The Cloudberry
Give me no coil of daemon flowers-
Pale Messalines that faint and brood
Through the spent and secret twilight hours
On their strange feasts of blood.
Five me wild things of moss and peat-
The gipsy flower that bravely goes,
The heather's little hard, brown feet,
And the black eyes of sloes.
But most of all the cloudberry
That offers in her clean, white cup
The melting snows-the cloudberry!
Where the great winds go up
To the hushed peak whose shadow fills
The air with silence calm and wide-
She lives, the Dian of the hills,
And the streams course beside.
poem by Muriel Stuart

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The Red House
On the wide fields the water gleams like snow,
And snow like water pale beneath pale sky,
When old and burdened the white clouds are stooped low.
Sudden as thought, or startled near bird's cry,
The whiteness of first light on hills of snow
New dropped from skiey hills of tumbling white
Streams from the ridge to where the long woods lie;
And tall ridge-trees lift their soft crowns of white
Above slim bodies all black or flecked with snow.
By the tossed foam of the not yet frozen brook
Black pigs go straggling over fields of snow;
The air is full of snow, and starling and rook
Are blacker amid the myriad streams of light.
Warm as old fire the Red House burns yet bright
Beneath the unmelting snows of pine and larch,
While February moves as slow, as slow
As Spring might never come, never come March.
Amid such snows, by generations haunted,
By echoes, memories and dreams enchanted,
Firm when dark winds through the night stamp and shout,
Brightest when time silvers the world all about,
That old house called _The Heart_ burns, burns, and still
Outbraves the mortal threat of the hanging hill.
poem by John Freeman

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The Gipsy Trail
The white moth to the closing bine,
The bee to the opened clover,
And the gipsy blood to the gipsy blood
Ever the wide world over.
Ever the wide world over, lass,
Ever the trail held true,
Over the world and under the world,
And back at the last to you.
Out of the dark of the gorgio camp,
Out of the grime and the gray
(Morning waits at the end of the world),
Gipsy, come away!
The wild boar to the sun-dried swamp
The red crane to her reed,
And the Romany lass to the Romany lad,
By the tie of a roving breed.
The pied snake to the rifted rock,
The buck to the stony plain,
And the Romany lass to the Romany lad,
And both to the road again.
Both to the road again, again!
Out on a clean sea-track -
Follow the cross of the gipsy trail
Over the world and back!
Follow the Romany patteran
North where the blue bergs sail,
And the bows are grey with the frozen spray,
And the masts are shod with mail.
Follow the Romany patteran
Sheer to the Austral Light,
Where the besom of God is the wild South wind,
Sweeping the sea-floors white.
Follow the Romany patteran
West to the sinking sun,
Till the junk-sails lift through the houseless drift.
And the east and west are one.
Follow the Romany patteran
East where the silence broods
By a purple wave on an opal beach
In the hush of the Mahim woods.
'The wild hawk to the wind-swept sky,
The deer to the wholesome wold,
And the heart of a man to the heart of a maid,
As it was in the days of old.'
The heart of a man to the heart of a maid -
Light of my tents, be fleet.
Morning waits at the end of the world,
And the world is all at our feet!
poem by Rudyard Kipling

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Before the Mirror
I.
WHITE ROSE in red rose-garden
Is not so white;
Snowdrops that plead for pardon
And pine for fright
Because the hard East blows
Over their maiden rows
Grow not as this face grows from pale to bright.
Behind the veil, forbidden,
Shut up from sight,
Love, is there sorrow hidden,
Is there delight?
Is joy thy dower or grief,
White rose of weary leaf,
Late rose whose life is brief, whose loves are light?
Soft snows that hard winds harden
Till each flake bite
Fill all the flowerless garden
Whose flowers took flight
Long since when summer ceased,
And men rose up from feast,
And warm west wind grew east, and warm day night.
II.
“Come snow, come wind or thunder
High up in air,
I watch my face, and wonder
At my bright hair;
Nought else exalts or grieves
The rose at heart, that heaves
With love of her own leaves and lips that pair.
“She knows not loves that kissed her
She knows not where.
Art thou the ghost, my sister,
White sister there,
Am I the ghost, who knows?
My hand, a fallen rose,
Lies snow-white on white snows, and takes no care.
“I cannot see what pleasures
Or what pains were;
What pale new loves and treasures
New years will bear;
What beam will fall, what shower,
What grief or joy for dower;
But one thing knows the flower; the flower is fair.”
III.
Glad, but not flushed with gladness,
Since joys go by;
Sad, but not bent with sadness,
Since sorrows die;
Deep in the gleaming glass
She sees all past things pass,
And all sweet life that was lie down and lie.
There glowing ghosts of flowers
Draw down, draw nigh;
And wings of swift spent hours
Take flight and fly;
She sees by formless gleams,
She hears across cold streams,
Dead mouths of many dreams that sing and sigh.
Face fallen and white throat lifted,
With sleepless eye
She sees old loves that drifted,
She knew not why,
Old loves and faded fears
Float down a stream that hears
The flowing of all men’s tears beneath the sky.
poem by Algernon Charles Swinburne

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The Gypsy-Trail
The white moth to the closing bine,
The bee to the opened clover,
And the gipsy blood to the gipsy blood
Ever the wide world over.
Ever the wide world over, lass,
Ever the trail held true,
Over the world and under the world,
And back at the last to you.
Out of the dark of the gorgio camp,
Out of the grime and the gray
(Morning waits at the end of the world),
Gipsy, come away!
The wild boar to the sun-dried swamp
The red crane to her reed,
And the Romany lass to the Romany lad,
By the tie of a roving breed.
The pied snake to the rifted rock,
The buck to the stony plain,
And the Romany lass to the Romany lad,
And both to the road again.
Both to the road again, again!
Out on a clean sea-track --
Follow the cross of the gipsy trail
Over the world and back!
Follow the Romany patteran
North where the blue bergs sail,
And the bows are grey with the frozen spray,
And the masts are shod with mail.
Follow the Romany patteran
Sheer to the Austral Light,
Where the besom of God is the wild South wind,
Sweeping the sea-floors white.
Follow the Romany patteran
West to the sinking sun,
Till the junk-sails lift through the houseless drift.
And the east and west are one.
Follow the Romany patteran
East where the silence broods
By a purple wave on an opal beach
In the hush of the Mahim woods.
"The wild hawk to the wind-swept sky,
The deer to the wholesome wold,
And the heart of a man to the heart of a maid,
As it was in the days of old."
The heart of a man to the heart of a maid --
Light of my tents, be fleet.
Morning waits at the end of the world,
And the world is all at our feet!
poem by Rudyard Kipling

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The Garden of Prosperine
Here, where the world is quiet,
Here, where all trouble seems
Dead winds' and spent waves' riot
In doubtful dreams of dreams;
I watch the green field growing
For reaping folk and sowing,
For harvest-time and mowing,
A sleepy world of streams.
I am tired of tears and laughter,
And men that laugh and weep;
Of what may come hereafter
For men that sow to reap:
I am weary of days and hours,
Blown buds of barren flowers,
Desires and dreams and powers
And everything but sleep.
Here life has death for neighbour,
And far from eye or ear
Wan waves and wet winds labour,
Weak ships and spirits steer;
They drive adrift, and whither
They wot not who make thither;
But no such winds blow hither,
And no such things grow here.
No growth of moor or coppice,
No heather-flower or vine,
But bloomless buds of poppies,
Green grapes of Proserpine,
Pale beds of blowing rushes,
Where no leaf blooms or blushes
Save this whereout she crushes
For dead men deadly wine.
Pale, without name or number,
In fruitless fields of corn,
They bow themselves and slumber
All night till light is born;
And like a soul belated,
In hell and heaven unmated,
By cloud and mist abated
Comes out of darkness morn.
Though one were strong as seven,
He too with death shall dwell,
Nor wake with wings in heaven,
Nor weep for pains in hell;
Though one were fair as roses,
His beauty clouds and closes;
And well though love reposes,
In the end it is not well.
Pale, beyond porch and portal,
Crowned with calm leaves, she stands
Who gathers all things mortal
With cold immortal hands;
Her languid lips are sweeter
Than love's who fears to greet her
To men that mix and meet her
From many times and lands.
She waits for each and other,
She waits for all men born;
Forgets the earth her mother,
The life of fruits and corn;
And spring and seed and swallow
Take wing for her and follow
Where summer song rings hollow
And flowers are put to scorn.
There go the loves that wither,
The old loves with wearier wings;
And all dead years draw thither,
And all disastrous things;
Dead dreams of days forsaken,
Blind buds that snows have shaken,
Wild leaves that winds have taken,
Red strays of ruined springs.
We are not sure of sorrow,
And joy was never sure;
Today will die tomorrow;
Time stoops to no man's lure;
And love, grown faint and fretful,
With lips but half regretful
Sighs, and with eyes forgetful
Weeps that no loves endure.
From too much love of living,
From hope and fear set free,
We thank with brief thanksgiving
Whatever gods may be That no life lives for ever;
That dead men rise up never;
That even the weariest river
Winds somewhere safe to sea.
Then star nor sun shall waken,
Nor any change of light:
Nor sound of waters shaken,
Nor any sound or sight:
Nor wintry leaves nor vernal,
Nor days nor things diurnal;
Only the sleep eternal
In an eternal night.
poem by Algernon Charles Swinburne

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A Summer Ramble
The quiet August noon has come,
A slumberous silence fills the sky,
The fields are still, the woods are dumb,
In glassy sleep the waters lie.
And mark yon soft white clouds that rest
Above our vale, a moveless throng;
The cattle on the mountain's breast
Enjoy the grateful shadow long.
Oh, how unlike those merry hours
In early June when Earth laughs out,
When the fresh winds make love to flowers,
And woodlands sing and waters shout.
When in the grass sweet voices talk,
And strains of tiny music swell
From every moss-cup of the rock,
From every nameless blossom's bell.
But now a joy too deep for sound,
A peace no other season knows,
Hushes the heavens and wraps the ground,
The blessing of supreme repose.
Away! I will not be, to-day,
The only slave of toil and care.
Away from desk and dust! away!
I'll be as idle as the air.
Beneath the open sky abroad,
Among the plants and breathing things,
The sinless, peaceful works of God,
I'll share the calm the season brings.
Come, thou, in whose soft eyes I see
The gentle meanings of thy heart,
One day amid the woods with me,
From men and all their cares apart.
And where, upon the meadow's breast,
The shadow of the thicket lies,
The blue wild flowers thou gatherest
Shall glow yet deeper near thine eyes.
Come, and when mid the calm profound,
I turn, those gentle eyes to seek,
They, like the lovely landscape round,
Of innocence and peace shall speak.
Rest here, beneath the unmoving shade,
And on the silent valleys gaze,
Winding and widening, till they fade
In yon soft ring of summer haze.
The village trees their summits rear
Still as its spire, and yonder flock
At rest in those calm fields appear
As chiselled from the lifeless rock.
One tranquil mount the scene o'erlooks--
There the hushed winds their sabbath keep
While a near hum from bees and brooks
Comes faintly like the breath of sleep.
Well may the gazer deem that when,
Worn with the struggle and the strife,
And heart-sick at the wrongs of men,
The good forsakes the scene of life;
Like this deep quiet that, awhile,
Lingers the lovely landscape o'er,
Shall be the peace whose holy smile
Welcomes him to a happier shore.
poem by William Cullen Bryant

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Chorus
from Atalanta in Calydon
When the hounds of spring are on winter's traces,
The mother of months in meadow or plain
Fills the shadows and windy places
With lisp of leaves and ripple of rain;
And the brown bright nigthingale amorous
Is half assuaged for Itylus,
For the Thracian ships and the foreign faces,
The tongueless vigil, and all the pain.
Come with bows bent and emptying of quivers,
Maiden most perfect, lady of light,
With a noise of winds and many rivers,
With a clamour of waters, and with might;
Bind on thy sandals, O thou most fleet,
Over the splendour and speed of thy feet;
For the faint east quickens, the wan west shivers,
Round the feet of the day and the feet of the night.
Where shall we find her, how shall we sing to her,
Fold our hands round her knees, and cling?
O that man's heart were as fire and could spring to her,
Fire, or the strength of the streams that spring!
For the stars and the winds are unto her
As raiment, as songs of the harp-player;
For the risen stars and the fallen cling to her,
And the southwest-wind and the west-wind sing.
For winter's rains and ruins are over,
And all the season of snows and sins;
The days dividing lover and lover,
The light that loses, the night that wins;
And time remembered is grief forgotten,
And frosts are slain and flowers begotten,
And in green underwood and cover
Blossom by blossom the spring begins.
The full streams feed on flower of rushes,
Ripe grasses trammel a travelling foot,
The faint fresh flame of the young year flushes
From leaf to flower and flower to fruit;
And fruit and leaf are as gold and fire,
And the oat is heard above the lyre,
And the hoofed heel of a satyr crushes
The chestnut-husk at the chestnut-root.
And Pan by noon and Bacchus by night,
Fleeter of foot than the fleet-foot kid,
Follows with dancing and fills with delight
The Maenad and the Bassarid;
And soft as lips that laugh and hide
The laughing leaves of the trees divide,
And screen from seeing and leave in sight
The god pursuing, the maiden hid.
The ivy falls with the Bacchanal's hair
Over her eyebrows hiding her eyes;
The wild vine slipping down leaves bare
Her bright breast shortening with sighs;
The wild vine slips with the weight of its leaves,
But the berried ivy catches and cleaves
To the limbs that glitter, the feet that scare
The wolf that follows, the fawn that flies.
poem by Algernon Charles Swinburne

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Chorus from 'Atalanta
WHEN the hounds of spring are on winter's traces,
The mother of months in meadow or plain
Fills the shadows and windy places
With lisp of leaves and ripple of rain;
And the brown bright nightingale amorous
Is half assuaged for Itylus,
For the Thracian ships and the foreign faces.
The tongueless vigil, and all the pain.
Come with bows bent and with emptying of quivers,
Maiden most perfect, lady of light,
With a noise of winds and many rivers,
With a clamour of waters, and with might;
Bind on thy sandals, O thou most fleet,
Over the splendour and speed of thy feet;
For the faint east quickens, the wan west shivers,
Round the feet of the day and the feet of the night.
Where shall we find her, how shall we sing to her,
Fold our hands round her knees, and cling?
O that man's heart were as fire and could spring to her,
Fire, or the strength of the streams that spring!
For the stars and the winds are unto her
As raiment, as songs of the harp-player;
For the risen stars and the fallen cling to her,
And the southwest-wind and the west-wind sing.
For winter's rains and ruins are over,
And all the season of snows and sins;
The days dividing lover and lover,
The light that loses, the night that wins;
And time remember'd is grief forgotten,
And frosts are slain and flowers begotten,
And in green underwood and cover
Blossom by blossom the spring begins.
The full streams feed on flower of rushes,
Ripe grasses trammel a travelling foot,
The faint fresh flame of the young year flushes
From leaf to flower and flower to fruit;
And fruit and leaf are as gold and fire,
And the oat is heard above the lyre,
And the hoofed heel of a satyr crushes
The chestnut-husk at the chestnut-root.
And Pan by noon and Bacchus by night,
Fleeter of foot than the fleet-foot kid,
Follows with dancing and fills with delight
The Maenad and the Bassarid;
And soft as lips that laugh and hide
The laughing leaves of the trees divide,
And screen from seeing and leave in sight
The god pursuing, the maiden hid.
The ivy falls with the Bacchanal's hair
Over her eyebrows hiding her eyes;
The wild vine slipping down leaves bare
Her bright breast shortening into sighs;
The wild vine slips with the weight of its leaves,
But the berried ivy catches and cleaves
To the limbs that glitter, the feet that scare
The wolf that follows, the fawn that flies.
poem by Algernon Charles Swinburne

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Evening
The light passes
from ridge to ridge,
from flower to flower—
the hepaticas, wide-spread
under the light
grow faint—
the petals reach inward,
the blue tips bend
toward the bluer heart
and the flowers are lost.
The cornel-buds are still white,
but shadows dart
from the cornel-roots—
black creeps from root to root,
each leaf
cuts another leaf on the grass,
shadow seeks shadow,
then both leaf
and leaf-shadow are lost.
poem by Hilda Doolittle

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Day that I have Loved
Tenderly, day that I have loved, I close your eyes,
And smooth your quiet brow, and fold your thin dead hands.
The grey veils of the half-light deepen; colour dies.
I bear you, a light burden, to the shrouded sands,
Where lies your waiting boat, by wreaths of the sea's making
Mist-garlanded, with all grey weeds of the water crowned.
There you'll be laid, past fear of sleep or hope of waking;
And over the unmoving sea, without a sound,
Faint hands will row you outward, out beyond our sight,
Us with stretched arms and empty eyes on the far-gleaming
And marble sand. . . .
Beyond the shifting cold twilight,
Further than laughter goes, or tears, further than dreaming,
There'll be no port, no dawn-lit islands! But the drear
Waste darkening, and, at length, flame ultimate on the deep.
Oh, the last fire - and you, unkissed, unfriended there!
Oh, the lone way's red ending, and we not there to weep!
(We found you pale and quiet, and strangely crowned with flowers,
Lovely and secret as a child. You came with us,
Came happily, hand in hand with the young dancing hours,
High on the downs at dawn!) Void now and tenebrous,
The grey sands curve before me. . . .
From the inland meadows,
Fragrant of June and clover, floats the dark, and fills
The hollow sea's dead face with little creeping shadows,
And the white silence brims the hollow of the hills.
Close in the nest is folded every weary wing,
Hushed all the joyful voices; and we, who held you dear,
Eastward we turn and homeward, alone, remembering . . .
Day that I loved, day that I loved, the Night is here!
poem by Rupert Brooke

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The Insect
From your hips down to your feet
I want to make a long journey.
I am smaller than an insect.
Over these hills I pass,
hills the colour of oats,
crossed with faint tracks
that only I know,
scorched centimetres,
pale perspectives.
Now here is a mountain.
I shall never leave this.
What a giant growth of moss!
And a crater, a rose
of moist fire!
Coming down your legs
I trace a spiral,
or sleep on the way,
and arrive at your knees,
round hardness
like the hard peaks
of a bright continent.
Sliding down to your feet
I reach the eight slits
of your pointed, slow,
peninsular toes,
and from them I fall down
to the white emptiness
of the sheet, seeking blindly
and hungrily the form
of your fiery crucible!
poem by Pablo Neruda

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Sunset
Behind the golden western hills
The sun goes down, a founder'd bark,
Only a mighty sadness fills
The silence of the dark.
O twilight sad with wistful eyes,
Restore in ruth again to me
The shadow of the peace that lies
Beyond the purple sea.
The sun of my great joy goes down,
Against the paling heights afar,
Gleams out like some glad angel's crown,
A yellow evening star;
The glory from the western hills
Falls fading, spark on spark,
Only a mighty sadness fills
The spaces of the dark.
poem by George Charles Whitney

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Sonnet- Life Has Both Joys And Sorrows
Men praise the Rose for exquisite beauty,
And praise the flower too for its great smell;
None care for thorns(changed leaves) doing duty,
Protecting flowers from wild beasts so well.
Men praise the River for quenching their thirst;
Who cares about the clouds that bring the Rain?
Much water comes from melting snows too first;
Most water comes from sea again, again.
Men praise their leaders for the great things done;
Who cares about the Almighty’s great role?
And men call God, the Moon, the Sky, the Sun!
Forgetting God who made earth, pole to pole.
All things God made have purpose good and bad;
Life’s woes alone should not make our hearts sad.
poem by John Celes

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The Sundew
A LITTLE marsh-plant, yellow green,
And pricked at lip with tender red.
Tread close, and either way you tread
Some faint black water jets between
Lest you should bruise the curious head.
A live thing maybe; who shall know?
The summer knows and suffers it;
For the cool moss is thick and sweet
Each side, and saves the blossom so
That it lives out the long June heat.
The deep scent of the heather burns
About it; breathless though it be,
Bow down and worship; more than we
Is the least flower whose life returns,
Least weed renascent in the sea.
We are vexed and cumbered in earth’s sight
With wants, with many memories;
These see their mother what she is,
Glad-growing, till August leave more bright
The apple-coloured cranberries.
Wind blows and bleaches the strong grass,
Blown all one way to shelter it
From trample of strayed kine, with feet
Felt heavier than the moorhen was,
Strayed up past patches of wild wheat.
You call it sundew: how it grows,
If with its colour it have breath,
If life taste sweet to it, if death
Pain its soft petal, no man knows:
Man has no sight or sense that saith.
My sundew, grown of gentle days,
In these green miles the spring begun
Thy growth ere April had half done
With the soft secret of her ways
Or June made ready for the sun.
O red-lipped mouth of marsh-flower,
I have a secret halved with thee.
The name that is love’s name to me
Thou knowest, and the face of her
Who is my festival to see.
The hard sun, as thy petals knew,
Coloured the heavy moss-water:
Thou wert not worth green midsummer
Nor fit to live to August blue,
O sundew, not remembering her.
poem by Algernon Charles Swinburne

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The Charm
In darkness the loud sea makes moan;
And earth is shaken, and all evils creep
About her ways.
Oh, now to know you sleep!
Out of the whirling blinding moil, alone,
Out of the slow grim fight,
One thought to wing - to you, asleep,
In some cool room that's open to the night
Lying half-forward, breathing quietly,
One white hand on the white
Unrumpled sheet, and the ever-moving hair
Quiet and still at length! . . .
Your magic and your beauty and your strength,
Like hills at noon or sunlight on a tree,
Sleeping prevail in earth and air.
In the sweet gloom above the brown and white
Night benedictions hover; and the winds of night
Move gently round the room, and watch you there.
And through the dreadful hours
The trees and waters and the hills have kept
The sacred vigil while you slept,
And lay a way of dew and flowers
Where your feet, your morning feet, shall tread.
And still the darkness ebbs about your bed.
Quiet, and strange, and loving-kind, you sleep.
And holy joy about the earth is shed;
And holiness upon the deep.
poem by Rupert Brooke (1909)

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Charm, The
In darkness the loud sea makes moan;
And earth is shaken, and all evils creep
About her ways.
Oh, now to know you sleep!
Out of the whirling blinding moil, alone,
Out of the slow grim fight,
One thought to wing -- to you, asleep,
In some cool room that's open to the night
Lying half-forward, breathing quietly,
One white hand on the white
Unrumpled sheet, and the ever-moving hair
Quiet and still at length! . . .
Your magic and your beauty and your strength,
Like hills at noon or sunlight on a tree,
Sleeping prevail in earth and air.
In the sweet gloom above the brown and white
Night benedictions hover; and the winds of night
Move gently round the room, and watch you there.
And through the dreadful hours
The trees and waters and the hills have kept
The sacred vigil while you slept,
And lay a way of dew and flowers
Where your feet, your morning feet, shall tread.
And still the darkness ebbs about your bed.
Quiet, and strange, and loving-kind, you sleep.
And holy joy about the earth is shed;
And holiness upon the deep.
poem by Rupert Brooke

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Heath from the Highlands
Here, where the great hills fall away
To bays of silver sea,
I hold within my hand to-day
A wild thing, strange to me.
Behind me is the deep green dell
Where lives familiar light;
The leaves and flowers I know so well
Are gleaming in my sight.
And yonder is the mountain glen,
Where sings in trees unstirred
By breath of breeze or axe of men
The shining satin-bird.
The old weird cry of plover comes
Across the marshy ways,
And here the hermit hornet hums,
And here the wild bee strays.
No novel life or light I see,
On hill, in dale beneath:
All things around are known to me
Except this bit of heath.
This touching growth hath made me dream -
It sends my soul afar
To where the Scottish mountains gleam
Against the Northern star.
It droops - this plant - like one who grieves;
But, while my fancy glows,
There is that glory on its leaves
Which never robed the rose.
For near its wind-blown native spot
Were born, by crags uphurled,
The ringing songs of Walter Scott
That shook the whole wide world.
There haply by the sounding streams,
And where the fountains break,
He saw the darling of his dreams,
The Lady of the Lake.
And on the peaks where never leaf
Of lowland beauty grew,
Perhaps he met Clan Alpine's chief,
The rugged Roderick Dhu.
Not far, perchance, this heather throve
(Above fair banks of ferns),
From that green place of stream and grove
That knew the voice of Burns.
Against the radiant river ways
Still waves the noble wood,
Where in the old majestic days
The Scottish poet stood.
Perhaps my heather used to beam
In robes of morning frost,
By dells which saw that lovely dream -
The Mary that he lost.
I hope, indeed, the singer knew
The little spot of land
On which the mountain beauty grew
That withers in my hand.
A Highland sky my vision fills;
I feel the great, strong North -
The hard grey weather of the hills
That brings men-children forth.
The peaks of Scotland, where the din
And flame of thunders go,
Seem near me, with the masculine,
Hale sons of wind and snow.
So potent is this heather here,
That under skies of blue,
I seem to breathe the atmosphere
That William Wallace knew.
And under windy mountain wall,
Where breaks the torrent loose,
I fancy I can hear the call
Of grand old Robert Bruce.
poem by Henry Kendall

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Omeo
Up and down the roads they go
Vale to hill, and hill to vale
Leading on to Omeo
Over many an olden trail
Dainty lady of the hills,
Rosy-cheecked amid her snows;
Beauty that her landscape fills
Tips the peak and downward spills,
Down to where old Tambo flows.
As Tambo winds, so winds the road;
Cascades sparkly by the way
Where o'er granite, waters flowed
Since some pre-historic day.
Limestone glints and marble gleams,
Beautiful and many-hued,
Bared by ever flowing streams
To recapture long-lost dreams
Of an age-old solitude.
Six grey horses drew the coach.
Climbing up and clattering down,
To the picturesque approach
Of this quaint, old-fashioned town.
While the driver yarned apace,
Six grey horses, coats agleam,
Straining steady at the trace,
Drew up at the stopping place
The Blue Duck Inn where anglers dream.
Dainty lady of the hills.
Rosy-cheeked amid her snows,
Peace her quiet hamlet fills
As full well the angler knows.
Peace and quiet pride inform
All her moods as seasons go.
Summer sun nor winter storm
Naught may change that welcome warm
Of the Lady Omeo.
poem by Clarence Michael James Stanislaus Dennis

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Blue Evening
My restless blood now lies a-quiver,
Knowing that always, exquisitely,
This April twilight on the river
Stirs anguish in the heart of me.
For the fast world in that rare glimmer
Puts on the witchery of a dream,
The straight grey buildings, richly dimmer,
The fiery windows, and the stream
With willows leaning quietly over,
The still ecstatic fading skies . . .
And all these, like a waiting lover,
Murmur and gleam, lift lustrous eyes,
Drift close to me, and sideways bending
Whisper delicious words.
But I
Stretch terrible hands, uncomprehending,
Shaken with love; and laugh; and cry.
My agony made the willows quiver;
I heard the knocking of my heart
Die loudly down the windless river,
I heard the pale skies fall apart,
And the shrill stars' unmeaning laughter,
And my voice with the vocal trees
Weeping. And Hatred followed after,
Shrilling madly down the breeze.
In peace from the wild heart of clamour,
A flower in moonlight, she was there,
Was rippling down white ways of glamour
Quietly laid on wave and air.
Her passing left no leaf a-quiver.
Pale flowers wreathed her white, white brows.
Her feet were silence on the river;
And "Hush!" she said, between the boughs.
poem by Rupert Brooke (1909)

Submitted by Veronica Serbanoiu
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A Memory
Here, while the loom of Winter weaves
The shroud of flowers and fountains,
I think of thee and summer eves
Among the Northern mountains.
When thunder tolled the twilight's close,
And winds the lake were rude on,
And thou wert singing, _Ca' the Yowes_,
The bonny yowes of Cluden!
When, close and closer, hushing breath,
Our circle narrowed round thee,
And smiles and tears made up the wreath
Wherewith our silence crowned thee;
And, strangers all, we felt the ties
Of sisters and of brothers;
Ah! whose of all those kindly eyes
Now smile upon another's?
The sport of Time, who still apart
The waifs of life is flinging;
Oh, nevermore shall heart to heart
Draw nearer for that singing!
Yet when the panes are frosty-starred,
And twilight's fire is gleaming,
I hear the songs of Scotland's bard
Sound softly through my dreaming!
A song that lends to winter snows
The glow of summer weather,--
Again I hear thee ca' the yowes
To Cluden's hills of heather
poem by John Greenleaf Whittier

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