Queen Gormlai
NOT fingers that e'er felt
Fine things within their hold
Drew needles in and through,
And smoothed out the fold,
And put the hodden patch
Upon the patch of grey
Unseemly is the garb
That's for my back to-day!
O skinflint woman, Mor,
Who knows that I speak true
I had women once,
A queen's retinue;
And they were ones who knew
The raiment of a queen;
Their thoughts were on my tire,
Their minds were on my mien!
Light of hand and apt,
And companionable,
Seven score women, Mor,
I had at my call,
Who am to-day begrudged
The blink of candle-light
To put it on, the garb,
That leaves me misbedight.
I wore a blue Norse hood
The time I watched the turns
And feats of Clann O'Neill
We quaffed from goblet-horns;
A crimson cloak I wore
When, with Niall the King,
I watched the horses race
At Limerick in the Spring!
In Tara of King Niall
The gold was round the wine,
And I was given the cup
A furze-bright dress was mine;
And now this clout to wear
Where I rise to sup whey,
With root-like stitches through
The hodden on the grey!
No more upon the board
Candles for kings are lit,
No more can I bid her
And her bring gowning fit;
The bramble is no friend
It pulls at me and drags;
The thorny ground is mine
Where briars tear my rags!
poem by Padraic Colum
Submitted by Poetry Lover
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Related quotes
The Field Of Mortality
The Field of Mortality
On a field, not far from here, I see millions of lit candles in long rows,
but only at night; in daylight it is a potato patch. A man, you may call
him god if you like, walks among the candles every so often he stops
and with his thumb and index finger snuffs out light; the skin on his
fingers are corned from this arduous work. Behind him new candles
spring up, sometimes he turns and go back waste some of them too.
He is heading for the part where the candles have been burned out,
only the wick flickers. He uses he thumb to bump them off; a spiral of
grey smoke in still air. He is old as time, sometimes he misses candles
that keep on burning, although they have no wick. As dawn begins,
behind the easterly mountain, the field of mortality turns into a potato
patch again, where an old man is harvesting spuds.
poem by Oskar Hansen
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Lilac And Gold And Green
Lilac and gold and green!
Those are the colours I love the best,
Spring's own raiment untouched and clean,
When the world is awake and yet hardly dressed,
And the stranger sun, her bridegroom shy,
Looks at her bosom and wonders why
She is so beautiful, he so blest.
Lilac and green and gold!
Those were the colours you wore to--day,
Robed you were in them fold on fold,
Clothed in the light of your love's delay.
And I held you thus in my arms, once only,
And wondered still, as you left me lonely,
How the world's beauty was changed to grey.
Lilac and gold and green!
I would die for the truth of those colours true!
Lilac for loyalty, gold for my queen,
And green the faith of my love for you.
Here is a posy of all the three.
My heart is with it. So think of me,
And our weeping skies shall once more be blue.
poem by Wilfrid Scawen Blunt
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The Queen's Rival
QUEEN GULNAAR sat on her ivory bed,
Around her countless treasures were spread;
Her chamber walls were richly inlaid
With agate, porphory, onyx and jade;
The tissues that veiled her delicate breast,
Glowed with the hues of a lapwing's crest;
But still she gazed in her mirror and sighed
"O King, my heart is unsatisfied."
King Feroz bent from his ebony seat:
"Is thy least desire unfulfilled, O Sweet?
"Let thy mouth speak and my life be spent
To clear the sky of thy discontent."
"I tire of my beauty, I tire of this
Empty splendour and shadowless bliss;
"With none to envy and none gainsay,
No savour or salt hath my dream or day."
Queen Gulnaar sighed like a murmuring rose:
"Give me a rival, O King Feroz."
II
King Feroz spoke to his Chief Vizier:
"Lo! ere to-morrow's dawn be here,
"Send forth my messengers over the sea,
To seek seven beautiful brides for me;
"Radiant of feature and regal of mien,
Seven handmaids meet for the Persian Queen."
. . . . .
Seven new moon tides at the Vesper call,
King Feroz led to Queen Gulnaar's hall
A young queen eyed like the morning star:
"I bring thee a rival, O Queen Gulnaar."
But still she gazed in her mirror and sighed:
"O King, my heart is unsatisfied."
Seven queens shone round her ivory bed,
Like seven soft gems on a silken thread,
Like seven fair lamps in a royal tower,
Like seven bright petals of Beauty's flower
Queen Gulnaar sighed like a murmuring rose
"Where is my rival, O King Feroz?"
III
When spring winds wakened the mountain floods,
And kindled the flame of the tulip buds,
When bees grew loud and the days grew long,
And the peach groves thrilled to the oriole's song,
Queen Gulnaar sat on her ivory bed,
Decking with jewels her exquisite head;
And still she gazed in her mirror and sighed:
"O King, my heart is unsatisfied."
Queen Gulnsar's daughter two spring times old,
In blue robes bordered with tassels of gold,
Ran to her knee like a wildwood fay,
And plucked from her hand the mirror away.
Quickly she set on her own light curls
Her mother's fillet with fringes of pearls;
Quickly she turned with a child's caprice
And pressed on the mirror a swift, glad kiss.
Queen Gulnaar laughed like a tremulous rose:
"Here is my rival, O King Feroz."
poem by Sarojini Naidu
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Sydney Cove, 1788
SHE sat on the rocks, her fireless eyes
Teased and tired with the thoughts of yore;
And paining her sense were alien skies,
An alien sea and an alien shore.
In gold-green dusks she glimpsed new flowers
And the glittering wings of gleaming birds —
But haunting her still were English bowers
And the clinging sweetness of old love-words.
A soft breeze murmured of unknown shores
And laughed as it touched her with fingers light,
But she mourned the more for the wind that roars
Down sullen coasts on a northern night.
Like topaz gems on a sable dome
The stranger stars stole shyly forth;
She saw no stars like the stars of home
That burned, white-fired, in the frosty north.
A restless sea was at her feet,
A restless sea of darkest blue;
The lights burned dimly on The Fleet,
And these were all the ships it knew.
She watched the dark tides rise and fall,
The lion-tides that, night and noon,
Range round the world, and moan and call
In sad sea-voices to the moon.
Thus while she watched they ebbed and flowed;
Till last with sudden splendour Day
Lit all the scene with gold, and showed
An arrow black on a garb of grey.
poem by Roderic Quinn
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Who’ll Wear the Beaten Colours?
Who’ll wear the beaten colours—and cheer the beaten men?
Who’ll wear the beaten colours, till our time comes again?
Where sullen crowds are densest, and fickle as the sea,
Who’ll wear the beaten colours, and wear them home with me?
We closed the bars and gambling dens and voted straight and clean,
Our women walked while motor cars were whirling round the scene,
The Potts Point Vote was one for Greed and Ease and Luxury
With all to hold, and coward gold, and beaten folk are we.
Who’ll wear the beaten colours, with hands and pockets clean?
(I wore the beaten colours since I was seventeen)
I wore them up, and wore them down, Outback and across the sea—
Who’ll wear the beaten colours, and wear them home with me?
We wore them back from Ladysmith to where the peace was signed,
And wore them through the London streets where Jingoes howled behind.
We wore them to the Queen’s Hall, while England yelled “Pro-Boers!”
And sat them over victory while London banged the doors.1
We wore them from Port Arthur round till all sunk in the sea—
(Who’ll wear the white man’s colours, and wear them home with me?)
I’ve worn them through with gentlemen, with work-slaves and alone—
Who’ll wear the beaten colours, boys, and wear them on his own?
There’s one would look with startled eyes and shrink while I caressed,
Came I not with the colours of the conquered on my breast.
And twenty thousand Bushmen would stand with hands behind
And scorn in all their faces for the coward of his kind.
Who’ll wear the beaten colours and raise the voice they drowned—
It may be when we march again, they’ll bear some other sound—
Who’ll pin the beaten colours on and drive the beaten pen—
It may be other steel and ink when we march out again.
poem by Henry Lawson
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A Little Bit of Garden
We need no crown or sceptre,
for now that it is spring,
just a little bit of garden-
and every man's a king!
A little breadth of border,
a little patch of grass,
above it all the April sky
where soft the south winds pass.
A spade and rake for comrades,
the smell of rain-wet mould,-
and every time we turn a clod
we turn a mint of gold.
A little bit of garden,
with daffodils a-swing,
and tulip-flowers whose crimson flags
are only flown for spring.
Shy blossoming primroses,
forget-me-nots of blue,
and here a blade and there a blade
of green things peeping through.
Who seeks for crown or sceptre
when every man's a ming
whose patch of cottage garden
has felt the feet of Spring!
poem by William Henry Ogilvie
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Sigh On, Sad Heart, for Love's Eclipse
Sigh on, sad heart, for Love's eclipse
And Beauty's fairest queen,
Though 'tis not for my peasant lips
To soil her name between:
A king might lay his sceptre down,
But I am poor and nought,
The brow should wear a golden crown
That wears her in its thought.
The diamonds glancing in her hair,
Whose sudden beams surprise,
Might bid such humble hopes beware
The glancing of her eyes;
Yet looking once, I look'd too long,
And if my love is sin,
Death follows on the heels of wrong,
And kills the crime within.
Her dress seem'd wove of lily leaves,
It was so pure and fine,
O lofty wears, and lowly weaves,—
But hodden-gray is mine;
And homely hose must step apart,
Where garter'd princes stand,
But may he wear my love at heart
That wins her lily hand!
Alas! there's far from russet frieze
To silks and satin gowns,
But I doubt if God made like degrees
In courtly hearts and clowns.
My father wrong'd a maiden's mirth,
And brought her cheeks to blame,
And all that's lordly of my birth
Is my reproach and shame!
'Tis vain to weep,—'tis vain to sigh,
'Tis vain, this idle speech,
For where her happy pearls do lie,
My tears may never reach;
Yet when I'm gone, e'en lofty pride
May say, of what has been,
His love was nobly born and died,
Though all the rest was mean!
My speech is rude,—but speech is weak
Such love as mine to tell,
Yet had I words, I dare not speak,
So, Lady, fare thee well;
I will not wish thy better state
Was one of low degree,
But I must weep that partial fate
Made such a churl of me.
poem by Thomas Hood
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A Christmas Carol
THREE DAMSELS in the queen’s chamber,
The queen’s mouth was most fair;
She spake a word of God’s mother
As the combs went in her hair.
Mary that is of might,
Bring us to thy Son’s sight.
They held the gold combs out from her,
A span’s length off her head;
She sang this song of God’s mother
And of her bearing-bed.
Mary most full of grace,
Bring us to thy Son’s face.
When she sat at Joseph’s hand,
She looked against her side;
And either way from the short silk band
Her girdle was all wried.
Mary that all good may,
Bring us to thy Son’s way.
Mary had three women for her bed,
The twain were maidens clean;
The first of them had white and red,
The third had riven green.
Mary that is so sweet,
Bring us to thy Son’s feet.
She had three women for her hair,
Two were gloved soft and shod;
The third had feet and fingers bare,
She was the likest God.
Mary that wieldeth land,
Bring us to thy Son’s hand.
She had three women for her ease,
The twain were good women:
The first two were the two Maries,
The third was Magdalen.
Mary that perfect is,
Bring us to thy Son’s kiss.
Joseph had three workmen in his stall,
To serve him well upon;
The first of them were Peter and Paul,
The third of them was John.
Mary, God’s handmaiden,
Bring us to thy Son’s ken.
“If your child be none other man’s,
But if it be very mine,
The bedstead shall be gold two spans,
The bedfoot silver fine.”
Mary that made God mirth,
Bring us to thy Son’s birth.
“If the child be some other man’s,
And if it be none of mine,
The manger shall be straw two spans,
Betwixen kine and kine.”
Mary that made sin cease,
Bring us to thy Son’s peace.
Christ was born upon this wise,
It fell on such a night,
Neither with sounds of psalteries,
Nor with fire for light.
Mary that is God’s spouse,
Bring us to thy Son’s house.
The star came out upon the east
With a great sound and sweet:
Kings gave gold to make him feast
And myrrh for him to eat.
Mary, of thy sweet mood,
Bring us to thy Son’s good.
He had two handmaids at his head,
One handmaid at his feet;
The twain of them were fair and red,
The third one was right sweet.
Mary that is most wise,
Bring us to thy Son’s eyes. Amen.
poem by Algernon Charles Swinburne
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Time Table
A carved oak table,
Tells a tale
Of times when kings and queens sipped wine from goblets gold,
And the brave would lead their ladies from out of the room
To arbours cool.
A time of valour, and legends born
A time when honour meant much more to a man than life
And the days knew only strife to tell right from wrong
Through lance and sword.
Why, why can we never be sure till we die
Or have killed for an answer,
Why, why do we suffer each race to believe
That no race has been grander
It seems because through time and space
Though names may change each face retains the mask it wore.
A dusty table
Musty smells
Tarnished silver lies discarded upon the floor
Only feeble light descends through a film of grey
That scars the panes.
Gone the carving,
And those who left their mark,
Gone the kings and queens now only the rats hold sway
And the weak must die according to natures law
As old as they.
Why, why can we never be sure till we die
Or have killed for an answer,
Why, why do we suffer each race to believe
That no race has been grander
It seems because through time and space
Though names may change each face retains the mask it wore.
song performed by by Genesis
Submitted by Lucian Velea
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Grey, Grey Sky
Someday I will ride the great bird
Into the sky, into the grey
And will take a bright secret of mine
Into the grey, grey sky.
And the light will come, piercing my eyes
Out of the sky, out of the grey
Come blinding and searing these eyes
Out of the grey, grey sky.
And I will find comfort in this
In the wide sky, in the wide grey
In the painful dark brightness of light
Light of the grey, grey sky.
My secret will fly away home
Into the sky, into the grey
And the great bird will follow it there
Into the grey, grey sky.
And I will be riding that bird
Bird of the sky, bird of the grey
And I will come home once again
Home to the grey, grey sky.
But for now I am weighted, earthbound
One of the mud, one of the ground
And I write this sad song to sad sound
Girl of the pavement sighs.
poem by Grace Hutton
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Tales Of A Wayside Inn : Part 1. The Musician's Tale; The Saga of King Olaf IV. -- Queen Sigrid The Haughty
Queen Sigrid the Haughty sat proud and aloft
In her chamber, that looked over meadow and croft.
Heart's dearest,
Why dost thou sorrow so?
The floor with tassels of fir was besprent,
Filling the room with their fragrant scent.
She heard the birds sing, she saw the sun shine,
The air of summer was sweeter than wine.
Like a sword without scabbard the bright river lay
Between her own kingdom and Norroway.
But Olaf the King had sued for her hand,
The sword would be sheathed, the river be spanned.
Her maidens were seated around her knee,
Working bright figures in tapestry.
And one was singing the ancient rune
Of Brynhilda's love and the wrath of Gudrun.
And through it, and round it, and over it all
Sounded incessant the waterfall.
The Queen in her hand held a ring of gold,
From the door of Ladé's Temple old.
King Olaf had sent her this wedding gift,
But her thoughts as arrows were keen and swift.
She had given the ring to her goldsmiths twain,
Who smiled, as they handed it back again.
And Sigrid the Queen, in her haughty way,
Said, 'Why do you smile, my goldsmiths, say?'
And they answered: 'O Queen! if the truth must be told,
The ring is of copper, and not of gold!'
The lightning flashed o'er her forehead and cheek,
She only murmured, she did not speak:
'If in his gifts he can faithless be,
There will be no gold in his love to me.'
A footstep was heard on the outer stair,
And in strode King Olaf with royal air.
He kissed the Queen's hand, and he whispered of love,
And swore to be true as the stars are above.
But she smiled with contempt as she answered: 'O King,
Will you swear it, as Odin once swore, on the ring?'
And the King: 'O speak not of Odin to me,
The wife of King Olaf a Christian must be.'
Looking straight at the King, with her level brows,
She said, 'I keep true to my faith and my vows.'
Then the face of King Olaf was darkened with gloom,
He rose in his anger and strode through the room.
'Why, then, should I care to have thee?' he said,--
'A faded old woman, a heathenish jade!
His zeal was stronger than fear or love,
And he struck the Queen in the face with his glove.
Then forth from the chamber in anger he fled,
And the wooden stairway shook with his tread.
Queen Sigrid the Haughty said under her breath,
'This insult, King Olaf, shall be thy death!'
Heart's dearest,
Why dost thou sorrow so?
poem by Henry Wadsworth Longfellow
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Thy Burdens Are Greater Than Mine
Recorded by hank williams
Words and music by pee wee king and redd stewart
[c] travelin [g7] down a lonely high-[c] way
I knew not [f] where the road would [c] end
Not a [f] penny in my [c] pocket
All a-[g7] lone without a [c] friend
In a [g7] little country [c] village
I met a [f] man and he was [c] blind
As I [f] helped him cross the high-[c] way
Oh! [am] lord I cried his [c] burdens are [g7] greater than [c] mine.
I can [f] see the light of day
I [c] need not feel my way
Yes, thy burdens are [g7] greater than [c] mine.
Met a lad while on my travels
Tryin hard to play the game
Though his leg was very crippled
And he could not speak his name
Yet, he smiled in understandin
Though life to him had been unkind
And as I watched, I cried in sorrow
Oh! lord his burdens are greater than mine.
I can speak my name aloud
Make my way among the crowd
Yes, his burdens are greater than mine.
Just by chance I passed a graveyard
I saw a young man kneelin there
In his hand, there were some roses
On his lips, there was a prayer
On a stone, these words were written
your soul is gods, your memry mine
And as I watched, I cried in sorrow
Oh! lord I see his burdens are greater than mine.
song performed by by Hank Williams
Submitted by Lucian Velea
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Snow-White (Part 1)
Hers were the beautiful blue eyes and the black long hair,
She watched her blood dropp freezing to burn in the air.
Her pale lips were keeping the mark of her love's glow,
She wanted a child having the skin as white as the snow,
The hair as black as ebony and the lips as red as the blood.
That red on that white looked as beautiful as a flower bud.
She was sewing and watching the ebony of her window's frame.
An angel became visible in the air to tell her the child's name.
''Light up this love, my Lord, and give me this child of light
Unbearable is this pain of mine, light up my soul and my sight.''
Coming up the stairs, the king saw this and he told his queen,
'This white angel is the most beautiful creature I've ever seen! ''
The queen's heart used to be like a little book being unread,
But in front of her husband, it has become an open thread.
He tenderly kissed her, ''Your broken heart is no longer dead,
Because for Snow White on the snow your secret has bled.''
When she gave birth to her child, the sun rose to be so bright
And everything in the castle could be seen in the holy light,
But when the king came to see them, he heard only the sighs.
When he saw his dead queen, sad tears flooded his black eyes.
While he was living with his child being a lonely sad father,
The king thought to bring to little Snow White a new mother.
''Light up this life, my Lord, because I have only fears and sighs,
Change my fate, because I need a new morn in my sad eyes! ''
He married again, but the queen's heart was mercilessly beating.
She was like a dangerous snake and poisoned was her greeting.
Her sarcastic lips were always keeping the mark of her hatred,
Her powers were hidden, because for her the devil was sacred.
She kept her frozen air, although the snow was melting in Spring,
Her words could remain suspended in the air to freeze everything.
‘'Mirror, dear Mirror on the wall, who in this land is fairest of all?
‘'You, my queen, are fairest of all'', echoed the mirror in the hall.
The Snow White grew up becoming more beautiful than the queen,
The king told her, 'You're the most beautiful child I have ever seen! ''
When the mirror told the queen, ‘'You, my queen, are fair; it is true.
She added, ''Little Snow-White is still a thousand times fairer than you.''
The king started seriously to think of the passion they had known
‘Cause the queen's self-satisfaction and insensibility have grown.
He realized that it's a wretchedness to continue sharing their bed.
He wanted to open a dialog with her, but the words left all unsaid.
poem by Marieta Maglas
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The Old Cloak
THIS winter's weather it waxeth cold,
And frost it freezeth on every hill,
And Boreas blows his blast so bold
That all our cattle are like to spill.
Bell, my wife, she loves no strife;
She said unto me quietlye,
Rise up, and save cow Crumbock's life!
Man, put thine old cloak about thee!
He. O Bell my wife, why dost thou flyte?
Thou kens my cloak is very thin:
It is so bare and over worn,
A cricke thereon cannot renn.
Then I'll no longer borrow nor lend;
For once I'll new apparell'd be;
To-morrow I'll to town and spend;
For I'll have a new cloak about me.
She. Cow Crumbock is a very good cow:
She has been always true to the pail;
She has helped us to butter and cheese, I trow,
And other things she will not fail.
I would be loth to see her pine.
Good husband, counsel take of me:
It is not for us to go so fine--
Man, take thine old cloak about thee!
He. My cloak it was a very good cloak,
It hath been always true to the wear;
But now it is not worth a groat:
I have had it four and forty year'.
Sometime it was of cloth in grain:
'Tis now but a sigh clout, as you may see:
It will neither hold out wind nor rain;
And I'll have a new cloak about me.
She. It is four and forty years ago
Sine the one of us the other did ken;
And we have had, betwixt us two,
Of children either nine or ten:
We have brought them up to women and men:
In the fear of God I trow they be.
And why wilt thou thyself misken?
Man, take thine old cloak about thee!
He. O Bell my wife, why dost thou flyte?
Now is now, and then was then:
Seek now all the world throughout,
Thou kens not clowns from gentlemen:
They are clad in black, green, yellow and blue,
So far above their own degree.
Once in my life I'll take a view;
For I'll have a new cloak about me.
She. King Stephen was a worthy peer;
His breeches cost him but a crown;
He held them sixpence all too dear,
Therefore he called the tailor 'lown.'
He was a king and wore the crown,
And thou'se but of a low degree:
It 's pride that puts this country down:
Man, take thy old cloak about thee!
He. Bell my wife, she loves not strife,
Yet she will lead me, if she can;
And to maintain an easy life
I oft must yield, though I'm good-man.
It 's not for a man with a woman to threap,
Unless he first give o'er the plea:
As we began, so will we keep,
And I'll take my old cloak about me.
King Of The Night Time World
Ken fowley, michael anthony, paul stanley, bob ezrin
Its so sad, livin at home
Far from the city and the midnight fun
Its so bad, goin to school
So far from me and the dirty things that we do
Im the king of the night time world
And youre my headlight queen
Im the king of the night time world
Come live your secret dream
Its so fine, lovin with ease
Far from the house and the family fights
Its so fine, bein with you
Bein with me makes everything alright
Im the king of the night time world
And youre my headlight queen
Im the king of the night time world
Come live your secret dream, alright
Its so sad, youre not content
Far from the music and the neon glow
Aint you glad we got the time
Far from our folks, theyll never ever know
Im the king of the night time world
And youre my headlight queen
Im the king of the night time world
Come live your secret dream
Im the king, Im the king, Im the king, Im the king
Im the king, Im the king, Im the king, Im the king
Im the king of the night time world
And youre my headlight queen
Im the king of the night time world
Come live your secret dream
Im the king of the night time world
And youre my headlight queen
Im the king of the night time world
Come live your secret dream
Im the king of the night time world
And youre my headlight queen
Im the king of the night time world
Come live your secret dream
Im the king of the night time world
song performed by by Kiss
Submitted by Lucian Velea
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Tales Of A Wayside Inn : Part 1. The Musician's Tale; The Saga of King Olaf XIX. -- King Olaf's War-Horns
'Strike the sails!' King Olaf said;
'Never shall men of mine take flight;
Never away from battle I fled,
Never away from my foes!
Let God dispose
Of my life in the fight!'
'Sound the horns!' said Olaf the King;
And suddenly through the drifting brume
The blare of the horns began to ring,
Like the terrible trumpet shock
Of Regnarock,
On the Day of Doom!
Louder and louder the war-horns sang
Over the level floor of the flood;
All the sails came down with a clang,
And there in the mist overhead
The sun hung red
As a drop of blood.
Drifting down on the Danish fleet
Three together the ships were lashed,
So that neither should turn and retreat;
In the midst, but in front of the rest
The burnished crest
Of the Serpent flashed.
King Olaf stood on the quarter-deck,
With bow of ash and arrows of oak,
His gilded shield was without a fleck,
His helmet inlaid with gold,
And in many a fold
Hung his crimson cloak.
On the forecastle Ulf the Red
Watched the lashing of the ships;
'If the Serpent lie so far ahead,
We shall have hard work of it here,'
Said he with a sneer
On his bearded lips.
King Olaf laid an arrow on string,
'Have I a coward on board?' said he.
'Shoot it another way, O King!'
Sullenly answered Ulf,
The old sea-wolf;
'You have need of me!'
In front came Svend, the King of the Danes,
Sweeping down with his fifty rowers;
To the right, the Swedish king with his thanes;
And on board of the Iron Beard
Earl Eric steered
To the left with his oars.
'These soft Danes and Swedes,' said the King,
'At home with their wives had better stay,
Than come within reach of my Serpent's sting:
But where Eric the Norseman leads
Heroic deeds
Will be done to-day!'
Then as together the vessels crashed,
Eric severed the cables of hide,
With which King Olaf's ships were lashed,
And left them to drive and drift
With the currents swift
Of the outward tide.
Louder the war-horns growl and snarl,
Sharper the dragons bite and sting!
Eric the son of Hakon Jarl
A death-drink salt as the sea
Pledges to thee,
Olaf the King!
poem by Henry Wadsworth Longfellow
Submitted by Poetry Lover
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A Personal History and Mythology of Blue Jeans
In the old movies,
The women wore
Skirts and dresses.
Marilyn Monroe,
In “River of No Return”,
Had on tight blue jeans.
Mom wore dresses.
(Did women have legs,
Or were they
Like mermaids under there?
And why did they leave
a toilet full of blood, sometimes?)
In the mid ‘50s
She got some tight pants,
With green, vertical lines
And some kind of flower pattern.
She had legs, and an ass.
(toosie, she'd taught us to call it,
A word that sounds like a cushion.)
I felt embarrassed when she wore them.
Then she got a denim skirt.
“It looks like blue jeans! ”
Said my brother Fred.
It did, with stitched, white
Pockets on the rear.
I felt I’d die, that eyes,
My own included,
Would rivet on Mother’s ass.
Blue jeans were for boys.
(Our mythologies, they say,
Determine how we dress—
In this case, how our parents
Dressed us, after the War,
In cities and in suburbs,
Little cowboys everywhere,
Kicking soccer balls
And sliding slides,
Who’d never plowed a field
Or herded cows.
I fantasized of boys, back then,
For blue jeans x-rayed bodies
With their pockets
And their rivets
And their stitches.
“This is beyond
Naked, ” I’d say to myself,
Wondering “Why isn’t it
Against the law? ”
Of course, I never asked aloud.)
And then, in junior high,
One shapely girl
started wearing
Tight blue jeans.
She found the secret first.
(Maybe she’d seen
“River of No Return”.)
Today, half the women
Who walk into the coffee shop
Are clad in that blue intrigue.
After 40 years of contemplation,
My mind still cannot penetrate
The intrigue and the mystery
Or dethrone the mythology
Of those streamlined bodies
That help to bring my world alive,
though clothed
In its illusions.
Plain Gold Ring
Earl s. burroughs
Plain gold ring on his finger he wore
It was where everyone could see
He belonged to someone, but not me
On his hand was a plain gold band
Plain gold ring has a story to tell
It was one that I knew too well
In my heart it will never be spring
Long as he wears a plain gold ring
Oh, oh
When nighttime comes a callin on me
I know why I will never be free
I cant stop these teardrops of mine
Im gonna love him till the end of time
Plain gold ring has but one thing to say
Ill remember till my dying day
In my heart it will never be spring
Long as he wears a plain gold ring
Plain gold ring on his finger he wore
Plain gold ring on his finger he wore
Plain gold ring on his finger he wore
song performed by by Nina Simone
Submitted by Lucian Velea
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Last Night
Where were you last night? I watched at the gate;
I went down early, I stayed down late.
Were you snug at home, I should like to know,
Or were you in the coppice wheedling Kate?
She's a fine girl, with a fine clear skin;
Easy to woo, perhaps not hard to win.
Speak up like a man and tell me the truth:
I'm not one to grow downhearted and thin.
If you love her best speak up like a man;
It's not I will stand in the light of your plan:
Some girls might cry and scold you a bit,
And say they couldn't bear it; but I can.
Love was pleasant enough, and the days went fast;
Pleasant while it lasted, but it needn't last;
Awhile on the wax and awhile on the wane,
Now dropped away into the past.
Was it pleasant to you? To me it was;
Now clean gone as an image from glass,
As a goodly rainbow that fades away,
As dew that steams upward from the grass,
As the first spring day, or the last summer day,
As the sunset flush that leaves heaven grey,
As a flame burnt out for lack of oil,
Which no pains relight or ever may.
Good luck to Kate and good luck to you:
I guess she'll be kind when you come to woo.
I wish her a pretty face that will last,
I wish her a husband steady and true.
Hate you? not I, my very good friend;
All things begin and all have an end.
But let broken be broken; I put no faith
In quacks who set up to patch and mend.
Just my love and one word to Kate:
Not to let time slip if she means to mate;—
For even such a thing has been known
As to miss the chance while we weigh and wait.
poem by Christina Georgina Rossetti
Submitted by Poetry Lover
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A Yellow Daffodil
When I went to school
oh, so many years ago
I remember a girl
who always wore a yellow daffodil.
She wore it in her hair,
spring, summer and fall
and not a day went passed
when she did not wear it at all.
No one knows why she wore it
nor what or whom it was for.
As the years passed
and we went, our separate ways
I often wonder what had became of
the girl who always wore a yellow daffodil.
I hope she had a happy life
with all the things that bring a radiant spring
and that all her dreams came true.
If you ever see a woman
wearing a yellow daffodil
just tell her that this someone
still remembers her from our childhood spring.
18 September 2009
poem by David Harris
Submitted by Poetry Lover
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