Madonna Mia
A LILY-GIRL, not made for this world's pain,
With brown, soft hair close braided by her ears,
And longing eyes half veiled by slumberous tears
Like bluest water seen through mists of rain:
Pale cheeks whereon no love hath left its stain,
Red underlip drawn in for fear of love,
And white throat, whiter than the silvered dove,
Through whose wan marble creeps one purple vein.
Yet, though my lips shall praise her without cease,
Even to kiss her feet I am not bold,
Being o'ershadowed by the wings of awe.
Like Dante, when he stood with Beatrice
Beneath the flaming Lion's breast, and saw
The seventh Crystal, and the Stair of Gold.
poem by Oscar Wilde
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Fragoletta
O LOVE! what shall be said of thee?
The son of grief begot by joy?
Being sightless, wilt thou see?
Being sexless, wilt thou be
Maiden or boy?
I dreamed of strange lips yesterday
And cheeks wherein the ambiguous blood
Was like a rose’s—yea,
A rose’s when it lay
Within the bud.
What fields have bred thee, or what groves
Concealed thee, O mysterious flower,
O double rose of Love’s,
With leaves that lure the doves
From bud to bower?
I dare not kiss it, lest my lip
Press harder than an indrawn breath,
And all the sweet life slip
Forth, and the sweet leaves drip,
Bloodlike, in death.
O sole desire of my delight!
O sole delight of my desire!
Mine eyelids and eyesight
Feed on thee day and night
Like lips of fire.
Lean back thy throat of carven pearl,
Let thy mouth murmur like the dove’s;
Say, Venus hath no girl,
No front of female curl,
Among her Loves.
Thy sweet low bosom, thy close hair,
Thy strait soft flanks and slenderer feet,
Thy virginal strange air,
Are these not over fair
For Love to greet?
How should he greet thee? what new name,
Fit to move all men’s hearts, could move
Thee, deaf to love or shame,
Love’s sister, by the same
Mother as Love?
Ah sweet, the maiden’s mouth is cold,
Her breast-blossoms are simply red,
Her hair mere brown or gold,
Fold over simple fold
Binding her head.
Thy mouth is made of fire and wine,
Thy barren bosom takes my kiss
And turns my soul to thine
And turns thy lip to mine,
And mine it is.
Thou hast a serpent in thine hair,
In all the curls that close and cling;
And ah, thy breast-flower!
Ah love, thy mouth too fair
To kiss and sting!
Cleave to me, love me, kiss mine eyes,
Satiate thy lips with loving me;
Nay, for thou shalt not rise;
Lie still as Love that dies
For love of thee.
Mine arms are close about thine head,
My lips are fervent on thy face,
And where my kiss hath fed
Thy flower-like blood leaps red
To the kissed place.
O bitterness of things too sweet!
O broken singing of the dove!
Love’s wings are over fleet,
And like the panther’s feet
The feet of Love.
poem by Algernon Charles Swinburne
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La Bella Donna Della Mia Mente
MY limbs are wasted with a flame,
My feet are sore with travelling,
For calling on my Lady's name
My lips have now forgot to sing.
O Linnet in the wild-rose brake
Strain for my Love thy melody,
O Lark sing louder for love's sake,
My gentle Lady passeth by.
She is too fair for any man
To see or hold his heart's delight,
Fairer than Queen or courtezan
Or moon-lit water in the night.
Her hair is bound with myrtle leaves,
(Green leaves upon her golden hair!)
Green grasses through the yellow sheaves
Of autumn corn are not more fair.
Her little lips, more made to kiss
Than to cry bitterly for pain,
Are tremulous as brook-water is,
Or roses after evening rain.
Her neck is like white melilote
Flushing for pleasure of the sun,
The throbbing of the linnet's throat
Is not so sweet to look upon.
As a pomegranate, cut in twain,
White-seeded, is her crimson mouth,
Her cheeks are as the fading stain
Where the peach reddens to the south.
O twining hands! O delicate
White body made for love and pain!
O House of love! O desolate
Pale flower beaten by the rain!
poem by Oscar Wilde
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Leda
Where the slow river
meets the tide,
a red swan lifts red wings
and darker beak,
and underneath the purple down
of his soft breast
uncurls his coral feet.
Through the deep purple
of the dying heat
of sun and mist,
the level ray of sun-beam
has caressed
the lily with dark breast,
and flecked with richer gold
its golden crest.
Where the slow lifting
of the tide,
floats into the river
and slowly drifts
among the reeds,
and lifts the yellow flags,
he floats
where tide and river meet.
Ah kingly kiss --
no more regret
nor old deep memories
to mar the bliss;
where the low sedge is thick,
the gold day-lily
outspreads and rests
beneath soft fluttering
of red swan wings
and the warm quivering
of the red swan's breast.
poem by Hilda Doolittle
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Just Kiss Me Again
Please kiss me again,
Your lips are soft,
Like angel wings,
But when you leave me I die,
Pull me close to you again,
And kiss me softly,
With your passionate lips,
That left me breathless again,
My cheeks get hot,
And my heart seems to flutter,
When your lips meet mine,
I just seem to go under,
Just kiss me again,
If you love me you would,
Just kiss me and I will be fine,
I will never die, if you just kiss me again,
Embrace me,
I don't need you inside me,
Just to know you love me,
All I need to know that is when you kiss me,
Just kiss me pleas,
I love you,
Just kiss me,
I will never hurt,
I just need your lips on mine once again! ! ! ! ! ! ! ! ! !
Cold Blows The Wind
Cold blows the wind over my true love
Cold blows the drops of rain
I never had but one true love
And in camville he was slain
I'll do as much for my true love as any young girl may
I'll sit and weep down by his grave for twelve month and one day
But when twelve months were come and gone
This young man he arose
What makes you weep down by my grave
I can't take my repose
One kiss, one kiss of your lily white lips -- one kiss is all i crave
One kiss, one kiss of your lily white lips and return back to your grave
My lips they are as cold as my clay
My breath is heavy and strong
If thou was to kiss my lily white lips
Thy days would not be long
Oh don't you remember the garden grove where we used to walk
Pluck the finest flower of them all, twill wither to a stalk
Go fetch me a nun from the dungeon deep
And water from a stone
And white milk from a maiden's breast,
That babe ere never known
Go dig me a grave both long, wide and deep as quickly as you may
I'll lie down in it and take one sleep for twelve month and one day
Cold blows the wind over my true love
Cold blows the drops of rain
I never had but one true love
And in camville he was slain
I'll do as much for my true love as any young girl may
I'll sit and weep down by his grave for twelve month and one day
song performed by by Ween
Submitted by Lucian Velea
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A Monument For The Soldiers
A monument for the Soldiers!
And what will ye build it of?
Can ye build it of marble, or brass, or bronze,
Outlasting the Soldiers' love?
Can ye glorify it with legends
As grand as their blood hath writ
From the inmost shrine of this land of thine
To the outermost verge of it?
And the answer came: We would build it
Out of our hopes made sure,
And out of our purest prayers and tears,
And out of our faith secure:
We would build it out of the great white truths
Their death hath sanctified,
And the sculptured forms of the men in arms,
And their faces ere they died.
And what heroic figures
Can the sculptor carve in stone?
Can the marble breast be made to bleed,
And the marble lips to moan?
Can the marble brow be fevered?
And the marble eyes be graved
To look their last, as the flag floats past,
On the country they have saved?
And the answer came: The figures
Shall all be fair and brave,
And, as befitting, as pure and white
As the stars above their grave!
The marble lips, and breast and brow
Whereon the laurel lies,
Bequeath us right to guard the flight
Of the old flag in the skies!
A monument for the Soldiers!
Built of a people's love,
And blazoned and decked and panoplied
With the hearts ye build it oft
And see that ye build it stately,
In pillar and niche and gate,
And high in pose as the souls of those
It would commemorate!
poem by James Whitcomb Riley
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I Do Not Love Thee For That Fair
I do not love thee for that fair
Rich fan of thy most curious hair;
Though the wires thereof be drawn
Finer than threads of lawn,
And are softer than the leaves
On which the subtle spider weaves.
I do not love thee for those flowers
Growing on thy cheeks, love's bowers;
Though such cunning them hath spread,
None can paint them white and red:
Love's golden arrows thence are shot,
Yet for them I love thee not.
I do not love thee for those soft
Red coral lips I've kissed so oft,
Nor teeth of pearl, the double guard
To speech whence music still is heard;
Though from those lips a kiss being taken
Mighty tyrants melt, and death awaken.
I do not love thee, O my fairest,
For that richest, for that rarest
Silver pillar, which stands under
Thy sound head, that globe of wonder;
Though that neck be whiter far
Than towers of polished ivory are.
poem by Thomas Carew
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A Brown Study
LET them sing of their primrose and cowslip,
Their daffodil-gold-coloured hair,
Their bluebells, blue eyes, and white violets,
All the pale dreamy things they find fair;
Give me stir of brown leaves in the sunshine,
The whir of brown wings through the wheat,
The rush of brown hares through the clover,
And the light in brown eyes of my sweet!
Gold hair? Well, I never could love it,
Yet gold, I suppose, has its worth;
The head that I love is as dusky
As the breast of our mother, the earth;
With a gleam like the shine of wet seaweed,
Round pools that the tide has left clear,
And warm like the breast of a linnet,
And as brown, is the hair of my dear.
From the edge of the cliff we look downwards
On the shore, and the bay, and the town,
And brown is the short turf we lean on,
The fishing-boats' sails are all brown:
The sky may be blue--that's the background,--
But the picture itself, to be fair,
However it's shaded and varied,
Should be brown as the dress that you wear.
A lark bursts to sudden sweet singing--
That tuft of brown grass is his home--
And now, a brown speck, he is rising
Against the clear windy sky-dome;
And he sings--how I know? Love instructs me
To know all his notes, what they mean--
That it isn't the colour I care for,
But yourself, oh, my gipsy, my queen!
Ah! the lark knows my heart--I his language;
It's my heart he sings out to the skies;
It is you that I love, and what matter
The colour of hair or of eyes?
No doubt I should love you as dearly
Were your hair like an apricot's down,
And your eyes like the grey of the morning;
But I'm glad, all the same, that they're brown.
poem by Edith Nesbit
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And Does She Still Perceive
And does she still perceive, her curtain drawn,
white fields, where maiden Dawn
is anguish'd with the untold approach of joy?
or in the wooing forenoon softly pass
where of our little friends
that knew us, girl and boy,
the delicate feather-pinks, each dainty greeting bends
before her step, amid the pale sweet grass?
or warmer flush
our poppies with her blush
as the long day of love grows bold for the red kiss
and dreams of bliss
dizzy the brain and awe the youthful blood?
Surely her longing gaze hath call'd them forth
the bashful blue-eyed flower-births of the North,
forget-me-nots and violets of the wood,
those maids that slept beneath the snow, and every gracious thing
that glads the spring!
— Ah sweet! but dream me in thy landscape there
as I have pictured thee
and I shall rest the long day at thy knee
beneath thy hair:
and Thou and I unconscious of surprise
but innocently quiet and gravely glad
and just a little sad
with longing long repress'd,
shall fill with grace each other's welcome eyes
till the shy evening rise
and the streaming lilac-bloom enchant the drowsed air,
hushing it soft and warm round pillows press'd
by happy lovers' rest
lost in that timeless hour when breast is joined to breast.
poem by Christopher John Brennan
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Cleopatra
HER mouth is fragrant as a vine,
A vine with birds in all its boughs;
Serpent and scarab for a sign
Between the beauty of her brows
And the amorous deep lids divine.
Her great curled hair makes luminous
Her cheeks, her lifted throat and chin.
Shall she not have the hearts of us
To shatter, and the loves therein
To shred between her fingers thus?
Small ruined broken strays of light,
Pearl after pearl she shreds them through
Her long sweet sleepy fingers, white
As any pearl's heart veined with blue,
And soft as dew on a soft night.
As if the very eyes of love
Shone through her shutting lids, and stole
The slow looks of a snake or dove;
As if her lips absorbed the whole
Of love, her soul the soul thereof.
Lost, all the lordly pearls that were
Wrung from the sea's heart, from the green
Coasts of the Indian gulf-river;
Lost, all the loves of the world---so keen
Towards this queen for love of her.
You see against her throat the small
Sharp glittering shadows of them shake;
And through her hair the imperial
Curled likeness of the river snake,
Whose bite shall make an end of all.
Through the scales sheathing him like wings,
Through hieroglyphs of gold and gem,
The strong sense of her beauty stings,
Like a keen pulse of love in them,
A running flame through all his rings.
Under those low large lids of hers
She hath the histories of all time;
The fruit of foliage-stricken years;
The old seasons with their heavy chime
That leaves its rhyme in the world's ears.
She sees the hand of death made bare,
The ravelled riddle of the skies,
The faces faded that were fair,
The mouths made speechless that were wise,
The hollow eyes and dusty hair;
The shape and shadow of mystic things,
Things that fate fashions or forbids;
The staff of time-forgotten Kings
Whose name falls off the Pyramids,
Their coffin-lids and grave-clothings;
Dank dregs, the scum of pool or clod,
God-spawn of lizard-footed clans,
And those dog-headed hulks that trod
Swart necks of the old Egyptians,
Raw draughts of man's beginning God;
The poised hawk, quivering ere he smote,
With plume-like gems on breast and back;
The asps and water-worms afloat
Between the rush-flowers moist and slack;
The cat's warm black bright rising throat.
The purple days of drouth expand
Like a scroll opened out again;
The molten heaven drier than sand,
The hot red heaven without rain,
Sheds iron pain on the empty land.
All Egypt aches in the sun's sight;
The lips of men are harsh for drouth,
The fierce air leaves their cheeks burnt white,
Charred by the bitter blowing south,
Whose dusty mouth is sharp to bite.
All this she dreams of, and her eyes
Are wrought after the sense hereof.
There is no heart in her for sighs;
The face of her is more than love---
A name above the Ptolemies.
Her great grave beauty covers her
As that sleek spoil beneath her feet
Clothed once the anointed soothsayer;
The hallowing is gone forth from it
Now, made unmeet for priests to wear.
She treads on gods and god-like things,
On fate and fear and life and death,
On hate that cleaves and love that clings,
All that is brought forth of man's breath
And perisheth with what it brings.
She holds her future close, her lips
Hold fast the face of things to be;
Actium, and sound of war that dips
Down the blown valleys of the sea,
Far sails that flee, and storms of ships;
The laughing red sweet mouth of wine
At ending of life's festival;
That spice of cerecloths, and the fine
White bitter dust funereal
Sprinkled on all things for a sign;
His face, who was and was not he,
In whom, alive, her life abode;
The end, when she gained heart to see
Those ways of death wherein she trod,
Goddess by god, with Antony.
poem by Algernon Charles Swinburne
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Now And Afterwards
TWO hands upon the breast,
And labor's done;
Two pale feet crossed in rest--
The race is won;
Two eyes with coin-weights shut,
And all tears cease;
Two lips where grief is mute,
Anger at peace':--
So pray we oftentimes, mourning our lot
God in his kindness answereth not.
'Two hands to work addrest
Aye for His praise;
Two feet that never rest
Walking His ways;
Two eyes that look above
Through all their tears;
Two lips still breathing love,
Not wrath, nor fear';
So pray we afterwards, low on our knees;
Pardon those erring prayers! Father, hear these!
poem by Dinah Maria Mulock Craik
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To O.E.A.
Your voice is the color of a robin's breast,
And there's a sweet sob in it like rain--still rain in the night.
Among the leaves of the trumpet-tree, close to his nest,
The pea-dove sings, and each note thrills me with strange delight
Like the words, wet with music, that well from your trembling throat.
I'm afraid of your eyes, they're so bold,
Searching me through, reading my thoughts, shining like gold.
But sometimes they are gentle and soft like the dew on the lips of the eucharis
Before the sun comes warm with his lover's kiss.
You are sea-foam, pure with the star's loveliness,
Not mortal, a flower, a fairy, too fair for the beauty-shorn earth.
All wonderful things, all beautiful things, gave of their wealth to your birth.
Oh I love you so much, not recking of passion, that I feel it is wrong!
But men will love you, flower, fairy, non-mortal spirit burdened with flesh,
Forever, life-long.
poem by Claude McKay
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Sonnet VIII: Love's Lovers
Some ladies love the jewels in Love's zone,
And gold-tipped darts he hath for painless play
In idle scornful hours he flings away;
And some that listen to his lute's soft tone
Do love to vaunt the silver praise their own;
Some prize his blindfold sight; and there be they
Who kissed his wings which brought him yesterday
And thank his wings to-day that he is flown.
My lady only loves the heart of Love:
Therefore Love's heart, my lady, hath for thee
His bower of unimagined flower and tree:
There kneels he now, and all-anhungered of
Thine eyes grey-lit in shadowing hair above,
Seals with thy mouth his immortality.
poem by Dante Gabriel Rossetti
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A Ballad of Death
Kneel down, fair Love, and fill thyself with tears,
Girdle thyself with sighing for a girth
Upon the sides of mirth,
Cover thy lips and eyelids, let thine ears
Be filled with rumour of people sorrowing;
Make thee soft raiment out of woven sighs
Upon the flesh to cleave,
Set pains therein and many a grievous thing,
And many sorrows after each his wise
For armlet and for gorget and for sleeve.
O Love's lute heard about the lands of death,
Left hanged upon the trees that were therein;
O Love and Time and Sin,
Three singing mouths that mourn now underbreath,
Three lovers, each one evil spoken of;
O smitten lips wherethrough this voice of mine
Came softer with her praise;
Abide a little for our lady's love.
The kisses of her mouth were more than wine,
And more than peace the passage of her days.
O Love, thou knowest if she were good to see.
O Time, thou shalt not find in any land
Till, cast out of thine hand,
The sunlight and the moonlight fail from thee,
Another woman fashioned like as this.
O Sin, thou knowest that all thy shame in her
Was made a goodly thing;
Yea, she caught Shame and shamed him with her kiss,
With her fair kiss, and lips much lovelier
Than lips of amorous roses in late spring.
By night there stood over against my bed
Queen Venus with a hood striped gold and black,
Both sides drawn fully back
From brows wherein the sad blood failed of red,
And temples drained of purple and full of death.
Her curled hair had the wave of sea-water
And the sea's gold in it.
Her eyes were as a dove's that sickeneth.
Strewn dust of gold she had shed over her,
And pearl and purple and amber on her feet.
Upon her raiment of dyed sendaline
Were painted all the secret ways of love
And covered things thereof,
That hold delight as grape-flowers hold their wine;
Red mouths of maidens and red feet of doves,
And brides that kept within the bride-chamber
Their garment of soft shame,
And weeping faces of the wearied loves
That swoon in sleep and awake wearier,
With heat of lips and hair shed out like flame.
The tears that through her eyelids fell on me
Made mine own bitter where they ran between
As blood had fallen therein,
She saying; Arise, lift up thine eyes and see
If any glad thing be or any good
Now the best thing is taken forth of us;
Even she to whom all praise
Was as one flower in a great multitude,
One glorious flower of many and glorious,
One day found gracious among many days:
Even she whose handmaiden was Love--to whom
At kissing times across her stateliest bed
Kings bowed themselves and shed
Pale wine, and honey with the honeycomb,
And spikenard bruised for a burnt-offering;
Even she between whose lips the kiss became
As fire and frankincense;
Whose hair was as gold raiment on a king,
Whose eyes were as the morning purged with flame,
Whose eyelids as sweet savour issuing thence.
Then I beheld, and lo on the other side
My lady's likeness crowned and robed and dead.
Sweet still, but now not red,
Was the shut mouth whereby men lived and died.
And sweet, but emptied of the blood's blue shade,
The great curled eyelids that withheld her eyes.
And sweet, but like spoilt gold,
The weight of colour in her tresses weighed.
And sweet, but as a vesture with new dyes,
The body that was clothed with love of old.
Ah! that my tears filled all her woven hair
And all the hollow bosom of her gown--
Ah! that my tears ran down
Even to the place where many kisses were,
Even where her parted breast-flowers have place,
Even where they are cloven apart--who knows not this?
Ah! the flowers cleave apart
And their sweet fills the tender interspace;
Ah! the leaves grown thereof were things to kiss
Ere their fine gold was tarnished at the heart.
Ah! in the days when God did good to me,
Each part about her was a righteous thing;
Her mouth an almsgiving,
The glory of her garments charity,
The beauty of her bosom a good deed,
In the good days when God kept sight of us;
Love lay upon her eyes,
And on that hair whereof the world takes heed;
And all her body was more virtuous
Than souls of women fashioned otherwise.
Now, ballad, gather poppies in thine hands
And sheaves of brier and many rusted sheaves
Rain-rotten in rank lands,
Waste marigold and late unhappy leaves
And grass that fades ere any of it be mown;
And when thy bosom is filled full thereof
Seek out Death's face ere the light altereth,
And say "My master that was thrall to Love
Is become thrall to Death."
Bow down before him, ballad, sigh and groan.
But make no sojourn in thy outgoing;
For haply it may be
That when thy feet return at evening
Death shall come in with thee.
poem by Algernon Charles Swinburne
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Mary Magdalene At The Door Of Simon The Pharisee.
“WHY wilt thou cast the roses from thine hair?
Nay, be thou all a rose,—wreath, lips, and cheek.
Nay, not this house,—that banquet-house we seek;
See how they kiss and enter; come thou there.
This delicate day of love we two will share
Till at our ear love's whispering night shall speak.
What, sweet one,—hold'st thou still the foolish freak?
Nay, when I kiss thy feet they'll leave the stair.”
“Oh loose me! Seest thou not my Bridegroom's face
That draws me to Him? For His feet my kiss,
My hair, my tears He craves to-day:—and oh!
What words can tell what other day and place
Shall see me clasp those blood-stained feet of His?
He needs me, calls me, loves me: let me go!”
poem by Dante Gabriel Rossetti
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Bianca
Her cheeks are hot, her cheeks are white;
The white girl hardly breathes to-night,
So faint the pulses come and go,
That waken to a smouldering glow
The morbid faintness of her white.
What drowsing heats of sense, desire
Longing and languorous, the fire
Of what white ashes, subtly mesh
The fascination of her flesh
Into a breathing web of fire?
Only her eyes, only her mouth,
Live, in the agony of drouth,
Athirst for that which may not be:
The desert of virginity
Aches in the hotness of her mouth.
I take her hands into my hands,
Silently, and she understands;
I set my lips upon her lips;
Shuddering to her finger-tips
She strains my hands within her hands.
I set my lips on hers; they close
Into a false and phantom rose;
Upon her thirsting lips I rain
A flood of kisses, and in vain;
Her lips inexorably close.
Through her closed lips that cling to mine,
Her hands that hold me and entwine,
Her body that abondoned lies,
Rigid with sterile ecstasies,
A shiver knits her flesh to mine.
Life sucks into a mist remote
Her fainting lips, her throbbing throat;
Her lips that open to my lips,
And, hot against her finger-tips,
The pulses leaping in her throat.
poem by Arthur Symons
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Hermaphroditus
I.
LIFT UP thy lips, turn round, look back for love,
Blind love that comes by night and casts out rest;
Of all things tired thy lips look weariest,
Save the long smile that they are wearied of.
Ah sweet, albeit no love be sweet enough,
Choose of two loves and cleave unto the best;
Two loves at either blossom of thy breast
Strive until one be under and one above.
Their breath is fire upon the amorous air,
Fire in thine eyes and where thy lips suspire:
And whosoever hath seen thee, being so fair,
Two things turn all his life and blood to fire;
A strong desire begot on great despair,
A great despair cast out by strong desire.
II.
Where between sleep and life some brief space is,
With love like gold bound round about the head,
Sex to sweet sex with lips and limbs is wed,
Turning the fruitful feud of hers and his
To the waste wedlock of a sterile kiss;
Yet from them something like as fire is shed
That shall not be assuaged till death be dead,
Though neither life nor sleep can find out this.
Love made himself of flesh that perisheth
A pleasure-house for all the loves his kin;
But on the one side sat a man like death,
And on the other a woman sat like sin.
So with veiled eyes and sobs between his breath
Love turned himself and would not enter in.
III.
Love, is it love or sleep or shadow or light
That lies between thine eyelids and thine eyes?
Like a flower laid upon a flower it lies,
Or like the night’s dew laid upon the night.
Love stands upon thy left hand and thy right,
Yet by no sunset and by no moonrise
Shall make thee man and ease a woman’s sighs,
Or make thee woman for a man’s delight.
To what strange end hath some strange god made fair
The double blossom of two fruitless flowers?
Hid love in all the folds of all thy hair,
Fed thee on summers, watered thee with showers,
Given all the gold that all the seasons wear
To thee that art a thing of barren hours?
IV.
Yea, love, I see; it is not love but fear.
Nay, sweet, it is not fear but love, I know;
Or wherefore should thy body’s blossom blow
So sweetly, or thine eyelids leave so clear
Thy gracious eyes that never made a tear—
Though for their love our tears like blood should flow,
Though love and life and death should come and go,
So dreadful, so desirable, so dear?
Yea, sweet, I know; I saw in what swift wise
Beneath the woman’s and the water’s kiss
Thy moist limbs melted into Salmacis,
And the large light turned tender in thine eyes,
And all thy boy’s breath softened into sighs;
But Love being blind, how should he know of this?
Au Musée du Louvre, Mars 1863.
poem by Algernon Charles Swinburne
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Take This Body
Take this body, my love,
my body, my love,
feel my knees and my arms,
feel my fingers on your hair,
cold fingers, sad fingers,
kiss my mouth, my love,
ever so gently
caressing my chest and stroking my hair,
play with it-whatever is left of it-
I'm sad, my love,
and as I hear you laugh,
I feel the water around my eyes,
my brown eyes, the eyes of a poet,
the eyes of a stranger-
I'm a stranger, my love,
I'm a stranger in a strange land
of secret kisses and lovelorn faces,
of cold bodies huddled together,
hiding behind stiff dresses
and tightly fitting jeans,
I'm a stranger to a kiss,
I'm a stranger to a moist mouth
and a playful tongue,
I'm a stranger to a warm breast,
I stand here bespectacled and confused,
scratching my scraggly beard,
forcing a faint smile-
there is so much pain, my love,
right here in the palm of my hand,
right here in the lump of my throat,
right here in the tightness of my chest,
I'm strung like an instrument
with shrunken testicles
and immobilized toes-
see me tremble, my love,
see me shed a tear
onto this dusty world-
I'm with you, my love,
I'm with you alone,
I'm with you in embrace
of tender passion,
I'm in love with you
and that's why
I'm full of
tears.
poem by Alexander Shaumyan
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Seed-Time and Harvest
“Thou waterest her furrows, thou sendest rain into the little valleys
thereof; thou makest it soft with the drops of rain, and blessest the increase
of it.”
Fret not thyself so sorely, heart of mine,
For that the pain hath roughly broke thy rest,—
That thy wild flowers lie dead upon thy breast,
Whereon the cloud-veiled sun hath ceased to shine.
Fret not that thou art seam'd and scarr'd and torn;
That clods are piled where tinted vetches were;
That long worms crawl to light, and brown rifts, bare
Of green and tender grasses, widely yawn.
God's hand is on the plough—so be thou still.
Thou canst not see Him, for thine eyes are dim;
But wait in patience, put thy trust in Him;
Give thanks for love, and leave thee to His will.
Ah! in due time the lowering clouds shall rain
Soft drops on my parch'd furrows; I shall sow
In tears and prayers, and green corn-blades will grow;
I shall not wish the wild flowers back again.
I shall be glad that I did work and weep—
Be glad, O God! my slumbering soul did wake—
Be glad my stubborn heart did heave and break
Beneath the plough—when angels come to reap.
Be glad, O Father! that my land was till'd
And sown and water'd, in the harvest-day
When Thou wilt cast the weeds and tares away,
And when with ripen'd fruit Thy barns are fill'd.
Keep me my faith, I pray. I cannot see,
And fear to intermeddle with Thy work.
Oh, though I wince and fret, I would not shirk
The discipline that is so good for me!
I know that Thou wilt make my grief to cease,
Wilt send the cool, soft drops of healing rain,
And make my scarred heart green with springing grain,
That after patient waiting cometh peace;
That after beautiful labour I shall rest,
And after weeping have my fill of joy.
Thou breakest down to build up, not destroy;
Thou doest right, O Lord! Thou knowest best.
poem by Ada Cambridge
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Shamrock Song
O, the red rose may be fair,
And the lily statelier;
But my shamrock, one in three,
Takes the very heart of me!
Many a lover hath the rose
When june's musk-wind breathes and blows:
And in many a bower is heard
Her sweet praise from bee and bird.
Through the gold hours dreameth she,
In her warm heart passionately,
Her fair face hung languid-wise:
O, her breath of honey and spice!
Like a fair saint virginal
Stands your lily, silver and tall;
Over all the flowers that be
Is my shamrock dear to me.
Shines the lily like the sun,
Crystal-pure, a cold, sweet nun;
With her austere lip she sings
To her heart of heavenly things.
Gazeth through a night of June
To her sister-saint, the moon;
With the stars communeth long
Of the angels and their song.
But when summer died last year
Rose and lily died with her;
Shamrock stayeth every day,
Be the winds or gold or grey.
Irish hills, as grey as the dove,
Know the little plant I love;
Warm and fair it mantles them
Stretching down from throat to hem.
And it laughs o'er many a vale,
Sheltered safe from storm and gale;
Sky and sun and stars thereof
Love the gentle plant I love.
Soft it clothes the ruined floor
Of many an abbey, grey and hoar,
And the still home of the dead
With its green is carpeted.
Roses for an hour of love,
With the joy and pain thereof:
Stand my lilies white to see
All for prayer and purity.
These are white as the harvest moon,
Roses flush like the heart of June;
But my shamrock, brave and gay,
Glads the tired eyes every day.
O, the red rose shineth rare,
And the lily saintly fair;
But my shamrock, one in three,
Takes the inmost heart of me!
poem by Katharine Tynan
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