that hasn't already been struck
by the lightning of my homeless insight.
Indwelling energy in the turmoil of a terrible silence,
I am an ambassador of water to an unknown star
that foils my blood with light the closer I approach
and I don't know what the message is
or who it's from, but every time I deliver it,
my head comes off like the moon.
At some point you have to give up looking
to go on seeing, you must
come to a full stop
if you want to liberate the pen
that indicts you like an assassin
with his ear to the wall.
So I go by night, unheeded and alone,
a constellation of my own
that doesn't read the braille of itself
reflected like direction in the starchart on the lake,
cored like eyes into the dice of my bones,
or mummified by a legend in a straitjacket
interred in the long-standing consensus of a guess,
knowing I would only be following my own footprints
like the shadows of these words
that flow from the trees in the snow.
And there are squirrels that leap from branch to branch
of these arboreal letters like commas
that don't know where they go
and wrens that perch like quotation marks
around things that can never be said
that everyone claims they know
as they call out their name
like the echoless vocabulary
of a febrile grammar in a mad dream
as if their whole life were ingathered into one last scream
that might shatter the mirror of the way things inevitably seem.
I listen to the world and hear in each person and form
the mindstream moving through the night
like the voice of a mystic alphabet
returning to the sea
with news of itself
whispered into its own ear.
And if sometimes the stars think
my seeing goes too far,
my seeking exceeds the bounds of the light,
as it turns planets like doorknobs
to open new rooms in a dark mansion
that stands like an abandoned cornerstone of the night on a hill
waiting for me to return like a lost threshold,
or the faceless side of the moon to a window,
then let me here and now confess to my own denial
and knock on the door of the next false address
to see if I can find who wrote
this loveletter that slashes me open like a smile
and reads me out loud to the stars on the wind
as if I were the last flare from an empty lifeboat.
poem by Patrick White

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Slow Summer Dancin'
I'll set the stage while she's still dancing
I'll make the music soft and slow
Then i'll turn down the lights
Make things just right
For every slow song that we know
Over and over again
One summer night
(do do do)
We fell in love
One summer night
I held you tight
(one summer, one summer)
You and i
(one summer, one summer)
Under the moon for love
(ooo one summer, one summer)
We'll spin around this room together
I'll treat my angel really nice
We'll fall in love, we'll fall forever
Thank god for lazy summer nights
Over and over again
One summer night
(do do do)
(one summer, one summer)
I kissed your lips
(one summer, one summer)
One summer night
(one summer, one summer)
I held you close
(one summer, one summer)
You and i
(one summer, one summer)
Under the moon of love
(ooo one summer, one summer)
(one summer, one summer)
One summer night
(one summer, one summer)
(one summer, one summer)
(one summer, one summer)
(one summer, one summer)
(one summer, one summer)
(one summer, one summer)
One summer night
(one summer, one summer)
Under the moon of love
(ooo one summer, one summer)
Under the moon of love
(ooo one summer, one summer)
Under the moon of
Love
song performed by by Beach Boys

Submitted by Lucian Velea
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Slow Summer Dancin' (One Summer Night)
I'll set the stage while she's still dancing
I'll make the music soft and slow
Then I'll turn down the lights
Make things just right
For every slow song that we know
Over and over again
One summer night
(Do do do)
We fell in love
One summer night
I held you tight
(One summer, one summer)
You and I
(One summer, one summer)
Under the moon for love
(Ooo one summer, one summer)
We'll spin around this room together
I'll treat my angel really nice
We'll fall in love, we'll fall forever
Thank God for lazy summer nights
Over and over again
One summer night
(Do do do)
(One summer, one summer)
I kissed your lips
(One summer, one summer)
One summer night
(One summer, one summer)
I held you close
(One summer, one summer)
You and I
(One summer, one summer)
Under the moon of love
(Ooo one summer, one summer)
(One summer, one summer)
One summer night
(One summer, one summer)
(One summer, one summer)
(One summer, one summer)
(One summer, one summer)
(One summer, one summer)
(One summer, one summer)
One summer night
(One summer, one summer)
Under the moon of love
(Ooo one summer, one summer)
Under the moon of love
(Ooo one summer, one summer)
Under the moon of
Love
song performed by by Beach Boys

Submitted by Lucian Velea
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And I Want To Cry Out
AND I WANT TO CRY OUT
And I want to cry out, unburden the bell of my pain,
release the shadow this storm has been walking for years
like a man over abandoned landscapes the earth will never finish,
let the tears flow in a flashflood of ripe sorrows,
tie a noose in a rope of roads I've travelled to the end of
and kick my heart like a chair from underneath me,
fruit on the tree at last, an apple sapped by lightning, black,
but sweeter than stars, ready to fall
from the blasted nightbranch
of one too many devastations, one too many blows
on the edge of a sword of light
that could cut the tongue out of an anvil.
I want to ask for forgiveness for having been a man,
but I don't know why or from whom in the silence
that can't tell the difference between the thief and the theft
anymore than I can peel the moon's reflection from the river.
I want to let go, fall to my death, revive from annihilation,
a sage of silver herbs, words that heal more than they judge,
but I'm bound to the mast of my spine in fire chains
hotter than cold snap radiators
that tighten like anacondas around me
everytime I let another ghost go like a hostage of rain.
And I keep telling myself the singing I hear in the distance
isn't just another firefly in the harps of the willows,
another caprice of light with skillful fingers
that licks the blood of its last painting off with a smile,
but I'm broken and old and too forgotten to care
if it's mine or someone else's, or just another contribution
to the emergency bank of plastic bladders
waiting like silicon for larger breasts.
And the wind now is always a memory,
and I keeping losing my mind like a bookmark
that's forgotten where it left the book,
and there are pleading voices that gather around me at night
like starving children with the faces of wounded cherries,
and I seem to have less than nothing left to give them.
And when I look for a meaning to my life,
I seemed to have lived in the wreckage of an accident
that happened before I was born.
And there is no holiness in loving the earth and the people in it
with a passion honed by desperation;
and I never could see what they did in their laughing mirrors;
mine was always blacker than a sail off the coast of a waiting widow.
And now I'm here in this house of empty ballrooms on my own,
trying to box the essentials of what I'll take with me when I go
to anywhere I'm not, and the ceilings are weeping
all over their plaster rosettes, their second empire sundogs
like blood seeping through the ceiling
while carbon-tipped spears of regret
for all the things I should have done and didn't, or did
and wish I hadn't, pierce my voodoo heart like micro-meteors
from a chance of God. And it isn't as if I didn't try to be good,
or wise or useful for the sake of earning my mouthful of salvation;
I could do what others couldn't because to confess
I had less than nothing to lose. Sacrifice is easy when you're free,
and waterproof stars that don't run in the rain like tears
or the longing lines of homing poems at dusk,
no trick at all if you've been raising yourself from the dead for years
in rented tombs where the angels leave their junkmail at the door,
and the landlord watches everything that's going on.
And I know this will come as a shock perhaps
to a few who tried to care, but the best I could manage of love
was to lead them away from myself
like the stairs of a burning house. I smuggled them in the night
through a hole in the razorwire fence of my heart like frightened refugees
into a better place with a green card that could walk away from me.
And there's nothing more of dignity in this
than if I'd rescued a fly from a toilet
or put a child back on its fallen bicycle
with a warning not to talk to strangers.
No anti-hero, no tough romantic anymore,
not even an arsonist in a volunteer fire-brigade
and the moon too often these days just another cold stone with craters
come of all the goblets I once raised like a branch with a pear
to the women I drank to the bottom of their dead seas
only to fall down drunk under the crash of their smashing chandeliers.
And it's always been something to furrow this acreage
of paper and canvas with gestures of fire and seed
watching the earth turn like flesh under the ox-driven scalpels of crescent moons,
but lately it seems that all I've been doing for forty-seven years
is ploughing a minefield covered in snow with the Big Dipper
to make way for a hearse in a hurry.
So what do you say to your hands when they want to pray
and you don't know what to ask for?
PATRICK WHITE
poem by Patrick White

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