The Strong Heroic Line
FRIENDS of the Muse, to you of right belong
The first staid footsteps of my square-toed song;
Full well I know the strong heroic line
Has lost its fashion since I made it mine;
But there are tricks old singers will not learn,
And this grave measure still must serve my turn.
So the old bird resumes the selfsame note
His first young summer wakened in his throat;
The selfsame tune the old canary sings,
And all unchanged the bobolink’s carol rings;
When the tired songsters of the day are still
The thrush repeats his long-remembered trill;
Age alters not the crow’s persistent caw,
The Yankee’s “Haow,” the stammering Briton’s “Haw;”
And so the hand that takes the lyre for you
Plays the old tune on strings that once were new.
Nor let the rhymester of the hour deride
The straight-backed measure with its stately stride:
It gave the mighty voice of Dryden scope;
It sheathed the steel-bright epigrams of Pope;
In Goldsmith’s verse it learned a sweeter strain;
Byron and Campbell wore its clanking chain;
I smile to listen while the critic’s scorn
Flouts the proud purple kings have nobly worn;
Bid each new rhymer try his dainty skill
And mould his frozen phrases as he will;
We thank the artist for his neat device;
The shape is pleasing, though the stuff is ice.
Fashions will change—the new costume allures,
Unfading still the better type endures;
While the slashed doublet of the cavalier
Gave the old knight the pomp of chanticleer,
Our last-hatched dandy with his glass and stick
Recalls the semblance of a new-born chick;
(To match the model he is aiming at
He ought to wear an eggshell for a hat).
He ought to wear an eggshell for a hat).
Which of these objects would a painter choose,
And which Velasquez or Van Dyck refuse?
poem by Oliver Wendell Holmes
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Poem Read At The Dinner Given To The Author By The Medical Profession Of The City Of New York, April 12, 1883
HAVE I deserved your kindness? Nay, my friends,
While the fair banquet its illusion lends
Let me believe it, though the blood may rush
And to my cheek recall the maiden blush
That o'er it flamed with momentary blaze
When first I heard the honeyed words of praise;
Let me believe it while the roses wear
Their bloom unwithering in the heated air;
Too soon, too soon, their glowing leaves must fall,
The laughing echoes leave the silent hall,
Joy drop his garland, turn his empty cup,
And weary Labor take his burden up,
How weighs that burden they can tell alone
Whose dial marks no moment as their own.
Am I your creditor? Too well I know
How Friendship pays the debt it does not owe,
Shapes a poor semblance fondly to its mind,
Adds all the virtues that it fails to find,
Adorns with graces to its heart's content,
Borrows from love what nature never lent,
Till what with halo, jewels, gilding, paint,
The veriest sinner deems himself a saint.
Thus while you pay these honors as my due
I owe my value's larger part to you,
And in the tribute of the hour I see
Not what I am, but what I ought to be.
Friends of the Muse, to you of right belong
The first staid footsteps of my square-toed song;
Full well I know the strong heroic line
Has lost its fashion since I made it mine;
But there are tricks old singers will not learn,
And this grave measure still must serve my turn.
So the old bird resumes the selfsame note
His first young summer wakened in his throat;
The selfsame tune the old canary sings,
And all unchanged the bobolink's carol rings;
When the tired songsters of the day are still
The thrush repeats his long-remembered trill;
Age alters not the crow's persistent caw,
The Yankee's ' Haow,' the stammering Briton's 'Haw;'
And so the hand that takes the lyre for you
Plays the old tune on strings that once were new.
Nor let the rhymester of the hour deride
The straight - backed measure with its stately stride;
It gave the mighty voice of Dryden scope;
It sheathed the steel-bright epigrams of Pope;
In Goldsmith's verse it learned a sweeter strain;
Byron and Campbell wore its clanking chain;
I smile to listen while the critic's scorn
Flouts the proud purple kings have nobly worn;
Bid each new rhymer try his dainty skill
And mould his frozen phrases as he will;
We thank the artist for his neat device;
The shape is pleasing, though the stuff is ice
Fashions will change the new costume allures,
Unfading still the better type endures;
While the slashed doublet of the cavalier
Gave the old knight the pomp of chanticleer,
Our last-hatched dandy with his glass and stick
Recalls the semblance of a new -horn chick;
(To match the model he is aiming at
He ought to wear an eggshell for a hat
Which of these objects would a painter choose,
And which Velasquez or Van Dyck refuse?
When your kind summons reached my calm retreat,
Who are the friends, I questioned, I shall meet?
Some in young manhood, shivering with desire
To feel the genial warmth of fortune's fire,--
Each with his bellows ready in his hand
To puff the flame just waiting to be fanned;
Some heads half-silvered, some with snowwhite
hair, A crown ungarnished glistening here and there,
The mimic moonlight gleaming on the scalps
As evening's empress lights the shining Alps;
But count the crowds that throng your festal scenes,
How few that knew the century in its teens!
Save for the lingering handful fate befriends,
Life's busy day the Sabbath decade ends;
When that is over, how with what remains
Of nature's outfit, muscle, nerve, and brains?
Were this a pulpit I should doubtless preach,
Were this a platform I should gravely teach,
But to no solemn duties I pretend
In my vocation at the table's end;
So as my answer let me tell instead
What Landlord Porter rest his soul!
once said.
A feast it was that none might scorn to share;
Cambridge and Concord's demigods were there,
'And who were they?' You know as well as I
The stars long glittering in our Eastern sky
. . .
The names that blazon our provincial scroll
Ring round the world with Britain's drumbeat roll!
Good was the dinner, better was the talk;
Some whispered, devious was the homeward walk;
The story came from some reporting spy,
They lie, those fellows, oh, how they do lie!
Not ours those foot-tracks in the new-fallen snow,
Poets and sages never zigzagged so!
Now Landlord Porter, grave, concise, severe,
Master, nay, monarch in his proper sphere,
Though to belles-lettres he pretended not,
Lived close to Harvard, so knew what was what;
And having bards, philosophers, and such,
To eat his dinner, put the finest touch
His art could teach, those learned mouths to fill
With the best proofs of gustatory skill;
And finding wisdom plenty at his board,
Wit, science, learning, all his guests had stored,
By way of contrast, ventured to produce,
To please their palates, an inviting goose.
Better it were the company should starve
Than hands unskilled that goose attempt to carve;
None but the master-artist shall assail
The bird that turns the mightiest surgeon pale.
One voice arises from the banquet-hall.
The landlord answers to the pleading call;
Of stature tall, sublime of port he stands,
His blade and bident gleaming in his hands;
Beneath his glance the strong-knit joints relax
As the weak knees before the headsman's axe
And Landlord Porter lifts his glittering knife
As some stout warrior armed for bloody strife;
All eyes are on him; some in whispers ask,
What man is he who dares this dangerous task?
When lo! the triumph of consummate art,
With scarce a touch the creature drops apart!
As when the baby in his nurse's lap
Spills on the carpet a dissected map.
Then the calm sage, the monarch of the lyre,
Critics and men of science all admire,
And one whose wisdom I will not impeach,
Lively, not churlish, somewhat free of speech,
Speaks thus: 'Say, master, what of worth is left
In birds like this, of breast and legs bereft?
'And Landlord Porter, with uplifted eyes,
Smiles on the simple querist, and replies: 'When from a goose you've taken legs and breast,
Wipe lips, thank God, and leave the poor the rest!'
Kind friends, sweet friends, I hold it hardly fair
With that same bird your minstrel to compare,
Yet in a certain likeness we agree,
No wrong to him and no offence to me;
I take him for the moral he has lent,
My partner, to a limited extent.
When the stern Landlord whom we all obey
Has carved from life its seventh great slice away,
Is the poor fragment left in blank collapse
A pauper remnant of unvalued scraps?
I care not much what Solomon has said,
Before his time to nobler pleasures dead;
Poor man! he needed half a hundred lives
With such a babbling wilderness of wives!
But is there nothing that may well employ
Life's winter months, no sunny hour of joy?
While o'er the fields the howling tempests rage,
The prisoned linnet warbles in its cage;
When chill November through the forest blows,
The greenhouse shelters the untroubled rose;
Round the high trellis creeping tendrils twine,
And the ripe clusters fill with blameless
wine; We make the vine forget the winter's cold,
But how shall age forget its growing old?
Though doing right is better than deceit,
Time is a trickster it is fair to cheat;
The honest watches ticking in your fobs
Tell every minute how the rascal robs.
To clip his forelock and his scythe to hide,
To lay his hour-glass gently on its side,
To slip the cards he marked upon the shelf
And deal him others you have marked yourself,
If not a virtue cannot be a sin,
For the old rogue is sure at last to win.
What does he leave when life is well-nigh spent
To lap its evening in a calm content?
Art, letters, science, these at least befriend
Our day's brief remnant to its peaceful end,
Peaceful for him who shows the setting sun
A record worthy of his Lord's Well done!
When he, the master whom I will not name,
Known to our calling, not unknown to fame,
At life's extremest verge, half conscious lay,
Helpless and sightless, dying day by day,
His brain, so long with varied wisdom fraught,
Filled with the broken enginery of thought,
A flitting vision often would illume
His darkened world, and cheer its deepening gloom,
A sunbeam struggling through the long eclipse,
And smiles of pleasure play around his lips.
He loved the art that shapes the dome and spire;
The Roman's page, the ring of Byron's lyre,
And oft when fitful memory would return
To find some fragment in her broken urn,
Would wake to life some long-forgotten hour,
And lead his thought to Pisa's terraced tower,
Or trace in light before his rayless eye
The dome-crowned Pantheon printed on the sky;
Then while the view his ravished soul absorbs
And lends a glitter to the sightless orbs,
The patient watcher feels the stillness stirred
By the faint murmur of some classic word,
Or the long roll of Harold's lofty rhyme,
'Simple, erect, severe, austere, sublime,'
Such were the dreams that soothed his couch of pain,
The sweet nepenthe of the worn-out brain.
Brothers in art, who live for others' needs
In duty's bondage, mercy's gracious deeds,
Of all who toil beneath the circling sun
Whose evening rest than yours iiwe fairly won?
Though many a cloud your struggling morn obscures,
What sunset brings a brighter sky than yours?
I, who your labors for a while have shared,
New tasks have sought, with new companions fared,
For nature's servant far too often seen
A loiterer by the waves of Hippocrene;
Yet round the earlier friendship twines the new,
My footsteps wander, but my heart is true,
Nor e'er forgets the living or the dead
Who trod with me the paths where science led.
How can I tell you, O my loving friends!
What light, what warmth, your joyous welcome lends
To life's late hour? Alas! my song is sung,
Its fading accents falter on my tongue.
Sweet friends, if, shrinking in the banquet's blaze,
Your blushing guest must face the breath of praise,
Speak not too well of one who scarce will know
Himself transfigured in its roseate glow;
Say kindly of him what is, chiefly, true,
Remembering always he belongs to you;
Deal with him as a truant, if you will,
But claim him, keep him, call him brother still!
poem by Oliver Wendell Holmes
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The Selfsame Song
A bird sings the selfsame song,
With never a fault in its flow,
That we listened to here those long
Long years ago.
A pleasing marvel is how
A strain of such rapturous rote
Should have gone on thus till now
unchanged in a note!
--But its not the selfsame bird.--
No: perished to dust is he....
As also are those who heard
That song with me.
poem by Thomas Hardy
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For Shrill The Piper Plays His Tune
When thoughts are idle wanderings
Words tumbled round and round
When feelings they turn inwardly
Still I hear the piper's sound.
When happiness is broken
And the Kings and Queens are gone
The piper's tune keeps playing
And I hear his victory song.
For even when awoken
From the sleepiness of time
There's a distant music playing
Heard clear within my mind
For shrill the piper plays his tune
That beckons every day
And when his tune is full played out
He carries us away.
No-one has seen this piper man
And no-one has seen him play
But we all can hear his mournfulness
And fear for what he'll say
No folds of fathered cornfields
And no breaking of the bread
The piper's tune keeps playing
With his words as yet unsaid.
For shrill the piper plays his tune
That beckons every day
And when his tune is full played out
He carries us away.
We can all hear if we but try
The piper's song so sweet
The musings and meanderings
Of souls lost whole complete
No piper plays before we're born
Before we touch the earth
The piper's tunes they all begin
From the moment of our birth.
For shrill the piper plays his tune
Like happiness disease'd
And all the notes that he plays out
Are our moments ill at ease.
Not one of us pays him to play
Nor gives him any score
For every note that he blows out
Is fully paid before
We entertain our wanderings
And confusion in the mind
For the piper's very soul turns out
To be both yours and mine.
For shrill the piper plays his tune
That beckons every day
And when his tune is full played out
He carries us away.
poem by David Keig
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The Piper (#2)
When I'm confused and wandering
On a journey with no end
My feelings they turn in on me
Uncertain who's my friend
It's then the piper plays his tune
That beckons every day
And when his tuned is full played out
He carries us away.
We can all hear if we but try
The pipers song so sweet
The musings and meanderings
Of souls lost whole comlete
No piper plays before we are born
Before we touch this earth
The pipers tunes they all begin
From the moment of our birth.
For shrill the piper plays his tune
Like happiness diseased
And all the notes that he plays out
Are our moments ill at ease
No-one it seems pays him to pay
Nor gives him any score
For every note that he blows out
Is paid for by that war
The one that's fought in solitude
And in that loneliness we find
That the pipers very soul turns out
To be both yours and mine.
For shrill the piper plays his tune
That beckons every day
And when his tune is full played out
He carries us away.
poem by David Keig
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Another Yankee Doodle
Yankee Doodle had a mind
To whip the Southern traitors,
Because they didn't choose to live
On codfish and potatoes,
Yankee Doodle, doodle-doo,
Yankee Doodle dandy,
And to keep his courage up
He took a drink of brandy.
Yankee Doodle said he found
By all the census figures,
That he could starve the rebels out,
If he could steal their niggers.
Yankee Doodle, doodle-doo,
Yankee Doodle dandy,
And then he took another drink
Of gunpowder and brandy.
Yankee Doodle made a speech;
'Twas very full of feeling;
'I fear,' he says, 'I cannot fight,
But I am good at stealing.'
Yankee Doodle, doodle-doo,
Yankee Doodle dandy,
Hurrah for Lincoln, he's the boy
To take a drop of brandy.
Yankee Doodle drew his sword,
And practiced all the passes;
Come, boys, we'll take another drink
When we get to Manassas.
Yankee Doodle, doodle-doo,
Yankee Doodle dandy,
They never reached Manassas plain,
And never got the brandy.
Yankee Doodle soon found out
That Bull Run was no trifle;
For if the North knew how to steal,
The South knew how to rifle.
Yankee Doodle, doodle-doo,
Yankee Doodle dandy,
'Tis very clear I took too much
Of that infernal brandy.
Yankee Doodle wheeled about,
And scampered off at full run,
And such a race was never seen
As that he made at Bull Run.
Yankee Doodle, doodle-doo,
Yankee Doodle dandy,
I haven't time to stop right now
To take a drop of brandy.
Yankee Doodle, oh! for shame,
You're always intermeddling;
Let guns alone, they're dangerous things;
You'd better stick to peddling.
Yankee Doodle, doodle-doo,
Yankee Doodle dandy,
When next I go to Bully Run
I'll throw away the brandy.
poem by Anonymous Americas
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I Know Why The Caged Bird Sings
The free bird leaps
on the back of the wind
and floats downstream
till the current ends
and dips his wings
in the orange sun rays
and dares to claim the sky.
But a bird that stalks
down his narrow cage
can seldom see through
his bars of rage
his wings are clipped and
his feet are tied
so he opens his throat to sing.
The caged bird sings
with fearful trill
of the things unknown
but longed for still
and is tune is heard
on the distant hillfor the caged bird
sings of freedom
The free bird thinks of another breeze
an the trade winds soft through the sighing trees
and the fat worms waiting on a dawn-bright lawn
and he names the sky his own.
But a caged bird stands on the grave of dreams
his shadow shouts on a nightmare scream
his wings are clipped and his feet are tied
so he opens his throat to sing
The caged bird sings
with a fearful trill
of things unknown
but longed for still
and his tune is heard
on the distant hill
for the caged bird
sings of freedom.
poem by Maya Angelou
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Caged Bird
The free bird leaps
on the back of the wind
and floats downstream
till the current ends
and dips his wings
in the orange sun rays
and dares to claim the sky.
But a bird that stalks
down his narrow cage
can seldom see through
his bars of rage
his wings are clipped and
his feet are tied
so he opens his throat to sing.
The caged bird sings
with fearful trill
of the things unknown
but longed for still
and his tune is heard
on the distant hill
for the caged bird
sings of freedom
The free bird thinks of another breeze
and the trade winds soft through the sighing trees
and the fat worms waiting on a dawn-bright lawn
and he names the sky his own.
But a caged bird stands on the grave of dreams
his shadow shouts on a nightmare scream
his wings are clipped and his feet are tied
so he opens his throat to sing
The caged bird sings
with a fearful trill
of things unknown
but longed for still
and his tune is heard
on the distant hill
for the caged bird
sings of freedom.
poem by Maya Angelou (1994)
Submitted by Dan Costinaş
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The Lyre-Tailed Menura
Far in the forest depths I dwell,
The master mimic of them all,
To pour from out my secret dell
Echo of many a bushland call,
That over all the forest spills;
Echo of many a birdland note,
When out about the timbered hills
Sounds all that borrowed lore that fills
My magic throat.
I am the artist. Songs to me
From all this gay green land are sped;
And when the wondrous canopy
Of my great, fronded tail is spread-
A glorious veil, at even's hush-
Above my head, I do my part;
Then wren and robin, finch and thrush-
All are re-echoed in a rush
Of perfect art.
Here by my regal throne of state,
To serve me for a swift retreat,
The little runways radiate;
And when the tread of alien feet
Draws near I vanish: ever prone
To quick alarm when aught offends
That secret ritual of the throne.
My songs are for my mate alone,
And favoured friends.
I am the artist. None may find,
In all the world, a match for me:
Rare feathered loveliness combined
With such enchanting minstrelsy.
In a land vocal with gay song
I choose whate'er I may require;
I wait, I listen all day long,
Then to the music of a throng
I tune my lyre.
poem by Clarence Michael James Stanislaus Dennis
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Our Lives
Our lives are songs. God writes the words,
And we set them to music at pleasure;
And the song grows glad, or sweet, or sad,
As we choose to fashion the measure.
We must write the music, whatever the song,
Whatever its rhyme, or metre;
And if it is sad, we can make it glad,
Or if sweet, we can make it sweeter.
One has a song that is free and strong;
But the music he writes is minor;
And the sad, sad strain is replete with pain,
And the singer becomes a repiner.
And he thinks God gave him a dirge-like lay,
Nor knows that the words are cheery;
And the song seems lonely and solemn-only
Because the music is dreary.
And the song of another has through the words
An under current of sadness;
But he sets it to music of ringing chords,
And makes it a pean of gladness.
So whether our songs are sad or not,
We can give the world more pleasure,
And better ourselves, by setting the words
To a glad, triumphant measure.
1872
poem by Ella Wheeler Wilcox
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The Diamond Ring
He gave me a diamond ring, he did.
He gave me a diamond ring.
He gave me a song to sing, he did.
He gave me a song to sing.
I wore that ring night and day
but the song just went away.
'Cause my heart knew something wasn't right
when I heard him say,
'I'm gonna need that ring for a while.
I'll get you another soon.'
He took my ring and off he went
whistlin' a tune.
I recognized that tune you see.
It was the song he gave me to sing.
And so I followed the sound of the tune
and saw what he did to my ring.
He gave it to another fool
and gave her a song to sing.
My heart said to me night and day,
'That ring didn't mean a thing.'
poem by Edwina Reizer
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A Footnote to a Famous Lyric
TRUE love’s own talisman, which here
Shakespeare and Sidney failed to teach,
A steel-and-velvet Cavalier
Gave to our Saxon speech:
Chief miracle of theme and touch
That upstart enviers adore:
I could not love thee, dear, so much,
Loved I not Honour more.
No critic born since Charles was king
But sighed in smiling, as he read:
“Here ’s theft of the supremest thing
A poet might have said!”
Young knight and wit and beau, who won,
Mid war’s adventure, ladies’ praise,
Was ’t well of you, ere you had done,
To blight our modern bays?
O yet to you, whose random hand
Struck from the dark whole gems like these,
Archaic beauty, never planned
Nor reared by wan degrees,
Which leaves an artist poor, and art
An earldom richer all her years;
To you, dead on your shield apart,
Be “Ave!” passed in tears.
How shall this singing era spurn
Her master, and in lauds be loath?
Your worth, your work, bid us discern
Light exquisite in both.
’T was virtue’s breath inflamed your lyre,
Heroic from the heart it ran;
Nor for the shedding of such fire
Lives since a manlier man.
And till your strophe sweet and bold
So lovely aye, so lonely long,
Love’s self outdo, dear Lovelace! hold
The pinnacles of song.
poem by Louise Imogen Guiney
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The Foresters
Clear as of old the great voice rings to-day,
While Sherwood's oak-leaves twine with Aldworth's bay:
The voice of him the master and the sire
Of one whole age and legion of the lyre,
Who sang his morning-song when Coleridge still
Uttered dark oracles from Highgate Hill,
And with new-launchèd argosies of rhyme
Gilds and makes brave this sombreing tide of time.
Far be the hour when lesser brows shall wear
The laurel glorious from that wintry hair-
When he, the sovereign of our lyric day,
In Charon's shallop must be rowed away,
And hear, scarce heeding, 'mid the plash of oar,
The
ave atque vale
from the shore!
To him nor tender nor heroic muse
Did her divine confederacy refuse:
To all its moods the lyre of life he strung,
And notes of death fell deathless from his tongue.
Himself the Merlin of his magic strain,
He bade old glories break in gloom again;
And so exempted from oblivious doom,
Through him these days shall fadeless break in bloom.
poem by William Watson
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Lincoln
Hurt was the nation with a mighty wound,
And all her ways were filled with clam'rous sound.
Wailed loud the South with unremitting grief,
And wept the North that could not find relief.
Then madness joined its harshest tone to strife:
A minor note swelled in the song of life.
'Till, stirring with the love that filled his breast,
But still, unflinching at the right's behest,
Grave Lincoln came, strong handed, from afar,
The mighty Homer of the lyre of war.
'T was he who bade the raging tempest cease,
Wrenched from his harp the harmony of peace,
Muted the strings, that made the discord,--Wrong,
And gave his spirit up in thund'rous song.
Oh mighty Master of the mighty lyre,
Earth heard and trembled at thy strains of fire:
Earth learned of thee what Heav'n already knew,
And wrote thee down among her treasured few.
poem by Paul Laurence Dunbar
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Who’ll Wear the Beaten Colours?
Who’ll wear the beaten colours—and cheer the beaten men?
Who’ll wear the beaten colours, till our time comes again?
Where sullen crowds are densest, and fickle as the sea,
Who’ll wear the beaten colours, and wear them home with me?
We closed the bars and gambling dens and voted straight and clean,
Our women walked while motor cars were whirling round the scene,
The Potts Point Vote was one for Greed and Ease and Luxury
With all to hold, and coward gold, and beaten folk are we.
Who’ll wear the beaten colours, with hands and pockets clean?
(I wore the beaten colours since I was seventeen)
I wore them up, and wore them down, Outback and across the sea—
Who’ll wear the beaten colours, and wear them home with me?
We wore them back from Ladysmith to where the peace was signed,
And wore them through the London streets where Jingoes howled behind.
We wore them to the Queen’s Hall, while England yelled “Pro-Boers!”
And sat them over victory while London banged the doors.1
We wore them from Port Arthur round till all sunk in the sea—
(Who’ll wear the white man’s colours, and wear them home with me?)
I’ve worn them through with gentlemen, with work-slaves and alone—
Who’ll wear the beaten colours, boys, and wear them on his own?
There’s one would look with startled eyes and shrink while I caressed,
Came I not with the colours of the conquered on my breast.
And twenty thousand Bushmen would stand with hands behind
And scorn in all their faces for the coward of his kind.
Who’ll wear the beaten colours and raise the voice they drowned—
It may be when we march again, they’ll bear some other sound—
Who’ll pin the beaten colours on and drive the beaten pen—
It may be other steel and ink when we march out again.
poem by Henry Lawson
Submitted by Poetry Lover
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Melba
Born to the sun and smiling skies,
And bird-songs to the morning flung,
To joyousness that never dies
In hearts that stay for ever young
'Twas here, beneath the shining trees,
She paused to learn the magic rune
Of those unlaboured ecstasies
That keep a weary world in tune.
The grey thrush fluting by the nest,
The golden whistler trilling high
Their gifts she captured and expressed
In magic notes that may not die.
Then to the old, grey world she gave,
Exultingly, at Art's command,
In songs that live beyond the grave,
Her message from a bright, young land.
With sheer exuberance of Art,
Won from that happy, feathered throng,
She poured our sunshine from her heart,
Translated into magic song.
And tho', alas. the singer dies,
Who bade old continents rejoice,
Not ever from our sunlit skies
Departs the memory of her voice.
poem by Clarence Michael James Stanislaus Dennis
Submitted by Poetry Lover
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Not Marble Nor The Gilded Monuments
THE praisers of women in their proud and beautiful poems
Naming the grave mouth and the hair and the eyes
Boasted those they loved should be forever remembered
These were lies
The words sound but the face in the Istrian sun is forgotten
The poet speaks but to her dead ears no more
The sleek throat is gone -and the breast that was troubled to listen
Shadow from door
Therefore I will not praise your knees nor your fine walking
Telling you men shall remember your name as long
As lips move or breath is spent or the iron of English
Rings from a tongue
I shall say you were young and your arms straight and you!
mouth scarlet
I shall say you will die and none will remember you
Your arms change and none remember the swish of your garments
Nor the click of your shoe
Not with my hand's strength not with difficult labor
Springing the obstinate words to the bones of your breast
And the stubborn line to your young stride and the breath to your breathing
And the beat to your haste
Shall I prevail on the hearts of unborn men to remember
(What is a dead girl but a shadowy ghost
Or a dead man's voice but a distant and vain affirmation
Like dream words most)
Therefore I will not speak of the undying glory of women
I will say you were young and straight and your skin fair
And you stood in the door and the sun was a shadow of leaves on your shoulders
And a leaf on your hair
I will not speak of the famous beauty of dead women
I will say the shape of a leaf lay once on your hair
Till the world ends and the eyes are out and the mouths broken
Look! It is there!
poem by Archibald MacLeish
Submitted by Poetry Lover
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The Lesson
MY cot was down by a cypress grove,
And I sat by my window the whole night long,
And heard well up from the deep dark wood
A mocking-bird's passionate song.
And I thought of myself so sad and lone,
And my life's cold winter that knew no spring;
Of my mind so weary and sick and wild,
Of my heart too sad to sing.
But e'en as I listened the mock-bird's song,
A thought stole into my saddened heart,
And I said, 'I can cheer some other soul
By a carol's simple art.'
For oft from the darkness of hearts and lives
Come songs that brim with joy and light,
As out of the gloom of the cypress grove
The mocking-bird sings at night.
So I sang a lay for a brother's ear
In a strain to soothe his bleeding heart,
And he smiled at the sound of my voice and lyre,
Though mine was a feeble art.
But at his smile I smiled in turn,
And into my soul there came a ray:
In trying to soothe another's woes
Mine own had passed away.
poem by Paul Laurence Dunbar
Submitted by Poetry Lover
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How Do You Measure Up?
If you measure yourself by ambition,
There will always be someone more ambitious than you.
If you measure yourself by money,
There is always someone wealthier than you.
If you measure yourself by power,
There is always someone more powerful than you.
If you measure yourself with material things,
There is always someone with more stuff than you.
If you measure yourself by where you are in life,
There is always someone farther down the path than you.
If you measure yourself by appearance,
There is always someone that appears than you.
If you measure yourself by God,
Then we are all the same.
We are all wonderfully and beautifully made.
God is love.
And love has no end.
So in God's heart,
You will always measure up!
poem by Ryan Lee Morris
Submitted by Poetry Lover
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The Voice Of Beauty Drowned
'Cry from the thicket my heart's bird!'
The other birds woke all around;
Rising with toot and howl they stirred
Their plumage, broke the trembling sound,
They craned their necks, they fluttered wings,
'While we are silent no one sings,
And while we sing you hush your throat,
Or tune your melody to our note.'
'Cry from the thicket my heart's bird!'
The screams and hootings rose again:
They gaped with raucous beaks, they whirred
Their noisy plumage; small but plain
The lonely hidden singer made
A well of grief within the glade.
'Whist, silly fool, be off,' they shout,
'Or we'll come pluck your feathers out.'
'Cry from the thicket my heart's bird!'
Slight and small the lovely cry
Came trickling down, but no one heard;
Parrot and cuckoo, crow, magpie,
Jarred horrid notes, the jangling jay
Ripped the fine threads of song away;
For why should peeping chick aspire
To challenge their loud woodland choir?
Cried it so sweet, that unseen bird?
Lovelier could no music be,
Clearer than water, soft as curd,
Fresh as the blossomed cherry tree.
How sang the others all around?
Piercing and harsh, a maddening sound,
With 'Pretty Poll, Tuwit-tuwoo
Peewit, Caw Caw, Cuckoo-Cuckoo.'
How went the song, how looked the bird?
If I could tell, if I could show
With one quick phrase, one lightning word,
I'd learn you more than poets know;
For poets, could they only catch
Of that forgotten tune one snatch,
Would build it up in song or sonnet,
And found their whole life's fame upon it.
poem by Robert Graves
Submitted by Poetry Lover
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Gettin In Tune
Im singing this note cause it fits in well
Im singing this note cause it fits in well
With the chords Im playing
With the chords Im playing
I cant pretend theres any meaning here
I cant pretend theres any meaning here
Or in the things Im saying
Or in the things Im saying
But Im in tune
But Im in tune
Right in tune
Right in tune
Im in tune
Im in tune
And Im gonna tune
And Im gonna tune
Right in on you
Right in on you
Right in on you
Right in on you
Right in on you
Right in on you
I get a little tired of having to say
I get a little tired of having to say
do you come here often?
Do you come here often?
But when I look in your eyes and see the harmonies
But when I look in your eyes and see the harmonies
And the heartaches soften
And the heartaches soften
Im getting in tune
Im getting in tune
Right in tune
Right in tune
Im in tune
Im in tune
And Im gonna tune
And Im gonna tune
Right in on you (right in on you)
Right in on you (right in on you)
Right in on you (right in on you)
Right in on you (right in on you)
Right in on you
Right in on you
Ive got it all here in my head
Ive got it all here in my head
Theres nothing more needs to be said
Theres nothing more needs to be said
Im just bangin on my old piano
Im just bangin on my old piano
Im getting in tune with the straight and narrow
Im getting in tune with the straight and narrow
(getting in tune with the straight and narrow)
(getting in tune with the straight and narrow)
Getting in tune with the straight and narrow
Getting in tune with the straight and narrow
(getting in tune with the straight and narrow)
(getting in tune with the straight and narrow)
Yeah, Im getting in tune with the straight and narrow
Yeah, Im getting in tune with the straight and narrow
(getting in tune with the straight and narrow)
(getting in tune with the straight and narrow)
Im singing this note cause it fits in well
Im singing this note cause it fits in well
With the way Im feeling
With the way Im feeling
Theres a symphony that I hear in your heart
Theres a symphony that I hear in your heart
Sets my head a-reeling
Sets my head a-reeling
But Im in tune
But Im in tune
Right in tune
Right in tune
Im in tune
Im in tune
And Im gonna tune
And Im gonna tune
Right in on you (right in on you)
Right in on you (right in on you)
Right in on you (right in on you)
Right in on you (right in on you)
Right in on you
Right in on you
Baby, with you
Baby, with you
Baby, with you
Baby, with you
Baby, with you
Baby, with you
Baby, with you
Baby, with you
Baby, with you
Baby, with you
Ive got it all here in my head
Ive got it all here in my head
Theres nothing more needs to be said
Theres nothing more needs to be said
Im just bangin on my old piano
Im just bangin on my old piano
Im getting in tune with the straight and narrow
Im getting in tune with the straight and narrow
Getting in tune with the straight and narrow (repeat)
Getting in tune with the straight and narrow (repeat)
song performed by by Who
Submitted by Lucian Velea
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